Reviews

Hot Priest but boring story strangely slowly-paced despite its interesting thematic.

Despite its interesting premise, the show was overall disappointing. The storytelling managed to be boring which is very strange as the thematic and concept could have been super cool and exciting. The first episode was pretty intriguing with a strong horror vibe but the story became a train wreck overtime with some disconnected storylines and a lot of (over)explanations regarding the plot.

The actors were doing an OK job but were not helped at all by the wonky scenario. Indeed, it was very difficult to understand some of the characters' actions but also in particular to believe in the relationships between them. The bonds formed between the main female lead and the 2 main male leads seemed to become super strong too quickly which also led to some scenes feeling very flat.

Clearly the series is lacking in many ways but still, there are some positives: the foreign actors acting was not atrocious (-which is pretty rare in K-drama universe), the visual FX were suitable, the fighting scenes were quite nicely produced, and Cha Eun Woo with his insane visual is real eye-candy in his role of priest Johan.

This 1st season is more of an introduction with some world building but unfortunately lacks strongly in characters development. Due to its strange pacing, it provides little excitement for the next season.

I would not necessarily recommend this to people unless they like one of the main actors or the main actress.

Read More

The ending truly ruined it all

This review will contain heavy spoilers for the ending.


Revenge of Others was a fun ride, until the last two episodes that is. It's pretty rare for me to have the ending of a show completely change how I feel about it. There are good endings, meh endings and bad ones... but I've seldom felt that disappointed. Maybe I had too high expectations, maybe it was the straw that broke the camel's back. Revenge of Others' ending is cliché, lazy and basically just a middle finger both to the audience and the rest of the show. Early episodes were good, with flaws, yes, yet it was still solid. But nowadays, most kdramas are great at what they do, so you need the entirety of your work to be good, not just the beginning, not just the middle. It feels like Revenge of Others was half-assed, and any good this show had is overshadowed by the ending.
The most interesting thing about a TV show, as opposed to movies, is that you have time to grow attached to the characters. You become familiar with them and grow curious. You could say you actually care about them (especially if you're watching while the show is airing). That is the exact reason why you can't just dump a few lines on the viewers and call it a day. That's not only bad writing: it's like spitting in the face of said viewers.

So what was so wrong with that ending? To put it simply, the creators of the show tried SO HARD to give it a happy ending, despite it not matching the tone of the series, that they ended up... basically not giving it an ending at all. How did they do that? By not telling you anything and letting you decide what comforts you. Okay, let's be fair. They do tell you a few things, but not about what is important.

> Soo Heon has a brain tumor? Okay, he drops out to do his own shit for a while and you're free to imagine whatever pleases you after that. Did he die? Did his condition stabilize? That's up to you (who even cares, brain tumors are not that serious now, are they? It's not like he got his head banged way too many times. If the doctor is as qualified as his wife, he probably misdiagnosed him anyway). With it being such a central plot point, you'd hope for something a bit more conclusive than a "for now he's lucky". Truthfully, the tumor is just a plot device to make you doubt he is the killer because of the induced violent behaviors. So in the end, I just wonder what was even the point of us worrying about him?
God forbid they'd actually use his condition to truly talk about the hardships that come from it all. Not saying the show should've solely focused on that, that's obviously not the plot, but it would've been nice if it had been treated more seriously.

> Is Jae Beom in prison or not? You choose. Was there even any proof that he was manipulated by Gi O Sung? Did he completely take the blame? Does it matter? Should we care? Apparently not, since the show decided to completely erase his existence the moment he stepped in that police car. If he is lucky, the car was actually an interdimensional rift that took him far away from the land of trash ending kdramas.

Don't get me wrong, open endings are fine. I actually love them to death and dislike when everything is spelled out for you. However, this is not an open ending (and if it genuinely tried to be one, it's appalling). This is just a rushed, awful, uncreative and lazy ending that has (unfortunately) been seen again and again, either because the writers didn't know how to write a proper one, either because they were scared of negative reactions from the audience. Both options are bad.

This is an ending that screams that the writers had so little faith in their show, their characters and universe, that they believed viewers would lose interest the minute the mystery was finally solved, that they wouldn't be willing to give one more hour to properly say goodbye to the characters and learn what happened to them. And well, that's truly a shame since an entire episode dealing with the aftermath would've been a perfect way to wrap this up, because surprisingly the characters ARE interesting. As a viewer, I want to know what happens to these people, I don't want three fucking sentences from a narrator telling me: "this happened, oh and this too, everything was solved and we're living happily ever after, nothing is wrong in the universe!!!!"... For Christ's sake, either show me or actually write a proper open ending!
Those few sentences don't even cover everything that needs answers. I mentioned it earlier, but Jae Beom's story seems to end the moment he's taken away by the police, as if he wasn't a main character too. At this point I feel like they forgot to include him in the ending. Chan Mi vaguely mentions to Soo Heon that he confessed, but that is the last time we hear of him. Can you believe that we don't even know WHAT he confessed to? Did he confess to killing Park Won Seok only? Did he confess to the car shop murder too? What, you actually wanted to know that? Cope.

I don't understand how you can put so much care into developing an interesting storyline and characters, just to give up on giving it proper closure.

Seriously, I can't believe this. As far as I'm concerned, Gi O Sung is dead and Jae Joon supposedly disappeared forever, because that's definitely how DID works. That means Jae Beom literally has no choice but to take full responsibility, despite being taken advantage of and manipulated by the very person who tried to kill him. Because let's think about this for a second:

-He would first have to prove that he was pushed from the roof by O Sung. O Sung is dead, there's no way to prove it;
-He would then have to prove that he did indeed have a split personality, but since Jae Joon is gone forever after a few words from Chan Mi, good luck with that;
-Even if he managed to do that, he would have to prove that O Sung had gaslighted Jae Joon into believing Won Seok had pushed him, which led to his revenge, and that he, Jae Beom, wasn't aware of any of it. But guess what? O Sung is dead, Jae Joon is no more, so yeah, no doing that. They might have a few people testify, but I highly doubt that would lead to anything.

