Rumi

An average transmigration fantasy, with decent writing, tied loose ends, and great leads chemistry

Production:
The CGI, along with the set design, looked standard and there was nothing impressive about them nor were they unsatisfactory.

In here, costume design acts as a device to establish who the real main characters are: Miao Miao and Mu Sheng are the leads but have supporting roles inside the series’ novel/game, in which the entire plot is based on.

Miao Miao’s colorful and intricate wardrobe and makeup underlined her bright character, while Mu Sheng’s wardrobe and hair, made him stand out as the pretty male hero and protagonist—these set them apart from the secondary and supporting roles, who had a pretty bland color and wardrobe in contrast.

Storytelling:
The storytelling is not linear, but the transition and pacing still feel natural.

The story is engaging but the plot feels weak.

The writing is not perfect, but I admire the effort to weave together the plot and the different character arcs and connections—this is very tricky because without the consistency, the narrative will be overwhelmingly convoluted.

However, this type of plot leads to non-categorical interpretations, but personally, it’s not an issue since this is a fantasy genre, after all.

Despite this, the message is still pretty straightforward, especially in the first and last episode.

There was also an effort to tie loose ends, and ending does not feel rushed.

The characters are relatable and likeable as well, especially the female lead—this is actually the first time I find a female lead with a “bubbly” and “cute” personality pleasant.

Miao Miao’s character is bright, funny, and cute—typical traits of a female lead—but she was not devoid of thinking, understanding, and the ability of making choices. Personally, it’s has always been a miss for female leads of the same character type, but the writing made a good balance of charm and strength in her.

Mu Sheng, on the other hand, is extremely relatable as well, especially on his journey to learn about what it means to love.

Acting/cast:
Ding Yuxi became my first favorite Chinese actor and is now one of my favorite actors of all time.

He is a natural in using micro expressions and body language when portraying a character, and his eyes speak so loudly that the message has already been sent across even before he delivers his lines. He is also adept in making use of nuances.

This is my third Ding Yuxi series and I think that grumpy, tsundere roles suit him perfectly.

I personally think he is also made for costume dramas—beautiful face and right build (from scrawny Zhou Chuan in Moonlight).

Esther Yu makes a perfect Miao Miao. She was definitely made for the role.

The characters, including the secondary leads and supporting roles, are easy to love and they have good chemistry in general.

Music:
The OSTs are good, with soundtracks done by Ding Yuxi and Esther Yu themselves. The lyrics are very fitting for the both the plot and the genre.

Even with a fairly limited music in the series, the team made a good use of them to enhance the mood of the scenes.

Overall:
The series received polarizing reviews, and understandably so—while the story could appear straightforward to some, different interpretations are inevitable, particularly on the last episode and ending.

While the series offered nothing special, it is still a decent and worthy watch, especially if you are looking for a good binge.

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Underwhelming time slip drama: strong start, uninteresting midpoint, OK ending

The first episodes grip you in entirely as the series introduces the fantasy aspect through a time slip, right in the middle of an inciting incident—from here on and for the entirety of the series, the female lead navigates her second chance in life with a playbook as her compass.

There were definitely plot devices and symbolisms used, but like other fantasy series, they were not elucidated as time slip is not the focus of the story, but merely an incident that sets off the story.

The first few episodes are also used to establish the female lead and male lead as the couple, which is one of the contributing elements to the romance in the series. However, once this has been introduced, the story’s focus deliberately shifts, with politics taking the centerpiece.

That being said, while there is romance in the drama (both for the main and secondary characters), this is not the main theme of the series. The romance is merely a subplot.

Casting Meng Zi Yi and Li Yun Rui, who have been constantly secondary leads in their previous projects, is not a bad choice, though.

Meng Zi Yi is not stiff and conscious when acting, while Li Yun Rui has the standard characteristics of a male lead. Li Yun Rui, though, still has a lot of areas to improve on, specifically in using his expressions.

I have no qualms with the pacing as it's pretty consistent throughout the series. Still, while the drama started off strong, the second half of the series hit a sharp decline in the quality of storytelling.

