Call out to the underrated actor who plays the mother’s manager. He had small but memorable parts in MLN and…
YES! He's great.
Oh my gosh, I just realized he played Yoo Ah In's hunchback little father in "Punch!" That is where I first saw him. He made a huge impression on me. :)
If you haven't seen Punch!, I highly recommend it.
I got a feeling they will give her mom a redemption arc
Actually, I hope that will be the case. Very few people are truly all bad, maybe no one. It's a writer's easy way out: present a VILLAIN for us all to hate. That would be the opposite of this writer's approach.
"You know,I can tolerate a guy sleeping around, but not acting superior." HJ’s intuition is kicking…
Nah...I think you're way ahead of the situation.
Married people get crushes on people outside their relationship all the time; it's human nature. What matters is what you do when that happens. Seems to me that leaning into the feeling of a crush, recognizing it for what it is, and going along for the ride without acting on it, is a great way to drain an infatuation of its power. The approach being, "just because I feel it, doesn't mean I have to have an affair over it."
GS can be an ass, but I feel like he has a good heart, not that people with good hearts don't have affairs, they do, but I look forward to seeing where that arc takes us. :)
I'm looking forward to my first binge watch after I watch all the eps as they are released, so in a way, the end will also be a beginning, which fits right into the themes of this show.
If you enjoy shows that dive deep and stay there, exploring, that aren't afraid to present far-from-perfect protagonists, and in which no one is all good or all bad, this is for you.
This is unlike any drama-watching experience I've had, and there are too many things going on in my reactions to the show to explain why that is, in an obnoxiously long comment, let alone a brief paragraph, so I'll only try a little bit.
Over and over within each episode, I feel these multilayered emotional arcs occurring, and often it feels as though they conclude in a miniature climactic scene. Part of me must feel that the episode is ending, because over and over, I find myself checking how much time is left and being surprised that there is significant time remaining. I feel I'm seeing multiple episodes within each episode, and yet they all fit together as one.
It's quite strange...and wonderful.
I love how booze and boozing is being presented here as the important supporting character it really is in Korean life, for better and for worse. Drinking shows up in American films/series, of course, and professional characters are certainly shown scheming or celebrating or whatever over evening cocktails. Sometimes, there are drunken scenes, of course. But, Korean drinking, and not only that, but drunken carousing with fellow professionals, is at a whole other level. This drama owns that, leans into it, and isn't shy about it. A few characters have puked already. lol
Korea has the highest rate of alcoholism and alcohol abuse among all OECD nations. I absolutely love that this show is being so upfront about that, but, at the same time not making it into a separate issue of some kind. Shit-faced, almost nightly boozing is woven into the plot of WAATH, just as it is woven into Korean culture, in such a way that you can make something of that or you can leave it be.
I don't know...I find that refreshing. Now, maybe it's this way in most K-dramas. I don't know, because I watch far more K-films than dramas. But I have watched a fair number, and I don't recall having this reaction to it.
The honesty about booze is another indicator of how much naked, emotional honesty is going on in the rest of the story.
Yes, I thought that was great. However the Korean creative community is currently way ahead of the kdrama audience…
Just so I understand, do you mean that the creative community is way ahead of the Kdrama AND film communities, or are you distinguishing between the latter two?
I will check out Unwritten Seoul. Thanks for the tip. :)
Their relationship is not the least bit creepy, that's what enrages the MDL Church Girl Morals Police crowd here.Tutor…
What line is it exactly, that you feel was crossed? As far as I'm concerned, any crossing of arbitrary lines was 100% facilitated by the crime of being human and gay under extraordinarily stressful, punitive circumstances. And, to me, that's no crime at all.
In most courts, the issue of harm will arise when assessing a trial case. In this case, there was help, not harm; help that may have saved a life.
I love the Akira/Tutor relationship arc. You described it far better than I have, mainly because I find myself focused on the emotional support/connection aspect rather than the legal. Two lonely, sad people found each other and helped each other. The world needs more such "crimes."
1 
1 
I predict he will come close, then back off.
Oh my gosh, I just realized he played Yoo Ah In's hunchback little father in "Punch!" That is where I first saw him. He made a huge impression on me. :)
If you haven't seen Punch!, I highly recommend it.
If all you want is happy/joy, this isn't for you.
Married people get crushes on people outside their relationship all the time; it's human nature. What matters is what you do when that happens. Seems to me that leaning into the feeling of a crush, recognizing it for what it is, and going along for the ride without acting on it, is a great way to drain an infatuation of its power. The approach being, "just because I feel it, doesn't mean I have to have an affair over it."
GS can be an ass, but I feel like he has a good heart, not that people with good hearts don't have affairs, they do, but I look forward to seeing where that arc takes us. :)
This is unlike any drama-watching experience I've had, and there are too many things going on in my reactions to the show to explain why that is, in an obnoxiously long comment, let alone a brief paragraph, so I'll only try a little bit.
Over and over within each episode, I feel these multilayered emotional arcs occurring, and often it feels as though they conclude in a miniature climactic scene. Part of me must feel that the episode is ending, because over and over, I find myself checking how much time is left and being surprised that there is significant time remaining. I feel I'm seeing multiple episodes within each episode, and yet they all fit together as one.
It's quite strange...and wonderful.
I love how booze and boozing is being presented here as the important supporting character it really is in Korean life, for better and for worse. Drinking shows up in American films/series, of course, and professional characters are certainly shown scheming or celebrating or whatever over evening cocktails. Sometimes, there are drunken scenes, of course. But, Korean drinking, and not only that, but drunken carousing with fellow professionals, is at a whole other level. This drama owns that, leans into it, and isn't shy about it. A few characters have puked already. lol
Korea has the highest rate of alcoholism and alcohol abuse among all OECD nations. I absolutely love that this show is being so upfront about that, but, at the same time not making it into a separate issue of some kind. Shit-faced, almost nightly boozing is woven into the plot of WAATH, just as it is woven into Korean culture, in such a way that you can make something of that or you can leave it be.
I don't know...I find that refreshing.
Now, maybe it's this way in most K-dramas. I don't know, because I watch far more K-films than dramas. But I have watched a fair number, and I don't recall having this reaction to it.
The honesty about booze is another indicator of how much naked, emotional honesty is going on in the rest of the story.
I will check out Unwritten Seoul. Thanks for the tip. :)
As far as I'm concerned, any crossing of arbitrary lines was 100% facilitated by the crime of being human and gay under extraordinarily stressful, punitive circumstances.
And, to me, that's no crime at all.
In most courts, the issue of harm will arise when assessing a trial case.
In this case, there was help, not harm; help that may have saved a life.
I love the Akira/Tutor relationship arc.
You described it far better than I have, mainly because I find myself focused on the emotional support/connection aspect rather than the legal.
Two lonely, sad people found each other and helped each other.
The world needs more such "crimes."