This review may contain spoilers
There is a reason why the tragedy tag is there. The setting of this movie itself is during war, in a war camp where all sort of people is there. The good and the bad people, the honest and the one with ulterior motives. The story itself is unique to me. Usually, movies in a war setting are heavy on tactical or political but Swing Kids focuses mainly on tap dance. When I watched the trailer, it got myself thinking too how did this one ended up as musical movie? The music was necessary to accompany the tap dance. I don’t really know much about American music during war times but it is pleasant to hear. The movie focuses on the hero, Kisoo and how he fell in love with tap dance. How tap dance changed his life, the consequences he got when he accepted his love for tap dance from his fellow countrymen and enemies, and the dream he wanted with his talent. It was a beautiful journey to watch his character development. The other characters are necessary for this development, one leads to the other, and another, until they completed each other. And these characters will be tested on their ideology and loyalty; either to be freed physically or to be freed mentally.
Do Kyungsoo is so incredible in this movie. The way he talked in North Korean accent, the way he potrayed as a bully and the most important is the way he tapped dance. It was so beautiful to watch his character. The second lead for me is the character Jackson. The actor, Jared Grimes, is really into his character, I am so impressed. Jackson is the person that introduced tap dance to Kisoo. The relationship between them is so beautiful, it transgressed language, skin colors and ideology. Park Hye Soo’s English is wonderful and she certainly can tap dance; while Oh Jung Se and Kim Minho completed the comic relief in this movie.
The movie started with a good humor here and there, and later it changed into a serious tone due to a major event in the movie. But the beauty of tap dance is featured in the movie from the beginning until the end. The director is clever to use music as the momentum, mostly the pacing of the shoe’s tap itself, and there are some scenes I literally held out my breath, the tap dances in this movie are that good.
I would love to rewatch it again in the future. This movie is certainly different from the others. Recommended.
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1Sweet and Understated
STORY:Though this drama doesn't really bring anything new to the table in terms of story, it has a sweet, understated vibe to it that made for an enjoyable watch. And while it premiered in 2021, I felt like I was watching something from five or six years ago, but the warm feelings of nostalgia were nice and comforting. Second Chance brings not the annoying ex-girlfriends, obnoxious fujoshis, and slapstick sound effects that seem to inundate more recent Thai BLs and instead takes us back to that feeling of discovering one's self and one's first love in the midst of emerging adulthood.
There are three main stories here: Paper and Tong Fah, Chris and Jeno, and Near and M, with the main focus being on the first two. I do think the writers were ambitious in attempting to deliver so many plots given the number of episodes, and, as much as I adore Near and the actor who plays him, I agree with others who said that his and M's storyline could have been left out due to the miniscule amount of screen time and development, in favor of advancing the other couples' plot lines. But that said, although some parts of this drama felt rushed and/or underdeveloped (and at times I felt like I had missed something), there wasn't a lot of filler fluff, and I do think the writers tried to devote every minute they could to advancing something, for which I'm appreciative.
I also just need to point out that the scene in episode three where Tong Fah and Paper are dancing in one of their bedrooms is one the best I've seen in a BL. So raw and vulnerable—got me all in the feels—and I applaud the actors in evoking those emotions.
ACTING/CAST:
The cast overall did a nice job portraying their characters, some better than others, but none were terrible. Each character was charming in his or her own way. Even the antagonist was devilishly alluring and made me really intrigued to know his (and Jeno's) backstory. The actors had good chemistry with one another, both as friends and love interests, and there was a natural ease about their interactions with one another.
OVERALL:
Do I recommend? Yes, totally. It's short and sweet and hearkens back to the BL days of old which was (perhaps surprisingly) a nice break from the more loud and chaotic Thai BLs we've been seeing lately. This gives me vibes of Love Sick and I Told Sunset About You (note, for the latter, I said vibes, not production quality, so don't compare it on that end lol), and if you're a fan of those and the feelings they give you, I think you might like Second Chance.
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Great Character Dynamics, Messy Plot, Fadel and My Mixed Feelings
After Episode 11, I read a comment saying, "This show reaches new levels of stupidity every week, but at least it's still entertaining as hell. Also, it has Fadel." That pretty much sums up why I like this show. Thanks for coming to my TED Talk—but stay with me for a second. Should you watch this? Refer to the final thoughts for a short answer.(⚠️ Point 4 contains ending spoilers.)
