Reviews

Yumis Cells 2 was a drama with a thoughtful plot, flesh and blood characters, realistic relationship history. The Season 2 Finale was perfect as it should be. Relationships end, we stop loving, we start loving someone else. There are no winners, no losers, no guilty, no innocents in love, there are just people and their feelings.
The music in the drama was perfectly matched to the scenes, I liked all the songs.
The acting was brilliant, especially with Kim Go Eun, Park Jinyoung. I will remember their scenes for a long time. Their shared scenes moved me, made me happy, or saddened me. For such acting duos, it is worth watching Korean dramas.
The animation part was interesting, funny, touching, never boring.
I will definitely watch the drama again. I've already done that with a lot of episodes. It does not get boring, even though I know some scenes by heart.

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This is one of the best stories from the series. The characters had depth. I think the four episodes are enough because they were slightly hinted on the kiryu series. The male actor is really good looking. I think we can definitely say that he looks more thai with his features. The role of a serious, quiet but sweet and caring guy suits him best. I loved Minute as well, the actress played her part well, being spoiled, funny and genuinely good inside. I have watched this lots of times. I think the story will transcend not just to teens but to the adult population as well.

Tsundere feels!!!'

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Outstanding female characters...

This drama is a must watch.
The first few episodes may come of as confusing, but once you're past that this drama will take you in for a ride. And it's an amazing ride.
The casting is perfect, the female characters are complex, smart and strong (every single one of them). The second male lead is another perfect character with so much to tell. Overall all the actors have done their characters perfectly.
The villain is great too.

Personally this is a perfect drama with time travel, adventure, thriller, a crazy villain, best female and male characters, romance, heart wrenching drama, having perfect dialogues and ending.

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watch it for leads not for story but overall forgettable

After long i watched 8+ rated show with plot that made no sense from start to finish
I see lot of people bothered about how ML fell in love with someone who has face of a sister. Thats not a major problem at all. He had not seen his sister after she grew up and he came across that face only after she was dead.
Major problem of this drama is how disconnected the PLOT is and how the characters are.
1. FL thinks ML loved her doppleganger initially but has no qualms to hug him kiss him within few days. Like what! people would think twice if ML really loves her or her face!
2. ML and his intention of getting FL to his house and when everything is revealed hardly anything changes. ML could have just solved everything without involving FL.
3. There is no proper character arc. FL is artist but is good at being CEO within a day. i wish i was that smart.
4. ML changes from cold ,abusive person to sweetest within seconds after FL declares she will protect him . lol
5. There is literally no emotional scenes between ML and FL before she falls in love. She doesnt know anything about him. It really looks like Stockholm syndrome not a love story.

This show has too many unbelievable things that it becomes a comedy . I guess it became quite famous because of ML and their steamy scenes & macho scenes but if there is no proper base for characters and their relationship it hardly effects long time . I would rather have a show with no physical affection but good relationship build than watch this uff!
ML is quite good in acting not just look wise so i hope he does good content shows not such trashy fan service ones.

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I adored this film - the story was very well put together and I liked the plotline which was very different (and very welcome because of it). Much kudos has to go to Ikuta Toma who was wonderful as Rinko. He really was completely believable as a male to female transgender and I adored Rinko so much. Ikuta and Kiritani Kenta (who played Makio) worked really well together - they were a completely believable couple and had you rooting for them and Maiko's niece..

The music was okay; nothing special or memorable but not horrible either. But the rewatch value, for me at least, is very high. I liked it so much - just not the ending; I really wanted it to be just a slight little bit different to make it happier for everyone - but it still raised a smile. However, that's why it wasn't a 10 overall for me.

This are my scores -
Story - 9.5/10
Acting/Cast - 10/10 (especially Ikuta Toma, who wound the dial all the way to 11)
Music - 5/10
Rewatch Value - 10/10
Overall -- 9.5/10 (just because of the ending).

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LONG POST AHEAD.