By the second half, I was struggling to keep my attention on the drama and was seriously considering skipping a few scenes just to fast track.

As the drama comes close to conclusion, nothing was making any impact anymore: writing was steadily becoming askew. And while the drama occasionally delivered good cinematography, the OST is mediocre at best and did not help elevate the experience in any scenes. The political turmoil plot alone cannot carry the entire series.

There was an effort to tie loose ends, and the ending was definitely conclusive, which is an important factor to the majority, but aside from introducing the potentials of Meng Zi Yi and Li Yun Rui as actors, and having a strong and smart female lead (with a good head on her shoulders) who actually (and finally) takes the lead (and is dominant in the relationship with the male lead), I will give this a pass. Romance, politics, time slip, rebirth—there are far better choices, with mid dramas that can easily topple this.

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As an ELF and a variety show noob...

I’m not a variety show person and my only exposure to Korean variety is Super Junior shows (as a long-time ELF) and The Return of Superman (first batch only).

I do not have interests in variety shows, let alone mind games, and I prefer a work of fiction (dramas). I only picked this show up because of the massive backlash some of the players have been receiving.

Of course, as an ELF and a Kyupiter, I felt the obligation to figure out why, most especially since Kyuhyun was worried about how fans would perceive him after the show concludes.

And I honestly don’t know what he was worried about.

The Devil’s Plan Death Room is a survival show that encouraged betrayals and forming alliances against each other. It was not categorically stated, but it was clear that the show wanted to stir up something among the players, so that their primal instincts were to secure their survival per game and that’s what happened.

I tried watching without bias, and after a few games, I figured how Kyuhyun was clearly not the best and top player from this batch. In the games, he did not come out on top, nor did he shine among the other players. And I say this in a good way.

Kyuhyun, while not entirely irreproachable, said that the reason why he lost was because he was too self-righteous. And he is correct. While his wit couldn’t surpass other player’s schemes, his (true) character shone. He was loyal to his alliances, but he sincerely looked after everyone, including those who belonged to the other team(s), groups, and cliques.

Every morning, without fail, he would prepare protein shakes for the prison team. He would apologize to other players after a game, and he adapted two ducklings (that’s what I like to call them, as Sohee and Hyungyu would follow him around) and found a solid alliance with them, including Tinno—I can confidently say that this friendship would extend outside the show.

I breathed a sigh of relief, as Kyuhyun’s worry was completely unnecessary because watching the show actually made me love him more. As a fan, it made my chest swell with pride because I know I’m stanning the right person.

Kyuhyun aside, I was surprised how I have absolutely enjoyed the show.

I cannot be way too rational about the games, as I am a right-brain dominant (haha). I could only focus on the writing and sound design, and they were excellent.

The storytelling is not linear, which was a surprise for me as this is a reality show, and the critical details would be revealed at the most perfect time. This is a good technique to build tension and excitement.

There is definitely nothing new to the concept, but all players were determined to win, and the show was so good in increasing tension and conflict that it will get you too emotionally involved. This would make a really good binge, and it will leave you absolutely satisfied with how things ended.

With that, the thing that makes me feel like a fish out of the water is the number of criticism and hate, especially towards Hyungyu (the winner), Sohee, and Kyuhyun—they are all unwarranted and misguided, as if the haters watched a completely different show.

Nonetheless, this show has also opened up a new interest for me to explore—variety shows.

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Could've been the next best xianxia but lacks (proper) groundwork

I am a huge fan of both fantasy and romance genres. So much so that I do not mind clichés and overly used tropes. In fact, in terms of worldbuilding, I do not mind suspending disbelief, sometimes to even an incredible extent, as long as both the execution and writing are good and static.

I tried to understand Moonlight Mystique’s overall direction because the first episode really made me look forward to how it will pan out. While watching the first episode, I was actually reminded of Love Between Fairy and Devil, my first xianxia (which remains to be one of my favorite dramas of all time).