This isn’t exactly a review—more of a discussion and is being written for future viewers to understand that by watching this show, they’ll attach themselves to characters they won't ever forget. The love you’ll have for them will overpower the moments when logic takes a backseat.
When the trailer dropped, expectations were sky-high, which led to massive disappointment for some. Not for me, though, because I didn’t even know this show existed until Episode 2 aired.
So, I think I can explain how *NOT* to get disappointed and just enjoy it for what it is because, trust me, you WILL enjoy it.
1. Don’t expect BDSM.
There’s barely any. The few scenes that touch on it might not even be enjoyable depending on the context. (Or maybe they will be for some?)
2. Is this just pay gorn?
No. It might feel that way in the beginning, but it isn’t just that. Though, I did wish they would just yk HUG sometimes instead of going all the way. Lots of hugs after EP8 tho and most NC scenes were vague ‘going all the way’.
3. Crime and logic? Forget it.
You’d think a story about Hitmen brothers would be action-filled and kinda thrilling with Romance making it all the better? but… nope. This is a ROMANTIC COMEDY, guys. There is some police involvement, but don’t expect anything close to a real crime thriller or something of that sort. Also, if you killed people like Fadel and Bison do, you’d go straight from the crime scene to jail.
That being said, everything is unrealistic af if you really think about it. And I get that not every show needs to be realistic, but when your plot revolves around crime/ this sort of premise, some logic would help make the show better plot-wise. The show lacks that. It has moments that make you go, Really? That’s how GMM is handling this? But despite those moments, the story keeps you entertained throughout. And the characters? They make it all worth it!! Just don’t think about logic and watch it to not miss out on the fun ig.
4. The Ending (Spoilers Ahead!)
GMM tried to give Fadel & Bison a vague redemption arc in Episodes 11 & 12, but honestly? We would’ve been better off without it. And, this pains me to say, but the show might have been more impactful with a bittersweet or even sad ending but a realistic/ logical one. But, of course, it’s GMM. They treat sad endings like the plague.
Now, Let’s Talk Characters.
Fadel:
I thought I had a lot to say, but now that it’s time… I have no words. My love for Fadel is overwhelming. He’s easily one of my all-time favorite characters. Joong Archen Aydin is SO RIDICULOUSLY HOT that I wanted to punch my laptop multiple times. Fadel needs to shoot me ten times and then kiss the pain away—okay, I’ll stop. But seriously, GAWD, the things sweet-talker Fadel could get out of me, I’d be for the streets frfr.
"There must be something seriously wrong with you if you like the smell of gasoline."
"Really? I'm an addict then."
His smile, his hair, his grief, his sharp words, everything about him is beautiful. And Joong’s expressive eyes? They drive me batshit insane! Bonus: The Episode 5 garage scene. "Excuse me, my car broke down." The way he delivered that line made it my all-time favorite NC scene and EP11: “Can we just hug for 10 minutes straight?”
Style:
Alexa, play Diva by Beyoncé.
If I had to describe Style in one word? DIVA. In one sentence? A forever-empathetic, sensitive lover boy whom social anxiety is terrified of.
Style quickly became the most enjoyable character, giving us so many iconic lines:
- "I’m already thinking of opening an OF, and you (Fadel) can be my first bang."
- "SHIT, KANT, YOU MADE ME HIT ON A GUNMAN! I could've made the headlines: Handsome Man Killed in the Woods."
- "Gorgeous man with clear skin found dead in a crop top. My dad will recognize me right away."
- And the most iconic: "Good morning, Khub."
He’s flirty, wears his heart on his sleeve, and puts on a front of happiness—until Episode 11, when he ugly cries and breaks my heart. He’s the definition of a 'girl bestie' who will bring joy into your life.
Bison:
An actual puppy.
Bison is type of person who doesn’t have some grand ambition in life—he just wants a little bit of love and a home. The pain Khaotung expresses in moments of pure rage is phenomenal. His acting in this role was next-level, and his chemistry with First? Out-wordly!
