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I like the way its scriptwriter measures various contents in Good Luck!! because they are well-balanced. Most of the story lines are revolves around the career of Shinkai. Every details and his job in the airlines (such as safety, seniority, check lists, training, and even periodic medical check-up) are portrayed very well. It's not suprising that this big-budget drama is supported by a premium airlines in Japan, All Nippon Airlines, so it didn't fail its expectation. Not only the pilot's everyday life, but his relation with fellow pilots, family, girlfriend, and neighbor are amusing as well. It's all natural and very realistic. Some anticlimax near the end may have deducting the overall points of this drama, but that's not a great deal.
Perhaps what bring this drama into life are the actors portraying the characters, particularly Kimura as young first officer (one rank below captain) Shinkai and Tsutsumi (my personal favorite actor) as Captain Koda. While Kimura plays his usual style, Tsutsumi stole the limelight with his superb acting and depth. The supporting casts play well too, while the actress playing the veteran flight attendant Togashi deserves honorable mention. Even some actors who are not known for their acting prowess play well here.
Last but not least, this solid drama may make you turned into an aviation enthusiast like I was. If it's not, at least you will be entertained along the show.
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Kang Tæ - Joo is a suave, unrepentant lady's man who goes about his romantic liaisons with cool practicality. He's your regular joe with high ambitions. He sees the beautiful rich women who fall over themselves for his manly charms and good looks as his ticket to bigger and better things. He’s a realist, with little patience for idealistic folly.
Some people have described him as a jerk, but to me he isn't. He never misleads the women in his life about his intentions nor does he try to hide the fact that he's essentially a gold digger. He's certainly a lady killer, a breaker of hearts, but not a mean spirited one. Women can't help but fall for him, but to Tæ-Joo that's neither his fault nor his business.
I don't always agree with his methods of achieving his goals, but I respect him. I admire his ambition and drive to make something of his life. It’s far better than the laziness, inertia and complacency that grip today's youth. So what happens when a brutal realist and a starry eyed idealist meet and fall in love? Well, chemical waves short circuit and the whole goddamn house burns down.
The show features an intense love quadruple which serves as the main driver of sending your emotions into a tailspin. Normally I hate these type of romance dramas, but this wasn’t bad at all. It kept me anxious but not angry. And as other reviewers have pointed out QSS isn’t your run of the mill kdrama with chaste kisses and secret glances. It’s wild and it's hot and it’s passionate. Sex is not taboo. The characters are age appropriate in their behaviours, if not always in their deeds. I loved it!
What I enjoyed even more, though, were the extremely valuable life lessons imparted:
- Life is a gamble, you can win a fortune or lose everything.
- Opportunities come only once, don’t pass them up.
- By the same token, know that whatever path you choose in life comes with consequences you have to live with.
- Most of the time money doesn't make you happy.
- Love, though fragile and fleeting, is the most important experience of human existence.
- We want what we can’t have, but don’t appreciate what we do have until it’s gone.
It was just amazing. I felt like by the end of the show I learned and grew right along with the characters. This is why I gave the drama an 8, instead of a 7.
The only downside, and why this drama didn’t net a 9, was that I wanted more ‘happy and in love’ screen time with our leads. There was an overabundance of negative angst. Not the exciting, sexually charged type of angst you’ll experience in say … Lovers. I’m fine with negative angst as long as equal amounts of positive angst balance things out.
Characters, on the other hand, were very three dimensional and human, all having their negative and positive attributes. I have to continuously commend the Koreans for writing such layered characters who I didn't see regularly before my foray into Asian entertainment.
Of the four main ones I felt like the female lead Eun Soo was the weakest link, mainly due to how she was acted by Jung Yu Mi. First of all, the actress looked like an underaged teenager and was much too childlike in her portrayal. As the drama progressed she matured a little and you realize she isn’t completely a pushover, but that she’s written as the stereotypical ‘strong’ Korean female lead afflicted with misplaced pride, noble stupidity; defiant, stubborn, obtuse … for totally idiotic, nonsensical reasons to the very end. Don’t get me wrong she remained a sympathetic figure throughout the show, but there were moments when certain behaviours of hers raised my ire.
Eric Mun as Kang Tæ-Joo was absolutely divine. Eye candy and talent, for a voracious cinephile like me it doesn’t get any better. And you could tell he’s Korean - American too because the guy has mad swag. I was swooning! This is the first time I’m seeing Mun in anything and I can understand why everyone says this is his best role. I can not imagine who else could play this character better than him.
