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This is an intensely claustrophobic experience and I am not even a claustrophobic person. They really capture the emotion during the situation, the camera angle, the sounds from falling rocks and the dust particles are what makes it possible. I like the way they insert comedic moments in the situation, it’s hilarious but makes sense, they played it brilliantly. Aside from suspense, the drama is pretty heavy here as the dilemma falls to the people involved like the rescue leader and his wife, you will feel sympathy for them.
The CGI is brilliant, realistic, Hollywood level. The soundtrack will creep you as it brilliantly conveys that situation, lack of sound at some parts that suddenly broken by falling rocks or footsteps is brilliant, it added up to the horror element in the movie. Cinematography is insanely beautiful just made the acting better at some part.
Solid performance from the cast like Ha Jeong Woo, Oh Dal Su and Donna bae they are exceptionally brilliant but we need to commend Nam Ji Hyun for what she has done here because it’s her character that added up layer to the movie and she nailed it brilliantly.
That joke at the end is so good that it adds .5 to my score.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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Takashi Miike is one of my favorite directors. Being the lord of gore is one of the main reason why I like him and Ichi the Killer is absolutely the epitome symphony of violence Miike ever made. I am into bloody productions: mutilation, torturing, splatter-gore, cutting body parts to pieces, heads rolling and everything that belongs to the category; you can call me eccentric or a psycho but those are my personal references and a part of my real life job. However, the reason why I liked Ichi the Killer and many of Miike’s films is not the gore for the sake of gore, it’s true that I like that element but it’s not enough to make me like a film, there has to be a message and a meaning behind it all.
Ichi the Killer has a dark graphic storyline; it tells the story of Ichi, a psycho killer who split people to halves and sometimes to little pieces through razors in his shoes and Kagihara, the masochist who’s looking for the killer of his gang’s leader who happens to be Ichi. That’s the general plot but there’s much more behind the events and the characters’ development, the hidden meanings and the final reveal of the characters’ relationships was pretty amazing and let’s not forget the mind-boggling ending that keeps your imagination wild. None of this would have been done without the fantastic performances of the charismatic brilliant actor Asano Tadanobu and Omori Nao, who had to play a childish character at one second and a sadist killer at the next moment.
Now let’s talk about violence, the main lead in this film; it was creative and pretty well-made sadist type of violence. People call Miike a “cult” or a “sadist” director and he probably is, the way he shot the explicit gore scenes was truly brilliant with all of those cutting and blood’s splashing everywhere. It makes this film one of the kind if we consider how far he went with bloody scenes, I haven’t seen that anywhere before. What also makes the violence special is that it was entertaining, I found myself laughing at few scenes and no, it’s not because of my sick personality; there were some amazing dark humor moments inserted in this film because Miike can mix gore and comedy so well (think Dead or Alive trilogy).
Watch if:
-You like gory films with a meaningful storyline.
-You like Takashi Miike’s way of making films because this is probably his best work.
-You like bizarre Japanese productions.
Do not watch if:
-This is absolutely NOT for the faint of heart.
-You dislike anything that has to do with gore or you can only handle a little amount of it.
-You dislike over-the-top violence.
-You’re easily disturbed or grossed.
Ichi the Killer is the highest level of cinematically shot violence. It’s without doubt not for everyone, it can be a hit or a miss, some would find it a masterpiece and others would run away from the first few scenes. It’s bloody as hell and I completely loved it.
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It may have some minor subplot issues, but is still an utterly underrated Kdrama
Go Ah-in (Lee Bu-young) is a no nonsense woman whose only purpose is to do her job as a creative director in an advertising agency in the most perfect and flawless possible. At first glance, she was able to finally achieve her ultimate career goal when she was promoted as the first woman to be an executive director (Chief Creative Officer/CCO) at her company. However, Choi Chang-soo (Jo Sung-ha), Go Ah-in's superior had another plan in mind.At first glance, 대행사 (Agency) is an office drama comparable to Misaeng, but given with a company director's POV instead of an employee's. Both are great in their respective stories, and just love them both.
But for this show specifically, I love that it has a fast-paced flow and deals with the intricate office politics and complex world of the creative industry well, especially for people without creative industry background like me. Each episode increases tension between the main characters, and their rivalry really makes the plot interesting. One may think that this "rivalry" may be tiring for the remaining episodes, but with the addition of new stories and characters along the way, the story just keeps more interesting as more layers are being uncovered.
