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Instead of "manipulative," I would use "cunning." Instead of "evil," I would use "combative." Their motivations differ—which is what makes one "good" and the other "bad"—but I don’t see a significant distinction between the two either. (That is why I mentioned that the screenwriter failed to effectively split a single character into two.)

I really should stop reading the short stories in advance while waiting for a film adaptation. Once again, this doesn't follow the original story. The cast is beautiful—everything is beautiful, in fact. It will be exciting to watch, but TXW’s dual roles aren't sufficiently distinct. The writer didn't quite manage to craft two completely different characters, which makes the task quite difficult for the actress.

I believe the thought of suicide stems not only from professional reasons but from long-term repression. It is like someone gasping for air and thrashing about after a constant, compulsive need to meet expectations. The fact that they drag others under the water with them in the process is both painful and frightening.

Is Li Mido depressed?

Everyone in this film has a hero complex. So many self-sacrificing people—yet everyone is destroying the world around them.

The FL went through with it and broke up with him. ("You’ll end up hating me, and I don’t want that.") The ML chose: better to hate her than to live without her. She had warned him...
That is why anyone who gets hung up on a mere kiss isn't ready for this film yet. The relationship dynamic works like this: the third party always serves as a "substitute" for whatever is missing between the two main characters—for the male lead, it is the girl's admiration (the second female lead); for the woman, it is passionate freedom (the second male lead).

I’ve just caught up with the drama—up to episode 6. I think both men love the girl the wrong way. They really just see her as a source of support—thinking, "Save me from myself and my wretched fate"? It’s no wonder she’s unhappy with them. Honestly, one is worse than the other.

The first fight scene in *Sweet Tai Chi*, or the wolf attack scene from *Legend of the Magnate*—if you search for them, you’re sure to find videos. I’d say it’s more down to those seven years at ballet school—it instills extreme discipline. He never took the easy way out when it came to work.

Congratulations to Sun Qian on reaching 1 million followers on Instagram today,

They butchered the story! Argh, I'm so disappointed. This has nothing to do with the novel.

Yes, because she focuses on quality rather than quantity, and doesn't churn out idol dramas on an assembly line.

Really? Well, then you haven't seen the viral video where she walked with Ao Ruipeng at the awards ceremony wearing trousers. Her charm completely outshone all those princesses :D

Many of us would like it, but seeing the man's fan base... we worry about SQ and don't voice this idea.

LoveMoon new trailer with ENG SUB 🌙
https://x.com/sunqiandaily/status/2102694661865562142

I agree; this is a female-centric drama where all the men are merely supporting characters. The male lead didn't even speak to the female lead during the first six episodes—in fact, they may have only met once. Someone commented that too much time is devoted to the life of the maid. This drama was made for TSY fans.

I agree.

The girl's immaturity is less disturbing because it comes from her age, lack of professional experience, and her personality that grew up in a "protected nest". That's why the guy uses all his "tricks" to fool her. Her communication problems are based on her previous "university relationships". For example, a woman in her twenties can show much more friendly affection towards the opposite sex than a woman in her thirties. (For example, there was a 7-year age difference between my grandparents. My grandmother always said it was too much, because you couldn't fool around with your grandfather, he took himself too seriously.)

1. The man is not a narcissistic personality, but emotionally immature. There is a huge difference. between the two. The first is verbally and physically abusive. The latter, in the event of an emotional conflict, shifts all responsibility onto the partner. The man actively helps the woman, teaches her, and takes care of her. However, any emotional "jealousy or secrecy" brings out the aggressive verbally abusive character in him. The one who does not want to resolve conflicts, but wants to win in every conflict.
2. The film realistically shows that in the case of a hierarchical subordination, there will never be relationship equality. And the lower-ranking woman will always be hurt.
3. In every workplace where you work as a beginner, the newcomer is always promoted, (you always remain a beginner, regardless of how many years you have been working) you have to change jobs.
4. Every man goes as long as the woman lets him and tries to cross the boundaries. . The boundary is always drawn by the woman,
5. Young women will not fall in love with disgusting ugly male bosses.
6. The expression of love must be learned and can be taught.
7. As long as a woman is in a dependent position, she is also financially dependent emotionally,
8. Friendships should not be sacrificed for love. Friends are the safest emotional network after family
9, every person is born with talent, and with hard work they can achieve a lot, but family "baggage" makes huge differences.

Open a topic, but not everyone has finished this movie yet. Officially, there are still 3-4 days left to air.

Why do you need to promote other actors and works on this site? Bask in the glory of others' success? There is not enough platform on MDL? ( A strong wind always brings a lot of garbage ) A few more of us will watch this movie with these actors. I have other favorites too, but I'm not promoting them here.