I didn’t mind the similarities. Actually, it was because of the resemblances that I had high hopes: misunderstood, “unsympathetic” ML who carries the weight of responsibilities, a nobody FL, demons, deities, revenge, pain, grief, good vs evil, justice…

I really had high hopes, but as the story progresses—you don’t even need to reach far out—the terrible writing becomes increasingly evident:

Plot
– I understand that a plot may carry subplots, with storylines having multiple narratives. It’s xianxia, after all. But the way these were simulated did not provide any impact and depth.

The writer had a thing in their mind, and I know that the vision is there. But the writer did not know where to go and how to get there, that it has become difficult to establish connections with the story and characters.

Characters—

FL
– Her character is inconsistent. Yes, she was initially arrogant and selfish, which is needed for her character development to materialize, but I find her anger towards SML is often misplaced and out of character, as someone who “values” family and ties.

I understand that SML is not perfect, was coerced into lying multiple times, and is not the best in decision-making. But ultimately, he was really left with no choice and the choices he made were the best ones among those handed to him. Which is why I don’t understand the deeply-rooted resentment the FL has for SML, when in fact, the FL did not deserve to act righteously at all during the first episodes.

– It was established from the onset that the FL’s motivations are grounded on repaying (kindness for the immortal who saved her and her sister) and revenge. These two were rather dissolved quickly, without a good exit.

Yes, the redirection was inevitable, but it was done haphazardly that it felt like cutting the characters from one scene and putting them onto the next sequence just so the story could continue.

SML and SFL
– The SML’s shift from one love interest to another feels unnatural.
The trope is enemies to lovers, but the change was too abrupt that it felt like their love story is more implied.

Editing
– The use of echo to reiterate, exaggerate, and highlight a character’s lines and the “swoosh” as a transition are a miss.

I first encountered the use of echo in a dialogue in Story of Kunning Palace (2023) and it was… ok.

For this series though, rather than amplifying the supposed to be emotional impact of a dialogue and a scene, it came out ridiculous and utterly unnecessary.

Ending
– Again, I am able to suspend disbelief adequately. I can even tolerate plot holes to a certain extent, as long as the writing and execution are good, and consistency and depth are there to establish enough emotional investment.

I am even more tolerant on these when it comes to xianxia, as they use reincarnation as an element to tie loose ends.

So, using reincarnation or second chances as a way to have a happy ending is not an issue at all. This actually gives the writer plenty of elements to play with as well. But Moonlight Mystique’s ending is so terrible that a happy ending cannot compensate it.

So, the ML willingly sacrificed his life for the greater good and to ultimately eradicate evil. Heartbreaking, but sounds good.

Time passed, and the FL traveled around the world and achieved so many things by herself—good, this is consistent with her character.

And then, the heaven reached out to FL and told her that “Those who died for the great cause will eventually return in another way." Ok, seems fair.

But a few moments later, as in after a few seconds, you can literally see the ML emerging from who knows where, walking on the water, towards the FL, for the reunion and happy ending—WHAT?

Even as a hopeless romantic, I still cannot let this pass—I need the why AND how.

It is a fantasy, but I need a motive. An effect that has sprouted from a missing cause only ruined their entire tribulation.

They could’ve used something to set off the resurrection: a surviving strand of soul or a part of a demon core of ML that overcame death. Whatever remnants—heck, a nail or a strand of hair would do— or explanation, I am willing to accept, but this? NO.

Also, it’s not only the ML who died for the greater good. There are plenty of characters who died fighting evil. Why are they not resurrected and walking on the water with ML?

It is a happy ending, but I’d rather have an open ending or a sad ending if this is how ridiculous the conclusion is.

I could only muster enough emotional connection with the characters, but the ending diminished it to a huge degree.


There are not only bad things in the series, though, as there are aspects where it surprisingly delivered well:

OST
– The OST is hauntingly beautiful that it could actually compensate for the unsteady writing and bad execution. Instead of the writing, the OST carried the storytelling on its back—it did not elevate the experience. It’s an experience in itself.

Ao Rui Peng and Bai Lu
– The chemistry between Ao Rui Peng and Bai Lu is there.

Ao Rui Peng is one of the pleasant surprises that this series has to offer.

