Reviews

Who is the big bad wolf?

This is a passionate fantasy fairytale that unflinchingly explores the thin line between love and hate and many emotions in between with a dark intensity that will not appeal to everyone. Hidden within this dark, at times ugly complexity is a simple, intense mythical love story that is beautiful in its fleetingness.

Once upon a time, Xing'er, the lonely young daughter of a feudal lord befriends Langzai, a wild orphan boy raised in the forest by wolves.  Even before they understand what it means, they fall in love and form an unbreakable bond. But after a terrible misunderstanding, Langzai is whisked away by the tyrannical, paranoid and evil emperor Chu Kui who weaponizes him. When they meet again, Langzai is the fearsome Prince Bo, a ruthless, lethal military leader who keeps the mad, bad despot's internal and external foes in check. And Xing'er has grown up to be the beautiful Princess Ma Zaixing, a pawn whose family's military might is coveted by both Chu Kui and the rival Jin king. A damning accusation, divided loyalties and duty forces them to be mortal enemies and opposing forces push them towards what appears to be mutually assured destruction. Can true love uncover the truth that can defeat the darkness in their souls and free their land from evil? 

This drama is not plot driven; the story is easy to follow with a few well conceived mysteries to be revealed but the villains are known from the outset and there are no shocking twists. It is very well paced and the action and battle scenes are ferocious, brutal and gripping. Rather it is largely a character driven drama where the main protagonists fight for who they choose to be and who they want the love of their life to be. It asks the question - who is the big bad wolf or who are the monsters? Is it the wolf in wolf's clothing or the wolf in sheep's clothing?

This character drama is made especially memorable by the many well cast and compellingly delivered roles. They are difficult roles to convey because all of the main characters are flawed and they all have inner animal avatars. When they are tempted or threatened their most primitive instincts emerge and we see both their best and worst selves. To properly appreciate this drama, it is important to keep this in context because the writing does not try to sugarcoat or suppress these traits, instead it gives them free rein to build into raw moments of enraged conflict, unimaginable pain, dark passion, misguided loyalty, pure love and violent hatred. All of the characters make mistakes both selfish and well-intentioned mistakes with heartbreaking and irreversible consequences.

The styling and costumes of the characters are designed to accentuate their inner animals and each of them are written to highlight their inner animal's associated personalities and strengths and weaknesses. We know that Langzai/Bo Wang (Prince Bo), the titular character is a wolf. Xing'er/Ma Zaixing is a butterfly, the least complex, most single minded character of them all. Ji Chong is an eagle and Bao Na is a horse. Yao Ji, the most underrated character in this drama is an enigmatic, treacherous and wise snake (I think). Her relationship with Bo Wang is the most surprising, complex and interesting relationship in the drama, much more so than both Bo Wang and Ji Chong's relationship with Xing'er. I wonder how many supernatural abilities these characters were originally endowed with before the censors erased all of that stuff.

The following is a deeper discussion of the main characters and their relationships that inevitably contains mild spoilers. You can stop reading here and  come back to the rest after you are done with the drama.

I initially mistook Xing'er for a frustrating character - weak, naive, unwilling to grow up and one dimensional. But that is her nature - she is a butterfly - a delicate, transitory being that is a symbol of youth, joy, love and beauty. Female butterflies mate only once and then they die. Her goals are simple and she is pure hearted but she is by no means weak; on the contrary she is single minded and unyielding in her love for Langzai and her determination to recall him from the darkness that is Bo Wang. Her heart is gently cruel in its lack of capacity to to let anyone else in. This kind of role is both very easy and very difficult and Li Qin pulled it off phenomenally (despite a shrill and atrocious voice dubber). I could feel her pain and disillusionment and teared up as I watched Xing'er innocence and love of life get extinguished into the strong, mature, revenge driven but indifferent Ma Zhaixing.

Bo Wang is a sexy, magnificent, conflicted and tortured beast of a character that I loved to hate in the beginning and hated to love at the end. He is the big bad wolf, a ruthless predator with savage methods but he is also highly intelligent, passionate and devoted to his pack or his family. Wang Dalu's portrayal is so vivid and potent that I could see a wolf lurking behind Bo Wang's every facial expression and gesture - I can't believe I have never watched this actor before. The scorching chemistry between Bo Wang and Xing'er is the most outstanding feature of this drama. Both actors have such intense screen presence that anyone that shares the screen with them becomes invisible. Their passionate, tormented kisses and the intense longing in their gazes give lie to their often toxic verbal exchanges. Their relationship scales the tortured depths of hatred and despair to the breathtaking heights of love and ecstasy. They are so convincing and moving as a couple that all of their love rivals pale in comparison.

