monstersnroses

As a red-flag lover, this drama was a bad time.

The secondary couple should have been the main couple, and the story should have been about them.

They had stolen my heart and my attention to the point that when their storyline concluded, I gave up on the whole drama. It is a MAJOR design flaw in this production.

As usual, the production team who created this drama did a great job. The supporting casting is off the hook, the costumes are great, the styling is so amazing. The bgm/ost sounds recycled from SOKP and is a bit repetitive, but that's overlookable. What is not overlookable is the MOST interesting and captivating relationship dynamic in the story coming from two side characters who are then thoughtlessly discarded when they no longer serve the larger (and more boring) storyline.

Just aigoo...

7/10, because it's worth a one-time watch, but BARELY.

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A solid in-between-shows watch.

This ML is a fucking phenomenal actor, and the actual basic plot is creative. However, they are being hamstrung by a mediocre director, mundane script writers, phoned-in makeup, and budget production.

There's nothing that outright sucks about this one, I'll give it that. FL is fine and brings the slightest touch of comedy to her performance, and it works. She lets herself have some chemistry with the ML (Some, mind you, not really a lot though). The creative vision lacks a certain amount of cohesion.... is it fluff, is it comedy, is it action, is it drama.... it's not really sure. There is no distinct "look" to it. It leaves an afterimpression of averageness.

I think this is a good watch if you need just something light and mildly entertaining with a brisk pace. I also think this is an allright watch if you are just curious about Cheng Yu Feng's acting evolution. He has a few brief flashes of genius acting in this drama, but for the mostpart what you see is him dumbing himself down as an actor to fit the role that's beneath him.

There's a part where the FL asks him if his lazy personality is all fake. He looks at her and considers the question and then says "It's fake... and it's not fake." And in that 10 seconds of acting, you can see that brilliance he has, as his emotions silently shift from one to another so fast... it's like his emotions are "shiny", they flicker across his face and it's quite extraordinary. He does it again in the last episode when the FL gives him the big news that I'm not going to tell you so I don't spoil it, but you'll know it when you see it if you decide to watch this one. And there's a few instances in the first half of the show where it is written into the script that his facade has to crack open for just a fraction of a moment and you see a glimmer of who he really is, and wowww it was sexy and cool. But again..... these moments are fleeting, the script and direction really don't give him any room to breathe as an actor.

It was decent.

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This is absolute apex cliche.

How can I describe this drama..... it's like somebody saying "I will make you authentic italian spaghetti," and then serving you plain boiled spaghetti noodles with a can of extremely cheap marinara uncerimoniously dumped on top of it.

Things you will see:
>Distracting and fake-as-shit-looking milk moustaches. Yes, more than one.
>FL is aspiring artist, CEO ML gives her a job next to his office.
>Got dayum that 3ML lookin genetically recessive.
>Trying on outfits with the CEO ML sitting on a couch pooh-poohing all the outfits until..... he sees the STUNNER DRESS..... you know the one. The one that looks like a 20-dollar little mermaid knockoff princess dress. "Oh, I couldn't get my zipper zipped all the way up by myself...."
>The shoddy wire gazebo strung with christmas lights, which the FL was tricked into wandering into, when suddenly OUT OF NOWHERE the ML appears in a suit with a giant bouquet of flowers, gives her his confession and a piece of jewelry. Bet you didn't see that coming.
>Backlit errythang!
>The kind of kissing you'd see from two people if, say for instance, they were complete strangers thrown together by a shitty script and standing under a glaring light, surrounded by camera crews.

It goes on and on like this, you get the idea. It's dull, flat, insulting to your intelligence, unoriginal to such an extent that you could call it noteworthy. I would not watch this unless I was having a PTSD attack or someone had just died, and I just needed something "on".

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Starts off fresh and strong, ends as a meh.

The good:
*Underused plot ideas free of many of the common tropes and cliches
*Some good acting
*Very visually pretty
*BGM/ost is not intrusive

The bad:
*FL was the weak link - OK actress, but not a good match for the role ---> becomes annoying as show goes on
*Plot not fleshed out right - tension, balance, sense of realism, dialogue, emotions.... all are lacking in screenplay.
*All acting was good but not extraordinary. The ML is gaining acting experience and improving, but still not quite exemplary.
*Teases spice, but also very much lacks said spice. Meager kiss scenes.

