your comments are so witty, I love them💛*Mew's tshirt reads 'Friends Do Not Let Friends Go To Stanford' I was…
Thank you so much for your sweet words! 💛 And oh, about Mew’s t-shirt, right? I too was hoping for something a bit more enigmatic, a little hidden message or inside joke perhaps. But it seems we got a lighthearted jab at Stanford instead!
Yeah someone said on tumblr I think that they think Sand tells Ray's dad and Ray's dad calls the cops. Might be…
You know, that theory does have its charm! It wouldn’t surprise me one bit if Sand pulled such a maneuver, especially after witnessing Ray’s ‘I can have my cake and eat it too, but you can’t even have a crumb’ routine with Mew. Sand has proven time and again his capability for some spiteful shenanigans when irked, so calling the cops in a fit of pique sounds right up his alley! It may be a bit intricate of a plot twist, but hey, isn’t a touch of convolution what spices up the drama? Can’t wait to see how this roller coaster unfolds!
Okay I think I was pretty obviously all about BostonNick but uh, this ep TopMew turned my head. Is it weird that…
I hope Top gets a chance for redemption. It might sound a bit melodramatic, but I genuinely wish Top’s actions toward Mew weren’t about rivalry with Ray but rather about genuine care.
Top doesn’t strike me as particularly sharp, a trait evident from the scene where he rashly confronts Ton. He's not only ruled by his impulses but is also too reckless, creating unnecessary friction.
Yet, it's this very flaw that makes me hope for a chance for him, someone seemingly dealing with trauma and not gifted with much wit.
Mew, the high achiever, is calculative in his retaliations, a stark contrast to Top. I simply hope these two characters have more scenes to clash and contrast.
In the hospital, a subtle moment unfolds where Ray’s father seems to be seeking a favor from Sand. However, the director skillfully leaves us dangling, the essence of this plea veiled in mystery.
The words of his father to Ray resound in my ears, humorously translated from my own recollection: ‘Is a stint in the clink what it’ll take for you to ditch the sauce?’ A glimpse into Episode 8 unveils a sudden police narcotics raid, arousing my curiosity about its linkage to Ray and Sand. This impending sense of anticipation is absolutely exhilarating—I feel like I’m on a rollicking ride of excitement!
Not for the RayMew ship. Just happy Mew proved me right that he is a decent person. He is not 100% perfect and…
Absolutely, your insights are spot on. It's commendable how Mew holds onto his morality amidst the chaos, adding nuanced layers to his character. The depiction of addiction and its impact on families and individuals is painfully authentic, reflecting the often overlooked struggles of parents. The complicated dynamics between characters like Nick and Ton showcase the intricate nature of love and obsession, adding depth to the series. Unexpected chemistry between Book and other GMM boys brings additional intrigue. It’s hopeful that the bond between Ray and Mew might endure, symbolizing a beacon of familial connection in their turbulent world.
Anticipation had been building over a week for 'Only Friends' Episode 7, 'After Effect,' unquestionably the fallout from Ton and Top's explosive flings. However, it lacked the impact of the thrilling Episode 6, and secretly, I found solace in three bottles of Budweiser. Beware, this BL series might leave you wanting a beer, overshadowed by the director's careless decisions in Episode 7!
With rising concern, we observe Sand following Ray’s drunken Mercedes odyssey on his modest motorcycle. The chase scene at the tunnel entrance rendered Sand’s speed almost quaint—echoes of the Vespa ride in Roman Holiday flashed before my eyes! When Ray's reckless journey ends, Sand's casual helmet discard felt overly staged. It was like witnessing a toned-down melodrama, absent the dramatic soundtrack!
Ray suffered a fractured shoulder, but he seemed immune to pain, healing so quickly it would astonish Wolverine. By the end of Episode 7, he was already clashing with Top. Evidently, the memo about his injury wasn’t passed around among the crew! Moreover, the scene where Sand and Ray share a bath, wearing only boxers, was cringeworthy. It was a journey through a maze of discomfort, each turn meticulously designed to maximize awkwardness!
