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4Was Definitely A Favorite
Overall: I really enjoyed the balance of realism, the sci-fi element, seriousness and humor. 12 episodes about 45 min each aired on GMMTVs YouTube channel.Content Warnings: punch, ep 1 very side character intimate partner violence, manipulation, alcoholism, manhandling, two more in a comment with a spoiler
What I Liked
- communication, communication, communication (this was soooo refreshing to see adults communicating with each other)
- realistically flawed characters who learned and grew as the series continued, how Kawi was aware of his flaws and actively worked on them and apologized to others when he made mistakes, Pisaeng also had flaws and needed to work on them
- exemplar for showing time passing without a screen that says "3 years later"
- sweet moments
- Max was a supportive friend (and Pear as well)
- discussing social issues but not in an overly preachy way (examples, I don't think I've ever seen a character discuss the pros and cons of alcohol and I thought it was well done, also the way to show lack of medical privileges for same sex couples)
- Pisaeng was a green flag, he gave Kawi space and didn't constantly push his boundaries like I frequently see other characters do, he stopped something when Kawi fell asleep
- Kawi actively sought communication with Pisaeng instead of ghosting
- funny parts, that dancing was awesome in the beginning
- realistic, shows how our dreams fall apart, not everyone is rich and does great in school, our actions have consequences, live in the present
- touching, the parts with his dad, realizing the mistakes he's made
- the dynamic of the leads
- Pear wasn't a cliche female character, she was a fully developed believable human being
- neutral, I'm not a voiceover fan but it didn't bother me too much here
Room For Improvement
- I wish they showed Kawi checking on his dad first (as I think the majority of people would), he came across as a little too selfish with his obsession of being with Pear
- it dragged a bit in places
- in episode 6, Kawi didn't seem drunk enough to pass out
- there was quite a bit of kissing that was camera blocked/zoomed out
- episode 10/1, Pear kind of threw her friend under the bus, she could have just given her own reasons (and there would be plenty of them)
- episode 10/3, I do not agree with Max, there are people who are asexual and/or aromantic who are dating/in healthy and loving relationships
- freaking out over physical affection felt a bit odd because he was actually 10 years older, also that Kawi didn't have a heart to heart more with Pisaeng about it
- having the Pear scenes interspersed with Kawi/Pisaeng in ep 11 part 1 was strange
- Pisaeng had other reasons and I wish he'd given them instead of "you're cute"
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This review may contain spoilers
Unexpectedly Refreshing—a gem of a drama worthy of anyone's time.
I was totally unprepared for how much this drama touched me. And I am not sure if it was because of the issues it tackled in anger management, paranoia, post-traumatic stress disorder, obsessive-compulsive, or if it was in how Jung Woo (truly a gem of an actor) and Oh Yeon-Seo each executed their roles. Either way, it worked and worked brilliantly, from the writing to the acting and directing, a pleasant surprise that hooked me from the first three episodes. I quickly both invested and rooted for Noh Hwi Oh and Lee Min Kyung to overcome the pain and heartbreak that appeared to be eating at them. I continually felt time stop when I watched this drama, with my rude awakening coming with each episode's abrupt ending (abrupt in my mind's eye). I never wanted the episodes to end.When I started Mad For Each Other, I wasn't sure what I was getting, but before the end of the first week, I knew I wanted more, much more than the half-hour snippets three times a week. I like how fluid everything flows, graciously balancing the comedic, crazy, and serious moments. It's light with a somber undertone in how it tells the story of two people scarred by those around them, to the extent that they cannot live their daily lives without coming across something that triggers them emotionally or mentally. There is a lot to like here, but what I found most pleasing is how both Hwi Oh and Min Kyung recognized they weren't okay, be it emotionally or mentally, and seriously seek out and are committed to getting the help they need to better their former selves, and not just pout or play the blaming game. But that they do it in the same doctor's office sometimes brings on the laughs, craziness, and waterworks, as even the visits to the psychiatrists are marred with those moments that make the viewer laugh, cry, and be mesmerized by the fragility of it all.
Getting insight into both of our lead's past traumas was a disheartening experience, especially Min Kyung's. Not that Hwi Oh's is any less, on the contrary. In a way, their situations mirror each other. To be lied to and betrayed by the person (s) you trust the most, but not only that, to be threatened and used for that love is not an easy overcome, if even one can overcome something like that at all. So, Min Kyung's paranoia and traumatic disorders become even that much more understandable, but so does Hwi Oh's anger for being so easily slighted, accused, and shunned by the colleagues he swore an oath to protect and lay his life down for, including his family members and friends. It is easy to see how they and everything around him could readily trigger his anger. Yet, one can't help but empathize and rally behind them. And, boy, do they have chemistry; the moment they finally get together is golden; I love how tender and protective Hwi Oh gets of Min Kyung. I, of course, cannot get over how much I enjoy the association ladies from Hiwi and Ming Kyung's apartment building. I love how expressive they are all and so in tune, but more so that they were not too ashamed to admit their mistakes and take action when needed most.
