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Ok so first this show took FOREVER to be Eng subbed but once it was I went straight for it. The teaser was intense so it's obvious the movie itself would be too. If you're not into intense sexual content and basically rape this IS NOT the show for you. Believe it or not it had a relatively good storyline/plot. The actors really drew me in throughout the whole movie and I'm not disappointed in any area. I gave it a high rating because it deserves it. The ending alone was satisfying and I definitely recommend because it deals with real life issues such as suicide and kinda shows how you can find love in such rare places.Was this review helpful to you?
NO SPOILER Miss detective wants to take the lead. Beware of unrequited lovers from second arc.
The story : Two people who hate each other are forced to get married. And to work together to solve cases.As they do, they are gradually drawn to one another. Will love or hate wins ?
Pros:
- Strong clever detective Female Lead.
- Strong clever military Male Lead.
- It is the first time I have seen a heroine, daughter of a concubine, who is loved by her entire family and not bullied. Not a cliché. Yes (*_*)
- Chemistry is fire and the settings make it even more beautiful to watch.
- Characterisation is outstanding for Male Lead (Ding Yu Xi) who looks very manly as the great Shen Du.
- The inquiry is very good. Complex and involving many people. I try to guess the outcome as it progresses but I have a hard time doing so.
- Comedy is just great between the leads. I hope they had more comedic scenes.
- Cinematography is great.
- Action scenes are worth watching. There are few but when performed, OMG they blew my mind. Especially with Male Lead. I am still in shock (*_*)
- Overall the story is good and entertaining.
Cons:
- The mystery unfolds piece by piece and it can disturb some viewers. But like in Agatha Christie's novels, you end-up getting the answer.
- Misunderstandings (who is Male Lead, who is Female Lead, what they do on their own...).
Sometimes they don't communicate enough.
- I don't like childish Female voice dubbing. Guess what ? The Female Lead's best friend has one. *sight*
- Female Lead is not perfect, her many flaws could spoil your fun.
- Lots of unrequited lovers from the second arc for almost every cast member. This should be titled "conspiracy in love island" o_O
Overall :
I like the investigation and the romance.
The investigation was very complex, a lot of clues were shown to give hints in order to know who the main antagonist is. So by paying attention to the early episodes you migt be able to decypher who it is.
The bickering romance was enjoyable generally speacking. You have to stand FL's temper sometimes but at the end the love story is beautiful and Shen Du is the bright light in this show. He carries it like the titan atlas who do with the heavens. He is just marvellous. Special mention to Yan Xing who stayed witty till the very end. And that's great for a female lead.
This is a good drama. So I recommend it if you like case solving duo with strong Leads. You might like it.
And the OST is great.
https://www.youtube.com/watch?v=kLjFuY9p48E
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This review may contain spoilers
For real, my PREJUDICE is showing
I am going to be biased in this review, whether i like it or not. If youre a big KPop fan, who doesnt fantasize about the scenarios in this drama. Its a fanboy/fangirl dream come to life.Kim Kang Min played Choi Si Yeol perfectly as a member of an ageing idol group and Kevin as the almost geeky and perfectly relatable teacher Na Ae Jun. The moment the show started i am immediately transported into the shoes of Ae Jun - the slowmo moments and the cute fangirling - my heart would have exploded and i wouldnt have his self control when faced in similar situation.
Im glad that the episodes were a little bit longer than the usual KBLs and isntead of 8 we got 10 episodes. It was the perfect length to tell the story without rushing things.
The show, however, isnt perfect - first, it felt like there was a little bit of budget constraints especially when acquiring songs because this is a show about a KPop idol but there wasnt really any great song for the soundtrack. I also felt like there was a lot of missed opportunity to tell a deeper story as they glossed over the difficulties faced by idols (and their partners) especially when it comes to their personal lives.
This series also amped up my anxiety to the max. When it was revealed that Si Yeol is only using Ae Jun to exact revenge on Ji Kyusong i felt afraid for him and imagined how devastated it would be if he found out that his bias has been deceiving him. I sincerely felt that the show didnt handle that situation very well because that was some weird dark sh^t and it was downplayed as something to be forgiven easily just because "i like you first for a really long time".