Not to mention, when talking about the car shop murder to Chan Mi, Jae Joon mentioned that Jae Beom would've covered for Soo Heon. Just because they are friends. Just because he is a good person. Which leads me to believe that after getting his memory back, he would be so guilt-ridden that he wouldn't even try to defend himself anyway. He seems like he would believe he deserves the worst punishment. At this point, the only thing that could save him is his parents' money, which I doubt he would agree to use to get himself out of this.

So while Gi O Sung got the easy way out, Jae Beom will be the only one to suffer because of his deeds. In a way, O Sung killed him twice: the moment he pushed him from that roof, and the moment he himself fell to his death. While I do believe Jae Beom should face consequences for what happened, I don't believe jail time is the right thing. He should be admitted to a mental health facility. Ultimately, I would've been more satisfied if he had managed to kill himself. That would've been easier for him. Honestly, I cannot understand for the life of me why kdrama writers always think that death is proper comeuppance for plain evil characters. Dying is easy, life in prison is hell. O Sung should have to live through that. He should have to deal with everyone hating his guts and have his freedom stripped away. Had the show not been going for a happy ending, maybe that not happening would've been fine, but since it's not the case it just doesn't sit well with me that one of the kindest characters is getting this treatment, while the worst one just... died.


Aside from that, there are other elements that don't really make sense to me. For example, it's never really made clear how Jae Beom and O Sung's fight at the stables ended. Jae Beom seemed like he was ready to murder or at least severely beat up O Sung for what he did to him, while the latter would do anything to cover his own ass. Yet, the following day O Sung is unscathed and Jae Beom is chilling on a boat. How did that happen?
And whose boat was that? I'm guessing it belongs to Jae Beom's family but then when he was reported missing... isn't it one of the first places that should've been checked? I know the police are all sharing one unique brain cell but that's like the ABC of investigating a disappearance. The show runners wanted us to believe O Sung had killed/abducted Jae Beom, but come on... They try so hard to confuse the viewers and play the reverse psychology card, yet most people could guess who had done what and why ages before the end anyway.

Then we have this scene where every single student learns EVERYTHING through various text messages and immediately believes it, then proceeds to suddenly realize that "oh yeah, gi o sung did this and that!!!!", as if they all used to be aware of that fact, but collectively forgot, because no one seemed to have beef with him before that. I guess they could only remember him being super manipulative after reading those texts. Sure. Then they all lie to the police because of course, there's not a single outcast out of the loop, or someone that's scared to lie. It's a TV show, yadda yadda, but how can I not laugh at that? They didn't even HAVE to lie! Gi O Sung's fall was not only an accident but also self-defense, he was literally threatening a student with a box cutter after having abducted another??? I get they reaaaaally wanted to go for that tacky “If everyone decides to corroborate a lie, then it becomes the truth”, but that was so bad.


I want to gloss over a few other things too:
-Ok Chan Mi started out as a good character but got dumber and dumber as things moved on;
-Shin Ye Eun's acting (and a few others) seemed awkward at times. I'm not sure whether that was the script or not, but I've seen her in other shows and I remember her being fine;
-I get Jae Beom was her friend for a long time and overall a good person, but would Chan Mi realistically get over "him" killing her brother that fast?;
-When she was on that call with her brother, how could Chan Mi not hear Jae Beom's voice as he talked to Won Seok?;
-O Sung wanting to kill Won Seok was stupid considering they both had dirt on each other. They could've just left it at that and no one would have talked. But I guess since Jae Beom is technically the one that killed him, O Sung just didn't care;
-Everyone always seems to fall for O Sung's lies for some reason, even after it was established he could not be trusted;
-Jae Beom's timeline at the time of Won Seok's death wasn't clear and it was annoying. Was he back to school full time? Won Seok was surprised to see him again, so was he not discharged from the hospital yet? Then how did he leave without being noticed?;
-Did Jae Beom actually have a twin or was it split personality right from the beginning? This doesn't necessarily need an answer but I would've liked to know for sure;
-Jae Beom's parents knew about his DID but never tried to do anything about it. Maybe because it would give them a bad reputation (who knows, they don't explain why), but wouldn't you try to at least discreetly talk to a doctor about it? I don't think it's that hard when you have this much money;
-No one else ever noticed it except for O Sung? How did he even know? That would've been nice to learn about. It's like they're trying to give as less details as possible about the manipulation part, as if it wasn't a major plot point that the viewers would like to know about;
-The evil alter ego plot twist trope needs to stop. There are ways this could be interesting, but apparently never in kdramas. The way DID is constantly misrepresented in these shows is so tiring. I haven't even researched the topic that much but even I know this is not how it works. It was so badly presented in the 12th episode that I wasn't even sure if they were actually going for that or for some weird ghost possession bullshit. At this point I'm not even certain what I'd prefer;
-I'm not an expert but I'm positive we now have means to determine whether someone jumped, fell or was pushed from a building.

A few positive things:
-The dynamic and chemistry between the characters was quite good, and their friendship was really compelling;
-Most characters were interesting, there wasn't anyone I was particularly annoyed with;
-As I've said, I haven't researched DID that extensively (I have given up on a decent portrayal anyway), but I thought the way Jae Beom and Jae Joon were differentiated was a nice touch. I found the scene with Jae Beom signing using the wrong hand + name smart. The moment he switched the gun to his other hand as he tried to kill himself was heartbreaking;
-The show is entertaining and gets you hooked easily, it's mostly the end that acts as a wake-up call, making you realize that overall, the writing wasn't that good.


In conclusion, this is another example of a show that could have been a good one if not for its ending. In my opinion, the ending of a show is one of, if not the, most important part of it. If you mess that up, then you leave people with a bitter aftertaste, no matter how good everything that came before was. On the contrary, a particularly good ending can completely blow your mind and turn around your perspective of a show/movie. So you can't and shouldn't ignore a bad ending just because the rest was okay.
I feel like many interesting questions could've been brought up too. The writers could've addressed the topic of the Korean juvenile justice system (which is apparently known to be particularly awful), with how easily characters seemed to get away with the crazy things they pulled. Or if a murder is caused by the manipulation of a vulnerable person, then who's to blame? What punishment should be given? Are mental health issues like these even taken into consideration by the court?
I don't know, this was such a waste. I really wish they hadn't rushed the ending like that, my rating would've been much higher otherwise. It could also be a bit lower, but I tried to keep in mind the qualities from the earlier episodes too (consider that 6/10 is only 1 point above average/mediocre).