But as much as I loved Hwi Oh and Min Kyung's bickering, fights, distrust, and even distress when they first met, I couldn't help but love how those fights and distresses enabled them to see each other's truths in each other. And before they even knew it, they were not only rooting for each other, but deeply caring for one another on their road to recovery, as the anger turns to laughter, and the fear and dark sunglasses turn rosy and trustworthy. But the show is also quick to remind us that recovery is a journey; it's not a straight, steady road. And that is the part that stands out the most for me with this drama. It takes its time to show us, the viewers, how fragile recovery is to those afflicted by mental and emotional issues. That there will always be ups and downs, discoveries, and setbacks. And in the case of Hiwi and Ming Kyung, it's the fragility of their trust that quickly crumbled just as quickly as it was developed at the resurfacing of ex-partners. On second thought, it's not even the ex-partners, but the painful memories and helplessness it drudged up. Luckily, despite the halting progress and discouragements, they can look back and see that those painful memories are just pieces of their lives and draw new strength from them, rather than have them be stumbling blocks.
I admire the matter-of-fact tone the drama takes to raise awareness and push acceptance of social taboos, whether it's through Samantha's transsexuality/transgender (Ahn Woo Yeon) or Min Kyung's presumed extramarital affair, physical and sexual abuse/assault, and mental health, and Hiwi's anger issues. But what's even more admirable is how everybody, from the part-time clerk (Lee Soo Hyun) to Hwi Oh, Min Kyung, the apartment association ladies (Baek Ji Won, Lee Hye Eun, Lee Yeon Du), handles and processes these taboos. Despite their initial shock or even disapproval, they can quickly work through whatever misgiving they have to acknowledge. Just because some people are different, it doesn’t mean they are inferior. And I think it's because they realized the crippling effect of fear and pain, giving them the capacity to be compassionate, loving, and understanding. That's the thing about pain; it brings people closer, because one cannot understand how people feel until they've experienced the same or equivalent kind of pain themselves.
As I already noted, there are many reasons why I loved this drama. Still, the biggest is the ease with which it articulates the overwhelmingness of mental and emotional health illnesses and the pain of being ostracized by society. And I cherish the messages it left me with, some of which were that the journey to full recovery takes time, and no matter how steep the road, maybe there is an end if one stays the course. Recovery includes getting better and achieving a full and satisfying life. And that people are often judged because of their differences, but the reality is that people will always be different. This doesn’t mean those who are different are “wrong”; on the contrary, it's those differences that make the world far more interesting.
A gem of a drama that you will not regret watching. As for the cast of the drama, brilliant, Jung Woo excelled at his role, as it was sometimes hard to watch how everything affected him, especially his helplessness in changing the awful ordeal the woman he loves went through. This leads him to resort to his fists, and as much as I am against violence, there comes a time when using one's words is just not enough. Jung Woo was great at making me feel his every being, but so was Oh Yeon-Seo -- I felt her confusion, fear, and stigma of living not only with a mental health illness, but also the accusation of having an extramarital affair. Kudos to the cast and production team for a drama that awakens the sense in every way possible.
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Liar's Poker.
The Ingenious One is part of the new wuxia genre where the main protagonist is an anti-hero by classic wuxia standards. He is so highly evolved that intelligence and cunning rather than superior martial arts is his defining characteristic. Thus the ingenious Yun Xiang is aloof and cynical, he can run but he can't fight, he is righteous in an ends justify the means sense and his main tactical advantage is his big brain. This drama unfolds like a three-dimensional chess game, which can be very interesting or very boring depending on your attention to detail and interest in complex plots. Even though Yun Xiang can't fight, he is surrounded by characters who can so there are well choreographed action scenes to look forward to.After his village was massacred, Yun Xiang was raised as the sole disciple of the master of the mysterious Yuntai sect. The cerebral and commercial Yuntai and their rival the lethal and rebellious Lingyuan are successors of the legendary Qian sect. At Yuntai, Yun Xiang immerses in qiān shù 千术 or the secret Qian art of scheming and deception. They are sophisticated grifters with a controversial reputation that pay lip service to Taoist principles. One of their core principles is detachment as everyone is a pawn. Attachments and emotions make you vulnerable. This is Yun Xiang's lonely world view as he makes his way down the mountain 15 years later as a brilliant practitioner of qiān shù 千术. Time and all that brain washing did not erase his thirst for vengeance. Against his master's instructions, he makes a beeline for Nandu to uncover the truth behind his village's massacre. Along the way, he is besotted by the formidable and mysterious Shu Yanan. Sparks fly and their objectives appear aligned so they both let their guard down enough to form a wary alliance.
