The last two episodes ruined the good mood built up by the entire series. Why do chinese writers do this? The…
From what I understand,(especially more traditional) Chinese citizens (including writers) tend to believe in the duality (or non-binariness) of (human) nature.
No such thing as "happiness" ( without "sadness") & vice versa. Bittersweet, or more "open" endings better reflect their beliefs, reality & way of life.
Keep in mind that only a couple of generations ago, China was one of the most impoverished & underdeveloped countries on earth. But Chinese civilization has been around for 5000 years, (give or take a couple of hundred years) & has experienced more than its share of ups & downs, so Chinese people knew full well that they & their nation will eventually rise again.
Guys I am not a fan of Arthur Chen donβt come at me pleaseπ. But I wanna watch this drama someone honestly…
Why would anyone "come at you?"
Do you think your opinions are so important that even people you don't know will get triggered by them or something?
Last but not least, you completed all 36 episodes of Lighter & Princess (w/ Arthur Chen ) & gave it an 8.0 rating, so you thought that Arthur Chen drama was at least worth that much (for you), so why wouldn't this one?
I had dropped that drama and I don't even remember her role there, but here I think she is ok.She is funny without…
Recently, I had a verbal exchange w/ @Mephisto. I actually paid attention to him & immediately realized my error in judgment. Trust your instincts; he's not worth your time & patience.
There's actually a limit on the number of costume dramas per platform per month right now? On what grounds? π π π I…
I rarely watch K-dramas or J-dramas, so I don't visit MDL (or any other) discussion forums about them.
Given that K-dramas, especially, cater to their international audience , MDL originally began as a K-drama fan website (I'm guessing because among other things, MDL publishes more articles about K-dramas than C-dramas & other Asian ones combined.), all of which suggest that MDL K-drama fans outnumber C-drama ones), I'd be surprised if MDLers weren't very much more likely to judge C-dramas by K-drama standards, rather than the other way around (assuming they even bring up C-dramas at all), though I'd love to learn otherwise.
There's actually a limit on the number of costume dramas per platform per month right now? On what grounds? π π π I…
(cont'd)
Imagine the reverse situation .
Would Netflix ever cast a White actor to play a Black historical figure, let alone get away with it? Or worse, cast a White actor wearing "blackface?" Of course not.
And not too long ago, Hollywood had no problem casting White actors (in "yellowface") to play Chinese (& other Asian) people. Even now, intentionally offending & mocking (non-White American) racial & ethnic minorities is verboten unless they're Chinese or Asian, in which case, they're fair game. A prototypical example would be the "ching-chong, "sing-song" caricature of Chinese & Asian accents. International C-drama (especially White American) fans that call out China for censorship & propaganda, but don't hold the US (& Europe) accountable suffer from holier-than-thou hypocrisy of the highest order.
Why is Chinese censorship is frequently censured as propaganda (w/ evil intent), but Western censorship & propaganda are supposed to advance social justice?
There's actually a limit on the number of costume dramas per platform per month right now? On what grounds? π π π I…
I'd say that all countries deal with entertainment & media "censorship" in some form or another.
Take, for instance, Netflix's recent "documentary" re: Cleopatra, casting a Black actress in the title role. The real Cleopatra had Hellenistic (Greek) ancestry, not to mention, all archeological & historical evidence point to the fact that she had olive skin & European features. Basically, Cleopatra looked like a modern-day Greek or European w/ Mediterranean roots. If Netflix doesn't care about alienating half its American audience, fine. But it's disrespectful & disingenuous to try to pass off Cleopatra as Black not only to history, but also to its MENA (Middle Eastern & North African) as well as Egyptian audiences. And Netflix lacked the self-awareness & self-restraint from offering this so-called "documentary" to its Egyptian subscribers. Not surprisingly, Egyptians boycotted & protested against Netflix, and rightfully so.
There's actually a limit on the number of costume dramas per platform per month right now? On what grounds? π π π I…
Yeah, that's kinda what I'm not sure about.
It probably depends on how the written policy & regulation are worded as well as what they explicitly say (or not say).
That's why I think Chinese entertainment companies are likely to find some kind of loophole.
For example, Flourished Peony got around the one-year interval rule by changing its (Chinese) name, so it could release the 2nd part (which exceeded the 40 episode limit) within the year.