Kant:
People want complex characters, but they can’t even understand Kant. Everything he did was for his brother. No, he couldn’t just leave Babe with Style’s family and let the kid wonder why everyone abandoned him. Kant was trapped in an impossible situation and did his best to deal with it. He’s smart and loving, and while you may not like him at first, you will eventually.
Final Thoughts:
This show? A fun, chaotic mess. The plot? not the worst—just illogical at times(Or maybe I’m just being biased here). The characters? Absolutely unforgettable. Would I recommend it? Yeah, IF you go in with the right expectations (the ones mentioned above) and don’t want to miss out on the fun and AMAZING characters, aka your new imaginary friends.
This is getting long, but I think you can tell that JoongDunk will stand out more to most because both Style and Fadel are simply iconic. This is my 3rd “review” so please bear with me if this is not good, helpful, and fun. Like Kant, I, too, tried my best:(
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I have to admit 39 episodes are somewhat of a challenge. But after ep1 the director made very efficient use of cliffhangers. Hence, you'll just watch on and on and the 39 episodes just fly by!
Story: A beautiful Chinese time traveller story. Qing Chuan gets zapped back to the Qing dynasty. And we follow her meet the great Emperor and his numerous sons. The story is full of love, hate, revenge, intrigue!
While the emperor's sons struggle for favour in court and for the position of crowned prince Qing Chuan is right in the middle of it all.
I loved how all the Princes were portrayed with different characteristics, worries, goals, dreams, faults. Over the course of 39 episodes there was room enough to develop every character. And while we start out hating some and liking others, the story convincingly takes us to other perspectives, different problems and we may just change our minds about some of them or at least find it harder to judge them in terms of black and white.
The actors were doing a great job. Every single one of them did a brilliant job. Yang Mi (Qing Chuan) was probably my favourite character. She was able to portray Qing Chuan so well with all her different facets.
Feng William and He Mickey were just unbelievable. Playing the two may male leads (8th and 4th prince) they excelled at playing intrigue, ambition, hate, cruelty, love, cold heartedness, softheartedness ... the whole range really.
But the Royal Consorts, Princes, Ministers, Eunuchs, Palace maids ... deserve merit as well. This drama was huge. Not just cast wise. But also as far as locations and sets were concerned and the costumes were so detailed and beautiful. The directors and producers put a lot of effort into this drama and the result truly reflects the passion they must have had making this series.
Sometimes the scipt was just a bit lengthy. And the intrigue was getting slightly out of control. In some episodes you can really feel the artificiality of the script. With the Qing Chuan Doppelgaenger, I really feel that was not a necessary episode.
Anyhow I thought all the tiny side stories of some characters were well interwoven with the plot and made the whole drama richer and more complete.
This was my first Chinese historical drama and I had to get used to the difference after being used to historical k dramas. All in all I think i like chinese traditional clothes better than the korean but that hair ornamentation... phew must have been really heavy. I also liked that the females here were all far away from being silly, naive and spoiled. They were all very believable characters.
A must watch for every one who enjoys historical dramas!!!
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The story itself is a very light hearted typical romantic comedy. It has the seemingly cold guy and a bubbly girl. I definitely had my differences with the female lead. She has a habit of lying and turning bystanders against whoever she is targeting (let's be real, most of the time it's the male lead). I found that incredibly annoying and unlikable, but perhaps that is why she is the "fox" in the title. That does stop after about the first ten or so episodes so she has grown on me since then. There isn't really a major over-arching plot, and as of yet, since it is the incomplete story, there hasn't been a climax. The only things that really propel the story forward are the relationship between the female lead and the male lead and the "love square" that they're involved in.
As I mentioned before, the female lead began as very unlikable to me, but the actress portrayed that role quite well. I felt that the male lead however, could be a bit more expressive. I understand that his role is supposed to be cold and stoic, but his expressions could use a little more emotion.
The music wasn't very memorable, but it wasn't unpleasant.
This drama isn't anything special or new, but it is an enjoyable watch. It's a good light hearted show to watch especially as a break between some heavier dramas.
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I NEED MORE!!!!!!!!!!!