It's also great to know their respective characteristics and alliances on each factions in the office politics drawn early on. It may be seen as boring as we already know which side a side character is, but it didn't bothered me as much.
Jo Eun-jung (Jeon Hye-jin) is the most "fleshed out" character other than Go Ah-in in terms of her background story. It's quite remarkable to see how she is able to balance out her duties in the office, despite her son's disapproval for his mother to work and resign instead. Also, it's great to show that despite her dilemma, she is fully backed with support by her husband and mother-in-law. With this stigma against working mothers in a conservative yet competitive Korean society, it's quite good, if not refreshing, to know how this show addresses this issue. But then again, I didn't like that the MIL and the father wasn't that helpful to Eun-jung in convincing the son for her to work.
Personally, I knew what the outcomes would be, but would is still gagged with how each outcome are shown. It's like knowing that there would be a plot twist, but doesn't know what that plot twist would be. This is true most particularly with the presentation cliffhanger at episode 8.
The only production lapse that I noticed was during a throwback scene on the second ep where the creative office used modern-type computer monitors when it was set in 2004.
After the 1st half, this show now focused to complex corporate drama and chaebol problems care of Kang Han-na (Son Na-eun). She has an eccentric character and seems reckless on the outside, but is actually smart, if not cunning on the inside.
One complaint is that it would have been better pacing-wise had Han-na be developed into someone who can stand on her own despite facing failures, rejection, despair and loneliness. The romance subplot was just too transactional and there were virtually no chemistry between her and Park 부장. But if the writers really decided to insert this storyline, it would have made more sense had it was inserted towards the end (at least the last 2 episodes). I would have no complaints even if it was rushed since then again, I can't see the chemistry of said romance.
Being nit-picky as well, there were some things that this show failed to explained more. First, is Ah-in and her mother's story. After the episode 12 confrontation, I really hoped that there is more to be discussed and more emotions be shown to really have a a fulfilling closure on their issue. It ended even only through a text, which was appalling since it was built-up very well on the earlier episodes. Second, Ah-in and the budding romance with the CEO of a gaming company. The spark was already there and Ah-in could've enjoyed said romance, but it was just forgotten midway. What happened?
The ending was satisfying in a way that it wrapped the main stories very well, in a compelling but not overdramatic fashion. Yes, it was expected, but then again it was executed perfectly in such that it was not boring. The last episode was very engaging in terms of portraying the cooperation of Ah-in and Han-na for their "common enemies". It was the definition of women empowerment in a society where men are still dominant in many corporate aspects.
Still, every episode ended with a bang. I think the reason why it has a lower MDL rating is due to its delayed subbing. It's very surprising how this is not picked up yet by major international streaming platforms given its high ratings in Korea. It may have minor subplot issues, but is still an utterly underrated Kdrama.
SIDE NOTE:
It will be an unforgettable watching experience for the last 2 episodes. At times, I was reading English subtitles, and at others, it was Indonesian. I was really able to maximize my Korean and Indonesian skills just to get the gist of what they were saying. Still, it is a very rewatchable Kdrama and I enjoyed watching it despite some minor subplot issues.
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Wanted it to be good but ended up feeling bored
Slightly interesting in the beginning. More unbelievable towards the end - everyone watching as the villain was killed by a lady in the main hall. She told everyone to stand back and they obeyed? She wasn’t royalty…No silly characters, no stupid villians and an interesting storyline but somehow I was not engaged. Everything seemed just mediocre then it got silly towards the last few episodes.
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1
1Very niche, but my favourite show EVER!
"Two men talking in a room" is what you'll get in 60% of this show. 25% of the show has more than two but no more than ten men, or a man and a woman, talking in a room. And another 10% is two or more men talking outdoors... yup, you get the idea. Superficially, that's most of what you'll see in The Wind Blows From Longxi. And it’s also part of the show's very niche appeal.Longxi checks all my personal boxes for a favourite drama— great acting, real historical events, tight plot, treacherous politics, and zero distracting romance. It’s one of my favourite shows of all time, if not my favourite show ever. In a nutshell, Longxi is about spies during the Three Kingdoms period. Chen Gong is a veteran Shu field agent embedded in Wei. A critical military campaign against Wei goes horribly awry due to wrong intel provided by Chen Gong. How did that happen? Where do Chen Gong's loyalties truly lie? These are the questions that Chen Gong’s sworn brother and in-law, Xun Xu (also an intel veteran), is brought in to investigate. If you’ve read The Tao of Spycraft or any of Ralph Sawyer’s other books on ancient Chinese warfare, many of the spy methods and tactics in this show will be familiar. Since defection and double agents are normal in spycraft, one question is whether the defection is genuine or just a ruse to gain the enemy’s trust. That’s the central issue in this show, which the poster caption 谋中谋 计中计 (“the scheme within the scheme; the plan within the plan”) encapsulates.
