If you’re after an original and riveting crime plot, then Midnight Runners might not be your thing. In terms of the storyline, it’s pretty generic and you basically know exactly what’s going to happen from start to beginning. The strongpoint of this film was the chemistry between Park Seo Joon and Kang Ha Neul and how well this chemistry allowed for the perfect balance between great comedy and seriousness.
Whilst a light-hearted movie, it also delves slightly in the moral dilemmas that people who work in law enforcement face, there were definitely moments that made you feel helpless and sympathetic to the characters. However these conflicts were addressed well and once again, the humour within the movie does clean up and negative emotions you might feel whilst watching it.
This is definitely a pick-me-up movie, I can guarantee that after watching this most of you will walk away feeling happy inside.
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a unique masterpiece - brace for emotional damage
Overall: a vibrant glimpse into the ups and downs of teen love. 7 episodes about 55 minutes each. Aired on iQIYI https://www.iq.com/play/kknyn3lik4?lang=en_us&sh_pltf=4Content Warnings: dub con kissing, non con video posting
What I Liked
- how a character's house looked like a typical house inside, and outside felt realistic
- being aware of a crush but not directly acting on it, the push and pull dynamic
- appreciated that instead of an exposition dump, the writer/s found a natural way to tell us what grade a main character was in
- the nail art was a clever way to show time passing (nail art growing out)
- the shifting viewpoints (some episodes were told from different characters' perspectives but they didn't re-hash plot that we've seen)
- good kissing
- happy that Bua decided to not change his looks for another person
- production value (cinematography, music)
Room For Improvement
- the very beginning made me think that it was filmed during lockdowns
- that bathroom shot in ep 1 was a choice
- though being on phones/social media a ton was realistic, I needed more face to face conversations in some of the episodes, it also dragged the plot at times
- did not feel as if 2 years had passed
- I wish it had been a bit more clear with two characters at the end
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T-This was just brilliant. I can't really explain it in any other way. D: The story was super touching, the music was super cute, the cast was adorable, the surprises kept on coming and I-I just loved it!
I can't really underline my favorite parts without spoiling, but the whole movie is just pure genius. It's really well thought through, and entertaining as well as it is just beautiful. It really touched me.
Recommended for EVERYONE at ALL AGES.
You have to be a robot not to love this movie.
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Nothing is dragged or exaggerated, it flows like poetry.
I'm so full of emotions right now.
The story is simple, yet realistic and the chemistry between the two leads is really there.
It started slow, like a joke you tell your friends, and then it became serious.
They really convey this sense of blurred lines between friendship and love and they didn't rush the trasformation of feelings.
When Rae Wan told Eun Seong "I can't get rid of your smell from my body", i started crying. I don't really know why, but i'm sure: Kim Sun Ho did a terrific job.
Lee Yoo Young is new to me, but I instantly fell for her eyes and she's really good. I have no words to describe Kim Sun Ho, as I said earlier. He's just so so so so so professional.
10 out 10. Recommended to every single human on earth.
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Flex X Cop - A Perfect mixture of COMDEY-ACTION-MYSTERY-THRILLER !! ENJOYABLE
Waited for this drama since the day when they announced the cast and production crew.. Because this is another collaborative drama between Ahn Bo-Hyun and Writer Kim Ba-da after " My Name " is one the best Action thriller. Did they got another hit ? Let's See..Premise feels simple " _ " However, the plot setup and story narration make it exciting to watch and move forwards to explore the comedy thriller.
COMEDY - ACTION - THRILLER - MYSTERY
It's unique to find comedy-action-mystery-thriller aspects in one drama; typically thrillers erase the humor plot and increase the seriousness of the story, but Flex X Cop effectively combined its four parts and delivered an enjoyable drama. Not only is it a comedy thriller, but it also has a continuous secondary plot about a family troop and their conflicts, including a father who seems to care while ignoring his own son, and a kid who craves his father's love but is constantly turned down by his stepmother.
