The way I screamed when my all time favorite character Ray showed up! 😁 My sassy baby is back, bitchez and…
Omg SAME, the second SandRay popped up I instantly felt like I was home again. My toxic comfort couple is canonically alive and thriving in this universe and I am eating it up.
RomeRaffy as first pick? Taste. AouBoom really said, “we survived the fish kisses and now we’re feral.” The height difference, the chaos, the bathroom stall logistics… Rome is 100% auditioning to be the new Patron Saint of Bad Decisions and I’m ready to stan another messy fave.
Raffy (Boom) is so tall he’s practically peeking over the bathroom stall. I’m not worried about what he’s doing in there, I’m worried about his non‑existent privacy.
Rome hooked up with a random girl and then with Raffy in just one episode – the stamina is insane. If Dream On really inherits OG Only Friends energy, I would not be surprised if he ends up in Tua’s bed right when Tua hits rock bottom, just because this universe loves turning emotional collapse into bad decisions.
If Dream On really leans into OG OF energy and the way ep1 set him up, I can totally see Dean hurting Tua with his on‑stage ambitions and blurred emotional boundaries, until it feels a lot like betrayal.
Right? Now I’m picturing Style kicking down the train compartment door like, “Who approved these outfits?” and personally issuing crop tops and high‑waisted trousers to the entire cast. Fashion police first, murder investigation later.
Exactly, who in their right mind would waste those killer bodies. In fact, I believe Dunk legally deserves more cropped t‑shirts so that waist can personally carry the plot for another 10 episodes.🥰
Please, do not kill them all on the way to Chiang Mai. We still need a few survivors left to atone for their bunk‑bed sins by serving sexy beach body in season two.⛱️💦🥵
S2: Orient Express edition but make it Thai BL, so everyone definitely did it, everyone definitely kissed about it, and Poirot is just in the corner taking notes like, “…interesting methodology.”🤪
This BL really said, “What if Agatha Christie wrote a horny Thai drama?”
We’ve got the classic fake-your-death-to-be-the-killer setup, except half the time the two leads are too busy flirting to actually do anything about the serial murderer on the loose.
It honestly feels like I’m watching two shows at once: gritty mystery with bodies dropping left and right, plus a full-course Thai BL where the real crime is how much eye contact these two are making.
If the finale ended with a plot twist where Jay is lying in that hospital bed, secretly eavesdropping on Jade and Kamin, then slowly pulls a tiny little creepy smile like, “Surprise, ladies, the real story starts now, see you in season two,” I would simply ascend.
You write so beautifully and I agree about everything. I think the problem with a series like this is the fact…
Thank you so much for this comment. It genuinely means a lot that the series speaks to you on such a deep, personal level.
I really feel what you said about people wanting something loud to feel entertained. This show moves in a quieter space and asks you to sit with yourself, which can be confronting but also very honest.
The way you described living up to parents’ expectations, losing a parent too soon, and fighting to find your own worth is so powerful. It is hard work to face those feelings, and I admire that you put it into words.
I’m with you about the cat–human parallels too. They handle it with such care that it never feels forced, just quietly insightful.
I’m really glad this little gem exists for you, and that we get to share it in this way.
Episode 6 is so beautiful and it really got to me. At this point I honestly feel like this might be the best Thai BL of the season, and it kind of breaks my heart that it is not getting the level of attention it deserves.
I love the whole sequence of Tiger and Lynx following Meow’s diary and hunting down the nine cats in Korat. It feels like this soft, quietly magical little pilgrimage where grief, love, and healing all get mixed together. I even went online afterwards to see if those places were real. From what I can tell, apart from the actual Korat native cat breed, those specific “nine cat” locations are made up, which weirdly makes the whole thing feel even more like a personal myth layered over a real place.
The way the episode uses smell is honestly brilliant. The Korat stir fried noodles become this sensory thread that ties three generations together, holding all their love and history in something as simple as a shared dish. When the mother cat and her kitten are separated, their scent changes, so they have to build a new smell memory with each other. In parallel, the family also has to relearn each other through taste and scent, and that makes the emotional work feel so grounded and intimate.
All these little choices make the show feel incredibly refined. The storytelling has layers without feeling cold or pretentious. It trusts you to notice the cats, the noodles, the smells, the way Korat itself wraps around the characters, and lets those details carry the emotion instead of dumping everything into exposition. I genuinely love this BL with my whole heart.
