Let's Go Home For Dinner
“Let's go home for dinner” can even be an appropriate alternative title for this drama. For 48 episodes, the home scene of eating dinner together as one big family perhaps occurs the most times and in every episode. This scene is also the most endearing scene for me as I value family time having meals together as the most enjoyable event in life.This drama is an investigative story with the three main leads working together from different angles to solve crimes and uncover conspiracies. They investigate government corruptions, punish the guilty, exonerate the innocents and save the kingdom. Though they have totally different personalities, they all have one common goal, that is to protect the Ming Kingdom from all dangers within and without, and to stay loyal to the Emperor throughout.
Tang Fan (Chen Kuan Hong or Darren Chen) is a low-level government official with a magnanimous heart. Though poor with a low income, he’s altruistic and generous to people around him. He has a mind of a genius but can be silly all the times, and that’s the fun part watching him getting into trouble, but somehow manages to come out in one piece. Darren Chen has a very beautiful face with delicate feminine features. Together with a slender body, he makes the most beautiful she-man I’ve ever seen. His acting with a bashful smile and puppy looking eyes catches many viewers’ hearts – he’s adorable.
Sui Zhou (Fu Meng Bo) is a calm, firm, forthright and upstanding man. Though cold, he has a warm heart. Time and time again, he covers Tang Fan’s back while Tang Fan helps him solve his investigations. He’s a good fighter and his fighting scenes are so good. A great cook perhaps in real life, Fu Meng Bo’s kitchen skill is applaudable.
I love the eunuch Wang Zhi (Liu Yao Yuan) who is perhaps the most cunning of all. Ruthless and with his enormous power, he’s also the one who helps both Tang Fan and Sui Zhou in every difficult situation they encounter. Liu Yao Yuan has a boyish face and his acting as a talented young eunuch doing all the dirty work for the Emperor and Consort Zhang, Liu Yao Yuan delivers this role convincingly. He’s perfect!
Despite their differences in personalities, all three work seamlessly together. I love the silent relationship they have with each other. Bromance or not, this friendship is utmost precious.
The supporting cast has done a most marvelous job in their respective roles. I love watching that little girl Dong’er (Huang Yang Tian Tian) who is also the adult in the room keeping the boys together in harmony. It is fun to watch how she outsmarts the boys and the disbelieved look on their faces when they are beaten. It is also fun to watch Consort Wan dresses in armor leading a team of girl soldiers to protect the Emperor.
The flashback showing how the three have met doesn’t occur until Episode 35. In this episode, it explains what has happened to their respective lives and how each gets to the current positions they are holding.
Overall, the drama has a very Jackie-Chan style. After all, he’s the director. It is fast moving, funny at times, silly dialogues, and misfortunate coincidences. There are a lot of chasing and fighting scenes, Jackie Chan’s stunts and moves. I like the great martial arts scenes with incredible sword fighting but dislike the background music during those fights. Although there are some minor plot holes, script writing and editing flaws here and there, this drama overall is a great watch. The ending is nicely done with proper closure for all characters and events. As how the final scene ends, I’m not surprised they are hinting for a season 2.
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HOW DO YOU DOOOOOOO
Well, not very well considering True Beauty ended today and I'm going to have to spend the whole of 2021 nursing my awful second lead syndrome.True Beauty was a really fun ride. It had it's plot in place, the right amount of funny moments and lovable high schoolers (and their families). The female lead was likable and I rooted for her throughout. Cha Eun Woo did great and could hold his own (has he been working out though? He grew biceps overnight. Damn).
But there is one person who totally breathed life into this show and yes the entire planet knows him by now and there are exactly zero surprises in this name-reveal. SEOJUN was amazing. His puppy scenes made me soft. His intense scenes made me hot. His confession scenes set the bar too high. His ultimate fate made me cry buckets (with him). He simply took over all our lives. He is definitely on that list of my all-time favorite characters and I just want to maintain a list of all his iconic dialogues and go back and watch them scene by scene (maybe that's borderline creepy. Well, I'm sorry dae sekkiya).
But there are so many more characters I want to talk about. The supporting cast was a great strength of this show. Im Semi did such a good job and I loved her pairing with teacher Han. I loved seeing them smash gender roles so royally. Teacher Han was the kind of teacher teacher I not only wanted all my life, but the kind I want to be in the future (yep, I'm a future teacher lol). Su Ah and Taehoon were adorable. Su Ah was such a good friend too. Sujin was great too, minus the minor (or MAJOR) blip where she strayed for a while. But I liked her journey enough to forgive her. I wish the writer hadn't given her that cliche second female lead script, but I guess they were sticking to the script.
Seojun Squad and Suho squad were both awesome. But yes, if I have to pick one, I'll have to pick seojun squad (I'm sorry dae saekkiya). Kim Chorong and Taehoon are the kind of friends I want to manifest into my life (where do I sign up for them?). Joo Young was goalssss. He was so funny (oh shit, my eyes hahaha). I loved all the extraordinary you cast cameos (but what about haruuuu). Chani did well in extended cameo.
Looking back, I was super excited for True Beauty when I found out Hwang In Yeop was playing the second lead. I absolutely adored him in 18 again. And even though I knew he wouldn't be getting the girl here (again), I was just so excited to see him in a role with more screen time for him. And in that sense True Beauty didn't fail to deliver.
It is easily one of the best high school romance kdramas out there I would recommend to everyone and I am sure I will go back and watch it again sometime and bug a few friends to watch it too.
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RomCom, crime, historical drama, fantasy & Makjang make the dough for something standalone new
"Durian's Affair" is set among the wealthy - ´here´ (2023) and likewise ´there´ (long gone Joseon days). The time may have changed for Du Ri-an and her daughter-in-law, but the place has not. They are instantly catapulted from their Joseon days to recent today. Some of the wealthy family, who own the property today, have apparently reincarnated again in this family. They are especially well known to Du Ri-an. Now those involuntary time travelling ladies have to deal with the culture shock and the traumatic leap in time that actually seems as incredible as a dream, whereas in their own days they were actually in the midst of grieving over the loss of their beloved son/husband...This bizarre, four-dimensional dramaturgical setting is providing a load of finely knitted entanglements and arising questions, yet unanswered. What had really happened back then? What's going on today in this family? Why the time jump? So what's next for the two Joseon-day ladies? How is everyone going to deal with this weird practical (and for some even emotional confusing) situation?