Ji Chong is an eagle, a bird of prey that can see the big picture from high above and swoops down opportunistically and tactically to force the lovers to face each other as mortal enemies. Like Bo Wang, Ji Chong also tries to save Xing'er by changing her; in this matter he and Bo Wang have a common agenda. While their methods are diametrically opposite, the outcome is the same in that they both cause her to suffer enormously. Bo Wang pushes her away harshly and cruelly while Ji Chong albeit charmingly, imprisons her with duty and obligation to her clan. Bo Wang loves her enough to give her up but Ji Chong more selfishly and somewhat naively tries to wheedle and manipulate his way into her heart. Ji Chong and Bo Wang are both ultimately well intentioned but make many mistakes and are thus equally responsible for all but erasing the Xing'er they love. I am very impressed that Xiao Zhan chose to play such an interesting, endearingly immature and flawed second lead rather than yet another insipid and suffocatingly noble and selfless one. Just as with his iconic interpretation of Wei Wuxian, Xiao Zhan's blinding charisma compels us to forgive Ji Chong's flaws and weaknesses and even empathize with him.

Surviving to exist is not important to Xing'er who only cares that she rescues her Langzai so that they can retreat into the forest away from the two legged monsters that walk the world outside. With this in mind, the drama's ending is not just good, it is also fitting. As someone who loves such beautifully flawed and even dark characters, I find Xing'e and Langzai's mythical love story to be unforgettable so this has to be a 9.0  possibly even a 9.5 for me. I can understand why others may find the themes too darkly disturbing and judge the characters much more harshly.

I will end with a nursery rhyme I vandalized for @sony_t:

Wheedle eagle, pudding and pie,
Kissed the butterfly and made her cry,
When the wolf came out to play,
Wheedle eagle flew away.

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*** Lovestruck was unbelievable, electric, and TRAGIC. Don't hate the ML and FM for their flaws

I have watch 100s of kdramas, american shows. Lovestruck in City first to hit my heart the way it does.

You need to watch 15 straight episodes to see the progression. Every episode is entertaining because you get a perspective never seen before in kdrama concerning relationships. You will be mad, cry, intrigued the entire time. *****Don't judge you opinion about characters. They are flawed, relationships are messy.*******

I don't hate the FL (EUN OH/ KIM JI WON). She made me teary-eye the entire show because I know the feeling of hating yourself. She is selfish I agree, but her wanting to "FIND HERSELF, and to LOVE HERSELF", I completed understand. She abandoned him, but this relationship was destined to fail. She ghosted him and should have just dumped him properly. But ML himself was superficial in YangYang saying he wouldn't love her if she was not who she was without the tattoo and carefree style. She was scared and ML was superficial to start. Both made the relationship NOT WORK. *****Kim Ji Won is the most charismatic, expressive, and REAL female actress I have ever seen in this drama. The emotion she depicts in her eyes is .... incredible.

The absolute sadness that the ML (JAE WON/ JI CHANG WOOK) shows is real. You might not like it, but it is REAL. Dwelling over a girl he fell in love with, the anger for being abandoned. After every moment and flashes to the past, you root for him even though he is not perfect. ****Ji Chang Wook getting criticism for this drama is wrong. His electric chemistry with Kim Ji Won was breathtaking. Throughout show he was energetic because he is passionate and has anger problems, which I relate to. Many people I know have these spurts of emotions. Don't hate someone people they are displaying weakness in character. I appreciate the REALNESS OF IT.

But breakups are ALWAY messy. I have been ghosted in the past as well. Relationships ending in a flash. So I understand this. I have also ended relationships due to my own insecurities and still dwell about them.

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Satisfying and Rewarding

I started this review while ongoing and now it’s done, I’m editing my final analysis.

Cast: From main leads to supporting, I think this one is well chosen.
Li Xian (Mai Dong) -i give him credit for choosing works that makes his acting credible. Seen him in go go squid and meet yourself. With this third one, he’s secured a spot in my top seven list of male Chinese actors. He brings out the character he plays so well you just admire it. He’s the cold, serious, never smiles mortician…until Jie.
Zhou Tong (Z Jie)- is an incredible versatile actress with a colorful array of roles with big actors. She’s unfiltered, unabashedly comfortable in this role which makes her character so endearing. She has a handicap but it doesn’t stop her from pursuing her dreams, and a love in MaiDong.
Wan Peng (Xiaxia) has a minor role as bestie of Jie. Loved her in My girlfriend is an alien. Here’s she’s almost unrecognizable with her matured new (to me) look. Beautiful.
The rest of cast are so good each putting in their best to compliment and complete this storytelling.

Writing is very good. So many poignant points about life. It really makes you think. FL had lots of insecurities and there are some parts she may seem toxic even. What I like though is how ideal relationships should be. One part she said something totally out of place that really hurt ML. Immediately though she sought his forgiveness, explaining her why’s. I think for many who haven’t had love lives may be turned off automatically after this incident but those of us who have can relate that it’s relationship building in progress. This couple did make progress, big time.

I think it’s unique that the main guy is a make up artist of the deceased. The portrayal of the handling of others loved ones makes me appreciate those who do these acts. These artists are in the background, hardly thought of, recognized. This gives an enlightenment of sort. Definitely an appreciated work.

There’s so many thoughtful lines that goes along that gives us so much feels. “Life is full of different destinations. Eventually you’ll go the grave”. “People buy special urns or beautiful tombstone to make their loved one standout. Those are just illusions. Once you’re dead, you’re dead. Nothing more outstanding than that. Therefore, live the best life you can, while you can”.