Well, what is done is done. I don't think I would recommend anyone to watch this unless they are prepared to face the disappointment.

Read More

This is a seriously good drama. I was turned off at first at the idea of ANOTHER music drama, because I had been sorely disappointed in the ones in recent years.

'Shut Up' is not about music or a band, though. The friendship, rather brotherhood, between the main characters is the driving force and is what makes this drama so enjoyable. Bromance between hot guys is fun to watch no matter what, sure, but the writing and overall development of the story made everything even stronger.

About L: I'll admit, I had issues with watching this at first because sticking idols into dramas never really turns out well. He is a really fantastic actor though. At the risk of giving too much away, I'll just say that even though I'm not a fan of his, I was very pleasantly surprised by this performance. He has real talent.

The music is so good. Crappy music can really break a decent drama, but 'Shut Up's music really made everything better.

Everyone says this is an emotional, heart-wrenching show, but it's also one of the only dramas to make me actually laugh out loud at my screen. Everything was crafted so nicely from beginning to end.

If anyone else is on the fence about giving this a shot, just go for it. (Rewatch is a 9 only because I rarely rewatch dramas). I watched this in 2 days because I literally could not pull myself away. Give it a shot!

Read More

Unique and Worthy

Moving is literally those extremely good, rare television dramas that come out every 5 years.

I’ll be honest, at first I didn’t expect much as I thought that Moving would be a ‘recycled’ drama where the theme and some parts of the plot would be a copy and paste, but I was wrong. The fact that the creator thought of the way of starting Moving by showing the students perspectives as a ‘build-up,’ then slowly, but perfectly showing the parents history to lead up to the climax to combine both, is a job well done. Furthermore, the considerate amount of effort put into each character involved is amazing, and really, you can tell. Whether it be the main characters or the minor characters, or those with abilities or not, they are all involved in the story and have unique personalities and stories. Their stories impact the drama, and their history adds on to how the climax was created. Even the introduction of new characters wasn’t tiring because they all have a purpose. Every episode is thrilling, and every episode ends with a cliffhanger. My eyes were glued onto a screen the entire time watching Moving and I would not leave my couch because I wanted, no NEEDED more.

The line-up of Moving is truly a rare sight, in which even my parents were shocked at the amount of stars involved in a single project. Ranging from the legendary icons that brought Kdramas and KMovies global fame (Han Hyo Joo, Ryu Seung Ryong, Zo In Sung, Cha Tae Hyun), to the rookies that absolutely exceeded my expectations (Lee Jung Ha, Go Youn Jung, Kim Do Hoon), this star-stunning cast, portrayed their characters extremely well throughout the drama. Yes, you can be sceptical at once and even confused after seeing Han Hyo Joo playing a mother, but trust me, once you keep going forward, you’ll know that she is the perfect person for the role. I can’t say anything different for the rest of the cast either, because they did so perfectly well portraying their characters, their emotions, and their thoughts. Everyone involved is extremely talented, and their outstanding acting could even get you wondering just how talented they are.

The cinematography involved is outstanding, and so is the music. Believe me, I’m obsessed with one of the BGM because it’s just so perfectly made. The editor really knew when to add each sound in because they relate and fit into the scene so much.

I really enjoyed watching Moving as it’s a really amazing show. I’ll be down to rewatch it another, no, multiple times because it’s definitely those shows that you can watch again without getting bored. The drama is a well executed, well made masterpiece that the Moving staff and actors created what most dramas couldn’t do. Easily a 10/10.

Read More

To me, Faith felt like a wonderful combination of a great RPG video game and an old anime called Fushigi Yugi. There were times when the show dragged, as pointed out numerous times in other reviews, but for the most part, this drama was really great to watch.


This was my first "historical", and I use the word loosely because I understand that this is by no means a real historical, in that there is time travel and magic. The time travel aspect isn't really unique, especially with the recent crop of dramas this year utilizing it. However, the magic was a first for me, though I wish they had handled it better, or maybe utilized an explanation a little bit more. No one in the present seemed to be aware that magic ever existed, even when Eui Seon seemed to know a lot about Choi Young from her history books. You'd think that he could control lightning magic would have been a prominent focus.


The cast in this show was just amazing, seriously. Though, as it is my goal to someday have Lee Min Ho's babies, I may be a little biased. I had never even heard of Kim Hee Sun before this, and her acting in Faith has me interested in looking up her past dramas. I can't believe it's been 6 years since she has acted! The supporting cast was also a delight to watch, especially Dae Man, who I am glad we finally got a bit of his backstory later on in the drama. I kept wishing they'd tell us how he came to find Choi Young! I loved Lee Philip in Secret Garden, and I wish he had a bigger role in this drama, though I understand his eye surgery issues may have had a part in that. My main complaint on the cast probably lies more with the script than the actor himself. The King was just so whiny! I understand the idea that Kings are humans too, and I get how they tried to humanize him, but sometimes I just wanted to hit him over the head and tell him to man up already!


I make myself wait a day after finishing something before writing a review, because sometimes, you're just too close to it to accurately describe how you are feeling. And usually by that time, I have forgotten all about the music. But this show had such great music, it stuck with me. It really fit the tone of each scene remarkably well.


If you want something with lots of action, a sweet romance story (with next to zero PDA), and lots of kidnapping, murder, attempted murder, poisoning, subterfuge and court intrigue, then this is the drama for you! The romance remains the key plot point for the drama, so you have to like love stories or I think you might be rather bored by all of the posturing and pursuit of Eui Seon's heart.

Read More

This was a waste of time

If this show taught me anything, it’s that you shouldn’t let ratings tell you what to watch.

Idk how it’s rated 8.1 on MDL but that convinced me to give it a try, along with the cast-I’m also from legend of yunxi so I like both actors, but I wish I had never started this drama.

First of all, the synopsis is all wrong. This show is not about a girl who sees the future. That lasted the first 2 episodes and deteriorated into something entirely useless and incoherent.