This production is full of zeitgeist of the 2020s, in which Anglicisms and Banmal (informal speech) are a matter of course, while in mass consciousness the curtain between different times and spaces has become extremely permeable. Yet, the icing on the cake: relationship dynamics in the fourth dimension. The people of that long gone time are not those of today. And yet... There are notions of their life back then, even if they cannot consciously remember it, as well as the option of making new decisions in their life today. Broken hearts, cupid's arrow, greed and passion, as well as a sense of responsibility or noblesse oblige... it's all mixed up through the perspective of the time-travelling ladies of days gone by. Situation comedy breaks through encrusted structures. The strangely insane is tossing and turning the minds of reincarnates and time travellers alike. Likewise, the strangely familiar is, too.
"Durian's Affair" is one of those KDramas that wants to break with established genres. The South Korean, but also the international market is currently being flooded with excessive KDrama productions. Thus there is increasingly space opening up for experiments... and that's what “Durian´s Affair” is, too. This KDrama is no RomCom, no crime thriller, no historical drama, no fantasy and also no classical Makjang. However, elements of each are richly included. Together they create something independently new. Anyone who is open to such an experiment should sit back, relax, shake off the usual expectations and get involved with the KDrama. It's entertaining. With some open questions that keep the suspension throughout all 16 episodes. There are also love interests. (Yes, plural.) All multi-layeredly entangled across time and space. Additionally, “Durian´s Affair” is even exuding a pleasant scent of humanness.
Be prepared for deliberate Sostenuto! The pacing is characteristic, since the production sticks consistently with the two outdated ladies from Joseon days. And in my opinion, those ladies are the ones who make the show as remarkable as it is. Regarding Du Ri-an and her daughter-in-law, all characters in the show as well as the audience alike can work themselves off. Nice!
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SIDENOTE: --- A reckoning with the lost virtues of a conservative South Korean society ---
“Wheresoever you go, go with all your heart.” -Confucius
In my opinion, "Durian's Affair" is kind of a reckoning with pseudo-virtues of a conservative South Korean society. Du Ri-an and her daughter-in-law are catapulted into Seoul 2023 and show the elite clan around the Dan family what true Confucian virtue actually means. At the same time, they are caricatures as those virtues come along as an almost unattainable ideal. The two ladies from back then embody i.e. propriety, righteousness, integrity, benevolence, wisdom and trustworthiness in such an uncompromisingly consistent way that one cannot help but be amazed. Confucian virtues are inextricably linked to patriarchy. But the lesson in this idealistic self-image of a dignified, respectful life is given to us by two women! Adaptably creative, intuitive, respectful and well grounded. Timelessly human, righteous, wise and trustworthy.
Du Ri-an and her daughter-in-law embody the Confucian virtues, but more than that, they have transcended them without realizing it and found an answer for what these (and every other virtue, too,) are actually intended for: A source of self-confidence as a human being and dignity, from which a person can draw strength and grounding - even in the most adverse situations! In general, this as a prerequisite for any human, compassionate, authentic encounters. Those virtues had to be (necessarily, involuntarily) adapted by those ladies into a completely foreign century. (And they prove themselves again and again in every one of the three different households of the Dan family.) So it is actually about the core essence of any virtue: providing a human being with dignity and inner values as a compass – reaching out with the power of respect and thus transcending boundaries of specified classes, too.
The two time travelers come across as idealized caricatures of the bygone Joseon period, that is generally considered virtuous. As foreign ladies in Seoul 2023, they embody rather unreal, almost exaggerated ideals of virtues that are still upheld and (as it turns out) actually largely lost. And yet, the two ladies prove it: true, authentic dignity can grow from the upright embodiment of these virtues. This dignity matches its dramaturgical equivalent in the overall deliberate Sostenuto pacing of the K-drama.
The timelessness of the old values stands in apparent contrast to the growing western internationalized coolness and the elitist arrogant version of the new nobility, which however seems to have lost any grounding unless it is for money. It is rather obvious: a bit more humanness, morality, integrity, wisdom and trustworthiness would be nice here and there. What is offered above all is a shiny facade cushioned by the bank account. More or less covered underneath you find any human topic irrespective of class or wealth: longing to be loved, self-doubt, jealousy, gender issues, fear of aging, love in old age, temptation...
In "Durian's Affair" the head of the family clan may be a (actually surprisingly liberal) woman. Homosexual love can become a topic here, too. And then there are a few more time-sensitive issues in play. Yet, authenticity and sincerity are primarily triggered by the two noble, upstanding Joseon ladies... They may remind one or the other just by their attitude towards life, that human dignity is deeply rooted inside - even though one may have lost or forgotten about it along the way.
Don’t get me wrong. I'm not standing here for Confucian virtues. And neither does the KDrama. But it holds a nicely presented mirror to South Korean society, which to this day may hide behind the 'old, time-honoured' values. For better or for worse. If so, then it might be crucial to fill these virtues with life. Message: The present is far from that. Fascination? Yes. Attraction? Perhaps. But embodied? No. Two ladies from the past must be landing in 2023. (And actually they had to carry their baggage at home back then - a baggage whose weight was characterized by a questionable virtue (also) of the people of that distant time.)
“Durian´s Affair” rejects any kind of idealization. How nice, indeed! Yet it upholds authenticity (as a new and needed virtue?), basic for any respectful human-to-human encounter. As a value! As the true virtue! And with that - against this background - "Durian's Affair" becomes quite a progressive KDrama production. What a delightful surprise!
