News 
A must watch drama for 17+
Why? Read till the end…I didnt expect a court drama will be so interesting like this, the cases are from real events and very well choosen. Lots of famous real cases from this drama encourage us to think and understand the dilemma of both sides (defendant and plaintiff), how judges have to balance between law and morality.
The cases often spark debates, force us to rethink and open our mind in unexpected ways.
Acted by Jin Dong, Cheng Yi and lots of other veteran and excellent actors, undoubtedly they make this drama enjoyable to watch.
There are countless life lessons we cant ever get from ordinary dramas and we will regret if we miss them out.
So, for new watchers, just try to watch 2-3 series to see if you get hooked with the stories or not.
*The english subs is not the best, but still understandable. Its available on mangotv youtube channel too, where the translation seems better there.
**updated after finishing 40 episodes without skipping any scenes (which is rare nowadays)
Till the end, the plot flows smoothly, no dragging, fillers, etc.
Draw the Line is a rare gem and a must watch drama for 17+ people, not because of xxx of course, hahaha, because it needs deep comprehension and matured thinking to be able appreciating this kind of drama :D
It also teaches us to be aware on how to “draw the line” in our own life, since we are facing bad/good/grey area and have to make decisions everyday.
So if you are 17+, you must enjoy DTL, if you dont enjoy it, then you should call your parents to watch it, hahaha
Was this review helpful to you?
Anyway, the special was fair enough we get to see more of great moments specially hilarious ones. I totally love Nakatsu he's the best ever! It's true that Hana Kimi's cast was outstanding but every time I think about this drama, Nakatsu jumps into my mind with his weird yet funny and cool thoughts.
Maybe some people didn't like the special or thought of it as unfair but believe me the fact of seeing Hana Kimi's cast and events all over again is worth wasting your time on it.
Was this review helpful to you?
All that glitters is not gold.
"Beautiful and splendid show window... It's open for everyone to see, but once the spotlights go out and the curtains are drawn, no one can ever know what's going on inside." ~ A minor character from the drama said this.In a world where people care about the vaunting virtue more than one's inner beauty, we have developed ways to showcase what we wish to swank about. But what happens behind the walls, is always more than the alluring self, which most of us don't bother to care about. Show window is one of the most effective way in that regards but little do we know about the camouflaged matters that can either ruin us or shape us for good.
As you already know, this is a makjang, undoubtedly with toxic elements and nerve-racking characters in it. The question should be, "is this worth checking out?" . Well, yes, in my opinion, I would send you a positive nod. It's not something sort of a must watch but if you're fond of the genre, it surely is an enjoyable watch.
I will tell you a simple plotline, differently from the synopsis given everywhere. There is a happy family of four people and one day the husband is caught cheating on the wife. The wife scared of hurting her children by separating from her husband, pushes herself to save the family and simultaneously tries to get rid of the third person. The husband with high ambitions to own his mother-in-law's company doesn't wanna leave his family, nor does he want to abandon his extramarital lover. The story leads towards the unveiling the husband's true self and establish harmony.
This sounds very simple and typical, right? Well because, it is an usual Kdrama makjang storyline with cliché elements but not to spoil the actual plot, the way of occurrence, screenplay and execution are different from what you'll be able to perceive from the above paragraph. And that's why it's a good watch and to mention, it's for those who are into mild makjang stories accompanied by corporate thrillers, i. e. fight for power and hierarchy.
Song Yoon Ah as Han Sun Joo is considered the Queen who has achieved perfection from every aspect and is ideal to many women; born into a wealthy family, she can pull on anything and marries to a capable & devoted man, now having a loving family. Lee Sung Jae as Shin Myung Seop is a highly ambitious man who with his dedication plus wife's support has been able to climb the hierarchial ladder in Lahen group that belongs to his mother in law. Jeon So Min as Yoon Mi Ra is a lady deprived of love and seeks constant attention from the one she loves. She falls for Myung Sup and they immediately get into a mutually reciprocating relationship. Hwang Chan Sung as Han Jung Won is a warm-hearted guy who loves his sister Sun Joo and despite being slow-witted, knows how to deal with situations.
