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1This review may contain spoilers
Wow, I loved it!
This series is primarily about a woman who is betrayed by her husband, but it was how she responded to his betrayal that made the story such a satisfying one. Rather than watching a bitter and traumatic struggle...it felt as if we had a ringside seat to one woman's grand awakening. Watching her journey of personal growth was thrilling and those of us who watched it LIVE loved every episode. The writers gave this FL a phenomenal character role and she made this story a stand out for me.Things I liked...
First, the FL.
Initially, her character appeared a bit subdued. She is beautiful, but she is not a bombshell. But as we watch her, her inherently graceful persona becomes captivating..and contrasts sharply with her husband and his crude and selfish parents.
She was portrayed as a woman who had married young, in a male dominated society, for whom love was of secondary importance. So when he cheated, it might've wrecked her world..but it did not destroy her. Her concern was only for her daughter, and money meant nothing if she could have her.
Her character was so authentically drawn that we believed in her. She was grace under fire and even when she yelled in agony when they took her daughter away and purposefully at the company dinner, she was never out of control. She mistreated no one..not even his cruel parents. She was also unexpectedly kind to both women who betrayed her, and because of that kindness...she gained a forever friend. Her grace not only endeared her to the SML...but also to her employees who would've followed her anywhere. And of course her daughter knew she was loved by her.
Interestingly, the only person who underestimated her was her ex-husband. But once she was backed into a corner..her confidence and determination combined with her keen brain made more her than his match. She was no less kick butt than any martial artist FL we have seen, sans the martial arts. Lol. And every time she succeeded we were elated.
Second, I Liked the SFL.
Her character was not simple nor one dimensional. She was young and a bit desperate ..and she foolishly trusted in lies. However, once she wakes up, she is smart enough to see her mistakes and to learn from them. It is a real and somewhat raw portrayal of the foolishness of women who fall for the machinations of powerful men. To give this woman credit, she is incredibly hard working and she fights hard to recover her self respect......earning mine in the process.
Third...I liked the SML.
This guy is everything her husband is not. He is decent, moral and brilliant. He is also to my surprise quite good looking..I didn't really notice until the scene where he met with the ML in his office and he was wearing this blue top and in the light of the window, his face looked so beautifully chiseled..with a sharp jawline and beautiful lips..... mummm...sorry...got a bit distracted there..lol ...but although he has been in love with the FL since his college days, neither he nor she ...know much about love.
So naturally, he isn't going to tell her how he feels..nope, absolutely not!! But there is no doubt that she has been under his skin from the beginning. There is a scene later on, where she is teasing him..and it makes him so angry that he furiously exits the car. Only she can make this guy that hot and bothered and...oh... it is so lovely watching a man unravel. Lol.
In conclusion, this was a story of contrasts.. love vs lust.. ethics vs corruption. Wrong was uncovered, truth was presented and justice was served. The ML had lived and played without virtue or consequence, until everything he had hidden was revealed.
And as for the FL and the SML ...they had lived as if they were waiting for each other... for them it was an epic new beginning and a brand new Alliance. This series was a joy to watch..don't miss it.. because I promise...you are gonna love it. ❤️
Happy Watching!
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I will remember you, will you remember me?
This is a heart warming, unabashedly tropey love story about how true love conquers all. The OTP face a daunting obstacle: Feng Mianwan's (Chen Yuqi) mother is blamed for Jing Ci's (Yu Menglong) mother's demise. Nonetheless Jing Ci shields her from his revenge driven aunt and raises her as his companion/maid. They are childhood sweethearts but when he can no longer protect her, he finds a doppelganger, arranges for them to swap identities and doses her with an amnesia drug to forget him and their past. In her new identity Mianwan/Ah Yuan evades her (doppleganger's) engagement to the noble Mu Beiyan, dresses as a man and goes to work as a fledgling constable. In her new life, she grows into her own person and finds meaning in her existence. Her guardian angel Jing Ci joins her in a new identity as a county official and together they investigate criminal cases. They eventually stumble upon a larger conspiracy with ties to both their identities and extends to the highest levels of the empire.While this is mostly a lighthearted and fun love story, there is a sad undertone as Jing Ci's health is failing and he struggles to conceal his feelings for Ah Yuan. She does not remember him but falls in love with him all over again. His intention is to selflessly see her happily settled with someone who can expect to live a normal lifespan and who can protect her but who is he kidding? Love is never ultimately that self-less! Both characters are strong and intelligent and have an enjoyable rapport with the other couples; confidantes and allies who help them unmask their enemies and reveal the secrets of their past. I particularly liked the princess who is a fantastic and loyal friend with her own rather charming love story.
