Reviews

it could've been good... but it wasn't.

besides apo (the only good character in this) and the swimming club friendship (aka puth, song and kluay being babies), this show was a train wreck. we had a rape scene that was never addressed and waii didn't even bother to apologise to apo.... we had a great lesbian character turned into a predator (which is very harmful to the lesbian and lgbt community) and then become straight? bi? what tf was that clownery??? we had some of the most terribly written female characters ive seen (wan being shown as crazy and evil and then being slutshammed, mai being possessive and manipulative, and fay being a victim of the cliche cheating plot) and forced romantic dynamics (yes this applies to waii&apo as well as kluay&achi). i wont even get started on that age gap couple bullshit.
waterboyy could've been a good show, but gmmtv made every single decision to make sure it was a disaster. and tbh thats sad because the cast is amazing ):

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Definitely a gift for DMBJ novel fans

Ultimate Note final thoughts:
I remember being extremely suspicious of the cast and the length of the drama in the beginning.
However after the trailers got released I felt a bit more positive.
Then the first ep got released and I was utterly speechless with the amount of info they squeezed in one ep and how fast paced and how much they followed the novel.
Of course there were a few things that were changed to increase the screen time of some characters, but it was handled really well and it even added more depth into the show.
We feared that everything was going too smoothly and we prepared ourselves for the worst. However, it never came? The show was consistently delivering and even improving in the many aspects.
Even though the ending was an open ending, it was quite fitting considering the final book was not included, they were still able to fit in information from book 8 and even fan theories. They were able to lay out everything in a way that was easy to digest.
They were able to make us feel happy, sad, scared and worried about our main characters.
They showed us more than we ever thought we would get.

The sets were amazing and the graphics was good enough to considering the budget constraints. What appeared to me is that they knew where to put more attention in and where to put less.
Also I noticed the awkwardness in the filming mainly showed up when it was mundane scenes where they were not going into tombs or in the wild.

This Iron Triangle is definitely my favorite, we see them growing together, developing an unbreakable friendship after so many life threatening situations.

Now onto the actors,
Zheng Shunxi: I was the most skeptical about him at first, I've heard bad reviews about his previous acting and that didn't give me a good impression. I then watched Journey Across the Night and was impressed with him and I could see him as Wuxie then. And then his performance in UN definitely surpassed my expectations. He acted really well as a innocent but also temperamental Wuxie, a Wuxie that is hurt and has grown throughout the series. And lastly and more importantly is his emotional scenes were always very well done and it's a blessing he was able to act as Wuxie.

Xiao Yuliang: I knew him from Shahai, and honestly there was not enough of him to know if he would be good enough or not. At first I was surprised with how much emotion he was expressing in UN. I sometimes forget that Xiaoge is human just like everyone else, he is good at having a stoic face, but he still feels pain and happiness. I am glad he brought Xiaoge up to life, I could see what he was feeling and thinking when seeing his Xiaoge. And his action scenes are such a delight!! It's so different seeing action scenes performed by someone with some martial arts background! Also the contrast between his irl personality and Xiaoge is really impressive too, it shows how much of a good actor he is.

Cheng Fangxu: first thought seeing him was, he is not fat enough!! But when he started speaking in the trailer I already knew he is Pangzi himself! I liked how he was not here to only bring in the comedic effect, he was here like a mentor to Wuxie, he in many ways influenced Wuxie's growth as a tomb robber. There were times were his acting was a bit exaggerated but it was for comedic effect and I am completely fine with it. What I like the most, is how he himself is such a good older brother to the other two.

The rest of the cast also did a really good job and I am extremely grateful with everyone from this team. This is one of the most beautiful gifts a DMBJ fan can ever receive.

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I really can't write about this drama without mentioning the writers ''Park Sang Yeon'' & ''Kim Yeong Hyeon'' and the wonderful team who worked on it. As soon as I heard about this drama I was so excited, I did not care about the cast who'll be part of this big project, only those two names I mentioned earlier I knew I would be in for another incredible and memorable journey and I was right. Indeed it's as great, thrilling and passionate as Tree With Deep Roots and Queen Seon Deok both also written by these two writers, I consider them as the best Korean historical dramas I ever watched and of course SFD is third in the list for me.

It's not in my habits writing reviews for a Korean drama, actually it's the 2nd I write but this time I had to, because it was such an exciting and incredible experience. I want to always remember the emotions I went through while watching this drama, I really screamed, smiled and cried a lot (well did not cry that much but some scenes were so touching and lovely which had me in tears) I already feel very empty now we're already in the end. I'm wondering when I'll be able to watch and find such a gripping and fascinating long Korean period drama ?!

I started SFD while it was airing but I had to stop cause I knew waiting each week for only two more eps would be a pure torture for me, so this was only three weeks ago I decided to properly marathon it and aigoo those three weeks went way too quickly. This drama is simply addicting, once I finished an episode I felt the urge to watch the next one, it leaves you no choice but to go watch immediately what's coming.