It just is what it is, which is a 7. Take it or leave it depending on how bored you are.

I would recc this only to people interested in watching Ma Hao Dong's acting career progress, because he IS getting better, and I think this is some of his best acting to date. IMO he has something special, and his career holds a lot of promise.

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This is a lot more than just some trashy smut-film.

This is one of only a handful of movies I've ever watched where the sex scenes aren't gratuitous. Each one conveys something different, and when you add them all up, you have a very beautiful message, in which the director is trying to convey how for some people in some situations, sex and love aren't a straight line. Sometimes people, through complex situations, get wired differently in that area of life.

I see this movie as controversial because in a very distinct way, it romanticizes prostitution, and romanticizes dysfunctional sexuality. Yet the opposite side of that is that it humanizes sexual dysfunction, so that a person isn't defined by their kink, it's just another aspect of their personhood. Also in defense of the film, it is highly respectful of how it treats the topic of AIDS.

If you skip the dialogue and just watch for the smut factor, you miss the entire artistry of the movie. If you skip the smut and just watch for the dialogue, you also miss the artistry of the movie, because each sex scene has something to convey. In this sense, the movie is sort of genius. A very deliberate movie.

We have all seen shows that depict sex work as seedy, dirty, depressing, hopeless. This is the opposite side of that. I think it's relying on the concept that most of the viewers already have seen the sordid side of the sex industry and know what it entails, and this movie is almost like an apology to that. A serious attempt at an explanation for why people end up in the industry, why they stay, or why they support it.

I don't agree entirely with some of the viewpoints the film takes, but I respect that at least it wasn't at all just another piece of smut. There are very deep emotions running through this movie.

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Good smut + Lynchian darkness + raw depth + strange cheesiness = cult classic

This was like watching Wild At Heart, My Lethal Man, and The K2 blended together in a Vitamix and then smothered in sexy.

I see a fair number of watchers taking this drama only at its face value, which is an in-your-face raciness combined with a wild plot more full of holes than swiss cheese. So it begs obvious comparison to My Lethal man, in that afterward youre like "I dont know what the hell I just watched but it was hot." And that is a fair comparison.

But I was also strongly reminded of David Lynch. (Thats the director that did Twin Peaks, the original Dune movie, Wild at Heart with Nicholas Cage, Blue Velvet, Lost Highway, Mulholland Drive)

Like Lynch movies, there is a strange, dark, quiet, beautiful, unsettled, disoriented feeling to this drama, that makes you wonder how many mysteries the show holds. Are the plot holes accidental or deliberate? Its riding a fine line.

This odd balance between darkness/lightness... quiet/dramatic... depth/simplicity.... cheesy/sexy..... is what I think has the elements of an instant cult classic.... like Repo Man, Heathers, True Romance, Twilight, etc. Many cult classics have a strange and stylish, mysterious blend of hokey and twisted and profoundly deep that makes the story so rewatchable.

There are weirdly placed intrusions of cheesy frivolity sure. But there are also scenes of real emotional depth that some shows try so hard to bring to the screen and fail at. I teared up at many scenes despite myself, because the emotions were so raw and beautiful, and well placed.

And the wholllle thing is just covered with sexiness everywhere. Even the "villain" is strange-sexy and hot af. Reminds me of a young asian marilyn manson with no makeup and a haircut. His looks are captivating and his acting is excellent. The ML and FL are sexy af and hot like fire and good actors. There is real kissing in the kiss scenes. GOOD real kissing, that make me think the ML is in rl probably an excellent lover. And for any kiss scene affectionados out there ----> there is french kissing in this one.

The casting was so excellent, the costumes and styling will stand up to a test of time... in 10 or 20 years, it will look just as hot as it does now, it will age well.

A very unique style that I appreciated greatly. The dumbness of this drama is deceptive. Beneath the dumbness lies real artistic skill and vision, and the dichotomy between the crappy cheapness and the refined elegance was, imo, highly enjoyable and very genious.

Im a hard grader, I dont give out 9s lightly, but this drama was truly excellent and had a distinct style all its own.

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Visually beautiful production and charismatic ML but terrible editing, pacing, and sound editing.