There's no way any regulatory body, in China or elsewhere, could possibly anticipate every conceivable loophole(s) or counter-move.
Even if the stricter interpretation holds, all the Chinese entertainment company would have to do is more evenly distribute their costume dramas. I'm guessing in some months during less busy seasons, none or only one costume drama is released in a given month. If so, simply move the release date for certain dramas towards these drier months.
At the end of the day, it probably wouldn't make much difference either way. And quality should take priority over quantity anyway. This rule is intended to encourage Chinese entertainment companies to focus & devote greater resources on fewer (costume) dramas to come up with better production value per drama, which is a good thing.
Please clarify what's meant by "any country can adapt stories in drama." Thanks for sharing!In the meantime,…
Oh, I see. But don't other countries already adapt Chinese stories (i.e. Disney's Mulan)? Or were dramas (as opposed to films) off-limits before? Lastly, do other countries still have to ask for China's permission first? And can China veto the final cut if it doesn't meet their approval? Again, thanks! I've been looking this up myself, but I'm afraid my Chinese reading apprehension may be insufficient.
There's actually a limit on the number of costume dramas per platform per month right now? On what grounds? π π π I…
Can you recall any (relatively recently) instance in which a single platform released more than two costume dramas in a single month? Off the top my head, I can't think of any.
Also, it's not clear what counts as a "platform." For example, Tencent has multiple affiliates, including WeTV. So do Tencent & WeTV count as one or two platforms?
If one: this could conceivably be an issue, although Tencent in-house lawyers would probably look and find some legal loophole(s). If two: this is a non-issue.
People say it is not good because FL is not as badass as they thought it to be, but they are complaining because…
Generally, to appreciate something you have to see it for what it is rather than what you wish or expect it to be.
A lot of times I hear (especially new) C-drama viewers watch C-dramas by Hollywood or (more Westernized) K-drama standards. But the Chinese entertainment industry isn't the American & South Korean industries; nor is trying or wanting to be. Its primary target is the Chinese (domestic) audience; its secondary target is the Chinese (& Chinese speaking) diaspora.
For non-Chinese (especially those who don't even know any Chinese language, history, culture, etc.) international viewers to expect Chinese entertainment to cater to them and meet their (usually Westernized) expectations is at best arrogant & presumptuous, at worst ethnocentric & culturally imperialistic.
No offense, but if you expect Chinese entertainment to be like American or South Korean entertainment, just give up C-dramas and stick to Hollywood & K-dramas/K-pop instead.
I know these aren't the kind of expectations you're specifically talking about, But i'm talking more generally about something I see a lot more on MDL (& other online discussion forums such as reddit), so I took this opportunity to get on my soapbox.
Please ignore my comment if this is something that you don't have a problem with or don't particularly care about.
No such thing as "happiness" ( without "sadness") & vice versa. Bittersweet, or more "open" endings better reflect their beliefs, reality & way of life.
Keep in mind that only a couple of generations ago, China was one of the most impoverished & underdeveloped countries on earth. But Chinese civilization has been around for 5000 years, (give or take a couple of hundred years) & has experienced more than its share of ups & downs, so Chinese people knew full well that they & their nation will eventually rise again.
People you don't know aren't going to take what you say too seriously. If anyone does, you don't have to take what they say seriously, in return.
Do you think your opinions are so important that even people you don't know will get triggered by them or something?
Last but not least, you completed all 36 episodes of Lighter & Princess (w/ Arthur Chen ) & gave it an 8.0 rating, so you thought that Arthur Chen drama was at least worth that much (for you), so why wouldn't this one?
Add lying to your repertoire of bad behavior!
Trust your instincts; he's not worth your time & patience.
Given that K-dramas, especially, cater to their international audience , MDL originally began as a K-drama fan website (I'm guessing because among other things, MDL publishes more articles about K-dramas than C-dramas & other Asian ones combined.), all of which suggest that MDL K-drama fans outnumber C-drama ones), I'd be surprised if MDLers weren't very much more likely to judge C-dramas by K-drama standards, rather than the other way around (assuming they even bring up C-dramas at all), though I'd love to learn otherwise.
Imagine the reverse situation .