Maybe now I should tell how this drama managed to captivate me like that and how every ep killed me, first reason is all those references from Queen Seon Deok and Tree With Deep Roots, and I bet all people who watched those two fantastic dramas are/were feeling the same, I was always so impressed and reminiscing about the quotes and characters of these dramas, simply yes I was speechless and always thinking those two scriptwriters are real geniuses to make me going crazy and happy like that. Secondly it's all those political intrigues, the way Sambong and Bang Won were portayed here, how they could manipulate people and control them the way they both did and most of all their ability to read in their opponent's minds, I admire both them for that. I love smart moves and political intrigues in dramas and this drama had all of that. And third reason is that I always wanted to watch a drama which would show how Joseon Dynasty was established and here it was so wonderfully explained and done.

When I think about all the cast I have no words because all actors were so into their characters and we could feel how much invested they were for this long historical drama, they delivered such a electrifying , sincere and wonderful performance, I literally fell in love with all of them, just maybe from my point of view I did not like Seo Yi Sook 's acting (Moo Hyeol's grandmother) it's very personal and I just did not find her very convincing, otherwise all other actors did so well, zero complaint about them simply the opposite, they were all phenomenal.
Of course first I have to comment about Yoo Ah In and Kim Myung Min's awesome's portraits, they were totally the characters they played ''Lee Bang Won'' and ''Jeong Do Jeon'', it did not feel like they were acting, it was simply really as if they were in front of me, like I was seeing each one of their every actions and moves.
Frankly speaking I'm not so fond of Kim M.M but I will never ever forget his flawless performance here, one word : grandiose. As for Yoo Ah In, his facial expressions, words, moves gave me goosebumps, he was too imposing and magnificent. I think I said enough about these two amazing actors, they would definitely not leave you indifferent.
It's hard for me to choose a favorite character cause I think the writers here wrote them so perfectly, there's no one I love more than the rest, well maybe Gil Tae Mi because he added so much fun to this dark and very tense atmosphere, he was so cool, skilled, sometimes stupid and hilarious even when he was about to kill some people, I just couldn't hate him ! Another one I liked a lot was Lee Bang Ji and I personally do think his character was so well written , I'm just a bit too sad he did not have (in my humble opinion) as much screen time as other dragons, in some scenes I was completely missing him and was wondering where he was and what he was doing, I love him because his care for his sister and his loved one was so sincere, beautiful and pure, he did not want to involve himself into politics and all what he did was only because of their dreams and ideals, he lives for them, that's how unselfish his love is for both of them, I can only admire him!
I would like to write some words about other dragons and characters however I think I already said too much, just I will say these things : Cheon Ho Jin as Lee Seong Gye did an awesome job, he never fails to surprise me, I don't know much about Lee Seong Gye and did not read anything about him except that I know he was the first king of Joseon and from what I saw here in SFD he really had a tragic and sad life.
Boon Yi I like her a lot and especially her relationship with her brother which is so beautiful genuine and filled with so much tenderness, I always have a thing in drama for brother/sister's bonding and in this one it was simply just so touching, I was always so happy when they were only together on screen, discussing, eating playing together. Boon Yi is a very caring, brave and smart girl, I really appreciate that she never gives up on her dreams and till the end she believes in it and simply wants to be happy with her family and people.
Moo Hyeol I love him so much in the first place ( eheheh TWDR yeah) so badass, unselfish, generous, strong and sweet at the same time, I always found his way of fighting so cute and funny but in the end he had to grow up and become mature, it was very painful to see and Yoon Gyun Sang did a really great job with his Moo Hyeol's portrayal. I also wanted to say I loved all these supporting characters as well especially Ha Ryun, Yoon Rang (very charismatic woman), Lee Bang Woo, Lee Ji Ran, Jo Joon, Gil Seon Mi and Hong Dae Hong and for sure the drama would be totally different without them <3

Needless to say the sceneries, settings, colors and costumes were so gorgeous, every costume fitted perfectly for each character, I particularly loved Boon Yi's dresses so simple and yet very eye-catching, suited her personality so well, I also loved her hairstyle <3 I would say the same for all other characters' costumes especially those Yoo Ah In, Byun Yo Han, Cheon Ho Jin, Gong Seung Yeon, Park Hyeok Kwon and many other wore, very colorful and elegant .
The Ost was really great and the ballads were always used in appropriate moments though there weren't to my taste, I loved BGM more and songs Muiiya and Cheongsanbyeolgog (I think it's the title) more. In any case the ost was wonderful so no complaints from me.


I'll end this review with those four fantastic quotes, I had shivers all over my body when those sentences were said.