There is broad consensus that Yu Menglong's Jing Ci deserves an award for best characterization ever of a plank. Although the character is supposed to be unwell, in pain and stoic, he impressively took being plank-like to a whole new level. He has this amazingly eerie ability to seem deathly still and expressionless while speaking or in motion. Given the excoriating feedback, I feel a bit bad for the actor who clearly over-intrepretred the character and was also probably camera shy the way his eyes avoided the lens the whole time. To be fair, there were the rare one or two scenes when Jing Ci's feelings for Ah Yuan overcame him that were well acted though far from squeal-worthy. The one saving grace is he and Chen Yuqi make for a very stunning and romantic looking couple. Am a big fan of Yuqi who has really honed her acting skills and was convincing as a smart and independent minded character who knows what she wants and is not fooled or daunted by Jing Ci's seeming indifference. I really appreciate this smart and strong female lead character who is not obnoxious or dislike-able, which is more than I can say for several similarly themed 2020 releases. She is a total delight from her remarkable ability to absolutely adore her plank to her subtly comical eye rolls at Mu Beiyan's ridiculous overtures. And no, I never shipped her with Mu Beiyan - her Ah Yuan is way too capable for a dilettante and (nice) dufus like that. While Mu Beiyan is a well written, likable and much better acted character, I still find it impossible to ship a love rival who is better made up and coiffed than the female lead!
The story overall is not terribly original but the cases are interesting enough. You will not win armchair detective of the year if you spot the bad guys early on or unravel the conspiracy on your own. Some of the plot twists are a bit lazy but the characters are quite colorful and stop short of being too archetypal. The ending was well done, wraps up most loose ends and delivers a final and very satisfying coup de grace. It won't rock your world but you won't have to retreat into the fetal position to get over a gigantic slump after it ends either. I would have rated this higher (7.5/8.0 ) if Yu Menglong's performance managed to improve towards the end.
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A merciless play with people's fears. Witch-hunt revisited. Gloomy. Upsetting. Horror with no escape
"The Netflix production "Hellbound" started even more successfully on the global streaming platform in November 2021 than "Squid Game". Dystopias (stories about gloomy visions of the future) these days obviously hit a sore spot in the global mass consciousness - the fear of what still is to come, considering that nothing will be the way it used to be....Accordingly, "Hellbound" generally plays with people's fears. The characters in the story also play with people's fears - here in the face of a hell on earth that is spreading inexorably, flanked by a modern form of witch hunts and establishing a new order in which there is little room for hope and light. Because even as a reward for a righteous life, only death awaits in the end. At best, you don´t have to be ashamed and getting ridiculed of it.
The focus for the 'not righteous' is a heavenly or better hellish special commando, which arrives from the afterlife in the form of huge hell gorillas and stages a small earthly hellfire from human bones. No less shocking is the moment that meticulously announces the day and hour of this death in advance.
Rarely have there been so many crazy, delusional people in KDrama (here namely in the realm of the sect). The number of truly honest people can be counted on one hand. And in between there is the vast majority of the terrified masses, blinded and tamed by the New Truth Society's threats sold as hope...
The prospects are really daunting. Not just unearthly prophecy and execution of the death sentence for the shameful, despicable sinners. Even more actually what this scenario does to the people. There is the group of the "arrowhead" who, already sort of detached from any aspect humanity. Their members receive the carte blanche from the ordained sect priests to use the brute force and terror in order to carry out a multimedia-fuelled new edition of witch hunts. They are allowed to live out their wildest violent fantasies . And then there are the would-be ´gentlemen´ (and ´ladies´), CEOs and high priests of the New Truth Society, who submit their new 'commandments' to the people, and the VIPs who solemnly attend the celestial court processes live and in the first row...