Some other good actors in major roles are: Moon Hee Kyung (Kim Kang Im) as Sun Joo's mother & Lahen's chairperson, Kim Sung Soo (Cha Young Hoon) as Sun Joo's close friend, Kim Byung Ok (Kim Dae Wook) as the Chief Detective. Shin Yi Joon (Shin Tae Hee) and Park Sang Hoon (Shin Tae Yong) play the children of Sun Joo and Myung Sup.
Only the above mentioned 9 characters are of essence while some others in major characters didn't show any sort of notable acting, in fact, many of the characters, to me, felt very unnecessary fillers. They weren't required for the story; especially all of the residents of the town residency complex who were there to just gossip and even so, the amount of gossiping was absolutely useless for a drama.
I have mixed opinions about the plot development of this drama; it is both good and bad, not both at the same, obviously. The first episode, as an introductory wasn't that impressive but as usual, I decided not to judge it that soon. But what I was already loving was the way initial base of the story was being established as the episodes furthered. The screenplay is gripping, intensively appealing and definitely something catchy. But then there's a leap which is not distinctly shown but yeah, things somehow change and there starts another mood of the drama. It becomes even more interesting and makes you expect, which lasts for about next 2 episodes. And that's when the show starts going downhill.
Well, it doesn't really turn bad or suddenly becomes uninteresting but they start attempting to exaggerate the plot to an extent and while doing that, they include some awfully unnecessary elements and morever, they repeat some of them which was clearly visible. What saved it from a probable backlash was the fact that tbe quality starts degrading much later the interval, which in my opinion is a key time period to evaluate a show, hence, I've tried to reflect it through my ratings.
I am very surprised to have come to know that the makers of the drama are both rookies. Not sure if they've worked as assistants before but this definitely seems to be their creation as frontline director and writer and they've undoubtedly done a very commendable job given their experiences. The drama isn't something very wowish but it was surely a decent watch even when you're not into makjangs. The direction was up to par, starting from screenplay management, synchronising various time scales, screen-editing were taken care of very well. The pacing wasn't consistent after 10th episode, still manageable. The cinematography was surely good; the dark yet flashy pallettes with momentary yellow as well as natural delineations were persuading. The writing was lacking, it was a good plot but progression was not well executed. But given that both the director and writer have debuted through this, this is quite well-delivered, no?
OSTs are composed by Kim Jong Chun and I must say all of them are catchy and captivating at the same time. There are total 7 tracks. My most favourite is "Hello' by Hickee which is the main theme song and is very intriguing. It followed by "Heaven Made" by Elsie Bay which was soothing and tragic at the same time, demanding escape towards happiness. The vocals of Ha Domg Qn in "Cry me a river" gave me goosebumps. "Fallin' by HARU, "just myself" by Kim Dong Hee, "Why i cry" Sin Ye Young and "Tears" by Onestar are the other ones which are quite likable and beautifully written as well as composed.
What I liked...
# Despite having a typical story, the screenplay was engaging and entertaining.
# The performance from the main cast was stupendous as they're old and immensely experienced, except Chan Sung and So Min. Well, they weren't that good but did a decent delivery.
# The drama not being a complete makjang. The simultaneous power fight was intriguing tho that plot went downhill and became repetitive in the 2nd half
# The kids not being typical makjang stupidass spoiled brats.
# The portrayal of present scenario in the beginning and ending of each episode and using it to unfold the past through detailed storytelling.
What I didn't like...
# So many unnecessary supporting characters as fillers and their extended scenes just to fill the 16 eps quota.
# The decent plot development that goes downhill starting from 10th episode. The pacing was still okay yet repetitive. They had many instances to finish the drama with a clear-cut ending, but duh!
# Underutilization of Chan Sung and Seung Soo. Their characters didn't have the impressive dynamics that I was expecting. Chang Sung is improving with dramas but Seung Soo is more than just skilled.
# Not to spoil, the thing involving both Jungwon and Mira could have lasted longer with some stirring outcomes but it felt like there was no need if it were gonna be that simple.
# So many kisses, haha. I'm not genophobic or against inclusion of explicit contents but the first half of the show has so many unnecessary making out scenes.
Final remarks.... Show Window 2021-22 isn't really a good show with intriguing plot, star-studded cast and amazing execution but given it's genre, for me, it was an enjoyable and entertaining watch with fabulous performance though the final delivery was average and wasn't pleasing. A fair one time watch.
Was this review helpful to you?
