warning: a sarcastic review
I really wanted to like Wonderfools. The cast had all the ingredients for a memorable series, but what I got instead was an epic collapse in storytelling.
Watching this drama felt like raising a funny, charming stepchild only to discover eight episodes later that there was a dark psychotic personality hiding underneath the entire time. I kept trying to understand the writers’ intentions. Were we supposed to laugh, cry, feel suspense, then laugh again five minutes later? The show swings emotions around like a drunk DJ changing playlists at a wedding reception.
It wants to be quirky and dark at the same time, almost like Heath Ledger’s Joker wandered into a neighborhood sitcom. The difference is that Ledger’s Joker was brilliantly consistent. Wonderfools has the emotional stability of Batman after three espresso in shots and a nervous breakdown. It wants to Korea’s version of DC’s Suicide Squad.
Slapstick comedy only works when the tone commits to it. The Three Stooges knew exactly what they were. Here, the trio feels more like Dumb and Dumber… and their sister, Dumbest.
And somehow, in only eight episodes, the show still manages to drag while never fully developing anyone. Every character feels assembled from leftover K-drama tropes:
* the guilty grandma with a dark secret
* the handsome Clark Kent drowning in emotional confusion
* villains who are somehow more interesting than the heroes
* and of course, the obligatory cult-like church leader, because apparently Korean dramas now believe every church leader is one sermon away from becoming a supervillain.
* even squeezed a slow-motion scene using Radiohead’s “I’m a Creep…I’m a Weirdo” playing in the background.
But there is a bright side: it’s only eight episodes. And yea the good guys win. But you have to survive the uber-long final two episodes that looked like a scene from Batman vs Superman. This really is turning into a DC comics trope. And if the stars all align, there won’t be a season 2.
Just like Disney mishandled The Perfect Crown, Netflix seems equally determined to turn Korean dramas into disposable content. What happened to the days when dramas made you genuinely feel something long after the ending? Now it’s just emotional fast food, quickly consumed and forgotten before the next algorithm recommendation appears.
Watching this drama felt like raising a funny, charming stepchild only to discover eight episodes later that there was a dark psychotic personality hiding underneath the entire time. I kept trying to understand the writers’ intentions. Were we supposed to laugh, cry, feel suspense, then laugh again five minutes later? The show swings emotions around like a drunk DJ changing playlists at a wedding reception.
It wants to be quirky and dark at the same time, almost like Heath Ledger’s Joker wandered into a neighborhood sitcom. The difference is that Ledger’s Joker was brilliantly consistent. Wonderfools has the emotional stability of Batman after three espresso in shots and a nervous breakdown. It wants to Korea’s version of DC’s Suicide Squad.
Slapstick comedy only works when the tone commits to it. The Three Stooges knew exactly what they were. Here, the trio feels more like Dumb and Dumber… and their sister, Dumbest.
And somehow, in only eight episodes, the show still manages to drag while never fully developing anyone. Every character feels assembled from leftover K-drama tropes:
* the guilty grandma with a dark secret
* the handsome Clark Kent drowning in emotional confusion
* villains who are somehow more interesting than the heroes
* and of course, the obligatory cult-like church leader, because apparently Korean dramas now believe every church leader is one sermon away from becoming a supervillain.
* even squeezed a slow-motion scene using Radiohead’s “I’m a Creep…I’m a Weirdo” playing in the background.
But there is a bright side: it’s only eight episodes. And yea the good guys win. But you have to survive the uber-long final two episodes that looked like a scene from Batman vs Superman. This really is turning into a DC comics trope. And if the stars all align, there won’t be a season 2.
Just like Disney mishandled The Perfect Crown, Netflix seems equally determined to turn Korean dramas into disposable content. What happened to the days when dramas made you genuinely feel something long after the ending? Now it’s just emotional fast food, quickly consumed and forgotten before the next algorithm recommendation appears.
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