This drama is very aesthetically appealing. Settings, lighting, camera direction and acting all came together to create a gorgeousness that feels immersive, dark-sexy and intriguing. The production values are somewhat higher end for a short length. I love this ML, ive seen him in other things and hes great.

Romance was more tame than I expected, and it was sort of presented as a side-dish to an overly complicated plot about drugs, power, secrets, and scheming.

The real problem was completely bad editing and pacing. It slows down way too slow, then speeds up way too fast with flashback scenes presented in disjointed ways and lots of skipping around from one thing to another.

The writing and directing werent the best either, there was an awul lot of cringe moments flying around here and there.

The bgm/ost were so "off" to me... nothing struck a note that matched the tone of the scene. It was all this accoustic femmy music with a dynamic range imbalance problem, that just killed any sexy and drove me to hit mute. Very loud in comparison to the drama, and distracting/detracting. Some people really like the songs. I dont.. this is not my kind of music. But aside from that, the music didnt match the tone of the show at all. You have a very dark aesthetic, lots of use of black and dimly lit interiors, and rainy nights, the ML has a very dark, smoldering quality to his looks, hes supposed to be a badass, protecting his ballerina girl from blood, bullets, drugs, and crime bosses. That just doesnt call for sentimental accoustic female ballad songs. It calls for something that sounds dark and smoky. The juxtaposition of music to show was imo jarring and detracted from the overall tone they were trying to create.

Supporting casts acting was neither great nor terrible. But since this romance was very short on actual romance, and my focus was challenged by the drama and not gripped by it, i give it a 6. Imo a wast of time, not totally worth the watch.

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It's the CLOY of c-dramas, and it's excellent.

This is top shelf goods, 100% Grade A Premium.

You can't please em all. But you can come pretty damn close.

So there are little criticisms to be had everywhere. But to focus on those is nitpicky, because when taken as a whole, this was a mightily satisfying and widely accessible drama, that highlighted all the good things c-dramas have to offer. Much like CLOY does with k-dramas. You can watch it with your friends, with your family, you can rewatch it over and over and it has staying power. Beautiful and funny and powerful iconic scenes created by a visionary director.

Cast was well-chosen, and delivered sincere and elevated performances that played to their strengths. And as usual, Deng Kai nearly stole the show, but this time his acting was on a whole other level of sincerity and depth, and I hope he reaches a new level in his career from this performance because it was EPIC DENG KAI. Pardon my french, but he took this massive A-lister production, and made it his bitch. And I mean that in the best possible way. I'm just so enthusiastic about his performance here that it moves me to expletives. Like if Deng Kai were your favorite hockey team and they just won the stanley cup. He was so great.

Usually I get into pros and cons of a drama when I review it. And then I say who I would recommend it for.

But with this one, it's honestly useless to list pros and cons, because I would recc this to literally just about anybody. And you can find out the pros and cons for yourself while you watch and form your own opinions, but however you walk away from this drama after watching it, it is NOT a waste of time. Its really effin good.

9/10 Because crowd-pleasers have to please everybody, they take less risks and so I give it one point off for "playing it safe" on a few key things. But other than that, this is about as close to "perfect" as a drama designed for a general audience can get.

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A short-length masterpiece.

❤OST and BGM are so so well done, styling costumes and settings are more than just achingly gorgeous--->they hold deliberate meaning. Cinematography is shot with a careful eye for beauty in details. Lighting was always on point. And quite frankly Im floored to see such high quality in such a short length drama.

❤Acting was EXCELLENT. From everyone. All the actors and actresses gave 100% to their roles, and it really shows.

❤THE DIALOGUE was so so SO good, it is really whats at the heart of this drama, is an excellent script. Every now and then a chinese drama will come out that shows such an astonishingly masterful grasp of human nature and human psychology that it blows everybody else outta the water. This is one of those dramas. It tells its story with elegance and rawness and incredible depth.

I have to establish all that, because of what I'm about to tell you now: IT WAS FEKKIN HORRIBLE. Not the storytelling. Just the story.

Theres LOTS of works of art where the story is basically horrible. Voltaire's 'Candide'. Sophie's Choice. Schindler's List. There Will Be Blood. Romeo and Juliet. A Million Stars Falling From the Sky. And.... yeah this is one of those. Its fekkin messed up, offensive, and tragic. Its like having your feelings tenderized with a meat mallet, deep fried til burnt and then autopsied with a plastic spork.