In Nandu, Yun Xiang's first order of business is to finance his mission. This focus on the practical money aspects of everything from running a sect to building influence is fresh and interesting. To achieve his goals, Yun Xiang plays monopoly using qiān shù 千术 or deception to control a bank, a port, a casino and a silk business. As it turns out, this brilliant protege of Yuntai is just a talented con man, a grifter. He boldly plays liar's poker with higher stakes at each turn with the power brokers of Nandu. Everyone is a pawn until they are not and he starts to break Yuntai's core principle of not letting emotions be it love or friendship mess up the con. The drama could have better highlighted how his hidden opponent was plying the same schemes against him. With narrow margins against a hidden foe, does Yun Xiang's growing affection for his pawns become his Archilles heel?
A recurring criticisms of this drama is that Yun Xiang is not that ingenious. The narrative fails to emphasize how under resourced and outnumbered Yun Xiang is. When he shows up in Nandu, he has no allies, no money and only cold clues as to what happened 15 years ago. So it's not fair to expect him to be three steps ahead when he can barely tell friend from foe. We are told he is a complex and morally ambiguous revenge driven character but his backstory is so cursorily shown that he seems like a blank person with no family or friends or history. This impression is amplified when his revenge gets sidelined as he stumbles upon the greater conspiracy and that plot-line takes over the rest of the drama. Similarly Shu Yanan's history is murky until late in the game and her relationship with Wen Cong is never explained. Thus her decisions and priorities are difficult to understand and seem at times inconsistent. Their romance developed too quickly and hiccups at a point the plot should have been building momentum towards a climax rather than digressing into romantic angst. Even though Chen Xiao and Mao Xiaotong did their best, their character designs and relationship evolution did not give them that much to work with.
In sharp contrast, the supporting roles are better written and steal the show. The priorities and drivers of Jin Biao, Mo Bufan, Kang Qiao, the Su family and Liu Gongquan are understandable and empathetic. I was too invested in their well-being and happiness to enjoy the irony of Yun Xiang's role reversal into a puddle of a tropey female lead whose whose life's mission gets hijacked by love. The standout entertaining roles areJin Biao the assassin with a heart of gold and Mo Bufan the money loving banker lured by greed and whipped by fear. Liu Gongquan's entrance also lifts the plot at a point it was sagging. I enjoyed Wang Zirui's chemistry with Chen Xiao better than that of Mao Xiaotong's, which seemed forced. While the role is well acted, Kou Yunjie is the biggest moron in the entire drama. His actions make no sense other than to facilitate plot movements. Only lazy writers take short cuts in plot design by dumbing down characters. The so-called brilliant mastermind and his main dogsbody win more as a result of a huge information and resource advantage rather than exceptional tactics. Their motives for engaging in such a vast and long-dated conspiracy with dire consequences for failure are not compelling. Petty antagonists like Tang Xiao are more believable with their penny-ante tricks and more basic instincts.
The plot picks up into a predictable but overall satisfactory ending after the final conspiracy and mastermind is unveiled. The main antagonist is designed to not show themself or their plans too early. This comes at the cost of making their motive unconvincing and is pointless as their identity quickly becomes obvious anyway. While based on true historical events, the plot design is often used and does not stand out in any unique way. After years of scheming, the mastermind's grand plan is full of holes and overly dependent on single sources of supplies and too few and too unreliable sources of manpower. This kind of shoddy plan would have failed on its own without much help from anyone! But I was too busy enjoying the confiscation of irreplaceable family jewels, a nice end surprise twist and watching villains face gruesome consequences. The message that detachment is a flawed Yuntai mantra; that emotional attachments can swing the odds both negatively and positively is lost in the finale. I enjoyed this drama but recognise there are many holes and unanswered questions, the pacing is not exciting enough and the momentum build disrupted by unnecessary romantic angst. It is a story that had a lot of potential and a wonderful cast but did not come together in the best way. Thus it would not be fair of me to rate this more than an 8.0/10:0 as one of those far from perfect but still highly enjoyable dramas.