-''The King is just this country's flower. The Roots have to be this land's scholars, confucian scholars and officials"
-''If you want to fool your enemy, you'd have to fool those around you including yourself''
-''How can betrayal be a sin ? In this turbulent times, believing someone is a bigger crime ''
-"Since the world began, the weak have always been stepped on by the strong. Even a thousand years ago, even a thousand years from now! The Strong steal from the Weak. In this world the only truth is that the strong take and swallow the weak ... this is only the constant truth"

I would probably rewatch this drama as it brought me so much feels since the very first second, Political dramas are generally too heavy for me but I always found Political Historical dramas to be to my liking as I've already seen many and I noticed the writers always manage to make them so interesting and appealing especially when the characters are so well written like it's the case here.
Highly recommended, it's the first time for me to watch such a long drama and to not feel the length, 50 eps of pure awesomeness and if you want my opinion I did not see the time passing.
Last but not least, this is one of the most intelligent dramas I watched and I would recommend for people who haven't wacthed Tree With Deep Roots nor Six Flying Dragons to start with SFD first and then watch DR.

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This is one of the few dramas that I've managed to complete this year. For me this was an enjoyable watch and I liked tuning in to every week for new episodes. Initially this drama started off as very interesting and fast-paced. Since this drama is a murder mystery I was only hooked to it till the end for its revelations. So did it live up to the expectations it set during its run? Somewhat yes and also a major no.

The plot is quite ridiculous honestly. It makes little or no sense. However, the cast is lovely and the main actress played her role quite well. I have seen her works previously and trust me, she has improved immensely here. This was a drama for me in which I stopped caring about the romance after midway. The murder mystery and villain was what it was all about! The villain is damn good and it helps that he was so, so attractive to look at. :D

This drama had some high-riding moments where you'd wonder who did what and why. A lot of things were wonderfully executed. For me this drama was a solid 9-9.5 till the last four episodes where things happened out of the blue.

This drama is no different from any other Kdrama because like every drama out there, it starts out with a bang and ends leading upto nowhere.

The OST was nice to listen to. It wasn't my favourite but it wasn't bad either.

I recommend this drama to people who don't mind mindless fun. Watch the first couple of episodes to judge if you like it or not.

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Sad People in Love

From the jump, Pavane feels like it exists in a slightly warped reality where everyone is lonely, underemployed, and quietly disappointed in themselves, which already makes it more honest than most romantic films. The story centres on three people working in the same department store, which is basically a factory for emotional suppression. Gyeong-rok parks cars while chasing dance like it’s a personality trait, Mi-jeong works in the basement like society physically pushed her underground, and Yo-han floats around as the charming, slightly strange friend who seems socially successful but radiates the kind of loneliness that comes from being liked without being known.

The romance between Gyeong-rok and Mi-jeong does not arrive with fireworks or dramatic confessions because this film understands that people who feel undesirable don’t flirt like normal humans. Their connection grows through small glances, long pauses, and the shared exhaustion of knowing they do not fit society’s idea of a perfect couple, which somehow makes their relationship feel more intimate than any cinematic grand gesture ever could. It is not fantasy love, it is survival love, the kind that says, “You also feel out of place? Great, let’s be uncomfortable together.”

Mi-jeong sits at the emotional centre of the film, and instead of giving her a makeover or a glow-up montage, the story does something far more radical by letting her remain exactly as she is and demanding that the audience take her seriously anyway. She is repeatedly criticised for her appearance, as if her face itself is a social failure, and the film never pretends this cruelty does not wound her. But it also refuses to turn beauty into her redemption arc. Her worth comes from endurance, from continuing to exist in a world that keeps suggesting she should not. Go Ah-sung plays her with a quiet vulnerability that feels like someone constantly holding their breath, revealing trauma, fear, and the aching desire to be seen without ever turning Mi-jeong into a lesson or a slogan.

Gyeong-rok is gentle in a way that feels painfully realistic because he is clearly in love and yet emotionally illiterate, like a man who downloaded feelings without reading the instructions. He hesitates, misreads situations, and can be frustratingly dense, but that clumsiness makes him feel human rather than engineered. Their relationship never feels manufactured; it feels like something that grew by accident because neither of them expected to be chosen.

Yo-han is the most ambiguous figure, hovering between friend, observer, and emotional disruptor, adding a slightly surreal layer to the story as if he understands the characters better than they understand themselves. Sometimes this perspective deepens the film’s exploration of loneliness, showing how charisma can coexist with isolation, but at other times it pulls attention away from the central romance just as it begins to settle into rhythm, which raises the uncomfortable question of whether this imbalance is intentional or simply a flaw in the writing.

Visually, the film leans into muted colours and a faintly vintage atmosphere, turning the underground parking lot into an obvious but effective metaphor for lives lived outside society’s spotlight. The cinematography is restrained and elegant, and the use of classical music lifts certain scenes into something almost dreamlike. Yet the pacing in the second half weakens the overall impact, as transitions between emotional moments feel awkward and uneven, creating a pattern where the film draws you in deeply and then abruptly lets you go before the feeling can fully land.