PS:
And then, the ending. It is open for all you can imagine. Any direction. You choose, where to go next. Drama just like the human condition (la condition humaine.) Like the wheel of existence, fueled by Karma! It goes on and on... A never ending story of birth and rebirth...
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Beautiful but ultimately hollow symbolism
I have finished watching MR SUNSHINE, and there was so much that I loved about this prestige kdrama. The writing of the heroine was SO good in how it discussed and defied some of the worse kdrama-heroine tropes. There was amazingly trenchant and deeply nuanced social criticism, gorgeous cinematography, lots of fascinating history, the warmest and most positive depiction of Christianity I've ever seen in a kdrama, men who drink respect women juice, the beautiful and angsty Gu Dong-Mae, FABULOUS period clothing, and rivals in love learning to put aside their differences in favour of shooting imperialists.But the show has a major flaw - a flaw that was particularly interesting to me, because it's the precise sort of flaw that I would be most prone to. The screenwriter, who does such brilliant work in so many other ways, is clearly most fascinated by the themes and symbolism she keeps bubbling away in the story's subtext. The problem is that these themes and symbolism - which delightfully clever - are not actually supported by the storytelling, and particularly by the characterisation.
And it's a really fun, rich, resonant bit of symbolism: Ae-Sin is not just a character in the story, she's the living embodiment of Joseon Korea. She's beautiful, desirable, noble, privileged, gradually awakening to a life of hardship and struggle and resistance. Each of the three male leads in the story has a different complicated relationship with her. Eugene has run away from Korea, but returning as an adult cannot help falling in love with the land and the people in defiance of the nobility who mistreated him as a boy. Gu Dong-mae was horribly oppressed by his homeland but cannot help loving it anyway; the Korea which oppressed both men also saved their lives through small acts of kindness. And finally, Hee-Sung, Korea's richest son, is her approved betrothed, but past injustices committed by his family against the people Ae-Sin cares about stand between them. The three men fall in love, not with Ae-Sin, but with their homeland. They express their love for the woman by sacrificing themselves for the homeland; in dedicating themselves to her, they cannot help dedicating themselves to the fight for freedom.
This is why the story had to have a sad ending. None of these men can espouse the whole country; they can only die for her, while Ae-Sin - Korea itself - lives on, alone and victorious, even in exile.
This symbolism is itself delightfully rich, deftly painted, and rewarding to think back upon once you see it. There's only one problem: it doesn't. make. sense.
From the very start of the show, I felt a little impatient with the writing because the relationships between the heroine and her three suitors are so poorly developed. The feelings come out of nowhere. Take Gu Dong-Mae, for instance: he last met this woman when she saved his life as children. Now, it just takes a brush of her dress across his fingers to get him pining madly for her. Hee-Sung, after avoiding her for the best part of a decade, gets one glimpse of Ae-Sin at the washing-line and just like that conceives an undying passion for her. The central relationship, between Ae-Sin and Eugene, doesn't fare much better. The problem is that the story demands each of the male leads to sacrifice himself for Ae-Sin by the end of the show, and I simply couldn't understand why they should. They all have multiple other women pining for them, and Ae-Sin doesn't give two of them the slightest encouragement to hope. I wanted them so badly to find happiness with one of the other women, and they never did.
What MR SUNSHINE needed was not primarily rich and complex symbolism - it was believable characterisation and relationship development. As it was, the lack of substance to the relationships cheapened the grand historical tragedy which was being told. When at the climactic moment the last of the three leads sacrifices himself for the heroine, it felt cheesy and unintentionally funny, rather than tragic.
I loved so much about this story, but the heart of it never clicked for me, and it's a crying shame that with all that budget and talent, it wasn't better written. And that, for me, will be the central tragedy of MR SUNSHINE.
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Not Good, Could Be Better
I expected a little more from this highly recommended lakorn but was disappointed. The biggest disappointment was the female lead. She felt like an unnecessary character. For the first half of the drama none of her actions contributed to the plot and I nearly forgot she was the female lead at one point. She kept hating on the ML for questionable reasons. I get that she was trying to “protect” her sister, but her ways of going about it are really odd, especially after all the beatings she got from her sister. She’s unreasonably judgmental. Right from the get-go she assumed the ML was a bad guy because he took a pregnant woman to the hospital. She also kept bringing up his profession as an insult. Not to mention she has no backbone at all. Her sister did all sorts of horrible things to her and she never stood up for herself. There’s minimal character development for her. I did enjoy the interactions between the FL and the ML though. They had good chemistry.The ML was also very disappointing. I was disgusted when he slept with the FL’s sister. Why did the writers think this was an acceptable plot line? Apparently, it was his way of "revenge," but there had to be a better way to go about it. Though the FL was unreasonable towards him at the start, he also did some unnecessary antagonizing things that WOULD make her hate him. This is a slap/kiss lakorn for that reason. His character really carried the show though. If the show solely focused on the revenge aspect of the ML, it would have been better. The villains were decent but generic. You have the evil, stuck-up rich madam and the conceited ladies you typically see in a lot of dramas.
The ending was good. It is a happy ending for anyone wanting to know. Ultimately I wouldn’t rate this higher than a 7. Maybe it’s because I came in with high expectations. I really did love the tension between the ML and FL, but wish the FL had a stronger character, more development, and more presence.
The acting was good. The actors and actresses fit into their role nicely and the cast is full of beautiful people. The actress of the FL did what she could with her character, while the ML was great and had convincing facial expressions. Aunt Mam was probably one of my favorite characters and the actress playing her was phenomenal. The villains were also good. All in all the acting was superb.
The music was alright.
I do recommend this show, as a lot of people like it and it really depends on the person watching on how they feel about things, especially since this is a slap/kiss lakorn. However, go in with less expectations. I wouldn't rewatch this show aside from indulging in the super romantic and appealing edits fans make on Youtube, which is what originally lured me to watch.
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‘Fishbowl Wives’ ; A Worthwhile Watch, Or A Waste Of Precious Time?