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A rich tapestry of Song dynasty life
From the writers that brought Battle of Changsha, you can expect a tightly-woven, authentic slice of life story. Each character and plot line, even the minor ones, have been written with so much raw detail that you feel every undercurrent of emotion simmering within. It is for viewers to sip and savour like fine wine - the longer it takes to ferment, the more intoxicating the fragrance. The subtle nuances, layered plot lines and complex characters...they all come together to paint a picture of quiet beauty, like our MC Ming Lan. Some viewers complain the pace is slow, but you'll be surprised how quickly you get drunk.The acting is top-notch, delivered by a superb cast of veterans and not just pretty faces, lending justice to the well-written characters. These are not characters to fawn over, but you can imagine every flawed individual in the flesh, because that's how good and how real the acting is. There are no caricatures of stereotypical villains or dumb self-sacrificial heroes. The covert glances, slight hand gestures, undulating voices and variable facial expressions are all on point to hit right in the feels. Even the maids and servants can have their own unique charisma.
Not to mention, other aspects like the music is simple but sophisticated without the usual lyrical overtures of historical dramas. The instrumental scores are effective in supporting rather than outshining the storyline. The costumes and sets are a feast for the eyes. The cinematography is exquisite. I personally love the soft sepia tones created by lots of warm natural light. There is a lot of effort spent on shooting every scene to maximize the visual impact.
Ming Lan is the definite, must-watch family drama! Watch it if you love period dramas of depth and complexity.
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This review may contain spoilers
They are so adorable.
Literally at first I thought when p'fah will know that poon likes him he won't be able to accept but lately I understood that somehow fah also likes him episode 5 was too good I really like the way he accepted phoon's love , and started loving phoon also I liked the way he teased phoon after knowing he was the person in letter . Fah was so understanding even after phoon lied to him , he knew everything but he waited for phoon to say it I loved the way phoon was so dedicated towards loving fah as a person in letters or he himself even if they stopped talking to each other fah remembered phoon was afraid of dark and thunder he came and hug him helped him overcome his fear .. I have to say fah did a lot for phoon ( finding his mom , getting rid of his father , giving him encouragement , getting rid of his trauma and more ) , phoon thought fah will be disappointed in him but instead fah was the most supportive part of this story ....Was this review helpful to you?
Starting All Over
As dramaland resets itself with the beginning of another year, viewers get the opportunity to kickstart 2022 with an awesome C-drama right here. Reset doesn’t come with much fanfare where at the beginning of its run, the availability of (good) subs was somewhat hampered by a lack of involvement from major OTT streaming platforms for international markets. Fortunately as the weeks went by and more viewers started watching it, the fanbase for the drama gradually grew, affording it the recognition that it deserves.Reset is a “time-loop” drama in the mould of Groundhog Day, Deja Vu, Happy Death Day and Source Code. The protagonists, a college girl and a young game designer, mysteriously find themselves reliving a bus explosion each day. Why this is happening to them and, more importantly, how they free themselves of this catastrophic cycle are central to the narrative.
This drama is produced by Dongyang Noon Sunshine Film and Television Co., or more popularly and affectionately known as Daylight Entertainment which is famed for producing top quality dramas such as Nirvana in Fire, Battle of Changsha, The Story of Minglan and The Bond, among many others. It is co-directed by Sun Mo Long (Candle in the Tomb and Mining Town), Liu Hongyuan, and Lao Suan. The screenplay is adapted from the novel "Kai Duan" (开端) by Qi Dao Jun (祈祷君) who was also involved in the screenwriting process, alongside Qiu Yujie, Lao Suan, and Huang Kaiwen.
Principal photography took place from June to August 2021 in Xiamen. Reset is considered a short format production running at only 15 episodes of 42 minutes each. To date, viewership on Tencent Video platform for mainland China has exceeded 400 million views (at the time of writing), making it the most watched domestic production for the beginning of 2022.
What I Loved
The innovative concept of time loop in a contemporary C-drama setting. I don’t think this has been done before in a Chinese production, which usually focuses on time travels or alternate world fantasies as far as speculative fiction is concerned. The way this premise is established and conveyed via a rather absorbing and engaging approach to the storytelling is a major boon as well because my initial fears of confusion arising from inconsistent or illogical plot holes proved to be unfounded, for the most part. The parameters of when and how the time loop occurs are clearly defined for the viewers’ understanding as the story unfolds.
Along with the suspense and mystery of the overarching plot, the entire story has much depth to it with a balance of youth themes, slice-of-life human drama and even hints of a budding romance imbued into the development of the characterization and side stories. All of these elements are carefully laid out over the course of an eventful 15 episodes, where the second half in particular is filled with many surprising twists and turns.
The two leads may be central to the plot but the drama also carefully takes its time to explore the various side characters, namely the other passengers onboard the ill-fated bus ride and the police detectives assigned to the investigation. Most of these characters are realistically depicted as being extremely layered and fully fleshed out as the mystery gradually unravels.