This review may contain spoilers
Beautiful Visuals, Empty Story: A Drama That Falls Flat
When I saw the poster and everything, I had pretty high expectations. The visuals were great, but the acting, on the other hand, was a mess.The female lead was just an empty character. She barely did anything throughout the show and mostly just stared at everyone with teary eyes.
The male lead’s acting was over the top, almost as if he was trying to make up for the female lead’s lack of personality, but it didn’t work well at all.
The show seemed like it would be about music and artistic themes, but it ended up being focused almost entirely on solving the murder case of Bom’s mother. The main “villains” were supposedly trying to keep the leads apart to stop the truth from coming out, but it was so poorly executed and felt completely unnecessary.
The romance was practically nonexistent, maybe a little in episode 4, but later on they just forgot about it. Also, they had no chemistry. Like, none at all.
And the ending? A total mess. What do you mean you see someone after two years, kiss them, and that’s it, happy ending, yay 😀? It was beyond unrealistic.
Was this review helpful to you?
Story: 10/10 The story is one that will motivate you while tears stream down your eyes. It has themes of "High School" romance mixed in with following your dreams to the very end.
Cast/Acting 10/10 I couldn't ask for a better cast. They truly did a flawless job.
Music: 10/10 I still listen to the theme song by Yui (who also acted in this movie) two weeks after I watched the movie. The only "downside" about this movie is that you get addicted to the wonderful music by Yui.
Rewatch Value: 9/10 This is such a beautiful movie that I would definitely rewatch.
Overall 10/10 (i'd give it a 15/10 if I could!). Definitely watch this movie. You won't regret it.
Was this review helpful to you?
The drama did start out slow and I think a lot of people from then on had their mind set that TKEM was a flop. Then proceeded to watch the rest of the drama basically searching for aspects to criticize. And I think that is one way to approach dramas by analyzing and scrutinizing anything and everything. But personally, I think that with that kind of mindset, you limited yourself to only a couple of shows that you actually like. I am not trying to discredit anyone and how they felt towards the show, however, I think a lot of the discussions centered around how bad the drama, actually deters a lot of people who would actually really enjoy the show.
Story-wise, the parallel world concept was fascinating and refreshing. I found it pretty easy to follow, but with any concept messing with time and space, it's bound to have cracks. There were plot holes(most of which I didn't even know were plot holes until I read discussion posts--so just don't read those and you will probably be better off) and areas where I wish the show would have done more in-depth. I also do think that in some episodes the story was stagnant and it wasn't doing a lot to move the plot forward, a missed opportunity to further develop the world/clarify some side stories. But if you don't focus on those aspects, they aren't bothersome and the main plot is interesting and at least for me, something new/different.
Acting: I liked KGE and LMH together, and I think that they did well with the roles. I'm definitely no expert, but I think I have around the normal person's ability to tell if the acting is stale, so for me, their portrayals were convincing and I really felt for and became invested in their characters. KKN & WDH also really delivered! I mean Jo Eun Seob and Jo Yeong were perfectly portrayed, props to WDH, I can't wait to see him in another drama. Not really a point on acting, but worth mentioning, the main thing that bugged me with the characters (not the actor's portrayal) was Tae Eul sudden switch from showing no interest and annoyance for Lee Gon and then suddenly her tough/snobby demeanor was gone. I think the writer could have made her feelings for Lee Gon melt away a lot more smoothly. Although, I don't agree with the criticism on why Lee Gon was in love with Tae Eul from the get-go. I can picture 8-year-old Lee Gon spending hours and hours holding onto the badge thinking of this mysterious savior, and pretty much becoming infatuated with the mystery girl (also, when do the falling in love process ever really "make sense" in dramas, I just enjoy the love story without questions! >∀ <)
Most of the OST playlist is still stuck in my head and while it's not the iconic Goblin OST, it's still great.
The cinematography and production is probably the least debated area because, well the millions of dollars backing the project went somewhere! Seriously, the scenes were beautiful, especially in the moments of the time stops. If anything, watch it for the visual appeals!
I never write my opinions/reviews on dramas so please forgive me if this is not super helpful/insightful, but I really wanted to do this because I hope someone will read it as realize that go into it without preformulated negativity around it, watch it and enjoy it for what it gives.
Was this review helpful to you?
