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Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

Ikeda Yoshimi, a 28-year-old editor of a literary magazine who loves otome games and loves good-looking guys, will be in charge of a gourmet magazine even though she is not good at eating with ultra-small meals. However, she notices that when she eats with good-looking men, her appetite increases, and she pursues "good-looking rice" to improve her small meals.

In Kyoto, soon after the war, Ichika strives to save her family's long-established ryoten restaurant from financial crisis. In order to do so, she marries Yamaguchi Amane, who is 15 years younger, in a marriage of convenience.

In Kyoto, soon after the war, Ichika strives to save her family's long-established ryoten restaurant from financial crisis. In order to do so, she marries Yamaguchi Amane, who is 15 years younger, in a marriage of convenience.

In Kyoto, soon after the war, Ichika strives to save her family's long-established ryoten restaurant from financial crisis. In order to do so, she marries Yamaguchi Amane, who is 15 years younger, in a marriage of convenience.

In Kyoto, soon after the war, Ichika strives to save her family's long-established ryoten restaurant from financial crisis. In order to do so, she marries Yamaguchi Amane, who is 15 years younger, in a marriage of convenience.

In the previous season, the couple met in an unwanted marriage, but gradually bonded as they tried to revive Kuwanoki with a single day of "heartwarming cooking," eventually becoming a real couple.

In the sequel, Ichika and Amane welcome a new member into their family. Furthermore, with the arrival of Sakae, the second son of the Yamaguchi family and Amane's older brother, Kuwanoki, which had begun to recover from financial difficulties, faces another challenge, and the bond between the couple is put to the test.

Just like how Duang yearns for Qui, Jin in "Top form" chases after Akin and shows how much effort he puts into his love for him. They are both very similar in the "golden retriever" energy.

Both movies are directed by Hiroshi Shimizu, arguably the grandfather of Japanese cinema.
Both show a bus driver and his passengers on the road. Both takes place inside and in the surroundings of the bus.

Mr. Thank You is settled during Showa Depression Japan, early 1930s. Cities are brimming with financial despair, and country roads are always busy with jobless people, tired peddlers , unhoused travelers, and unfortunate families seeking any opportunity to survive their desperate situation. In Mr. Thank You, the bus driver is gentle and charismatic.

Tomorrow There Will Be Fine Weather show a post-war Japanese society. The movie was rediscovered in 2022 by the National Film Archive of Japan.

Both shows have the same lead
Production of both is good
Story telling is superb
The chemistry is on fire