This drama is for the matured thinkers. It’s written well, and acted well. As for romance? You got to see it to believe it. It’s exactly as how two people who have just fallen in love act. Finally we see that true warmth of love through eye connections, touches, real hugs, and kisses. Definitely modern display of love. Kissing in public? What? No fish kisses either. Chemistry is sizzling I’m piqued whether it’s acting or real. lol. They did well. Appreciate their work.

It takes an explosive incident to put the decision at rest. Together forever we will be. Done. Very well done.

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I hated this drama for the reason I often hate dramas: the male lead was a jerk. He treated the female lead badly (really really badly), but was still forgiven again and again. Actually, pretty much all of the characters treat the female lead badly but are still forgiven. The whole series is a train wreck of mistreatment with occasional romantic breaks. This woman should be in a domestic violence shelter getting help filing a divorce, not living "happily" ever after with the male lead.

Friends, being too forgiving only makes you more attractive to the kinds of men who mistreat women and therefore need to be forgiven a lot.

Content Warning: contains a sexual assault scene while the female lead is unconscious. The assaulter is forgiven instantly and never truly held accountable.

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Felt like a different drama

From the first time i saw the trailer, I was scared that it would be too different from the first season. The whole feel of the drama felt forced, not just the storyline but also the shots and pacing. Because of the change of directors, the season felt like a whole different drama compared to the first. While the first season had more of this lighthearted, comic feel to it, this season had a more serious, adult vibe. At first, I thought this would be appropriate since this is where they mature but it lost some of the dramas charm. Even though the first had this lighthearted vibe, it didn't take away from the seriousness of situations. This season made the maturity and seriousness feel forced.

The setting are also all different than the previous season which made it further feel like youre watching a whole different drama. The school, the houses, the convience store. Like, they had to change the CU to a 7-Eleven. Even though it had 2 episodes less than the previos, the pacing made it feel longer. And the OSTs was forgettable, unlike the first.

Eventhough I dont agree with the ending, i didnt like that the relationships weren't developed that much and it made me not sympathize with Jojo unlike the previous season. The drama didn't solve Jojo's real problem: running away. From the very start, when things get hard, she runs. She said that she put on the sheild to "protect" Sunoh, at first sure, i can see that, but when Sunoh found out about it, "all she can think about was Hyeyoung". Like, girl, you gave this guy that was so in love with you, hell for 4 years, and now he knows about it, you can't even think about how you've hurt him. She didn't give Sunoh the proper apology that he deserves. She said she loved him, but she loved herself more, leading to both their suffering. And with all this, unresolved problems, she runs to Hyeyoung. It felt like just because he's Hyeyoung, she should end up with him.

With all this, I think the story and especially the direction the director chose in filming this season is really disappointing. I think even if the story turn out the same but had the same style, or even the same colour palette of the first season, I would have enjoyed it more because it would connect; but from the first episode, I already knew this wasn't the same drama I waited for. I felt like it wasted the 2 years I waited for this drama. It made me hate Jojo and made me feel bad for Hyeyoung and Sunoh. I'll just pretend this season never happened.

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realistic. relatable. refreshing.

ik we are here for the "dimple couple" Shin Min Ah and Kim Seon Ho (atleast I am) so I'll skip the introduction. I haven't seen the original work so i won't mention any comparison to it. the plot seemed like something new to me and trailer gave fresh vibes so I didn't hesitate to start (nor do I regret). I'd discuss some aspects in the drama I particularly loved so you may relate to it or consider watching :)

PLOT/PALETTE:
so. back to the drama. a girl leaves her job and goes to some rural place and sees a guy who's... everywhere? I thought it would be cdrama style cliché but it's actually far from that (thankfully). color palette of episodes are really relaxing to watch. I'm not an artsy person and I don't know much about palettes but it's really calming and definitely suitable for the picturesque sceneries.

CHILDHOOD CONNECTION DONE RIGHT:
what i really loved in the drama is that despite the leads having a couple of childhood interactions, they don't give much importance to it and (rightfully) move forward because it was simply a part of their past. it was refreshing to see such an arc because in most dramas, the leads who hate eachother suddenly fall in love because they "vowed to marry each other as 3 yo kids" or whatever, you get the idea.

BEST PORTRAYAL OF LOVE TRIANGLE:
the characters are written realistically and mature. props to the crew for including minor details that may seem unimportant but really adds on to reality. there's no over the top cheesy lines and exaggerated portrayal as seen in many other rom-coms. every single arc (including love triangles) is carried out so well that no part of the drama bores the viewers. I simply can't stop admiring how beautifully the love triangle was carried out because in most case it would simply ruin the overall drama experience.

SIDE CHARACTERS HAVE THEIR OWN LIVES TOO:
the side chracters had their own story to tell, not just being comedic clowns or matchmakers for the main leads. ofc their story slightly depends on the leads because they are centres of the drama but we can agree the writer gave justice to the supporting casts by not always placing them in scenarios where leading characters need them. EVERY character had their own situations and struggles but the way each person grew through the story made me happy and proud.

overall, the drama kept it charm throughout. 100% worth the watch! long story short, start watching now!!

