1This drama feels very real and scary at times. There are no silly cartoon characters or fill in empty stretches. Don't let 24 episodes deter you. I didn't want it to end. Also, the loyalty between childhood friends, which extends into teen years and adulthood, is very heartwarming.
Most people just watch new shows, so All In no longer gets attention. But it was a big scale production in 2003 with breathtaking scenes from Jeju Island all the way to the Grand Canyon and Las Vegas. It was extremely well done and is not dated at all. If you are a fan of Lee Byung Hun, you will find his acting, karate skills, and lovemaking exceptional here. All In has it all!
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This review may contain spoilers
Myung Soo Hyun, babe, we need to talk about that ending you wrote up cause what the fuc-
There are some people in the comment section who interpret the ending as a happy ending. They're right if you think about it, no one died, the characters all became successful ( all owning real estate they wanted which was the primary theme and focus of the drama) and even the leads met again. But boy oh boy do I have a bone to pick with this "happy ending". This is essentially a rant and not a critique. I will not be eloquent with my words, the ending has left me too frustrated for that.I feel the need to let anyone reading this know how I watched this show. There were two episodes each week and for eight weeks I tuned in first thing in the morning to watch them before doing anything else. This show was a part of my life and routine for 2 months. And I loved it. The show was your standard Kdrama with lots of warmth, love, romance, laughter and in this case lots of pretty houses and many heartfelt insights of home owners living in those varied, beautiful homes. I think I speak for all of us when I say the the numerous cliches used were a bit much sometimes. But a lot of experienced watchers like me who have been watching since before kdramas became more ' refined' and 'palatable' for western/netflix watchers, are very much used to the cheesiness and predictablity of the plot details. I could certainly do without the numerous breakups, misunderstandings, sacrificing love for you friend/ family and all the little chiches in between but I don't hate them. And I certainly won't fault a romcom for being cliched.
SO WHY IN THE FUCK DID THEY NOT TAKE THE CLICHED ROUTE IN THE END????? I can only guess that they wanted the FL to be 'successful' and 'independent' on her own and prove that she did not rely on the ML in anyway for achieveing her dreams. And I suppose they wanted to explain them not ending up together due to their father ( being compulsed I must remind) to run away from paying back the ML 10 years before the leads met. Which the ML understood and acknowledged might I add. Sure, he'll be " reminded of the incident everytime he looks at the FL" but that's how it's supposed to be???? It doesn't mean he'll hate her and treat her badly for her father's mistakes. You can't cut an entire person ( your significant other in this case) just because you don't want to think about it. The show put all this emphasis on " money can't buy happiness" and " House+Love= Home" but at the end completely ignored it at the end. It showed the leads being sad looking loners who live in their big empty houses by themselves with their piles of money and presented it as a 'makeshift happy ending'. It was giving me " See? They can be happy by themselves too!". It's honestly a bit distasteful. These characters were always showed to be hardworking social climbers who always wanted a better llfe for them and their loved ones. And they were shown to be putting a lot of importance on relationships and love for their emotinal fullfilment and happiness. Particularly the ML was shown looking kind of depressed even after three years.
The ending didn't match with the overall theme/vibe of the show at all and was utter bullshit.
If you're going to watch it, go ahead and do until episode 15. I'm sure if you like this genre you'll enjoy it. It was done well and at times REALLY well until the ending. Personally I would like my 16 hours back and a compensations for the emotions I wasted. Thanks.
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This review may contain spoilers
A cute story with a unrealistic female character (and i know this is a fiction)
At first glance, 'Usokon' presents itself as a heartwarming romantic comedy that reunites two childhood friends who lost touch for ten years. Takumi, the male lead, approaches her with an unconventional proposition, to be his fake wife for six months.As the story unfolds, 'Usokon' initially weaves a charming tale of cute and heartwarming moments, where you can witness how this lie gradually transforms into their truth.
However, as the plot progresses, the portrayal of the female lead character, Yae, raises some concerns. She is selfless and sweet but her naivety and unrealistic behavior can be hard to ignore. The central conflict in the story becomes ... bonkers? as it involves a girl who had a brief relationship with Takumi a decade ago suddenly resurfacing and demanding Yae to go away, so she can be with Takumi. And she does!!!! This development feels unrealistic, with the character seemingly disregarding everything Takumi did and said up until that point.
