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  • Last Online: 13 hours ago
  • Gender: Female
  • Location: Citizen of the World🕊️
  • Contribution Points: 102 LV2
  • Birthday: May 04
  • Roles: VIP
  • Join Date: September 28, 2018
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My Liberation Notes

Citizen of the World🕊️
Replying to zahreenuh • 19 hours ago
whose on the train that she won’t get amnesia? join me 🚂 i want to see who will be right xD
Did I miss the train? or maybe I got on the wrong train :)
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Replying to basicquestion1 • 19 hours ago
Thank you, wish there was a way to pin this comment on the top of the comment section forever. I think people…
What a beautiful comment. That is exactly what this drama is about: the journey, the lessons learned, the growth and development, and everything in between before reaching the final destination, whatever and however that may be. I think Chang Xuan's friend explained it perfectly when he told Ping Jun that Chang Xuan never learned how to love properly, so he was loving her the best way he knew how. That doesn't excuse his behavior, but it does help explain it.

I think we're now moving into a completely new phase of their dynamic, one where Ping Jun will end up doing more of the chasing because, regardless of how manipulative Chang Xuan has been so far, what she did was far worse. She knew how much he cared for her and used that against him. If that is not the ultimate form of manipulation, I don't know what to call it. I guess many people will see it as her giving him a taste of his own medicine, but nothing Chang Xuan has done so far comes close to the lengths Ping Jun goes to here. He has manipulated situations to keep her close, but she knowingly exploits how deeply he feels for her. That's what makes her actions far more troubling to me. All of that aside, I don't see how things will ever get back to normal for Ping Jun and the boyfriend going forward, given that era and mentality; it's impossible, but we shall see.
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Replying to AmelieLucan • 2 days ago
Finally someone who gets it! I've been saying, thinking the same way you do. Last night I watched the episode…
Exactly. They both do not understand their feelings, which is why they act so toxic toward each other. She wants to be with him just as much as he wants to be with her, but she constantly fights it. It makes no sense to me, her going to this very remote villa with him, knowing why, and acting like he was taking advance of her, when they literally had a deal.

I understand she was under duress, felt like she had no choice, but she still made a deal with him. I particularly do not understand why she was so upset to hear Chang Xuan executed her boyfriend. She did not fulfill her part of the deal, he clearly articulated that would be the outcome. She is so inconsistent she drives me up the wall.

There are so many little things throughout the drama. When he got shot trying to save her, the way she acted made it seem like she had deep feelings for him. She sends such strong mixed signals that it's understandable for Chang Xuan to be confused and react the way he does. Honestly, there are times when he literally looks confused by her behavior.
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On The Lament of Autumn • 2 days ago
I don't disagree with the criticism that Yu Changxuan is a red flag. He is possessive, controlling, manipulative at times, and often tries to force emotional intimacy instead of earning trust. He frequently approaches love as something that should be claimed rather than something that should be nurtured. What makes him compelling, though, is that the drama spends a lot of time showing why he behaves this way.

I see many comments attributing his behavior to being a military man raised in an environment built on hierarchy, obedience, and power. While that's certainly part of it, I think the foundation of whom Changxuan comes from something much more personal: his family. Yes, he has his mother's love, but the love he truly craves is his father's. Throughout his life, he is repeatedly made to feel like the second choice. The defining wound is his belief that when his father was forced to choose between his sons, he chose Yu Changgui and left Changxuan to die. Whether that perception is entirely fair is almost beside the point. What matters is that Changxuan believes it.

A child who grows up feeling unwanted often internalizes a painful lesson in that if they were worthy of love they would have been chosen or at least the father would’ve chosen to save both his sons. I think that belief shapes nearly every aspect of Changxuan's personality. He learns not to expect love freely given. Instead, he learns that if he wants something, especially something precious, he must take it, hold onto it, and never let it go. That doesn't excuse his behavior. But it does create a distinction between a character who knowingly manipulates someone and a character whose toxic behaviors stem from deep emotional insecurity and abandonment trauma.

Changxuan genuinely seems to believe that protection, devotion, sacrifice, and persistence should be enough to earn love because those are the only languages of love he understands. For much of the series, he doesn't realize that love cannot be negotiated, secured, or won through sheer determination. His tragedy is that he desperately wants to be chosen, but he has no idea how to ask for that vulnerability. Instead of saying, "Please don't leave me," he tries to control the circumstances so that leaving isn't an option. The harder he tries to keep Pingjun close, the more he pushes her away.

Ye Pingjun is as much a red flag, she constantly says one thing and does another. She repeatedly insists she hates Changxuan, wants nothing to do with him, and is only making sacrifices for someone else. Yet her choices become increasingly difficult to reconcile with that narrative. The question I keep coming back to is if she's only with Changxuan to save her boyfriend, why hasn’t she done that already and left. I understand the social implication is dire, and she could be ostracized by everyone she loves but wasn’t that why she went to Changxuan … I mean there were multiple opportunities where she could put greater distance between herself and Changxuan. Instead, she remains emotionally entangled with him while continuing to insist she wants nothing from him. I understand part of it is survival, circumstance but a big part of it is also denial.