Man, this short film deserves MORE attention, this is such a treasure. I think strongberry has a big potential series to produce with this, seriously. If someone from this company read this PLEASE do a big series, with a big time of episodes, to develop the story, show more of the Korean culture, food, people, make a Korean dear John, idk, make something big and good like this short film. The actors are very talented, the story is good and makes me curious and makes me want more. The soundtrack is good too. please give fujoshis a good show we deserve after a lot of shorts films and medium dramas.Was this review helpful to you?
This review may contain spoilers
People who watched the first season should know that Age of Youth (2) is a slice-of-life drama about five flatmates living under one roof. AoY to me was always about the realistic portrayal of friendships. We see how the flatmates stand by and support each other through their individual difficulties. It's really different from most K-dramas which tend to use same-gender relationships as a sort of fan-service. In AoY, all the interactions are natural, not over-exaggerated and not amplified. It's exactly like how I imagined friendships to be (I have no friends, jk). In short, it's an accurate depiction of how friends are like in real life, and as a viewer it's easy to relate to.There are a couple of cast changes in the second season. In particular, Park Hye-soo was swapped out for Ji Woo. I think a lot of people disliked the character. I do agree that she's a lot less likable in this season. Rather than attributing this to the new actress, I feel that the writer has gone slightly wayward in her characterisation of Eun-jae. Or perhaps as viewers we are more partial to the meek Eun-jae than the transformed Eun-jae. I think the scriptwriter probably wanted to show character growth, but the execution was unfortunately not up to par.
Kang Unni is also out of the picture at Belle Epoque, with Choi Ara playing the new-comer Jo Eun. I liked the introduction of Jo Eun. I thought her character was really interesting, especially her "friendship" with Ye-ji. They also briefly touched on homosexuality, although the topic was quickly brushed over. After I watched the finale though, I was really confused as to what this "friendship" was to each party. I would really like them to elaborate on it. Anyway, I thought this was a nice touch and they probably could have explored the plotline a little more. I don't really care for her romance with Seo Jang-hoon though. I don't dislike it, but I didn't think it was a highlight. This is just personal and from the comments I've seen, most people quite like this couple.
Ye-eun's loveline is the one I liked most (other than the Song-sung couple that is). I don't know how Onew* would have been, but I feel that Kwon Ho-chang was perfectly cast. And nerds are always endearing. His relationship with Ye-eun is like a reversal of power compared to her previous relationship. In any case, I felt that they were really cute.
Yoon sunbae is the glue that holds the house together. She's seemingly aloof on the outside but she's really taking care of everyone else, and not getting appreciated for it. I don't like the job she was given in this season. I thought that with how they had emphasised so much on her struggle with jobs and internship they'll hand her a job of a higher perceived social status. I'm not saying that working at an entertainment company is bad, but it's certainly no where near the top of my "dream jobs" list. Also, I personally do not follow Kpop and all, so I'm really indifferent to the storyline with the idol group which was cast aside. It's alright, but I think this could be done better.
This season though, the spotlight is on Song Ji-won. I don't think I need to elaborate further on how fantastic her character is. Her story was the focal point this season, and provided some insight on how her personality came to be. I think a lot of people may feel that her storyline didn't get closure, but I thought it was the best way to handle the situation. Because if everything went perfectly, this wouldn't be called Age of Youth. I still like her interactions with Im Sung-min. *SPOILER ALERT* I really do hope for another season just so we can see them get together. There are hints since the man holding the girl's hand in Ep13 is clearly Im Sung-min, but I would like their relationship to be more explicit and not just implied. *SPOILER ALERT*
In summary, I think AoY is an awesome drama. In the first season my attention waned towards the end but this season I sat through the whole drama, catching up on episodes as they air. I rate the sequel a little higher than its predecessor, though it may just be the freshness playing on my mind.
EDIT: Corrected name of original actor for Kwon Ho-chang.
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I read from many places that this is kind of remake and ispired by korean drama 'you who came from the stars' even though this is really based on chinese novel series.
I admit, story sounds similar and female lead has similar traits with Cheong Song Yi's character but that's where the resemblance ends. And I'm actually glad that this was different from 'you who came from the stars'.
So we have self-confident actress Tian Jing Zhi (played by Wu Qian) who in the beginning is in distraught by getting dumbed by her childhood sweetheart boyfriend after proposing him. While venting her anger she gets into car crash and accidentally revives immortal Xue Ling Qiao (played by Kim Tae Hwan). Jing Zhi almost died but Ling Qiao with his abilities payed back the favor by healing her.