While I initially enjoyed the dorama despite some minor annoyances, the appearance of this new character marked a downturn in the plot. If a conflict was needed to drive the story, it could have been approached in an entirely different and more believable manner.
On a brighter note, I found Takumi, Shindo, and Remi's characters to be quite engaging. I look forward to seeing these actors in future doramas, hoping for a more compelling storyline that does justice to their talents. ♥
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This review may contain spoilers
I have a lot of mixed feelings about this drama and even months after finishing it, I'm not sure where I stand in terms of liking or hating the plot twist. Yes, the message is beautiful and all, and yes, that last episode had me crying, but I can't say whether that's because of the writing or my feelings towards Alzheimer's after experiencing it through my grandmother.And, while the message is important, I would have cared so much more if I knew going into this drama what it was about. Sure there are some people who would choose not to watch it because it is a heavy topic that affects many people in real life. When someone has Alzheimer's, its effects radiate. It affects their family, their friends. It even showed as much in the drama. But the choice of whether or not to watch it should be theirs to make. For some people, dramas are an escape from the hardships of the day. They go into dramas wanting to forget real life and to instead invest in characters that they get to slowly learn and care for. So if they go in wanting an escape, it could be considered cruel to throw away the story they developed over 10 episodes for a topic that hits close to home for many. At the same time, I do understand what they were trying to do and respect that. I'm just not sure I agree with the implementation of it.
If the show was honest from the start, I may have loved it. But it wasn't. It feels like those 10 episodes weren't needed if this was the story they were going to tell. All of those story threads and all of that time invested to get to that point were just thrown away in favour of a slice of life melodrama. The show made me care about the delusion of Joon Ha, and I just didn't care at all for the real him because of it. The fake versions of the main couple were a lot more compelling to watch, and I really did care about them, no matter how absurd the story around them was. It's a kdrama, I'm used to the absurd. But the reality of them just made me numb to it all. When I should have felt the most and been hit the hardest, I didn't feel it. A part of me regrets watching it.
And yet, at the same time, I respect the premise. I think that Alzheimer's should be talked about and discussed more often, especially since early intervention is very important for treatment. But I don't think this story pulled that off as well as it could have. Judging from the polarizing reaction to it, while some appreciated the message, a lot are just upset at wasting their time.
So I'm torn on whether to recommend this or not. I do feel that the surprise is unnecessary, and that going into it understanding what you're going to find at the end is the best approach. You can't be disappointed if you know what's coming, so go into it with an open mind and steel your heart.
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The first 8 episodes with the young/teen cast were sensational. All the young actors were excellent in portraying their characters. Kim Yoo Jung is cemented forever as the finest young Korean actress, in my book, with her touching and brave performance as the young Hae Joo/Yoo Jin. The story is set around the shipping industry, with revenge, love triangle & birth secrets galore. After episode 8 the story leaps forward 15 years later & at that point the story continues until the end of the drama.
Most of the actors in the adult cast do a very good job. Lee Deok Hwa as the pantomime villain “thug with a rug” as I dubbed him. Kim Gyu Chul as the weak, slimey butler forever in Jang Do Hyuns power. I hated them both, which was the point.
I loved Hae Joo’s adopted dad, he was wonderful and the love they shared was so moving to see. At first I didn’t think I would like the character of Hae Joo’s adopted mom but the journey she took was lovely to see. Lee Bong Hee and the Chun family ensemble provided some truly hilarious moments and much needed comic relief with all the drama going on. The Prosecutor was an admirable character, someone striving to right wrongs to the best of his ability throughout.
Chang Hee (young) I loved but I was not so enamoured with the adult version, he seemed to be weak and ineffectual even as a successful adult. I don’t blame the actor, more the writers for his lack of character development. Kang San on the other hand was played beautifully by Kim Jae Won as the happy go lucky guy hiding all his pain behind a façade of a clown.
The biggest weak link for me was adult Hae Joo (admittedly I have not seen this actress in anything else so cannot write her off completely) but in this drama she evoked no emotions from me whatsoever (except annoyance). The young Hae Joo was so excellent and the adult Hae Joo failed to live up to that promise quite spectacularly. Another weak link was Hae Joo's biological mother she just seemed to be a useless, weak woman who collapsed to the floor at any given opportunity, she did redeem herself slightly in later episodes, but her whole relationship with Do Hyun was a mystery to me.