What could have been an impactful romance drama became a cute, fluffy and light fantasy (yes i consider it a fantasy since i think everything is just a fantasy happening in the mind of Ae Jun) series that lacked real depth.
Dont get me wrong, Its not a bad drama but its definitely not on the level as some of the best KBLs like Semantic Error, To My Star, Bleuming and Love for Love's Sake.
Would I recommend? Yes, definitely.
Would I rewatch? Probably not.
Giving it a high 8 just because i love all of the 4 main cast. I told you im going to be biased.
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A reflective, authentic watch. *No Spoilers*
This drama deserves a much higher rating in my opinion.What I found most enjoyable about this whole show is how mature, high quality the characters are. Even the supporting cast is excellent in a natural way. All the characters handle conflict in a natural, mostly mature way, true to real life instead of the clichéd sort of characters who are naive, childish, unruly, whiny, manipulative in an over-exaggerated manner and ultimately boring to watch. Instead this cast of characters are brilliant thinkers and dreamers with some flaws. This isn’t a boring watch where everything is perfect and nothing happens in the plot, rather, the characters authentically handle conflict, true to their character, which makes the conflict more interesting.
How well written the characters are really left an impression on me. Props to the writer.
The actors embody their characters precisely. Although in real life, the male love interests greatly differ in age compared to the female lead, that is not the focus of this drama. Rather the tone of this show is to get back on your feet after shortcomings. This drama focuses on how we influence those around us and how we are inspired by them as well, when working towards a common goal.
The directing, camera angles and pacing of the show help the viewer to truly experience the development of the characters and their lives, resulting in some beautiful shots that evoke emotions—not overdone but not insignificant.
This drama has raised my expectations of what makes a quality Japanese drama and it is hard to top.
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A new kind of Cantabile!
If you are expecting that it factor from the original Nodame Cantabile (japanese drama) or the craziness that was Tomorrow’s Cantabile (korean version), this isn’t it. This drama is not a remake but an adaptation. There are elements from the original story that are waaaay tone down and this makes Symphony’s Romance break away, distinguish itself, and become a drama on its own but still be that familiar tale you know so well. As a result I could enjoy the drama without constantly comparing it to the other versions.The relationship between Xiao Wo and Zhen Yan develops naturally, from a mutual admiration of the talent each holds to a professional and personal partnership among equals. This makes the romance feel more grounded and mature. A welcome change since it makes leading man more affectionate and open to the leading lady’s proactive and flirty ways and, in return, he becomes the person she can rely on when her genius overwhelms her. They support each other’s dreams and ambitions, based on the knowledge not only of themselves as individuals but as a couple. They keep choosing each other through hardships and insecurities. Xiao Wo and Zhen Yan work out things together like the dream team they choose to be.
The same can be said about the secondary characters. For once we see what happens when some of them make it in the world of classical music and others don’t. What happens among friends, lovers and rivals, whom so far have been following the same path, when they go out into the stage of the world. Do they follow their vocation? Was music just daydreaming? Do they decide to follow society’s expectations of what kind of job they should have?
I appreciate this more realistic take on the story. It’s not a youth drama, it’s a drama about young adults trying to find their place in the world and that’s definitely Symphony’s Romance strongest point.
The only weak point, for me, it’s the musical performances. In a drama about musicians and the need to stand on the stage as the best version of yourself, the performances were lacking for my taste. I am not sure if it was the music selection or the editing but, at times, it felt like there was no emotion behind the music that was playing. It should have been since it was supposed to be the culmination of trials the characters had gone through. In very few performances I can truly say that it felt like these passionate musicians left everything on the stage. However, this does not take away from the drama or the character development.
Overall, I had a really great time with this drama and enjoyed every episode. I have no complains about this drama, it gave me exactly what I wanted and needed from it. Symphony’s Romance is the perfect drama to relax and enjoy as the story evolves and its characters grow. With a super cute romance on top. I recommend it!