Ling Qiao, being lived in the earth for 500-something-years and being 'asleep' for 100 years he didn't know anyone and didn't have anywhere to go. The only person he could think of was Jing Zhi and thus he kind of forced himself as Jing Zhi's roommate.
This is where all the fun began, Jing Zhi being her bubbly and hyper self and Ling Qiao being serious and quiet.
I enjoyed the side characters Zhang Xuan Xuan (Shen Meng Shen), Li Yan Zhi (Fu Jia), Ye Chen (Xu Ke). I really wanted writers to concentrate on these characters more but I guess episode duration would have been too long. They were important to the story and all actors did great job representing them. This drama made me a fan of Xu Ke and I hope I will see him in more dramas in the future.
At first I felt in couple first episodes that plot isn't going anywhere. But those couple episodes was full of funny moments because Jing Zhi's character is kind of comical so I enjoyed it. Then plot started to take place soon and I was so into watching this. A little dissappointment was Kim Tae Hwan's performance, who as a novice actor didn't quite convey enough emotions for the viewer to feel it properly.
If you're awaiting some mind blowing romance from the start, you will be dissappointed. Scenes between Ling Qiao and Jing Zhi were sweet but romance evolved kind of slowly.
Main bad guy in this drama you can guess if you have good instinct and have watched this kind of dramas before. For me, I guessed who the bad guy was pretty quickly. But nevertheless, I was enjoying watching this. I felt like there weren't any extra character put there like an accessory but everyone had their own meaningful place in the story.
Only thing that was major disappointment for me was one plot turn happening in later episodes. All except that, I can say I am quite happy with 'My amazing boyfriend' and I hope they will make season 2!
Oh, and music was good too! I think I will go looking for OST ;) And I'm even interested to read My amazing boyfriend novel series if I ever find it translated it in english somewhere.
Overall; if you're a fan of fantasy and romance, this is definetly your drama.
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As If You Whisper tells the story of Bom Soo, an aspiring singer that is stuck doing vocal guides despite his talents as a musician. Then he meets Hyun Woo, a man that's been watching him for awhile. Though the story doesn't focus solely on the romance, I think the happy ending combined with Bom Soo's self realizations is such a wholesome completion. It'd be easy to make this a sad ending, but they didn't.
The music is also great, and the actor worked hard to record it himself. All together it's just a really solid, inspiring production.
I bought this on Vimeo for $6.99USD and I really recommend you do the same if you can. Please try to avoid watching this on YouTube. It's a small production company specializing in queer Korean films (which is a country already lacking in high-quality LGBTQ content). I really think they deserve the support so that they can make more amazing films and dramas like this one. I'm so glad I watched it, and I'll definitely rewatch it.
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This is a must watch! The action, the mystery and the acting was just superb. Everyone must watch it even though it's a little scary, I am the biggest scaredy cat and i still finished it. It might not even be scary to you, so watch it. I Love love love this movie. Tebak:0
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SIDE NOTE: Been watching the English Sub, YouTube, 1080p, approx 30 minutes per episode, translated by Yzd_International_Fanclub, thanks guys!
ACTING/CAST: This is quite an attractive cast, and they play their parts very well.
MUSIC: Very good throughout the series.
REWATCH VALUE: Yup.
OVERALL: I'm am AMAZED at the production value of this! The set design and costume design are A+. It's a gorgeous production. I can't wait to watch more!
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This review may contain spoilers
Light, pacing & space set in the perfect ratio, honoring not only 1 but all K independence activists
PROLOGUE:One might criticize that historical facts about the historical figure Ahn and his person are too brief. That too much poetic license was taken with regard to the fictional comrades and opponents in this case. Even, that these guys also remain too pale as individual characters. That too little pace and tension are built up, and that there is overall too much debate in the dark.
But then, it would have been a completely different film. With a different message.