Ok, so, if you want to watch a light-hearted series of solving crimes, and enjoy the atmosphere of The Republic of China in the mid-1920s, then this series is suitable for you. The cases were well-written and the deduction was logical. Lu Yao and Qiao Chusheng, two male characters in this series, also have a good chemistry. Qiao Chusheng provided Lu Yao a comfortable life by buying things and protecting Lu Yao, and Lu Yao solved the cases for him, improved his reputation. Their chemistry was a big plus. Beside that, the filming set and the clothes were beautiful and stylish.
Now, let's come to the minus side of this.
The female character, Bai Youning, a journalist, is very irritating. Yes, in the first few episodes, I could still empathize with her, and hope that she could have some developments. But she just didn't change. After 7-8 episodes, she still wrote tabloids about cases. She belittled Lu Yao, and even pretended that she was kidnapped, made Lu Yao and Qiao Chusheng worried to death and tried to save her. She was just too annoying, and her chemistry with Lu Yao was just unbearable. I could not understand how Lu Yao could love her, because all they did through nearly 32 episodes was bickering and fighting. But then, in episode 30, they kissed, episode 36, they got married and went to Paris, left Qiao Chusheng all alone in Shanghai after all. Poor Chusheng, he had done anything and everything to protect both Lu Yao and Bai Youning, but he was left alone in the end.
In conclusion, if you don't really mind about the ending, then this series is suitable for you. If you do, then please consider twice before watching it.

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Shining characters trapped in a drab plot line

Standout characters immediately grab your attention, and Do You Like Brahms? starts with one of the strongest first 4 episodes of 2020 premieres, second only to Flower of Evil. The two main leads, a burned out superstar and a struggling artist, seem cliché, but their foil is fully explored and surprisingly relatable. However, little substance is built on the foundation of their relationship. You better understand and relate with each character, with each episode, but the evolution of their relationship stagnates. Either DYLB? should have been told in fewer episodes or bigger dramatics were needed to stimulate a more engaging reaction.

Story:
The contrast between the quality of characters vs plot is stark by the ending of Do You Like Brahms? From leads to supports, the characters have an incredible amount of depth. Even the motivations of the antagonists are mired in complexity. As a character drama, DYLB? excels by making the unique lives and challenges of musicians relatable to casual drama viewers.

As a thrilling romance or gripping melodrama, it falls short. The love triangle(s) that is crux to the plot of DYLB? is presented in the first couple episodes, and its potential outcome feels inevitable (i.e. miscommunication, confusion, heartbreak). The lack of suspense transforms into frustration as the middle segment of DYLB? trundles toward the finale following a subdued climax.

I want to include one last comment about time skips and flashbacks. They were not always crystal clear, but I appreciate that the director did not baby the audience with title cards like “1 year ago”, “1 month later”, etc. Overall, the plot is the main weakness in an otherwise well directed drama.

Acting:
The combination of character design and cast brings to life the fictional characters on screen. Park Eun Bin adds another excellent role after her underappreciated performance in Hot Stove League. Kim Min Jae has a long list of great roles for such a young actor, almost comparable to Yeo Jin Goo. Their interpretations of their characters just make sense. They act and behave like genuine human beings instead of characters.

The rest of the cast is equally decorated, but I will specifically praise Choi Dae Hoon and Baek Ji Won for creating characters that knew all the right buttons to push for maximum irritation. The way they frustrate the viewers and the main leads is the definition of entertainment, in stark contrast to my frustration with the flat plot.

Music:
More so than the characters and cast, the music within Do You Like Brahms? rises above First, the use of classical music is slightly cheesy and often used as a plot device, but it is refreshing to hear a different sound from the standard drama ballads. Second, the OST of DYLB? is anything but “standard”. The same musical producer from Hotel Del Luna worked on this drama, and the quality of the OST is unparalleled in 2020. It is hit after hit sung by some of the biggest names in Korean music, from Taeyeon to Heize. It is good enough to listen without even watching DYLB?

Rewatch Value:
The lack of dynamic plot and explosive confrontations make it hard to justify a rewatch. This weakness even bleeds into the strong character designs. The main female lead starts off as a relatable, struggling young adult, but she seems too perfect as the story drags on. Being untalented or soft-spoken is far from a real character flaw, and her immaculate actions wear her initial relatability thin. I may be overly critical since I started DYLB? with high hopes. Unfortunately, it falls short of the best drama of 2020 which currently belongs to Crash Landing on You (depends if you consider it a 2019 or 2020 drama) or Flower of Evil.

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If I could summarize the whole story in one sentence, it would be a sadistic story that really plays with your emotions.

Story: Is there a love story in this? Yes, but it's not the main focus of the story. I thought a love story was unnecessary, because the main focus was Jin Woo fighting against a hugely corrupted company / judicial system that falsely accused his dad, which I thought was 10x better.