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Surprisingly entertaining, give it a try.

I just kinda feel the need to say this; maybe try rating a movie or a drama after you actually watched a few episodes.

Honestly, the sole reason I am watching this drama because of CZY― and that being said, I had no idea what to expect. In the first few episodes, there are indeed a lot of things to grasp, like who is who, how their 'world' works, the name of the sects and all that, but I think it was always like that with fantasy drama.

As the story goes, I found myself genuinely coalesce with the drama. It was somehow heartwarming to see the ML easily bemused by every little things he saw outside of Qingluan Peak. While people might say his character was rather childish, I think it was exactly what to expect from someone who grew up in isolation and never met anyone else except his father and the pig demon.

The interactions between the ML and FL also so funny to watch. One is sly and cunning, meanwhile the other one is kind yet naive and speaks whatever on his mind out loud. And their friendship evolves, I can't wait to see their character development!

Also, for the CGI, I think it was kind of decent. The fighting scenes were fine too. There was nothing big that bothers me so far. I hope it gets better!

[UPDATES AFTER FINISHED WATCHING.]

For this drama, I am kind of relieved that the journey has managed to steer clear of disappointment. (Though there are, of course, room for some improvements.)

But well, I could say, it's akin to the pride of a parent witnessing the growth of my children. Every second is a joy as I savor the unfolding story, relishing the arcs and development of each character. Every obstacle and setback that they encountered served as a tool― shaping the four main leads and their friendships into something beautiful. And even though their friendship might seem almost too perfect, I can't help but adore watching their dynamics. Where I could possibly find friends as genuine and supportive as them in real life? :[

Throughout the entire watching experience, not once did I feel the need to skip any part or conversation, as there were no unnecessary fillers. Every dialogue held significance for the plot. However, I must confess, the temptation to fast-forward arose during scenes featuring the infuriating villains who never failed to make my blood boil. (Side eyeing Su Yao and particular sect leaders as I type.)

(Here goes some small complains.)
To be entirely honest, I believe adding two or more episodes would have been perfect for this drama. There were certain aspects that left me puzzled. I personally believe it was essential to provide more details about what transpired after the great war. The abrupt one hundred-year time skip felt somewhat cruel, leaving me yearning for more insight into Lingsha's final moments with Tianhe― despite the inner conflict about my own emotional strength to witness it, a part of me still desired that closure. Also, I'm curious about how Tianhe lost his sight. Was it related to the divine bow? The connection remains unclear to me.

Towards the last few episodes, the CGI noticeably declined from the impressive quality seen at the beginning of the story. The fighting scenes, unfortunately, felt somehow rushed. I think, a bit more attention to details and time devoted to these aspects would have enhanced the overall watching experience.

In conclusion, it was a truly memorable journey. Zheyuan once again proving his acting prowess, leaving me in awe. His emotional performances drew me in completely, evoking my own tears and smiles in sync with his. While it was my first time watching the other three main leads in a drama, they portrayed their characters exceptionally well. And not to forget, the soundtracks have found a permanent spot on my playlist. Whenever these songs play, I can't resist replaying scenes in my mind. (Forgive me for the emotional indulgence.)

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家和万事兴 (Jiā hé wànshì xīng) Prosperity Starts from Harmony at Home

家和万事兴 is a motto that is embedded in every Chinese people’s heart. This philosophical adage reflects in their everyday life and is vividly portrayed in this outstanding story. The Story of Xing Fu is partially adapted from Chen Yuanbin's novella The Wan Family's Lawsuit (万家诉讼) which was also made into a movie in 1992, Qiu Ju’s Lawsuit (The Story of Qiu Ju), directed by the acclaimed Zhang Yimou and acted by the gorgeous Gong Li. The earlier story was set around the 1980s when rural life was harsh, and the country’s economic miracle was still at its infancy.

In this new story, The Story of Xing Fu, set in the late 2010s, viewers can see the marked improvement of village life compared to the 80s, but the rural-urban differences are still very distinct with the sophisticated urbanites looking down on the poor villagers; the divide is even more brazen now than the old days.

Xingfu (Zhao Liying) is a rural woman who is strong headed and lives life guided by her uncompromised principles of honor and integrity; right and wrong for her is black and white. Though not well educated, she would go all out to find justice when a person’s right is being infringed, for she is a person who would go all out to help whoever needs help. She is fearless to take on the rich and powerful if she needs to, because she believes the rule of law will always prevail. After she marries to a farmer, Wang Qinglai (Tang Zeng) from a neighboring village, she comes to live in the Wan Family’s Hamlet.

The Wan Family’s Hamlet is a settlement founded and led by Wan Shantang (Liu Wei) as the respected village head. The residents there are mostly Wan Shantang’s relatives with Wan (万) as their family name. Hence, the Wang (王) family, Xingfu’s in-laws, becomes an odd-one-out and feels like an outsider. For this reason, the Wang family always keeps a low profile and tries to please everyone especially Wan Shantang, hoping with the village head on their side, they would blend in more easily.