Nevertheless, Episode 7 had praiseworthy elements. Mark’s brilliant portrayal of Nik's compromises and sacrifices due to his infatuation with Top stood out. He infused depth into every scene, whether being humiliated by Ton in the store or during his intense confrontation with Sand in the apartment. His nuanced performance was like viewing a kaleidoscope of intricate emotions, each subtle shift revealing a spectrum of resonant feelings. He exposed the genuine world of a geeky nerd, filling each emotion with undeniable depth and truth.
I have a distinct liking for the character Sand, but his presence in Episode 7 was disappointingly limited. His self-proclaimed role as Ray's lifeline resonated with me. His sincere apologies to both Ray and Nik were moving, unveiling layers of his character. When he and Nik shared a meaningful hug, it emphasized their roles as the ones who give more love, filling vessels that don't reciprocate. Oh, the irony of love!
Mew's vengeance was expected to be a highlight, a spectacle eagerly awaited by many, including me. But obtaining Ton’s intimate videos via a USB seemed implausible—it can’t be that easy! This feels like a major lapse by the scriptwriter and the director.
Mew's T-shirt in Episode 7 reads 'Friends Do Not Let Friends Go To…', and unfortunately, the last word remains unknown! It’s a witty nod from the props and costume team, reflecting his vengeful journey in that bold shirt. I found this detail enchanting; a subtle touch adding intrigue and flavor to the story.
I doubt I'll be re-watching Episode 7. It seems I’ll just have to ‘wait and see’ what unfolds when Episode 8 premieres next week!
You know, diving into the world of BL series is like tasting different flavors of ice cream; everyone’s got their favorite! When GMM unveiled “Dangerous Romance”, I was all eyes and ears, but strangely, didn’t feel that instant spark with Perth and Chimon, though they are really awesome actors!
In this series, their roles seem to miss that special “je ne sais quoi”, making the chemistry feel a bit off. Sailom, with his grateful vibes towards Kanghan, makes you think of old kindnesses and friendly helps. However, his liking for Kanghan kicks off pretty early and gets super clear and bold, especially during that confession in the rain, pointing out where Kanghan needs to catch up.
Kanghan, our soccer star, seems a step behind Sailom in studies and handling emotions, realizing his feelings only after hearing Sailom’s support during a game. And yeah, there’s a mutual “Thank you for being there” kind of vibe. This was supposed to make us feel closer to them but instead highlighted a lack of direct, effortless, sizzling attraction.
So, just sharing my two cents here: the interactions are more about sweet subtleties and gentle waves of gratitude rather than intense magnetic pulls or fiery sparks! It’s a pleasant journey, just with a sprinkle of unexpected!
I don't know if I have ever seen a series use so many flashbacks, did they run out of script so they just resorted…
Absolutely! Those flashbacks are like a broken record, promoting that song! GMMTV, we get it—you do music! But thinking we need constant reminders is like saying we have the memory of a goldfish who forgot it was in a bowl. Ever heard of overkill?
There are not enough words to express how I am feeling right now. From start to finish this episode was on point.…
I'm enchanted by the character Pimfah, too! If my memory serves me right, this name symbolizes the Sky or Heaven—a truly profound and evocative meaning! What's more, Pimfah doesn't obstruct Sailom (Wind) and Kanghan (Windmill)—it’s like a harmonious dance of elements in the celestial sphere!
A good first kiss is much like the elusive unicorn—often talked about but rarely sighted. To ensure this mythical…
Confessions in the rain and tending to the ill are overplayed in BL; I usually just roll my eyes and brace myself. But today, Sailom, with his fringes and profile, drenched and dazzling, made those clichés worthwhile! It was like finding a diamond in the rough—finally, a rainy scene that’s a visual treat rather than a recycled ordeal!
A good first kiss is much like the elusive unicorn—often talked about but rarely sighted. To ensure this mythical moment is splendid, some might suggest consulting a ‘Kissing for Dummies’ manual or perhaps practicing on an unwitting hand or a piece of fruit. Ah yes, the good ol’ trial and error method, where your fumbling, tentative, and awkward approach might just transform into an enchanting experience, or let’s be real, an amusing disaster. There’s something endearingly sweet and comical about a bumbling first kiss; it’s like watching a toddler try to put on shoes. They might put it on the wrong foot, but you applaud the effort anyway!