Still, despite these structural issues, the film leaves behind genuine emotional weight because its sincerity about love, insecurity, friendship, and longing cuts through its imperfections. It is less about happiness than about the way even brief love can permanently reshape how people see themselves. These are characters who believe they do not deserve affection and slowly realise that being chosen once might be enough to sustain them for years.

Pavane is not a spectacle and does not trade in fantasy or transformation. It offers hushed pain, awkward tenderness, and the quietly devastating idea that someone might love you exactly where you are: in the basement, in the parking lot, in the version of yourself you assumed no one would ever pick. And somehow, that restrained hope feels more radical than any dramatic romance ever could.

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Bright Dimples start but Crash landing 2nd half!

Just got watching Zhou Yi Ran (ML) in School drama "When I fly to you" now here he is in another lovely school drama.

First 15 Ep. 9 stars!

1. It's not a drama where there's one sided love of an academically challenged FL acting 10 years younger & chasing a silent ML trying to overcome some trauma. FL lead is smart and complex. She's a little bit of everything.
2. Drama feels more realistic. FL is from a divorced family trying to deal with all the sudden changes on her own. Adjusting to a new city, new school & a new blended family forced her to be more mature.
3. ML: Zhou Yi Ran plays another quiet boy role but his character comes from a different kind of family hardship.
These 2 meet and a connection forms as they can relate to each other through thoughts and actions even before finding out about each other's situations.
4. Chemistry: FL has cute dimples & ML has cute dimples. What a GREAT pairing! Yes I am a sucker for dimples.
5. Good supporting characters. Good friends & characters is a must!
6. No unrealistic over toxic characters so far.......
7. The brother from the blended family. He will grow on you.

After ep 15 it drops to 3 stars. It feels like a complete different drama! What just happened!?!? Did they change writers?
Anticlimactic the way they met again in college and resolved the past
Lack of time on supporting character's development and relationship development.
Introduction of toxic characters that's not needed
FL takes a back seat and the focus is 70% on the ML's dream
Choices became less logical

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I enjoy action/adventure stories, that's what initially made me interested in this drama but... I have to say it's a complete mess.
The story on its core it's a really interesting one, with plot twists, intriguing characters, interesting old history but... It's so badly executed! And I don't mean the production, which is pretty good for a chinese drama. The script is a mess... I'm sure the books are really great, but there are lots of times in this drama when you have no idea why something happened, or why the characters are doing what they are doing. I know that some things are left unexplained simple because this is intended to be an 8 part series, but I mean things like: one of the main characters appears out of nowhere, nobody knows who he is, he doesn't speak, he joins the party and everybody plays along with that. I don't know, maybe I'm too picky, but I think this had the potential to be very good and instead it's nearly mediocre.
On the bright side, I'm really interested in the books right now =P

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Father + daughter challenged in the face of presenile Alzheimer

Cassiopeia has already won the Korean Association of Film Critics Awards 2022.
I would recommend it, too.

The KMovie Cassiopeia tackles an unpleasent subject: presenile Alzheimer's dementia. In an increasingly aging society, dementia will become more and more present and more common within the personal environment of all of us. Most cases occur at ages 65+. However, a small percentage is also affected at a younger age. This can even occur very early due to hereditary factors - as documented sensitively and unforgettable in the KMovie "A Moment to Remember". But this can also have many other causes. Dementia is a shocking diagnosis at any age, because with your eyes wide open, your own life inevitably slips away... faster than you imagine, you will no longer be able to recognize your own children, partners, friends or parents, while also the bodily functions will do their own thing.

"Cassiopeia" is about a woman in her 40s who is overwhelmed by presenile Alzheimer's dementia. However, the narration is slightly different than in "A Moment to Remember". "A Moment to Remember" captures the strong emotionality of the mental degeneration process practically from within - in touching scenes and sensitive relationship dynamics and tells the story of how memories in her head are erased as a painful loss for everyone involved. In "Cassiopeia", on the other hand, the audience follows the accumulating social moments in a comparatively objective manner, in which the exponentially progressing decay of the nerve cells is expressed - simply stating, so to speak. (Just as the protagonist initially presents herself as an objective, sober and rather sever person.) Emotionality is not dramaturgically staged in this KMovie, but results from the sum of soberly observed situations of individual loss of control and Su-jin's familiar world broken in two - one in which clarity still reigns and one in which everyone, even she herself is a stranger. From the emotionality thus involved - fear of failure, helplessness, shame, being at the mercy of others and much more - one cannot withdraw oneself. Rather, this emotionality develops an increasingly peculiar driving force (just as the protagonist's psychological/physical development process picks up speed). Eventually, the KMovie goes straight to the heart and makes people think.

In "A Moment to Remember" the focus was on the relationship dynamics with the beloved husband, here it is the portrait between daughter and father. In this case, the father tries to do better in old age what he could not do when he was younger, as he was not around.