‘ Kingyo Tsuma’ ( alternatively known as ‘ Fishbowl Wives’ or ‘ 金魚妻’) is adapted from the eponymous psychological work by Kurosawa R . A mature and a surprisingly dark insight at times into the world of marriage, affairs and domestic abuse, ‘ Kingyo Tsuma’ is an intriguing if somewhat unrelieved portrayal into the fishbowl-like environment of main female lead Sakura Hiraga ( Shinohara Ryoko).
Hiraga is seemingly living the dream. She’s married to affluent hair stylist Hiraga Takuya( Ando Masanobu), she lives in an opulent penthouse apartment and she is envied by almost everyone that she knows.However as the saying goes: the grass is always greener on the other side of the fence.
Unbeknownst to others, the seemingly perfect Sakura Hiraga is an abuse-victim. Attacked physically and verbally by her husband on a regular basis, Hiraga likens herself to a goldfish stuck in a fishbowl; trapped in an inescapable situation with no way out.
It is due to her fascination with goldfish that Hiraga ends up encountering Toyoda Haruto ( Iwata Takanori). Toyoda is a kindhearted and younger man who owns a pet shop. After becoming enamoured by Hiraga, the female lead begins to question whether Todoya could be the key for her escaping from her megalomaniacal husband.
Screenwriter Tsubota Fumi has numerous works accredited under her name. Previously having worked upon ‘ Will I Be Single Forever ?’ (2021), Ojisan wa Kawaii Mono ga Osuki’ (2020) and ‘ Colorful Love: Genderless Danshi ni Aisareteimasu’ (2021), Fumi has notably had previous experience with adapting or writing somewhat “ avant garde” or unconventional screenplays.
This isn’t to entirely critique Fumi’s screenplay or the leadership of directors Matsuyama Hiroaki ( ‘ Mystery To Iunakare’, ‘ Switched’, ‘ Nobunaga Concerto’ ) and Namiki Michiko ( ‘ Mirai Nikki’, ‘Soredemo, Ikite Yuku’, ‘ Ichikei no Karasu’). The series did an excellent job through the writing reigns of Fumi and Hiroaki and Michiko’s lens perspective of making viewers feel uncomfortable during key moments. The topics exploited onscreen particularly revolving around infidelity, debauchery and domestic abuse could often purposefully make the viewer feel almost voyeuristic.
In addition to this it was apparent that ‘ Fishbowl Wives’ offered some wry and witty attempts at comic relief- a droll comic exchange or setup evidently drawing attention away from tense or angst-ridden moments in the series. However where ‘ Fishbowl Wives’ could admittedly feel somewhat limited was through the direction of writing .
The performances given by the main cast are certainly solid, with Shinohara Ryoko and Iwata Takanori particularly stealing the spotlight during tense or tour de force moments.
On the other hand whilst both leading actors’ idiosyncratic performances were certainly good, the onscreen chemistry between Ryoko and Takanori was admittedly somewhat stunted and inconsistent in parts .
Perhaps this isn’t entirely the fault of the actors. Whilst there is supposed to be an awkward barrier between their onscreen characters due to their respected age gap, it was often hard for viewers to truly engage with this “ developing” relationship due to the characters rarely having a lot of personal drive. ( Particularly with Sakura Hiraga. Although the female lead does develop and does make some life-changing decisions, there were many elements surrounding her seeming “ disregarded” dreams, her first meeting with Takuya as well as trauma which were often widely disregarded and limited opportunities in order to flesh out her character.)
Naturally this also had a knock-on effect with the plot. One of the focal and major drives of ‘ Fishbowl Wives’ narrative came through Hiraga and Haruto trying to find happiness. Whilst we did see opportunities as viewers towards Haruto and Hiraga’s feelings for one another blossoming and the impact of their relationship upon plot, the somewhat lukewarm venture into the characters’ mutual growth and chemistry with one another did restrict dynamic engagement with the audience.
As for the progression of the narrative, ‘ Fishbowl Wives’ is truly a trial of patience. Even for an eight episode miniseries the plot could feel somewhat tedious in parts and slightly dragged out. Admittedly the series did attempt to offer some distributed screen time upon the subplots revolving around Hiraga’s acquaintances, but due to limited screen time, these storylines felt somewhat rushed and sporadically placed.
The delivered ending is admittedly dependent on viewers’ expectations; some possible enjoying the bittersweet note and imagery, whilst others feeling somewhat disappointed by the lack of a concise conclusion.
Under the directing reigns of Hiroaki and Michiko, ‘ Fishbowl Wives’ is notably an assortment of bright palette schemes, symbols and motifs. ( One of the most reoccurring motifs throughout the series evidently being the goldfish; an important plot device for the main characters, as well as a symbol of irony and foreshadowing). In addition to this the OST is notably subtle yet synchronic with key scenes; somewhat generic in parts, but helping to heighten certain scenes also.
‘ Fishbowl Wives’ offered viewers with aesthetically pleasing scenes and decent performances by the cast. However whilst the series did offer viewers with an intriguing plot premise, ‘ Fishbowl Wives’ slowly began to meet its cataclysmic downfall as the series progressed. The ending of the series will certainly differ for audiences dependent on expectations, but helped to reinforce the assertion that ‘ Fishbowl Wives’ struggled at times to escape its own bubble of writing limitations also.
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From the very first moment I saw the description of Memories of Murder I was sure I was going to at least like this film. Why? Let’s begin with genre: I’m a sucker for things related with serial murders; creepy, I know, but I love this dark, eerie atmosphere that’s usually present in such films. After deciding that this movie is worth watching I’ve done a little research about it… and the things I’ve discovered made me even more certain that this movie is just perfect for me. Not only it is based on real events, but the culprit of this crime was never found! Another thing: I’ve read somewhere that Quentin Tarantino said that this movie is among his Top 20 favorite movies since 1992 – well, that’s a sufficient recommendation for me.