This story is depressing, melodramatic, and I experienced a lot of moments where I was frustrated with the writers for making the story so sadistic and sad. But this frustration did not prevent me from enjoying the show; every episode was thrilling, intense, and played with my emotions wholeheartedly. There is so much satisfaction when you see injustice turn into justice and how the downfall of the villain is executed. There is always something happening in every episode, and I thought the story was well paced for a show with 20 episodes

Acting: I feel like in this case everyone's perspective on each character will be different based on your own morals, preferences, etc, but I found the cast to be amazing, but a little frustrating to watch as I questioned some of the characters and their significance to the story

Major props to Nam Goong MIn as the evil guy, he really knows how to make the audience's blood boil. I enjoyed Park Sung Woong as Dong Ho, not only did I love his Busan accent, but he is a very rational character that knows what's right and what's wrong, regardless of how the show/audience portrays him. To be honest, I found Seung Ho's character kind of annoying due to his stubbornness, but he is very passionate and ambitious. Park Min Young's character is very civil and determined, and at the same time she also was Seung Ho's emotional support. I felt the chemistry between Seung Ho and Min Young was amazing, but not in a romantic way at all.

Music/Overall: I haven't really payed attention to the music cause the opening theme song kind of overpowered the rest of the tracks and it constantly plays in my head (LOL), but pretty decent OST collection.

I am giving this a 9 for minor reasons (love story, over usage of flashbacks, frustration of characters, etc.), but If you like thrillers, want to take a rest from all those romance dramas, and cry from sadness you should definitely give this a chance.

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MDLers’ Choice Awards 2020 for Best Xianxia Romance, Actor & Action

With over 7K comments in the discussion board (setting a new MDL record at the time of writing), Love and Redemption is quite possibly the winner of MDLers’ Xianxia Romance of the year award for 2020, if ever there was such an honour bestowed by the panel of admins and as voted by MDLers themselves. And of course, our beloved Cheng Yi wins the Best Actor, Most Popular Actor and Best Kisser awards, among others I might have left out.

Why is there so much passion for this show? Because L&R is a binge-worthy narcotic that induces an addiction so severe that one becomes fully dependant and invested from the very first dose. Throughout the 59 episodes, I simply could not refrain myself from “chasing after the story”, just to bear witness to the trials and tribulations experienced by our main leads (Yu Si Feng and Chu Xuan Ji aka SF and XJ) amidst much traumatic physical and mental suffering (and no little amount of blood loss, voluntary or otherwise) in the process, inflicted upon themselves and even on each other. This powerful romance truly deserves multiple awards because it is all inclusive and literally no one is left out.

As with other fans of the show, we persevere through each and every episode with the faintest glimmer of hope, and against the odds of the deeply dreaded historical C-drama curse, just to see a happily ever after ending. When a show gives you butterflies in the stomach and myriad emotions, damn it you know it’s good.

Truth be told, technically it’s not the most perfect production (then again nothing of this mortal world is perfect, except maybe Cheng Yi's acting) – there are minor flaws in directing, editing, and cinematography. But without a shadow of doubt, full marks go to the depiction of the story and portrayal of the characters. The visual effects, CGI technology employed and martial arts choreography are among the finest, if not the best, seen in a Xianxia drama for a very long time.

Story:
I did not read the original novel, “Liu Li Mei Ren Sha” by Shi Si Lang, and simply went in with a clean slate and without any expectation, demand or bias. What I ended up with was a masterpiece of storytelling. To put it simply, at the heart of this drama is a beautiful story about a love so pure and strong that it defies all odds and conquers everything that fate throws at it, just for a chance to shape its own destiny.

As is customary of this genre, we have the usual setting of the 3 realms – the Heavenly court and its entourage of Godly Emperors, Demi-Gods and Immortals; the Mortal Realm with its various sects of cultivators and loyal followers and groupies; and the Underworld realm filled with Demons, Devils and generally every other plausible kind available. Within this universe lies our unassuming SF and XJ, whose love story unfolds across the 3 realms and transcends several lifetimes, in a long and arduous journey filled with seemingly endless challenges and obstacles.