It's an amazing blend that guarantees each episode is interesting, every case solving is thrilling and you're kept on edge. Especially the Psychiatrist Case-ep is really wonderful given that the case is the critical point of Jin Isoo's hunting dream break down. Let's appreciate the very good cinematography.
GOOD CHARACTER DEVELOPMENT
A unique mixture of adrenaline-pumping action and funny entertaining moments. "Flex X Cop" hits the perfect balance between solving serious criminal cases, entertaining and deliveries comradeship between the leads and their fellow detectives. Good character development. Female lead develops from unsettling detective who overlooks the ML because of his social status to an understandable person, like a buddy who helps him find his path in every difficult moment. And Rich pampered Conglomerate Son to be a good officer; he wants to prove himself since Jin Isoo is a cop who has a responsibility to defend and enforce the law.
Overall a enjoyable drama with engaging story.. Good acting from every actor..
They announced season 2 :)..
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Acting: They’re having their own personalities as characters. DoJin is a cool handsome lonely man, Taesan is a warm-hearted friend, Yoon shy nerd, and cute attorney, and Jungrok is the hottest playboy on earth haha. Actually, I just want to tell you guys that I’m smiling while typing these because they’re so funny. Kim Haneul and the other 3 divas also did a very good job in supporting, although you saw these divas fighting each other sometimes, I bet they failed to get on your nerves. they’re pretty too. In each of the opening episodes you better get prepared because these F40’s will make you laugh like crazy except when Yoon’s wife's death moment. I didn’t realize I cried my tears out, those without-word scenes really touch my heart deeply, I never cried that much after Secret Garden.
These F40’s really did an excellent job in acting, flawless, cutest, funniest, and great chemistry between the cast especially Dojin, Taesan, Jungrok, and Yoon. You’ll miss Dojin's Betty, Taesan's cursing skills plus Hwak!!, Jungrok's ring and Yoon's nerd glass.. They made my day. AGD is a mixed-feelings drama, funny, sad, dreamy and desires, exciting and loving and this is really the best romantic comedy ever aired. From my personal view, although ImMeahri can be irritating sometimes I pity her. Her relationship with Yoon makes me cry so many times, the cutest forbidden love story. The way Yoon hides his feeling toward her sometimes can be frustrating at a moment but luckily they live happily in the end.
Music: Every time I hear High High, I just imagined the 4 of them gathered and making havoc everywhere. LOL. That song really makes my heart jump excited every time I listen to it and Jonghyun’s song called “ My Love” is in an acoustic version, omg he really has an angelic voice.
Rewatch value: I did rewatch them and I will rewatch them after this, especially the opening of each episode.
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1I recommend this drama if you are trying to watch a high quality drama. Please thoroughly watch this and do not skim some parts cause ik y’all can be impatient sometimes. This drama will definitely make you laugh, cry, and learn *make sure you watch till the end of some episodes to know why you’ll “learn”* Also GIRL THE KISS SCENES YALLLL IF U WANTING SOME HIGH QUALITY CHINESE KISSING THEN WATCH THIS DRAMA THERE AINT NO “GUY KISSING A WALL” SCENES. Ok this my first review ever. Bye
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Both Extracurricular and How to Buy a Friend were really refreshing takes on the high school genre, which I had previously lost interest in due to the fact that most dramas of the same vein were now being reduced to simple, relatively mundane rom-coms. Having attempted to watch many other dramas this year that felt like they dragged on aimlessly, the fast pacing was a huge source of relief.
The main characters are, for the most part, morally ambiguous. The world of Extracurricular isn't solely black and white-- there are various shades of grey in between, which makes them all the more fascinating to watch. The cast does a great job of delivering their roles, and while I initially took it up for the boys, I ended up falling for Park Joo Hyun (I can't wait to see what kind of roles she'll be doing next!) Kim Donghee did a great job of embodying the role of the reluctant, disillusioned antihero. I also loved the snappy dialogue and the dynamics between the characters.