Plot: A very twisty plot that doesn’t strain credibility. The least headache-inducing way to follow the plot of this show is to ask whose interests are currently aligned with whose. Without saying too much about what happens (because that would really ruin everything), the whole plot turns on the constantly shifting allegiances of various players, at the highest and lowest levels of society, in the conflict between Shu and Wei. The plot is complicated but doesn’t tie your brain in a knot until the episodes hit the late teens. Thankfully, ep. 21 onwards provide the clarification you need. If you get lost, there is a 5 minute “Cliff’s Notes” recap at the end of every episode that summarises the key developments. However, you’re very much on your own when it comes to the finer plot points, which the recap doesn’t cover. The final resolution is elegant and gut-wrenching, and I am glad the team did not go for a happier ending. That would have been far less satisfying.
Script: The script doesn't waste any time getting the show off the ground, even if it seems that little goes on in the first episode (it's important background context and sets the scene for everything else). Overall, it's just the right length at 24 episodes. Since this is a hardcore spy-plus-politics drama, most of the real action takes place behind closed doors, with bearded, middle-aged men plotting and scheming over cups of tea. The dialogue is exquisitely political and worth following closely. We are treated to scene after scene of various players abandoning old allegiances and cementing new ones, and having those allegiances tested by their new masters. One such scene is the one where Feng Ying (Shu spymaster) seeks out Li Yan (Shu general), formerly from an internal “enemy” faction, to declare his allegiance to Li Yan. Feng Ying tries to get on Li Yan’s good side to protect himself from Li Miao (Shu interim mid-level "civil servant"), who also works for Li Yan, but wants to turn Feng Ying into a scapegoat for his own political purposes. Li Yan appears to believe this is a ruse by Feng Ying and tests him, but goes along with it as it benefits him in the short term. I also liked how there were relatively few flashbacks. The ones in Longxi are short and moving without being too sentimental; I especially loved the one where a ball lying by the door causes a very miserable Guo Gang to reminisce about playing cuju (蹴鞠?) with Chen Gong in the rain. Another striking thing is the judicious use of action scenes. Since Longxi is about politics and intel, there are only a handful of brief action scenes (mostly military skirmishes). Then in ep 23, the viewer is treated to the show's only extended sword-fighting sequence with Chen Gong. The burst of pure violence and pent-up rage in this sequence arguably makes this scene the emotional climax of Longxi. Chen Gong, like any good field agent, has iron self-control. At worst, he has quiet breakdowns in private, then quickly gets his act together again. But in the swordfight scene, he lets it all out. It's moment of pure catharsis for the character that sets the stage for the final episode. Definitely one of the finest moments in an already amazing show.
Themes: The 2 main themes of Longxi are (1) the moral neutrality of politics, and (2) that human relationships are a double-edged sword. The life-and-death political struggle between Zhuge Liang and Li Yan is not a matter of good versus evil (even if Li Yan does some truly terrible things), but down to a difference in opinion as to how Shu should ensure its medium-term survival. And at the end, it’s Chen Gong’s feelings for Di Yue (his wife) and Xun Xu that threaten his allies’ best-laid plans, even as his allies exhort him to continue making enormous personal sacrifices for Shu. For both Xun Xu and Chen Gong, what ultimately gives them moral closure and defines their biggest decisions is not self-interest or patriotism, but staying true to their loved ones. Powerful stuff.