In "A Moment to Remember" the protagonist is still at the very beginning of her young, promising life. In "Cassiopeia" Su-jin has achieved quite a lot: she is a mother, a successful lawyer, and also divorced. The daughter is about to move to her father in the USA. Significantly, the life of the protagonist, as it was up to now, ends in several respects with the departure of her daughter. It becomes difficult even for the star constellation Cassiopeia to give life perspective and orientation...

(By the way: the KMovie builds on a nice analogy between Cassiopeia and family. Both the star constellation pointing to the North Star and one's own family cannot help you, finding your path and your own way with life. Yet, we can rely on them if we got lost along the way: as some place to look out for/reach out for, regarding perspective/support).

Emotive. Especially by those often deliberatly soberly, calmly captured situations in which both the orderly and deformed worlds meet and finally merge. The helplessness and coldness of the social environment enfolds in all its unvarnished harshness - by its objective narrative style and camera perspective it is subtly thrown back at us. We are emotionally drawn into what is happening in two respects: regarding our empathy with Su-jin, which we cannot escape in the progress of the story, as well as regarding our identification with people/strangers Su-jin meets along the way - because that is what we are, too. How do WE actually deal with people who have obviously lost control of their lives or are about to lose it? Can WE stand this? Can WE lend a helping hand with this? Be of support? Even (or especially) if it's just a casual encounter on the street, an acquaintance in the neighborhood, or a colleague at work?

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The entire thing feels like just an interlude, if not an OC-filled fanfiction of the prosecutor series.
I mean, I liked all the individual investigating stories and the interactions with vampire-lady, and I loved Lee Joon and all the "good guys" cast and characters. But I was utterly indifferent to the main story. YuJin/San never appealed much to me --he had more chemistry with the mob-heir police officer lady tbh-- and TaeJun was a horrible character with horribly written issues.
Overall, we are left with too many questions and plot holes, especially in combination with Vampire Prosecutor 1 & 2. Especially San's vampirism was barely discussed or noted. Which just feels like cheating, considering the series' title.

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If you're looking for deep themes or a rigorous plot, you can basically skip this one. But as a casual "comfort watch," it's actually pretty decent.

Major spoilers ahead!
First, the cons: Some plots are quite cliché and forced (like the misunderstanding at the start, Lu Ming's death, the breakup later, the reconciliation with the mom). Some lines are cheesy and awkward (e.g., "How do I make you happy?", "Look again and I'll eat you"). Many details don't hold up to scrutiny (why wouldn't the FL just explain clearly when delivering the letter? Why sit in the rain just because she couldn't find him?). There are random slow-mo physical touches that feel out of place. And the editing is a mess!

Now for the pros: I really liked the female-centric topics- three generations of female pilots supporting and passing the torch; the gender bias and double standards Ruan Sixian faces becoming a pilot; Jiang Ziyue's awakening from her family's exploitation and emotional gaslighting; Zheng Youan's status as an "appendage" in marriage and the inheritance bias (thinking her dad was picking a son-in-law to be her heir); plus the sisterhood between the three besties, Captain Fan Lei, and others. Although some points were touched on lightly without going too deep, at least they acknowledged women's struggles and showed female power.

The setting: In most idol romcoms, the workplace is just a backdrop for the love story. Regular shows usually have unrealistic workplaces where they get the FL to do a wrong or multiple wrongs, and make her growth depend on her relationship.
But Blossom Through the Cloud actually makes the aviation career and the romance two separate but equally important storylines.

FL- Ruan Sixian is wronged, but she wasn't waiting around for someone to notice her - she quits her job, trains, becomes the top pilot, and gets all the airlines fighting for her - and all this happens before she even runs into Fu Mingyu again. No explanations, no complaints, no waiting for an apology and her comeback wasn't for any of those either - it was about becoming stronger again, on her own, and to reach her goal of becoming a captain and her dream of flyingin the sky. The growth happens through her own efforts, separate from the romance. She gets stronger first, and only then does she have a real shot at a fresh start. What makes Ruan Sixian's story so touching isn't that she ended up as a captain - it's that when the whole world was against her, she chose the toughest path turning herself into a light that couldn't be ignored.
She is firm and resilient about her dreams, highly self-driven, clear-headed, independent, and dignified. Even though there's a social status gap in their relationship, she maintains equality, voices her dissatisfaction, actively maintains the bond, trusts fully, and loves honestly and freely.

The ML is bold and innovative in his career.
In love, he confronts his feelings, makes the first move, reflects, apologizes proactively, and clears up misunderstandings immediately. They respect each other and don't demand changes.

Regarding their relationship, there are a lot of comments about the FL not reciprocating MLs' love equally. We often notice Fu Mingyu's grand gestures and deep affection later in the story while she seems to struggle to do anything like that for him. But she does! She hugs him, loves him, kisses him and doesn't push him away when he comes to her or caresses her (there are many 💋 btw 😉). There is love in their banter. She even cooks for him (well, tried 🤣). But yes she doesn't buy him gifts and stuff. Her love goes beyond this. She protects his professional integrity (when faced with unfair assessments she refuses his offer to intervene with captain Yue). She protects his self-respect, business, position and powers. The break-up would still mean she would get grounded and she will have to pass the retraining etc pushing her back but it would mean quite a lot and probably everything for Fu Mingyu and his position(shareholders/board elections were imminent) and his reforms.