The plot isn't entirely unpredictable, but that didn't take away from the story itself. I was still on the edge of my seat at every turn, both anticipating and dreading what would come next. Overall a really fun watch.
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1This review may contain spoilers
It is all about balance and whole a lot of pain...
In not so many fancy words, I think this movie is phenomenal! Why?• Two hours flew by in a second
• Intimate scenes are so raw and believable, and just the way I want them. If someone can do a nasty yet sensual NC scene that makes your stomach turn is Japanese. This time, the scenes are going so well along the story. Lets be honest, many Japanese movies do have explicit content that can overpower the story, or, especially dramas can lack any kind of sexual or intimate content. This does not make them bad, I am just talking about how well Egoist is balanced compared to Japanese movies, and in general.
• I enjoyed the balance between letting it go and being polite and restrained. Overall movie has that. And all of that is very nicely packed and topped with a hint of luxury and poverty.
• The whole story about financial and emotional compensation left me deeply wounded, so at the end of my short review, I would say this is not a love movie, nor a romance. This is movie filled with love by the people who were severely damaged by life and their families and they did love and they did care, the way they knew how.
• I feel I cannot pick the pieces of my heart after watching this movie and that is not that bad. It made me feel something, it made me feel a lot actually.
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This review may contain spoilers
FABULOUS STORY, POOR ENDING.
The best thing about Korean 'crime thriller/ murder mystery' dramas is, they focus more on showing the criminal psychology than anything else.And what makes 'Memorist' more interesting other than the supernatural thingy is, the meticulous use of cryptology & cryptanalysis. I regret I misjudged it at first.
Being a semi-supernatural drama, it got a fabulous story, which is as expected heavy, since it's also a crime thriller. The lead actor, who got psychometric powers since birth but had to forget about his past in a tragic accident ends up joining South Korean Police force. He rejects plenty of proposals worldwide to get researched on once his superpowers are revealed worth millions of money. Motive: To find about his forgotten past. In this process he along with the profiler female lead, has to encounter challenges involving another superior power, namely 'the executioner' who creates havoc and gets away every time with them.
The direction, screenwriting, editing, connecting plots & events and the entire plot development are really really good. The crew has done an amazing job and the cast too did their respective parts well.
BUT BUT BUT
Let's talk about the ending.
It was DISAPPOINTING. The way the executioner was caught FUNNY and the person who turned out to be the main culprit behind everything, was an absurd end point to the drama. This drama being one of the best of 2020, had to ruin the ending like this. I was totally displeased tbh.
There's a proverb in Hindi language, "Khoda pahad nikli chuhiya" which translates, "dug up the mountain just to find a mice" means "Insignificant returns resulting from enormous toil".
The ending of MEMORIST felt exactly like that. Anyways, this is a must watch that I'd recommend to everyone.
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Those who seek revenge dig two graves.
This is a heartbreaking and sobering revenge drama about an ancient Me Too movenment by nine commoners seeking justice. The two main protagonists, Rulan and Meng Wan are apprentices at Yanyu Tower, whose exquisite embroidery are prized by the imperial palace. Underneath his polished and elegant facade, Yanyu Tower's proprietor and master embroiderer Wu Lian is the worst kind of predator; one who uses his power and privilege to repeatedly manipulate and abuse the young women working for him. When Rulan has the audacity and tenacity to seek legal redress, most including her bestie Meng Wan hesitate to help her; knowing how stacked the system is against them. Ultimately her plight and her conviction inspires nine people to devote their entire reason for existence to taking Wu Lian down and obtaining justice for Rulan and in some cases themselves. There are no fairytales in this drama; their stories are utterly devastating; alternately moving me to tears and making my teeth clench and my blood boil.This drama is not for the faint hearted and comes with a ton of trigger warnings. It is ruthless and brutal in terms of its scathing depiction of the unbalanced power dynamics between the powerful and the powerless. It convincingly articulates why regardless of consequences, Rulan, Meng Wan and their friends decide to take a stand against a clever, powerful and ruthless opponent. Their efforts are stymied at almost every turn and many of them pay the dear cost of justice. Wu Lian is almost too smart a villain and too well resourced. It is dismaying to see these nine avengers fall for the same traps over and over. In desperation, some of them take unnecessary risks and make terrible sacrifices with scant payoff in their attempt to gather enough evidence to indict him.
