want to know about the couples? you've got:
secretly very sweet ceo + charming employee who started the company together and have been together for so long any kind of attraction they could have had is destroyed by habit
the single mom with the cutest little kid ever + boyfriend with opposing mother (who has lots of character development)
And the cutest playboy who's world turns upside down when he falls for his bestfriend (who's watched him and his playing-the-field BS for years)
NOW TO ANSWER ALL THE QUESTIONS YOU ARE ASKING IN YOUR BRAIN:
Yes, there are a number of kiss scenes. Yes, the girl actually responds to them. yes, the ceo is still swoonworthy without being a jerk. No, their colleauges are not bitchy and jerks, they're very cute and like a family. No, the parents are not seceretly satan: ready to bitch-slap or money-envelope-slap the FL. No, the ML doesn't have a very cliche tragic backstory, but it's still a backstory to make him look very lonesome-heroesque, don't worry (because is a swoonworthy ceo really a swoonworthy ceo without the #darkpast? i. think. not.)
well, it's also short to binge in a day if you really try hard (24 eps, baby, the best number to see on a cdrama profile) . just trust me, you'll love it if you're looking for this kind of cute love story.
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The plot is a hot mess. Very hot on the eyes and the heart and very much a mess for the intellect. But, frankly, I was more than willing to overlook every plot-hole, every unrealistic twist, every narrative ingenuity while watching, because the emotions portrayed were so strong, so moving and beautiful, it was like swimming in self-inflicted, desired pain. This is a story of friendship, and this aspect is wonderful. I rejoiced in every scene which would bring the friends/rivals together on screen and not surprisingly those scenes are the best shot ones too, with some stunning choreography and mesmerizing music. I could have watched 29 hours of sword fights or friends silently sitting next to each other without complain. This is what the story is about and as I said it's incredibly beautiful.
On the other hand, the plot, or, if you prefer, the writing, goes everywhere and nowhere. Aliens could have landed in Joseon and killed them all with laser beams and it would have gone almost unnoticed in the circus. I'm not saying the politics didn't count, but I simply didn't care. What I cared about were the characters and their bond.
First, the kids: they enchanted me. Because this drama is totally devoid of mother figures – the only living one having refused to be such for 20 years – I suppose my very latent mother instinct came to the surface with a vengeance. The acting by both Yeo Jin Goo and Park Gun Tae was amazing and I'm kind of indignant they are listed as "guest roles" here. In less than 4 episodes they managed to make me love the characters and die to see how they'd connect to one another. The young Wun in particular must be the most harrowing character I've come across in a long while. My desire to kill that father of his with my own hands reached unexpected and disquieting heights.
Then, there's the older generation of friends/foes, mainly Chun the Sky Lord and Gwan Taek, who share a weird bond based on rivalry and grumpy respect shown with swords. I won't spend too many words on the two actors, they are simply brilliant and the director seemed to share my opinion since the best camera works are dedicated to them. I mostly appreciated Choi Min Soo's rendition of his character, which could have easily come out of a Sergio Leone's film.
This drama is based on a manwha and this is particularly obvious in all the main characters who are clear cut and distinctive like drawings.
Not so the adult Dong Soo And Yeo Wun, who mature and change, making this into a coming-of-age drama. As single individuals they are very different, one light the other dark, one goofy the other somber, one stubborn the other easy to manipulate, but together they shine. I loved the acting of both Ji Chang Wook and Yo Seung Ho; the first because he enters the character in a way that makes you instantly forget whatever role you may have seen him in before: here, he's Dong Soo. There's a lot of physicality in his acting, which makes his performance totally believable. Seung Ho has such expressive eyes he steals the screen by a single, all-telling glance. His character is all played on subtlety, which makes it extremely powerful. As I said, separately they do great, but together they are unforgettable. It helps that they are both so smouldering handsome; in a drama based so much upon visuals, this isn't a secondary aspect at all.
Also, I must be the only living creature who liked Shin Hyun Bin here. What everybody described as a wooden performance I found to be delicate and very fitting to her role. What that role was, is another story entirely: the romance is so secondary it's almost non-existent here. This in the most common sense of the word, since the drama is profoundly romantic in the classical definition of sentimental and tumultuous.
I invested a lot of feeling in this drama, this is why the very last minutes infuriated me. I can condone many faults of this script, but I will never, ever forgive the writer for not honouring a particular character the way he deserved, for cutting short on a farewell I had been kind of expecting (and dreading) since the beginning. Many tears welled in my eyes but never had the time to come out, leaving me frustrated and empty. I suppose I should thank the production for hastening my healing process this way, for reminding me life goes on, or I'd be still suffering now. I'm not sure it's fair to lower the overall score of a drama due to the last 10 minutes, but for a show that expects you to leave the brain aside and only watch with the heart it feels like cheating.
The music is a different story. To put it short, this is the best drama Ost I've heard so far. It contributes so much to the feeling I believe it is mainly responsible for my loving the drama and overlooking its faults. Honorable mention to BMK's powerful "Yanoy", to its harrowing acoustic version by Eun Tae Park and to the haunting "Stagnant" by Shin Sung Woo. If you have the chance, give a look at the lyrics too, as they are beautifully poetic.
I don't think I'll watch the entire drama again. I will definitely re-watch single scenes though, just for the wonderful aesthetic of them. On the other hand though, I've watched a disgustingly high number of MVs and fan videos only for the sake of Dong Soo and Yeo Wun. Given how many are to be found, it seems I'm not the only one.
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Misaeng's path of story transcends the typical office narrative. It's not just watching office workers struggle, suffer, get praise, or be joyful. We know these characters; we know their faces and names, their pasts, their hang-ups, and their fears. However, we don't know them only as Jang Geu Rae, Oh Sang Shik, Kim Dong Shik, Jang Baek Ki, Ahn Young Yi, or Han Suk Yeol. We KNOW these people; they are our friends, neighbors, acquaintances, and often, ourselves. That's what Misaeng brings in its storytelling, its cinematography, its constant image of being small in a big world and finding what we can do to be significant.
That path was taken by, in my opinion, one of the greatest ensembles I have ever seen in a drama. The entire cast has this way of making one completely identify or not identify with their actions. We see how everyone starts--naive, raw, rough, intimidated, at times, arrogant and ridiculous. Yet we also experience their growth, admissions of success and failure, and admissions of self-centeredness or guilt.