Nearly every conceivable plot element, trope and the emotional highs and lows that one could ever wish for in a fantasy is present in abundance. Full-blown action from fierce battles fought out in epic proportions in the heavens and on earth, between every imaginable species of celestial beings and affiliations, with all manner of divine weapons and cultivated powers. Many action C-dramas pale in comparison to this spectacle.

The romance is simply off the charts and has the steamiest kissing scenes in any C-dramas that I’ve seen this year. Being nearly all-inclusive, you will observe multiple relationship angles involving fabricated/ forced/ infatuation/ manipulated/ unrequited/ tragic love, whether it be romantic, familial, bromance, sismance and even BL among various characters. Normal rules of engagement no longer apply as even gender associations extend to androgyny levels in both corporeal and ethereal formats. Not many romance dramas, regardless of genres, could hold a candle to L&R.

There is no lack of focus on supporting characters as everyone is given ample room to develop and showcase their own storyline. There is enough suffering, tears, torment and blood vomit to last beyond a single lifetime (or in this case 10 cycles). No shortage either in frustrating misunderstandings, heart-breaking betrayals, sheer mental anguish, broken oaths and promises.

Thankfully it’s not all doom and gloom. I didn’t have to look too hard to find some semblance of luminescence within the darkness throughout the proverbial tunnel where memorable but fleeting moments of pure unabashed and unadulterated innocent love between our hero and heroine can be observed. This is fine dining at a Michelin–star establishment rather than buffet at a fast-food joint, but trust me, the long-awaited dessert certainly provides for a much welcomed catharsis at the very end – the last 30 minutes of the finale episode makes everything worth it.

Acting and Cast:
As the ML, this show has potentially propelled Cheng Yi to celestial popularity levels. His portrayal of the much adored character of Yu Si Feng through his seemingly innate ability to emote convincingly and project poignant scenes of excruciating torment while shedding TONNES OF BLOOD AND TEARS has deservedly earned him legions of new fans, including yours truly. Yuan Bing Yan, who plays FL Chu Xuan Ji, displays the necessary depth in portraying the character’s growth, from a sensory-impaired and downright clueless young woman to a multi-faceted divine being of supernatural awesomeness. Perhaps at times Cheng Yi’s superior range and mastery of acting became too overpowering, but there is no denying the explosive chemistry between these two leads. The intense emotional connection that they share does indeed feel tangible and real rather than artificial and contrived.

There are several villains who dish out multiple levels of annoyance and angst. None more so than the top two of Hao Chen and Wu Tong. Without Liu Xue Yi, L&R would not be as satisfying (and torturous) as it had been. He brings to the table his version of Hao Chen, a complex and egocentric multi-dimensional piece of work who’s armed with a deep-seated sense of self-serving twisted logic that is borne of extreme bitterness and utter resentment. I doubt HC himself even realises that he is an actual villain because in his mind, he believes himself to be the righteous and spiritual holier-than-thou sacred existence while everyone else who does not share his convictions is almost certainly in league with the Devil himself. This is where the actor succeeds in his ability to consistently maintain the angst levels and turning it up a notch or two when the situation calls for it, throughout the entire show.

Huang You Ming plays the other villain, Wu Tong. It would be unfair to vilify WT as an outright villain because in a way he is a victim of circumstances that turned him into a sociopath. Constantly filled with contempt and uncontrollable rage, coupled with insatiable bloodlust for revenge, this is a deeply troubled individual who has no control over his own fetishes either. The actor’s looks, sadly for him but fortunately for us, projects the character’s vile vibes completely.

I want to add that the voice dubbers for Yu Si Feng and Hao Chen in particular, did an absolutely amazing job in adding the emotional nuance that brings to life the actors’ portrayals ever so vividly to the viewers.

The rest of the cast generally did pretty well too. Zhang Yu Si playing Chu Ling Long displayed a remarkable transformation from the spoilt princess persona to the role of an abuse victim struggling with PTSD. Together with Li Jun Yi, who plays Zhong Ming Yan, they both formed the second main couple in the show (among many other couples) and gave the OTP a run for their money in the pain and suffering stakes.

Did I mention this drama is filled with many charismatic and good looking male actors? In addition to Cheng Yi and Liu Xue Yi, we have Zhu Zi Xiao (Yuan Lang), Fu Fang Jun (Wu Zhi Qi), Li Xin Ze (Luo Hou Ji Du), Bai Shu (Ting She) and Zhou Jun Wei (Ruo Yu).