Eventually, it can´t get any worse than that. "Hellbound" effortlessly catapulted humanity back into the deepest Middle Ages - yet in the midst of the modern, high-tech 21st century. Business with sin is very popular there. From now on it is no longer about the hope of eternal life (in the hereafter), but merely about not to unnecessarily embarrass yourself as a sinner in the face of the inevitable earthly death...
For me, "Hellbound" is highly ambivalent. It's done great again. Ecellent actors. Exciting story. Upsetting, because maybe not so absurd in terms of social dynamics... But do you really want to/do you have to look at it? There's practically nothing positive coming out of it. Even the hopeful spark at the end remains under a hood of fear and horror and somehow doesn't really find its way back to the light... (A 2nd season is in discussion... maybe then? Or just more fear and horror from which there is no escape?)
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The story doesn't have much to it,trying to transform a "ugly" girl that it's already pretty but y'know,kdrama logic. Put some makeup on her,take her glasses off and add a dress and she goes from ugly to a model in a sec. And there were many random scenes that made me cringe like crazy.
But overall for being a product placement drama,it was pretty cute.
I recommend it if you have 8-15 minutes to spare, but don't expect too much.
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A charming modern fairy tale with a fresh love story
I refused to watch Goblin for a long time, kept skipping it until it finally ended up on my "Not Interested" list. A few days ago I came across an article about it, the topic was Korean fantasies on Netflix, and this time it piqued my curiosity and I decided to give it a chance. I didn't regret it.What did I like so much about this "Goblin"? It wasn't the main character by any means, though he was a nice guy. It wasn't the chemistry between the couples, which was teased in the story of a larger-than-life fate that brings two couples together over several lifetimes, because I didn't feel that chemistry.
I'm a fan of the fantasy genre, but I wouldn't prioritize this series as fantasy because I missed it driving the main thread of the story.
And the love story was kind of weird - no strong passion or heartwarming scenes.
Finally..... Without hesitation, I rated "Goblin" a 9/10.
I wonder, I really wonder, how this series won me over. Now, as I write it, it may crystallize for me. First of all, the two main female characters were just adorable - sweet, pure, sparkling, gentle, with a fragile feminine air, though not fragile characters. The "goblin bride" was such a fresh image - a woman-child oozing energy that floods you with good feeling. Actress Kim Go Eun (the second season of "Yumi's Cells" is currently running with her) is super cute. The other lead actress whose performance I liked is Yoo In Na, who later starred with the same partner in "Touch My Heart".
The men, aside from the sole villain, were gentlemen with a history of tragic bad guys - a king and a general who endure punishment while living the lives of a goblin and an angel of death. However, the viewer sees nothing wrong with them. They are so considerate, caring, sensitive, sacrificial - every woman's dream men. There was also a cute minor character - a young boy, a third generation heir, who added spice to the story without his character actually undergoing development.
Aside from the king's uncle and the main character's aunt, the typical spiteful, ugly, morally repugnant lost Korean souls that are so stifling in any series were absent. Two cursed enemies become good friends, outgrowing loathing and revenge.
There is no shortage of humor in the crisp dialogue between all the actors.
All in all, this is a drama of pure relationships and genuine people - like a brochure of life as we would like to live it, labeled "Feel good story". There's no intrigue, no attempts at someone wanting to take someone else's man/woman away, no parents opposing the relationship - well, there's no intrigue overall, but I didn't miss it. And the ending was nice - I won't spoil if anyone hasn't watched it.
Overall, I recommend anyone who hasn't seen it and likes romantic fantasies to give it a try. It leaves a nice feeling in the heart and is watchable in one breath.
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This review may contain spoilers
EDIT: This is NOT a rip off or the same thing as "In A Good Way". I'm going to assume that viewers who are saying that haven't watched more than the first few episodes and feel that because there is a group of characters the story follows over the years that makes them too similar. I feel those people are really losing out on watching a really great drama, but of course that's up to them, it's just a shame.I have to say right off the bat that this is hands down one of the best Taiwanese Dramas I have ever watched. The last episode is arguably the best ending to ANY Asian drama I've ever seen despite the bittersweet feel it had.