Behind the ensemble, traversing the path of Misaeng was an exciting and memorable soundtrack. Each piece told a story. I enjoyed the somewhat folk storytelling of the OST tracks because it mirrored the narrative of the day-to-day experience of the office workers. One could argue that the music is a character in and of itself as it travels the visual text.
Through its story, cast, and music, Misaeng took me on a journey. At times, I felt like Jang Geu Rae, wondering and asking myself the same questions. That's what I loved about Misaeng. I'm not an office worker, but I identify with their struggle. I ask myself the same questions. I feel defeated at times. At the end of the day, I'm just an incomplete life looking for completion.
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2To Ningdom Come.
Eternal Brotherhood or The Three Heroes of Light/光明三杰/Guāngmíng Sān Jié is the first instalment of the live action adaptation of popular fantasy novel Purple River/紫川/Zǐchuān. The narrative opens in the thick of a gripping battle scene in a complex fantasy world and never stops to explain itself. The world building, political dynamics, power structures and character backstories all have to be pieced from the dialogue. It does not help that the plot is heavy with political intrigue and many opaque Machiavelli characters scheme against one another. Casual viewers out for light entertainment will find this storytelling approach frustrating and confusing.Zichuan is a loose coalition of different warlords, noble families and clans in a war torn continent. Yuanzhou is the battlefront, the critical buffer province that stands between Zichuan and their arch enemy Beizu or the North Clan. Food is the scarcest commodity in that strategic battle-torn province that is rich in resources. Power in Zichuan is divided as the Chieftain Zichuan Canxing of the ruling Zichuan family must answer to the Elders Council. The family's grip on power is underpinned by a sworn brotherhood between the previous Chieftain and two powerful commanders; Yang Minghua who secures the capital and Ge Yingxing who secures Yuanzhou. This alliance frays as Yang Minghua is widely expected to rebel. This is the back drop that Zichuan Xiu, foster son of the late Chieftain returns to after a seven year exile in Yuanzhou. The time is ripe for a changing of the guard as the next generation's three heroes Di Lin, Si Yilin and Zichuan Xiu emerge. There is a subtly ominous foreshadowing as they are clearly parallel characters with their predecessors.
One of the keys to understanding this story is that actions speak louder than words and no one says what they really mean; not even when their interests are aligned. This is clearly conveyed in the secret bathhouse scene; the only safe place in the capital for Di Lin, Si Yilin and Zichuan Xiu to speak freely with one another. Of the brothers, Si Yilin is the most reliable and almost blindly loyal one. Di Lin is also quite easy to understand; a ruthless, vehement and dangerous character who cares for very few people. Zhichuan Xiu is a cunning and complex character that hides behind an indifferent and flippant facade. The first arc (~12 episodes) that introduces the three heroes is strong as they work together to put down a rebellion. It is nice to see Yang Xuwen, Liu Yuning and Zhang Mingen work so well together in their first collaboration. Their rapport and humorous banter lightens the portentous, politics heavy tone of the story.
The second arc explores Zichuan Xiu's relationship with the Chieftain Zichuan Canxing and his niece Zichuan Ning. It is anchored by masterful portrayals of two Machiavelli mirror characters who are not quite yet opponents; warily circling and assessing each other. Yang Xuwen holds his own well in this match up against a veteran like Ma Shaohua. Their dialogue is quietly menacing with doublespeak, layers of hidden meaning and traces of irony, and dark humor. This is a rare drama where I feel real genuine fear that the protagonists may be up against a more powerful and possibly smarter antagonist.
I was so busy wishing Ning to Ningdom Come that it took me a long time to realise she is quite an important character. Not only is she next in-line to be Chieftain but Xiu actually cares deeply for her. This role is not well acted to begin with and made worse by the choice of a terrible voice actor. Consequently Ning comes across as little more than an annoying, childish, spoiled and shallow princess that gets too much airtime. In reality, scheming is in Ning's blood and she has an innate shrewdness and strong survival instincts. She fears Canxing and wears the persona he expects as a silly princess only capable of learning the cartoon version of history and nowhere near ready to assume power to allay his paranoia. In their opening scene together, both Ning and Xiu are role playing the pampered princess and her foolish swain. Unlike Yang Xuwen however, the actress is not able to convey any hidden depth to Ning or that there are layers underneath her words. But if you watch her carefully, she is quite clever in how she helps Ka Dan and Si Yilin and she has a far better grasp of the power structures of Zichuan than she lets on. If they had cast an actress better versed at complex roles, her arc would be more enjoyable and how Xiu grew apart from her would be seen as a sad development rather than a cause for widespread rejoicing.
Considering the limited budget they had to work with, the cinematography, camera angles and overall visuals are really nice and it is quite clear that this drama was made with care. Even though the dialogue is extremely well written, it is too unbalanced and too much plot movement happens via exposition; making battlefront developments hard to follow. The too few action scenes that occur mostly at the beginning and at the end are exciting and very well choreographed. Even the CGI is not heavy handed and is actually really nice.
I find it really difficult to rate this drama at this point because it actually ends in the middle of an arc and is thus unfinished. Even though it ends with a superb line, it does not change the fact that this is not only unfinished but also sloppy enough to not even close the Lei Hong arc. The production's two fatal flaws are not making the world building accessible and in mis-casting Ning. Nonetheless, I really enjoyed this drama and am going to temporarily rate it 8.0/10.0. I will revise up my overall rating for the Zichuan series if the second instalment The King of Light/之光明王/Zhī Guāngmíng Wáng wraps everything up well. I think a strong case can be made to wait to watch this in its entirety when the second instalment airs.
May 2025 update: After watching S2: King of Light, I ended up rating S2 and Eternal Brotherhood in its entirety 8.5/10.0.
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We Best Love: No. 1 For You Special Edition
110 people found this review helpful
This review may contain spoilers
Barely Any Differences Between the Normal Ver. and the Special Edition
What's the difference?Episode 5's Bing Wei and Zhe Yu's confrontation scene and the locker room is extended. This is probably the most important since they are a featured side couple in the 2nd season.
They also tacked on the Season 1 special episode 6.5 into the last episode, so it eliminates the need to watch the special episode.
Other differences are just extending small scenes here and there worth a minute or two. For example, Zhou Shu Yi staring a few seconds longer at something. Or adding a few seconds of B-roll for a smooth transition. There is also a few extra seconds added into the hugs and kisses between Gao Shi De and Zhou Shu Yi.