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The Chemistry? chemistrying and Censorship? Bet
The MLs dynamic is a kidnapped forced marriage lol, then enemies to "bromance" even when they're enemies they stand up and protect each other they have their own moments. Despite being short it's detailed and done well like any full length drama, even side characters have a nicely detailed style, acting and cast stands out the most they are brilliant and carried well.Plot is very serious a seek for revenge and the events are portrayed in a nice pace, there's a couple funny moments but most of it is angsty and the focus is the male leads, the side female character is a sister figure she's not portrayed terribly thankfully but rather a kind person who supports the people around, so if you're seeking a bromance focus it's doing that.
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If you´re only in it for the romance, than skip that one. This KDrama is actually so much more.
This is a family saga in cross-section. Typically, the list of the main actors only contains Lee Seo-jin, Kim Hee-sun and Ok Taecyeon. However, I think the whole family belongs here because family is the issue. Of course there is a romance (and not just one). However, sooner or later is always about family. And so "Wonderful Days" is the perfect KDrama to study family structures, dynamics and values as well as its impact on every day life in South Korean culture and tradition.Family hierarchies, manners, customs and traditions are presented in detail. The setting for this is fittingly the traditional hanok, in this case a giwajib, a dwelling for a middle-class family. In "Wonderful Days" you experience family as it would like to be and family as it really is, behind the facade - with all its taboos and lies and secrets and flaws. The issues of disability, adultery and flaws of single parents are dealt with. The questions of who is allowed to marry whom and what that means for family life are worked through. Finally, it is also about pride, guilt, shame, reconciliation, forgiveness and emancipation.
I think actress Youn Yuh-jung rocks the entire show. The processes she goes through again and again are numerous and moving. In some places, where she seems very traditional and her decisions seem virtuous in the service of the family, she also turns out to be truly modern. She always makes up for her lack of education with a lot of heart and common sense. She is already a strong mother model. But at the same time she shows herself vulnerable and conveys very vividly that this mother role demanded by society is practically superhumanly difficult and actually impossible to achieve.
With the action location of Gyeongju, you also get a tiny glimpse of the historic Silla city in south-east South Korea. The grave-mounds of the Silla Kings provide a scenic background more than once. The specific, comparatively melodic Busan dialect that is spoken in this region is also acoustically striking in the dialogues.
This family drama, in which everyone works through their own inner and outer struggles within themselves and the family, is told in a compassionate, vivid and multi-layered manner along numerous storylines through the entire family. Accordingly, this 50-episode KDrama has more episodes than usual. You can indeed learn to understand how the individual in South Korea holds back for the family, or what strength one has to muster in order to protect one's self-interest against the (supposed) well-being of the family, especially the elderly. Self-sacrifice and the ability to suffer are a given - as if it were the most natural thing in the world. However, they are sometimes subtly and sometimes openly questioned. The quarrel is conducted within the drama-family, but inevitably continues in OUR heads, hearts and personal worlds, too. Thus, it is a sensitive socio-critcal study and a sophisticated scenario, for confronting South Korean audience with traditional values facing modern life in 2014. Perhaps it is also interesting to know for non-Koreans (in order to understand some other dynamic of the story): adultery has only been unpunished in South Korea since 2015, abortion since 2017. Before that, it was a crime.
Sometimes the family dynamics are almost unbearable from a western point of view. They may also seem exaggerated as far as our (I am here refering to ´my´ western, german) reality is concerned. The decisions of the protagonists sometimes seem to be incomprehensible. But then again - as far as South Korea is concerned - this is not exaggerated at all. These dynamics are real (but in good makjang fashion, they also add a bit more drama for good catharsis effect). In any case, for Western viewers those dynamics are instructive for studying the culture-specific value systems and, last but not least: occasionally also thought-provoking, too.
Ah. Don´t let me forget to mention... it is about a love story, too. Not only one actually. But if you´re in it for only this romance, than skip that one. You will be busy fast-forwarding most of the time - because this KDrama is actually so much more...
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The complexity of the plot coupled with the controversial themes set against a backdrop of historic events made it a compelling film to behold. The beauty of this film lies in its hauntingly terrifying realism that most people don't usually think about, the thought of cultures evolving in such a brutally fast way while we all struggle to keep our problems under control not noticing how the rest of the world changes so drastically around us, makes this movie one of the best social commentaries ever filmed.