But while Eric swept me off my feet and impressed me, the true stand out was actually Lee Kyu Han who I had recently seen in Smile, You and did not like! I thought his character was useless and a pest, but here wow … he played the ruthless, lonely, misunderstood, vulnerable businessman to a T. I sympathized a great deal with him even when I was supposed to hate him, especially toward the end. Finally, Yoon Ji Hye did great as the desperate, insecure rich girl.
Everyone pretty much threw themselves into their roles to create a truly engaging watch.I wanted a bit more from the ending, but was still satisfied with what we got. This was gooddrama, folks. Romance done right. It’s crazy and a little far-fetched as only Korean dramas can be, but totally worth it. If you don’t already have Que Sera Sera on your list, add it now.
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The Hands Behind the Power
This drama portrays the life story of Liu E, one of the most prominent empress dowagers in Chinese history (b. 969 – d. 1033). She became the regent of the Song Dynasty for Emperor Zhenzong (reigned 997 – 1022) and later, for Emperor Renzong (reigned 1022 – 1063). Here, Liu E is depicted as intelligent, benevolent, decisive and visionary, far exceeds her male counterpart. Her journey from rags to riches based on historical facts, is interjected with fictional stories and figures.The production cost for this drama is undoubtedly high with well know veteran actors, Liu Tao and Chou Yu Min, and the quality and acting are good. However, the editing is horrendous, in particular, for the first 10 episodes, making everything feel disjointed. There, events move very fast, from one big event to the next, supposedly unravelling over a span of time in days or weeks, even years, but the way the drama was cut, it feels like multiple events happening within the same day or hour, confusing and frustrating many viewers. The drama is said to have 80 episodes originally but drastically being trimmed down to 61 episodes.
Liu E has been portrayed as an evil woman in some literature which contradicts what historians think. In historical records, she was a very smart and courageous woman and had implemented many impressive projects that benefited the nation; her contributions were undeniable. Liu Tao's portrayal here is elegant and strong, and yet not lacking her feminine charisma. Whether or not this depiction is historically accurate, it is anybody’s guess. For me, compared with “Serenade of Peaceful Joy” where Liu E was portrayed in the first few episodes, I find some of the events in “Palace of Devotion” more plausible while others rather far-fetched with the writer’s imagination running wild. For example, how Liu E loses her biological children here seems over dramatic, but the request of wearing the emperor’s attire to a ritual ceremony seems out of place in “Serenade of Peaceful Joy” where a great deal of time is spent in arguing over the subject, whereas here, it becomes a brilliant idea by the Emperor himself to grant the Empress Dowager the status and privilege without much ado. Also how Cao (Empress Cisheng) comes to the life of Emperor Renzong is more believable in this drama than the previous one. However, I do love the dialogues in the former drama (“Serenade of Peaceful Joy”) which are more poise and humorous and the costume there perhaps more accurately depicted given Emperor Renzong was a very frugal person.
My Verdict
This is a rather well-done drama with decent CGIs despite the disjointed editing in earlier episodes and some inconsistencies in the logic of the fictitious events which are meant to spice up the story. Compared with “Serenade of Peaceful Joy”, “Palace of Devotion” is action packed with epic war scenes, spectacular warriors from Song and Khitan-Liao, and the settings are more opulent. The encounter of another great empress dowager, the Khitan Xiao Yan Yan, gives viewers two historically great women with strong personalities and powerful characters that leave deep marks in Chinese history; their intelligence and wisdom well supersede their contemporaneous male counterparts.
This is not a drama of great romance, and yet, Emperor Zhenzong is devoted to his Empress Liu. If not for the need of having a male heir for the throne, he wouldn’t have agreed to sleep with other women. This is pretty rare for a custom notorious for harems with thousand beauties.
Many viewers are also critical of the age of the main actors and complaint of their chemistry, Perhaps, these viewers are very used to having good looking young actors and fireworks type of romance. If so, this drama may not be their cup of tea.
“Palace of Devotion” comes with great character development and nice OSTs, at the same time, not lacking a sense of humor, tragedies and connivance.
Women have been an important force in shaping up societies and in politics. Seeing the two great empress dowagers of the time, a what-if question runs through my mind - what if women were given equal power, would we have a more peaceful and better world today?