🎬 This episode, the first half is a tangled web of emotions amongst Kanghan, Sailom, and Pimfah. The youthful sensitivity, awkwardness, and irritability are all portrayed with intense vibrancy!
🔥 Kanghan unleashes his emotions through fierce football, clashing even with his teammates! Sailom spins his pen, a sign of restless anxiety, while Pimfah dances her cheerleading spirit out until her foot is injured. Their internal storms are vividly embodied through these actions.
💬 And then, amidst the rain, brave Sailom tells Kanghan, 'I don’t like her, I like you.' The timing couldn’t be more perfect. If this episode were a football match, the halftime whistle would blow right at 'I like you.'
I’m totally loving the first half of this episode! It's like a roller coaster of youthful emotions, incredibly depicted! ⭐️
Oh, this drama is all chill and no drill, just a delightful BL concoction! Loads of overacted expressions and animated moves, but thankfully, it’s free from those noise effects found in Thai peers. Post episode three, I’m totally plotting a laid-back weekend morning munching on the edges of toasted bread and dabbing them in jam!
It premiered on TV Asahi on September 26th at the unusual hour of 25:03, and it began streaming on Netflix from September 19th, a week before the TV broadcast. For Netflix viewers, new episodes will be available every Tuesday, ahead of the TV airtime.
If you’re curious about the slight differences between the first episode and the comic, take a peek at the comments…
1. I don't recall that scene of two people sharing an ice pop in the beginning of the comic.
2. In the classroom, as they delved into Yamato's crush, it wasn't the teacher who put a stop to it; instead, Yamato, feeling the heat of the moment, declared he had a sudden job to rush off to and made his exit!
3. During their commute to school, Kakeru found himself contemplating the unique connection he shared with Yamato. It was at that moment when Kakeru realized that, being a boy himself, it was improbable for Yamato to harbor romantic feelings for him. Kakeru had long been aware of the subtle shifts in his own emotions towards Yamato.
4. When they hung out with the female students, it wasn't at a bowling alley but rather at a KTV, enjoying some karaoke. Kakeru once likened himself to a producer and Yamato to an idol. How could he, in his role as a producer, keep such a keen eye on the idol?
5. In the manga, Yamato noticed that Kakeru didn't give that plushie to Akane. Kakeru explained to Yamato that since it wasn't a prize he had won himself, he felt awkward giving it to her.
6. Yamato's little sister didn't greet the two of them; she simply watched from afar.
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Top doesn’t strike me as particularly sharp, a trait evident from the scene where he rashly confronts Ton. He's not only ruled by his impulses but is also too reckless, creating unnecessary friction.
Yet, it's this very flaw that makes me hope for a chance for him, someone seemingly dealing with trauma and not gifted with much wit.
Mew, the high achiever, is calculative in his retaliations, a stark contrast to Top. I simply hope these two characters have more scenes to clash and contrast.
The words of his father to Ray resound in my ears, humorously translated from my own recollection: ‘Is a stint in the clink what it’ll take for you to ditch the sauce?’ A glimpse into Episode 8 unveils a sudden police narcotics raid, arousing my curiosity about its linkage to Ray and Sand. This impending sense of anticipation is absolutely exhilarating—I feel like I’m on a rollicking ride of excitement!
With rising concern, we observe Sand following Ray’s drunken Mercedes odyssey on his modest motorcycle. The chase scene at the tunnel entrance rendered Sand’s speed almost quaint—echoes of the Vespa ride in Roman Holiday flashed before my eyes! When Ray's reckless journey ends, Sand's casual helmet discard felt overly staged. It was like witnessing a toned-down melodrama, absent the dramatic soundtrack!
Ray suffered a fractured shoulder, but he seemed immune to pain, healing so quickly it would astonish Wolverine. By the end of Episode 7, he was already clashing with Top. Evidently, the memo about his injury wasn’t passed around among the crew! Moreover, the scene where Sand and Ray share a bath, wearing only boxers, was cringeworthy. It was a journey through a maze of discomfort, each turn meticulously designed to maximize awkwardness!