Created in 1993 it might appear old-fashioned in form for those who are used to today's blockbuster films but it is certainly modern in psychological dynamics, it’s a film that you can lose yourself in, one that washes over you like a pleasant nostalgic memory.
Its beautiful cinematography combined with powerful symbolism certainly deserves all of the awards it earned, masterfully crafted each scene is so poignant and engaging you don't even realize you're holding your breath while watching it. And despite the film’s length reaching almost three hours, Chen Kaige (director) certainly cannot be accused of it being draggy or slow-moving. The pace snowballs towards the last hour, with 30 years of history compacted into its final sixty minutes.
A few words must be spent on the quality of the acting, for both the adult and child cast, which was immaculate. Leslie Cheung once again showing us how versatile he truly was.
Our protagonist Dieyi is easily one of the most relatable characters, going through endless tragedy our little concubine delivers an iconic show for everybody to see. Witnessing the dark behavior of human nature through this film can only make you empathize with the people who suffered from countless hardships and misfortune.
The political dimension of the film, its social commentary and its relevance for today, where questions of how can one still put on makeup and play-act when war was breaking out the following day, gives us pause to reflect.
Despite (ironically) being initially banned in China but shown to international acclaim such as' Cannes & The New York Film Festival, Farewell My Concubine is a motion picture experience that only a few will soon forget after giving it a try.
For me, this film represents beauty in its purest form, a masterpiece that stands the test of time.
I will give this movie a full 10/10 .
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The winds of change.
This slow paced suspense thriller by the director of The Bad Kids is told with such dry humor and irony that it initially conceals the story's intense, almost unbearable pathos. It is about how the irresistible force of the winds of change profoundly affects the lives of two generations of Hualin. Hualin is a fictional Northeastern town where the entire economy was built around a state owned enterprise, Huagang Steel, which is said to be modelled on either Angang Steel or Benxi Steel. The mill employs most of the town in some capacity and runs everything from its schools to its hospitals. This economic model collapsed in the late 1990s, displacing hundreds of thousands of workers across China. Towns like Hualin, where one enterprise comprised practically the entire economy were particularly hard hit.The drama opens in 2016, where the main protagonist Wang Xiang, an irascible old taxi driver helps his brother-in-law Gong Biao hunt down scammers who tried to knock off his taxi medallion. They rope in Ma Desheng, a retired disillusioned cop turned ballroom dancer to aid them. Their determined, bungling poking around results in a murder that Wang Xiang insists must be linked to a cold dismemberment case at the mill that they had investigated almost two decades ago. This takes them back to 1997/1998, which was a turning point in all three lives that they survived but never quite recovered from.
Fan Wei's portrayal of the older Wang Xiang's grief frozen expression and his glittering angry sad gaze is brilliant and evocative. I almost couldn't see Qin Hao in middle-aged Gong Biao, who still somehow manages to hang on to that optimism and naivete of youth. And Chen Minghao never fails to impress with his ability to combine comedy with tragedy - his ballroom dancing left me speechless! I enjoyed the chemistry and rapport of the older cast immensely. Only veteran actors of this caliber are able to stay in character and wear the passage of time and hardship through multi-decade transformations so effortlessly. In the present, they are shadows of their former selves, displaced by the reform and changes that swept across China as it opened up to change. I am surprised by how candid this drama is about how these economic reforms did not benefit everybody.
Back in 1997, the three friends are in their prime. Wang Xiang is the important train driver that transports raw materials to the mill; Gong Biao is a rare young college graduate groomed to advance in the mill's senior management; and Ma Desheng is a hot shot detective in charge of shocking murders that shook the town. The young Wang Yang sees the writing on the wall with respect to the mill's future and resists his father's efforts to help him secure a position there, seeking employment in the nascent and seedier private sector instead. There he becomes fast friends with Shen Mo and Fu Weijun. Unlike the older generation who are still in denial, this youthful trio are quicker to accept and adapt to the rapidly changing environment. The bond of their friendship is just as strong and as real as that of their elders. The younger cast impressively hold their own well up against the veterans. This has to be Li Gengxi's best, least petulant portrayal but I still find her to be the weakest link in the cast overall. While her performance was quite good, I did not like or empathise with her Shen Mo the way I felt compelled by and rooted for both Wang Yang (lLiu Yitei) and Fu Weijun (Jiang Qiming).