Though not 100% perfect, this is a good historical drama for history buffs. I have enjoyed it. Great watch and recommended!
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I LIKE IT SO MUCH! will rewatch tomorrow! SO WORTH IT
this is actually a healing movie and all the song is SO CRAZY like it’s SO GOOD my favorite is “sky full of stars” one it’s unforgettable and I got goosebumps. I THOUGHT the lead actor was a vocalist but I just found out he’s a rapper on his group for 9 years?? 😭 HE SINGS SO WELL ngl and his voice range?? GOD he can play any genre and he’s so good with instruments. I love the actor’s acting, they deliver the message and play the role so well, their chemistry 👌 After watching this I wonder do I have a box, and if yes, what is it.....Was this review helpful to you?
If you are not very patient (like me), you could skip a few episodes in front and still be aware of the entire story line even towards the later half of the drama. As Eun Jae/Sohee carries out her revenge, you will see that it is related to the past events that has already happened in the earlier half of the drama which in my opinion, was too long (but not draggy, yet) for me.
Story 9/10
The story is a kind of cliche faithful wife who serves her husband's family despite their ill treatment... you kind of get the drift. But the excitement kicks in when Eun Jae/Sohee makes up her mind to return with a new identity for revenge after Gyo Bin pulled a failed attempt to murder her and her baby (only the baby is dead, but Gyo Bin doesn't know). Every single episode has you on the edge of your seat, relishing those moments where Ae Ri goes crazy as Gyo Bin cheats on her with his supposedly dead wife.
Acting/Cast 9/10
I deducted a point because of Ae Ri and the real Min Sohee. I simply cannot stand their characters and at some point I wish the scriptwriter will just kill them already. Then again, this goes to show how well every character portrays their role to have me as the viewer feel so much for them. Besides, all the awards that the actors swept due to this drama are enough to certify their skills.
Music 10/10
Can you not love the music? Enough said, every song has me hooked and I find myself replaying the songs even after I finished this drama. Can you believe it, I'm still not tired of the music after 129 episodes of it!
Rewatch Value 7/10
If you're asking me to rewatch episode 1 to 129... My answer would be a no, 129 episodes is simply too long. But I'll definitely be willing to revisit some episodes that were exciting for me.
Overall 9/10
If you have plenty of time on your hands (or if you simply crave some bad woman action), be sure to check out Temptation of Wife. It brings you through the most dramatic marriage life ever through Eun Jae's experiences and you simply cannot help but to feel sorry for her.
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It’s like sunshine on my soul and rainbow skies with fluffy bunny clouds.
If a television show could be a child on a rainy day playing with a dollhouse and making up a story in their imaginative, marshmallow head while drinking hot chocolate and getting hugs from their puppy then this would be that show.
I could devote part of this review to its pacing problems, its thin plot, its treatment of its minor characters, and some of the questionable decisions the writers made in the name of a humour that was at times a little broad. But when you smile for 16 episodes straight and a chicken regularly wanders through, who cares?
The music is wonderful, the cinematography is at times spectacular and the writers have fun - loads of fun - recreating visual odes to films, especially horror films. Show is fun and show has heart and that's really all you need from a rom-com in the end.
Shin Hye-sun is delightful as Woo Seo-ri, the 17-year-old girl who comes out of a 13-year coma to find she's suddenly 30. Yang Se-jong is delightful as Gong Woo-jin, the man who hides his guilt over the accident with a misanthropic grumpiness. And Ahn Hyo-seop is delightful as Yoo Chan, Woo-jin's nephew who is 19 and just on the verge of adulthood. In fact, I'd love to think of another synonym for 'delightful' right now but that describes almost every character in this show - major or minor.
The main trio is rounded out by the robotic, classics-quoting housekeeper, Jennifer (Ye Ji-won) whose rote delivery and deadpan randomness is... delightful.
Every one of these characters is delightful but what I really love is the show’s underlying message about control and our ultimate lack thereof. It's not actually about trauma so much as the fact that growing up means reconciling your dreams with the reality of life and your own limitations. You can't control your physical limits any more than you can control whether a bus crashes.
As you grow older, doors in your life close. But if you have the patience to wait through the intermission, a window will open and the amazing second act can begin.
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Creation of the Gods Ⅰ: Kingdom of Storms
27 people found this review helpful
Sons of a tyrant.