This is a large cast with consequential roles that deliver all around strong performances. Hu Yixuan's portrayal of Rulan's disillusionment, agony, bravery and forlorn quest for justice is harrowing, piteous and ultimately tragic. Wu Qian also impresses as the icily soft spoken, resolute avenging angel and mastermind of the revenge plot. As for Wu Lian, it is rare to encounter such an intelligent and downright despicable villain, masterfully acted by Qiao Zhenyu. All of the support roles come together well to paint a picture of common people from all walks of life with dreams and goals that get disrupted as they come together to get justice. The thief Li Chunfeng and the embroideress Jue Ming charmed and moved me into rooting for them most.
This kind of drama that tackles such a difficult subject matter is unlikely to appeal broad audiences. It is well executed for the most part but tends to be unnecessarily melodramatic in the later arcs. The villain origin backstory left me unmoved and is not convincing. I would expect Wu Lian's father's concubine to have impacted him in a more positive way. While this story ends in a realistic way, I am not satisfied. Wu Lian's enablers who covered for him repeatedly get off way too lightly. Finally the way this wraps up sends too strong a message that those who seek revenge dig two graves. Revenge becomes their sole purpose and end game to the extent that I wonder - did they really win? There is just too much collateral damage and sacrifice even though Humpty Dumpty can not be put together again. Maybe it would have been better to just live well. I needed to see at least one of the victims recover from this and go on to have a good life. The final What If episode 25 made me feel worse not better. I struggle with how to rate this. As much as I applaud the topic, the acting and how emotionally invested I got in the story, it left me with a hollow feeling after the ending arcs. It is still a good, thought provoking watch but I can only rate this a 7.5/10.0.
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What bothers me the most is that this has the ingredients to be a very good story. It's an arranged marriage in which both parts are taking something out of the situation, in which both parties come from very different backgrounds and have different priorities: Chiwa is a hardworking young girl who has to work two jobs to make ends meet while paying for her (terrible) father's gambling debts; Hokuto is a hardworking man with a very overwhelming family, who wants to succeed in business to uncover a family secret related to his past and take revenge. The premise is good.
Now, if we add to that every cliche from Josei manga you can possibly think of, that's when things go south. Hokuto is that kind of male lead who is downright a jerk and whose backstory is supposed to make you feel for him enough to forgive him for being a possessive toxic jerk. It doesn't work for me. Chiwa is a very interesting character in premise but the moment she starts getting ~feelings~ for Hokuto, we lose her. We have, however, a couple snippets of the Chiwa who should be, I can count at least 3 times in which she read Hokuto and his family for filth, and that is the direction I wish this would have taken. Furthermore, she has, like I said, a father who is constantly getting in debts and disregards her well-being, but instead of it being taken seriously, the comic relief they (think) they're turning him into transforms Chiwa's struggle into something less important.
To that dynamic, add every other thing you can fit in 12 episodes: love triangles (plural), betrayals, paparazzi drama, multiple near death experiences for various people, grudges with daddy, slut shaming, women hating other women on principle, weird family connections pulled in the last minute and making no sense, you name it, it's all there.
I can't help but compare this with Please Love The Useless Me because a) they're both based on Josei manga b) they both came out this year c) they both have the "cold male lead/cute female lead" premise d) they both have Dean Fujioka. And, in the comparison, Please Love The Useless Me wins by a landslide. The premise of that drama was much less interesting than this one, but the character development was good and it didn't retort to the same cliches to fill the story (no girls hating girls, no slut shaming, no evil ex-girlfriend with machiavellian plans).