The characters truly do come alive thanks in no small part to the superb performances of the cast. Bai Jing Ting delivers as the fresh-faced game designer Xiao He Yun, as he utterly embodies the conflicting emotions of someone who wants nothing to do with this calamity yet cannot extricate himself completely from caring about a total stranger. Zhao Jin Mai plays college girl Li Shi Qing in a somewhat more subdued role compared to her co-lead but no less convincing as a naive youngster inadvertently caught up in an incomprehensible and extreme situation.
To be perfectly honest, at the beginning I wasn’t really expecting romance in this drama. However, seeing both Bai Jing Ting and Zhao Jin Mai living dangerously throughout in attempting to survive this distressing time loop has sufficiently shifted my mindset to unequivocally root for them as a romantic couple. In addition to both their characters being adorably sweet and innocent, as well as the unintended comic relief and minor frustration at times from witnessing their numerous futile attempts at unravelling the mystery, the emotional connection they share that is borne of hardship and tragedy genuinely does tug at the heartstrings.
Of the supporting cast, as usual Liu Yi Jun impresses with his immense experience and mastery of his craft. Despite the limited screen presence, his character of police detective Zhang Cheng displays the necessary nuances that befits the characterisation and brings a touch of class to the drama. Likewise Liu Tao’s surprising appearance here as police inspector Du Ju, who elevates the cast list with some star power albeit while wearing a rather unsightly wig. That said, I would have loved to see more complexity from her character aside from delivering her now iconic line, “Perform drug test!”.
Special mention goes to the strong performances in the portrayal of certain other side characters who I shall not name to avoid spoiling the story. It's worth mentioning that You Jing Rou makes a rather brief but quite impactful appearance in the supporting role of Liu Yao.
This drama features music composed and arranged by South Korean composer Kim Hyun Do for 2 of the 3 tracks listed in the soundtrack. My personal favourite is the emotional theme song, the English-language love ballad My Only, performed exclusively by Zhou Shen.
My Only by Zhou Shen
Wake Up by Wang Xiaokun
Rebound by Chen Hui
Final Thoughts
Reset turned out to be a pleasant surprise indeed. It may not have the bearings of a big budget epic or colossal production headlined by an extensive cast list of star names. But it does the basics very well with a great script and storytelling approach, convincing acting with relatable characters and a hugely satisfying closure. I think this drama exceeded many viewers' expectations in the end, including mine.
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This review may contain spoilers
Thai Series became more diversified!
Well, 2018 is the year where Thai series became globalized. We have many Thai series on Netflix now and GMM, before better known for light hearted and cheesy romantic comedies, dared to make an audacious decision: invest in diversified genres and try to open up to the international community. The Gifted is the best example of the good results that they've got so far.First of all, I have to congratulate the writters and the directors. The plot is smart, refreshing and stylish. The tensions and characters are slowly and progressively built, teasing the audience and making us keep watching. The season is divided in two parts. The first one introduces the characters and their habilities while the second portion focus on the secret of the school. Although I understand the reasons they did it, I felt that excepting Pang, Wave and Nantaan, the other characters almost devanished during the second part of the season. We know that all of them were there, but it seemed they became just secondary characters. Probably they were expecting to make another season and the development of those characters will happen on season two.
Speaking about the characters, I have to say that I loved them, specially Pang, Wave, Nantaan and Ohm. Pang is the classic good guy, the hero whose qualities include idealism, courage and morality; while Wave is the charming antihero who is lonely and seeks for friends. Albeit I loved both guys, I feel that they were more effective in creating Chimon's character. Wave's episode showed us his history before the school and made us sympathize with him. Knowing about what that teacher made to him in the past humanized him. Strangely, we don't have a single moment in this series where we can see Pang's life before or outside the school. Why is he so heroic? It is a mystery the show could unravel in the next season. Of course we know the school made Pang loses his best friend, which is a good reason to make him hate the school system, but it does not explain everything. Even before that, Pang was already idealistic and we don't know why. In order to humanize him a bit more, we should know about his past, his motivations, maybe the next season should explore his friendship with Nic when they were kids.
Some people even say that Wave and Pang could date. Well, I generally don't like when BL fans try to put BL plots in every Thai series. In this case, however, I would like to say that a relationship between them, although not a requisite, would be interesting. They made a really good team. During the first part of the season, I thought Pang, Ohm and Nantaam would emulate the classical Harry Potter-kind trio, where there is a male heroic protagonist, a smart girl and a playful boy (Yes, Pang as Harry, Nantaam as Hermione and Ohm as Rony). But after Pang and Wave made a deal, they became closer and I liked a lot their interactions. They could be a great couple if the story chooses a realistic approach instead of a cheesy romance. I would love to see WavePang and NantaamOhm becoming true, but I am OK if it does not happen. The story is good enough withou any romance.