Wuershan's Creation of Gods trilogy is the culmination of an eight year labor of love that is the most ambitious and grand scale adaptation of Chinese classic Investiture of Gods ever. This Homeric, often chaotic tale of gods, demons and men that blends speculative history with myth and legend is probably the most widely adapted ancient Chinese vernacular novel. This grandiouse, exhilarating, action packed, and painstakingly crafted production is a visual triumph and an immersive adventure that is best experienced on an IMAX screen.Kingdom of Storms is the first instalment that focuses on the origin story of the King Zhou of Shang and how he incurred the wrath of the heavens to the extent the gods intervened. In a departure from canon, this adaptation does not lay the moral decay of King Zhou solely at the door of the hedonistic, fox jezebel Su Daji. This version holds King Zhou accountable, clearly asserting that his ambition and moral flexibility already put him on the dark path from the get go. This is a more layered and manipulative King Zhou, who adopts all of his noble hostages including Ji Fa as foster "sons". He ruthlessly indoctrinates his own son Yin Jiao as well as his hostage sons into choosing to be sons of a tyrant over their own fathers. All of the sons are pushed to decide whose son they really are and what kind of man they wish to become. This recurring theme of conflict between father and son and right and wrong adroitly weaves most of the sub-plots together.
Kris Phillips with his magnificent build and his imposing, quietly menacing , almost mesmeric screen aura is impeccably cast as King Zhou. He so much looks and breathes the part that it is easy to ignore his at times bizarre Mandarin and the occasionally stiff acting. Although the stunningly gorgeous Naran is bewitching as Daji, the role lacks complexity. She doesn't get to do much more than alternate between a sensuous seductress and a cunning and feral animal spirit when cornered. This debouched couple lights up the screen with their dark chemistry but I could have done with a bit less of their wanton cavorting that comes off as too unsubtle Hollywood. Beyond their honed physiques and stunning atheleticism, both Yu Shi's Ji Fa and Chen Muchi's Yin Jiao won my heart with their brotherhood and their portrayal of initially bewildered and disillusioned sons who grow up to become fearless and resolved men. They stand out among the dazzling number of up and coming young actors who managed to make an impression in this whirlwind production as does Ci Sha's not so hot headed Yang Jian. The deities don't feature as prominently in this first chapter but I much enjoyed this first glimpse of the diabolically mischevious Nezha.
For those unfamiliar with the chaotic original works, the storytelling may seem cluttered with vignettes at the cost of plot advancement as this largely sets the stage for what culminates in the battle of all battles between good and evil. Beyond an almost gratuitous amount of wildly, intense action scenes, the narrative pays homage to key features of the original works from Ji Chang's meat pies to Bi Gan's seven chamber heart. It culminates in Ji Fa's hair rising escape from the Shang capital Zhaoge. Keep watching after the credits roll as the following epilogue sets up the next instalment where hopefully we see a lot more plot movement. This is a very difficult and messy novel to adapt but so far, I am very impressed with how cogently and fittingly everything ties together. This promises to be the best adaptation by a long mile of this well loved novel, the first part of which warrants a highly enthusiastic 8.5/10.0 from me.
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I must say that I found it a few days ago by coincidence.
I was randomly looking for good and interesting Dramas to watch when I found out about this one. The plot seemed really interesting. I don´t know the reason but somehow it drew me kind of to watch it.
I was shocked.Deeply shocked...But not because it was bad, it was because of the low rating it had.I saw it when I was updating my episodes.I watched all 11 episode in about two days.Please I want to say beforehand that some people tend to say it wouldn´t be"that good"when it´s already so old.Well I must admit I thought so at first.Because it´s the first time I watched a Drama from 2000.But that was predjudice and I corrected my mind about that now!
The time I watched it I never skipped one part and I thought many times about giving it a 10.But I didn.´t.And do you want to know the reason??
Because it isn´t one Drama which you can judge fast.I thought four days about the rating I would give it.In the end I gave it a almost perfect 9 because I didn´t like ......that about TWO mysterys weren´t solved in the end.So for ME it wasn´t the perfect ending.In short it is a almsost 10:DD
The music: The intro was important for the feeling you get in the whole Drama.When at first I didn´t pay attention to it,it made me watch the second and third and fourtz episode..etc.Only because of the intro in the beginning.It´s like a mental preparation for these partly horrible,exciting and lovely scenes.But in all I didn´t notice other outstanding music while watching the episodes.Mostly only in the beginning and ending of the episode.Still I don´t stink it was important for the whole thing so I didn´t mind.MAybe it would have even destroyed some special scenes.At leat it was great without it.