Second, this is the worst female lead I have ever encountered. I usually always give the Fl the benefit of the doubt and find the good despite all the bad but in this show, the bad farrrr outweighed the good. Not once did she trust the ML. She kept repeating the same bad behavior with the same consequences or results throughout to show-even till the last couple of episodes. How do you write a character like that? No growth at all. She talked so much about trust and the truth, but she didn’t trust her teacher/master and she didn’t trust her husband despite him repeatedly reassuring her of his innocence on numerous occasions. Also, her always spending so much time with the second male lead, in public and privately, especially after the male lead expressed discomfort about it repeatedly to her annoyed me. Like you are married-a little bit of respect towards your husband won’t kill you. There was also the issue of the blind faith/trust she had in the SML due to them knowing each other for like 5 secs when they were kids that she doesn't extend to the ML, who is...her husband. I didn’t even care if she lived or died-in fact, on some occasions, I wanted them to truly get divorced and he married the princess. Put simply, the female lead sucks, she’s awful. Her character belongs in a trash can.

The second male lead is even worse. He decides to go on this entire evil crusade based off secondhand info about a 10-year-old incident without verifying or questioning a single thing. Who does that? Who formulates an entire revenge plan that involves the betrayal and murder of so many innocent people without first verifying your reason? Even if he was right and that incident was what caused his mother's death, the male lead was a child then??? You're telling me the writer decided that his main villain is going to be someone who can't distinguish between a mistake made by a child and malicious murder? You will betray and murder someone who calls you uncle and has done nothing but trust you because he knocked over a candle when he was like 10?? Also, the actor’s acting was pretty bad. Maybe this role doesn’t suit him or something idk, this is my first show of his, but he portrayed zero emotions and he tried to act without moving his lips and that just annoyed me. And his obsession with the female lead due to their 5 sec childhood interaction grew tiresome really quick. Also, the way his story ended was the absolute WORST! We watched this lunatic run around for 39.5 episodes killing people in an attempt to kill the male lead over the stupidest misunderstanding, all for him to die before fully understanding how wrong he was and what he had done. Like what was that?!

The secondary couple, although cute, became annoying and repetitive promptly after because they refused to actually do anything about their relationship or make it official. This is a historical drama, how many episodes of flirting and almost kisses can there be before you freaking ask for the girl’s hand in marriage? The whole show with them flirting and fighting and no marriage. It was the same thing over and over.

And then there's the ex-friend of the female lead who became her enemy after misunderstanding the female lead's part in her father's execution. It was literally the simplest misunderstanding that could have and should've been easily resolved but it dragged the entire drama and the friend tried to murder her and it never gets resolved. Why not clear it up at the end-even if it's to make the ex-friend feel guilt and remorse for her actions? They left that unresolved.

The only character that had any growth was the annoying princess and that’s the saddest thing I’ve ever written. She grew from the most annoying person on the show, to still annoying but sorta like-able and caring.

I stayed through the drama for the male lead. While he was the typical cold ml, every so often he’d smile, smirk, or make the funniest, most ridiculous faces that just made your heart melt. He also turned into a total sugar ball around the female lead.

This show sucked. The plot was awful-I’m not even sure that there even was a solid plot to follow. The villain is so crappy that you’re more annoyed than scared of him. Every episode is a repeat of “how can we make the people in the male lead’s life not trust or believe him today about issues that are clear cut until he almost dies proving himself to them”. This is what you will be watching for 40 episodes.

I couldn’t wait for the special episodes but now that I’ve finished the show, I don’t even want to watch it cause just looking at the female lead is going to piss me off. Also, my idea of a happy ending for this show does not include the female lead. He could do so much better and be so much happier with a person who loves and trusts him. He loves her with everything, but she abuses that. My perfect ending would have been if he fell in love with someone, one of the times they were separated, and she cares about and trusted him as much he does her.

Read More

A crying shame.

The Story of Pearl Girl is the story of an intrepid pearl diver's harrowing journey from the despair of a slave farm to the heights of the prosperous Yangzhou jewelry guild. Aided by an erudite nobleman Zhang Jinran and a ruthless and calculating merchant Yan Zijing, Duanwu escapes from the exploitative clutches of the Cui clan. She throws her lot with Yan Zijing, choosing to make her own way in the world as a merchant galley serf over the more certain future of a nobleman's harem. After multiple betrayals and double crosses in the dog-eat-dog culture aboard Zijing's ship, she emerges clear eyed and better equipped to survive a ruthless, avaricious business world. She learns that underneath his merciless facade, Zijing is saving her by teaching her to save herself; that they have a shared past that she has barely scratched the surface of understanding.

Set in a cruel world fraught with treachery, avarice and oppression that belies the ostentatious luxury of the jewelry trade, the narrative is laden with an air of heaviness from start to finish. It is a character story about how one resilient woman fights her way to the top of the jewelry business during feudal China. The characters are well designed with Duanwu and Cui Shijiu as two women who have to fight for their place in a man's world; one who starts with nothing and the other with everything, to lose. Likewise the cynical and realistic Yan Zijing went to the school-of-hard-knocks while the righteous and idealistic Zhang Yiran clearly had an ivory tower education. Both Yan Zijing and Cui Shijiu are consumed by revenge and on opposite sides of a blood feud not of their own making but one's cause is just while the other's is not. I enjoyed watching how these characters, with at times common and at other times with opposing world views interact and react to the situations they are thrown into. Plot wise, the logic holes are evident from the start but for character driven stories, I am very forgiving for as long as the characters stay largely consistent and relatable. But once the characters start to unravel, the issues with the plot are amplified and the entire narrative becomes a mess.

I genuinely enjoyed and was engaged by the first arc of this drama. It is both fascinating and difficult to watch the stunning backdrop of the swashbuckling high seas and the exotic and dangerous Silk Road marred by the unmitigated oppression and cruelty of the ancient world, especially towards women and children. Zhao Lusi's Duanwu is spirited, tenacious and undaunted as she fails again and again until she succeeds. I could understand why Yan Zijing resonated better with her but could also see that she lacked the maturity to appreciate how Zhang Yiran's wisdom and knowledge of the law would aid her later on. These three main characters richly complement each other in their strengths and flaws to make a formidable team when they work together. I didn't mind the romance but I didn't need it and it went a bit abruptly from red flag master-servant to lovers. Nonetheless I was looking forward to it growing and had hoped to see them right past wrongs together. I did not expect it to take a wrong turn down the path of the worst noble idiot trope in recent memory, nor for it to last pretty much until the end of the drama. That is when The Story of Pearl Girl, turns into yet another period drama that starts strong and then inexplicably nosedives at the mid-point and never manages to recover.