Season 2 is where the Special Edition is important because it's drastically different from the normal version.
Should you watch the Special Edition if you've already seen the normal version?
For Season 1 is doesn't make much difference, but I'd just watch the Special Edition for Bing Wei and Zhe Yu's scenes in episode 5. But YOU NEED TO WATCH SEASON 2 SPECIAL EDITION!!
Should you watch the Special Edition first or watch it on the re-watch?
I would just watch the Special Editions. But if you want to watch the normal version and Special Editions then... How do I put this... Watch both normal versions of Season 1 and Season 2 then watch the Special Editions on the rewatch.
YES - Special Edition S1 → Special Edition S2 (Skipping the Normal version is okay)
YES - Normal Ver. S1 → Normal Ver. S2 → Special Edition S1 → Special Edition S2
NO - Normal Ver. S1 → Special Edition S1 → Normal Ver. S2 → Special Edition S2
(You won't understand why they extended some scenes)
NO - Special Edition S1 → Special Edition S2 → Normal Ver. S1 → Normal Ver. S2
(The rewatch will be boring. Especially Season 2's rewatch. You'll probably claim that you wasted your time watching the normal version since you watched it the Special Editions first.)
~~~~~~~~~~ We Best Love: No 1 For You Review ~~~~~~~~~~
This is the perfect BL. It encompasses everything that is BL. Season 1 has the whole student/university innocent love story while Season 2 has the adult angsty drama. It's the whole package.
Anyways, I'll focus on Season 1 now.
Story:
Gao Shi De has always been a thorn in Zhou Shu Yi's side. He's always excelled in everything and should have been number 1 in everything, if it wasn't for Gao Shi De. When Zhou Shu Yi got into college, he thought that was in end of it. Gao Shi De went to a different university so everything should have been good, but now Gao Shi De has transferred to his university. His life is a mess again. His female friend that Zhou Shu Yi has been crushing on is in love with his best friend and now he has to deal with Gao Shi De. It doesn't help that Gao Shi De saw through his pathetic crush and is trying to help him get over it. Zhou Shu Yi's supposed to hate Gao Shi De right?
This is an amazing story. Enemies to Lovers is not anything new in BL or in Romance, but what is new is that Zhou Shu Yi is half-Japanese and it incorporated it into the story. Zhou Shu Yi often uses Japanese phrases to express himself when he's talking to himself or doesn't want to be understood. His friends also accept that and use Japanese phrases too. It's really realistic to someone who is mutli-ethnic. (I'm half-Japanese, and I also use Japanese phrases when talking to myself or when I don't want to be understood. Sometimes there are words in Japanese that express things better than in English too.) I love how Gao Shi De nor any of this friends address the fact that he's half-Japanese and just accept it. In a usual story the fact that Zhou Shu Yi's half-Japanese would be high-lighted and constantly brought up. There is none of that in this story.
Another thing that's different from the norm is that Gao Shi De isn't seeking to be Zhou Shu Yi's boyfriend. He literally just wants to be friends. Yes, he's in love with Zhou Shu Yi, but he spent so long being hated by him that he just wants to be friends and be able to talk to Zhou Shu Yi normally. It was so heartbreaking when Zhou Shu Yi found out about his crush, yet instead of saying "Yes, I'm in love with you. Please date me." He literally told Zhou Shu Yi, "It's none of your business." He was pushing his feelings to the side because he thought Zhou Shu Yi wouldn't accept his love and he didn't want to break their friendship. Such a selfless love!
Acting:
The chemistry between Gao Shi De and Zhou Shu Yi is amazing. Gao Shi De doesn't even have to speak and we can already see what he's thinking and feeling. Gao Shi De might be stoic, but just look into his eyes and you feel every emotion. Such talent! Zhou Shu Yi has significantly a lot more lines than Gao Shi De, but that doesn't mean he can't express himself either. Zhou Shu Yi is more in touch with his emotions and let's them out. He physically shows all of his emotions be it happiness, anger, or pain. Zhou Shu Yi also has the best teary-eye/emotional scenes in the whole BL industry. I can barely name any actors that can compare with him when is comes to scenes that are so emotional they make you tear up. Anyone can cry when they're sad, but to be so emotional that you have tears forming in your eyes, and you don't know why you're crying? Zhou Shu Yi's actor is amazing.
This BL is so amazing that there really isn't much to criticize. If there is any criticism it would be Zhou Shu Yi's Chinese language skills. I don't speak Chinese, so I can't say too much. That being said, since he is acting right next to other Chinese speaking actors, even I can hear it sometimes. Again, I don't speak Chinese, so it doesn't bother me, but I can understand why it would bother some people. However, I can chalk it up to Zhou Shu Yi being half-Chinese, half-Japanese. Realistically though, if Zhou Shu Yi was born and raised in Taiwan his Chinese would be better than Japanese. But seeing as in Season 2 his dad speaks better Japanese than Chinese, I guess the apple didn't fall too far from the tree. Everything can be explained nicely though the storyline, so it works out for me. I do feel bad that the fans are knit-picking at Zhou Shu Yi's actor's Chinese skills (even to the actor's himself) when he was born and raised in Japan, so obviously his Japanese is better than Chinese. If you want to start knit-picking at language, aside from Zhou Shu Yi's actor, when the Chinese actors speak Japanese they have terrible pronunciation. It doesn't bother me though, since they are Chinese and not fluent in Japanese. You can't have everything perfect in life you know. Can all of you criticizing him even speak two languages fluently with perfect pronunciation for both languages? I think most of you can't, so I think it's time we all just sweep this topic under the rug.
Overall:
We Best Love is amazing. One of the best BLs out there. If you haven't watched it, you should.
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To say the writers had the story planned out from the beginning might be a lie. I wouldn't be surprised if we learned that they were plotting the story out as they went along because it's far from perfect. Though at the beginning it leaned into melodrama, it found its ground and settled for humor (which was a good call).
That's not to say the transition wasn't entertaining to watch. To simplify it, the show is so much fun you'll ended up willing to overlook some of its glaring flaws. Most of which include entire plot points abandoned halfway without an explanation, only to introduced more plot-points that were later forgotten. If this show could be edited, I would've taken most of those out... especially the one that introduced a pretty dark subject only to brush over it and shelve it...
At any rate, despite its flaws, this is a lighthearted story that's very digestible and, more importantly, enjoyable.