In terms of the mystery plot, it is very well designed with a few good twists but is overall straightforward and easy to understand. The clues are intriguing and well planted early on and an outline of what happened emerges at a slow but riveting pace. When all is revealed, everything fits together and makes sense. It is true that this drama is a much bigger story than the mystery itself but the unravelling of the case is the centrepiece that pulls the sub-plots and narrative that spans two decades together. It is a very dark story that unfolds during a time of inescapable change that everyone is helpless up against. At the same time, they go through some utterly devastating events. The passage of time doesn't dull anything; in fact to them decades later it is still as if it all happened just yesterday. Poor Wang Xiang and to a lesser extent, his buddies are in limbo, suspended in this dreadful, long autumn. The drama tries to end with closure followed by a positive epiphany; to move forward and not look back 往前走/wǎng qián zǒu. Yet I can't shake the overwhelming sense of how beautiful but quietly helpless and tragic this story is. Not everyone will be able to understand or relate to the late 1990s backdrop or enjoy the slow pace but for me this is the best drama I have watched this year (as of May 2023). I rate it 9.5/10:0.
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Genius is 1 percent inspiration and 99 percent perspiration.
At twenty-three, Lin Zhaoxi lives a life of quiet desperation. She grows up in the shadow of two natural math geniuses - her father Lin Zhaosheng and his mentee and love of her life, Pei Zhi. Despite her passion, her aptitude for math is not intuitive and falls short of true genius. Discouraged, she majors in philosophy and is resigned to a mundane existence. She also loses touch with Pei Zhi after he leaves to further his studies in Germany. Her world unravels further when she discovers her father Old Lin has early onset Alzheimer's. Then out of the blue, she is whisked away to cheese world, a parallel world with a childhood classmate Ji Jiang. In order to return to their world or strawberry world, they must win Math Olympics. This was a challenge she failed as a child. It was arguably the great inflection point that put her on a less satisfactory life path, one that is lacking passion.Don't be put off by the math aspects of this drama; the writer does a good job making abstruse concepts and theorems quite approachable and avoids getting bogged down into the weeds. The storytelling indulges in almost ten episodes of sheer childhood delight as the young Lin Zhaoxi, Ji Jiang and Pei Zhi try out for Math Olympics. The child actors led by Wang Shengdi, Fu Bohan and Lin Zeyi blew me away with their natural and uninhibited articulation of joie de vivre that conquers all. The young cast steals the show with their empowering message that genius is 1 percent inspiration and 99 percent perspiration. The Harry Potter allusions were brilliant - it just cracked me up that no one wanted to be Harry! It also pays proper homage to Snape, one of the most complex, fascinating and moving fictional characters ever written. This is indisputably the strongest, best arc of the drama.
The middling arc is a struggle by comparison as both Zhang Xincheng and Zhang Zifeng take time to get in character and are not that convincing as lovers. It is not a bad arc at all, in fact the father daughter dynamics are very enjoyable and touching. It is just that the first arc is just too good. Initially, Zhang Zifeng seems mis-cast because unlike Ji Jiang and Pei Zhi, I could barely see any vestiges of the child that was Lin Zhaoxi. But upon reflection, it is intended that all of that youthful optimism and sense of invincibility is extinguished. The actress really redeems herself in the latter episodes, especially in her chilling encounter with her doppelganger. Oddly it is Zhang Xincheng's performance that doesn't hit all the right notes in this. I think he is much less comfortable taking on grey or flawed roles. I didn't like Pei Zhi for most of the drama and only empathised with him after his heart to heart with his father Pei Donglai in cheese world. Both the young and grown Ji Jiang is far more charismatic and is seamless portrayed by both actors. As always the veteran actors Lei Jiayin, Wang Xiao (Zhang Shuping) and Geng Le (Pei Donglai) are the ones that save the day by extracting the best performances from the younger actors. In this one, even they are outclassed by the amazing kids. Ni Ni's brief stint as an omnipresent and unforgettable character is both delightful and heartbreaking. The drama picks up pace and comes together in the final act. It finishes strongly with a few good mind blowing twists and reveals to end in a good way. Some may not like how it was all wrapped up but I did and I explain why in a spoiler in the comment section of this review.
