Jeon Yeo-been's Performance as Lee Daeum is a revelation. While I initially tuned into this drama for the undeniable talent of Namkoong Min, a long-time favorite, Jeon Yeo-been truly commands attention. Her portrayal of Lee Daeum is nothing short of breathtaking. I'll admit, I had my reservations. In past dramas, Jeon Yeo-been's performances sometimes leaned towards the exaggerated for my taste. However, her heartfelt interpretation of Lee Daeum has won me over. Her acting is simply phenomenal, and she is unequivocally stealing the show. This role is a testament to her incredible range and deserves significant recognition, at least an award.
I am in love with Lee Seol ever since I first saw her in Less Than Evil with Shin Ha Kyun whom I am also in love with lol... cannot wait for this one with my one of my top 10 favorite actor Namkoong Min https://www.youtube.com/hashtag/ourmovie
Good Boy bursts onto the scene with a unique premise, immediately delivering a thrilling and surprisingly humorous opening. This fresh take on the police procedural seamlessly blends action, comedy, and intriguing character drama into a winning formula. The show's core concept is brilliantly introduced: a special police unit forged from the ranks of former Olympic medalists. We're instantly immersed in the lives of these elite athletes, now navigating the often frustrating and less glamorous world of law enforcement. The series quickly highlights how their athletic instincts and competitive drive, though unconventional for police work, prove remarkably effective in the field. The dynamic interplay between Park Bo-gum, Kim So-hyun, and Heo Sung-tae is already a major draw.
I think the one issue for me is the deeply problematic K-drama trope: the normalization of workplace harassment and abuse. Witnessing a leader openly, disrespectfully, physically, and mentally abuse subordinates in front of supervisors, colleagues, and even those working under them is not only infuriating but, in 2025, utterly unacceptable. How different are they from a Gangster, then? Regardless of cultural context, hierarchy, or any other justification, this behavior is reprehensible even in a fictional setting. That said, Good Boy’s premises are undeniably unique, the action sequences are well-executed, and the humor is perfectly aligned in creating such an endearing if not unconventional former Olympic athlete into a police officer fighting for justice. I am hooked.
Right, like he needed help with that. The moment his agency and he, who is really him but whatever, first denied the dating rumors and then backtracked to say they only dated when she was an adult, he was damaged.
More than LSG, I feel truly sad for Lee Da In. She has had to bear the curse of her father, both professionally and personally, for a long time, and it appears she will continue to do so for some time to come.
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I think the one issue for me is the deeply problematic K-drama trope: the normalization of workplace harassment and abuse. Witnessing a leader openly, disrespectfully, physically, and mentally abuse subordinates in front of supervisors, colleagues, and even those working under them is not only infuriating but, in 2025, utterly unacceptable. How different are they from a Gangster, then? Regardless of cultural context, hierarchy, or any other justification, this behavior is reprehensible even in a fictional setting. That said, Good Boy’s premises are undeniably unique, the action sequences are well-executed, and the humor is perfectly aligned in creating such an endearing if not unconventional former Olympic athlete into a police officer fighting for justice. I am hooked.