All disputes by villagers in rural China are usually settled out of court through intermediaries such as the village heads. Local police may be involved as a mediator to bring the disputing parties together to come to a settlement. This drama carefully portrays this side of life for most of the Chinese population (majority of the population still lives in the rural areas and small cities).

Therefore, when Xingfu’s husband was accidentally kicked by Wan Shantang in the groin, she is unhappy with such settlement and files a lawsuit against Wan Shantang, something that is out of the ordinary. As things eventually turn out, Xingfu is indebted to Wan Shantang, and the lawsuit is forgotten. But as everything is going smoothly for all, the law catches up with Wan Shantang and he’s imprisoned. Outraged by her action which is seen as being ungrateful by the villagers, Xingfu and her husband are forced to leave the hamlet to avoid their awkwardness at home and become migrant workers in the city.

Chinese families often sacrifice themselves and send family members who have the most potential to the cities to work or for higher education, in the hope that the ones that ‘make’ it would reciprocate and help take care of the rest of the family. The concept of investing in one person and when the person gets wealthy, he/she would help bring up the rest of the people, permeates the whole society. Wang Qinglai and his family work hard and send Wang Qingzhi (Liu Yanchen), Qinglai’s younger brother, to study and work in the city. When Xingfu and Wang Qinglai come to live in the city, Wang Qingzhi is expected to take care of them.

‘Guanxi’ (connection) and ‘renqing’ (favor) are deeply rooted practices of the Chinese tradition. As the government tries to weed out nepotism and corruption, such practices become prohibited especially in the cities. Wang Qinglai doesn’t realize the pressure and predicament he has put his brother in, as such tradition is viewed undesirably in the city. The drama tries to portray realistically the conflicts between the brothers in the job finding process.

There has been massive rural – urban migration in the last 40 years in China, causing unsustainable pressure in the cities. Rural farms are being deserted, children are growing up without their parents, and elderly parents are being abandoned by their city-bound grown-up children. Wan Shantang tells Xingfu that, though it’s a must to leave the village to see the world sometimes, she must not ever forget where home is. After all, life is meaningless if one loses one’s family. These heart-felt words are meant not only for Xingfu, but for all viewers alike: do not lose your family in the pursuit of wealth and materialism. In the end, you may end up with nothing. Silently the writer is telling the viewers that, wherever we may be living, family is where home is.

In this drama, Zhao Liying is not that glamorous girl. She's a typical village woman with unflattering hairstyle and old-fashioned clothing that is worn by most women in rural China. Her growth after living in the city helps her look more sophisticated later as an inn keeper, but most of all, she becomes more flexible and articulate for the well-being of all the residents of the Wan Family’s Hamlet. Zhao Liying’s portrayal is convincing, bringing alive the Xingfu character who initially has a one-track mind and later develops into a savvy business woman with compassion and understanding. She learns that not everything is as clear cut as in black and white; at times, there are the grey areas and she needs to be flexible enough so that everyone can live in harmony, as it goes, “Prosperity starts from harmony at home” and Wan Family’s Hamlet is home.

I really like the amicable, but straight-shooting Wan Shantang character who is kind and upstanding but occasionally impatient and explosive, and Liu Wei’s portrayal is so wonderful and authentic. Acting as his son Wan Chuanjia, Cao Zeng’s portrayal is equally good and believable.

Luo Jin plays a supporting role here as Guan Tao, the lawyer. As always, Luo Jin exudes an affable demeanor and though he’s not the lead here, his character is well loved, and his chemistry with Zhao Liying is wonderful although their relationship is only platonic. All in all, the whole cast puts in the best of their acting and every character has its flaws, and is realistic and believable.

My Verdict

Just as the brutal treatment of the Tangshan (China) girl’s incident came to the attention of world media recently, the airing of The Story of Xing Fu is timely. The beginning episodes of this drama almost eerily replicate what happened in the Tangshan incident and its handling by the authorities. It is sad to see how many similar cases swept under the carpet, each condoned by the society. There is a lot of injustices, class differences, and gender supremacy, which is an on-going issue, and is not unique only to China; it happens in many societies, including in the open west. I'm glad that Zhao Liying took up this project to bring awareness to the injustices in the rural Chinese society where women are constantly suppressed, discriminated, and wronged.

Director Zheng Xiaolong, who also directed the Legend of Mi Yue, one of my most favorite historical dramas, together with Director Liu Xuesong have brilliantly portrayed the lives of ordinary people in everyday rural China where much of the population lives, bringing out their challenges, ironies, and resignations in facing a changing world. The picturesque scenery of the village is breathtaking. This drama has no romance, no nail-biting plots, no mysteries, just plain slice of life. Many viewers may find it boring, but that's missing the point.

Sacrificing individual’s rights for greater good is touted in the Chinese society; benefits for the community is more important than for personal gains, and this value is repeatedly reflected in this drama. Hence, all conflicts here are being resolved through the concept of “prosperity starts from harmony at home” in mind. It is perhaps such simple value that brings the Chinese societies together, and they become united and great overall for the world to envy. This, is the point of the story.

This drama is for viewers who want to learn more about the real face of China, and for viewers who appreciate the beautiful countryside and its tranquility with a laid-back simple lifestyle.