The cast: There was only one main.role and it was my absolute favorite.It´s stunning how he managed to play both-the twins-so convincing!!!They were totally the opposite and still I was deeply moved by both of them(lol at first I only felt hatred to one of them though).The main-roles were really good too.But not all of them. Still I gave it a 9 because of the exceptional main-role and the other supporting roles.The Drama was like that:The more important the better the actor/actress.Yes that´s fitting.
The Story: It was one part I thought about giving a 10 and yes you could say I was snapped but there were a few aspects in the story developement in the end I didn´t like.Still the whole plot was amazing. I was stunned about it.It was simple but amazing.Probably because of the great actors who played it!
Rewatch value:I am not sure if I ever want to experience these exciting and partly annoying acts of this Drama.You should have watched it at least ONE time and the rest everyone should decide for themselves. You learn by watching this Drama and depending on how much "you want to review" ,I would say you should watch this Drama again.
Well I for myself have enough of the Drama!!It may appear weird but I am somehow fed up and than in the end just relieved and happy that I finished to watch this Drama here.
Now I wrote much.I am sorry about it but I just thought everyone should have the chance to know the value of this Drama here.
That´s the reason why I wrote a review to it.Sure that I loved the Drama and wanted to show it to others....was a reason for it as well(:
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This review may contain spoilers
Two outsiders. One equation: trust + time = transformation.
Some films shout. Others whisper — yet linger in your mind long after the credits roll. In Our Prime belongs to the latter.An older man hides his brilliance behind a janitor's uniform. A young student, adrift among numbers and expectations. Two people, like distant islands — until they start to truly hear each other. What follows isn’t a grand gesture or dramatic spectacle. It’s something far rarer: a genuine connection.
Mathematics here is more than curriculum. It’s a space for thought, a shared language, even a kind of comfort. The film doesn’t promise glittering careers or textbook triumphs. Instead, it shows what can unfold when someone believes in you — not to solve the problem for you, but to walk the path with you.
There’s no melodrama, no inflated conflict. Just quiet gazes, thoughtful words, and a camera that respects its characters enough to let them breathe. In Our Prime finds dignity in the act of thinking and tenderness - in the simple gesture of someone offering a pencil, not to provide answers, but to begin the search.
With quiet sensitivity, "In Our Prime" tells a story of marginalization and a sense of belonging, of the silent power of recognition — how subtle forms of acceptance can reshape a life.
Gentle and empathetic. Uplifting and sincere.
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This review may contain spoilers
Morticia Addams is now killing demons!
I was about to give this drama a 7.5 score unfortunately the last 3 episodes made it a 7.This series is pretty enjoyable action drama.
A secret society has being fighting demon like creatures for centuries but now a new menace is on the horizon. Pretty simple and straightforward.
Nothing groundbreaking plot wise but the series has a good pace (and relative short episodes) which makes it enjoyable.
The characters have an interesting backstory and ark. The romance is there but is not overbearing.
Funny to say giving the fact that the series is based on a "fighting organization", but the actual action scenes are the greatest.
They are not cringe, on the other hand they are not mesmerizing as well. The camera tries to cut away many times to avoid showing the audience how the characters is moving.
Another point to make, but maybe this is just me, is that the explanation of how the creature are created or transformed in the show is muddy. I didn't quite grasped it. It gets more clear near the end but during the drama I was confused.
As I said before, until the last 3 episodes the drama was engaging and interesting but after the "big fight scenes", we get 2 episodes with characters rescuing others and the last 2 episodes add cliques...
The female leads loses her memories which is so clique.....
Other footnote is that the drama sometimes forgets characters and don't mention them until 10 episodes later..
If you are looking for something other than Rom coms this is a good show.
P.s. I loved the female lead and her Morticia Addams vibes.
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This review may contain spoilers
**Note: this review contains minor spoilers. **There are dramas that you watch and shortly forget about. There are dramas that you occasionally recall, but are not too memorable. Then, there are dramas that remain with you for a long time and immediately come to mind when asked about good dramas in general. Jejoongwon undoubtedly belongs to the last group. It has a “complete package” that is sure to please its viewers.