The Heart of Genius is a well-crafted and intriguing story about life, love and friendship that is comical, inspiring and heartbreaking. Everyone makes mistakes and has regrets; Lin Zhaoxi didn't try hard enough, Pei Zhi lost his father too soon; Lin Zhaosheng didn't fight to clear his name; Zhang Shuping did the wrong thing... This drama tantalises with the impossible fantasy of re-writing history, to have a chance at a do-over of the big what-if moments in life. It proves that even though assholes are still assholes in each world, the grass is not necessarily greener in cheese world; that there are always consequences and trade-offs that are of unknown, unknowable value. Thus we must be consoled by the wisdom that life is not a fairy tale and who we are and who we love are the sum total of our shared experiences good and bad. To live in the moment and to accept what we can't change. It is a very engaging and thought provoking drama that does not seem to get the appreciation it deserves. It is one of the most enjoyable dramas I watched recently and am happy to rate this an 8.5 overall.
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They tried to make a new kind of drama, where women have power, where they cand dress how they want, put makeup, accessories and date whoever they want in whatever manner they desire. I really liked that. It had a F*ing strong start.
The first few episodes are my favs and I would rewatch those but not the full drama. Ok so onto what bothers me:
The love story: Starts in a refreshing way for a kdrama, I mean, it s not the usual korean drama couple. But as you go into the story, her not wanting to get married, him wanting to, the endless and pointless drama between them bored me very much. The ending was as boring as their couple story. I must say that his acting and way of being (the resting bitch face and voice and everything) was more suited for Kill It (where I really liked him) or the other drama with the serial killer (come and hug me- I think). Not here.
What kept me going? SCARLETT. GODDAM Scarlett was everything, I swear. She ended up being the only one I cared about, her style, personality, everything.
***IMPORTANT: if this was a drama focused on Cha Hyun(scarlett) I would have given it a 10 (so you can watch it based on this little detail)
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Really cool Gender swap Romantic thriller!
I heard Kim Jieun (FL) saying that this show is a Romantic thriller in a radio interview and that's what it is exactly! A really interesting one at that! It has short 24 episodes of almost 22-25 mins each. Easy to watch, mostly light-hearted and quite well acted. Picks up pace after Ep 4.HIGHLIGHTS :
1) ACTING: Actually I have become a fan of both FL and ML (Lomon) and went back and watched most of their old shows because of how good they are here! When they gender swap the change is so smooth it's like they actually swapped! They both have done a really great coordinated job here! 👏👏
2) CHEMISTRY : It's simply Fire! Both the leads look so hot together! 🤩 And I am sure many of you are here because of those kiss scenes YT shorts! 😁 But mind you, the actual romance part is really subtle, don't expect fireworks romance and sweeping declarations, you just have to imagine those things yourself! 😭 LOL (EDIT: Now that I have completed it, I can say that romance gets more visible towards the end and for that I am infinitely happy :D)
3) STYLISH SHOW: When you watch it you will realise they have added all elements to both aesthetics and the plot to make it modern and stylish. All the Marketing ideas they come up with in each episode is so new and cool and overall very interesting and I really enjoyed those scenes in each episode!
4) I personally like a no nonsense strong headed FL and here she is perfect as one! she's no saint and don't go expecting her to be one either you will be disappointed! She's superbly grey! (EDIT: For people looking for character growth, let's just say they all become better versions of themselves in the end.)
