I expected the drama to explain how and why Kim Se Hee became what she became by showing how severe a childhood she had, and while tragic, it does not absolve her, let alone excuse her choices. She deliberately allowed her suffering to transform her into a vile individual. This is starkly contrasted by the surviving defects choices, a dehumanizing term she chose herself to define them. They endured equally, if not more, traumatic lives, yet did not take the path she did, not even close. This proves that life is a series of choices, and Se Hee chose evil.
She and her clients chose to treat children as mere transactions, to be acquired and "refunded" at will. The buyers' ignorance regarding the true meaning of "refunding" is irrelevant; the very act of purchasing a "perfect" child, a concept that is monstrous in itself, speaks volumes. It exposes them all as despicable, selfish individuals who commodified human life for societal status gain. Basically, for themselves. Death is too lenient a sentence for these people. A fitting punishment would be to subject them to the same fate they inflicted upon their victims, especially Kim Se Hee. They should face a life of servitude and suffering in a place utterly devoid of humanity, not a prison with three square meals and human rights. Only by experiencing the pain they caused could they begin to comprehend the full scope of their damage, if such comprehension is even possible.
Brilliant drama -- well written, acted, directed -- kudos to all. Short but very, very sweet.
When will Korea wake up and realize the nonsense standards and cancel mentality forced on celebrities just because they chose a public life shouldn't be a measure of how they live their lives. Why does their private lives matter so little. Please stop, just because you helped make them famous doesn't mean you own them.
Jeon Yeo-been's Performance as Lee Daeum is a revelation. While I initially tuned into this drama for the undeniable talent of Namkoong Min, a long-time favorite, Jeon Yeo-been truly commands attention. Her portrayal of Lee Daeum is nothing short of breathtaking. I'll admit, I had my reservations. In past dramas, Jeon Yeo-been's performances sometimes leaned towards the exaggerated for my taste. However, her heartfelt interpretation of Lee Daeum has won me over. Her acting is simply phenomenal, and she is unequivocally stealing the show. This role is a testament to her incredible range and deserves significant recognition, at least an award.
I am in love with Lee Seol ever since I first saw her in Less Than Evil with Shin Ha Kyun whom I am also in love with lol... cannot wait for this one with my one of my top 10 favorite actor Namkoong Min https://www.youtube.com/hashtag/ourmovie
Good Boy bursts onto the scene with a unique premise, immediately delivering a thrilling and surprisingly humorous opening. This fresh take on the police procedural seamlessly blends action, comedy, and intriguing character drama into a winning formula. The show's core concept is brilliantly introduced: a special police unit forged from the ranks of former Olympic medalists. We're instantly immersed in the lives of these elite athletes, now navigating the often frustrating and less glamorous world of law enforcement. The series quickly highlights how their athletic instincts and competitive drive, though unconventional for police work, prove remarkably effective in the field. The dynamic interplay between Park Bo-gum, Kim So-hyun, and Heo Sung-tae is already a major draw.
I think the one issue for me is the deeply problematic K-drama trope: the normalization of workplace harassment and abuse. Witnessing a leader openly, disrespectfully, physically, and mentally abuse subordinates in front of supervisors, colleagues, and even those working under them is not only infuriating but, in 2025, utterly unacceptable. How different are they from a Gangster, then? Regardless of cultural context, hierarchy, or any other justification, this behavior is reprehensible even in a fictional setting. That said, Good Boy’s premises are undeniably unique, the action sequences are well-executed, and the humor is perfectly aligned in creating such an endearing if not unconventional former Olympic athlete into a police officer fighting for justice. I am hooked.
3 
2 
She and her clients chose to treat children as mere transactions, to be acquired and "refunded" at will. The buyers' ignorance regarding the true meaning of "refunding" is irrelevant; the very act of purchasing a "perfect" child, a concept that is monstrous in itself, speaks volumes. It exposes them all as despicable, selfish individuals who commodified human life for societal status gain. Basically, for themselves. Death is too lenient a sentence for these people. A fitting punishment would be to subject them to the same fate they inflicted upon their victims, especially Kim Se Hee. They should face a life of servitude and suffering in a place utterly devoid of humanity, not a prison with three square meals and human rights. Only by experiencing the pain they caused could they begin to comprehend the full scope of their damage, if such comprehension is even possible.
Brilliant drama -- well written, acted, directed -- kudos to all. Short but very, very sweet.
I think the one issue for me is the deeply problematic K-drama trope: the normalization of workplace harassment and abuse. Witnessing a leader openly, disrespectfully, physically, and mentally abuse subordinates in front of supervisors, colleagues, and even those working under them is not only infuriating but, in 2025, utterly unacceptable. How different are they from a Gangster, then? Regardless of cultural context, hierarchy, or any other justification, this behavior is reprehensible even in a fictional setting. That said, Good Boy’s premises are undeniably unique, the action sequences are well-executed, and the humor is perfectly aligned in creating such an endearing if not unconventional former Olympic athlete into a police officer fighting for justice. I am hooked.