MAIN CHARACTERS: Lovable
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The three charismatic main leads were given a good balance of strengths and weaknesses. And though they weren't always held accountable for their actions, they still showed some measure of growth and change as the story progressed.
Seo Poong (male lead): His character was probably the most relatable. His growth comes from falling to his lowest point and having to claw his way back up. He's equal amounts fearful and arrogant, which makes him a refreshing male lead. The fact that he shows moments of vulnerability and self-doubt goes to show that a strong character can be built through struggles. If one takes a look at his character from the first episode and compares him to who he becomes during the last episode, you'll see he was properly developed.
Dan Sae Woo (female lead): Jung Ryeo Won did a wonderful job of portraying Sae Woo's sassy attitude. Every smile and chuckle felt natural and contagious. She was also a well-rounded character, with moments of strengths balanced by moments of vulnerability. As fun as she was, out of the three main leads, I'd argue she had the least growth. As the episodes rolled by, it became increasingly obvious that she lacked self-reflection. This meant that she wasn't always held accountable for her actions. This in turn resulted in little change to her character when comparing the first episode to the last. The opportunities to develop her were there for the taking, but the writers missed every single one.
Doo Chil Seong (second male lead and the character who stole the show): Chil Seong was so charming, kind and lovable, that he out-shined and out-staged the other leads. And I don't mean as in he gave me second lead syndrome (though he did), but more like his character became the heart of the show. And how could he not? Chil Seong existed outside of the love triangle and was developed far more than the rest. He had the most interesting backstory and he was at the center of the most powerful moments of the series. Chil Seong was a magnet who -- through his charisma and selflessness-- ended up pulling the rest of the cast into his orbit. If you were hesitant to watch this because he's not the main lead, perish the thought! I have a feeling that if you watch this series, you won't regret it.
ANTAGONISTS: Unremarkable
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There's a number of antagonists, each showing a different degree of hostility towards our leads, but honestly, none of them stood out. Their purpose was to progress the story and support the narrative by adding obstacles to force our protagonists (mostly Poong) to grow. So even if they were rather superficial in their development (or lack thereof), they were a useful addition.
SUPPORT CHARACTERS: shallow
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Just like with the antagonists, the support characters served a specific function within the main story and, therefore, didn't get any proper development. However, given their role, I think it was a good call to keep the story focused on the leads. Especially since not all of the support characters were likable.
PORTRAYAL OF ROMANCE: Sweet, nurturing & healthy
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The romance between our leads was great. Lee Jun Ho & Jung Ryeo Won had great chemistry on screen, which made the development of the relationship feel organic. The characters' personalities also meshed pretty well, allowing them both to be equally active in the development of their relationship rather than have one character pursuing the other. In a way, it felt like they were both walking towards one another and met right in the middle.
PORTRAYAL OF BROMANCE: Heartfelt & nurturing
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The relationship between Poong and Chil Seong was a highlight of the show. Although they started on the wrong foot, Poong and Chil Seong built a strong foundation of understanding, loyalty, devotion, and support that culminated in a familial bond. The fact that Lee Jun Ho and Jang Hyuk also had great chemistry, helped sell how quickly they transitioned from friends to "bros".
OVERALL:
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This is a feel-good series. It's not a perfect by far, but it's undoubtedly entertaining and light enough to binge-watch. It's also a series that doesn't ask too much of its audience, which makes it a perfect show to watch after coming home from a hard/stressful day.
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Bromance
The first time ever I write a review about a series.So the plot is kinda common, about a cop who hate drugs and try to clean the city from drugs dealer. Then he met a doctor in an incident and both become friends to deal with the master of the drugs dealer. The thing that attract me the most is the bromance between the two main leads. You can say its almost like BL, just got censored. Even so, I still like their bromance as they trust each other so much even when they just met.
So far the story is good enough, lot of things that makes you want to watch more and more. The only problem for now is the subs. From what I read, I think the subs just copy paste from google translate. Even the name sometimes translated. I think this series will have lot of international fans if they could advertise it well and also put proper english subs ASAP.
Two thumbs up. This is one of the drama that i really love and will rewatch it later.
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Incredible Romance
When I first came across Fake Princess, the title sounded cliche and the storyline tropey. I was not familiar with the actors. I thought I would watch the first episode and drop the series. To my surprise, not only I didn't drop it, in fact I was rather enjoying this drama.She is a bandit and he's a crown prince. She wants his telescope so she steals it and they meet, and later marry each other without him knowing the actual identity of the person he is marrying. He has assumed that she's the granddaughter of the Prime Minister, his arch enemy, and a mole planted by him (the Prime Minister). But despite all the suspicions and distrusts, very quickly they fall in love with each other and become inseparable. Everything they do is for each other. Never once they betray the other. Each is always there to save the other. As a viewer, it's hard for me to drop such heart-warming storyline.
I love the Chang Le (Yu Kai Xin/Eleanor Lee) character - altruistic. wise, strong, humble, quick-witted, and intelligent. She is also unusually technologically talented. Yu Kai Xin has that casual expression and body language on her that fits perfectly well for the bandit character she's portraying.
Li Che (Zhao Yi Qin) the crown prince is one of the most adorable crown princes I've ever seen. He doesn't have the normal sharp good look of a crown prince that we are so familiar with. Instead, Li Che tends to have a blank face, a clueless look most of the time, giving the viewers the impression that he's not that smart. Perhaps he's indeed not as smart as his wife, but his devotion and upstandingness capture us all. In front of Chang Le, Li Che is like a teddy bear - compliant, devoted, silly and loving; he becomes a little boy, dependent and gullible. Zhao Yi Qin is new to me but his acting here is wonderful, delivering his character 100%.
My favorite scene of the couple would have been the moment when both try desperately to save the other from the 'poison' both have ingested. The altruism in each is amazing and brings tears to my eyes. Both are faithful to each other with one united heart.
There are 2 incredibly well-developed side couples here - Zhu Yan/Li Heng and Nong Yi/Gong Sun Mo. I have always thought the Zhu Yan/Li Heng couple would have a tragic ending whereas the Nong Yi/Gong Sun Mo a happy one. With a twist of events, they do not end as I have expected, and it's painful to watch the loss.
The villains are despicable characters. Having said that, the Prime Minister is villainous and yet super funny when it comes to his beloved teapots. I laughed so much at those scenes because they are so unexpected of his character. Being mean and nasty but not so intelligent make the villain characters very entertaining and a joy to watch.