GREAT WATCH!

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My guilty pleasure of 2020

OMG I loved and hated this drama so much!

The story is pretty great, and shows how simple actions have big impacts on life.

This drama is about family. The dynamics, the relationships between parents and children, brother and sisters, and even in-laws.

It was a crazy ride, and the FL is such a strong woman, so compassionate and forgiving (a bit too much forgiving, if I may say ... I got really angry about how mistreated she was by her family).

The main couple was super cute and mature. After they fell in love, there was no going back, no stupid break up, just a pure and strong bond. So cool and refreshing to watch!

There are a lot of other side stories that are really good too, and they are responsible for the different perspectivesyou get in the drama. There is always a story that makes you sympathize with a character. They are about redemption, about being too proud, and even blind to the reality. All characters have such a nice growth throughout the drama, it's really nice and it did not get boring. The plot doesn't drag at all.

I definitely recommend it! (I don't remember commenting so much on the comment sections... hahahahah)

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Is the cultural difference really so huge?

I started to watch the show with high expectations, so the disappointment was all the bigger. First of all, the ML is absolutely intolerable. Because he used to be a good hacker 10 years earlier, he is arrogant, extremely rude, and keeps bullying other people. The FL, who is supposed to be an IT prodigy and a popular online singer, has no sense of pride or self-respect and chases the ML to the verge of ridiculousness, even though he openly told her that he wasn't interested and treated her like garbage most of the time. So painful to watch! But the worst is still to come. At the beginning, we learn that ML's former team leader did some horrible thing, which resulted in the team being disbanded. You know what that horrible thing was? It was his commitment to fatherhood and responsibility for his unplanned child. His new GF, a team member, was too much of an immature !@$%^ to support him - she preferred to dump him and that's how the whole team broke up. Is the Chinese culture really so different from European that decent behaviour and responsibility are seen as vile and wrong? While rudeness, immaturity and hatefulness are seen as virtues? I don't get it.
What I really liked were the charming supporting characters. I continued the show for them.

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Great Character Dynamics, Messy Plot, Fadel and My Mixed Feelings

After Episode 11, I read a comment saying, "This show reaches new levels of stupidity every week, but at least it's still entertaining as hell. Also, it has Fadel." That pretty much sums up why I like this show. Thanks for coming to my TED Talk—but stay with me for a second. Should you watch this? Refer to the final thoughts for a short answer.

(⚠️ Point 4 contains ending spoilers.)

This isn’t exactly a review—more of a discussion and is being written for future viewers to understand that by watching this show, they’ll attach themselves to characters they won't ever forget. The love you’ll have for them will overpower the moments when logic takes a backseat.

When the trailer dropped, expectations were sky-high, which led to massive disappointment for some. Not for me, though, because I didn’t even know this show existed until Episode 2 aired.

So, I think I can explain how *NOT* to get disappointed and just enjoy it for what it is because, trust me, you WILL enjoy it.
1. Don’t expect BDSM.
There’s barely any. The few scenes that touch on it might not even be enjoyable depending on the context. (Or maybe they will be for some?)

2. Is this just pay gorn?
No. It might feel that way in the beginning, but it isn’t just that. Though, I did wish they would just yk HUG sometimes instead of going all the way. Lots of hugs after EP8 tho and most NC scenes were vague ‘going all the way’.

3. Crime and logic? Forget it.
You’d think a story about Hitmen brothers would be action-filled and kinda thrilling with Romance making it all the better? but… nope. This is a ROMANTIC COMEDY, guys. There is some police involvement, but don’t expect anything close to a real crime thriller or something of that sort. Also, if you killed people like Fadel and Bison do, you’d go straight from the crime scene to jail.
That being said, everything is unrealistic af if you really think about it. And I get that not every show needs to be realistic, but when your plot revolves around crime/ this sort of premise, some logic would help make the show better plot-wise. The show lacks that. It has moments that make you go, Really? That’s how GMM is handling this? But despite those moments, the story keeps you entertained throughout. And the characters? They make it all worth it!! Just don’t think about logic and watch it to not miss out on the fun ig.
4. The Ending (Spoilers Ahead!)
GMM tried to give Fadel & Bison a vague redemption arc in Episodes 11 & 12, but honestly? We would’ve been better off without it. And, this pains me to say, but the show might have been more impactful with a bittersweet or even sad ending but a realistic/ logical one. But, of course, it’s GMM. They treat sad endings like the plague.

Now, Let’s Talk Characters.

Fadel:
I thought I had a lot to say, but now that it’s time… I have no words. My love for Fadel is overwhelming. He’s easily one of my all-time favorite characters. Joong Archen Aydin is SO RIDICULOUSLY HOT that I wanted to punch my laptop multiple times. Fadel needs to shoot me ten times and then kiss the pain away—okay, I’ll stop. But seriously, GAWD, the things sweet-talker Fadel could get out of me, I’d be for the streets frfr.

"There must be something seriously wrong with you if you like the smell of gasoline."
"Really? I'm an addict then."