Speaking about the acting, I liked everyone, but I have to say that the three best performances, in my opinion, goes to Bird Wanchana Sawasdee as the director; Katreeya English as professor Ladda; and Gun Atthaphan as Pun. They all made me deeply believe they were not characters, but real persons. Bird was able to be evil without stereotypes, specially when he was smiling. Khun Ladda, despite being a strict teacher, was charismatic in a strange way. I felt bad when she was fired like she was one of the good guys. Technically, she was not. But she was not evil too. Looking forward to see more about her in the future. I hope she will be back next season and we can see more about her past. Finally, Gun Attapphan deserved an oscar for his acting on episode 5.
About the potencials, although I realize that Ohm, Pang, Wave and Pun are the most "powerfull", Nantaam's potencial is my favorite. I am historian. The past is something alive for me. Having her potencial could make me discover so much things about the past. I could go to Egypt, touch the pyramids and discover how they were built! Can you imagine that? I could go to India, touch the Bodhi Tree and discover how Buddha's face looked like. Maybe go to Jerusalem and make the same thing with Jesus. I could discover who killed Kennedy! This would be fucking cool. I even have a heroine nickname for her: The Historian.
About the plot, I still wanna say that the school seems to me a metaphor of Thai society nowadays. The country is facing a military dictatorship for years and a small group of people rules all the nation from the top of the pyramid. For me, Pang is like the thai activists who wanna take down all the corrupted, unequal and authoritarian Thai political system and make everybody equal and free. Like the director, the Thai dictators persecute the ones who fight for justice. Chanon, the studends who got injured by the experiments and that girl who was killed by a gifted student; all of them represent many activists who have been jailed or killed by the Thai military. The school system separate students by their grades and force them to compete each other. The competition between the students is a strategy used by the system to distract them from fighting the unjustice. It is the same thing that happens in Thai society, where the struggle between Red Shirts and Yellow Shirts (if you don't know, google it) made the military dictatorship possible. At the end of the first season, we see that Pang left a video for their fellows, begging them to use their privileges to fight the system, not to collaborate with it. I see that video as a call for fighting against authoritarianism. It is a beautiful message of hope in a country needing it desperately.
There are more things I would like to say, but I think I have written too much. Thx for everyone who have read everything! See you next year!
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If you are into serious acting and are looking for a real good story this will exceed your expectations! A roller-coster ride of emotions and a series that takes medical drama to a whole new level! Also unlike majority of the dramas out there, but like good old wine this gets better with time.
Story~
The actual plot is simple enough (even more so if you are used to Korean Melodramas :p). But it's the storytelling that gives the show an entirely different dimension! This is the most well wriiten drama I have come accross! The crew worked hard on the material and it shows thoughout the drama.
Underneath the suspence and thrill this drama explores how people have both sides to them- the good and the bad. Every person has his or her own difficult circumstances and does their best to cope with it. In the process they fight their prejudices and beliefs, or succumb to them and fight the righteous....
One lie leads to another... evil breeds more evil... and over time there is no road back. During the course of this one track 'difficult journey' people tend to forget its purpose. .
When truth comes up against better opportunities or even the greater good it's truth that always fights a loosing battle..... or maybe not?
I felt this drama to have many layers to it and if you are patient enough you may find a Beautifully Different understanding of this.
Cast~
The series boasts an incredible cast and everyone seems to have their moment...
The entire series is quite heavily built upon the acting of the Dr. Lee Young Oh and Jang Hyuk just shattered the roof with his quality and showed why he is one of the best 'Actors' out there! With KDramas being mostly about preety faces these days, this series came to me as a huge relief!
It's interesting to see that the supporting and guest actors getting considerable screentime and even the debuters are surprisingly good actors! I intially felt the female lead to be a bit stagnant but she too turns up nicely as the series progresses.
Music~
Bernard Park's 'Dirt' is on repeat on my phone! :D
I am not a talented judge of music per say. This had the right music for the right scene.
However the Title Track always seemed to up your emotions for the scene! That felt Beautiful!
Re-watch Value~
Over the course of the last few weeks I have gone back and watched the previous episodes a lot. And will surely rewatch the entire series again.
Overall~
The story tends to speed up at the end but the crew managed to wrap it up Beautifully despite 'the unfortunate peril' (the true villain of the series - you know who)
Anyway, this for me is by far the best drama for me this year.
Highly recommened for patient, mature audience willing to try something different. I guarantee you that you wont be dissapointed.
Good Luck n God Bless!