If you don't like the same old josei premise as per usual, you don't like the male lead treating the female lead in a questionable manner, you don't like a plot that has everything but the kitchen sink and you constantly question yourself why the girl is doing this to herself, this is not the drama for you.
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Can't judge a book by its cover.
Judge Dee is one of the most widely adapted and iconic ancient Chinese detective figures in popular culture. Di Renjie, or Judge Dee was a prominent Tang Dynasty official and twice chancellor to Empress Wu Tzetian. In the 19th century, Dutch sinologist and diplomat Robert Van Gulik translated an 18th century novel by an anonymous author Dí Gōng Àn/狄公案/Celebrated Cases of Judge Dee, into English. He went on to write numerous other Judge Dee mysteries, increasingly crafting Judge Dee in his own image. Van Gulik's books are regarded as a cultural bridge between East and West. They were devoured by the Chinese diaspora long before Tsui Hark fanned the flames with his wildly popular Detective Dee movies.Judge Dee's Mystery/大唐狄公案 loosely adapts nine cases from Van Gulik's novels for the small screen. This drama has notably high production values with lavish sets and costumes designed to create an immersive visual experience. The cases are well crafted with meticulous attention to detail and pay homage to Judge Dee's reputation as a people's hero; a champion of truth and justice for the common people. The cases highlight the discontent at some of Empress Wu's policies and shortcomings of the Tang Code, China's earliest legal code. Di Renjie gained many insights on the struggles and aspirations of the common citizens as magistrate of many important provinces across the empire. This shaped him into a great statesman and reformer in his later years; a chancellor often known to stand up to the formidable Empress.
This is the kind of drama that I should love - its my favorite genre featuring my favorite Chinese detective, set in my favorite Chinese dynasty and is helmed by a few of my favorite actors. The fight scenes are fantastic and the whole thing just looks gorgeous and bloody expensive. Which just goes to show you, you just can't judge a book by its cover. Because even though there are some really great moments, overall this drama just bored me silly.
The problem with the cases is that the four episode are too long when the villain is usually obvious from the beginning. There is not enough development of the suspects or the victims to make the audience care about the why-did-it. The audience also does not get to participate in the solution. Instead, the intricacies of the how-did-its are revealed as flashbacks in Judge Dee's mind's eye. The cases do get better in the latter half as they tie into Judge Dee's past and are shored up by the appearance of characters like Diao Xiaoguan (Zhang Ruoyun) and Lin Fan (Jiang Yi). Even then, the writing tends to tie the minute details together well while leaving big gaps on important things. Thus it is never fully explained what Diao Xiaoguan's motives were or what terrible thing the young scion of a noble household did that got him disowned and left to fend for himself.
The biggest issue with this drama is that Zhou Yiwei pretty much carries the entire crime-solving team by himself. None of the supporting characters are well designed and there is zero chemistry between Ma Rong, Qiao Tai and Judge Dee. This is made even more obvious when Deng Xiaoguan shows up and there is a tangible difference in the dynamics between everyone. Both of Dee's sidekicks appear and disappear inexplicably in the middle of a case as and when the plot requires. Ma Rong is written to be a comically obnoxious character but there is nothing funny about her obnoxiousness. This is the obvious the weak link in the cast and one that is utterly lacking in charisma that unfortunately gets too much airtime. Inasmuch as Zhou Yiwei and Wang Likun deliver a heart-stopping and mature portrayal of attraction and love at first sight, sadly Cao An is written to be a blank character; an elegant musician well past her youth clinging to a silly girlish fantasy over a highwayman (face palm). She only serves decorative purposes until the final case, where she finally gets to shine with her bravery and her foolishness.