After the convoy arc, a traumatized Duanwu re-emerges as Su Muzhe, a detached, gently sad and bland character who Disney princess cries almost every other episode. Lusi's vapid and weepy interpretation of the role lost me as much as her Duanwu engaged me. Duanwu would have gotten angry and demanded an explanation from Zijing or plotted revenge. I was baffled by the Su Muzhe who manages to coldly co-exists with him in the same city, moves on and focuses on business, vowing to live a good life nonetheless. This is so out of character it is almost impossible to reconcile Su Muzhe with Duanwu. I rooted for the feisty Duanwu of the first half who dares to love and dares to hate. The passive aggressive Su Muzhe who only dares to cry turns what could have been a terrific story into a crying shame. The narrative meanders into maudlin sub-plots about boring and poorly acted tragic side characters. Gratuitous crying scenes have diminishing impact, no matter how good the actor is at them. Long before the drama ended, I was bored by Su Muzhe's endless pity parties and stopped caring for her. Su Muzhe is not the kind of role that plays to Lusi's innate strengths and charisma. I hope she avoids taking on such characterisations in the future.

The other narrative mistake was to separate the three anchor characters at the same time so many of the early supporting roles are transitioned into new ones, forcing the audience reinvest in new characters all over again. Yue Yunxiu is a boring, flighty character that has no chemistry with Su Muzhe and fails to shore her up in the same way Kang Ju lifts up Yan Zjijing. The entire business partnership between the women lacks flair and pizazz; I can't imagine any joy in shopping for jewelry at an establishment run by such a dolorous pair. The narrative makes a lame attempt at comedy too late in the game and it is largely left to actors that lack Lusi's fantastic comedic timing. Even when the three friends join hands again, their dynamic is not the same and Duanwu never reemerges.

As for the romance, it stagnates even after they reunite and never blossoms into a full blown relationship. I would have liked to see them seize the day and live in the moment in a way that gives us something really worth crying over. Instead all we do is watch them mourn what could have been. It is incredibly unfair to Muzhe because Zijing refuses to move forward but yet can't set her free either. I wish they both chose differently but since they did not, the way their romance ends is fitting. I respected Zijing's choices especially in the end but I think Su Muzhe's victories were all hollow and I hoped she would find Duanwu again within herself but she never does. I enjoyed how Liu Yuning portrayed Yan Zijing's darkness and complexity but after the best first arc, he is too quickly whitewashed and sidelined. Even though the final arc is all about his justice, he doesn't get to do that much as the hidden villain is too obvious to the audience early on and most of the antagonists are so dumb they pretty much outed themselves.

Zhang Yiran is the best of friends and that rare character that does the right thing even when its the wrong thing for himself. While Duanwu didn't fit in to his world, he may eventually have been able to console Su Muzhe and I wish they had left that door open just a crack. As for Cui Shijiu, this character caught and held my interest from start to finish as a result of Xie Keyin's bold screen presence and her husky and earthy vocals. Her character is flawed, not that smart or especially well written but Xie Keyin embraced her flaws in such a relatable way and conveyed the role so compellingly that I cared about her and did not drop this drama because I wanted to know how her story ends. She and Zijing are both characters that choose revenge over love but only one of them lives to regret it.

The biggest issue with the storytelling is that it tries to incorporate too many themes and archaic ideas of what an independent and empowered woman is supposed to be. The writers bend the plot and characters in ways that don't make sense or is out of character in order to force certain themes and outcomes. This is not a good way to tell a story. Both Duanwu and Zijing's characters are thrown under the bus just to prove that a woman can make it on her own in business during feudal China. We watch allegedly smart villains kill off characters with no motive other than for dramatic impact and shock value. But what makes me really mad is that it is another scratch on the surface empowerment story written by misogynists with a thinly veiled and insidious message about the fate of women who dare to try to make it in a man's world. A true empowered woman would seize second chances and live well in the true and full sense and meaning of the term rather than to wander aimlessly as a shadow of their former selves.

This was a heavy journey from start to finish that does not end in satisfactory way and the ending contains some really questionable messages. There is no payoff for all the suffering, no one gets a great ending and promises to live well were not kept. In the name of both Madame Eight and Shrimpy, I dare not rate this more than 7/10. It is not a drama I recommend unless you are a die hard fan of either of the lead actors and are able to enjoy anything they are in.

Read More

What’s with all the hate?!

Reading all the negative reviews I’m stunned!

The message(s) this show sent were so clear, and quite simple to understand. Money will not buy happiness. Even after our main character survived the show, he was haunted by what happened to him. Begin only able to sleep and begin haunted by nightmares whenever he does, made it irrelevant if he had money or not. Because of the things he had to do for those numbers on his phone, he’s just as miserable. And the underlying message was said directly to us: life will go on. No matter what we go though, everything will continue as it used to.

Another criticism of this show that I’ve seen is that it’s „a cheap copy of squid game” which is just baffling to me. Squid game and The 8 game may tackle on the same issues on the surface but the way in which they do so is completely different. Squid game was fair, every player had the same ground-zero, it’s point was mainly the lengths people will go to in order to earn money (small squid game spoiler ahead) proven by how many players returned to the game. The 8 game on the other hand replicated the outside world with just 8 people, rigged from the start just as life is. By creating an ecosystem with a hierarchy we got sort of an „animal farm” scenario with everything returning to higher floors supremacy.

I do have my own criticisms of the show. However overall, for a tv show, this is brilliant. But again, looking at the reviews not everyone agrees with me. Not liking something is fine but the nonsense reasons I see are just insulting.

Read More

Only in Loss do We Appreciate the Comforts of Life

From the moment I read the announcement that the ageless Jeon Do Yeon and eclectic Ryu Joon Yeol's comeback to the small screen, I’ve had it in my sights. The many teasers I'd watched since in anticipation gave me My Mister vibes, one of the best dramas ever made. The premise of Lost resonated with me in how relatable the story was of ordinary people who, despite trying their best, reach a point in life when they realize their hard work didn't amount to much.