At first I thought not see this drama because I hadn't seen anything of the leading actors, and because I had some grudge against Wang Ji Hye after seeing Personal Taste and Hotel King; however, the drama really worth it.
I fell in love with Ji Sung above all things and loved this type of female character, strong and independent, even a little reluctant to fall in love, I think that's just a plus for the drama, because you can see the guy seeks sassy girl's love and not the other way around.
I also ended up loving Wang Ji Hye and realized that a character may end up defining whether you like or do not like an actor, sometimes you forget the difference between fiction and reality XD
Another plus point is that finally the parents were not the most important obstacle to the main characters, but the circumstances. That seemed more entertaining after all.
In addition, all the supporting characters (the adults) were really funny and charming, I really never loved Kim Young Ok more than here, especially in her scenes with director Cha.
Finally, this drama had definitely one of the best bromances I've ever seen .Sometimes Ji Heon and Moo Won really seemed to be the real romantic couple of the drama haha
May you enjoy it as much as I did. Totally recommended!!!!
Was this review helpful to you?
This review may contain spoilers
watch it for leads not for story but overall forgettable
After long i watched 8+ rated show with plot that made no sense from start to finishI see lot of people bothered about how ML fell in love with someone who has face of a sister. Thats not a major problem at all. He had not seen his sister after she grew up and he came across that face only after she was dead.
Major problem of this drama is how disconnected the PLOT is and how the characters are.
1. FL thinks ML loved her doppleganger initially but has no qualms to hug him kiss him within few days. Like what! people would think twice if ML really loves her or her face!
2. ML and his intention of getting FL to his house and when everything is revealed hardly anything changes. ML could have just solved everything without involving FL.
3. There is no proper character arc. FL is artist but is good at being CEO within a day. i wish i was that smart.
4. ML changes from cold ,abusive person to sweetest within seconds after FL declares she will protect him . lol
5. There is literally no emotional scenes between ML and FL before she falls in love. She doesnt know anything about him. It really looks like Stockholm syndrome not a love story.
This show has too many unbelievable things that it becomes a comedy . I guess it became quite famous because of ML and their steamy scenes & macho scenes but if there is no proper base for characters and their relationship it hardly effects long time . I would rather have a show with no physical affection but good relationship build than watch this uff!
ML is quite good in acting not just look wise so i hope he does good content shows not such trashy fan service ones.
Was this review helpful to you?
sweet fun romance
I initially started this one on a whim since I was looking for fluffy romance dramas to indulge in and decided to give this one a try, and thank goodness I did. Dear Herbal Lord is a fun little drama (24 half hour episodes split into 2 seasons, 12 eps per season) following herb fairy Song Lan as she tries to woo the king of medicine Chu Zhimo into marrying her, fulfilling the wish of Jiang Qingyun, the host of the body that she now resides in.Like I said before, this drama is fairly short compared to other normal dramas (25+ eps with each episode averaging an hour) so the story is very fast paced, which is a good thing since there's no room for filler and unnecessary drama. There will be scenes that are a little confusing at first but they're quickly explained afterwards. Again, it's a short drama focused on romance so I'm not too critical of the story's logic.
The crux of the drama, the romance, is tooth rottingly sweet. Song Lan has an innocent air to her (mostly because as an herb fairy, she's never interacted with humans before inhabiting Jiang Qingyun's body), so she is very blunt and bold about showing Chu Zhimo her affections. Pair the unintentionally flirty Song Lan with cold-faced Chu Zhimo who is terrible with women, this is a hilarious pair and I have squealed at (and replayed) their scenes too many times to count. Special mention to Yan Xi for showing us that a cold and standoffish male lead doesn't mean being expressionless and being angry all the time!
To move the story forward, there will be angst, just to warn anybody who only wanted the fluff. To be precise, it's more of a dash of angst, a splash of noble stupidity but a truckload of dramatic irony (the audience knows everything but the characters do not). You will want to grab your screen and scream at characters that they're making a mistake, but you can't even hate them because from their perspective... they actually have a point. It does end happily, I can guarantee you that, so just trust the process ;)
Leaving a small blurb about my favourite character, Xiao Ziming. Add him to the ever-growing list of Second Leads That Deserve Better because he is so sweet and devoted to our female lead. Even though Song Lan/Jiang Qingyun is infatuated with Chu Zhimo, he still stays by her side and cheers her up when she's sad. Where can I find my Xiao Ziming in real life??