Overall:
Love and Redemption is definitely not light and fluffy (except for very few episodes). Make no mistake, this is as heavy and serious as it gets, and the drama is extremely adept at reducing viewers into emotional train wrecks. Mercifully, it did not take too long for viewers to get an overhaul. At least we got what we deserved – a truly happily ever after ending. I had thoroughly enjoyed this dramatic journey and I think you would too.

Thanks for reading :)

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The Princess Bride.

Lost You Forever is a dark, beautiful, suspenseful and, poignant tale of intrigue, treachery and longing. This drama is immersive with its air of mystery, the shiver of danger, a whisper of regret and a sense of profound loss and longing that saturates every scene. It is a story about love but it is not a love story. It is a far more complex and expansive exposition of the many kinds of love and how it can be restraining and boundless at the same time.

Set in Dahuang, a magical, treacherous and unpredictable world where humans, demons and deities co-exist, two forsaken royal orphans vow to always cherish and protect one another. Shattered by a broken promise, Xiao Yao loses herself, misplaced during a time of great turmoil. She assumes the appearance of a man and lives among the humans and demons of Qingshui Town as the village fertility doctor. This is the most exciting arc because everyone has secrets and danger lurks around every corner. When cornered, Xiao Yao is most adept at grovellng, lying or poisoning her way out of trouble. Yet she is carefree, uninhibited and almost contented in Qingshui Town with her found family. Alas, destiny catches up with her as Cang Xuan, Tushan Jing and Xiang Liu all converge upon Qingshui Town, shattering her refuge.

The latter arcs take on a political tone as Cang Xuan emerges as a contender for the Xiyan throne with Xiao Yao clearing the path for him. They must establish Cang Xuan's support base among the restless and resentful Central Plains; where the noble clans and families have complicated blood ties to remnants of the defeated Chenrong state. Xiao Yao is the princess bride, a chess piece that Cang Xuan dangles temptingly in front of the scions of the powerful aristocratic families he seeks to win over. Marriage to him is simply a means to seal alliances. He supresses his heart's deepest, secret longing by sheer willpower. Zhang Wanyi adroitly portrays Cang Xuan as a consummate politician, a very dangerous, smiling tiger / xiàomiànhǔ 笑面虎 who has his enemies in a death lock before they even know it. Love is not of paramount importance for Cang Xuan and Xiao Yao, whose destinies are interlocking as a result of their childhood oath. They work towards a greater purpose with one heart and one mind. Anyone and everyone else is always subordinated to this purpose. They are both unattainable characters who have already carved out so much of themselves for each other that there is not much left for anyone else. This is why what Xiao Yao seeks is an unequal relationship with essentially, a doormat. The princess in her however prefers that it is a doormat made of fox fur rather than a rather foolish, entitled product of too much in-breeding.

Xiao Yao is by far the darkest, most complicated, and most independent female protagonist I have come across in Chinese dramas. This is an awesome and challenging role that Yang Zi delivers magnificently. As someone who had a huge allergic reaction to her earlier works, I am speechless at her portrayal. Her Wei Xiaoliu has decisively unseated Ni Ni's Fang Weizhi as the most convincingly acted female disguised as a male character. But it is her heart-wrenching homecoming scene that can squeeze tears from a rock that truly captures the depth of Xiao Yao's sense of abandonment and despair over the person she lost forever. I can't think of another actor that has so visibly taken their acting to a high a new level the way Yang Zi has. That said, no power on this earth will make me revisit her past roles though I enthusiastically look forward to her future ones.

Tushan Jing is the weakest link in this drama both in terms of how the character is written and portrayed. Despite his stunning physical appeal, this is not a role that a promising but inexperienced actor like Deng Wei is ready for. He pulls off a charismatic and endearing Ye Shiqi that melted Wei Xiaoliu's stone-cold and lonely heart. But he lacks depth and range and visibly struggles to get into character as Tushan Jing. His perpetual stricken, deer-in-the headlight expression threw me out of some of the drama's best, most intense moments. When the Haoling King assures his daughter that the shrewd and canny Tushan Jing must have already guessed her identity, the camera pans to a dumbfounded looking Tushan Jing! I burst out laughing even though I am absolutely sure I was not supposed to. It does not help that the character's weak and indecisive waffling does not match Tushan Jing's reputation as one of the most brilliant and cunning minds of Dahuang. There is clearly also a writing issue but it does not excuse the actor's inability to make the character seem deeply conflicted rather than just weak and lacking basic smarts and survival instincts. This is a glaring weakness that weighs on both my viewing experience and my rating.