Nevertheless, Episode 7 had praiseworthy elements. Mark’s brilliant portrayal of Nik's compromises and sacrifices due to his infatuation with Top stood out. He infused depth into every scene, whether being humiliated by Ton in the store or during his intense confrontation with Sand in the apartment. His nuanced performance was like viewing a kaleidoscope of intricate emotions, each subtle shift revealing a spectrum of resonant feelings. He exposed the genuine world of a geeky nerd, filling each emotion with undeniable depth and truth.
I have a distinct liking for the character Sand, but his presence in Episode 7 was disappointingly limited. His self-proclaimed role as Ray's lifeline resonated with me. His sincere apologies to both Ray and Nik were moving, unveiling layers of his character. When he and Nik shared a meaningful hug, it emphasized their roles as the ones who give more love, filling vessels that don't reciprocate. Oh, the irony of love!
Mew's vengeance was expected to be a highlight, a spectacle eagerly awaited by many, including me. But obtaining Ton’s intimate videos via a USB seemed implausible—it can’t be that easy! This feels like a major lapse by the scriptwriter and the director.
Mew's T-shirt in Episode 7 reads 'Friends Do Not Let Friends Go To…', and unfortunately, the last word remains unknown! It’s a witty nod from the props and costume team, reflecting his vengeful journey in that bold shirt. I found this detail enchanting; a subtle touch adding intrigue and flavor to the story.
I doubt I'll be re-watching Episode 7. It seems I’ll just have to ‘wait and see’ what unfolds when Episode 8 premieres next week!
In this series, their roles seem to miss that special “je ne sais quoi”, making the chemistry feel a bit off. Sailom, with his grateful vibes towards Kanghan, makes you think of old kindnesses and friendly helps. However, his liking for Kanghan kicks off pretty early and gets super clear and bold, especially during that confession in the rain, pointing out where Kanghan needs to catch up.
Kanghan, our soccer star, seems a step behind Sailom in studies and handling emotions, realizing his feelings only after hearing Sailom’s support during a game. And yeah, there’s a mutual “Thank you for being there” kind of vibe. This was supposed to make us feel closer to them but instead highlighted a lack of direct, effortless, sizzling attraction.
So, just sharing my two cents here: the interactions are more about sweet subtleties and gentle waves of gratitude rather than intense magnetic pulls or fiery sparks! It’s a pleasant journey, just with a sprinkle of unexpected!
It’s like watching a cat in water—complete drama and mayhem the next day!
🔥 Kanghan unleashes his emotions through fierce football, clashing even with his teammates! Sailom spins his pen, a sign of restless anxiety, while Pimfah dances her cheerleading spirit out until her foot is injured. Their internal storms are vividly embodied through these actions.
💬 And then, amidst the rain, brave Sailom tells Kanghan, 'I don’t like her, I like you.' The timing couldn’t be more perfect. If this episode were a football match, the halftime whistle would blow right at 'I like you.'
I’m totally loving the first half of this episode! It's like a roller coaster of youthful emotions, incredibly depicted! ⭐️
Sources:
https://www.earlyteches.com/2023/09/i-will-not-reach-you-netflix-sep-19-2023/
2. In the classroom, as they delved into Yamato's crush, it wasn't the teacher who put a stop to it; instead, Yamato, feeling the heat of the moment, declared he had a sudden job to rush off to and made his exit!
3. During their commute to school, Kakeru found himself contemplating the unique connection he shared with Yamato. It was at that moment when Kakeru realized that, being a boy himself, it was improbable for Yamato to harbor romantic feelings for him. Kakeru had long been aware of the subtle shifts in his own emotions towards Yamato.
4. When they hung out with the female students, it wasn't at a bowling alley but rather at a KTV, enjoying some karaoke. Kakeru once likened himself to a producer and Yamato to an idol. How could he, in his role as a producer, keep such a keen eye on the idol?
5. In the manga, Yamato noticed that Kakeru didn't give that plushie to Akane. Kakeru explained to Yamato that since it wasn't a prize he had won himself, he felt awkward giving it to her.
6. Yamato's little sister didn't greet the two of them; she simply watched from afar.