This movie has amazing acting - every single actor made his role alive and believable. The most outstanding one was Song Kang Ho, who plays a role of a stupid local detective, good only at forcing testimonies out of (usually innocent) people with a use of brutal force; evidences are not important to him, the only thing he needs is his intuition. So… yeah, you guess right, he’s not what we call a good cop. He has his sidekick, and boy, this guy is even more stupid and brutal than his hyung – it’s usually him who does dirty work (hanging people upside down, kicking them in the face with combat boots, digging a grave for them etc). So how can such detectives resolve as complicated case as serial murders? Fortunately for them, there’s this guy from Seoul who comes to help them in an investigation - and he is the exact opposite of our country bumpkins.
What I liked about this movie was that it wasn’t only about finding a murderer; it also showed us a believable development of characters. Park Doo Man discovers there are other ways to find a culprit than forcing a testimony out of suspects and Seo Tae Yoon starts to doubt his own, "good" methods. It all combined with great acting, thrilling action and a bit of humor creates an amazing movie. So, if you like thrillers and you’re not put off by violence, then Memories of Murder is just for you.
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Has a Lakorn vibe (Thai Drama)..
If you are fun of watching Lakorn or Thai dramas then I think you might like this one cause it was somewhat the same vibes with it; it has revenge, male lead is domineering, there’s a slap and a mother that is evil hahahaha.. it’s fun to watch, it’s just that to sad it’s just a very short series like wanting for more after one episode...l have enjoyed this drama so much wishing it could have been longer...The costumes and the setting is nice not lame even the cinematography it’s just fine as well...
The male lead is damn hawttt hahaha , and Dawn is still pretty and cute, first time to watch her in republican drama...
all in all this drama is just great for me specially for a short series because l seldom watch short series cause l find them too simple or not trilling somewhat like that.._ but as for this short series its very different, l just really love it so much, its very entertaining..
_...one things for sure in this drama the male lead will not disappoint you hahaha especially when his shirtless hahaha... sorry got a little bit naughty here hahaha..
l recommend that you give this drama a shot if you haven't watched it, just don't listen to the comments good or bad, or to the ratings because whether a project is good or bad we netizens or watchers have a different say to it...so just go and dig in ...
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A Lot to Unpack - An Honest Review
I only watched this because Xiao Zhan is one of the people I follow and also for seeing what the military genre holds in their country, as it's the first time I watched a military cdrama. And while everyone knows the general issues production had, I did find out recently that it was because of censorship and multiple reviews, that this drama lost 13 episodes and therefore explains the haphazard editing and much of the disconnection and inconsistencies. Let's unpack this series.Pros: I loved Gu Yiye from the beginning. The character wasn't perfect in the slightest but was always determined to make himself better no matter how much hard work it took. Every step he took, every emotion he displayed made it in effect seem like a docuseries and not just a fictional drama. No matter how many people frowned upon him, he was determined to show his hard work and take his own path to the top. XZ filmed this series during the most difficult time in his career and life and still put 110% into it and it shone through in dividends. His explosion of emotions or even basic army tactics spoke volumes about how much he was invested in his character.
A-Xiu was literally the perfect match for GYY. Though their relationship began out of responsibility, it blossomed into real genuine love. The way she always had his back no matter what. She helped break the PTSD cycle, she ran around searching for doctors for his arm, she was ready to beat up anyone that ever bullied GYY and was the solid foundation that essentially GYY never had in his life. To her, he was the brightest star in the entire world. Both Jiang Nan Zheng (JNZ) and Hu Yang (HY) couldn't provide the simple things GYY needed and that really all he ever needed was understanding and support.
My other favorite characters were many of the support like Zhang Fei, papa Gu, and the rest of their comrades in arms. Each one came with their unique personalities and flaws. If a character is too perfect, it won't be remotely realistic. Just like if the opposite happens and the character is awful, it won't lead credence to the portrayal either. The couples whether they stayed together or not still were properly evolved and had their closure at the end.
I loved the special effects during the big battles or whether they actually used real military equipment or CGI I don't know but all the blasts and the combat scenes were really nice. Be they real war or drills; when actual fighting was involved or strategies explained, it was nice to see how the mind worked to help move on to the next step. The OSTs were also appropriate and made the proper impression whether in the credits or in the scenes. Also liked the fact that this series ran low on propaganda which is a very good thing as these military dramas tend to overdo that aspect in large quantities.
Cons: I will be completely honest here and I'm not hating on him in the slightest but Johnny's performance for more then half of the series was underwhelming. I have been told for a long time that this genre was his niche so I was very excited to see him and XZ in this great drama but his performance fell flat for being the ML; I've got nothing against him at all; this is just my own personal experience and opinion as a viewer.
Gao Liang until he went to study at the school was essentially riding the coattails of nepotism which was quite unseemly and with the sob story about him being an orphan and his dead brother; also weird that the story kept changing to fit whatever was going on in the drama. I kept wondering why no one was calling it out but perhaps that's how their military ran in those days.
JNZ started off as a smart young woman but then they dumbed her down into this whining, crying female lead that had literally no concept of being affected by the battle that took so many lives. It felt like the battle the rest of the cast fought and the one she was in were completely different situations. The "turn your frown upside down" in regards to the trauma GYY was going through, her attitude was rather lame and that's the other thing that made GYY start to distance himself from her.
The amount of random time lapses and inconsistencies were staggering. A few examples; JNZ hated her father the chief and then in the next episode when she finds out he's fighting for his life, she was practically ready to change his diapers in the hospital for him. One episode she calls GL her brother, in the very next episode she's madly in love with him. The romance between GYY and AX would also have been good to see.
The fact that this series tried desperately to turn GL into Robocop, making him single-handedly take out very butch and heavily armed terrorists or that last drill that dragged for far too long and him zipping around the island with literally a propeller in his butt and 17 pairs of eyes being able to spot a singular intruder on his own and then go chase him down. It was beyond unbelievable even for a fictional military drama. That can't be excused by the cut in episodes, but I would like to ask what the writer was thinking. The fact that he was able to scuba dive with explosives without any real training was very inconsistent and pretty ridiculous; just like GYY and his soldiers being able to essentially turn into paratroopers with zilch experience also made little sense.