Xiang Liu is Xiao Yao's greatest nightmare, a demon that she is bonded to by a spell no one fully grasps. He is her soul mate; they are both lonely, realistic characters trapped by a cause that is bigger than themselves and thus have no free will. Tan Jianci's masterful, subtly tragic rendering of this vicious, resentful and enigmatic nine-headed demon with a shockingly passionate heart has catapulted this fantastic actor to a new level recognition. His styling is spectacular but what takes my breath away is how with the angle of the head or a flicker of an eye, his expression can change from unholy amusement to vicious cruelty; from tortured to pure, unbridled joy and affection. I don't know how Xiang Liu's story ends but the fact that he is committed to a lost cause that pits him against the person Xiao Yao protects at all costs fills me with dread. I cannot see any scenario in which this ship does not somehow sink but my heart won't listen to my head that urges me to get on the lifeboat to safety before it is too late.

Season 1 sets up the backstory of a world torn apart by war and introduces many well-written and multi-faceted characters that were collateral damage in the conflict. Intricate relationships and debts that will at some point come due accumulate between the various stakeholders. After some draggy politicking, Season 1 ends triumphantly with an unexpected twist and sets the stage very nicely for Season 2. I expect Season 2 to reveal even more secrets from the past that will force Xiao Yao to make some impossible choices. How unbreakable is her bond with Cang Xuan? Will the tragic story of Chi Chen and the Xiling witch repeat itself? Will Deng Wei finally get his act together and give us the real Tushan Jing? Will Xiao Yao shock us with her marksmanship by shooting her rival in her black heart? I hope we will not have to wait too long to find out. At the same time, I am grateful that this breaks in a good place for a time out. I have come to care too much for these characters and something tells me that this is the kind of story where even those who get what they want may not truly want what they get.

So far, Lost You Forever is the most addictive and immersive drama I have watched in 2023. I rate this a 9.0 for now because there are some notable flaws but if Season 2 comes together well, there is scope for me to revise it up.

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I will start this review with a warning that this drama, even with it's promising start, is very "drop it" worthy. I started watching with a lot of interest, because the premise of "life clocks" was so interesting. I loved the idea of this tragic love story meets rom com, but once I got sucked into the story it was clear that it was turning into a mess of clichés. Still there was enough left to like, so I continued to watch with no regrets. A lot of that credit should go to the cast.

I was at first suspicious about whether I'd like MiKa and Do Ha as a couple, since their chemistry isn't immediate. I know there are often big age gaps in dramas, but her childish behavior, and his stern maturity, initially felt like such a bad casting choice. Then, once Do Ha turned on the charm, I started to really like them together, and got very invested in their romantic dilemma (No spoilers, but I knew tears over them would be involved eventually). I think this is the first "grown up" role I've seen Lee Sung Kyung in, and definitely the most tragic, but her youthful fun personality kept her character from being too depressing to watch as she watches how much time people have left to live. I was also very surprised by how much I liked Lee Sang Yoon as a leading man. He has a very low key seductive quality that I loved, and I felt like I could see all of his characters love, heartbreak, concern, and guilt, just in his eyes alone.

My main, and only, criticism of MiKa... too much dang singing! Unfortunately a lot of this drama becomes about the making of a musical, which started to become extremely annoying. I get that performing is a huge part of who the character is, but I cringed every time I knew she would be singing a full song AGAIN. It's not that she can't sing, but she still sang too much, and none of the performances were epic enough to be repeated. The soundtrack is also pretty good, but because of all the songs from the musical being sung on repeat, I just wanted all the music muted after a while. I honestly wish that most of the scenes and characters revolving around the musical were cut, but maybe it would have worked better with just less. I also say this as a person who LOVES musicals.

The rest of the cast was great, even if some of their characters were written to be cliché, or pretty useless. I really did like everyone... mostly. MiKa's bff was awesome, her brother was cute, and her mom was irritating but also adorable, and I liked Do Ha's banter with his secretary, but there were 2 supporting characters in particular that I liked the most, maybe even more than the main characters.