Bai Lu is a good actress, and while Ao Rui Peng’s character portrayal has room for improvements, he does not lag behind Bai Lu’s performance at all.

Chang Hua Sen and Dai Lu Wa
– The actors cannot do anything with the terrible writing, but I find their character portrayal decent. They made the best out of it so they can transition well from one character to the next.

Chang Hua Sen’s portrayal of Chong Zhao and Hidden Lord is pretty good as well. You could tell which character he’s trying to portray based on his demeanor and facial expressions.

Lead’s relationship dynamic
– The good thing about the leads’ relationship is their effort to communicate, which eliminates unnecessary misunderstanding.

When the ML realized his growing feelings for the FL, his first thought was to sit down with FL to talk and settle this, which is quite an uncommon trait for any xianxia characters.

The development of their relationship is lacking, but both leads try to communicate with each other, which makes their relationship healthy.

In general, I think this could have been one of the best xianxias, but is ruined because of terrible groundwork and writing. All things considered; it is still a quite enjoyable watch.

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An almost cathartic masterpiece packed with punches that fell short

Cinematography
The stunning visual style is pivotal in the series, and the bar has already been set with the cinematography alone.

The CGI is of high-quality, and the camera work is very intentional: I have observed the use of motivated camera movements and shot lengths, which were very effective and highly compelling in setting a scene.

They also played with color gradings and lightings that enhanced the visual experience, with many scenes looking like an artwork—clearly, the exceptional cinematography is the strong suit of the series.


Editing
One thing I noticed is that the transition from one scene to the next is not always seamless and the cuts of some scenes are not smooth.

Another thing to note is that while the OST is perfect, the background score is sometimes misplaced.

While these are not entirely major issues, these have affected the mood and the tone of some scenes.


Story
The thing with the genre of fantasy and wuxia is that their realm is so vast, that there are plenty of elements to play with to make a story compelling, cliche or not.

The series started strong; however, I find that something is amiss in the writing, making it and the pacing inconsistent all throughout the show.

The characters are both relatable and likeable, but I feel like they could have been written more with depth.

Case in point: Wen Xiao being identified by the characters as "kind" and "selfless". However, as a viewer, there was no opportunity to establish this because her character was not properly explored. With this, I only associate Wen Xiao to being "kind" because it was what the characters have taught me, and not something that I have determined myself as an audience.

I was only able to identify the characters' traits and understand their motivations because it was what the writers were spoon-feeding me.

A good (or even mid) writing would have explored the characters' backstory so the viewers themselves can see and establish how the characters' actions and decisions are shaped.

On the other hand, I found good quotable quotes in the characters' dialogues so it's not that entirely bad.

I can also detect the presence of some queer undertones in the story. This is especially evident in the relationship and interactions of Zhao Yuan Zhou and Zhuo Yi Chen, making the romance aspect with Wen Xiao secondary to almost non-existent.



Acting/Cast
The entire cast has chemistry, and it shows.

Two actors who stood out for me were Neo Hou and Tian Jia Rui.

Neo is an excellent actor who uses his body language and micro expressions to portray a character. Some expressions are very subtle, making it look so natural.

Tian Jia Rui is very charismatic and has good emotion and energy control when portraying a character. I know that he is destined for big things, and I look forward to his upcoming projects.

Music
The best! The OSTs are a narrative on their own and yet they greatly enhance the mood and emotions of the scenes.

The excellent cinematography of FoF paired with its great OSTs definitely create an immersive experience for the audience.

Overall
This is definitely one of the best series to come out this year. A masterpiece in terms of cinematography and soundtrack.

While the series fell short in writing, the cast did a good performance in character portrayal, making the watch a fairly good experience.

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Like a hot cup of chocolate on a rainy day

A close, realistic representation of the realities of growing up, understanding your parents, falling in love, growing apart, finding oneself, and learning what's truly important.

The series did not fall short of clichés, love triangle (it's a love square, actually) and the usual misunderstandings among the couples, but the amount added is just quite right that it does not leave a bad taste, at all.