I tend not to re-watch so that mark is always low for me.
The music/score was good, The main theme song I didn't like too much and started getting on my nerves in the end.
If you like melodramas this is well worth a watch the story moves at a fairly brisk pace (although it could have done without the extension).
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The cutest, fluffiest little rom-com ♡
For a one-episode drama special that is one hour long, this was so enjoyable and so, so adorable. I was giggling and smiling like an idiot, kicking my feet while trying not to wake the whole house up because it was way past midnight here. Why are they so cute omg!? I saw an edit of this today and as soon as I realised that it was Kim Do Hoon from Moving and saw that it was a rom-com special about two genius rivals, I decided to watch it. BEST DECISION EVER!!It was like watching a short campus rom-com movie, it had everything: the enemies to lovers, she fell first but he fell harder, college rivals, funny moments, and cute (almost cringe at times lol) and romantic moments, the whole episode was so nicely written. Seriously, I never rewatch anything, and never dramas, apart from some of my absolute comfort movies or Korean variety shows, but I could rewatch this again any day, whenever I feel like not watching anything from my list or when I can't find anything to watch. Perfect for an evening when you want a break from your current watching or on-air dramas, this has all the elements not to get you bored, it's cute and funny, and the actors have amazing chemistry. That kiss omg I don't think I ever jumped and giggled this much at a kiss scene before lol, that took me so by surprise lol, just the funniest scene ever!! Although the whole fake love confession plan was silly and childish from the male lead's side, both leads were smart and relatable, they were in two very different but similar situations and the message at the end was perfect. As a student myself, this really resonated with me and really gave me a little boost, so I loved it even more. It was a relatable message offered to us as viewers in the form of a cute little love story.
I 100% recommend this to everyone, and I hope everyone watching it enjoys it cos it is so fluffy and doesn't overthink it. This made my whole week, I honestly can't wait to rewatch it lol ♡
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The story was good, it covers a lot of different issues concerning things such as bullying, family problems and rumors. It's a story set in a high school setting, there's drama and even a love story. The drama is very short though, which is why I can't give it more than an 8 - because while it was a nice short drama, there are other things they could have done with it to make it an even better drama.
All of the main actors in this drama are younger ones, some of them even starting out with Kingyo Club being their first drama. That being said, I think they did a really good job! The acting seemed natural and there isn't anything bad I can say about it.
There were a few songs they played in the drama, I found both of them to be nice songs. Even though I'm not sure how they really fit the drama at some points.
Overall I think this is a really nice and short drama that I would recommend to anyone looking for something that deals with more than just school and a "cute couple." This is a drama that deals with more serious issues.
Also, I mentioned already - the episodes are only 20 minutes long! (:
The last 3 episodes were finally subbed recently and hopefully someone will update some of the streaming sites for those that don't download :D
I might rewatch this drama someday, although it might not be for a long while.
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The tale of a determined detective who switches bodies with the psychotic serial killer she is chasing took the best acting efforts from both Haruka Ayase and Issei Takahashi, and I have to say that by the show’s conclusion this may be some of the finest acting I’ve ever seen by either of them!!!
Also props to Kazuki Kitamura, the brash, arrogant and yet highly intelligent and motivated detective Mitsuo Kawahara who is always hot on the heels of the body-swapped duo as they try to wrangle themselves out of their predicament- This was a character that I never quite knew what to expect from and he surprised me every time!
An A+ drama that had me on the edge of my seat as the show took you through its elaborate twists and turns culminating in an entirely satisfying Wrap-up!!
I was excited about this ever since first hearing about it in the new drama announcement, blown away by its first episode and throughout its entire run, Tengoku to Jigoku has always been my #1 favorite drama on the air! A definite 10/10!!!
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I wasn't familiar with the traditional story of Don Quixote, but that wasn't necessary because this drama really didn't stick to the traditional story. What the drama took from the Spanish story was a theme of "unconventional chivalry" and really played it up.