Looking deeper into her backstory reveals that her attitude isn't unprovoked—it is a deeply rooted defense mechanism driven by self-preservation and protecting her professional dignity. She compensates for her childhood lack of affection primarily through extreme professional ambition, fierce self-reliance, and emotional hyper-independence. Because of her childhood trauma, her romance with Fu Mingyu is intentionally slow-building. It requires Fu Mingyu to consistently show up as a silent, unwavering beam of light and support before her childhood defense mechanisms begin to safely dismantle, allowing her to balance her fierce ambition with genuine emotional intimacy. Ultimately, she stops running away from her emotional wounds when she learns to accept a healthy, supportive partnership with Fu Mingyu. It would be unrealistic if she is shown to fall easily in love considering her childhood. Their chemistry was good I thought.

The supporting characters are also well-portrayed: the Assistant Bai Yang 😂, Captain Fan Lei 🙌, Xiao Zhen, Bian Xuan, You'an, Yan'an, Ni Tong, Jiang Ziyue, Captain Yueyang 🤮, etc. I absolutely loved the Fu family 💞
Cinematography is simply superb!
OST is pleasing to the ears.
Overall, the show is light and fun.
Watch it for what it is- a stress free idol romcom-and you will enjoy.

Can't give anything less than 10 for Miles 😭🥰
Solid 9/10

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Familiar Faces , Fading Plot But still seated for Haiba Jin's extra charm!

The consistency from season 1 to season 2 was there ! Haiba Jin was still unhinged and charming and Mikoto retained her endearing awkwardness!
The romance was again handled delicately but took bolder steps this season while still maintaining "that" boundary. I did enjoy their interactions and the ensuing frustration.
One of my favourite moments were when Mikoto put Haiba Jin in his place whenever he had saucy ideas. *grins*

But that's it! Lesson 2 felt stagnant. Nothing much was explored!
The characters were still the same as last season! While the story did progress it felt like it was treading familiar ground!!
I do see Haiba Jin being vulnerable in front of Mikoto but it was very briefly touched upon. Maybe I expected a deeper exploration.

Also the side characters storylines were completely undeveloped ! Mikoto's brother's story arc felt completely incomplete and rushed. Honestly I couldn't make myself care for any them.

For me , season 2 felt like a fan service , a follow up to high standards that was set by 1st season!

That said, I loved the acting of both the leads and was totally digging their undeniable chemistry!
The intro song was very catchy!! Also I felt the quality of shots was improved!

Overall , the season 2 is still enjoyable and binge-worthy but when you put it beside season 1 , it sort of loses its shine!
Would still recommend it 100%!

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Added to my favourite comedy, suspense and action-filled fantasy drama!

I have been eagerly waiting for the second season of this series ever since I accidently discovered this Masterpiece. I'm not into anime or Chinese comics but while searching for suspenseful, fantasy, comedy and mystery packed drama, I luckily stumbled upon this gem. I absolutely love the 1st season and the 2nd season has entered my top favourite drama list. Its definitely worth the watch! Highly recommended by me.


The storyline of the drama like S1 is super engaging, passionate, cohesive, entertaining, suspenseful and thrilling. It kept me on edge through out all of the episodes. The goal of solving the mystery and capturing CD became base plot of this season. S2 ensured that the new important characters had solid back grounds build up just like in S1. The story moved along with the action, suspense and comedy packed events, while unravelling the vital and mysterious back stories of new characters.

The story also highlights the differences between Real outsiders and the ones made by the soul refining furnace. Real outsiders experts are formidable and force to be reckoned with because being outsiders they have lead lives of suffering and they had to work extremely hard to master their techniques to its full potential. Unlike last season where mostly bad or good outsiders were the focus,  this season showed the behaviour, goals and intentions of NDT express headquarters. At certain times their motives seemed well intentioned yet tinged with hidden agendas. Their is subtle power/control struggle going on between   outsider world and NDT express leaders.

This season was as fast paced as S1, so it's very important to pay close attention to the details of the events, explanations, emotions showed by characters and implicit or explicit impact of actions of all characters in the past, present or future. As always the live action kept true to executing of iconic scenes from the comics seamlessly well. The fight scenes are among many important highlights of this series. They are beautifully choreographed and are super action packed at times touched with this series signature hilarious moments.

The actors have portrayed their characters immaculately well. Through impeccable acting they have conveyed their emotions, aims, qualities, relationships, attributes and thoughts extremely well. All characters are dynamic, they have contributed very well to move the story forward, provinding powerful insights and successfully ticking our curiosity related to their behaviour. Not forgetting to mention many outsiders are effortlessly funny in their own unique ways. Each outsider character displayed their super power really well. S2 has introduced many new characters with different personalities along with new types of powers like beast tamer, armorer, divine forge technique, poison technique, close combat techniques, magical weapons, summoning god powers/divine mask etc.