I remember thinking as melancholy and dark as things seemed at Lost's opener that it would do for me what My Mister did --shatter me to pieces before methodically putting me together again through the emotional bond that develops between two of the most unlikely people. And Lost does that and more. It took me through the journey of pain not just of our leads but all parties involved, from their vacantness to their gradual wholesomeness as they come to realize what life is to each of them. Lost is penetrating and poignant from its opening, especially in how Ryu and Jeon D Yeon and those around them deliver their roles. From the anxiety to the emptiness and loneliness, it all cuts through the interlocking issues of human nature, social relationships, disconnection from those relations, and the state of existing but not living -- drifting aimlessly through life.

Lost evoked in me some serious emotions and questions. It made me ask myself if I died tomorrow, would I be pleased with the life I've lived; would I be satisfied with the mark I left on the world, or would I even leave a mark and if I would be pleased with the relationships I've had; it gave me a lot of food for thought moments that I appreciated. What I liked most about Lost, other than the way the story was told, was that it brought one of the most prominent issues that afflict everyone the same regardless of status, class, age, gender, religion, ethnicity, or race to the forefront, the feeling of inadequacy. Being ignored, as they say, the worst feeling in the world isn't being lonely; it's being forgotten. Everyone has a secret sorrow, which the world knows nothing about. And often times, the world calls them cold when all they are is sad.

I think I can write a novel about this drama, there is so much to say but I will keep it simple. Lost will probably be one of the few dramas that will stay with me for a long time. Nothing about it was superficial, it was as real as real can be. Nothing was rushed, not the conversations or the tone, nuanced and whole. The journey, the simple messages along the way that relay the facts of life -- that the tests of life are not to break us, but to make us, and that most times, it isn't about the journey or the destination, but the people we meet along the way that can change us in ways we never imagined. It drives the message that all of us as humans have scars, fears, and pains, some of us bear them better than others. Sometimes, that pain blinds us to the pain of others, but sometimes it helps bring everything into focus. That is what Lost has done for me.

What's even more special about Lost is that by the end of it the viewer gains appreciation for all the characters even the not so likable ones. And as bittersweet as the ending of the drama is, it made sense because only in loss, do we appreciate the comforts of life. A thousand and one kudos to the writer, the director, all the actors, they each did a great job getting me as the viewer to relate to them even as I hated some of them. But the standing ovation goes to Jeon Do Yeon and the ever special Ryu Joon Yeol for the wonderful and eye opening journey -- for showing me (us) that inner peace comes when you trade expectation for acceptance. I hope Boo Jung and Kang Jae find their happiness in each other and hopefully so do Jung Soo and Kyung Eun because they too deserve their happiness . As they say, sometimes bad things that happen in our lives put us directly on the path to the best thing that will happen to us. This is one drama everyone would benefit from watching. I know I did.

To read more about my thoughts on Lost check out episodic reviews here
https://www.kdramabanter.com/blog/categories/completed-dramas

Read More

One of THE BEST BL that is out there ( A MUST WATCH) - EDITED-

Even though there is still one episode left to finish this journey, I think I can write a review that will conclude my thoughts.
No matter what ending this series have, I just can't deny that this has been a journey.
Every Friday has been a blessing with this series and I can't be more sad that this is ending.

I never spoil anything about the story or the characters in any of my reviews because I want you to feel and experience them for your self. However, I can easily say that this has one of the best stories that has ever been written for a BL. It's just amazing how you feel the characters and their emotions, at least that's how I felt about it. Wonderful actors and my god, beside their incredible and attractive looks, they delivered the characters emotions, the body language was on point, it was just wonderful to watch it. About the story, all I can say is that there is no necessary drama from the other characters, no love triangles or any of that shit. BUT, there are some scenes that are intense and have some action. The development of the characters was wonderfully and tastefully done. Amazing writing. Loved to see how their emotions developed for each other. It was just amazing.

The music in this one is top notch. That is all I can say for it.

The cinematography is amazing. Probably one of THE BEST BL that has come out of GMMTV, beside few others. It was a pleasure to watch it.

-EDIT-
Now that the series are officially over, my heart is filled with love and mixed emotions. So happy for the ending but so sad that it's over. This series is a PROVE that you don't need necessary drama, stupid plots and dragging the story for too long, you don't need to see them kiss or have sexy scenes to understand that they love and care for each other. This one will definitely be missed every Friday and I hope GMMTV will give us a special episode or a second season( which I highly doubt but I still pray for one). A Tale Of Thousand Stars will hold a special place in my heart, for sure. Loved every second of it.
We got the BEST ROCKIE OF THE YEAR - Mix, and Earth got the HIGHLIGHT OF HIS CAREER.
I totally agree with myself- A PLEASURE TO WATCH!!!!

Read More

I blame my high expectations…

And writers who cannot grasp the idea they do not need to pair up all the characters in their dramas. It’s fine to leave some as single by the end. You do not have time to develop so many relationships and make them worth watching. Be smart, pick two and focus the story around them.

How great did this show start? How happy I was with some more realistic representation of trauma and mental health issues. How happy I was with them showing how it can truly impact one’s life and it was not just used to make the romance more “angsty”. And then… it went away. After all the talks and so many great and important scenes… the topic just stopped existing and it yet again seemed like a borderline case of love can cure you.

Here’s the thing - this romance had such great potential, because all the conflicts could have been based in the internal struggles the leads had, without adding any external over the top drama. So what did the writers do? Added external bullshit drama in the last few episodes. As if there was not a lot to unpack even without it and little to no time to make it happen in a proper way and give a decent closure.

Both Bai Lang and Jin Xun An were amazingly complex and flawed characters. It was interesting to watch them on screen try to figure out each other’s feelings, but also how they themselves come to terms with this new relationship.

The side characters were also well crafted, even if some of their stories were underdeveloped. I appreciated Bai Qing and even if I did not agree with her overprotectiveness of her brother, I still understood where it came from, and it’s all I could ask from a drama. RJ and Alex were adorable and it’s a crime they did not have more screen time. I also wished they were more clear about RJ’s home situation.