Assuming that you read the synopsis, this story is a Secret Garden type of switch but without the romance. (if you didn't see the Kdrama Secret Garden -you need to- but think Freaky Friday). Yes there is essentially no romance in this drama but you really don't miss it. The main characters are like fish out of water and it makes it hilarious to watch.
The two main characters are played excellently by the already awesome Matsuda and Katsumi Takahasi. I loved seeing Matsuda smile and be really dorky then witch to being all Yakuza, if you are a fan of his then there is no reason not to watch. Katsumi was really good to playing a totally dweeb young man , he made it believable.
All in all, this a undeniably great drama. It sucks you in, has great topics and situations and by the end you feel as if you too have gained 2 friends. Even if you see the end coming in this drama, the characters are so likeable that you want them to do their best. All the episodes are good and there is no need to fast forward, and i normally need to fast forward. If you feel like getting away from all of the plotting and scheming that some of the other dramas have, this is a good refreshing one. Watch it. Like now.
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Cast - Well, let's take a look at the cast first: Ken (Wonpuapan Theeradeth) plays the lead - Paat. He's a tea farmer, not terribly well behaved or educated but proud of rebuilding his family fortune and farm. I'm sure it's a part that Ken could play in his sleep but he really made you feel his sadness and anger at what he viewed as betrayals from his deceased wife and society in general. Yes, he's got a few friends and his workers see him as fair but that's about it. Think, walking thundercloud. It's a convincing act!
Every grumpy/mean lead needs a heroine to change him. In this drama, it's Namtarn (Wongsarattanasin Pichukkana) playing Rojanasnai, the innocent heroine. Friendly, good to her family (who does not treat her well as she's the adopted daughter) and a good student. Plucky to a certain extent but your are mostly believing it because she seems like a genuinely nice person. I've read this ingenue part was her debut role and she acted it convincingly.
The other main parts are all acted convincingly so I guess these actors did their parts well. Only a few seemed over the top and that eventually toned down. If you watch lakorns, you'll be familiar with the stereotypical roles - foolish servant vs. the proud servant, the brave soldier (in this case, the police officer), the villainous drug dealer, the humble, hardworking farmers, the ferocious beauty, the spoiled sister, etc. One item of note - the older actors playing the dads, moms, etc. were especially good.
Plot: Their forced-cohabitation romance comes about because their families' promises to wed their children together. It's a classic asian dam trope but with more of a city/country clash to it. He thinks she's too soft and she'll give up on the marriage. There is a fair amount of revenge-based behavior but it doesn't get too bad. In the script, his friends and mother know what he's trying to do and tell him to cut it out - but it still isn't something you'd want to experience. The side characters and plots - the women who want Paat, the drug dealers who want Paat to stop interfering in their trade and the guys who like Rojanasnai - all are well done. Even the monstrously bad behavior of her obviously mentally-unbalanced sister (whose been spoiled because her parents don't want to set her off) has some believable aspects. There are also some nostalgic plot lines involving the Hmong people now living in Thailand. Outside of the "will they or won't they fall in love" plot line - the most obvious storyline is about how lovely living in the Thai countryside is. The countryside and the tea plantation is filmed beautifully and seems like ad for Thai tourism at times.
Music: Nothing terribly special but nice. It doesn't overpower the plot although the theme song does get used a lot at what were probably commercial breaks.
Rewatch Value: You know, if it popped up on my playlist, I'd rematch it. Ken and Namtarn made a nice, believable couple There were some nice kisses and some witty dialogue. The countryside looked very soothing. I'm not watching lakorns for realistic, gritty modern life so, yes, it has a pretty high re-watch value.
I hope I'm not making this sound horribly bland. It's not a ground-breakingly exciting drama but it isn't the worst thing out there. It might help you acquire a taste for Thai lakorns.
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I like the way its scriptwriter measures various contents in Good Luck!! because they are well-balanced. Most of the story lines are revolves around the career of Shinkai. Every details and his job in the airlines (such as safety, seniority, check lists, training, and even periodic medical check-up) are portrayed very well. It's not suprising that this big-budget drama is supported by a premium airlines in Japan, All Nippon Airlines, so it didn't fail its expectation. Not only the pilot's everyday life, but his relation with fellow pilots, family, girlfriend, and neighbor are amusing as well. It's all natural and very realistic. Some anticlimax near the end may have deducting the overall points of this drama, but that's not a great deal.
