jiritwist

A crazy short film that has an absolutely incredible rating on IMDb, I didn't find it that interesting at first, but after "maturing" it turned out to be a very solid piece and I certainly do not regret the time spent watching it, with an exaggeration and with the actors who are now the stars of the series Not Me and they are a couple in real life too.


Ztřeštěná blbinka, která má na IMDb naprosto neuvěřitelné hodnocení, mi zezačátku nepřišla až tak zajímavá, se nakonec po "uzrání" vyloupla ve velmi solidní kousek a určitě nelituji času stráveného sledováním, bráno s nadsázkou a s herci, kteří jsou teď hvězdami seriálu Not Me a jsou párem i ve skutečném životě.

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A moving film, made with the utmost reverent modesty, about friendship, longing, love and suffering, and set in Korean history in such a way that we have to understand why the ending is this way and not another. My soul is crying. Those Korean hats from the Joseon Dynasty are a wonderful addition to the style of that time ...


Dojemný snímek, vyrobený s maximální uctivou skromností, o přátelství, touze, lásce i utrpení a zasazený do korejské historie tak, že musíme pochopit i proč je konec takový a ne jiný. Má dušička pláče .Ty korejské klobouky z dynastie joseon jsou nádherným doplňkem tehdejšího stylu ...

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The Thai version of RPDR really appealed to me. Right from the first episode, a different competitive mentality was breathed on me, where individuals competed with each other, but at the same time, you could feel the undefined Buddhist spirituality, as they wish for each other, without grudges. In my opinion, as Jiřík writes, it was the best first series of all Drag Race. It seemed to me that the contestants didn't even deserve to be eliminated in the first or second round, but the jury always had to choose someone. In addition, the guest judges in the individual parts enjoyed everything immensely, they cheered for the contestants, they applauded, it was not as commissary as the American version.

In my opinion, Dearis Doll was the most handsome man among the participants, to the point where I felt sorry that he was changing such a beautiful face into a drag queen image, perhaps the Thai filmmakers noticed him as well, his success was making it to the finals, but there for more than the finals he did not have third place.
Natalia Pliacam - the winner, and this could probably only happen in Thailand. Natalia is of Chinese origin and is a coffin merchant and in civilian clothes he looks like an ugly fat bespectacled man and even older than he actually is (37). Maybe they would pick him up in the first round elsewhere. This competitor completely believed in himself and approached the competitions with logic and perspective in every round, and I couldn't even believe where the "something" in him came from.
Amadiva and Petchra - these two contestants impressed me with their warmth, creativity and elegance, and Meannie Minaj with Bunny Be Fly - I'm sorry for them that they were eliminated first, although they didn't have to, there was simply no clearly weaker contestant.
Morrigan - the controversial youngest contestant at eighteen had a tough time in a company that recognizes the older and more experienced, but still pushed through to the third round.
B Ella - a Thai elephant of larger dimensions, was the most humane competitor in the entire starting block and made it to the gates of the finals.
Jaja - this native Filipino was the least likable contestant for me, but that's just my impression, maybe it was just a tactic to hide behind a clown mask.
Annee Maywong - the most beautiful and elegant "woman", moreover, she could dance, fought for the victory with Natalya in the final until the last moment, but the jury was clear that only these two qualities are not enough, in my opinion both could have won.

P'Art took on the role of moderator and chief judge well, then led the entire final brilliantly, maybe he could use more smile, positivity and sometimes a different style of visage. For that, Pan Pan, the second permanent judge, was charming as a man and as a woman, and optimism emanated from him in all directions, just look on the net, what a beautiful man or a beautiful "woman" he is, and his performance at the beginning of the final was famous.
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31/5/2021 SECOND SERIES
I love Thailand more and more, I can't see what I'm writing through tears and I raise the total "score" to ten.
Angela deserved to win, I think Kana could have been second because she is more versatile, she can sing while dancing, Kandy is great, but I missed something and she was very affected in the performance before the performance. Of the others, Bandit and Vanda appealed to me in particular.
Mom could learn, but the Americans can never achieve that (they are more austere, commissary, often make fun of the contestants). The atmosphere was unique, the judges are wonderful, they are not afraid to be what they are, the audience is great, as if everything fell from everyone (including me) in that cauldron and I perceived the beauty of the spirit, mystery, show, love....



31.5.2021 DRUHÁ SÉRIE
Thajsko čím dál víc miluji, přes slzy nevidím, co píšu a celkové "skóre" zvedám na rovných deset.
Angele si zasloužila vyhrát, Kana dle mě mohla být druhá, protože je všestrannější, umí zpívat během tance, Kandy skvělá, ale něco mi tam chybělo a byla u představení před vystoupením moc afektovaná. Z dalších mě oslovil především Bandit a Vanda.
Mama by se mohla učit, ale toho Američani nikdy nemohou dosáhnout (jsou více strozí, komisní, ze soutěžících si mnohdy dělají srandu). Ta atmosféra byla jedinečná, porotci nádherní, nebojí se být tím čím jsou, diváci skvělí, jakoby v tom kotli ze všech (i ze mě) všechno spadlo a já vnímal tu krásu ducha, mystery, show, lásky ....