Jejoongwon tells the true story of the first western medical hospital in Joseon era Korea. There are three central stories to Jejoongwon: the so called “rags-to-riches” story, the rivalry between two very competent people story, and the love story. All of these sub-stories are told in a very different manner than most k-dramas, and provide something for everyone to enjoy.
The “rags-to-riches” part presents a man, Hwang Jung, belonging to the lowest class in the Korean caste system, the butchers (who were considered so low in status, they weren’t even allowed to have family names and were referred to by nicknames given to each other), who defies all obstacles (and there are many!) to become one of the first physicians of Korea.
The rivalry is between Hwang Jung and Beak Do Yang, the son of a nobleman with a keen interest in western medicine. The two have a natural affinity to medicine and are both outstanding at what they do, but one will always be better. The progression is unlike what many would expect, and doesn’t overpower the larger story at hand.
The main romance is between Hwang Jung and Yu Seok Ran, the daughter of an interpreter. Their romance is very gentle and gradual, but very fervent and touching nonetheless. Yu Seok Ran is a very unique k-drama heroine. She is ahead of her time, intelligent, kind, and self-assured. She also has a wonderful relationship with her father that is very moving and hard to come by.
At its core, Jejoongwon depicts the lives of three very different people who all see a similar future for Korea. They recognize that times are changing, and aid in the modernization of Korea through medicine.
The story is extremely well written. Taking historical events and rewriting them into a drama must be a difficult task, but it was executed very well. The characters were well developed and scene transitions were especially done well.
The acting was exceptional also. The casting of roles was very fitting for the characters. The role of Hwang Jung was played to perfection by Park Yong Woo. Hwang Jung is a man that has had to be invisible when facing member of the other classes for all of his life. He was not allowed to look at them directly, and needed to stick to the butcher’s neighborhood as much as possible or else be beaten and spit on. This causes confusion for someone who was instilled with these ideas since childhood and now has to live among people of the upper classes. Everything from Park Yong Woo’s facial expressions to body language expressed exactly what Hwang Jung was feeling throughout the story, a feature that is hard to find in many actors. Han Hye Jin has a great screen presence and brought Yu Seok Ran to life beautifully. Yun Jung Hoon also did a good job as Beak Do Yang, though not great.
Jejoongwon has one of the best OST’s I’ve heard in a while. The music fit the story well and increased emotional reactions to the scenes at hand.
The cinematography was not outstanding, but there were a few shots that were admirably filmed. I do wish there were more of those shots, but I was satisfied with everything else being done well.
In short, this was a very well produced drama that has sadly been overlooked, but deserves its recognition. A great story, excellent acting, plus a good OST to intensify the viewing experience, I recommend to this to everyone who has not had the chance to watch it.
**I have tried to make this review as objective as possible, but it is very hard to do with something that has moved me this much.**
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This review may contain spoilers
i cried for like 30 minutes and i never cry for movies/drama
I finished youth of may about 25 minutes ago and I just need to write a real review to let this off my chest.I loved it so much. I genuinely love every thing about this drama. There's not one single thing I wanna complain about. Of course there are things that hurt, and that annoyed me, but that's the whole point.
The fact that Myeong Hee dies, the character who literally caused the least trouble and who just wanted to study in Germany and heal people, is just so painful but also so real. The fact that so many people around her survived and she couldn't , breaks me. I genuinely got so attached to her character, the way that she was with others, her humour, her outfits, her smile, i fell in love with all of her character and then she died... all alone, on the ground, bleeding out with no one beside her.
I also love how this drama taught me how quickly you can love someone. They only knew each other for a few weeks but they loved each other in such a pure, innocent way. I just loved seeing them together, they simply make sense.
It's a historical drama, so I never expected a happy ending. Honestly, I would've been almost mad if they had given us a happy ending cause this is something that truly happened, and sugar coating it by making all of the main characters live happily would just be... disrespectful to me?I don't know but i definitely liked it. Truth is she probably wouldn't regret dying, because she did manage to save her brother (who btw, must have horrible abandonment issues since both his father and sister said they would "come back", just to save him).
There are small things that were so well written, like the way Hwang Hee Tae's little brother gets shot in the leg (indirectly by his father i guess we can say), like his father literally taking his son's dreams away of running. We first see him with his fancy shoes making Myeong Hee's brother jealous, and now here he is, bleeding on the ground to save his sister (wearing those shoes).