Would Netflix ever cast a White actor to play a Black historical figure, let alone get away with it? Or worse, cast a White actor wearing "blackface?" Of course not.
And not too long ago, Hollywood had no problem casting White actors (in "yellowface") to play Chinese (& other Asian) people. Even now, intentionally offending & mocking (non-White American) racial & ethnic minorities is verboten unless they're Chinese or Asian, in which case, they're fair game. A prototypical example would be the "ching-chong, "sing-song" caricature of Chinese & Asian accents. International C-drama (especially White American) fans that call out China for censorship & propaganda, but don't hold the US (& Europe) accountable suffer from holier-than-thou hypocrisy of the highest order.
Why is Chinese censorship is frequently censured as propaganda (w/ evil intent), but Western censorship & propaganda are supposed to advance social justice?
Take, for instance, Netflix's recent "documentary" re: Cleopatra, casting a Black actress in the title role. The real Cleopatra had Hellenistic (Greek) ancestry, not to mention, all archeological & historical evidence point to the fact that she had olive skin & European features. Basically, Cleopatra looked like a modern-day Greek or European w/ Mediterranean roots. If Netflix
doesn't care about alienating half its American audience, fine. But it's disrespectful & disingenuous to try to pass off Cleopatra as Black not only to history, but also to its MENA (Middle Eastern & North African) as well as Egyptian audiences. And Netflix lacked the self-awareness & self-restraint from offering this so-called "documentary" to its Egyptian subscribers. Not surprisingly, Egyptians boycotted & protested against Netflix, and rightfully so.
It probably depends on how the written policy & regulation are worded as well as what they explicitly say (or not say).
That's why I think Chinese entertainment companies are likely to find some kind of loophole.
For example, Flourished Peony got around the one-year interval rule by changing its (Chinese) name, so it could release the 2nd part (which exceeded the 40 episode limit) within the year.
There's no way any regulatory body, in China or elsewhere, could possibly anticipate every conceivable loophole(s) or counter-move.
Even if the stricter interpretation holds, all the Chinese entertainment company would have to do is more evenly distribute their costume dramas. I'm guessing in some months during less busy seasons, none or only one costume drama is released in a given month. If so, simply move the release date for certain dramas towards these drier months.
At the end of the day, it probably wouldn't make much difference either way. And quality should take priority over quantity anyway. This rule is intended to encourage Chinese entertainment companies to focus & devote greater resources on fewer (costume) dramas to come up with better production value per drama, which is a good thing.
But don't other countries already adapt Chinese stories (i.e. Disney's Mulan)? Or were dramas (as opposed to films) off-limits before?
Lastly, do other countries still have to ask for China's permission first? And can China veto the final cut if it doesn't meet their approval?
Again, thanks! I've been looking this up myself, but I'm afraid my Chinese reading apprehension may be insufficient.
Also, it's not clear what counts as a "platform." For example, Tencent has multiple affiliates, including WeTV. So do Tencent & WeTV count as one or two platforms?
If one: this could conceivably be an issue, although Tencent in-house lawyers would probably look and find some legal loophole(s). If two: this is a non-issue.
In the meantime, I'll do some research.
A lot of times I hear (especially new) C-drama viewers watch C-dramas by Hollywood or (more Westernized) K-drama standards. But the Chinese entertainment industry isn't the American & South Korean industries; nor is trying or wanting to be. Its primary target is the Chinese (domestic) audience; its secondary target is the Chinese (& Chinese speaking) diaspora.
For non-Chinese (especially those who don't even know any Chinese language, history, culture, etc.) international viewers to expect Chinese entertainment to cater to them and meet their (usually Westernized) expectations is at best arrogant & presumptuous, at worst ethnocentric & culturally imperialistic.
No offense, but if you expect Chinese entertainment to be like American or South Korean entertainment, just give up C-dramas and stick to Hollywood & K-dramas/K-pop instead.
I know these aren't the kind of expectations you're specifically talking about, But i'm talking more generally about something I see a lot more on MDL (& other online discussion forums such as reddit), so I took this opportunity to get on my soapbox.
Please ignore my comment if this is something that you don't have a problem with or don't particularly care about.
If you're saying this yourself, I for one cannot stop you from doing so (not being a MDL moderator and all).