One of the best things about the series is that the characters, and this is not entirely limited to the leads, are written with depth, which did not incarcerate them to a specific character archetype—a good case of deviation from the usual youth drama formulas.

The female lead is one of the best written female leads I've encountered. She may be the usual innocent, shy at first, goody-two-shoes, hardworking female lead type, but what is different about her is her emotional maturity. She is not book smart but is able to navigate life with wisdom.

The male lead is the usual happy-go-lucky, "bad" student, carefree, and sporty heartthrob, but he’s also someone who consistently grows as an individual. Something I appreciate about how the male lead's character is written is how he is not deprived of ignorance, vulnerability, and stumbling blocks in his life that he cannot overcome alone despite his male lead role, underlining that he is actually young, imperfect, and still needs growth and guidance along with other peers his age.

As a couple, they do not shy away from openly expressing affection and discontent, acknowledging defeats and gaps in their personal life and relationship. Their growth as a couple is so beautiful and heartwarming and it is portrayed without much pretense.

The secondary characters did not get left behind in the story department as they were written well, too. The selfishness of second female lead and the grit of the second male lead are actually just the perfect representation of the bubble we built around ourselves when we were young.

The perseverance of both the secondary characters that scrapped their elbows and knees is, in fact, redirection in life that intended to lead them to where they should be—this realistically mirrors a type of love you can only look back fondly on, but something that must be left behind.

There is some heaviness on the themes as the series tackles death, social status, family background, family roles, grief, loss, unrealized dreams, and finding purpose and identity, but they're conveyed gently that it feels like you're sitting down and catching up with an old friend, talking about the beautiful old days, sharing wisdoms in life, laughing about the things you cried about, and sighing, yet bracing yourself, for what's yet to come—all these while cooped up somewhere nice and warm with a cup of hot chocolate, as you wait for the rain outside to pass. This, with a really good music playing in the background (OST is also really, really good!).

We haven’t reached the half of 2025 and yet I found one of the best youth dramas, and not just of this year.

Watching this gave me a pinch in the heart, as it made me recall my youth that I can never take back.

Watching the characters finally learning how to “go home” after soldiering on as adults in the real world gives me a wishful thinking that maybe, I’ll get to go home myself someday. That the right things and people will find me eventually without trying too hard.

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With managed expectations, it can be a cute rom-com without the unnecessary conflicts

Disclaimer: I have already come across a lot of Falling into Your Smile clips on Facebook and Instagram before I picked up the series, so I dived into the drama knowing what would happen in certain scenes, more or less. With this, I had anticipated that the romance aspect wouldn’t have much effect on me, taking into account the “immunity” I thought I developed from watching a lot of spoiler videos. Surprisingly, I still felt the butterflies—and loads of them.

The love story is definitely the strongest point and the highlight of this drama. Even with scenes that I have already watched a number of times before, I still found myself pausing some episodes just so I could take my time to breathe and recover, as the fluttering sensation in my stomach got a bit overwhelming.

Xu Kai’s portrayal of the tsundere, cold, taciturn male lead was decent—I can see he tried his best depicting the subtle shifts in expressions, which felt natural and nothing over-the-top.

The romance aspect is undeniably in full swing. So much so that the male lead fell too fast and hard, which also makes the relationship arc as one of the major flaws of the series.

In the first meetings and episodes, the male lead was already giving the female lead a kind of special treatment to some extent, without any (pre-)established notion. This left no room for the development of the romance structure: the male lead almost went all in, like he was already in love with female lead from the get-go, failing to provide the viewers the journey of getting to know and falling in love.

Another flaw of this series is Cheng Xiao’s portrayal of the female lead. Sadly, her unamused eye expressions do not help the audience distinguish the emotions she was trying to portray. With this, I think it was Xu Kai who carried the romance and made it work.

Other than this, the pacing and writing are quite decent: the series started with a narrator ala Gossip Girl, seemingly in charge of an online e-sports gossip platform, who helped establish in setting the story and introducing the characters. The narrator is not omnipresent in the entire series, as a switch in perspective/point of view between the leads is observed, but it was a good tool in storytelling.