To end this off, I definitely recommend Dear Herbal Lord if you're looking for a light and sweet romance drama. Nothing convoluted, just Fluff (also the kiss scenes called me single in 520 different languages ;_; ).
Was this review helpful to you?
This review may contain spoilers
Not nice to watch but definitely worth seeing. Superbly done in many ways. Powerful. Resonating.
Prolog:The conclusion for the protagonist in his late 30s is rather tragic: he´s getting the urge to go back. He wants the life of his late youth back. He cannot continue with who he is today. For him, there is only one option remaining – a shortcut to the exit.
However, for the audience, the end is actually the beginning. The journey goes backwards in seven chapters. And when we finally reach the start, it actually makes sense to look at the ending again... (in movie-terms: its beginning...)
-------------------------------------------------- ----
“Peppermint Candy” was one of the top ten movies in 2000. The international awards it collected are respectable. And even in 2022, “The Guardian” has it listed in 12th place among South Korean film classics. Meaning: It was topical back then and still hasn’t lost its impact. It´s cult. It can be considered particularly valuable. However, it´s not particularly nice, though. Rather particularly powerful and ferociously intense.
"Peppermint Candy" dates from 1999. It tells the story of the previous two decades of South Korean history using the example of an arbitrary, inconspicuous individual. For audience who isn´t firm in recent South Korean history, the KMovie may be reduced to the protagonist as an individual - to his very personal story and his tragic ending. For all those who know something about the historical, social background (see the side note below if you like), the KMovie becomes a memorial on screen that commemorates all those in society who were probably thus affected in one way or another, too, and may have had a similar experience. And there were quite a few.
In 1999, South Korea looked back on two extremely eventful decades. Two decades that were endured, sustained, borne by the people... Two decades that, in addition to democracy, turbo-capitalism and material prosperity, also produced a whole series of psychological cripples.
I actually don't like the word 'cripple', but somehow it seems appropriate in this case, here in the sense of: people who were maltreated by others or 'by life´s circumstances' to the point of psychic unconsciousness (even if perhaps they themselves were involved as perpetrators, too). People who were broken by their fate and trauma, not being allowed to and/or able to talk about it. People who fell, lost themselves, could no longer get back on their feet, feeling helpless. Completely bent. People who could not find peace with their shame and guilt. In their inability to communicate about it and get help, they became a total human failure for those around them.
In reverse "Peppermint Candy" portrays the career of such a psychological (and physical) 'cripple' in intense scenes. We may acknowledge the individual fate. Even without historical background and regardless of socialization, we acknowledge a broken soul, of which all that is left to the outside world is actually an 'asshole'. Once a poetic, delicate, sensitive spirit... it´s hard to believe. Actor Sol Kyung-gu expands the entire range of his skills, convincingly and uncompromisingly drawing the audience into each of his divers crucial, rather unpleasant emotional life situations.
“Peppermint Candy” is superbly done in many ways. Not too much, not too little. Ruthless. And in pointed, symbolic imagery, the scenes gain in emotional power and meaningfulness as they progress - even after we have travelled a few sequences further (back) - to the extent that the puzzle of drastic life events accumulated are coherently put together into a pile of shards.
The protagonist in "Peppermint Candy" is experiencing the significant historic events of his generation at the forefront. His psychical downward spiral cannot be stopped. But this protagonist is no exception. Countless people in their late thirties in South Korea in 1999 could have told such or similar stories. During those traumatizing two decades the public was carelessly left alone to individually deal with what had happened. What a person experienced emotionally, what a person had to process and couldn't, the decisions made, the guilt, the shame, the pain – the answer to that was mainly psychological repression and silence about it. The consequences in everyday life: Outbursts of acting up and/or apathy. Sometimes the old wound hurts again. The old wound makes man fall to the ground, by its pain that he cannot escape. But it is also a phantom pain - the desperate suffering over an essential piece of 'who I am' that was taken away once and for all...