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This smaller Filipino series disappointed me, mainly in terms of the story, which was like an emmental with big holes. I saw the series a few days ago and thought to myself that I would rather not post this "friend puzzle" here. I wouldn't mind the fact that there are only two actors, and they are also very likeable, but what they "played" according to the script and direction was far from even the slightest expectation of things to come, not to mention the BL series. I saw the two boys as if they were still ten years younger, and the entire six episodes, except for the very conclusion, were all about chatter, childish bickering, just friendship, camaraderie, sometimes a game of cat and mouse (Kian-son of the owners and the "inferior monkey" Aaron-son of the deceased administrator). Without spark and emotion, unsalted, ungreasy, bland.
Overall: terrible story, childish, untapped potential of an empty house, maybe a gay character in the last few minutes. Acting above average, processing (I appreciate the nippl

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The very depressing film surprised me considering I am not used to this topic from Taiwan. Full of alcohol and drunken stupor (mother, as if deranged younger son Rat), cigarettes, then disability (prostitute Ya Ba), dysfunctional families. Nevertheless, in my opinion, the acting was probably the strongest point of the film (already mentioned, but also the elder son of Shanghe, Ren Shuo). I also didn't mind the sound-music. Processing was the worst for me. I understand that the creators wanted to "darken" the sex scene between Shangh and Shue a bit, but half of the scenes in the movie are so darkened that it hurt my eyes, so I think, not this movie again, at least as a demonstration of very solid acting. Taiwanese Chinese is spoken in the movie and not Mandarin.


Hodně depresivní film mě překvapil na poměry, kdy nejsem na toto téma z Taiwanu zvyklý. Plno alkoholu a opileckého otupění (matka, jakoby pomatený mladší syn Rat), cigaret, dále zdravotní postižení (prostitutka Ya Ba), nefunkční rodiny. Přesto herecké výkony byly dle mě asi tou nejsilnější stránkou filmu (už dříve vyjmenovaní, ale i starší syn Shanghe, Ren Shuo). Rovněž zvuk-hudba mi nevadil. Zpracování bylo pro mě nejhorší. Chápu, že tvůrci chtěli trošku "ztmavit" sexuální scénu mezi Shanghem a Shuem, ale takto ztmavených scén je ve filmu polovina až mě z toho bolely oči a tak si říkám, tento film příště už ne, max. jako ukázku velmi solidního herectví. Ve filmu se mluví taiwanskou čínštinou a ne mandarínštinou.

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"Best Filipino Movie Ever". Well, in my opinion, it no longer applies. Yes, I can include it among the better films of this country, so much tested in the past by the immense poverty that was already sown by the Spanish colonizers of the time and perfected by the Americans. On the other hand, this country is the only island of Christianity in the sea of Buddhism, Taoism and Islam that is coming from the south, many inhabitants have parts of words or whole Spanish words in their names and speak completely differently than the surrounding countries, including the fact that they speak a second language after filipino and tagalog is filipino english. The film gave me a lot, but it has already shown the ravages of time. What I appreciate most is the conveyance of that time, poverty, lack of law and crime, solid acting. The story isn't bad either. It is worse with the feeling itself, the perception of the whole story, because I only had a very bad copy at my disposal, otherwise it would certainly be much deeper.
So goodbye, Julio and Ligayo (the actors of the main characters are still alive today).



"Nejlepší filipínský film všech dob". Tak to už dle mě dávno neplatí. Ano, mohu jej zařadit mezi ty lepší filmy této země, tolik v minulosti zkoušené nesmírnou chudobou, kterou už zaseli tehdejší španělští kolonizátoři a dokonali Američané. Na druhé straně ale tento stát je jediným ostrovem křesťanství v moři buddhismu, taoismu a z jihu se ne něj valícího islámu, mnozí obyvatelé mají ve svých jménech slovní části a nebo celá slova španělská a mluví úplně jinak, než okolní země včetně toho, že druhým jazykem po filipínštině a tagalogštině je filipínská angličtina. Film mi dal hodně, ale už se na něm projevil zub času. Nejvíce si vážím zprostředkování tehdejší doby, chudoby, nedostatku práva a zločinnosti, solidních hereckých výkonů. Příběh také není špatný. Horší je to se samotným pocitem, vnímáním celého příběhu, neboť jsem měl k dispozici jen velmi špatnou kopii, jinak by byl jistě daleko hlubší.
Tak sbohem, Julio a Ligayo (herci hlavních postav dodnes žijí).