If you have triggers, this will trigger them. Even eating disorder triggers. All the triggers are here. If you are sensitive... or previously traumatized.... if you are just looking for something fun or easy..... if you expect a drama to do all your moralizing and thinking for you.... you gonna have a BAD time. A REAL bad time.

Because not only is it horrible, it is unrelentingly horrible. Theres no comic relief ANYWHERE. Theres no cheesy acting, or bad makeup. Theres no goofy side characters. Theres no 2ML 2FL side story. No CGI to cringe at. No cute cats or adorable children. No dumb tropey stuff. Everything is beautiful, emotional, poignant, aching, sentimental, cruel, torrid.

The format of short-length drama, in this instance, is like a series of poems the director is giving us. Each one is beautiful, deliberate, painstakingly created. This was, quite simply, fine cinema. It elevates the short-length format into something really awesome that has real artistic merit.

This drama, at its core, is about love as it relates to sin, atonement, and forgiveness... ML has committed a grave sin against the FL he loves dearly. And the FL who loves him dearly also, is faced with a choice of whether to forgive him or not. The questions this drama asks are not for the faint of heart... because when this show is through with you, youre gonna feel kinda like you just stepped out of the spin cycle on a heavy duty washing machine.

You better have a fluffy drama and a pint of ice cream lined up for when you finish this, cuz u gonna need it.

I basically hate tragedies, but this one was stellar. Grips your attention and doesnt let go till you are bleeding from your eyes and begging for mercy.

9.5/10... Absolutely incredible.

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A confused story with unconvincing emotional content.

The concept of an abused woman finding a man who loves her and wants to get her out of her situation seems very emotionally heavy, and yet within the first few episodes, it's clear that this drama doesn't know how to convey strong emotions. The FL is shown as defiant and unafraid in the face of her abuser's beatings. This is just unrealistic ino.

Then she starts interacting with the ML, and not far into the story, he discovers her abuse as he helps fasten up her backless dress and sees some quite dramatic scarring on her back. That scene should convey some strong or complex emotions, but it doesn't.

The beginning episodes seek to establish just how bad FL has it with her abuser. Needless to say, that doesn't set up a very romantic mood for the audience. Yet interspersed between these scenes of abuse and violence against women, there are scenes where the ML and FL are flirting and becoming attracted to eachother. And the way these two elements of the plot combine is very unsettling, in the sense that the show has no awareness of itself, and no understanding of how abuse impacts people. I have seen several dramas that center around an abused woman finding love again with another man, and most of those shows treat the topic with sensitivity and at least *some* realism, but not this one. There is so little emotion surrounding the abuse and the new romance that it feels like it was written by someone with antisocial personality disorder -----> (To highlight that point.... there is a scene in the first part of the story where the ML takes FL for a ride in a sportscar. She starts having a panic attack, and tells ML that she has previous trauma from a car accident, and she needs him to slow down the car. His response is to tell her she should face her fears head on, and then he continues to drive hella fast, presumably to desensitize her to her past trauma. And surprise surprise, his "therapy" works! And after only ONE car ride, she is now totally over her fear of high speed car travel!!! Maybe it's just me, but I feel like only a sociopath could write a scene like that and not see anything wrong with it.)

Add to this the fact that there is a very choppy and disorganized flow to the storyline, with some very abrupt scene changes, and you start to wonder "uhhh... am I missing something?" No. You're not missing anything, the story itself is just very confused.

This is supposed to be a business / romance story. But what you come to find is it's really a business-intrigue, and the romance is a complete afterthought that only exists to serve the business plot. Somehow, there is ZERO spice here, incredible since both the ML and FL are capable of bringing spice to their roles in other productions.

Styling is OK, but not exactly what I would consider "on point". Music is totally atrocious... it overpowers scenes and creates even more confusion than there already is just with the crappy script alone. All in all this was a confused and terrible mess, and not in a good way like My Lethal Man.... but in an extremely boring and insensitive way.

I cannot think of any situation where I would recc this to someone for any reason. The actors who participated in this all deserve so much better than to have to try to work miracles out of a stupendously bad script like this, and I wish them all the best on their next projects.

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All this is, is eye candy.