The protagonist in "Peppermint Candy" suffers on behalf of an entire generation of anonymous young people who were quietly worn down, deeply psychologically shattered and finally by the two decades of the 80s and 90s, the time of transition from military dictatorship to modern capitalism existentially bankrupt. The KMovie reaches out to all those who may have had a similar experience and/or were able to sympathize. Where communication had been lacking for decades, the KMovie, with its sometimes disturbing insights, tries to build a bridge: with understanding that may even extend to empathy. "Peppermint Candy" manages to connect the South Korean people through the fate of this one fictional man and his personal environment. (Additionally, it may even touch the rest of the world). Yongho, who could be 'anyone', and with him the women in his life, his friends (?), his colleagues and his victims who had crossed his path, who could also be 'anyone'…
Not nice to watch. But definitely worth seeing.
Powerful. Resonating. A convincingly empathetic work.
A work of passion.
--------------------------------------------------------------------------------
SIDE NOTE: --- Brief overview of the historical background of South Korea - regarding May 1980 in Gwangju, the 1980s under repressive police violence, and the years of economic miracle up to the Asian crisis of 1997-1999. ---
May 1980 in Gwangju, South Korea, featured a bloody massacre that the police and military were ordered to carry out on their own people. Yet, that massacre of Gwangju remained an official taboo for almost two decades. What happened in Gwangju back then was kept secret from the rest of the country. Then, the city was deliberately cordoned off. The enemy was officially called 'communism' (especially in student circles, supposedly under the infiltrated influence of North Korea.)
Those who survived May 1980 in Gwangju and perhaps could or would have wanted to talk about it were pressured, persecuted, tortured and put in camps. The others who preferred to remain silent had to figure out by themselves how to emotionally digest what had happend.
President Chun Do-hwan, who succeeded his predecessor Park Chung-hee in the aftermath of the bloody spring of 1980, did not create any less autocratic structures for the common people than before with his dictatorship. On the contrary. With him, brutal torture was carried out in the spirit of a systematic cleansing. The years of Chun Do-hwan's rule were some of the worst for South Korea in terms of political repression. His mission: The country should use all its might to present itself to the rest of the world as dazzling and up-and-coming until the Olympic Games. Whatever/whoever was bothersome was put away. However, the autocratic rule of the dictator and his brutal power apparatus with police and secret service ended in 1987 as a result of unbridled, enormous public pressure. The people's longing for democracy was finally able to prevail.
Parallel to the repression under Chun Do-hwan, the 1980s and following years were characterized by the years of economic miracle. The market became increasingly liberalized and it was all about exports. Yet, on a large scale growth and prosperity were built on credit: direct investments from abroad, credit cards for the people in the country, loan sharks for all those smaller companies that couldn't get the money from the banks. But the bubble of the expansive credit economy of the 1990s burst in 1997 with the Asian crisis. The credit boom was followed by a crash, an enormous fall in the value of the won, a series of bankruptcies, unemployment all over the place and poverty for the many.
Even though South Korea got back on its feet astonishingly quickly in the course of the subsequent years of the so called IMF Economic Crisis, the path was marked by countless fates of bankruptcies and many families suffering from for a long time since.
Was this review helpful to you?
I actually don't know how to summarize this one, I just believe everyone that can watch it should watch it. I haven't read the webtoon so I don't know how fans of the original material will react but, judging it on its own two feet, it far surpasses any expectations I had.
STORY
Honestly, this story almost felt like two, in the best way possible. Going into it I had this expectation of what would occur and what kind of avenues the story would take based on the teaser, but it proved me wrong. Weak Hero isn't just brilliant action, it's a deep dive into how interpersonal violence and bullying can affect and harm people long after the physical threat has disappeared. It's a case where I found every episode better than the last. The script and directing use foreshadowing masterfully, there are parallels that provoke so much thought and every moment feels deliberate. There are parallels everywhere, and the use of foreshadowing is deliberate and beautiful. Thought-provoking isn't even enough to cover it. Of course, there are issues with the script, some things are glossed over to fit the runtime, and the theme came off as confusing to some (not me) but overall I enjoyed the story it told immensely. The character motivations and progression all felt natural and understandable. It's a complete and interesting story that doesn't require additional knowledge from the webtoon to fill in the blanks and its end, though open for a second season, is satisfying and will leave you wishing you had more time with this world.
ACTING
I don't usually go to action flicks for character studies and heartbreaking emotions but the cast delivered on both and on stellar fight sequences that hurt just to watch.
So little disclaimer I am a Jihoon fan, but I will try not to be biased. Park Jihoon acting as Yeon Sieun was amazing. In the story put to screen it would've been very easy for Sieun to be one note, but Jihoons acting and eyes brought him to life.