The wuxia scenes are extremely well executed. Beautiful fighting choreography, floating hair and flying clothing making the whole scenes stunning to watch. Absolutely wonderful.
Yes, this is a good drama deserves our valuable time to watch. Don't miss it!
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An Absolute Masterpiece
This drama will make you laugh, it will make you cry, it will teach you about life, it will give you hope, and it will fill you with happinessOverall thinking:
As my title says, this is an absolute masterpiece. But the word masterpiece gets thrown around so easily these days that it barely means anything anymore. So what makes this drama truly special? Many people describe it with adjectives like heartwarming, healing, therapeutic, soothing, or praise its acting. All of these words fit perfectly, but if I had to choose one word to define this drama, it would be uniqueness. There are many healing, heartwarming, slow-burn dramas out there, yet this one still manages to stand apart (I’ll explain why later). It shows its sublimity in every department—cinematography, script, location, story, casting, acting, and music. Everything is executed with absolute perfection.
The main story is simple. You can almost predict where it’s going. But here, the destination doesn’t matter at all. What matters is the journey. The drama weaves together the stories of the female lead, the male lead, and 5–6 supporting characters (along with many others) as they try to find themselves. The characters feel incredibly realistic—like actual people you might know. They’re imperfect, they’re confused, and they don’t have all the answers. The drama follows their journey as they discover those answers through life experiences. The biggest strength of this drama is how real the characters feel. They mirror ordinary people like us. Everything is delivered in such a way that you feel like you’re part of the story—something very few dramas can achieve. You learn life lessons alongside the characters. You begin to understand what truly matters in life and what deserves your attention. The drama explores a wide range of relationships: family bonds, friendships, grandparent–grandchild dynamics, parent–child relationships, sibling relationships, neighborhood connections, and more. Unlike many slice‑of‑life dramas that tackle serious issues but fail to entertain (and often end up being labeled boring), this one is completely different. It is incredibly fun to watch. Every minute gives you a warm, happy feeling (except episode 1, which is a bit sad). Simple moments will make you laugh out loud, and simple moments will make you cry—but even in those emotional scenes, you still feel good. That is the true greatness of this drama.
Romance:
Although this is both a life drama and a romance drama, the everyday interactions and life lessons are so captivating that you might forget to even mention the romance. But romance-wise, the drama excels. The relationship between the leads develops naturally and realistically—perhaps one of the most authentic romances you’ll find in any drama. You will enjoy and cherish every moment of it.
Slow Pacing:
I also need to talk about the pacing. Yes, it is a slow-paced drama. But in this case, the slow pace is not a weakness—it becomes one of its biggest strengths. Some viewers may struggle with the pace at first, but if you’re not too impatient, you’ll adjust quickly. In most dramas, slow pacing is a sign of failure. But here, the script, the unique storytelling style, and the cast’s performances turn the slow pace into an art form. The interactions, dialogues, and conversations are crafted so beautifully that they become the heart of the drama. If you’re too impatient and try to fast-forward or skip scenes like you might do in other shows, you’ll miss the true beauty of this one. But if you give it time, you’ll soon get used to the rhythm—and you may end up considering it one of the best dramas you’ve ever watched.
Story:
The plot is simple and easy to follow. You’ve already read the MDL summary, so I won’t repeat it. I would say the plot itself is simple—but the story is not. This is a wide, layered narrative. Many stories are woven together to create a wonderful mixture. There are so many characters in this drama—not just the main leads. There are at least ten other characters (actually more) whose stories are explored in depth. The story is not plot‑driven; it is character‑driven. Unlike other dramas, the interactions and conversations between characters matter the most here. There are countless golden conversations—too many to list without spoiling anything. You need to experience them yourself. The drama flows smoothly from beginning to end in a way that makes it hard to skip scenes. In fact, you may find yourself pausing and rewinding to rewatch certain conversations because they’re so enjoyable. These conversations are the soul of the drama. They may seem like simple everyday exchanges, but they carry different stories, values, emotions, insights, and life lessons. Sometimes they make you cry from sadness, sometimes from happiness.
Characters:
There are a lot of characters and the characters are very well developed. You have the FL, who is a former front office Hotel Manager who came to the village to spend time. Previously, she made a plan with her best friend to come here, but her best friend is dead now. So she came to the village for both of them, to fulfill their promise. ML is a local boy who is highly educated and used to doing a good, well-paid job. He is now back in the village and now wants to improve the village. Then, you have Nana- A waitress working in the local café, Damai- An aspiring young novelist, Mr. Hu- A singer and songwriter, Mr. Ma- The man who keeps himself busy doing meditation, Xiaochun- A local woman who is divorced, has a cute daughter, and manages the different business for ML, Xiaxia- A woodcarver (local craft), Grandma Xie- 80 years old but still strong woman with a lot of wisdom. I can mention a lot more. But it will be a long list. (Special Mention: Aunt Gui, Aunt Feng, Aunt Baoping, and 4 cute little kids). Every character is portrayed by the perfect actor. While watching, you can’t help but admire how flawlessly each cast member embodies their role. Every character is unique, with their own struggles and stories. The drama explores these stories with care and depth. From my description, it might sound heavy—but it’s not. The drama is incredibly lighthearted, and all these characters are genuinely fun to watch.
Acting:
It’s a 10/10 from me. Honestly, anyone giving the acting less than a 10 is being unfair. The female lead, male lead, supporting cast, grannies, aunts, and children—everyone delivers outstanding performances. The acting is some of the most realistic and natural you’ll ever see in a drama.
Screenwriting:
Let me put it simply: this drama is a screenwriting masterpiece. Yes, truly. The characters are not only well written—they are delightful to watch. You will like every single character. Yes, every one of them. There isn’t a single unlikable character. You’ll even remember all their names (which I rarely do in other dramas) because they’re so impactful. The conversations are written with such mastery that I don’t have enough words to praise them. Many viewers don’t realize the beauty of great screenwriting because most dramas never showcase its true power. Usually, we think the plot is everything and the script is just there to move it along. This drama proves otherwise. You need to watch it to understand what real screenwriting looks like—and how it can elevate a drama from good to truly great.
Music:
A solid 10/10. This is not an exaggeration—it’s exactly how I feel. The OST, the background music, and the way the music is used in different moments are simply wonderful.