You'll get no spice here between the leads, I'll just start with that.

If you're *still* interested, even though there's no spice here... then here is what you will get:

*Average directing.
*Decent styling on everyone except ML and Villain. Whoever did Aaron Deng's hair should be fired.
*A plot that starts off interesting and then completely absolutely faceplants in the last several episodes and turns into one huge string of cliche cop-out c-drama tropes.
*Fairly decent acting on the part of the cast members.

This was an okay watch, I would recc to someone who is an Aaron Deng fan or a Tu Zhi Ying fan.... or someone who wants something light and topical as kind of like a between-shows watch.

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Better than most run-of-the mill c-dramas, but not re-watch caliber.

ML and FL were both very good in this. Excellent acting, great styling and costumes, both of them are great actors turning in solid performances.

However, just that alone can't save a show. Nearly everything else about this drama was "good but not great". Supporting cast, music, dialogue, camerawork, fight scenes, costumes... all were good but not great.

What sucks is that the worst part about it was the story itself. So this script fundamentally could not be saved. The way the plot was designed, was that you get the initial romance between the ML and FL, their courtship, falling in love... planning their wedding... having their before-the-wedding night, and it's all super sweet. That lasts through roughly the first half of the drama. And then.... calamity strikes and they are suddenly separated. This separation is brutal, cruel, and total, and it lasts for the entire second half of the drama. The writer first establishes in you an emotional connection to the ML/FL couple, and then uses that emotional connection to keep you watching through episode after episode of the pain of separation, and gross injustices carried out against the ML and the FL. Well, that gets tired real fast. I am not an emotional masochist, so I did not appreciate the storyline at ALL.

There are also problems with the scriptwriting. Transitions between one scene to the next sometimes leave you disoriented like "did I miss something between these two scenes?" And certain aspects of the story were acted out and filmed when they should have just been implied.... and other aspects of the story were implied, when they should have been acted out and a scene written for what happened. In this sense, the flow was blocky and disjointed.

Finally the chemistry between the main couple left something to be desired. It was "not bad". There was SOME level of chemistry there. But it wasn't electric. The two main actors are both very beautiful and very good actors, but they don't make the best couple. They just make a "pretty good" couple.

So this was a 7.5 for me, because it is definitely definitely worth a watch.... but not really worth a rewatch. Y'know... unless you just want to stare at beautiful sexy Luo Zheng in a hot costume and gorgeous long hair.

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A masterpiece of the twisted and scandalous...

This drama is a very strange blend of deep psychological exploration and taboo romance. Because of this reason alone, it will only attract a certain kind of viewer. Not everyone finds psychological analysis interesting. And not everyone can hang with a story that includes incestuous feelings and actions.

Unlike many dramas, the main strength of this one is it's screenplay. It is original, the dialogue is thoughtful and intelligent and at times wickedly hot. The characters are full of dimension, and the writer makes them come alive. The dynamics between characters are complex. The psychological insights are simple, profound, and treated with great sensitivity.

This is a story about a bunch of batshit crazy people. They're rich, for starters. The drama is very good at imparting to the viewer the kind of claustrophobia that rich/famous people live inside of. They rarely leave their house. Most scenes are in someone's bedroom, in the living room, in the kitchen, in the backyard. When they go on vacation, they just go to another house (their villla). The only animal that makes an appearance in the drama are horses. Which is a good parallel of the characters. They spend most of their time either in a little stable, or running trying to be free. When they leave their cocoon to go out to eat or to experience a new situation, they inevitably have unpleasant experiences with "outsiders"... this teaches them further that they are better off staying at home. Even within their home, there is a feeling of people continually trying to invade their privacy for one reason or another.

The characters all handle this strain by retreating into themselves.... and then the FL comes along and draws them each out of themselves, making them into healthier people with stronger loving bonds.

Because they are all perpetually rich, isolated, and withdrawn, they don't perceive themselves as abnormal. They don't have people in their lives to compare themselves to. Normal people are just "outsiders", and their opinions are not only immaterial, but unknowable. So the crazy is treated as normal.

SPOILERS NOW.....