As someone with zero background in e-sports, the series still got me engaged even during the actual games. While I have no absolute understanding of what was happening during the competitions, I was still able to enjoy and take part in the team camaraderie.

I appreciate how the games have their own animations as well and I didn’t feel the need to know the technicalities of the games, such as its purpose and characters, as I feel this could make the story unnecessarily convoluted.

There were also no unnecessary conflicts and filler episodes, which I really like, and the second leads and secondary characters have had the chance to resolve their own conflicts.

Overall, there is nothing extraordinary nor unique in the series, but this will make a good choice if you are looking for an easy watch, modern rom-com without the unnecessary filler dramas.

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Keeps you interested only to a good stretch; emotional grip will (barely) keep you until the finale

In my review on its first season, I mentioned that I chose to keep watching until the end because of the characters.

Well, that didn’t fare well for me as I found my interest steadily waning as the story progresses, to the point that I heaved a sigh of relief once I finished the last episode.

To finish the second season, there was a lot of fast-forwarding that happened, and it took me a lot of effort to stay focused on the screen.

Consistent pacing is one of the things I look for, and I appreciate how this was implemented well for the series.

However, this became a drawback, as the type of storytelling in the first season no longer worked for the second season—the development got lost in the slow pacing, and consequently, the series did not progress at a good rate.

And as a series with morally gray characters, I understand that there is a long list of things that they need to resolve and reconcile with, but there has to be a better way of interpreting this.

Still, it’s also the characters that made me want to stay until the end (that, and add a lot of patience in the equation). I had formed an emotional investment in them that made me want to see what their choices would be like and how it would ultimately affect the closing of their chapters.

Thankfully, the ending did not disappoint, and it served as a really good closure for all of the leads. Although with my strong biases towards the characters, I would want a different conclusion.

Overall, I wouldn’t say this series is not good, but it's something I wouldn't mind missing out on.

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Warmth in the mundane

Watching Resident Playbook gave me the same feeling when I watched the Hospital Playlist series, most especially because they share the same universe, directors, creators, and screenwriters.

Like Hospital Playlist, it has a quiet and steady pacing with themes that tackled life minus the fiction cliches, tropes, and conflict.

It fills me with amazement how a series that merely used the different point of views of the main, secondary, and tertiary characters as the main storytelling device yielded high emotional impact. For a material like this, a writer would need tremendous talent to not turn it into a bore-fest.

I’m very contented with the ending and I’m usually good with a single season wrapping up the entire story, but for someone who’s now emotionally invested in the characters, I would like to see more of their journey (I am secretly hoping for a second season).

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Drama’s emotional grip is good; it’s something that you just can’t stop watching

I was one of those who was eagerly waiting for this drama, but was immensely put off by iQIYI’s intervention that ultimately led the team to rewriting the conclusion into a sad ending, as advised by AI (I have so much to say on this subject, but that will be an entirely different discourse).

With that, I initially pushed this series further down my watch list, with no intention of picking it up at the moment. However, I noticed the good ratings steadily persisted despite the backlash it received. And I took that as a sign.

There’s nothing unique about the plot and the CGI and OST are decent at most.

There is nothing groundbreaking about it at all, if I’m being honest, but as someone who has watched over a hundred of dramas, there’s a slim chance that I'd come across a new material anyway.

What’s good about this drama is that the writer didn’t undermine its audience and treat them as ping pong balls—the writer demonstrated authority and knew exactly where the direction is headed (except for the ending) and it shows in the script, pacing, and quality of writing in general.

In fact, Ren Jialun himself said that the script is well written that we can immerse in it.

Aside from the consistency and the overall good quality, the cast delivered so well, especially Ren Jialun.

What I like about his acting style is subtlety. He knows how to add just the right amount of emotion and nothing over the top. I could feel he is fully in control of what he is trying to deliver, which makes him a good actor.

Although I didn’t find the FL’s character enticing at first, her character grows on you. And as you watch further, you kind of start to realize that Song Zu Er also did a good job portraying her character, too.