From my perception, “Harbin” does not want to tell us about historic events as it was, but to stage the dilemma, the hurdles, the challenges, the performance, the passion, the agony of the Korean resistance struggle as an epic monument. We do not get heroes in shining armor, but desperate fighters for a fairer world - for their freedom, for their country, which is their homeland, for their families or the families they cannot have themselves. "Harbin" wants to honor their price, which they paid for all those who now can actually live in freedom and relative independence today. In addition, "Harbin" is choosing a critical approach - with its focus on the struggle for perspective, hope, morality, and justification in regard of the many painful sacrifices.
TERRA NULLIUS BETWEEN LIGHT AND DARKNESS, BETWEEN RIGHT AND WRONG
Anyone who has seen "Harbin" will not forget "Harbin". This is ensured by the haunting staging, with artistic ambition consistently composed in terms of film technology, to set light, pacing, and space in the perfect ratio.
Here, preferably filmic means like camera, light, powerful scenes that burn themselves unforgettable into the memory were used! Whereas dialogues provide less contextual information but convey the personal and collective struggle for the right attitude. It's about morality and the opposite of it.
We do not learn much about the historic independence fighter Ahn, about whom one could have made a completely different film. His personality would certainly have allowed for that. And yet, in drastic scenes and moments, we learn what he deeply stands for: For an upright, just attitude that does not want to repay like with like, but wants to do better. Ahn fails in this, but he does not give up. Until the end, he stands for what he considers right. We do not learn in "Harbin" that he wrote a treatise during his imprisonment - a concept for a better world. But we have come to know him during those 108 minutes as a man to whom we can certainly trust that.
The others who work with him and against him are practically nameless and stand for the many nameless who struggled and suffered in their own way back then - under the cold, the cruelty, the hopelessness of this underground fight in the far north of Mongolia. And yet they made their contribution.
POETIC AESTHETICS OF DARKNESS
For a Western audience, "Harbin" may present a challenge in two respects. The KMovie is (like many other KMovies) not action-heavy but relies on the intensity of slowness. Even in this one, action is used sparingly. The subtle driving force is rather the aesthetic concept: This does not rely on light, but on shadow, on the poetic aesthetics of darkness and its subtle nuances, where diffuse light highlights textures and shapes. Adding sparse, precisely selected color impulses and contrasts, too.
With refined, powerful visual impression the icy bitter cold in the snow-covered forest, on the frozen river, and in the vastness of the desert landscape of Mongolia comes almost tangibly close to the viewers. Nature, in its powerfully aesthetic staging, becomes a symbol for the arduous path to freedom.
At the beginning, we are confronted with the inhospitable nature of underground life, where light is sparse and food consists of cigarettes. The cigarette smoke makes the dim light even more diffuse while the coats make the cold of the barren rooms appear even colder. And then the story catapults us abruptly and mercilessly into the unvarnished repulsive ugliness of this resistance struggle – in the scene in the icy, blood-smeared mud the bestial brutality becomes almost unbearable to watch.
All this represents and reinforces the sheer despair of the brave warriors who want to fight for their freedom from the oppressors despite all odds. Under almost hopeless circumstances. In an almost superhuman struggle with themselves and with what is right...
A TRIBUTE TO THE KOREAN UNDERGROUND STRUGGLE FOR INDEPENDENCE
This joint fight for justice, independence, and freedom deeply defines the Korean identity as a nation, just as the suffering that the people share due to injustice, dependence, and oppression - the 'Han' as a collectively shared, yet individually felt pain, mobilizing a sudden strength and unexpected collective resistance (in this case against Japan).
The willingness to make sacrifices as well as the necessity to make sacrifices are deeply rooted in tradition. This may also be deeply problematic in itself, but like everything: it has two sides. Right? Wrong? Everyone has to decide that for themselves.
However, "Harbin" is not about judgement. It is about honoring those people who had actually dedicated themselves to this conjoint resistance struggle: not wanting to be oppressed and treated as subhuman beings (by Japan). "Harbin" represents an aesthetically intensified tribute to those against all odds fearless fighters. Woo Min-ho did not want to create a historical film here. With the context of this legendary assassination the KMovie rather sets a cinematic monument not only to this legendary independence activist, but by doing so, to all of the others, too. Therefore, at the same time, with the example of this legendary assassination in Harbin it sets a monument to the entire Korean resistance struggle, too - then, before, and after.