Perhaps what bring this drama into life are the actors portraying the characters, particularly Kimura as young first officer (one rank below captain) Shinkai and Tsutsumi (my personal favorite actor) as Captain Koda. While Kimura plays his usual style, Tsutsumi stole the limelight with his superb acting and depth. The supporting casts play well too, while the actress playing the veteran flight attendant Togashi deserves honorable mention. Even some actors who are not known for their acting prowess play well here.
Last but not least, this solid drama may make you turned into an aviation enthusiast like I was. If it's not, at least you will be entertained along the show.
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Death will happen, no matter what. But what is important how you treasure the presence of these people for as long as they live.
I love the way the actor showed such gentleness while embalming the dead. Every process was done so delicately and filled with respect to the deceased.
A very touching movie indeed. I cried more than twice in it.
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Creation of the Gods Ⅰ: Kingdom of Storms
26 people found this review helpful
Sons of a tyrant.
Wuershan's Creation of Gods trilogy is the culmination of an eight year labor of love that is the most ambitious and grand scale adaptation of Chinese classic Investiture of Gods ever. This Homeric, often chaotic tale of gods, demons and men that blends speculative history with myth and legend is probably the most widely adapted ancient Chinese vernacular novel. This grandiouse, exhilarating, action packed, and painstakingly crafted production is a visual triumph and an immersive adventure that is best experienced on an IMAX screen.Kingdom of Storms is the first instalment that focuses on the origin story of the King Zhou of Shang and how he incurred the wrath of the heavens to the extent the gods intervened. In a departure from canon, this adaptation does not lay the moral decay of King Zhou solely at the door of the hedonistic, fox jezebel Su Daji. This version holds King Zhou accountable, clearly asserting that his ambition and moral flexibility already put him on the dark path from the get go. This is a more layered and manipulative King Zhou, who adopts all of his noble hostages including Ji Fa as foster "sons". He ruthlessly indoctrinates his own son Yin Jiao as well as his hostage sons into choosing to be sons of a tyrant over their own fathers. All of the sons are pushed to decide whose son they really are and what kind of man they wish to become. This recurring theme of conflict between father and son and right and wrong adroitly weaves most of the sub-plots together.
Kris Phillips with his magnificent build and his imposing, quietly menacing , almost mesmeric screen aura is impeccably cast as King Zhou. He so much looks and breathes the part that it is easy to ignore his at times bizarre Mandarin and the occasionally stiff acting. Although the stunningly gorgeous Naran is bewitching as Daji, the role lacks complexity. She doesn't get to do much more than alternate between a sensuous seductress and a cunning and feral animal spirit when cornered. This debouched couple lights up the screen with their dark chemistry but I could have done with a bit less of their wanton cavorting that comes off as too unsubtle Hollywood. Beyond their honed physiques and stunning atheleticism, both Yu Shi's Ji Fa and Chen Muchi's Yin Jiao won my heart with their brotherhood and their portrayal of initially bewildered and disillusioned sons who grow up to become fearless and resolved men. They stand out among the dazzling number of up and coming young actors who managed to make an impression in this whirlwind production as does Ci Sha's not so hot headed Yang Jian. The deities don't feature as prominently in this first chapter but I much enjoyed this first glimpse of the diabolically mischevious Nezha.
For those unfamiliar with the chaotic original works, the storytelling may seem cluttered with vignettes at the cost of plot advancement as this largely sets the stage for what culminates in the battle of all battles between good and evil. Beyond an almost gratuitous amount of wildly, intense action scenes, the narrative pays homage to key features of the original works from Ji Chang's meat pies to Bi Gan's seven chamber heart. It culminates in Ji Fa's hair rising escape from the Shang capital Zhaoge. Keep watching after the credits roll as the following epilogue sets up the next instalment where hopefully we see a lot more plot movement. This is a very difficult and messy novel to adapt but so far, I am very impressed with how cogently and fittingly everything ties together. This promises to be the best adaptation by a long mile of this well loved novel, the first part of which warrants a highly enthusiastic 8.5/10.0 from me.