Hong Kyung gave me the most compelling performance of the entire year. You have to watch it to know.
Choi Hyunwook brought a lovely levity to the story and his well-known ability to charm his way through the screen is at full display.
The entire supporting cast really showed out for this drama, the viciousness and vulnerability of boyhood were on full display. Special shoutout to Kim Sugyeom whose venom playing Youngbin almost burned through the screen.
MUSIC
The OSTs and music choices throughout the show helped evoke teenage listlessness and despair beautifully.
REWATCH VALUE
I considered placing this at a lower mark because some of the scenes are very hard to watch. Watching this drama inflicts a lot of emotional turmoil, but I honestly think it could only get better on rewatch. The point of the twists and turns is not to shock you, they're natural and understandable consequences of the violent world that bred them. Every choice makes sense, and the hunt for parallels in the script and directing upon rewatching would make it all the more worthwhile.
This easily falls into the top 5 dramas of the year for me. I would recommend any day! Also if you want to discuss it shoot me a friend request and a message I have so much to say.
Was this review helpful to you?
Story: Although you can watch Season 2 without watching Season 1, you'll get a much better understanding of what's happening if you'd watched Season 1. The story continues with where it ended in Season 1 with Tian Jingzhi finding herself pregnant with Xue Ling Qiao's baby. You'll still get the quirky interactions and conversations between Tiang Jingzhi and the people around her, though in Season 2, you'll get to better understand Tian Jingzhi and her motivations. On the outside, she may come across as a happy-go-lucky, devil-may-care character, but in many circumstances, she'd thought deeply on matters and like any other woman, had her reservations and worries about her relationship with Xue Ling Qiao. On another hand, while Xue Ling Qiao was portrayed as being somewhat detached in Season 1 because he didn't want to involve Tiang Jingzhi overly much in his matters in order to keep her safe, in Season 2, you'll get to see a more involved Xue Ling Qiao as he finally realised he could not live apart from Tiang Jingzhi. In Season 2, you'll get introduced to a few more characters and side-couples. I am sure you'll ship at least one of the side-couples. Overall, the story maintained its fidelity from Season 1 and ended nicely. Though we can now close the chapter to the story of Xue Ling Qiao and Tian Jingzhi, I will not say no if the producer and director decide to further this franchise and tell the story of their son in Season 3.
Acting/Cast: Initially, the change in lead actress threw me off a bit. Esther Yu as Tian Jingzhi has big shoes to fill as her predecessor, Janice Wu, did an excellent job in portraying the quirky, sometimes annoying but surprisingly lovable Tian Jingzhi. In fact, Janice Wu pretty much carried most of the weight of the drama from Season 1 on her shoulders as her acting shone in it. It took me somewhere around 10 episodes before I could watch Season 2 without the bias of comparing Esther Yu's Tian Jingzhi to Janice Wu's Tian Jingzhi. All things considered, Esther did a good job but I couldn't shake the feeling that she's simply emulating Janice Wu on the character. She was a good copycat, and that is in no way something bad because it takes good fundamental acting skills to perfectly emulate another person's acting. For a relatively newish actress, she did well. Hopefully as she grows in her acting career, she'll one day be able to interpret and act out a character entirely based on her own acting style.
As for the male lead, I wasn't very keen on Kim Tae Hwan in Season 1. In my opinion, the man cannot act to save his life (apologies to his fans!) and his only selling point was because he's Korean and nowadays, anything Korean pretty much sells ("The Oppa Trend"). I was actually glad they changed the lead actor to Mike Angelo who is better looking and can act (at least he's a better actor than Kim Tae Hwan!). Also, Mike can speak Mandarin pretty well and although his voice was dubbed, you can tell that he'd spoken his script in Mandarin throughout from how his mouthing of the words matched the dubbing. This is a great improvement from watching Kim Tae Hwan act in Korean but dubbed into Mandarin. I 'll award Mike an extra star for his extra effort in learning Mandarin so he could act in Mandarin dramas. At the back of my mind, I cannot help thinking...if only Mike Angelo was in Season 1 with Janice Wu and they maintain this pairing to Season 2, that would be perfect! Both Mike and Janice are more seasoned actors and I am sure the chemistry would be better too.