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A true joy to watch - with a HEALTHY & WHOLESOME relationship! :D
If you think that this is some tearjerking, serious, or sentimental drama just because it deals with disabilities (the poster image on here really makes it look that way), I assure you, it’s the complete opposite. Full of fluffy, goodhearted romance and comedy, and most importantly, one of the rare dramas that has a healthy relationship with open communication and realistic problems between two socially belittled individuals, Koi Desu may just be one of my favourite J-Dramas of this year. FINALLY Sugino has a breakthrough character that perfectly fits him, and the acting between both FL and ML is effortless and it just makes you feel all warm and fluffy while watching them!Sugino Yosuke has really been meh in other shoujo/josei dramas I’ve seen him in, either being too cringy as an “ikemen” character or not memorable enough. I really think that this is a huge turning point for him, as he plays the character of Kurokawa Morio so effortlessly. Morio is goofy, earnest, and wears his heart on his sleeve, not taking offense and trying to learn and understand Yukiko’s eye condition, which creates an unbelievable gap moe to his threatening “yankee” demeanor (he just looks cute imo). He’s patient with the FL and understanding of the protectiveness of her family, never pressuring the FL to reciprocate his feelings for her.
Sugisaki Hana has also been very “meh” for me, but her character as Yukiko is headstrong, kind, and independent in this drama. Her acting and skepticism towards Morio is realistic and understandable. She is someone who is constantly wanting to prove that she can do things just as well as others can. And the two really do have an affinity with each other!
The other characters are all really delightful to watch, and the drama is kept to a minimum that gets resolved by the end of the episode. It’s an inspiring, uplifting drama that will leave you feeling giddy and envious of the leads’ onscreen relationship. I highly recommend it! :)
Also, the little informative comedy asides by the comedian Hamada Yutaro, who is also blind in real life, are really entertaining! I love that they included him and gave him a platform to speak and further explain the tools, resources and feelings that blind individuals encounter on a daily basis, all in a light-hearted fashion. You definitely don't want to miss this one!
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This review may contain spoilers
The Confusing/Boring Solution (interesting premise let down by poor writing/editing)
Overall: although episode 6 finally explained things, they ruined Ryou/Mai. It could have been a masterpiece with solid writing but I regret watching this. Aired uncut on GagaOOLala (1st episode was 1hr11min), cut on YouTube PTG Entertainment channel (1st episode was 45min). September 2024 they released the uncut version on their YouTube channel https://youtube.com/playlist?list=PLLwO0HIPrzVqg8pOveOEbzGzubh0XVs7D&si=YWn1lSeK9Yv-oWbn I watched the uncut version.Important Plot Points to Know
- the very first scene is a flashback, there are flashbacks several times but they don't indicate they are flashbacks, the woman in the flashback is a character in the present
- the sandwich dude is playing two characters, himself in the present and his dad in the past
- the world building is explained in the final episode
Content Warnings: non con touching/attempted rape, punch, bullying, manhandling, non con turned consensual, slap, manipulation
What I Liked
- an established couple with realistic relationship issues
- decent solo NSFW scene (only in uncut version)
- camerawork where everyone else moves at a faster speed but the main character doesn't, to show how he's stuck
- the high school storyline up until the 2nd half of episode 5
Room For Improvement
- the way it started was confusing (note, this is a flashback)
- scenes jump with no explanation of how a character got there/when, for example, when/why/how did he get that business card? they never show the one guy being locked in the locker room? (explained in ep 6) why does Patis get a key from that nurse? why didn't they actually show the wish asking scenes in more detail (explained in ep 6)
- they needed to do more world building/hints prior to episode 6, they should not have included that grocery store scene
- episode 6 ruined Mai/Ryou, Mai should have stopped right away, also Ryou's wish was so awful, so we don't even know if the love was real or just because of the wish
- I don't want Thana and Patis together for many reasons
- I'm not sold on that level of tame kissing with an established couple and then how Patis is reluctant many times
- stupid wishes, why ask for a job when you can ask for a trillion dollars???
- cliche female character
- the pink transition effect was distracting
- open ending
- confused why they age restricted their youtube episode themselves as the cut version doesn't have anything in it that warrants being age restricted
- episodes are odd/out of order on their youtube channel
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