In conclusion, this is a visually stunning production that stays true to its source material in terms of setting and thematic elements. However, despite some exciting and well choreographed action scenes, it fails to deliver truly captivating mysteries and is bogged down by lackluster supporting performances. While the cases in Strange Tales of Tang Dynasty (2022) are only a tad more tightly written, the humor and fantastic crime solving team dynamic elevates that series over this one. That said, Judge Dee's Mystery is not a terrible way to pass some time even though it ultimately falls short of making a lasting impression. I rate this Seasons 1 a 7.5/10.0. Season 2 has been filmed and should air by early 2025.
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Yoon Sang Hoon did a best job in a character of a detective. For me, he tried his best and totally succeeded in it.
Ah, Sung Dong Il ahjussi... it's always a pleasure to watch him with a no exception this time too!
Overall I enjoyed this drama, but I think if they packed it all in 16 episodes this drama would have a higher rating and it would be a better watch. l've liked Lee Joon's character, even though he was bad, but there was something great about him and his mind. His craziness was driving me crazy too!
OSTs were really good, especially main song and all those kinds of instrumental played in this drama giving you a thrilling and exciting feeling.
For those who love thriller and suspense genre with a many twisted characters that at some point you want to go into their heads and understand what they're thinking, is totally not to miss!
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Experimental Science
Intriguing plot… innovative concept… poor execution… but great music. This sums up for me the entire experience of watching this drama and why I rated it a 7. For more details, please read on…LUCA: The Beginning is based on the premise of scientists creating a new species of mankind by integrating the DNA of several different animals that makes this breed of humans stronger, faster, more resilient to the ravages of time and nature, along with superpowers to boot. These experiments are backed by a shadowy entity, called “The Establishment”, with seemingly unlimited resources and broad influence that stretches far and wide into the upper echelons of government and subsidiaries in various industries. One such subsidiary fronts itself as a “Church” where its mysterious cult following is headed by a villainous woman who styles herself as the prophet for the second coming of “Messiah” – the new human hybrid. Enter Zi-O, the first of such hybrids.
The drama chronicles Zi-O’s journey from being a lab experiment to escaping the clutches of this cult while adapting and finally learning what it truly means to be human. Along the way, he encounters the intrepid policewoman Gu Reum, with whom he shares a connection to their past. Armed with the knowledge of the synopsis and having seen the captivating trailer, I started this show fully expecting a similar approach to Scarlett Johansson’s Lucy. It turned out rather differently, with mixed results.
The drama is decently-produced, reasonably well acted for the most part, but the plot and characters are quite inconsistently and illogically written. The special effects are nothing to write home about but generally well-rendered, in a minimalist manner, and mainly used to depict Zi-O’s electricity-charged superpower, and pyrotechnics for certain scenes. The production team is led by the hugely experienced director Kim Hong Seon, no stranger to dark thrillers, who helmed notable shows such as The Guest, Pied Piper, and Voice. The screenplay is written by Chun Sung Il, who mainly specialises in comedy with Chuno being the sole non-comedy tagged production in his repertoire of works. The cast contains a number of familiar faces the likes of Kim Rae Won, Kim Sung Oh, Kim Sang Ho, Park Hyuk Kwon, Ahn Nae Sang, and Jin Kyung. Look out for memorable guest appearances in the form of Lee Won Jong at the very beginning and Jung Eun Chae who had a more prominent role towards the end.
The drama starts out brightly at an engaging pace that’s filled with sporadic moments of thrills and intensity. Both leads’ backstories and shared connection are revealed little by little in every episode via numerous flashbacks. The tags for this show are spot on, where here we have mystery, melodrama, and romance in addition to the science-fiction and action. Watching this turned out to be quite an attritional viewing experience from around episode 3 onward and a pretty wild ride overall in what has been an emotional roller coaster, beyond what I had initially anticipated. It’s the kind of show where the good guys persistently get outwitted, take the (numerous) hits, fall down, get back up and repeat. Over and over again, like the wash cycle of a washing machine.