Story (10 out of 10):
Wow. Where to begin with such a thoroughly thought out and beautiful story. If ever there was a realistic drama, I feel this would be a great example. There is such depth and nuance that it is hard to put into words without spoilers. This series takes a story that has been done many times in dramas, but isn't afraid to go all out with it, it packs so many feels that you barely have time to catch your breath. Even if some things were arguably predictable, it didn't take away from the story, because of the realistic way it played out. 16 summers in 16 episodes feels so appropriate, and I feel is one of the best examples of demonstrating the passage of time. Too often it feels that dramas take place over the course of days or weeks. Fang Wei De states at one point how time passed more quickly when everyone was having a good time, and that certainly felt tangible in this show. I just can't praise the ebb of time in this show enough.
I really appreciated that we are presented with our core characters as children and see them through their experiences into adulthood, the character development is real in this. The ups and downs, and how words and actions DO have consequences whether it is in the form of regret or in the form of enlightenment. Often times, I feel like characters will say and do things in dramas with little to no repercussions, but that is not the case in TWWW, and that is why I feel it is certainly one of the best dramas I've had the pleasure to watch. There are no evil type characters, just times when people make bad or sometimes even horrible mistakes... but instead of going overboard, we're able to see each character as a person, with real problems, real emotions, and having to again really deal with what comes after.
Another big thing is closure. This is handled SO well, and it doesn't come off as though the writers were just trying to wrap things up in a nice neat bow, but to further demonstrate life in general. My only regret is not being able to articulate well enough just how great this story is.
Acting/Cast (10 out of 10):
I've only ever seen Leroy Yang in Love Forward (2012) and while I enjoyed his prickly businessman persona in that, I wasn't all that impressed. However, he more than impresses as Fang Wei De. He definitely plays jerkish well, but the latter half of this series, just took my heart and breath away. I'm definitely going to be looking into his other dramas when I can because I could seriously be missing out. I really can't think of any other Taiwanese actor to fill that role than him.
I've seen Tiffany Xu quite a bit and in general it feels like she always plays characters I can't stand. I first saw her in Autumn's Concerto (2009) and later Drunken to Love You (2011) and especially had the urge to want to slap her characters. She's had supporting roles in It Started with a Kiss (2005) and ToGetHer (2009). She's been in many other dramas, but those are the only ones I've seen so far. Having said that, I was glad to NOT hate her character in TWWW. She did something pretty awful, but the way things played out, I was even able to forgive her by the end.
Despite Ruby Lin having such an extensive drama/film career this was my first time experiencing her acting and I have to say it was great. I felt she played a great strong female lead. I always like the spunky female leads that don't take any crap. She's strong, but has a sensitive side and I think she handled them both really naturally.
Rounding out our Quintet is Jason Tsou (Ding Guo Qing) and Melvin Sia (Wang Jun Jie), this is my first time seeing them in a drama, so I really have no frame of reference but definitely I felt they owned their characters and made them feel relevant. I find sometimes when you have more than 2-3 leads in a drama the other tend to fall by the wayside or just blend into the background or at worst are just straight up forgotten. Not in this case though.
Each actor brought their A game as far as I'm concerned and it really paid off.
Music (9 out of 10):
I'm still upset that I'm unable to download Eric Chou's - Let's Not Be Friends Anymore song on itunes. Some may feel like it was overplayed, but I'm not one of them. It's such a beautiful song that was really much more than a theme song. It was the only vocal that I really liked, but even still, I felt the OST went very well with series and I enjoyed the instrumentals.
EDIT: Eric Chou's song actually IS available now on iTunes, I guess they wait to release OSTs until after the drama airs (I'm so used to K-dramas releasing singles while airing - I'm so spoiled :P ).
Re-watch Value (7 out of 10):
I wouldn't re-watch the entire series only because I don't think my heart could handle the intense feels, but there are definitely some funny and powerful scenes that are worth re-watching.
Overall (10 out of 10):
I would HIGHLY recommend this drama to every Asian drama lover. It really has it all and even though there are drama tropes scattered throughout they don't come off as tropes, but just great moments within a great story. It is not perfect, but honestly I felt especially in terms of writing and story this is pretty damn close. There are no questions regarding the characters motivations, there aren't any WTF?! moments that are never resolved. It's just a really well made drama that definitely deserves more praise than it may receive.