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1
1The Obsession Chronicles: Hua Yong Edition
I never thought I’d get so obsessed with pregnant men. I mean...what the actual hell?I enjoyed this show a lot. Like, way more than I expected to. It’s not just about the shock factor but the characters are so unhinged in their pursuits that I couldn't help but be invested. What really got me hooked was watching Hua Yong’s obsession unfold. This man is on a mission and his determination to get what he wants is both hilarious and kind of terrifying. I loved seeing the different facets of his fixation, how it starts as a calculated game then spirals into something sweet. No spoilers here but let’s just say his schemes had me glued to the screen, snickering at how far he’s willing to go.
The main couple made me giggle so damn hard. . Hua Yong’s infatuation with Shao You is so off-the-charts like IT IS EMBARASSING LMAO. That man would crawl across glass just to breathe the same air as Shao You. He’s so far gone. And our little Alpha on the other hand is the grumpiest menace alive, he is pretending he’s in control when he’s clearly drowning in it too. I to be honest don't know how to describe their dynamic but its like watching a god fall to his knees for someone who can barely handle being adored and I was eating it up like the sick fool I am, OKAY??
Now...the second couple Gao Tu and Shen Wenlang. I liked them too don’t get me wrong but holy shit, Shen Wenlang is dumb. Like. dumber than a bag of rocks. I love him okay I really do but this man has the emotional intelligence of a brick wall and the decision-making skills of a toddler on a sugar high. How does someone with that much power manage to be so clueless? It’s almost impressive how consistently he fumbles every single opportunity to not be an idiot. He’s a disaster and I’m obsessed with roasting him for it LMAO.
Anyway here’s the thing: I’m not even an Omegaverse fan. Like, at all. The whole concept usually makes me roll my eyes. And don’t get me started on mpreg....normally it’s an instant nope for me. I see it coming and I’m OUT. But China has this infuriating knack for making every BL drama perfect no matter how outlandish the themes are. They take these eyebrow-raising ideas and turn them into something beautifully executed. ‘Desire’ is no exception. They got me eating out of the palm of their hand. Oh and a tiny spoiler for those of you who get the ick from mpreg: it only happens at the end. So if that’s what’s holding you back just know you’ve got a whole lot of drama to enjoy before you have to deal with that particular plot twist. Give it a try, seriously. If I can get past my hang-ups, SO CAN YOU.
Now for those of you who are scratching your heads over the whole Omegaverse thing and wondering what the hell all these terms mean... I’ve got you covered. Below is a little breakdown of the class system in this show because you might need a cheat sheet.
Alpha: These are the top dogs. Dominant as hell, aggressive to a fault and VERY territorial. They’re usually the leaders and when they go into “rut,” their sex drive cranks up to eleven, making them very HORNY. In ‘Desire,’ you’ve got the S-class Alphas, the cream of the crop, rare as fuck and stupidly powerful. They’re like regular Alphas but stronger, smarter, sometimes with freaky-ass abilities that make them damn near unstoppable.
Beta: The boring middle ground. These poor saps are neutral, forgettable and about as fertile as I AM LMAO (0 chance). Tbh...most stories don’t even bother with them because who cares? They’re just… there. Yawn.
Omega: The submissive, baby-making machines of the bunch. They’re nurturing, emotional and fertile as fuck. Instead of periods, they’ve got “heat” this annoying phase where they’re horny and stink of pheromones to lure in mates. They can pop suppressants to keep that shit under control but good luck with that when an Alpha’s around. They are basically walking bait.
Enigma: Now this is where shit gets wild. Enigmas are rare... basically like unicorns in our world LMAO. They’re above Alphas, superior in every damn way and in ‘Desire,’ they’ve got this fucked-up power to tame even the toughest Alphas and turn them into whimpering Omegas. They can flip the script and break the hierarchy. They’re dangerous, manipulative and sexy as HELL. Ahem Ahem (Go take a look at HUA YONG)
There you go, that’s my explanation in a nutshell.
Warning: This is Omegaverse. Throw your morals, your dignity and maybe your sanity out the damn window. There are themes of dubcon, noncon, toxic relationships and all the messed-up shit you shouldn’t be rooting for but here we are. If that makes you clutch your pearls and cry, do yourself a favor: don’t watch it.
Edit : 9.0 the ending was rushed.
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Best modern cdrama to date
Simply a beautiful drama. It probably isn't the best beginner drama to watch, as much of the content requires having a decent understanding of Chinese culture/slang to truly enjoy at its full value. However, besides that, it's a perfect show from start to finish. Easily my favorite of 2021. PLEASE DON'T MISS THIS.Plot:
The 1st episode was jaw-dropping. Stunningly real and heart-wrenching. The characters struggle so realistically as ordinary people in the huge, overwhelming city of Beijing. Seriously, the first 2 episodes are guaranteed to capture your attention. The small details in each human interaction feel so genuine and natural, not at all like the popular idol cdramas. As the episodes progress, they do so logically without losing any sort of tension or excitement. Although it's a slice of life drama, the characters' backstories, problems, relationships, and small victories leave you wanting more and more. Every characters' own plotline and development tie together so well. ALSO, EPISODE 10 and 11 are INCREDIBLE. Don't worry! The ending is absolutely amazing, though I do think the 1st episode is hard to beat.