The outsider characters from S1 ZCL, FBB, WY, EZ and ZQ showed old and new sides to their personalities and demonstrated further character developments. More of their intriguing and impactful back ground stories were revealed. ZCL has always been clever, witty and bold. In this season he has become more insightful and is being very strategic. Everything he does is to help his best friend FBB. He finally  harnesses the old farmer technique his Grandfather passed down to him. FBB is as funny and mysterious as ever has become more adept at using her powers effectively and have even become a beginner at crafting magic weapons. She unconditionally trusts and relies on ZCL and follows his instructions/plans. WY uses his wisdom to protect and guide his friends while using his unique immensely powerful techniques to intervene in the fates of people posing threat to the peace of the world unintentionally or intentionally. He is willing to save the world even if he has to bear the consequences by himself for changing someone's fate. ZQ faced internal conflict when tempted with one of the eight supreme technique, the divine forge. However he successfully overcame it, learned Samadhi true fire and showed talent in divine crafts and helped ZCL when his help was crucially needed. EZ has always been resourceful, clever and humorous but this time she showcased her new capabilities in dire circumstances.

The new special agent outsider characters introduced are very funny and eccentric. WZQ is my new favourite he is mischievous, cunning and playful yet he works hard to master his techniques. He learns how to use his magic mask to its full potential by understanding righteous faith. XZZ is truly frightening person yet he has found salvation despite having psychopathic tendencies and works to stop others from crossing the bottom-line. LM is very kind-hearted and thoughtful person appears to be weak and helpless but has mastered his techniques evolving them with scientific research knowledge to make them more deadly. HGE gives rough and tough man impression at first but is very caring, loyal and soft hearted person as well. CD is most tragic character I have come across this series. She is the main focus of this season's plot. She is very kind-hearted and thoughtful person despite fate being cruel to her in every way. Her tragic story is very heart wrenching yet has heartwarming side to it too. She impacted many hearts and minds along her journey. She was born in circumstances she couldn't control but with the help of friends she was able to finally make some decisions and choices for herself.

MXH is a pitiful character too. He is caring and kind-hearted but stubborn, arrogant and ambitious person. He has good intentions but he is misguided and used by QT, who has altered his memories and is manipulating him to hatch an evil plan that could possible destroy the world. Just like FBB and CD has some parallels, ZCL and MXH has parallels too discovered by WY. Both are good people but their fates are influenced by someone, very deeply and dangerously.

The OSTs, CGI, cenimatrography and FX are mind blowing. They are placed appropriately in the drama suitable to the needs of the events. The sets and the environments shows a lot of effort put in to anhance its suitability, usefulness and impact to the related scenes. The scenes have their own unique features and design requirement. The costume styling is well throughout that adds details to characters, highlighting their unique personal attributes. Their clothing was not just about appearance but eminated their spiritual resemblance too. They have used more sophisticated equipments to enhance lighting and shadows and Cinematography of special moves the characters use. For example, WY's chaotic time shift technique was filmed in slow mo but this time MOCO was used to capture it perfectly. Even subtle conveyance of eye contact and micro-expressions were considered thoroughly to bring the characters to life, these expressions are unique to live action dramas. Also about actors deliverance of their martial arts styles and signature moves it really showed that they have practiced very hard to deliver them perfectly.

Finally, S2 has successfully built up the foundation story for the S3 leaving me deeply curious about what are ZCL's next moves and how will MXH break free of QT's control. What does QT intends to do and why? And it seems S3 will finally reveal FBB's complete past. Only bad point about S2 is that I wanted more episodes. Hopefully, S3 will have sufficient number of episodes. I will be waiting for S3, hopefully the original perfect cast will remain the same or it will be terrible tragedy to recast them all. 

I hope people watching it give it a fair chance and watch it till the end.

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In my opinion, Kaitou Tantei Yamaneko is a truly excellent drama! I thoroughly enjoyed every episode the characters and acting being a high point. The story didn't go in the direction I was expecting - that's for sure, but nevertheless if you want comedy perfectly matched with drama, action, and suspense with real edged-of-your-seat and knot-in-your-throat moments you'll enjoy this!

The Story:
Firstly I've got to say DON'T READ SPOILERS! Don't scroll down to the comments or look for screenshots! You'll thank me later! Some of the best moments come from the crazy twists this drama throws at you. That's partly why the story didn't go in the direction I was expecting.
Episode to episode it's not as over-arching-plot driven as most mysteries. Some may call some KTY episodes 'filler' as it's focus is rarely it's over arching plot. It's focus is instead on it's fantastic characters. You will fall in love with every one of them I guarantee it. No character is cheaply written, every character has real heart behind them and when the mystery does pick up speed in episode 8 you really care about who these people are and what's happening to them.