What kind of crazy, well a crazy absent-parent actress mother. One brother whose girlfriend died and he went completely off the deep end and is living in the wake of his own deep grief, and becomes attracted to his newly arrived sister.... but only when he's drunk. Another brother who is likewise attracted to his newly discovered sister, and also attracted to his brother and dresses like the dead girlfriend to get his attention. An older sister who thinks all of this is perfectly normal and amusing, and enables their behavior.

Each of these characters is thoughtful, sensitive, intelligent in their own way. They have a lot of depth. Yet the perversion is always there running through everything. Sprinkled sparingly through somewhat normal scenes, theres scenes like.... the brothers arguing over which of them is going to take their sister's virginity.

It's shocking to the viewer, and yet the show plays it off as normal. Which makes it somehow even more shocking. And yet if you are into the twisted romances.... it's just so damn hot. Like 3rd degree brain-burns level hot. You will NEVER see this in another asian drama. And the best part is they treat the subject with so much maturity and delicacy, not like a joke or an embarrassment or a tool to be used for shock value alone. This drama is NOT for a psychologically squeamish viewer, and NOT for someone uncomfortable with the topic of sex, because so much of this drama revolves around the subject of sex.

The acting is somewhat amateur, but the actors all have a natural talent that shows through. So you could call it good "bad acting". But yeah, the acting is bad. Especially the ML. The screenplay is such a powerhouse that even saddled by the ML's novice acting performance, it still delivers. Soundtrack and OST doesn't intrude much on the show. A little bit at times, but for the mostpart it was fine. It has more silence than most dramas, and that in itself is such a great relief for the viewer who might be tired of overproduced garbage.

Some people are going to find this boring, because it's mainly dialogue-driven. The interpersonal relationships are the focus, and there is lots and lots of dialogue, most of it involving one degree or another of psychoanalytic conversation. They are also going to find it boring, because the characters themselves are bored. They're all so wounded that nothing from the outside world reaches them anymore.

I give this drama a 9+ because you will NOT find anything else like it in the world of drama, and I'm not kidding here. It is so different from anything else I've ever seen. And some of the scenes achieve a level of hotness you can rarely find in romance dramas, yet without being cheesy or explicit. It has massive imperfections, yes. But it also has a vision and a depth and a sick hotness that leave a lasting impression to say the least.

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Pretty much the ONLY thing wrong with this is the ending. Everything else was awesome...

This was a time-travel plotline that satisfies, because the pacing is just right, and it doesn't get overly confusing at any point. The story was interesting, but not too interesting. After all, in a romance drama, the plot is supposed to serve as the vehicle and backdrop to a core story about two people falling in love. Some romance dramas become so plot-heavy and entangled that the writers forget there's supposed to be a ROMANCE story in there, and the romance drops by the wayside in sacrifice to a plot thats just too much. Not with this one. The romance is always at front and center of the story, in every episode.

Lovesickness has a very interesting and peculiar brand of "angst" running through it that I greatly enjoyed. The characters are smiling and the sky is sunny, the clothes are white and pink, and yet you can feel this terrible sadness and yearning beneath it, coming from the plot, and it's such an odd contrast, I loved it.

Actors were EXCELLENT!!! Oh my GOD, the FL and ML are total powerhouse actors with amazing range, and they have real chemistry between them. As many of us already know, Yan Zi Xian knows how to kiss. But this time he's really outdone himself, because THERE IS A FRENCH KISS IN EPISODE 11. Yu Yi Lei, the actress who plays the FL is AWESOME for letting him kiss her like that, and she just rolled with it. She's not a bad onscreen kisser herself, and her ACTING is so GOOD. I normally am really picky about FL actresses, but I am an instant fan of YYL because of her performance in this. I cannot stress enough that these roles required a LOT of range of emotion and personality, and YYL and YZX completely slayed.

Makeup was totally on point. There are times where ML or FL has to look sickly, wounded, pale, drunk, happy, whatever.... and every time, the makeup set off the scene to make it that much more believable.

Writing also on point. The dialogue was touching but not sappy, easy to follow, with great sense of timing and pacing. The flow of the story was natural.

Many aspects of this show were frivolous, cliche, predictable. In that sense, this show is meant to be a casual, light watch. That's usually how it is with short-lengths. But within the confines of their format... they really fuckin nailed it. My only gripe is the way it ended, and I very much hope a part 2 is slated to happen at some point. Please god, let there be a sequel to this someday.

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