Casting for the supporting characters was spot on. Young newbie actor Li Ge Yang as the playful but loyal Zhen Yi Jiao was a lovable character. Mature actor Liu Guang Xiang was perfect as the well-meaning but ambitious and highly principled Qiu Yue Bai/ Lion. Kudos to the ladies too - Yang Zhi Ying as Bai Lu and Tian Yi Tong as Ye Mei Xiao. Of course, we must not forget returning actors from Season 1 - Fu Jia as Li Yan Zhi and Yang Yi Fei as Feng Dong Dong reprised their roles to perfection.
Music: Initially, I wasn't keen on the OST but after a while, it grew on me.
Re watch value: Decent re-watch value as it's an easy and relaxing watch with minimal repetitions and good story pacing.
Overall: A good drama to fill your time, but do not expect this to be a 10/10 or a phenomenal hit. It's light on the viewing and if you'd watched Season 1 and wondered how Tiang Jingzhi and Xue Ling Qiao's romance progresses from Season 1, watching Season 2 will answer your curiosity and give a nice end to their story. Enjoy!
Was this review helpful to you?
ACTING/CAST: 10/10 The cast they got are talented. They played their rolls well, and were believable. There seemed to be an honest connection between both younger and older actors. Whether it is romantic off screen or not doesn't particularly matter to me; nothing kills a show faster than two actors who just cannot stand each other.
MUSIC: 10/10; another reviewer had it dead on: if I could give it an 11, or higher, I totally would. The opening song is gorgeous, the theme song is sweet, and it just helps everything flow together. I would almost go so far as to say that the quality is almost movie-like, for all that it is a short web series.
REWATCH VALUE: 9.5/10; This is the only one where it's a little shorted. I feel like the story is definitely open and waiting to be expanded, but I'm not sure how many times I'm going to be able to sit through that open ending without going nuts. I will definitely, TOTALLY, rewatch it again at some point, though. This seems like a good go-to series if I want something intense but short.
OVERALL: 10/10; loved this series. I hope more people enjoy it, too!
Was this review helpful to you?
The plot description released by NHK got me at first sight (or more like at first read). I thought this drama seems intriguing and without second thoughts I started downloading it. Not long after that, I started watching it and finished the whole thing even without subtitles. It was certainly worth the while.
Platonic’s plot, characters and events’ flowing is very similar to the way Japanese used to do dramas back in the late 90’s to the beginning of the millennium. I surely had a nostalgic moment while watching this. That factor amongst others helped this drama to stabilize an interesting watch until the very last end. It wasn’t mind-blowing but it was attention-grabbing. I dislike tearjerkers and everything that falls under that category. Fortunately, Platonic didn’t take that “I am going to die but I love you *cries* *cries*” turn. Instead, the drama took reality’s turn and made feelings and sentiments sound so genuine despite their simplicity. It excels at throwing every surreal sensation and exchanging it with more down to earth and believable emotions
On the other hand, this drama was somewhat slow in depicting some developments. The wait made me impatient and eager to see the whole thing through. Furthermore, the ending didn’t surprise me a bit. I really hate it when the exact same thing I predict happens. However, everything was logical and real enough.
Nakyama Miho was a good fit for the role of a mother who stopped being a woman, this is the first time I see her in recent times since I was used to her performance in older dramas. She was a mature actress and she still maintains that quality very well. Her co-star Domoto Tsuyoshi was quite good for this type of role. Although their chemistry didn’t strike me, they were a possible nice match. I also didn’t mind the age gap that much.
Some other characters added spirit to this drama; they were an undeniable presence just like few of them were a waste of space. I can say that I liked the supporting set as a whole.
This drama’s Music was English, the type that I don’t usually hear but color me surprised! It was such a great fit for the drama, I won’t listen to it again but when watching the drama, you can feel the OST penetrating into you.
Watch this if:
-You like Slice of Life Japanese dramas.
-You like the older Japanese way of doing dramas because this is quite similar.
-You like some unusual terminal diseases’ dramas.
Do not watch if:
-You’re looking for a tearjerker, despite the feel of it; this is not one.
-You dislike Slice of life dramas.
-You’re looking for something dazzling.
Platonic is a slow-sailing drama that goes into the depth of many human emotions. It’s not a tearjerker although it may sound like one at first.
Was this review helpful to you?
Was this review helpful to you?
