closetdramaqueen

I feel ya. And I find myself a little frustrated with the female lead as of late.

I just meant when they use it mid-story to add further conflict right when the leads’ relationship is getting somewhere. I have no issue with Yi Young’s lapses in memory from the trauma as this was established from the beginning. And I don’t actually want either one of them to die, just to clarify.

i don't think they would but i'd rather have it go that route tbh than have to endure 2-4 episodes of the amnesia trope again :(((((

if they go the amnesia route, i'm ganna be so disappointed.

I now look forward to people's comments / theories here after every episode. Helps me digest what I've just watched as it always leaves me with more questions than answers! So in a way, this is like a support group :))

Really enjoyed reading your theory! Cause the biggest mystery to me is the fact that someone of great influence died and his own father is covering up his death.

Lol I love your comment about the fan theories having more suspense :)) it's so true! I find myself coming straight to this thread after watching every episode because I always feel it leaves me with more questions than answers.

The foundation seems to favour people of influence/children of people with influence regardless of their skill level, and the higher-ups have no issue using people with more modest backgrounds (albeit v. talented) to do their dirty work, i.e. the violinist. This makes me wonder why Kim Ian was killed when 1) he was filthy rich, and 2) he was also talented. His dad even goes on to say that he can shut down the foundation if and whenever he wanted to. So why hasn’t he? Why let the murder be covered up like that?

And maybe it’s the conspiracist in me, but I find it so weird that Yi Young has been involved in not one but TWO significant “car accidents” in her short life.

This show may have already revealed some of the major puzzle pieces but I srsly still can’t figure out how they all fit ????

I agree. And personally, even if at the end of the drama she says she doesn't want to get married for no particular reason other than just not wanting to get married, I can respect that. I think this is why people get frustrated with her because they just can't understand this way of thinking and perhaps even view it as some frivolous conflict the writers added in just to prolong the suspense. To say that I don't get frustrated at all watching them is a lie. I mean, who doesn't want a happy ending, but this "happy ending" doesn't mean the same thing for everybody irl. I love that this drama actually included these atypical and "inconvenient" opinions because there are people who don't share the same beliefs, and it's about time they were represented in a show.

Gurrrrl, same.

Had zero expectations watching this drama because I'm not a fan of office/business dramas where there is always an exhausting power struggle among the leads, but this is definitely an exception. The animosity between and among the women is done so cleverly (and stylishly, I might add) that I never find myself cringing or skipping scenes. Scarlett is also hands down my favourite (the actress is the reason I even bothered trying this drama), but I do love all the women in this show—even the bad ones. Dare I say, I've never been so intrigued rather than repulsed by a conniving mother-in-law character until now.

I'm usually hesitant about watching dramas rated below 8, but I'm glad I gave this a shot for Go Won Hee (I've been on the lookout for her in dramas since Waikiki). I somehow ended up binge watching all 6 episodes in one sitting. Still warming up to the guy who played a psycho so well in You Who Came From the Stars though... :))

I like Lee Dong Gun and was honestly excited for his character here in the first two episodes (counting in terms of 16 full episodes). But after that, he became a little too obsessive. I'm hoping he calms down a bit though and really focuses on helping Yeon Seo become the ballerina he envisions her to be without letting his personal feelings getting in the way. Totally agree with you re: the aunt (and Abyss lol) though. She and her older daughter are so exasperating to watch. This show started off amazing and it has so much potential! Def worth coming out of hiatus for ;)

Literally waiting on the same thing.

Yup, I basically skipped the whole of episode 4. LOL. Hoping it doesn't become cringe-y from here on out! I'm really invested in Yeon Seo's comeback and how Dan plays into that.

Omg saaaame. I was completely entranced by the first two episodes, but the succeeding two episodes were really frustrating. The possessive art director and conniving relatives started getting more screen time. And like you said, the pacing became really weird. I couldn't watch the 4th episode without skipping through most of it. Hoping for the best though!

The power-hungry, conniving mother-daughter tandem is becoming painful to watch.

Oh. My. God.

This is the second time this girl woke up at the beginning of a drama after a life-changing accident that prevented her from being the prodigy she was meant to be. And without parents. Lol. Love how versatile she is though—from being a naive, childlike 30-year old to a painfully cynical person, she plays both roles really well.



Though I think she won’t be blind for long. Mr. Jo probably donated his corneas ????

So accurate. LOL.