There were many more but I'll mention a last one and that's the tug of war of JNZ and GL and their marriage. When GYY is dating JNZ, GL is always there getting in between them like an annoying mosquito they can't swat. But as soon as JNZ is single, GL seems interested and then quickly backs off; giving her a zillion excuses. Did he ever really love her? Or was she like a trophy to win in a competition? Yes they got hitched in the last episode but it seemed it was such an afterthought and added a musical to the mix. When she didn't look at him, he was super clingy but when she starts being the epitome of gorilla glue, he runs in the other direction. And her solution to every one of their problems was marriage. Her showing up in the 21st century wedding dress and heavy bling (that didn't make sense as she had a military salary) at the hospital where he was unconscious looked completely misplaced in a military drama. Many moments like that make you scratch your head in confusion.
Would I recommend it? If you're a military drama fan and like Xiao Zhan as well as well done supporting characters and great action, then yes I would. But I do warn about a lot of inconsistencies that might make you very confused.
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This review may contain spoilers
Fasten your seatbelts. Turbulence ahead.
The pairing of the leads got me interested in this drama and the setting within the Chinese aviation industry hooked me.The meet-cute is fairly tropey. Ice king boss meets sassy female pilot. Totally works for me. :)
What is more challenging is the work environment. It is next level misogynistic. Initially, I thought it must be overstated for dramatic reasons then I found out that there are less than 1000 female pilots in China! There is definitely a glass ceiling.
To add to her woes, the main antagonist wants to drive her out of the company. She did well with the support of her mentor (ML aka GnT) and overcomes obstacle after obstacle. Her steady career progress is mirrored on the romantic front as well. The ML was initially cool and distanced, but he soon grew fond of the FL. The FL is definitely in the driver seat in this relationship. She made some bold moves in pursuing GnT. The Show is heading in the right direction and it looks to be a worthy contender for the top shows of 2023. Then episode 24 happened.
For reasons unknown, the writer decided to forego all the gains thus far and make the second half full on melodrama. So much angst . . so much. The ML ended up behaving irrationally when he is the most rational character in the show. He was a Noble Idiot and managed to hurt everyone close to him for zero gain.
If that trope is not enough, the Show added a poorly constructed mid-air medical drama to push the plot along.
When you consider international aviation is one of the most regulated industries in the world with many cross checks and rules, the use of this subplot is baffling. There are so many holes and discrepancies, I don’t know whether to laugh or cry.
The show then doubles down on the perturbation by bringing FL's onerous mum into the fray. This unruly mess drags on for several episodes (too long) which adds to my growing dismay. Why Dear Writer? Is it to pad out the length or is it some kind of script crib sheet?
The Show finally starts to reverse course at the EP.35 mark. Everyone gets a redemption, Oprah Winfrey style.
Even though things are looking up, GnT still suffers from a bad case of confession-itis. The air is filled with expectations but nada on the action front. It is exhausting to watch the “will he, won’t he” line plays out once again.
We finally get the true confession in ep.37 but it was done in a weird setting. It made sense to him (and to the writer) so who are we to judge? My opinion of the Show is yo-yoing all over the place by now. It is hard to ignore the shambolic mess dropped on our laps between ep.24-36. We are given plenty of positive hints that things will get better but the spectre of the last few episodes haunts me.
Ep.38 is all about fan service. Hallelujah! However, I can’t help but feel like I'm watching a To-do list being ticked off. We have a bunch of unrelated clips tying up loose ends then a random time skip to the next event. It ticked all the boxes but a weak narrative, nevertheless. BTW, the skinship quotient went from 0 to 100 in one scene but fades quickly as well. The progress of the 2CP is on steroids and feels kooky.
The Show had a last go at an angsty subplot at the start of ep.39, but a HEA ending was never in doubt. To be honest, the ending is fluffy and innocuous but that's about it.
Two parting thoughts; I thought macular degeneration is incurable but I'm too tired to argue. The whole D191 (a thinly disguised C919) storyline is the biggest PPL I have ever seen! It was jingoistic and flag waving but you have to give them credit for trying. ;)
Acting from the leads are good. The FL is certainly given the more challenging role. The ML is handsome and a seasoned actor. He definitely has a workout on his stoic poses. The support cast are mostly one dimensional. There is “growth”, but it is fairly predictable and a means to an end.
I did enjoy most of the show. It has its moments, and the first half is certainly engaging and eye-opening. If it has stuck to the original aviation focused plot and office romance all the way through, it would be on a winner. Instead, it took us down a long and tortuous path which adds little to the proceedings. The fan service in the end might placid some viewers who just want to ship the CP’s and swoon at their belated sweet moments. To me, that’s a sneaky way to paper over the disappointing melodramas that came before.
It could and should have been better. Peace out.
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1
1Perfectly Balanced Heartbreaker That Never Lets You Fully Break
This drama feels like a friend telling you a sad story. They know you might cry, they know you might feel guilty, so they throw in a random joke just to make you smile again.To say this drama surprised me would be an understatement. When I first found out about it, I thought it was just another short romance drama - nice enough to watch, but forgettable after a week.
Way Back Love is anything but that. It's a beautiful story about love, friendship, and learning to live with the guilt one can carry from the past. It's a hopeful yet sad journey, but it never feels overwhelming. It never left me too hopeful, and never too sad. The director balanced these emotions so well, like that friend I mentioned, the one who knows exactly when to step in before you break. And somehow, it worked for me, every single time.
The story moves between the past and the present, but it never feels random. Whenever something heavy happened in one timeline, I was brought to the other in a way that gave me just enough space to breathe. Everything felt connected. When a character did something in the present that mirrored what they had done in the past, I was taken right back there with them, almost reliving those memories. The pacing here was great, it never dragged.