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An above-average series with a plot different from most of the HIStory series, I was particularly interested in the main couple. Jake Hsu in the role of a policeman was really cute, in some scenes he reminded me of a 16-year-old plucked-eared boy, whose wiry figure is precisely intended for teaching martial arts and karate. In fact, he was 28 years old at the time of filming and played his character convincingly. The plot didn't drag on, on the contrary, in some moments I was even afraid of "what hasn't happened yet" and the references to the past were good so that the viewer could better understand the plot. If it was a combination of state power and crime, I would have easily married the other couple for the sake of believability. Excellent Taiwanese product.


Nadprůměrný a dějově jiný seriál než většina ze série HIStory mě zaujal především hlavní dvojicí. Jake Hsu v roli policajta byl opravdu roztomilý, v někerých scénách mi připomínal šestnáctiletého oškubaného ušáčka, jehož šlachovitá postava je přesně určena k výuce bojových umění a karate. Ve skutečnosti měl v době natáčení 28 let a zahrál svou postavu přesvědčivě. Děj se nevlekl, naopak, v některých chvílích jsem se až bál, "co zase ještě nebylo" a dobré byly vsuvky do minulosti, aby divák lépe pochopil děj. Když to byla kombinace státní moci a zločinu, klidně bych kvůli uvěřitelnosti oželel tu druhou dvojici. Výborný taiwanský produkt.

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A series that caught my attention, mainly because of the choice of actors, the acting was really top notch (Wayne-Hao Ting was top class and Wilson-Bo Xiang was great in his youth). I also agree with Extasy that the Taiwanese series are different from the often "laced" Thai series, they are closer to the eye of the European viewer, more natural, the plot has a faster flow and does not drag on like a snot.
It took me a while to get used to the characters. The athletic, tall and fit Hao Ting and the skinny greeting from Dachau Xi Gu. The second couple was with me from the beginning without a problem (young Bo Xiang and bistro owner Zho Gang). The parents and sister were also very well chosen. Overall, I rate it highly, only the conclusion in the year when the marriage of same-sex couples was legalized in the country, they could forgive themselves. But even here Wayne showed himself and "transformed" with his excellent acting, perhaps we can look forward to the second one that is shown on MDL, which will hopefully be - HIStory4: Make Our Days Count 2 and Wayne should play the main role there again...


Seriál, který mě zaujal, a to především výběrem herců, herectvím, které bylo skutečně na výši (Wayne-Hao Ting extratřída a Wilson-Bo Xiang při svém mládí super). I já se shoduji s Extasy, že taiwanské seriály jsou jiné, než mnohdy "sešněrované" thajské, jsou blíže oku evropského diváka, přirozenější, děj má rychlejší spád a netáhne se jako sopel.
Než jsem si zvykl na postavy, chvíli mi to trvalo. Atletický, vysoký a vysportovaný Hao Ting a vyzáblý pozdrav z Dachau Xi Gu. Druhá dvojice byla u mě od začátku bez problému (mladý Bo Xiang a majitel bistra Zho Gang). Velmi dobře byli vybráni i rodiče a sestra. Celkově hodnotím vysoko, jen ten závěr zrovna v roce, kdy bylo v zemi uzákoněno manželství párů stejného pohlaví, si mohli odpustit. Ale i tady se Wayne projevil a "proměnil" svým výborným herectvím, snad se můžeme těšit na dvojku, která je uvedena na MDL, že snad bude - HIStory4: Make Our Days Count 2 a Wayne by tam měl hrát zase hlavní roli ...

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I like Buddhism and its theory of reincarnation, reincarnation, and the bottom line, the story of this series is the most interesting for me. That's why the story is 10, even if it starts "terrifyingly tragically".
Otherwise, I evaluate the processing, prepare for an even slower pace than "normally" slow are Thai series of this type, sometimes stilted, weepy, but that's probably how it should be and it's actually a flowing drama, when in some parts there is a gradual uncovering and understanding who they really are in the thicket of Pharm and Dean's tangled family generations and sometimes those who "believe" get chills down their spines, others who mainly look for faults remain cold.

I don't have much to complain about the acting, I rate the level of acting not by Meryl Streep, but by these series, some of them shined (surprisingly for me, Manaow, Koi's grandmother, Wina's relaxed speech and some others.). I can't even condemn Dean and Korn as actors, whose characters were written this way and they were both damn hot.
The music is fine, because if you have a longer series, you simply get used to the central theme of the songs. I also see a positive in the fact that this project creates a positive, realistic relationship with gays, despite the fact that there will be a tragedy at the beginning - it is treated with respect throughout the series and not as a farce. I RECOMMEND it to all sensitive souls.