There is a good chemistry between the leads as well.

There are still some lose ends, but personally, they're something not difficult to overlook for this drama. For the entirety of the series, I decided to turn off my brain and ended up having an amazing experience.

Despite the sad, frustrating, and unsatisfying ending, with controversies surrounding the use of AI, the series is actually good and an enjoyable watch—the good ratings on this one are reliable!

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This is one of the best dramas in 2025 – and I know we’re not halfway through the year yet

An audacious claim, one might think, but I am typing this with a bad case of headache–from too much crying.

I am also currently wrapped up in a bittersweet anguish that comes from being reminded that a beautiful story is not always happy. And I think that what the series made me feel would stay with me for a long time.

The series does not have an outstanding nor a unique plot. A grim reaper traipsing in the human realm, and unexpectedly, bumping into romance? There are plenty of dramas who have already done that.

To be honest, I’m quite on the fence on the chemistry of the leads as well.

But, none of these matter. At all.

First, while I’m hesitant about the leads’ chemistry, their individual performance is stellar.

I just know that Gong Myung and Kim Min Ha were made for their role as they have portrayed their character really, really well.

Second, the story is not linear, and the expositions come in trickle.

As the plot is not unique, viewers might feel like they have already caught up and figured everything out after some time, until a little plot twists here and there would come right out of the gate—a great surprise, not overbearing, and something that may or may not make sense (ending is not conclusive).

Still, everything felt easy, smooth, and natural, despite the coalescence of fantasy, romance, youth, comedy, and melodrama genre–this is how you’ll know a writing is great.

I am also in awe by the brilliant use of plot devices in setting the tone and resolving an issue. This comes in (unremarkable, small) objects, color grading, and events. They do not initially stick out, assuming they’re intended to not stand out, but the lightning bolts and realizations would definitely come in the end.

The pacing is good and steady that watching it almost felt like a walk in the park—literally and figuratively. Viewers wouldn’t have to labor to catch up or slow down. The stride is just perfect.

There is consistency in the series, too.

Aside from romance, the series explores some really heavy themes: death, grief, and life.

Technicalities aside, what I love about the series is that it didn’t come off preachy about the grandeur of overcoming pain and choosing to live on.

Some may find comfort in the series, but personally, it felt like the story of my pain is being told.

The only bad thing about the series that I could think of is that the ending is not conclusive, which could be a dealbreaker for a lot of the viewers.

Still, I think there is beauty in not knowing everything. This way, like in real life, the story would feel authentic—harsh, real and meaningful.

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Decent time-slip for a short drama

If one can reconcile with the limitations of a short drama, this series can actually be a quite good binge.

There are a lot of instances in this drama where one has to suspend disbelief, especially this is a speculative work of fiction where time travel is involved.

Production-wise, although unverified, I assume that this is made with little budget as well.

All that considered, I am especially in awe by how they were able to pack the story neatly within five episodes. No fillers, no fuss, just the story, romance, stakes, and resolution—all cleanly wrapped up in the last episode.

The acting is decent (special mention: Ding Yuxi school of ((eye)) acting), the pacing worked, and the OST is good!

More than anything, the emotional impact is also there.

Only downside is that the English subtitles on IQIYI are horrible.

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A more realistic slice-of-life exploring different types of love

I wasn’t supposed to watch Melo Movie, as I was under the impression that the “melo” meant melodrama, as in the genre.

However, the “melo” means “romance” or “romantic” in this context—a mix-up I wouldn’t find the time to look into if I didn’t learn who the screenwriter of the series is: Lee Na Eun.

Lee Na Eun is the same screenwriter of Our Beloved Summer (2021), one of my favorite K-dramas from that year.

It wasn’t just because of the fluff though, nor it was just the resolution for the individual vs self conflicts of the series. It was the character depth that Lee Na Eun allowed the audience to explore.

Given the history, I was then compelled to pick up the series for my weekend binge.

Thankfully, for Melo Movie, Lee Na Eun was able to maintain her momentum in writing compelling characters.