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This review may contain spoilers
Lighthearted romantic comedy centered in convenience store
8.5/10 is my rating. This is a 2020 South Korean comedy romance with 16, 70 minute episodes.Choi Dae-hyun (Ji Chang-wook) encounters a gang of female high school students after suffering a setback in a relationship. The leader of girl toughs, Jung Saet-byul (Kim Yoo-jung), Saet-byul tries to bully Dae-hyun Into buying cigarettes but instead steals a kiss from him. She was immediately attracted to the handsome young man who made a sweet gesture of flowers and a stuffy to a girlfriend who obviously did not appreciate it.
Three years later, Dae-hyun has resigned from the corporate world and is running a family owned convenience store. A chance encounter brings Saet-Byul back into Dae-hyun’s life and when she notices he is looking for a part timer she persistently seeks the job to be closer to the man she likes. Da-Hyun is two years into a relationship with another girl who does not see his worth. Saet-byul is determined to show she is no longer the troubled young girl Dae-hyun first met and steal his heart in the process.
Spoiler alert! I really loved the female lead character Saet-byul she is basically a street toughened kid in the beginning. Being poor is hard wherever you live and it was admirable how she sacrificed herself to give her sister a stable teen age life and start on adult hood. The sister acted just as expected when she was young but showed great character growth when she expressed to Saet-byul that she knew and appreciated what she had done for her. I liked that the younger sister was able to be successful as an idol. I liked all of both of their friends and it added a lot of interest with the things that happened in the multiple relationships. Choi Dae-hyun was perfectly sweet as the male lead character. He was responsible, stable and noble. The second guy was a gorgeous idol who was hopelessly in love with the beautiful Saet-byul he credited her deceased father for the foundation of his success and felt responsible to watch over the two girls. I did get a little bit of second guy syndrome. I loved how Choi Dae-hyun‘s family took Saet-byul in when she had nowhere to go and even later took in her little sister. It was something my parents would have done so I could identify. The love story was sweet and the two looked amazing together. Kim Yoo-jung is so pretty that she was an incredibly believable pair with handsome Ji Chang-Wook. I highly recommend this as a light hearted feel good romantic comedy.
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Viewers fresh from home or even on the cusp of building their own families may relate most to the tale dictated by Tonbi. The same might be said for those who, already having experienced much of life, are adjusting to empty nests. This drama builds an effectively nostalgic hometown backdrop, complete with unique landmarks and quirky, over-exaggerated denizens. With such a setting, themes and happenings are explored which remain universal despite whichever specific focus is placed on them. The result is a warm, emotional ride which is rather easy to connect with.
Several aspects struck me as slightly uneven nonetheless. The plot relies on various coincidences and, while I can allow for the fact that life sometimes hands out beautiful symmetry, there are too many to shrug. Many point out that Japan stumbles often with romantic love. As expected, few romantic relationships in Tonbi (including one which later becomes a major plot point) felt honestly loving. Because the true focus centers on bonds between parent and child, this is relatively forgivable. Lastly, much of the story is told by son Akira, either through flashbacks or as stories told to others. For the most part this works just fine, but these sequences frequently show characters from their own perspective. While it would be nice to have that level of insight in real life, this staggers somewhat strange. Even for a community of people as open as these, we rarely know everything others experience alone (especially our parents).
Near the start of Tonbi, I spent a reasonable amount of time deciding whether Uchino Masaaki was performing well. His Yasuo is larger than life, initially more like a dumb but lovable hound unable to control itself when excited than an actual person. Yet when all parts of his portrayal are placed together, brilliance flows forth. My favorite bits were his emotional revelations, becoming acquainted with the vulnerability and loneliness of the character. Sato Takeru improves every time I encounter him. His scenes often feel quite natural lately. While his Akira does not induce the same level of interest as Yasuo, the chemistry with Uchino-san makes this drama. A true degree of familial love seems to pass between them, whether they are sharing warm moments or standing in conflict.
Instrumental pieces in Tonbi are light and subtle. There are various gentle themes which play at pivotal moments, particularly those when a character is reminiscing or about to experience change. Overall suitable, the tender and unobtrusive way they are presented is simply wonderful. Fukuyama Masaharu provides the gorgeous theme ("Tanjobi ni wa Mashiro na Yuri wo"), with a voice that croons nostalgia with every syllable. Whenever it played during the final moments of an episode, my heart swelled.
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