Production wise it was great. Quite a few screenshot worthy scenes. Same goes for acting - great. Especially Andy Wu, damn he delivered every line, every movement and every facial expression!

Overall, great first half, good 3rd quarter, pain of the last 2 episodes.

Also, just a small, but awfully painful complaint from me: how could they NOT give a reference later of Pink Lady? How could they set it up in such a perfect way, and then not deliver?

Read More

Fast Moving, Amazing Chemistry, Girl Empowering

The Autumn Ballad is an intriguing suspense romance story with strong male and female leads. Interestingly, the development of the story is almost distinctly divided into 3 sections: first section being both the main leads meeting and hating each other and yet they’re forced to work together to survive; the middle section being the main leads starting to warm up to and discover each other with many sweet moments together; the final section being they falling in love and fighting their adversaries hand in hand.

Qiu Yan (Qiao Xin) is not a conventional girl of her time. Having gone through a lot of hardship and heartaches growing up, she is strong, proactive and knows how to fend for herself without letting fate dictate her. During her mishaps, she meets Liang Yi (Jeremy Tsui) who is a ruthless cold hearted investigator. At first, Liang Yi thinks Qiu Yan a gold-digger, using her dirty schemes to land a big fish for marriage. After working with her to solve various criminal cases, Liang Yi changes his view of Qiu Yen and she begins to attract him. Mutually, Qiu Yan doesn’t like Liang Yi initially because she thinks he is cruel and heartless, but after working with him for a while, she realizes that’s just a façade he puts up to undermine others. Under that face is a kind and caring person who has helped her again and again. She begins to take an interest in him. Their interactions for the first 20 episodes or so really feel like a rom-com, with smearing and sarcasms against each other which is really fun to watch.

As they begin to develop feelings for each other, a few episodes are devoted to show their romance and this thrills many viewers. After episode 20 or so, it is an open fact that they are a couple without declaring their feelings to each other but each knows the other’s heart. They are almost inseparable solving mysteries and a huge conspiracy while saving each other’s life with their own. For many romance buffs, it is satisfying to see a couple that reads each other’s mind so well, and they give the viewers a lot of sweet moments; their chemistry rocks.

I didn’t quite like Jeremy Tsui when I first watched his work in Legend of the Phoenix. His pale face, sly smile had made me uncomfortable and I wasn’t even sure if he wasn’t an antagonist. But in this drama, I find his acting very believable with his minute expressions and overall charisma. I particularly love the scene when Qiu Yan tells him she’s the girl he has rescued years ago. His facial expression is priceless. Like many viewers, I am attracted and mesmerized by his magnetic deep voice, though some viewers criticize his unclear articulation in his dialogues. This is my first drama of Xiao Xin and I find her beautiful and natural. I really enjoy watching her especially when she starts her bickering with Liang Yi. Her look and emotions are adorable and convincing. The other characters are equally well executed by the cast.

My Verdict

I like this drama very much at the beginning for the first 20 episodes or so. Though I love their romance in the later episodes, somehow, the story starts to lose its appeal in the later episodes. There are still twists and turns, but no more surprises as things become predictable. Many unfathomable logic (such as how can one work closely with a person who has just killed the person who is like a brother to you?) starts to creep in. There are various such logic flaws throughout the drama – working with someone who has killed one’s loved ones. For the later episodes, Qiu Yan seems to be smarter than Liang Yi who has been a brilliant investigator in solving cases for years, and he is supposed to be the best who can see the bigger picture instantly before anyone else can. So it seems like a change in capabilities of the characters. As with the lazy writings of many Chinese historical dramas’ endings, this drama doesn’t escape the same fate. Quite a few of the prominent side characters perish unnecessarily. Though there are many plot twists which are unexpected, I find the final twist that causes the life of one of the characters rather needless. It leaves many questions marks on my mind.

Having said that, I have truly enjoyed this drama and its conspiring couple, both witty and share the same belief. These two love birds are like a pair of duets, always harmonizing each other. It is so good to watch this type of relationship. I also find Qiu Yan very inspiring as she doesn’t leave her life to her fate - she constantly reminds the viewers that.

This is a fine drama that I strongly recommend despite some of the flaws mentioned here.

BRAVO!

Read More

Why do I love Kdramas? Why do I watch so many Kdramas and so little American TV? To answer that question one need look no further than Healer. Healer may not be the best show I've ever seen, and it's not even the best Korean tv show I've seen. BUT it is the epitome of a KDRAMA. What do I mean by that?

1. Romance: It has one of the best OTPs of all time, in terms of chemistry, character, story, hotness, AND did I say CHEMISTRY? I think Healer set some kind of record for skinship and hot kisses for a major network Kdrama.

2. Action: Sure not all Kdramas have action scenes - but really good ones do! And they are a common feature of Kdramas. And when they are done well, they add so much excitement and fun to the show. Healer has really good fight scenes.

3. Acting: I would put Korean actors up against Hollywood ones any day and this cast was fantastic from top to bottom.

4. Kdrama Trope Soup - Healer has it all: mysterious vigilante hero, childhood traumas, powerful evil organizations, birth secrets, conspiracies, corruption, twisty plans, murders, orphans, weirdly specific illnesses/psychological issues that act as plot devices, quirky co-workers, and an OTP that was destined to be since childhood. (I'm sure I've missed a bunch.)

5. Hotness: A beautiful lead actress and a smoking hot leading man.

6. Directing: Lots of Kdramas have subpar directing, but I've noticed that on average their directing is much better than most other foreign fare. Healer had very good directing!

So when I say that Healer is not the best Korean show I've ever seen but it is the best Kdrama I've seen, that's exactly what I mean. Healer takes all of the things that make a Kdrama a Kdrama and then puts them together better than anyone else. It does this without any of the failings that so many less stellar Kdramas have:

1. plots that start good and then become redundant to fill time or unravel towards the end,
2. noble idiocy / characters that don't tell each other the truth when that would solve all their problems just to keep the plot moving,
3. poorly thought out plots where the writer puts herself in a corner and cannot get out without the writing going to crap,
4. poor OTP chemistry,
5. annoying characters that make you want to strangle them (especially when they are the female lead),
6. mediocre acting,
7. sketchy directing, and
8. crappy endings (by that I mean endings that don't actually end anything!!!!!!!!!)