Some have compared this as a knock off of In A Good Way....please. Not even close. In a Good Way WAS a good drama, don't get me wrong, but it was not nearly as thoughtful as this drama, not nearly as well written. What they do have in common is that they begin in the past and you see the characters grow throughout the years a la Reply 1994 and Reply 1997. If you want something more upbeat, sure, that is In a Good Way, and then down right LOL by comparison is the Reply series.
Lastly, the writers did a great job of closing out this drama. The last episode was not filler or BS like most dramas seem to be nowadays. It was beautiful and I highly recommend having plenty of tissues when the onion ninjas come for your eyes.
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No BL, but a true gem
The last six months have seen some remarkable BL-highlights, like 'A tale of 1000 stars' or 'I told sunset about you', where a lot of money was spent to create beautiful series. Wayufilm once again proves that it's possible to compensate the lack of a huge budget and lucrative sponsorship with creativity, dedication, and a cast of highly talented and overwhelmingly cute actors. And – to make this clear from the start – although this is not BL, it is a true gem that BL fans will love, I promise.The plot is simple on the surface: A student from Bangkok visits Chiang Mai to experience life in the countryside and therefore travels with three Chiang Mai friends to a remote rural 'hotel'. This simple plot is, however, used to address some of the problems Thailand (like many developing countries) is facing, not by making the actors elaborate at length on migration from land to cities, left-behind marginal rural areas, unequal distribution of wealth etc, but by seemingly incidentally displaying their consequences in the daily lives of the people.
Let me give two examples. When the country boy's mother tells her son she's afraid she will be left behind alone some day, after her daughter has already escaped to the city with a guest, we see like in a magnifying glass what internal migration means for the countryside. When a debt collector of a money shark threatens Kep his boss will take the 'homestay' away from the family who have run out of money due to the covid crisis, this little scene en passant makes it obvious that the pandemic hits poor people the hardest and makes the rich even richer.
Now this may sound as if 'Country Boy' was a depressing account of poor people's problems, but it is exactly the opposite, thanks to the carefully constructed storyline, which contrasts the big problems with little pleasures on the personal level. In part 2, the film offers a solution to overcome the divide between prospering cities and left behind countryside: the visitors decide to help Kep and his mother improve their 'hotel' and attract more paying guests, and donate their money so that the outstanding debt can be paid. It is a small example of how the problems of marginalized regions can be solved: by the transfer of money and skills, on a much larger scale, of course, supported by many more good-willed people like these four boys, and local people ready to adapt to the changes.
So we have to talk about the characters. Kep is the country boy who succeeds in smiling away all the obstacles of the hard life in the country. However, he isn't the one-dimensional naive optimist, he has his moments of fear and frustration, too, but he always finds the beauty in the little things of life. As his guests expect 'activities', and there are none, he invents some over night: watering the plants, for example, which seems weird to the visitors at first, but then they love it.
The Bangkok student and the three Chiang Mai boys, on the other hand, at first only see the quaint, romantic side of country life, but soon realize that things are not so romantic when you have to face the naked truth behind the pictoresque scenery. They do appreciate the clean air, the beautiful landscape, and the rural life, but they are soon confronted with the basic problem of poverty. Unlike many well-off city people, they don't close their eyes, but do the best they can to help their new friend Kep. At the same time, they learn that the local food that looks like 'dog's puke' to them, tastes wonderful.
Now you may ask, 'where is the BL-factor' in this? Well, there actually isn't much, no kissing, no sex like in previous OakMon movies, just a few secret glances in episode 1, and two hugging scenes in the final part. That may be disappointing to some viewers who have expected more, but honestly, more wouldn't have fit the characters of Kep and Nabdao. Not so soon. But maybe in a sequel? Somehow it feels like Nabdao and Kep will meet again.