Enjoyment:
The drama keeps getting better and better. The first few episodes are introductory, and the characters may seem a bit strange at first. But once you get to know them, you start loving them. And as I said, it only gets better. So, for example, episode 10 is more fun than episode 5, episode 20 is more exciting than episode 10, and episode 30 is more exciting than episode 20. After episode 10, you might think, “It’s already so good—how can it get better?” But trust me, it does. Unlike many dramas that start strong and then fall apart, this one never loses its charm. It just keeps improving. You’ll only understand once you watch it.
Some Weak Points:
Yes, there are some weak points.
>>Simple Plot and Predictability: Yes, the plot is simple and predictable. You can often guess what will happen next. You get exactly what you expect, and the drama doesn’t disappoint in that regard. For some viewers, this might feel like a weakness. But those who truly watch the drama will say the opposite. The greatness of this drama actually lies in its simplicity and predictability. Our daily lives are simple and predictable too—yet when you look closely, life is extraordinary. This drama is the same. It is extraordinary in its simplicity.
>>Not many WOW moments: This drama is very different from typical modern dramas. Nowadays, we watch shows on our phones or computers with a 5‑second or 10‑second forward button. We skip conversations and jump straight to the “WOW” moments. Most of the time, you don’t miss anything important by doing that. For viewers like that (☹, myself included), the drama may feel slow or even boring at first because there are no such moments. But if you watch it properly, you’ll realize the conversations are pure GOLD. Believe me—you will find more enjoyment in these simple, heartfelt conversations than in the flashy moments of other dramas
Rewatch Value:
I wish there were an option to rate the rewatch value higher than 10. This drama deserves 11/10. Many people rewatched episodes 2–3 times even before the drama finished airing. I’m the same. I will definitely rewatch it multiple times—I don’t even know how many.
Recommendation:
I absolutely recommend this drama. Most people will fall in love with it, though some may struggle with the slow pacing or other personal preferences. Even if someone doesn’t enjoy it now, I would still recommend giving it another try in the future—especially during difficult stages of life. This drama is not only enjoyable; it shows the beauty of life and helps you think more positively.
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“A story about three brothers in their 40s and a girl in her 20s facing the hardships of life and helping each other through the process.” The initial description of “My Ahjussi” was something along these lines, and as far as the storyline goes, that is enough to tell you the essence of it. A look at the daily lives of three middle aged men and a young girl. How interesting could it be? What could possibly be happening in their lives that makes it engaging enough to have a whole show about them? Is it something extraordinary? Definitely not. Is it something you have never seen before? Not really. But, is it worth watching? Oh god yes.
This show has fascinated me more than any other K-drama so far. If you ask me why, I probably won’t be able to tell you a specific reason. After all, what is so fascinating about going to work, walking your co-worker home, and drinking in a bar with your friends? What is so fascinating about 2 brothers running a cleaning service together? I don’t know. But after you see this show you will see that it most definitely is. “My Ahjussi” got me hooked since the first episode. I found myself waiting for the new episodes each week just to see three brothers suffer at work during the days and drink away their nights. There is no one particular thing that is special in this show, but all the elements of it put together make an extraordinary masterpiece. The actors, the characters, the music, the atmosphere, everything fits so perfectly. The story is not abrupt, it doesn’t have many dramatic moments, yet it can go from heart-breaking to heart-warming in an instant. It is not this fast paced show that will keep you on the edge of your seat from start to end, but it is rather this soft field filled with snow that you will find yourself falling in more and more with each episode. And after it ended, of all the things that can be said about “My Ahjussi”, all I could really mumble was….WOW. You know a show has been exceptional when it makes you feel so satisfied that you watched something so beautiful, yet leaves you with a void in your heart, because it is over and you won’t get to see any more of it.
If I would say all the things I have to say for this drama, this review would be really, really long, so I will just try to touch upon everything I didn’t get to mention. First of all, the three brothers. I really can’t tell which one of them did a better job, they were all phenomenal. Each of them with a different, yet still similar path in life, each of them facing their own problems, yet managing to get through them just because they are together. You could see the pain in their eyes through each and every scene, even in the scenes when they were laughing. This is especially true for the oldest brother, it seemed as if he could break down in tears in any moment. Just by looking into their eyes you could almost feel the burdens they are carrying. And Lee Sun-Kyun…well…I really can’t see anybody else portraying the “Ahjussi” role. He was born for this drama. Everything he did was just so perfect. A friend worth keeping, a son that makes you proud, a brother that is always by your side, and a husband….yeah, I’m not quite sure how to put that last one. Nevertheless, all three of them managed to play their parts so well that you just see the characters, you forget about the actors.
From all the K-pop singers that I’ve seen in dramas, only one left a positive impression on me, and that was Lee Junho. And after this role, IU is the second one. Some may say that you don’t need much acting skills to just walk around with a frozen face and your head down, and barely say anything, but I think that that was definitely not the case here. Quite the opposite actually, she gave away so much by saying so little. You could see that she was full of emotions behind that emotionless face, and the way she managed to show us that was really unique. Small, weak, fragile at first glance, but tough, dedicated to her goal, and ultimately warm-hearted as the drama progresses. “The girl that is always underdressed for the weather” as Ahjussi described her, perfectly portrayed what it means to truly care for someone. Every moment of screen time with her was a pleasure to watch. I haven’t seen her in any other dramas, but for this drama, IU, I salute you.
All the other characters did an amazing job as well. Lee Ji-Ah gave us a mixture of emotions going from extreme hatred to even, believe it or not, sympathy at some points. The CEO and his helpers easily made us despise them, while Jung Hee and Yoora (Nara and Nara) were loveable from start to finish. Even the monk, which we didn’t see a lot of, felt like he had a big impact in the drama. That is just a hint of how good everybody was.
When it comes to the atmosphere and the setting, I usually prefer shows that are set in the countryside, or some aesthetically pretty places, rather than the city, but this one was just so well done that I had really no problem with it, it actually made me like the city a lot more. All the typical city places we see in numerous shows, the offices, the bars, the high class hotels, and middle class apartments, all have so much more meaning now. And the soundtrack…oh the soundtrack… all the melancholy songs this show had actually make me happy when I hear them now, simply because they remind me of “My Ahjussi”.
I could go on and on about this for hours, but let’s wrap it up. Time flies by in a second while watching this show. The world around you feels different while watching this show. There were 16 episodes of it, and it feels like I could watch 16000 more and I will still enjoy it as much as I do now. I long to see a drama that will touch my heart as much as “My Ahjussi”. All the other K-dramas feel so distant, as if they were of a different kind. And they probably were. “My Ahjussi”...is truly…one of a kind. And no matter how much more of this I write, the true beauty of this show can’t be put into words. Just go and watch it. Live it. Hats off.