Acting: Everyone put in an A+ performance here, except Angelababy. I have nothing against that lady, but she was pretty wooden in this show and looked so airbrushed. She also didn't quite click with Bai Yu on screen. (I don’t watch enough shows to comment on whether this is better or worse than AB’s usual...) Chen Kun was of course brilliant as Chen Gong, but I was equally (if not more) impressed by Bai Yu’s low-key but completely spot-on performance as the dangerously sentimental Xun Xu. Xun Xu has the smarts and EQ to be a great intel guy, but he's too emotional and high-minded for his line of work. He's terrible at lying and makes a few wrong calls that have serious consequences. One gets the sense that he has only survived this long due his kicked puppy expression that tugs at everyone's heartstrings, a good brain, and sheer luck. Bai Yu perfectly captured this precarious balance of vulnerability, world-weariness and cunning at the core of Xun Xu. His final exchange with Chen Gong, especially the delivery of「我看透了你的心」(“I’ve seen through your heart”) in ep. 24 was also a total tear-jerker. With a lesser script and actor, Xun Xu would have been a character whose naivete makes the viewer question how his head has managed to remain on his shoulders. But through the combination of great script characterisation and Bai Yu's acting, Xun Xu becomes a convincing example of the idealistic survivor who manages to keep going even after all the dust has settled. I also really enjoyed Edward Zhang’s performance as the Wuxian cult leader Huang Yu. He fully conveyed his character’s megalomania and cruelty with what little screen-time he was given. The actors playing Feng Ying, Guo Gang and Mi Chong were also absolutely brilliant. I loved them all!
Music: This was okay. It was composed by Kawai Kenji, but I was hoping for thematic music that was less Western in flavour. It was also disappointingly run-of-the-mill "epic"-sounding stuff. But it's not a deal-breaker for me.
All in all, 10/10, A++++ from this very satisfied viewer! For me, I’m not sure if any other mainstream period drama can compare with this show.
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There was no development at all and then there was a 6 year time jump.
You can tell that it's an indie/amateur production needless to say the production and filming was up to K standard, beautifully filmed. The acting itself was professional and believable.
To be honest I wouldn't waste your time watching it even if it will take you 30 mins to watch all 5 eps.
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Everything was going great… until episode 8.
I swear, episode 8 is like the Bermuda Triangle of Korean dramas — after that, the story either completely falls apart or keeps me hooked.Guess which one I got?
Yep. The curse of episode 8 is alive and well.
To sum it up in fewer words:Started strong. Then... not so much. I’m actually annoyed by how disappointing this was.
I knew I should've DNF'd, but
1) Only two episodes remained until the finale
and
2) Transmigration is one of my favorite genres.
I have to be honest — I really struggled with how to rate and review this.
The plot isn’t exactly groundbreaking — it's very predictable — but the relationship between the leads is genuinely fun. That’s actually the reason I’m giving it 5 stars. Despite all the flaws in the plot and especially the worldbuilding, the dynamic between Cha Seon Chaek and Yi Beon really worked for me.
The female lead isn’t annoying, just incredibly gullible. She’s just.. like a Disney character wandering into a horror movie. The male lead, on the other hand, seems irredeemable at first — he’s rude, violent, manipulative, and overall just an unpleasant, scowling human being. But if you look past all that (and squint a little), he’s kind of a cute, sad, walking red flag. He's clearly hurting — and emotionally constipated.
It started off well: fresh, funny, and easy to enjoy. Like an anime full of mischievous characters — some charming, some mean, some secretly evil. And then — BAM — things got real. Like, overdramatically real. Suddenly it felt like the whole world turned upside down.I haven’t read the original, so I was truly caught off guard. Wait, wait… What just happened?
It’s as if the writer had a checklist they were determined to complete:
Someone gets sick (Surprise)
Power struggles
Prince rivalry
Mysterious long-lost love from 15 years ago (because, of course)
Tedious family drama
Toxic best friend (of course)
Time travel/magical return to her original world
Mild identity crisis
His Majesty — completely manipulated, as tradition story.
A dramatic solar eclipse (because the CGI team needs something to do).
An unexpected return.
And of course, at least a few assassination attempts.
Did I miss something? Because somewhere between episodes, it turned into a cliché-packed soap opera that lost all its original charm. It became boring, frustrating, and painfully formulaic. Even a sweet ending wasn’t enough to redeem it.
And then it ended. Finally. I was relieved. This series had no right to be this bad.
I watched it. I finished it. I survived it.
Let’s never speak of it again.