Which takes us to the actors, and they are just brilliant. Oak has proven he is able to give depth to his roles at the age of 16 already (if you haven't seen 'Key Love' or 'Night Time', you should watch them, too). The way he expresses joy, fear, surprise, shyness, and love proves he is a natural. With Mon he has a congenital partner which makes these two young actors an iconic couple already (even if they don't become a couple in this movie), and all that without the fan service from a big production company.
But this movie doesn't only rely on the talent and chemistry of the two leads. The supporting actors are all very good. What makes the performance of these five young men so outstanding is their natural way of depicting their roles. In many scenes it feels like the camera is only there to accompany a group of boys for two days, so you get the impression they aren't acting at all.
In some of the big Bangkok productions the main criteria to put together the cast of a series is the cuteness factor; talent and acting skills come second and sometimes are lacking completely. In this movie we have one of the rare cases where all the actors are extremely cute, each in his own way (don't tell me Oak isn't cute. Gosh, this smile, and these eyebrows!), and they are talented and skilled at the same time.
The settings are also carefully chosen. When at the beginning the Chiang Mai boys proudly take their Bangkok visitor to the most popular coffee bar, he's bored because he knows all the coffee bars in Bangkok, and coffee bars aren't the reason for him to visit the North of Thailand (which reminds me, a country boy myself, of proudly inviting my city-friend to our newly opened pizzeria, and he was complaining pizzas are much better in the city. He rather wanted me to take him to the forest which I find boring because it's just full of trees and nothing else. Well, the other man's grass...).
Kep's Homestay feels like a haunted house, opening the opportunity to show that boys from the city are more frightened of ghosts than the country boy who finds it completely normal his late grandmother's spirit still inhabits the room he rents out to the visitors. I had to smile when he apologized to her she will have to spend the next few days in his mother's room. The environment of Kep's 'hotel' is used to show the rural people's love of nature, e.g. when Kep teaches his visitors to water the plants, which for him is an act of pleasure and respect.
The cinematography of this movie (I won't call it a series, it's more a movie released in two parts) is an improvement compared with previous Wayufilm productions. This isn't meant to say the older ones weren't good, but the surroundings of Kep's Homestay allow more attractive shots than a classroom, a small flat, or a dirty alley like in previous productions. It doesn't reach the quality of series like '1000 Stars', but it's still good.
Finally, I must mention the soundtrack. The song performed by Mon and Oak is so beautiful it makes me smile every time I hear it, just like the movie makes me smile every time I watch it. I rarely re-watch series or movies, but I have already re-watched the first part three times.
To sum it up, this movie is a true gem, and a real highlight of 2021, maybe not as BL as you would have wanted, but Oak's smile and the natural acting of all the boys easily make up for that. If you're in a sad mood, watch it (again), and I'm sure you'll feel better. If you're in a good mood, still watch it (again), because you'll have one more reason to feel good.
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This drama is very refreshing, very well written and highly entertaining. The synopsis might not really attract you, but just watch it, you'll get drawn into the series in no time at all.
Hiroshi Abe is definitely at his BEST here! He plays Kuwano-san, an accomplished architect who is rather quirky and sarcastic and definitely not a people's person. And I gotta say... Abe did a BRILLIANT job portraying this character. His acting here is SUPERB, really. His character is a mix between Jack Nicholson in "As Good As It Gets" and Hugh Laurie of "House M.D."
It is very interesting to see how Abe's character tries to interact with other people in different kind of situations as portrayed throughout the series. I especially love the interaction between him and Ken-chan, the neighbour's dog. If you haven't seen it, I'm telling you, you'll fall in love with Ken-chan, because he is the cutest thing ever!
The actress that plays Hayasaka-san is also amazing. She's able to "balance" Abe's Kuwano and they succesfully created a perfect on-screen chemistry together.
This drama is totally a must see!
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A dish best served... twice?
I first watched this drama last year as it aired, and even though some elements were a bit hard to follow at times, I thoroughly enjoyed it. I watched it with my sisters and we looked forward to it every day.Now, I'm currently watching it over again with my mom, and let me tell you... it's almost a completely different experience.
In a good way. When you know what's going to happen already, you can concentrate on the smaller details you didn't catch the first time that'll make you go "OHHH NOW I UNDERSTAND".