I'll start with my favorite KDrama actress Kim Hae Sook. She is always good, and this drama is no exception. I feel like her character's story touched me the most. She had so many moments that got me in the feels. I wish I got to see her with MiKa more than many of the other characters, especially Do Ha's family, since everyone but his Dad and half brother were completely forgettable.

My absolute favorite character though is Im Se Mi and Bae Soo Bong. I know this may be an unpopular opinion, but I thought she was flawless. Her outfits were flawless too! Usually I cringe at the idea of a female character who's only there to ruin the main couple, but Soo Bong is that to the best extreme! There were 2 moments when I came very close to dropping this drama completely, and she kept me watching. Her character became definitely overly melodramatic, but it was much more entertaining than the repetitive mess that the rest of the story started to become, or the ex girlfriend who I forgot all about until typing this sentence.

That leads me to my main issue with "About Time". Even though the basic idea of the story is good, the actual drama decides to fill the time with unnecessary filler stories (family rivalries that go nowhere, useless exes, showbiz drama involving a cute but completely ridiculous "genius" temperamental director...) and then resorts to clichés, and flashbacks. I would be lying if I said there weren't still moments that brought me to tears, or made me laugh, but when I finally made it to the final episode it was clear that there was no original thought put into how the story would end. I felt like the ending chosen was a total cop-out, and I even laughed inappropriately at one point. Sure, there is closure for the characters, which will satisfy some, but for me it didn't live up to this story's potential.

Overall, I cannot say that this drama is worth the time. If you decide to watch, and feel the urge to hit fast forward, do it! That's the only way I would rewatch this. There are some good moments, and some thoughtful themes about truly enjoying life, and not taking anything for granted, but, If this drama had a life clock I would definitely cut a few hours from it.

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This drama truly deserves its hype - everything is perfect, from the storyline to the acting to the chemistry to the lessons that it's trying to convey.

I started watching this with only one episode out and have been waiting patiently since then until it finished. I was busy catching up w/ its updates on weibo and twitter that watching GGS alone is already taking too much of my time lol. I mean that totally says a lot on how much i love this drama right???

The casts are well-chosen for their characters and gave justice to their roles. No offence but I don't see any c-actor who could pull off HSY like how Li Xian did it! He slays that frown facial expression without trying hard too much. I have always been a fan of Yang Zi since Battle of Changsha and Ashes of Love, and so I love how she nailed her character here again. A lot of people are complaining about her clothes but I wasn't bothered at all. I guess her bright and baggy clothes are there to constantly remind us of the characters' age difference.

The chemistry between the leads is so natural and cute that you can't help but ship them in real life too. I love the transition of their relationship from being awkward to being able to communicate well with each other - that just gives us a realistic feel of what really happens in the real world. Their seemingly natural interactions and chemistry are what made this drama one of my all-time top faves.

There were no draggy scenes (well, for me atleast) and I have watched 41 episodes with ease. I initially hated the flashbacks but later on realized how helpful they were with getting to know more of HSY and his strong determination to reach his dreams. I found the K&K boys adorable and funny, that it gave perfect balance to the romance. I loooveeee the second couple and craved for their scenes. Moreover, the more episodes I watch, the more I get attached to the old Team Solo. I love how even though they are already in two separate teams, they are still there to support each other (huhu true friendship indeed!)

Watching the last scene made me so emotional because I was just not ready for this series to end yet T___T. It has been such a good ride and I grew attached to all the characters.

I liked a bunch of dramas but there were only a few that I truly loved - the ones that i got really attached to and wouldn't get tired to rewatch despite the passing of time... And I could definitely say that GGS is the new addition to that list. I can see myself rewatching this from time to time whenever I need a mood booster.

Overall, I love this drama so much and would totally recommend this to anyone. Although it focused on the romance, it also centred around the characters' pursuit to their dreams that will surely motivate and inspire everyone.

PS. THE OSTs FOR THIS DRAMA ARE THE BEST !!!

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A turning point in the Korean LGBTQI+ film industry? Kinda.

I was not having high expectations for this series, to be honest, but I am glad it could prove its worth to me and hopefully other viewers too. The Korean LGBTQ+ film industry is growing and improving its series in terms of production and duration., which is noticeable when watching this drama. It´s definitely a good decision to watch “First Love, Again”. In the following, I try to justify my recommendation briefly and concisely.