His smile, his hair, his grief, his sharp words, everything about him is beautiful. And Joong’s expressive eyes? They drive me batshit insane! Bonus: The Episode 5 garage scene. "Excuse me, my car broke down." The way he delivered that line made it my all-time favorite NC scene and EP11: “Can we just hug for 10 minutes straight?”

Style:
Alexa, play Diva by Beyoncé.

If I had to describe Style in one word? DIVA. In one sentence? A forever-empathetic, sensitive lover boy whom social anxiety is terrified of.

Style quickly became the most enjoyable character, giving us so many iconic lines:
- "I’m already thinking of opening an OF, and you (Fadel) can be my first bang."
- "SHIT, KANT, YOU MADE ME HIT ON A GUNMAN! I could've made the headlines: Handsome Man Killed in the Woods."
- "Gorgeous man with clear skin found dead in a crop top. My dad will recognize me right away."
- And the most iconic: "Good morning, Khub."

He’s flirty, wears his heart on his sleeve, and puts on a front of happiness—until Episode 11, when he ugly cries and breaks my heart. He’s the definition of a 'girl bestie' who will bring joy into your life.

Bison:
An actual puppy.
Bison is type of person who doesn’t have some grand ambition in life—he just wants a little bit of love and a home. The pain Khaotung expresses in moments of pure rage is phenomenal. His acting in this role was next-level, and his chemistry with First? Out-wordly!
Kant:
People want complex characters, but they can’t even understand Kant. Everything he did was for his brother. No, he couldn’t just leave Babe with Style’s family and let the kid wonder why everyone abandoned him. Kant was trapped in an impossible situation and did his best to deal with it. He’s smart and loving, and while you may not like him at first, you will eventually.

Final Thoughts:
This show? A fun, chaotic mess. The plot? not the worst—just illogical at times(Or maybe I’m just being biased here). The characters? Absolutely unforgettable. Would I recommend it? Yeah, IF you go in with the right expectations (the ones mentioned above) and don’t want to miss out on the fun and AMAZING characters, aka your new imaginary friends.
This is getting long, but I think you can tell that JoongDunk will stand out more to most because both Style and Fadel are simply iconic. This is my 3rd “review” so please bear with me if this is not good, helpful, and fun. Like Kant, I, too, tried my best:(

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Do you want to watch a drama with a REAL actor play ?

Do you want to watch a drama that makes you laugh at loud ?

Do you want to watch a drama in which even supporting characters are good ?

Do you want to watch a drama that treats about difficult issues whithout being cheesy ?

do you want to watch a drama that makes you laugh at loud by its excellent actor play an characters and without being cheesy ?


WATCH DON QUIXOTE !!! YOU WON'T REGRET IT !

I swear, i was laughing all drama long, and always subjugated by Matsuda Shota's playing. I was forgot it was just playing, and not reality.

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STORY: Based off the NOIR version of the film, which is supposed to be the true, intended ending. This is about what happens when things go terribly wrong and a guy resorts to selling his body in the underground of Japan. There are so many sex scenes, kissing scenes, it might as well be pornographic. I'd describe this movie as: very dark, disturbing, horrific, sweet, happy, sad, hilarious, freaky, creepy, crazy, insane, erotic, and so much more.

ACTING: These actors made it look real, the sex, the kissing, even if no private parts were shown. They were not squeamish in the slightest when it came to the many scenes. I spend half the time marveling at what the actors must have been feeling during these make-out scenes. For Riku Mukai, he virtually had sex with the entire cast onscreen--I mean this must have been HOURS and HOURS of takes, getting everything right, all the kissing, rubbing, touching, wow.

MUSIC: I liked the main piano piece, the main theme, but really either there wasn't much or it was so much in the background I didn't hear it.

REWATCH VALUE: I will probably watch the BLANC version next time when I'm in the mood to revisit this, to see how the last 15 minutes differs.

OVERALL: I liked the movie, but it's not a sweet BL by ANY stretch of the imagination. It's much darker, insane WTF movie with a lot of sinister people in it. Not usually my taste, but worth the ride.

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Thrilling performance as always, oof!

I am someone who watched all 3 seasons of VOICE starting the first week of June, back to back, just because I can finish this season in real time. I undoubtedly got traumatised at points due to this but VOICE from s1 to s4 has been a super-thrilling experience all along, I must say.

Talking about Voice 4, honestly, It didn't feel as good as the previous seasons to me even though I am not displeased or something. So I am rather not that much pleased considering how amazing plot the other seasons were. Anyways, It was a good watch which thrilled me and was also frustrated because of the cult stuff features (which mean the drama served that part well).

STORY & PLOT:
The story follows the 112 emergency call centre team (Golta team) headed by Kang Kwon Joo with superhuman hearing ability and her team who move to Vimo Island Police Station with the purpose of catching a probable serial cyber killer by utilising their vacation time. An LAPD cop Derek Cho visiting South Korea on an operation joins them as the dispatch team leader due to circumstances. Together, they try solving a case and catch the serial psychpath killer with Dissociative Identity Disorder and similar hearing capabilities as Kang Center.