It makes you realize just how much hard work and attention to detail was no doubt put into this drama. Ad it'll be just as, if not more entertaining then the first time you watched it.
So trust me, if you've only seen this drama once, watch it again. This rewatch is a pleasant surprise.
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Compelling Rendition
My Final review take:
This has been 4 very charming episodes.
The way Yoon Ho grabbed-hugged So Hyun in the rain just striking. Palpitating darling moments, indeed.
This drama definitely has that angst, tension, thrills and a-tinge-of-romance which amped up the whole atmosphere on each scenes. And without any brooding bits, just makes it excitingly fascinating.
My first review take:
Why is it compelling? Because:
First. I am hooked with the music. Brit rock rules! Need the OST tracklist stat! Then again with this type of music tracks, it needs a good match. This drama has it, deserving storyline. It tells a story of a troubled girl. And she is even a pickpocket, for crying sake. Looking for her Dad. And just because she has unsettling mother-daughter relationship with an alcoholic Mum that is, does not justify her action for stealing. It still wrong. But, hey. Life is about planning and options with this case.
Second is the Acting. I just loves it when everybody delivers. So okay, the sweetest treats is still about a nice and kind next door boy. Yoon Ho is so adorable, and he’s the kind with Knights honor soul. The lady with vengeance is HeeJin/So Hyun with all of her ocean eleven mind game. Or is it in a way Sherlock Holmes would go the extra miles. Heroin like her and at nineteenth is a character indeed.
Third. The charm.
Attraction is made without hesitation. Confession is within a heartbeat. And that decoy kiss is just a tad of sincerity away. Bullies is tackled. But the suspense retaliation just puts you on the edge. With only 4 episode, this drama has that subtle approach. Let’s wait the next and final two episode...
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When Cute is not Enough
Over five years ago, “Lovesick - the Series” and it’s sequel “Lovesick 2” paved the way for the Thai BL genre. It opened the door for main stream young gay characters where the focal point of the story is their love relationship. Before “Lovesick” gay relationships were were often relegated to a secondary role. “Lovesick’s” success is due to a simple storyline, two lovable lead actors, straightforward interactions between secondary characters, and an iconic OST in “Shake” which is the best song from any Thai series regardless of genre. “Lovesick” made the slew of BL series, movies, and short films that followed possible as it showed high interest level for the genre. You know you’ve arrived when you’re one of the few series with a BL theme that’s playing on Netflix in the US.“Thank God it’s Friday” (TGIF) is supposed to carry on the “Lovesick” franchise as it takes place five/six years after the Seniors from “Lovesick” graduated. The Friday College Music Club is again in financial difficulty. Because of their lack of appreciable success and maybe actually music playing ability, they enlist the help of the music club at their sister school in Chaing Mai for assistance. Although their initial meeting was rocky, the two groups bond and relationships (both platonic and otherwise) occur.
TGIF is directed by Andy Kusolkulsiri the same director as the both the “Lovesick” series'. Unfortunately, the only connections between “Lovesick” and TGIF are the school’s name (Friday College), the music club that the two groups are involved in, and a brief exchange between Jump and Yong in episode 1 where Jump refers to Noh as his idol and Yong asking Jump if he knew the rumor of Phun and Noh being in a relationship. Let’s forget about the weird suggestion at the end.
Although the three main couple storylines were fairly straightforward, where TGIF fails is that the storyline was muddled, had unnecessary side stories that we’re confusing, poor character development, random intrigue between characters that don’t make sense, and a main plot line of the Bangkok music club getting help getting completely lost. Could these guys actually play or not? I was often left wondering if I missed a half episode in between episodes because I couldn’t figure out what was going on for awhile at the start of each episode, it took a while to settle into an episode.
I felt like the overall story was being made up as they went along. Let’s start with the premise of saving the music club. That isn’t working so let’s focus on the budding relationship between Home and Jump. That’s turning out bland so let’s focus on the Por and Yong and the Lun and Nana relationships but fail to give it real substance because they’re not the main characters. The lack of storyline focus was confusing especially when they added the other side stories and characters without enough development. How long can you run a minor storyline of a missing condom from a bag?