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Right away, I’ll say that this is not the goofy romcom I was expecting it to be. Although there are plenty of laugh-out-loud moments and lighthearted comedic scenes, this drama gets heavy at some points and definitely moves into the melodrama category occasionally. But what made this drama so amazing is that it continually challenged my expectations of the comedy genre and the difficult emotions never felt unnatural. I laughed and I cried many times and found myself re-watching scenes again and again. The dialogue was fascinating, very quotable, and definitely gave me a new outlook on love and relationships.
It's the cast and characters that really make this drama special. Not only is the acting superb, but the individual characters are very complex and unique. Mikuri, the drama's heroine, overanalyzes and missteps often, can rarely reign in her colourful imagination, and is bold as brass, but that’s what makes her endearing and I loved watching her grow. Even the most minor characters shine in this drama! Each character is so well developed in their personalities and desires that you can’t help but root for everyone to find happiness!
Definitely don’t miss this beautiful drama!
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My major frustration is with the three leads. I loved them as a trio. Those moments were my favorite in the show for sure, and their friendship was also the source of many of the emotions I felt while watching. Still, from the very beginning the show is set up as a love triangle, and that's the part where I think this drama falls short. I'll give it credit for not being cliché, but it still didn't really work for me.
The story centers around Im Shi Wan as Wang Won. It's Won's story, so it makes sense that he was the character I liked the most. I thought Shi Wan did a great job in all aspects. He was funny, he was clever, he was stubborn, he was impulsive... and I enjoyed watching his character navigate all of the palace drama without being passive. I think he did an awesome job.
Hong Jong Hyun plays Wang Rin, his partner in bromance. Rin is the straight man, to Won's uninhibited personality, and their dynamic is awesome. I loved that we get to see the start of their friendship too. The show really explores the deepness of their friendship in a way that got me in the feels from the very beginning. It gets very complex, but their love throughout it all is the strongest story in the drama.
Then lastly there is Im Yoon Ah as Eun San. I loved her character in some ways, but she was also the reason for most of my frustration. When she was being brave, impetuous, and independent, I loved her, and her camaraderie with the guys. However, when the obligatory love triangle comes into play, she spends far too much time looking like a deer in headlights. I won't speak too much about specifics, because which guy you root for is mostly about preference, but it really bothers me that by the end all the romance was still questionable. I thought maybe it was the writing, but I honestly think it's that she had trouble pulling off the romantic parts of the story. I've seen better actresses, Ha Ji Won for example, pull complicated love stories off, but I think where Yoona shined in action, comedy, and even some emotional scenes, she left much to be desired in the romance department. Cute moments with Won worked, because their banter was funny, but anything involving serious romance fell flat. I don't think she was bad, but I do think the role was a little out of her league in that respect.
The rest of the cast was good. I loved Jang Young Nam and Oh Min Suk the most out of the supporting cast (both so good at being bad), but there were a lot of great performances. A few characters made no sense to me, but that wasn't the actor's fault, just weird writing. There are a lot of duplicitous characters to keep the story interesting. If you like ancient Joseon political drama, this story definitely has a lot of that to enjoy. If you're not a fan, you will probably get bored about halfway through.
To be clear, this show is 40 episodes, but the episodes are 30 minutes, so really it's like watching a standard 20 episode drama. I thought the show started strong, and ended strong, but somewhere in the middle I began to stop caring. Still, for some reason I just couldn't quit watching. I think that's because of curiosity, and probably because I became attached to the characters, even when the shows seemed to drag. In those times it helped that the episodes were shorter than usual.
Would I watch this again? I'm torn. If I did I would probably be tempted to skip too many scenes. There were a lot of great moments, and like the characters reminiscing, I would probably enjoy revisiting those moments again. Maybe it will feel different watching while knowing how it will all play out, but I think my main frustrations would remain.
Overall, this is a good drama for sageuk fans who want a different kind of story. It is more bittersweet than completely tragic, and there are comedic moments too to add some balance. I think it's far from perfect, and gets messy in the middle, but it all ties together for a touching ending that made me boohoo cry, and smile through my tears. I never heard of the novel before watching, so I am curious what fans of the book thought. It's not the best or worst sageuk around, but if you're in the mood for something a little less typical, this may be exactly the kind of drama you are looking for.
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Two young men with opposite personalities sparked love and growth in each other’s lives.
STORYComing from Korea, I already expected it to have a seemingly interesting and unique plot. The story beautifully portrays a growing relationship between two young men with completely different careers. Their opposite personalities added depth to their characters, and I love how they helped each other develop. I would also mention how I really liked that they added a character that depicts a “confident gay” as I may say without hesitations or whatsoever when it comes to what he truly likes (no more “I do not like men, I only like him” lines which irritate me, I guess haha). It felt like they were existing in a world where homophobia does not exist, and they just took everything casually.
The story also shows a glimpse of the entertainment/showbiz industry. The struggles of living a normal life as an actor and the realities of the controversies they get involved in. Also shows how media can be deceiving, and how it affects the lives of celebrities.
I really find the story cute and full of fluff with the continuous engagement of the couple. Their interactions made me want to fall in love again, and how they managed to make each other a better person. The pacing is beautifully done, and I love how things are not rushed nor too slow for this drama. They are taking their time and there is something within the story that makes it feel comforting.
The ending was great and sweet I really wish there was more. And what I think the edge of this drama compared to other recent Korean ones was the pacing, I do not feel that the ending was rushed. Everything was explained correctly and most of the things were settled at the end.
Their story makes me want to watch more episodes but sadly, it’s only 9 episodes that are roughly 10-15 minutes long.
ACTING
In terms of acting, I would say that they really act natural around each other. I love their chemistry and the cast did a great job portraying their own characters. It does not feel forced and awkward at all. They’ve done it well especially the main couple because every time they have cute little interactions, I would quickly smile knowing how comfortable they are with each other.
CINEMATOGRAPHY
Since this is from Korea, I do not have issues with the cinematography as it is a lot better than the ones I previously watched from Thailand. In comparison, the production value of this drama is good and met the standards of the recent Korean BL dramas I’ve seen before.
MUSIC
The music is okay for me, I wish there were more songs in the drama but the ones used really suit the atmosphere of the scene.