The Acting:
The acting is phenomenal. Kamenashi really gives it his all and clearly had a blast playing Yamaneko. He goes from goofy comedy, to heat wrenching drama, to back-flippin' action with ease and is supported by a fantastic cast. Narimya perfectly plays the put-upon and abused Katsumura and later in the series really pulls out all the stops. Hirose went way beyond my expectations almost immediately. Sasaki's comic timing is perfect, Otsuka and Nanao also made me love them, and Ikeuchi was perfect. In fact, all these actors and the other supporting/guest actors were so perfectly cast it's astounding!

The Music:
It's certainly not your average jdrama score. The way the orchestral theme music came in every time, either comically or seriously, was perfect and really sets you up for this slightly bizarre drama. The rest of the music throughout the episode is also brilliantly scored, the composer really outdid himself! UNLOCK by KAT-TUN, apart from being one of their best singles (imo), fits nicely into this drama and is never misplaced only ever coming in at the end and never drowns anything out.

Rewatch Value:
While this drama was coming out I was watching every episode two or three times! It's hilarious, cute, and Kame is a lovely bit of eye-candy when he's not acting like a doofus (and sometimes when he is). However as with any mystery once you know then ending and all the twists - watching it from episode one again is a completely different experience. So it's hard to say this is completely rewatchable but I certainly will come back to it in a month or so as it is quite episodic.

Other thoughts:
The ending has been a problem for some people and I can see where they are coming from. When I first watched it I was a bit taken aback. It's not that things are left hanging (though there is room for a sequel). As I said, you really end up loving these characters and to see what happens to them... it's not unsatisfying it's just unexpected. Once I had finally digested the events of the last three episodes I actually think I ended up respecting the show more. As with any show that has twists, things don't always go the way you were expecting.
Speaking of expectations - this drama had far more comedy than I was first l thought it would!

Overall:
This drama really packs a punch. From episode one to ten I was 100% on board loving every second. As a Kame fan I must admit that I sometimes do the very bad thing of skipping every scene Kame is not in. However, with this series I had literally no desire to do that. Every character is well acted and the story is very compelling. I highly recommend this series to anyone be they a Kame fan or not!

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"Encounter" is 100% romance, with no filler, so if people falling in love isn't your thing then this drama definitely should not be on your list. It's an opposites attract story in some ways, but not in a romcom sense. The vibe is much more poetic and serious. There's also a flip in the traditional Kdrama roles with Song Hye Kyo playing the cold CEO usually played by men and Park Bo Gum playing her younger and quirky love interest. I admit that in the beginning I wasn't sold on this pairing at all, but by the end they seemed extremely genuine, and I liked them together much more than I thought I would.

Seeing Song Hye Kyo as such a mature and straight-faced character felt awkward at first. She's come a long way from "Full House", one of the first dramas I've ever seen, and though this is not the first time I've seen her serious, it is the first time seeing her as a cold and at times emotionless character. There is also such a significant age gap between her and Park Bo Gum, that they initially just seemed wrong together. The early scenes in Cuba are particularly awkward at times, but there was just enough spark to keep me curious and interested enough to keep watching. Eventually, I sensed more of a chemistry between them, not exciting chemistry, but more comfortable and sweet chemistry. Bo Gum's smiles started to feel less forced. Seeing her loosen up to the possibility, made me loosen up to the possibility as well. Next thing you know I was rooting for them with no hesitation. So maybe that means the casting was genius after all.

There's not much to the story honestly, so I couldn't give it high marks. There are a few points in the story about family & business drama, but it really is about two people figuring out if they can make a relationship work. The pace is also very slow, but I was never bored watching because I think the pace matched the drama's mood well. I'd compare this drama to sipping wine rather than drinking soda (for the record I love both!). The wine has to be to your taste in order to enjoy sipping it, and sucking it up fast with a straw would just seem odd. It isn't the most original or exciting premise either, but there's one thing that makes this drama stand out, the visuals!

This drama is completely gorgeous to watch, and not just the scenes overseas. There are moments that are cinematic, moments where a strategically placed painting makes a huge statement, and animated moments before and after each episode that gives the story a whimsical fairytale feel. The soundtrack is also beautiful and matches that mood well. I think the star of this drama is definitely the director, and since one of the main characters is a photographer, the focus on viuals never seemed out of place. I think it raised the bar for this drama, which never would have been as interesting with a more traditional look.

Would I watch it again? Not likely, but it depends on my mood. There weren't enough things that I loved to want to see it all over again. I also liked but didn't fall in love with the lead couple, or the supporting cast. They were all great, but I didn't feel like I would miss seeing any of them once the show ended.

Overall, this is strictly for romance fans. The love was heavy-handed at times, but there were enough moments that felt authentic, realistic, and relatable as well. I felt calm watching, even during more upsetting moments, so I would categorize this drama under "Kdrama & Chill". Just like the title suggests, this was an unexpectedly enjoyable drama that I'm glad I came across, and decided to give a chance.

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