So yeah, you can probably tell by now that the directing here is fantastic. One moment the scenography is colorful and full of life, and the next it's bleak and heavy, and every time, the music matches it perfectly. Nothing felt out of place.
And the performances? Once again, great. I had only seen the leads briefly in other projects, so maybe that's why I was so impressed with how well they did. They were both great, but I really have to single out Kim Min Ha, she was simply mesmerizing. There was something extremely natural about her here. It felt like someone just said, "Be Jeong Hee Wan," and she completely became her. I'd also like to mention Jung Gun Joo, I found him really solid as well.
Overall, a truly great watch. After reading the synopsis, one could say this is a story we've seen many times before, and I'd even agree. But the key is the execution, and here it made the story feel genuinely special.
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“Your job needs to be something more than just a source of income”. Ok Da Jung.
Don’t let the cover picture nor the description fool you! This is no rom-com and I actually mean that in a good way. I have missed the old typical rom-com K dramas, which had meaning and had strong message to carry on. I was almost losing hope in finding good quality typical K drama BUT I finally found Ms. Temper & Nam Jung-Gi! At first it may give you the impression that it’s just a silly, funny, shallow typical k drama with lots of clichés and predictable plot. Yes, it is to some point predictable I’m not going to say it isn’t BUT is it typical? No, in my opinion it isn’t. First of all, take any rom-com drama out there (especially work related ones) and take out the “romance” element or the “comedy” element what are you left with? Basically nothing impressive, this drama on the other hand has so much more to offer you other than just romance or comedy.
The story took path where we as viewers couldn’t predict; it wasn’t really focused on one certain element but all elements and all characters equally. I loved how the work environment is the most essential element here and loved the way it was presented. They took something real and serious and presented it in a funny and humeral way at the same time kept it realistic. Therefore, you as a viewer not only will you have fun and great amount of laughter while watching but also you will appreciate/understand the message behind each and every episode here.
Ms. Temper & Nam Jung-Gi as a drama has given importance for the side characters just as much for the main characters and that is something isn’t often seen in drama land if you ask me. The story allows you to slowly understand the characters each and every one of them and takes you along with them so you will be able to understand their actions or why they decided to live their lives the way they do. In opinion what makes this drama special isn’t the story as much as the well-written characters. I wonder how the writers were able to make them so interesting and fun to watch at the same time kept them down to earth real. No perfection, no bad or evil characters here just different perspectives and different way of looking at things. Life is hard enough, we fight constant battles each day to survive we don’t have the luxury to worry about others so how far are we willing to go in order to survive? Does that make us bad/selfish people or timid spineless people? Or does it just simply make us people?
I will take a moment here and appreciate one of K drama’s best female character ever created and a true role model Ok Da Jung (Lee Yo Won). She is a strong, righteous and great person who knows exactly how to stand up for herself and wouldn’t fight using dirty methods no matter what. She may seem harsh and too blunt but she isn’t a bully and she cares mostly for the company and staff. You could learn so much from Ok Da Jung and you will probably wish you had such a great boss to work for in real life.
I think Lee Yo Won did great accepting this project, at first I was surprised because I am used to watching her in melodramas or more dark serious plots and entirely different characters than ODJ so I wondered why would an A-list actress go for cable project and with such unknown cast but I still trusted her judgment and as her fan I respect her for taking this risk. This is her first rom-com project and I’m happy she decided to explore her talent, she was wonderful as Ok Da Jung it will be almost impossible for you not to love her. The rest of the cast did splendidly especially Yoon Sang Hyun as the timid nice angel Nam Jung Gi and Hwang Chan Sung as the boy who has still yet to learn to grow into a man who can handle responsibility. It is fair to say that even the guest actors (Lee Jung Jin & Yeon Jung Hoon) did an amazing job for short appearance; I was delighted to have them on the show.
I generally do not rewatch dramas but I do have few ones that I'd rewatch. However I think this drama can easily be rewatchable material for anyone who would rewatch dramas in general because I do believe it will be just as much fun as it was the first time and frankly you never get enough of Ok Da Jung & Woo Joo's scenes.
Overall
I can see this drama will be one of the underrated dramas here on MDL and will go unnoticed. I don’t know if my review has helped or not but if you are looking for your typical fluffy romance then let me tell you this isn’t it. This drama does not focus on the romance in fact you can barely see it but you most certainly can feel it. The thing is "romance" in here is presented in mature manner but that's also has its beauty so don't let this stop you from giving the drama a chance. Ms. Temper & Nam Jung-Gi has so much more than just comedy and romance; this is a fun enjoyable ride if you are willing to appreciate what this drama has to offer. After all as Nam Jung Gi says, “Does a relationship between a man and woman have to be melo or lovely dovey fairytale? Why do people expect that?”.
Also Ok Da Jung and Woo Joo make the cutest most adorable couple ever don't miss out on that :')
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A well-structured but boring watch
PLOT: Starts entertaining, but sizzles out pretty darn fast--------------------------------------------------------------
Jun Ji Hoon (the ML) is an Interpol undercover agent working on a case that involves his Ah Reum's (his ex-wife's) close friend. When the job goes south, Ji Hoon is forced to keep a close eye on Ah Reum (the FL), reigniting his feelings for her in the process.
In the wake of a tragedy, Ah Reum decides to unofficially investigate the suspicious circumstances of her friend's death. The trail leads her to reconnect with Ji Hoon, her ex-husband, and then later to suspect Derek Hyun, her current husband, of being involved in her friend's death.
If you go by the summary, one would imagine this show to be Male-centric, since we know right off the bat that the Male Lead and Second Male Lead are both secret agents on opposing sides. And to a certain extent, the story begins with them. Yet Kang Ah Reum's character becomes the best thing about this show and the heart of the story until we cross into the second half.
Unfortunately, there's nothing memorable about this drama aside from the depiction of a consistently strong Female Lead, who just so happens to also be kind of boring and a bit self-centered.
While we could blame the incorporation of comedy as one of the weakest points, it's the bland characters that hurt this drama the most.