What I find fascinating is that Pingjun often appears more self-aware than Changxuan, but in some ways she's just as emotionally dishonest. Changxuan openly pursues what he wants. Pingjun often avoids admitting what she feels. She clings to promises, obligations, and her image of who she should love long after her emotional reality has begun to shift. In many ways, Changxuan's feelings evolve before Pingjun's willingness to acknowledge hers. So, while Changxuan's flaw is demanding affection he hasn't earned, Pingjun's flaw is refusing to acknowledge affection that may already exist.

Both are red flags, but in different ways. Changxuan's red flags are obvious because they're external and often aggressive. Pingjun's are less visible because they're internal: denial, emotional dishonesty, and an unwillingness to confront her own feelings. Neither character handles love in a healthy way, and in my opinion, many of the show's conflicts exist because both of them continue making choices that reinforce each other's worst tendencies. I guess my biggest question is does she even really love her boyfriend? My twenty cents!!!
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On The Lament of Autumn • 5 days ago
I am obsessed with this drama. The production delivers a gorgeous aesthetic, seamlessly blending sharp, structured military uniforms for Yu Chang Xuan with elegant, period-accurate styling for Ye Ping Jun. The stark contrast between Nanhuai City's cold, moody backdrop and the immaculate costume design gives it an incredibly cinematic, atmospheric feel. Without a doubt, the electrifying chemistry between Ryan Cheng and Xu Ruo Han is what makes this drama. Their push and pull works brilliantly. Ryan Cheng is fantastic. It's my first time watching him, but I'm a die-hard fan now. The show also excels at grand, visually arresting layouts with deep, candlelit, high-contrast imagery.

My only critique is that while the individual shots, martial arts framing, and lighting choices are gorgeous, the editing is the show's main weak point. Sometimes the transition cuts feel abrupt or disjointed, which may be a byproduct of balancing heavy political thriller plotlines with a dark, intense romance. Despite some pacing whiplash and choppy transitions, this is a must-watch. The brilliant acting, stunning visuals, and gripping tension completely overshadow the technical editing flaws.
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Replying to taetaereviews • 13 days ago
Title Kidnap Game
I’ve yet to start but I loved Lee Joon Ki in FoE. He was incredible. Interesting to see the Asian collab and…
He is completely different here which makes him so interesting to watch
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On Kidnap Game • 13 days ago
Title Kidnap Game
As soon as I started watching this drama, I knew it would be one of those thrillers that looks simple on the surface but, underneath, is a psychological maze. It’s not loud. It’s not flashy. It’s unsettling in a quiet, deliberate way. I can tell it is a drama that will take its time, letting unease creep in slowly and making you uncomfortable without explaining why until the very end. And I am absolutely here for all of it.

Lee Joon Gi’s transformation for this role is especially fascinating because he’s not written as the typical thriller protagonist we have come to expect of him. He is not confident or heroic; on the contrary, he comes across as someone who has lived with guilt, fear, and a sense of failure for so long that it’s become part of his posture. He looks small, worn down, almost fragile, like a man who was already broken before the story even started. It’s a bold, vulnerable performance, and it works. I am fully strapped in for this international ride.
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On The Blue Road • 21 days ago
The premise of Blue Road immediately brings to mind The Bridge, the acclaimed Danish-Swedish crime drama. Both stories center on a gruesome cross-border murder case that forces law enforcement agencies from neighboring countries to form a joint investigative task force. The setup is particularly reminiscent of The Bridge's iconic opening, where a body composed of two different victims is discovered on the border bridge between Denmark and Sweden. The concept proved so successful that it spawned multiple international adaptations, including the British-French series The Tunnel, the U.S.-Mexico adaptation The Bridge, the Malaysian-Singaporean adaptation also titled The Bridge, the German-Austrian adaptation Der Pass (Pagan Peak), and the Russian-Estonian adaptation The Bridge. While Blue Road will undoubtedly bring its own cultural, political, and regional dynamics to the story, its central premise feels very much in the tradition of the Bridge franchise, making comparisons almost inevitable.
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WhaleWhalison • 21 days ago
Review Overdo
I totally agree with your review. Visually, this drama is beautiful; the actors are beautiful, and the chemistry and emotional intensity are somewhat good- not stellar, but good enough. The adaptation and storytelling, though, were absolutely lacking. Personally, I'd say the biggest reason to watch is the visuals and the leads, not necessarily because the story is groundbreaking.
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On The Perfect Lie • 22 days ago
I am interested because it's Seo Hyun Jin, one of my favorite Korean actresses, even though the premise doesn't quite make sense.
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Replying to LettuceLoveSF9 • 30 days ago
Which “Last Night” show are you mentioning?As for Affinity and Fascination, the former was an addicting fever…
Lol... I mean Love at Night. Affinity was absolutely weird, I didn't get it nor did I stay long to find out.
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