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Seo Kang Joon Carries This Drama (And We Let Him)
You know those dramas that make zero sense if you think too hard, but somehow, you’re still entertained? Yeah, Undercover High School is exactly that. It throws logic out the window, packs in a little bit of everything—action, mystery, comedy, school drama, romance—and hopes you just roll with it. And honestly? For the most part, I did.The biggest reason this drama works (or at least stays watchable) is Seo Kang Joon. He completely steals the show, bringing so much charisma and depth to a character that could have easily been just another over-the-top "cool undercover agent" trope.
Now, about the plot... Well, let’s just say realism was not invited to this party. It feels like the writers grabbed a bunch of random drama clichés—childhood connection, undercover operation, high school bullying, a missing treasure (??), and a cartoonishly obsessed villain—and mashed them all together. There were moments where I was genuinely invested, but also moments where I just had to sigh and accept the nonsense.
The romance? It was sweet but definitely felt secondary. Jin Ki Joo was cute in it, and her chemistry with Seo Kang Joon felt natural, but her character was underdeveloped. She had her own motivations and backstory, yet they didn’t explore them enough. Instead, the drama focused more on the school setting, which—while important—took up too much time, leaving other elements underdeveloped.
Kim Shin Rok’s acting was great in this—she brought intensity to every scene.
Speaking of which, the central conflict… sigh. They started off promising, but by the end, their actions were so ridiculous that it was hard to take them seriously.
That said, I did love the dynamic between the ML and his team. Their friendship and teamwork brought some of the most enjoyable moments. The action-comedy balance was a hit-or-miss, but when it hit, it was really fun.
Final Thoughts:
If you’re watching this for a strong, well-structured plot—this is not the one. But if you want something light, entertaining, and filled with Seo Kang Joon moments, then go for it. It’s the kind of drama where you don’t think too much, just sit back and enjoy the ride. It’s a fun, chaotic watch—flaws and all.
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Hot Priest but boring story strangely slowly-paced despite its interesting thematic.
Despite its interesting premise, the show was overall disappointing. The storytelling managed to be boring which is very strange as the thematic and concept could have been super cool and exciting. The first episode was pretty intriguing with a strong horror vibe but the story became a train wreck overtime with some disconnected storylines and a lot of (over)explanations regarding the plot.The actors were doing an OK job but were not helped at all by the wonky scenario. Indeed, it was very difficult to understand some of the characters' actions but also in particular to believe in the relationships between them. The bonds formed between the main female lead and the 2 main male leads seemed to become super strong too quickly which also led to some scenes feeling very flat.
Clearly the series is lacking in many ways but still, there are some positives: the foreign actors acting was not atrocious (-which is pretty rare in K-drama universe), the visual FX were suitable, the fighting scenes were quite nicely produced, and Cha Eun Woo with his insane visual is real eye-candy in his role of priest Johan.
This 1st season is more of an introduction with some world building but unfortunately lacks strongly in characters development. Due to its strange pacing, it provides little excitement for the next season.
I would not necessarily recommend this to people unless they like one of the main actors or the main actress.
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Not Good, Could Be Better
I expected a little more from this highly recommended lakorn but was disappointed. The biggest disappointment was the female lead. She felt like an unnecessary character. For the first half of the drama none of her actions contributed to the plot and I nearly forgot she was the female lead at one point. She kept hating on the ML for questionable reasons. I get that she was trying to “protect” her sister, but her ways of going about it are really odd, especially after all the beatings she got from her sister. She’s unreasonably judgmental. Right from the get-go she assumed the ML was a bad guy because he took a pregnant woman to the hospital. She also kept bringing up his profession as an insult. Not to mention she has no backbone at all. Her sister did all sorts of horrible things to her and she never stood up for herself. There’s minimal character development for her. I did enjoy the interactions between the FL and the ML though. They had good chemistry.The ML was also very disappointing. I was disgusted when he slept with the FL’s sister. Why did the writers think this was an acceptable plot line? Apparently, it was his way of "revenge," but there had to be a better way to go about it. Though the FL was unreasonable towards him at the start, he also did some unnecessary antagonizing things that WOULD make her hate him. This is a slap/kiss lakorn for that reason. His character really carried the show though. If the show solely focused on the revenge aspect of the ML, it would have been better. The villains were decent but generic. You have the evil, stuck-up rich madam and the conceited ladies you typically see in a lot of dramas.