MAIN CHARACTERS: Simple, dull, and unengaging
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Kang Ah Reum:
An ambitious wedding dress designer who works hard to keep her business afloat, Ah Reum is not only smart, charming, and hardworking; but she's also stubborn, uncompromising, and committed to a cause. For a Female Lead, Ah Reum is always actively involved in the plot and, one could even say; she one-ups both Male Leads on multiple occasions. Credit where credit is due, the writer managed to keep Ah Reum from becoming the "victim" of the male leads' deceitfulness. That doesn't mean she doesn't feel hurt when she figures out both men lied to her, but rather that she isn't defined by that pain. Unfortunately, after a while, her character just falls flat and becomes boring. Her wishy-washy attitude towards the male leads certainly doesn't help. And she starts to showcase some flaws as we cross into the second half, during which she's shown to be self-centered, petty, and judgemental.
Jun Ji Hoon:
An undercover Interpol agent who's introduced as the ace of his team and Ah Reum's ex-husband. Unlike your typical Male Lead, Ji Hoon has been written with enough flaws to balance his strengths. He's a master of combat, smart, and loyal; but he's also emotionally-driven, ridden with guilt, and lonely due to his sacrificial nature. Outside of his love for Ah Reum, however, there's nothing of substance to his character. And let's just say there are even a few occasions where I wondered if he was referred to as the "ace" in a sarcastic way. Don't get me wrong, he's always a sweet character, but he's ultimately the most boring.
Derek Hyun:
He's Ah Reum's current husband and a corporate spy working for an underground group who's wanted by Interpol. He's a master of disguise; charming and sweet, who has been groomed from a very young age in the art of deceit. And it's precisely how easy that smile lights his face that makes him a dangerous spy. For one never knows if he'll offer a hug one second and stab you in the back with the next. Out of all the characters, he was the most interesting but also the less explored.
Although the three of them may read quite impressive on paper, they failed to be fleshed out properly. Like I've mentioned, Derek comes closest to an intriguing protagonist, especially on those few occasions when he narrates his thoughts and exposes his contradicting feelings. But being locked in the wretched love triangle hurts his story; as his identity crisis (being a loving husband vs being a cold-blooded spy) is never dealt with properly. Especially because the drama reminds us constantly that he's the second male lead and we all know what that means, right?
With leads me to talk about the weakest part of the drama...
PORTRAYAL OF ROMANCE: Uncommitted & boggled down by the Love Triangle
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If you're not tolerant of a love triangle that drags throughout most of the story, then this one will test your patience. Add to that the fact that it's never made clear who Ah Reum loves from the two men (up until the very end), and this draggy mess of a romance becomes boring fast.
Ah Reum is certainly loyal to Derek, but at some point, it felt more of a commitment of the mind than of the heart. Long before certain events took place, it was clear she felt like she was "stuck" with Derek rather than she wanted to be with him. Which was a disservice to both characters and their relationship.
On the other hand, Ah Reum's feelings of guilt towards Ji Hoon, whom she felt she discarded when their relationship got too hard, makes her constantly gravitate to him more organically. And because Ji Hoon is still in love with her, their relationship felt like infidelity in progress --which is a hard sell for someone intolerant to cheating portrayed as romantic.
It's clear that reconnecting with Ji Hoon and finding out the real reason they broke up shook Ah Reum's heart enough to tempt her. Which caused her relationship with Derek to feel like a settlement of responsibility rather than actual love.
It doesn't help that the love triangle feels forced and unfair towards both male leads; who lose their identity by becoming little more than love interests.
The desire of the writer to keep both prospects equals in terms of pain also meant that most of the emotional aspect of Derek's story was left unexplored. Even worst, Ji Hoon got an uncompelling, watered-down version of Derek's story to keep him in the "running" for the audience's sympathy.
Needless to say, I didn't enjoy the romance at all, which is a problem since that's a big part of the dull plot.
SUPPORT CHARACTERS: Unmemorable
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There's not much to say about them except that they provided a few comedic moments. Ultimately, though, they were unremarkable.
ANTAGONISTS: Predictable & riddled with clichés
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The drama had too many antagonists and, as a result, they all felt shallow, cliched, and uninspired in their execution. None of them stood out or left an impression. How could they? There were so many, there was simply no time to make them unique or even slightly interesting, for that matter.
The only one who was mildly interesting because of his eccentricity was Jang Doo Bong, who showed Hyun Joon has some great acting chops.
OVERALL: Draggy and forgettable
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I think the drama struggled to create a good enough story for me to recommend it. This feels more character-driven than plot-driven, yet the characters themselves lack complexity or at least something interesting to make them stand out. The bland story, coupled with the uninteresting characters, made this drama a difficult one to muscle through. The pacing slowed and dragged even more once it crossed into the second half. So if this drama doesn't pique your interest during the first four episodes, chances are you won't enjoy the rest.
Perhaps The Spies Who Loved Me needed to have fewer characters to properly flesh out the important ones? Or maybe they could've gotten rid of the whole love triangle business sooner, so we could focus on the plot and the "twist" (I'm being generous by calling it that)?
Though Derek's story was the only interesting aspect, it wasn't original. Episode 15 may have touched lightly upon identity crisis, but it was never fully delved into. It's a shame because that aspect showed potential for an enjoyable watch. But the fact that he wasn't the Male Lead also meant his airtime was limited in service of giving Ji Hoon (a much less interesting character) more screentime.
While Ah Reum was certainly a strong female character, ultimately she was just as uninteresting as her male counterpart. I never felt emotionally invested in any of their stories. Even when the characters were in pain, the portrayal of hurt seemed superficial and irrelevant. There were also a TON of cringy moments when it came to the bromance; a relationship that seemed built for kicks & comedy at best, and queer-baiting at worst. Although the last few episodes did show a sweeter relationship between the guys.
All in all, I can't recommend this drama if you're looking for an interesting plot. But if you enjoy love-triangles and don't mind a bland story, this one might strike your fancy.
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