I did find that the story and characters matured from episode to episode - to a point. That point was pretty much at the middle of the series when the three couples end-up at the dam. After their return back to Chaing Mai everything, with the exception of the Lun and Nana story, regressed.
The young female actors were actually not bad but unfortunately the performances of the male actors were all over the place. This is a failure in casting where it appears they favored cute over substance. The main characters of Jump and Home we’re so wooden it was sometimes painful to watch. Their acting did get better as the series progressed but as their bangs got longer their acting again got worse. The second couple of Por and Yong were fine but, their storyline could have been streamlined with better developed conflicts and character struggles. The best developed and acted relationship was the third one between Lun and Nana. Their storyline and acting felt genuine due to the two actor’s having good chemistry and ability, which was lacking with the rest of the actors and couples.
The soundtrack of TGIF also seemed to get better as the series progressed - again to a point. The main soundtrack is cute and catchy. It’s no where near the level of “Shake” but pretty good. The Jump and Home relationship song at the dam was also pretty good. But just like the majority of the series, the music fell apart in the second half of the series with some awful music tracks sung by the actors in the series. Pluggy has a very unique voice, not sure of anyone else in the series has lead vocal quality, so if he was in the song it was fine.
Why I really come down hard on this series is because I’m watching this concurrently with a number of far better Thai series. The producers of TGIF chose to release it at the same time of the end of “Theory of Love” and “3 Will be Free” and the start of “TharnType”, “Dark Blue Kiss”, “I am your King 2”, and “Until We Meet Again.” Yikes! That’s crazy bad timing! How can you go up against those heavy hitters with green actors and a poor script? The quality of the storyline and acting of TGIF pales in comparison to any of those series. I rate each of the aforementioned series between a 9.5 and 8, while I give TGIF a generous 6. Maybe if I watched TGIF during a period where no BL series running I would be more forgiving,
Five years have passed since the groundbreaking “Lovesick” series. The Thai BL genre has evolved so much in those five years that just having a cute series is not enough. I think that audiences are expecting more coherent and developed storylines, better writing and frankly better acting from their series, regardless of genre. I did stick around and watched all 12 episodes of TGIF so cute may have a place?
PS - Had to go to another site to watch the last episode as it’s been over a month and the producers of TGIF have yet to translate the last episode on YouTube, which they had diligently done a week or less post-release of an episode. Did they also give-up on the series?
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Warm and Fuzzy, but.....
Watching Binary Love made me feel fuzzy inside. The love between the main leads were organic and it genuinely made sense. The male lead's boldness added to his quirky charm, seeing that he was socially awkward, but courageous in love. The story developed a one-track man into someone who is foolish in love. All while this story is great, it may be worth for the male lead solely.Dont get me wrong, the female lead was a good lead, but she was kind of flat. In the earlier episodes she seemed to be charming, but as the story progressed her character began to lack dimension. She began a generic female lead that you could find in many other dramas. The plot was great, but it was not in any way due to the female lead.
There was also the UNNECESSARY second male lead and the even more unnecessary third male lead. The second male was inevitable, seeing that he's on the promo cover, but his story went on until the bitter end. He was simply not someone you could route for. At the beginning the series his character was enjoyable because it added some drama, but he quickly became a very annoying entitled man who doesnt know his boundaries. I was fed up wifh him halfway through the show and his forceful behavior towards the female did not end until the bitter end.
And then the show introduced a third lead, who liked the female lead for no reason at all. It was very random and the male didnt even pay him mind, so the third lead was just there for fun I guess. And again the female barely has any depth, so its hard to believe that three men would be chasing after her.
But all in all, this showed had some powerful friendships that were entertaining. The second couple is honestly so cute. And the male lead is adorable, Ren YouLun did a great job acting out his role, and honestly he's the main reason the show was enjoyable.
If you can get passed someone of the negatives i have mentioned this was a good watch. But i have to say it was more entertaining the first episodes then it sort if fell off.
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Reasons to watch-Wanna cry ,this is your drama.it will make you cry an ocean of tears.Grim reaper-my favorite character .he is one of the reasons why it made you cried, fantasy ,best second-lead couple, awesome ost, humor-it makes you laugh as much as it cries, every single character portrayed beautifully ,happy ending
enjoy watching
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