Just like the previous seasons, Voice 4 has one major case going on, on the background that involves a serial killer and with that there are multiple minor cases that the Golden Time Team solve which somehow also helps them in profiling the major case. One difference is, s1-3 involved brainwashing cult stuffs that were instigated by the murderer which was due to bloodlust but in Voice4 there is an actual religious cult where people are brainwashed to protect each other despite own's fault.

Personally, I am not very pleased by the story development because I had had very high expectations and anticipations from the 4th season since they've evolved through 4 years since 2017 and I feel they should have offered us something extraordinary. But I am not unsatisfied either because it was still good and me thrilled even awe-strucken by many twists and revelations. It has some really good plot devices that are worth anticipating for.

The story had a good & interesting starting and the first episode is good. It has a steady development till the end of 9th but the 10th episode felt a lil blunt at some moments but then it picked up the acceleration and ended with some cliffhangers. The lead antagonist character could have been a lot better. He somehow felt a lil less powerless and did some stupid things as well.

CAST & ACTING:
Umm... Well, we have been seeing the major cast acting since the season 1 and they are as good as before. Lee Ha Na as Kang Kwon Joo/Kang Center has always impressed with her acting and dialogue delivery. I can always witness the kind of aura in her eyes. Song Seung Hun as Capt. Derek Cho did a good job and he's definitely experienced in the industry but the thing that I noticed is he never wore his cop jacket while everyone else did. I mean we know that you're from America and very skillfull in the field but still, HAHAHA.

Son Eun Seo as Officer Park Eun Soo did good too but I think her part is a bit reduced in this season than the previous ones. Kim Joong Ki (Park Joong Ki) and Song Boo Geon (Koo Kwang Soo) are absolute eye candies for me and I have been loving them since the 1st season. I was actually surprised to see Kang Seung Yoon bcs I didn't see the cast before starting. Also, Baek Sung Hyun (Shim Dae Shik from s1) 's comeback in s4, that too as a freaking hot adult, was a delight to witness and there was definitely a solid character development for him. I was also happy to see the familiar faces like Lee Yol harabeochi and Kil Hae Yeon ahjumma in the drama.

Now the antagonist. Don't think of it like a spoiler because the production itself is openly bragging about it plus it was revealed in the 4th episode only. Lee Kyu Hyung as a psychopath serial killer with DID, did a very good job as he was given, BUT! IDK whether I am the only one or not; I think his character as the lead antagonist could have much more to do. He as the antagonist didn't seem as powerful as the serial killers of the previous seasons. The blame is to be shot at Ma Ji Won jakka-nim citing it was not a very strongly written antagonist. Anyways, I have loved his acting skills and been a fan for a long time and undoubtedly loved this too.

DIRECTION & SCREENPLAY:
I think I have already mentioned above it more or less before so let me keep it short. Voice have had amazing direction and production work since the season 1 even though they kept changing for each season. The way they edit the deja vu things or past sequences and try to connect and interpreting through the screenplay is very nice. The sound editing is apt as well that tries to have the audience thrilled all along the show. Voice is undoubtedly Ma Ji Won jakka-nim's best creation which he has been successfully pulling off to make the year's best thriller. Voice 4 for me somehow isn't as good as the previous ones, still a good show to give it a go.

ENDING:
It has a good ending. I was afriad they'll end it with a plothole or something illogical and unreasonable will happen but it was just fine, so I appreciate that. However, it felt a bit rushed starting from the 2nd half of the 12th episode. They were clearly trying to wrap up some minor plot devices so that they wouldn't have to worry about them further but that was absurd. In fact, the main antagonist was caught sonner than expected which somehow made it a bit unintersting but I think they had many revelations to do so they did rush it. In the last 2 eps, they basically tried to solve the puzzles of this season plus gave clarifications about some things which were left on hang in the s3. But again, few unexpected things happen which left me questioned. In fact, the epilogue of s3 showing a sneak-peak of Bang Jae soo (Kwon Ryul) with some mysterious woman which was expected to be answered in s4 has been extended to s5 and that thing will be the main story of next season. I am not sure what the writer is thinking but I assume they'll go for another season for sure to explain whatever they left hanging. It's A HUGE WIDE OPEN ENDING which raises plenty of questions and what happened at the very end scene is enthralling and frustrating at the same time. Won't spoil.

Anyways, they could have make 2 more episodes and give it a smooth ending by not rushing it even when they had a plan for s5.

CONCLUSION:
Overally, this season of Voice is a good thriller and definitely worthy an one time watch so go ahead and finish it. Despite some drawbacks, it was actually enthralling to watch, though I ended up with mental disturbance at some points so I had to drop it for few days and then I went back watching.

I don't how others interpreted it, but when the news about this season came, from the title "VOICE 4: JUDGEMENT HOUR" , I thought this season is a good-bye to VOICE, one of the longest running Kdrama franchise. The phrase "Judgment Hour" is something like the final verdict/decision hence implying to the end of this series. But the way it ended with the introduction of some new plots now I think I was wrong and there will definitely a next season. Well, as long as the jakkanim offers his talent and we tend to enjoy it, then why not? HAHAHAHA Let's wait for the updates from the production team.

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