And yes, it’s a comedy, but we’re being asked to forgive two professional scammers like they’re just some…
“We all know how this will end” and yet here we are, strapped in, emotionally invested, betraying every value we just listed. The scammers got us too.
I had to pause halfway through the episode because I honestly could not handle the idea that Lalit might actually be dead.
I can kind of accept Kelvin using Vier to get revenge on his dad and brother, if I judge him by his intentions more than his actions. I can barely make peace with that level of manipulation. But if it turns out he also caused Lalit’s death, that’s my hard stop. I don’t think I’d be able to keep watching.
Last week I was already predicting that Lalit would die in some horrible way. Now I’m desperately hoping he’s still alive, because if the show really goes there, it will cross a line for me that I can’t emotionally walk back from.
I have to say, the montage with the tomato sauce on the pan cutting straight to Lalit lying in a pool of blood was painfully effective. It was such a smart, visual gut punch. It reminded me of the moment when Kelvin becomes the biggest shareholder and humiliates his father, and then the camera immediately cuts to his father’s portrait on the wall. The director really knows how to use visual symbols to underline meaning without spelling it out.
I think I need to calm down a bit before I even consider finishing episode four.
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RomeRaffy as first pick? Taste. AouBoom really said, “we survived the fish kisses and now we’re feral.” The height difference, the chaos, the bathroom stall logistics… Rome is 100% auditioning to be the new Patron Saint of Bad Decisions and I’m ready to stan another messy fave.
We’ve got the classic fake-your-death-to-be-the-killer setup, except half the time the two leads are too busy flirting to actually do anything about the serial murderer on the loose.
It honestly feels like I’m watching two shows at once: gritty mystery with bodies dropping left and right, plus a full-course Thai BL where the real crime is how much eye contact these two are making.
If the finale ended with a plot twist where Jay is lying in that hospital bed, secretly eavesdropping on Jade and Kamin, then slowly pulls a tiny little creepy smile like, “Surprise, ladies, the real story starts now, see you in season two,” I would simply ascend.
I really feel what you said about people wanting something loud to feel entertained. This show moves in a quieter space and asks you to sit with yourself, which can be confronting but also very honest.
The way you described living up to parents’ expectations, losing a parent too soon, and fighting to find your own worth is so powerful. It is hard work to face those feelings, and I admire that you put it into words.
I’m with you about the cat–human parallels too. They handle it with such care that it never feels forced, just quietly insightful.
I’m really glad this little gem exists for you, and that we get to share it in this way.
I love the whole sequence of Tiger and Lynx following Meow’s diary and hunting down the nine cats in Korat. It feels like this soft, quietly magical little pilgrimage where grief, love, and healing all get mixed together. I even went online afterwards to see if those places were real. From what I can tell, apart from the actual Korat native cat breed, those specific “nine cat” locations are made up, which weirdly makes the whole thing feel even more like a personal myth layered over a real place.
The way the episode uses smell is honestly brilliant. The Korat stir fried noodles become this sensory thread that ties three generations together, holding all their love and history in something as simple as a shared dish. When the mother cat and her kitten are separated, their scent changes, so they have to build a new smell memory with each other. In parallel, the family also has to relearn each other through taste and scent, and that makes the emotional work feel so grounded and intimate.
All these little choices make the show feel incredibly refined. The storytelling has layers without feeling cold or pretentious. It trusts you to notice the cats, the noodles, the smells, the way Korat itself wraps around the characters, and lets those details carry the emotion instead of dumping everything into exposition. I genuinely love this BL with my whole heart.
I can kind of accept Kelvin using Vier to get revenge on his dad and brother, if I judge him by his intentions more than his actions. I can barely make peace with that level of manipulation. But if it turns out he also caused Lalit’s death, that’s my hard stop. I don’t think I’d be able to keep watching.
Last week I was already predicting that Lalit would die in some horrible way. Now I’m desperately hoping he’s still alive, because if the show really goes there, it will cross a line for me that I can’t emotionally walk back from.
I have to say, the montage with the tomato sauce on the pan cutting straight to Lalit lying in a pool of blood was painfully effective. It was such a smart, visual gut punch. It reminded me of the moment when Kelvin becomes the biggest shareholder and humiliates his father, and then the camera immediately cuts to his father’s portrait on the wall. The director really knows how to use visual symbols to underline meaning without spelling it out.
I think I need to calm down a bit before I even consider finishing episode four.