The scenario of our leads being incessantly chased by the same team of bad guys and the FL consistently getting beaten up and having her head bashed against the wall does get tedious up to the halfway point. As it turns out, for a normal female human without the additional exotic DNA, her skeletal structure is in no way less durable compared to the human hybrids because she emerges unscathed every time with nothing more than superficial wounds. As for the ML, given his inexperience in combat and lack of control over his superpowers, he ends up being constantly overpowered by the battle-hardened and ruthless professionally trained villains.
The pace slows down for three quarters of an episode just past the midway point where the FL temporarily ceases to suffer needlessly and, together with the ML, attain some much-deserved rest, among other questionable events that transpired. The momentum picks up again soon after and reached its zenith in the business end of the show where action, tragedy and more plot twists blended to produce the impetus for a thrillingly breath-taking and bitter conclusion to Zi-O and Gu Reum’s story arc as well as the overarching plot. Many viewers felt that the ending is an open one with a possibility of a second season but personally for me, it represented adequate closure where we allow ourselves to write our own epilogue to this whole affair.
I feel that the storytelling would have been more compelling with less episodes. The backstories and the plot set up dragged out more than was necessary, and included too much of the ceaseless running around and fighting (getting beaten up, more like) and meaningless sub-plots with unfulfilled romance undertones. Even with 12 episodes, certain character arcs remained unexplained and plot holes were littered throughout.
As far as the acting is concerned, Kim Rae Won and Lee Da Hee each gave a commendable portrayal of the main characters which were quite poorly conceived, in my opinion. The individual character development, (excessive) pain, and agony along with superfluous misunderstandings between them were frustrating. In particular the FL Ha Neul Ae Gu Reum (why they came up with such a long fictional name in the first place is beyond me) was written to be infuriatingly lacking in any common sense, or even the street-smarts as befits a police detective of her experience. This character continuously places her life and the lives of others in danger, and favours brawn over brains. The depiction of her taking on swarms of villains alone in unarmed combat throughout the entire show is utter nonsense and unrealistic.
The villains are an eclectic mix of characters. For me, Park Hyuk Kwon nailed it with his version of the unscrupulous and conniving NIS official Kim Cheol Soo. Whether as a protagonist or antagonist, he’s always enjoyable to watch due to his versatility and range. The award-winning Kim Sang Ho, as usual, is one of the best supporting actors in the industry. His characters are always layered and brilliantly portrayed, as is the case recently in Sweet Home and now here in this drama as the conflicted cop, Choi Jin Hwan. Jin Kyung’s cold blooded false prophet, Hwang Jung Ah, is rather theatrical and OTT at times but quite convincing especially when spouting sermons from the pulpit. Ahn Nae Sang’s role this time is a little more understated, as the lead scientist Ryu Joong Kwon. Kim Sung Oh’s Lee Son is largely one-dimensional with the stoic and cold exterior, except for that singular moment of tragic loss, a clichéd plot device, that he experiences towards the tail end of the show. Other than that, his main role is simply to inflict physical pain on others. Jung Eun Chae’s Attorney Jung is a scene-stealer, despite her limited guest role, and is actually rather fun to watch.
One of the very few pleasing aspects of this show which is done right, is the soundtrack. I thoroughly enjoyed every song in the album, in particular both the original and acoustic versions of the hauntingly evocative song, Your Eyes. Track listing as follows:
1. Sun Woo Jung A - Your Eyes
2. Jemma - LUCA
3. Lee Da Hee - Your Eyes (Acoustic)
4. KLANG - Gone
This show had so much potential to begin with, being based on a concept that is both innovative and refreshing. The entertaining and riveting start was unfortunately proven to be a false dawn. The production is hampered by the lack of quality screenplay and the resulting downward spiral of the storytelling finally culminated in a hugely incredulous and dissatisfying end.
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