The best thing about Healer is the OTP and their to-die-for, smoking hot chemistry (and the fact that they are genuinely awesome characters both together AND on their own). But the second best (and rarer) thing that makes Healer so special is that the writer really thought it out from beginning to end. There are hints and clues all over and nothing is wasted (no guns are left unfired, for all you Chekhov fans). The writer is not lazy or gratuitous or wasteful or redundant. Everything that is there is needed. I am, of course, not the least bit surprised since she wrote one of the best Kdramas of all time, Story of a Man, and one that I have not seen that is also considered one of the best of all time, Sandglass. (She's written some crap too, but I think her good outweighs her bad.) So, props to the awesome Song Ji Na!

The only reason I gave it a 9.5 and not a 10 is that the ending, while satisfactory was a bit rushed. And I felt just a twinge betrayed since the writer had paced it out so well for 19 episodes and then got a bit rushy at the end. However, if I could give it a 9.8 I would.

Anyhow, I normally only write reviews of less popular dramas, and I know that Healer has a huge online following so it is definitely not in that category. But I still had to get my two cents in because it's just that great! And if you haven't seen it, and you still need convincing: didn't I mention the historic levels of skinship and hot kisses?!

Read More

I find it impossible to write a review of this drama without comparing it to I Hear Your Voice. After all, like others before me pointed out, Pinocchio comes out of the same pen, same cameras, same musical instruments and even part of the same cast that created I Hear Your Voice. I couldn't get rid of the impression I was watching a remake of this last, just with a different setting and a male protagonist who can't read the mind.

Pinocchio's story is intriguing, very captivating, well written and highly thought-provoking. It's also very well executed, in terms of acting, camera work and plot development. I enjoyed all episodes and was eager to watch the next.
So why have I given I Hear Your Voice a full 10, and bestowed this one a "mere" 8,5?
In rating a drama I always try to be as objective as I can be - try being the key word. A show that awakens the intellect deserves high scores, but it's the emotional share which earns it a perfect score. I was intellectually very engaged by Pinocchio, but I felt slightly detached when it came to the heart. Among other things, the romance didn't make my heart flutter, not even once. Honestly, I can't even pinpoint a reason for this: Park Shin Hye and Lee Jong Suk are both beautiful, very sweet in a puppy-like way, their respective characters lovable and their love story believable. And yet, it seems to me it lacked romantic tension, it was like watching two cute people in a commercial for shoes, or coats.
The moment they stopped being on screen, in my mind they also stopped being a couple.
On the contrary, I think Hye Song and Soo Ha are still dating, overcoming their differences and being happy together. I could mention many other drama couples that, to me, are still a reality somewhere in that evanescent world created by fantasy and therefore linger in my heart. Dal Po and In Ha are not among them.

Nobody's fault, mind you. The acting of all was above average and I was positively impressed by Park Shin Hye's performance. It must not be easy to interrupt every other sentence with a hiccup and make it sound believable. Her character isn't a champion of resolution, but she's very sweet and I liked her a lot. Lee Jong Suk is clearly a rising star in the drama world and can play this kind of role better and better. I loved the supporting cast, villain(s) included.

The music didn't make much of an impact on me either.

To explain my re-watch score, I'm going to confess a weak spot of mine: when a particular scene has a strong impact on me, I can't help but watch it again as soon as the episode is over. I haven't done so with any of Pinocchio's scenes. I may re-watch the entire show one day, but for now this ride, as much as it was enjoyable, is over.

Read More

It’s been a solid period of time since I decided to allow this confused mess of a drama sink into my nerves, and seeing how the reviews are scarce in number, I thought I’d give potential viewers a rather large piece of my mind.

If you’re here and considering watching this, I’ll assume that you at least somewhat enjoyed the show to which this is a sequel. Master Devil Do Not Kiss Me sits somewhat high on my rom-com list despite being littered with Asian drama tropes (my favorite of which has to be "cohabiting rich guy and poor girl who refuses to take his crap but sometimes takes his crap anyway because dramaland"). It was youthful, cliched, yet endearing.

This sequel, though, was absolutely terrible in comparison.

There are cliches like in the prequel, which the writers delivered as cute and gave you some giggles. And then there are cliches like in this one, which will have you laughing psychotically as you sharpen your metaphorical knives and prepare to hunt down the people who turned the plot into absolute - for lack of a better word - horseshit.

It’s important to compare this sequel with its predecessor because it is a direct continuation from where MDDNKM left off. There are many problems to be resolved, particularly the one where the relationship between the two main characters remains very ambiguous. Yet, frustratingly, the second season never delivers satisfying closure to any of the questions you may have and instead piles on dilemma after dilemma that don’t serve any real purpose other than pissing you off.

If you have disdain for any of the following cliches (contains spoilers; but who’re we kidding, this show isn’t worth watching anyway): lying ex-girlfriends, clingy third wheels latching onto the male and female main characters, a lead couple whose most effective form of communication is giving one another the cold shoulder, ridiculous birth secrets, "the girl you like is actually blood related to you", etc.; ditch this drama now. It’s pathetic how bad this all became. Every single episode of this show became the longest 20 minutes of my life and I just about wished that I would spontaneously have responsibilities to attend to so I’d be put out of the misery of sitting through them.

The acting is okay. I liked the actors way more in the first season; which might have had something to with the characters’ quirks. Some aspects of them were endearing in the first season, but rapidly became extremely annoying in this one. See reference: Qi Lu deciding that every single time Chu Xia gets pissy with him, he’ll call her stupid or some other variation instead of asking “what did I do” like any normal human being would. Gets old when it happens every episode for 20 straight episodes, boy.

Also, I’d like to mention that the editors confused the hell out of me. Why on earth would you play fun, happy background music during a scene in which two antagonists are plotting how to get rid of their rival? Whenever this happened, I half-expected a squirrel to jump out and maul them or something else that would be entertaining, but nope. It would just be a possibly suspenseful scene, ruined by a playful little jingle in the background. It seriously ruins the mood.

In a way, I consider it intelligent that none of this content was included in the first season. The quality falls so short that it’d be a real shame to drag down the fun of the first season with this trash.

tl;dr: did the director hit his head during production and decide to continue being the director?

Read More