The ending was good. It is a happy ending for anyone wanting to know. Ultimately I wouldn’t rate this higher than a 7. Maybe it’s because I came in with high expectations. I really did love the tension between the ML and FL, but wish the FL had a stronger character, more development, and more presence.
The acting was good. The actors and actresses fit into their role nicely and the cast is full of beautiful people. The actress of the FL did what she could with her character, while the ML was great and had convincing facial expressions. Aunt Mam was probably one of my favorite characters and the actress playing her was phenomenal. The villains were also good. All in all the acting was superb.
The music was alright.
I do recommend this show, as a lot of people like it and it really depends on the person watching on how they feel about things, especially since this is a slap/kiss lakorn. However, go in with less expectations. I wouldn't rewatch this show aside from indulging in the super romantic and appealing edits fans make on Youtube, which is what originally lured me to watch.
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TOO SHORT!
Its not short and sweet, it is too short! I need more!I love watching short series because netflix trained me to binge and its a torture to wait episodes weekly. However, the fact that i am wishing there were more episodes or at least longer ones is a testament that i fell in love with these characters and i would have love to see more, and to know more about their issue and characters.
Things i love:
1. Pacing
2. No mention of the word gay or homosexual or whatever their preference is.
3. No unnecessary dragging of the conflict. They were both adult enough to discuss and solve it.
4. Just the right amount of intimacy, and nooky nooky.
5. And lets not kid ourselves, Jang Eui Soo is so sexy even his hair deserves its own series.
Like i said, i want more. Maybe they can release an extended version. Will i recommend? Definitely!
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An adaptation no one needed
I'm actually writing this review much later than I actually finished the series, because I was certain my angry screams weren't quite review material. And when I say angry, I was seething.This is one of the worst things I've watched, and the moral, feel good factor aside, this was literally a mess. After all that, they didn't even get the moral, feel good story right, did they?
I'm trying to be as eloquent as I possibly can, otherwise this would just be a lot of angry rambling, about how the story was beyond horrible, that having the lead spout some generic pap about forgiveness and togetherness after making her go through 12+ episodes of torture and bullying doesn't really cut it. It's so messy and difficult to watch. The storylines are either incredibly boring or downright offensive.
The characters are also the literal worst, I had such a hard time rooting for any of them. You just go from episode to episode wondering how people can be this horrible, insensitive and just plain annoying at times. Sometimes, you just want to go feral and jump through the screen to knock some sense into them, because mostly, they all suck.
The acting.. it wasn't horrible. Well, it wasn't horrible from everyone except the leads. You would think the leads would be the two characters you would most want to see, that they're the ones you would root for, but never have I ever come across two characters whom I have wanted off my screen. Kind of worked though, because Win's character Guy, he's barely in it. Great's character Saint probably had more screentime, as probably did Jane's character Faye. Which would have been fine since the two of them actually acted, but like I said, you don't really want to see any character on screen. Except for Ann. Ann is good, Ann is the best.
Now because Guy isn't featured a lot, he doesn't share a lot of scenes with Baifern's character Liu, and Saint has more scenes with her. So there were a lot of people who had a hard time believing in Guy and Liu as the main couple, and while there may be some truth to this, I don't think it was the main problem. Win and Baifern just don't have chemistry. Yup. They have absolutely no chemistry together which is surprising because I've seen a bunch of their works and they're good actors. They could have pulled off these roles with a much better nuance than they actually did so I don't know what happened. I will admit that the screentime Guy got does have something to do with them not being able to quite convince us that Guy and Liu work well together, but when it comes down to it, the leads have no chemistry. They're both always yelling at each other, or yelling that they're hurting each other or crying about hurting each other that by the time they cross all their misunderstandings and get together, you're praying for them to break up.
Which brings us to the pacing. 10+ episodes on needless bullying, manipulation, trauma, which doesn't really stop until the last ten minutes of the finale. It just shifts from one person to another until you're clutching your head, begging them to end it. And if you came for the romance, let me tell you it took literally forever for them to actually have some semblance of a good relationship and even then, you really can't care enough.
This review is already longer than I intended it to be, so I'll try to keep the rest of my thoughts to a minimum. It was difficult to watch, I appreciate that they tried to portray the reality (to some extent) on the emphasis of physical appearances that is forced onto everyone these days, but nope, it didn't work. It absolutely did not. After everything is said and done, let's be honest, this was an adaptation that never should have happened.
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