In this series, a flawless switch of POVs among the characters, which includes the secondary characters, was used as a device for the viewers to explore the characters’ complexities and motivations.

My favorite part of the series is that it did not draw a glaring line to separate the main characters from the secondary characters; the secondary characters get their own stage to tell their own stories. With this, the audience are able to invest the same degree of emotional commitment they have for the main characters.

As we get to know more about the characters, we will see how they navigate the desolation of life and the consolation a love may bring.

Pacing is pretty decent for a 10-episode, too, and the OST is remarkable and unforgettable like its predecessor’s.

Regrettably, the plot lags behind, particularly the story of the main characters. It’s weak that it was overshadowed by the secondary couple’s and character’s narratives.

I am also not sure if having some loose ends remain untied is part of the writer’s intention, but some may come off as a plot hole, which is quite difficult to reconcile with.

Setting that aside, I’d still consider this a good slice-of-life romance, with a decent amount of comedy hitting the right note.

I’d gladly recommend this as a good binge for those looking for something uncomplicated but has enough emotional grip to keep one invested.

I’ll also be on the lookout for Lee Na Eun’s future work. Her storytelling style in slice-of-life might have just become one of my favorites!

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Weak worldbuilding and story structure; a slow-burn that doesn't work

CGI, cinematography, and OST are fairly decent.

I got hooked with the first episode and thought the first arc was well-paced, with things running pretty much smoothly.

However, during the second arc, everything started feeling draggy and the push and pull of ML isn’t really working for me for some reasons, considering I’ve had a lot of this in the past.

Maybe it’s been dragged out for too long, or maybe the worldbuilding remained weak and lacked overall direction. Maybe even a combination of both.

I noticed that the series is character-driven. Still, the way they’re written also lacked depth.

I also don’t like how the ML’s character is written out. In the second arc, the second ML stood out better for me, which made me root for him instead.

When I was fast-forwarding a lot of scenes, I knew it was time to quit.

It’s such a shame, because they did a good work in writing the FL’s character: strong, smart, and beautiful.

And when I say smart, this is also in congruent with her view on self-worth. She set boundaries when the ML drew a line. She put more value on herself and the greater good rather than chasing a man who denied sharing any relationship with her. Maybe this will change, and the chase will start after the episode where I stopped.

Maybe even the plot will start picking up.

Unfortunately, at this point, even these possibilities couldn’t make me continue watching.

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Melancholic reverse-harem whose flower boys have character depth

I dove into the series mainly because of the reverse-harem tag—the hopeless romantic in me was feeling low, and I’ve figured that a reverse-harem could aid as my instant gratification.

Little did I know that the series is actually a wrong choice for romance. Still, it’s definitely the right choice for everything else that makes a good wuxia.

I say that it is not the right choice for romance because it is not (just) a love story. Rather, it is a story that explores the characters and the heavy weight they carry, which shackles them as they trudge along their grueling realities, including their journey in love.

The series takes its time in storytelling, but I love how the writer was able to turn this into an advantage by using it to build character depths.

The characters are multi-dimensional and as an audience, I get to explore how a character’s traits and motivations are shaped.

My favorite thing about the series is the lack of pretense in storytelling.

I cannot say that it’s raw, but the series does not hide the characters’ flaws, nor it tries to adorn them with moralities for the sake of the protagonist role that they play—the main characters do not wear ornaments that would make them likeable and their actions justifiable. Instead, their decisions are in congruent with their experiences and the emotional response that stems from them (because of this though, I developed a strong bias against the female lead, who is cunning, selfish, manipulative, and emotionally immature —I never disliked a female character as strongly and personally, she does not deserve to end up with any of the men at all!)

The dialogues are not pretentious as well, but the impact is not minimized. The exchanges between the characters cut deep and they have lines that could stay with you.

All in all, the series is not excellent, but it still fairs good. The pacing is slow, but controlled and measured, enough to keep you on your toes—and I say this as someone who initially wanted fluff but got a poignant tale of loss and longing instead.

This was far from my expectations, but I will stay for the second season because I was made to root for the characters (except the female lead).

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