Mám rád buddhismus i s jeho teorií převtělování, reinkarnace a ta pointa, příběh tohoto seriálu je pro mě nejzajímavější. Proto ze příběh 10, i když začíná "hrůzostrašně tragicky".
Jinak hodnotím zpracování, připravte se na ještě pomalejší tempo, než "normálně" pomalé jsou thajské seriály tohoto typu, někdy ucajdané, plačtivé, ale tak to má asi být a vlastně se jedná o plynoucí drama, kdy v některých dílech dochází k postupnému odkrývání a pochopení, kdo vlastně jsou v houští spletitých rodinných pokolení Pharm a Dean a někdy těm, kteří "věří", přejede mráz po zádech, ostatní, co hledají hlavně chyby, zůstanou chladní.

K herectví nemám co moc vytknout, hodnotím úrovní herectví ne Meryl Streep, ale těchto seriálů, někteří se zablýskli (kupodivu pro mě Manaow, babička Koi, uvolněný projev Wina a někteří další.). Odsuzovat herecky nemohu ani Deana a Korna, jejichž postavy takto byly napsány a oba byli zatraceně sexy.
Hudba fajn, totiž pokud máte delší seriál, tak si prostě na ústřední motiv písní zvyknete. Pozitivum vidím i v tom, že tento projekt vytváří kladný, realistický vztah ke gayům, navzdory tomu, že zde na začátku proběhne i tragédie - zachází se s ní po celou dobu série s úctou a ne jakou s fraškou. DOPORUČUJI všem citlivým dušičkám.

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I laughed with gusto many times. How to perceive this series must be in the person himself (he must understand Asia) to distinguish the subtlety of the playback here, which is brought here in a spicy form deliberately sometimes to the point of pie creation and complements the overall comic, from some other Asian productions, where naivety, the snobbery or the twistedness is too much for non-Asian viewers. Those who don't get it will condemn the series unnecessarily, but that's their business, not mine. The main thing is that everything has not slipped into a set of "western" sitcoms, when the viewer is "forced" to laugh at every stupid thing in the form of constantly imposed "laughing viewers". Here, the viewer is left with room to consider how to react. This excellent Thai part just ended in January 2021 and I can only write that it was a really nice experience.
Both main characters here are very original. A frail and youthful looking Chonlatee and a sporty type Tonhon with a chest tattoo (which has a meaning in the story - Navigator vs. Ocean). In addition to light entertainment, deeper thoughts also appear in the series, e.g. in one of the late episodes, Chonlatee's mother Nam literally flashes in an argument: "...BETTER TO BE HATED FOR WHAT YOU ARE THAN TO BE LOVED FOR WHAT YOU ARE NOT... .” and I also appreciate the overall message, the attitude towards men who like men, which certainly has an impact on the audience.
The two other gay characters Ai and Nhai (Ni) are also excellent, and the girls Miriam and Pang also contributed to the good fun. There are quite a few fans of these series here at GT, and I definitely recommend this piece to them.

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I didn't expect much from this half-hour film, and my surprise at the end was even greater. The film, which doesn't have a high rating and may be condemned by many viewers because of its sensitive subject matter, surprised me in a good way with its complete authenticity, a natural look at one boy's coming of age, regardless of how old or young he is on paper, and let's not deny that many boys feel that way. I'm also satisfied with the ending of the story. And why do I only give it a "rather recommend" rating even though I give it a high rating? Most of those who read the film's description will probably understand that.

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What to write... I watched the uncut version of the film, 2:11:26 long. A touching film, even sad, and confirms my assumption that some older Thai films that touch on the issue of BL or just love as such are worth watching. A trio of stories, where I was most interested in the story of the first two guys, the second is dominated by the experienced actress Tai Penpak Sirikul, whom we know here at GT, for example from the heartbreaking film It Gets Better, the third story is a bit lengthy for me, but we will learn the answer in it, how the first story developed and Buajan also appears there. A film where it doesn't just say "I love you", but convinces the viewer that love is much deeper than just words. A film that will make the viewer smile and cry.

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One nation and two regimes.

One nation and two regimes. In one, one man decides everything and everyone, in the other, he would like to decide (see recent political problems). I was completely shocked by the beginning, where behind the propaganda texts read by crazy North Korean announcers, two North Korean soldiers are greedily kissing and then having sex in an explicit scene. The film probably won't be for everyone, but it appealed to me with its harsh reality to the bone, the ending is different than I expected, but I have to admit that, fitting the story and at the very end, the scene with Jae Sung brought tears to my eyes. An immense symposia by Kim Tae Hoon in the role of Youn Joon, even though with a Thai cap on his head. The acting is superb and all three gentlemen had a great time in those revealing scenes. A deep, sad, misunderstood by many and depressing film with beautiful, subtle background music about relationships between men, hard life and a divided Korea.

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