Overall, this drama is very good in my opinion and probably my favourite among the recent ones that Korea has produced (Color Rush, WYEL, Mr Heart, Wish You). I fell in love with the cuteness of the plot and I really wish it was longer. Nonetheless, this is good and it made it into my favourites.
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Real definition of "Dark Comedy".
This is exactly what you call dark comedy or black humor; perfect combination of comedy elements & morbid satire. Inspector Koo, in my opinion, is also the investigative thriller of the year 2021 and I am amazed to see an immense investigative drama after a long while.Inspector Koo (구경이) got a simple yet "not so basic" storyline. The title clearly indicates about the drama being centered by single person, i.e. Inspector Koo Kyung Yi. She's an ex-cop who now works as an insurance investigator at a company after retiring from police due to a tragic incident involving her personal life. Her desire to perceive truth behind different cases is so high that she can do literally anything to get her work done. She ferociously chases down a university girl, who seems to have been connected to a serial murder case, all of them staged as either suicide or accicent.
The drama has 3 stages in total:
i) know it all but no proof.
ii) have proof but can't catch.55
iii) oh! everything is a messs.
Koo Kyung Yi (Lee Young Ae) is a crazy woman; to say it in Korean, 'michin yeoja'. Food, alcohol and gaming are what she lives for, and can go insane when not provided with them. She got severe mental health issues due to past incidents, and can be sensitive when mentioned about them. Song Yi Kyung (Kim Hye Joon) is a university student with abnormal behaviours and considered a psychopath by many. She's a dramaclub member too and her past has made her like this. She avenges victims of several incidents who have been unfairly compensated by the law, by doing what? Killing the guilty. She's also know as Ms. K.
This drama infact is a all female story and is dominated by women all over; amazing actresses playing major characters. We have here, Chief Yong Sook (Kim Hae Sook) as the chairperson of a charity foundation. Na Je Hee (Kwak Sun Young) as the team leader of the investigative team B, Director Kim (Jung Suk Yong) as Chief Yong's right-hand man, Oh Kyung Soo (Jo Hyun Chul) as an investigator in the Team B, Santa (Baek Sung Chul) as Kyung Yi's assistant, Ahn Keon Wook (Lee Hong Nae) as K's helper, etc in the major roles. These are all profound actors, and hence the acting department has done very well in the drama.
The plot development is stupendously set up in the drama and the progression is very pleasing. The first impression from the 1st episode is sooo intriguing that you'll definitely move to the next without hesitation. This is something that'll keep you hooked throughout and never ran outta substances. There are places where you might feel like the consequences might be become uninteresting, but that's where the table turns and they start over again. That's the beauty of the drama. There are several peaks in this 12 episode script and I loved how they were able to keep the moods & vibes up till the very end of the show.
I don't want to believe that the writer is actually a rookie and it's their debut script as the main jakka. Sun Cho Yi jakkanim have done a great job such a mind blowing script with a compelling plus captivating progression. The character dynamics for each and every major character is very well drawn and everyone has got a fair share of importance, I feel. You're gonna love Koo Kyung Yi, Song Yi Kyung, Santa, etc. Special mention to the cute-acting namja Santa who'll melt your heart multiple times with his acts TT. There's also a portrayal of homosexuality (gay character) for one of the major roles (won't spoil) and I am happy they didn't use it in bad light.
Director Lim Jung Heum, known for the critically acclaimed thriller drama "Nobody Knows" did take the responsibility for Inspector Koo and was able to do a fabulous job there. This is clearly evidebt from the 1st episode of the show. Screenplay management, coordination, screen-editing pacing and execution is amazingly handled and the entire crew deserves credit for it too.
The sound production department as well as the composer for this drama Kim Tae Sung needs some serious praise. Loved how the drama has so many enraging OSTs that perfectly fit the mood of the drama and were appropriately used at instances. A major part of OST album is sung by TRPP, a Korean Indie trio, known for their rock, alternative and garage elements. The songs by TRPP are "Yeah (Round and Round)", "Coming After", "Sins", "Patience", "Liars (I feel Alive)" and "Limbo".The speciality of TRPP is that are the electronic instrumentals used in their songs plus their harmonic vocal line up, which is totally visible here.
Other than that we have "Up" by Hajin, "Watch Me" by SURL and "SURF" by INNI. Additionally TRPP has collaborated with Wayco and Mollo separately to remake Yeah (Round and Round). I swear to my life, there couldn't be any other song to accurately suit the drama and the mood it wanted to deliver. Music for Inspector Koo deserves 10/10.
The sense of choosing from right or wrong is the main concept of this drama. This drama reminded of this quote which I don't remember was said by the person, but it goes like, "Right is right even if no one is doing it; wrong is wrong even if everyone is doing it.". Everyone who has their standards to differentiate between the two and in case they committ mistakez they come up with certain prenotions to defend themselves by which the whole concept of righteousness itself is wronged. Perceiving the drama from this way, Inspector Koo is secondarily a revenge game where someone tries to avenge the right by unlawful means and another who tries to stop the former because righteousness can never be achieved when you commit the same mistake.
The drama also focuses on mental health issues. Abnormal and morally dangerous personalities induced by lonliness and trauma can harm the society in many ways and the drama is yet another portrayal of that. I am happy they has also emphasized on that.
The 2 important elements of Inspector Koo are investigation and comedy. Again, thia drama is a great treat for the lovers of investigative thrillers. Although you known who the culprit is, it really takes a great effort and time to figure the situation, motive and consequences. Connecting the dots and drawing a figure is all yoh have to do and this drama did it brilliantly. There are several highs and lows in the status but what matters is the end, and I assure it was as compelling as the entire show. Many shows claiming to be of dark comedy genre actually fail to understand what dark comedy is but the writer of Koo has done a good job in doing her homework. The main source of comedy is Koo herself and anything involving her might look serious but they simultaneously make you burst into immense laughter too. Several scenes which scare you off about the consequences, also seem weirdly funny, and that's how it should have worked, I mean that's how it happened. I had a good time watching the entire show.
Overally, Inspector Koo is an amazing drama and it has also those entertaining factors. I thoroughly enjoyed the show and honestly wanted more episode tho I don't wanna complain. The basic storyline of chasing after villain is not something new but the screenwriting and plus the execution along with music surely make it a stupendous thing. It's a must watch in my opinion with high reawatch value, so definitely coming back to it.
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