PRODUCTION
Nothing extra outstanding nor something they failed in. However, it gets closer to the normal high standard of Korean dramas. One thing I´d like to highlight is that the use of light and shadows in this series was on-point. Compared to other Korean LGBTQI+ series the dialogues and monologues have been better in both quantity and quality. The story feels less rushed than usual, and I am sure we can expect similar dramas to be produced soon.

PLOT
The plot is, I mentioned this in the heading, unique and exciting to watch. I especially enjoyed the soft pacing and the comedy side of a more serious story. Both characters seem to not be written as extraordinary people, but rather normal citizens like you and me. One of them just happened to remember their incomplete love story and is trying his best to make their ends meet so that his consciousness can finally rest in peace. Other than Yeon Seok remembering his past, there is no superpower or characteristic that makes him less ordinary, except for his multilayered personality and his weird humour. Additionally, I also enjoyed the sweet moments Yeon Seok and Jeong Ha Yeon had. So cute. However, towards the end it kinda got boring.

ACTOR
What surprised me the most though is that it´s the first appearance in a drama (on MDL) for both main leads. This get´s even more confusing when you witness their solid performance in terms of facial expressions and natural behaviour. So what can I even say? They did a good job, and I am glad that Jeon Chang Ha and Jin Gun were chosen as the main leads because they matched the characters and thus the entire series is harmonious.

The Supporting Cast also showed a satisfying performance in their roles. I can't think of anything that I would have found disturbing or unfitting. Well done. Especially Song Han Hee showed off in her role as Mikael. I adore the idea and origin of this character, firstly that they are genderfluid/ non-binary and secondly that the series mentioned their identity. Good job!

OVERALL
As I said in the beginning, in terms of innovation and production, this drama is definitely recommended and it is indeed a good decision to watch “First Love, Again”, as it is a turning point in the Korean LGBTQI+ film industry.

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this story is cursed to leave us unsatisfied

Whether you're watching this story for the first time or you've seen the Chinese versions, my initial impression is to temper your expectations, this show is far from the polished diamond it could be. Based on the same novel as Addicted (2016) and Stay With Me (2023), a lot of us had high hopes for this remake and just wanted to see our characters get their long awaited happy ending without the censorship gods trying to de-gay the story, and while this version did give us a "happy" ending, it wasn't the journey it so easily could have been.

Story:
In this adaptation, Hero (Guhai/Wubi) angrily runs away from home after his rich father remarries, he escapes to the countryside to live with his aunt and starts going to school there where his new straight-laced classmate Poppy (Luoyin/Suyu) turns into the outlet for his frustrations.

At the beginning, they sloppily rush through the story, giving the stepbrother enemies-to-lovers romance a new Lakorn flavor comedy spin. Though I love Thai humor, the type of corny slapstick comedy they're using here doesn't really fit with this story or characters, and I wish they didn't interrupt the vibes with so much potty humor. It starts to improve in the next few episodes, and though there's still a lot of cringe, we start to see some good chemistry. Then episode 6 hits and the story is all over the place again. After that the episodes are a mismatch of good and bad, including the random side couple drama, which honestly feels like a fanservice throw in for Hit, Bite, Love fans. They tried to do way too much, and it made the overall feel very disjointed.

Acting:
This isnt really all on August and Mac, but I personally wouldn't have cast them together. Their acting and character development felt forced at first, but after a couple episodes they started to improve and the characters start becoming more complex and loveable. Then all of the sudden, the chemistry just stops, and the story becomes jumbled, their romance just "happens" and we don't expirience anything really unfold. I suspect it's due to all the flack that they've been getting about Mac being 16 and the huge age gap between him and his co-star, which seriously-- why cast him in the first place then?

There arent any crazy scenes but oddly enough they do have a couple of intimate scenes, and there are even a few suggestive shots of the minors that were totally unnecessary, but then they go and censor the kisses??? Isn't censorship the whole reason this story keeps getting remakes, why cast minors in the first place? Seriously it's like the Chinese version all over again. And you know what, if Stay With Me should be testament to anything, it's that you don't need sexy fanservice or even kisses to have sweet romantic tension, so where'd the chemistry go??? Do better Thailand.

Overall, whether I rate this as a standalone or compare it to the other adaptations, the result is still the same. Lots of potential, a mess of production, and a "happy" ending that leaves you just as unsatisfied as before.

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