Soo Ryeon's brother also realises just how stupid he's been for trying to hold his sister back. She had empathy and understood altruism from the start but some people, like her family, need to be thrown into the real world to understand that they're living on a cloud while everyone is in pain. Indirectly because of them and their actions.
Even the fact that Hwang Hee tae's father never truly gets punished is good writing to me. Sure he gets his position taken away and loses his family but he never lives through as much pain as the people he hurt with his own two hands. He's a monster who, in a way, gets away with it. Just like in real life.
Hwang Hee tae watching the music competition on the tv, crying in the cafe while handing out missing person flyers was so painful. He would have been on that stage if he had never met Myeong hee. Then in the graveyard, he looks up at a plane, just like Myeong hee might've gotten on a plane to Germany if she had never met him. Her father wouldn't have died either probably. yet so many other people would have died instead, because they saved them in the hospital.
I'm also proud of Hwang Hee Tae for partly keeping myeong hee alive by becoming a brave doctor, the same way she was a brave nurse. She's the one who pushed him to get over his fear of hurting people. And the parallel of him helping the nurse just like when he first saw myung hee.. it stung. then again everything in this drama did.
I also love how they switched the actors at the end, the way that the writers knew that seeing the older actors crying wouldn't hurt as much. Seeing young doctor hwang hee tae finding out that her body has been found was the peak of my crying session.
Anyway this was so so so unorganized sorry, it's more of a rant than a review. But i truly just love this drama, and I don't think I'll ever forget it. It was so beautifully written, the actors did an amazing job, the scenery was beautiful (the spring 1980s vibe made me feel warm and fuzzy), the OST was beautiful as well (my personal favourite is Starry night, thank god they didn't play it at the end cause i would've cried even more i think).
i started watching the drama right when the first episode aired (i was excited cause lee do hyun is my favourite actor) and i've been so attached to it since then. I'm sad it's over and I'll miss the characters a lot.
thank you for making me sob. I'll watch it again when I've healed.
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Story: First, the revenge is way less gritty than it sounds. I thought the female characters revenge would make for a great turning point for the plot but the writers kind of dropped the ball and her "revenge" was more of an emotional one rather than of taking action which kind of gets repetative. I would have also liked it more if they cut it down to 16 eps. There are a lot of things that I would never guess would happen so the plot isnt predictable at least. The best thing about the story is the romance. Lots of angst to eat up and you pray there will be a happy ending in the midst.
Acting/Cast :Lee Bo Young is a hit or miss for me. I havent seen a decent drama with her in which she has chemistry with the male lead. Well of course here comes the attractive/great actor Joo Jin Mo and you got some HOT chemistry! Their relationship was off the charts sizzling. I didnt care for the supporting cast and found the second lead characters annoying/not relevant to the story.
Music: It fit the drama well but not memorable.
Rewatch: If it were a little shorter, i probably could watch it every year due to my love of the couple but i think this is some thing i can wait to watch in a few years.
Overall Queen of the Game is the most romantic drama you will see!
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At first, I thought it was like ~How to Train Your Dragon ~; kind of movie since it started out with dragon-like creatures. Then it switched over to the human side of the story. Throughout the film, my eyes were glue to the screen. The whole time I thinking that "oh my gosh, that little creature is so cute!!" ; The story plot was not a stereotypical type of story where the guy and the girl help the monsters. There were twist and turn that lead to so many funny scenes that I had to laugh then rewind and laugh again.
Note: This movie is rate PG-13 since there were some blood, but absolutely no gore or horror.
The movie had two unimaginable characters partner up as the main characters.
The coupling was really cute. I really like the female character since she had power over the male character, which you don't often see in Chinese dramas/movies. I also like the female chief who is in the middle of the story. She is hilarious. The monster couple add more to comedy.
I like their credit music. I also like the song where the monster dance to. I think it's a wrap-up, and it shows more of the adorableness. The sounds were super cute.
I would definitely rewatch the funny scenes. Those who have experience watching wuxia (chinese-style fighting genre) specifically sad endings then you would probably be more relief to watch this afterward. Those who needs a break from watching serious shows, check this one out.
I hope you all enjoy the movie like I did. Cross my fingers and hope they make more of this kind of movies.
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