Mild spoiler :
5) It's a thriller so be ready for huge plot twists! Things may not be as they seem in the first 3/4th half of the show! 😉 But they are totally worth it! Accept things as they come, it gets better and better! (EDIT : It's certainly all worth it in the end! *HEA* <3 )
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1This review may contain spoilers
War of Faith: Best Financial Espionage Drama
History would tell us that Shanghai in the 1930s was, to say the least, wild. In the midst of all of this, enters a poor young man named Wei Ruolai, played by Wang Yibo. Wei Ruolai has little to no money, came from a province controlled by the communist party, and was having a hard time receiving his diploma. It's a recipe for a bleak future. But with grit, determination, and his genius brain, he managed to secure a place at the Central Bank and work alongside distinguished officials like Shen Tunan, played by Wang Yang. Here begins the gripping story of Wei Ruolai finding his faith and fighting for it. No matter the cost.To be completely honest, I am a fan of Wang Yibo. His acting has been improving rapidly and all his films released in 2023 were a massive success so naturally, I was looking forward to this drama. However, I was not expecting to get so much out of this than I actually did. Republican era drama is my least favorite genre in dramaland. It's suit porn but I think this genre is the least famous internationally for a reason and my username is what it is, also for a reason (LOL), I watch romcoms and healing dramas! It's a finance drama set in the 1930s-- how riveting could it be to watch people talk numbers, right? Boyyyyy, was I so wrong!
The story is told in the ML's POV. Viewers get taken along his journey of finding his place in the world, finding confidence in himself, and finding his passion only to lose them all. He goes through a series of pain, heartaches, and grief-- and in the midst of it finds his true faith and his true passion. We see the ML transform several times throughout this drama. Through this journey, viewers also get shown the world of finance during the troubled times of the 1930s. We see how finance plays such a huge role in war and economics. We see people's greed. We see how innocent people get sacrificed, and we see how the government can turn a blind eye.
The series in itself is very action-packed. There is no dull moment and the story keeps moving very rapidly. A lot happens in the first 4 episodes to set-up the drama but everything that happens in the story has meaning. No fillers. It's 38 episodes but it is very fast-paced without sacrificing compelling and complex storylines. Every episode makes you want to watch more. I was watching earnestly and the foreshadowing in this drama is so smooth and clean that I probably missed some tiny details along the way. I'm already excited to rewatch this drama now that I know what I'm looking for!
This is an original IP so my hat is off to the screenwriter and the director for creating such a marvelous piece of art in television. The cinematography in this drama is also of high quality that is rarely seen in c-ent. It felt like watching a movie, and despite the 2.5 weeks of airtime, I wish the story goes on. I want to see more.
The casting of this drama is also top-notch. No holes anywhere. Everyone down to the little girl acted so incredibly well. Wang Yibo was such a star in this production and it is his best acting to date! Wang Yibo's Wei Ruolai feels so incredibly human and real. He conveys very complex emotions with his eyes and his face. His performance is so captivating because of the precision and nuance he gives the character. You can feel through the screen every single thing that Wei Ruolai feels throughout the drama-- and to be honest, it was a lot to handle!!! This drama also spanned 6 years and many transformations for Wang Yibo's character and if you compare his transformations, you can clearly see the contrast between each one. From his starry-eyed full of hope young man, through the disappointments and desperation, and to becoming an integral part of the communist party. Wang Yibo did such a stellar job and as a fan, I am so incredibly proud.
Wang Yang, Li Qin, and the rest of the supporting characters also deserve their flowers. Everyone was captured in such a humanized way that you can feel empathy for every character. You believe everyone's storylines and you get to feel that a lot of the big players in this drama are morally gray. Everybody had their purpose and I was hooked! The storyline and acting did its thing for me. I hated who they wanted me to hate, and cried for the ones they wanted me to cry for. I've never felt a story so real and close to me like this in a very long time. Certainly not in c-dramaland, and not in a Republican era drama. A gem of a find for me is Lan Xiya who played Niu Chunmiao. She was introduced halfway through the story with such a very firecracker of an entrance. I loved Niu Chunmiao as a character and I loved Lan Xiya for her talent in acting. She's so new and young but her ability to act is very high. I'm so impressed with her just as I was impressed with her character. Another treasured character for me is Wei Ruolai's best friend, A'Wen played by Li Weilong. A'Wen allowed us to see many layers to Wei Ruolai so very early on in a drama. Also, special shoutout to Zhang Tianyang's Lin Qiaosong-- he put me through the ringer all 38 episodes!
Lastly, the music. I think all I gotta say is Zhou Shen.
This has been a very long review but if you're still with me, please go watch War Of Faith. It will be worth every second of your time. You can find out how apropos the English title War of Faith is. And if you don't believe how a Republican drama can be so good, check it out yourself! :)
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