Characters:
The "main" character is Qiao Xichen. played outstandingly by Zhou Yutong. She is driven, intelligent, and hardworking, but faces the everyday problems of a white-collar worker in Beijing. What makes her so compelling, though? She makes any of the audience watching her want her to succeed. We want her to win because she's so caring, capable, and good-natured. She's incredibly tough, but she has breakdowns like anyone else. And wow, I was blown away by her crying scenes. I could keep rambling but I'll stop here.
Next is Xu Yan, a girl who's a bit vain and superficial, but in reality just wants to spend her days being loved by her doting boyfriend. She spends a lot of money, and it can be really irresponsible at times. The actress who plays her, Sun Qian, does a great job of presenting this bubbly character, and she goes through some deeply compelling character development. She's not a crazy hard worker like Qiao Xichen, but she has her own earnest motivations.
Being the human sunshine of the group, Hu Jing Jing is the one everyone spills their troubles to. She's the one that holds the group together. Underneath all of that selflessness, though, is someone broken and struggling. I won't say too much, because she's a huge spoiler-y part of the story, but her character is very complex and overall just heart-breaking.
Hu Nan Jia is the big sister of the group, being Jing Jing's older cousin. She's basically the richest of the girls, directing her own company and finding success in her Beijing career. Of course, there is more. She's lonely and has a loss of purpose in her personal life. She goes through a journey of self-discovery beyond the workplace. Her actress, Ren Suxi, is absolutely amazing at portraying her character so natural and believable.
Relationships:
It might surprise you, but the romance in this drama is IMPECCABLE. They are the most realistic yet heart-warming portrayals of romance I have ever seen in a cdrama. My absolute favorite couple is Qiao Xichen and Jian Yifan. Their chemistry is so fresh to watch, and my god is it amazing to see some logic in a relationship. They're both smart and sensible; it's a DELIGHT. The confession scenes were so freaking cute (that hospital car scene omg), and their dialogue just bounces off each other so well. Healthy and HIGH CP relationship from start to end. Next, Xu Yan and her boyfriend, Shen Zichang, are a bit of a different story. They've been dating for years, yet they're still a bit immature and act like those cutsey stereotypical couples. However, it's still fun to watch, and when they're together, it's honestly so dang sweet (episode 12 tho, I CRY). As for Nan Jia, she meets a much younger guy, Ou Yang, and while I thought it was awkward at first, it got REAL sweet towards the end. I support the ship<3.
Music:
Amazing. Moving. Haunting at times, but it truly enhances the feels and acting in the show. It WILL make you cry, and I'm not exaggerating at all.
Rewatch:
I'm not one to rewatch shows, but for this one, I will a dozen more times.
Overall:
This show can be uplifting, powerful, yet brutal all at the same time. It's also surprisingly hilarious, and you will grow to love each character so much. There are so many portrayals of people you won't see in other dramas, because most of them are just regular humans, not like the artificial shells I so often see. Even the minor characters are integral, flawed, and understandable people. This drama will teach you that making a living can be really, really hard. However, you'll still be able to experience the simple sweetness of life, like in the random kind acts of others (the nameless, caring grandma makes me tear up). The show's Chinese title references how people might say, "I'm doing fine" when their parents/friends ask them how they are, even though, in reality, they're not fine at all. Some people fake that they're ok just to put others at ease, but the story tells you that it's ok to embrace difficulty. This drama truly digs deep into this concept. It says that life may not feel fine right now, it might even feel impossible, but one day, when you realize how much the world has to offer, this ordinary, troublesome life will feel more than fine.
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Possibly my favorite melodrama kdrama I have seen.
The story of 'The Smile Has Left Your Eyes' is something so vastly different than most Korean dramas. It is a melodrama that sublimely incorporates the genres of thriller, mystery, romance, and tragedy of all things--and on top of your not-so-typical antihero lead, it sheds some light on some controversial topics (which will not be named due to this review being spoiler free). The story starts off quite eerily, full of suspense and mystery, and gradually as the drama progresses, the melodrama kicks in while retaining most of the suspense.
I do feel it slightly lost some spark towards the climax due to the script demanding misunderstandings (don't we love those?). Many conflicts could have been avoided if there was better communication amongst the characters. I suppose this can be said for virtually any drama, but it especially applies in this case. It doesn't help that some of the situations aren't fully concluded. I do also feel there were just a tad bit many plot devices used to progress the story. Some character actions just make little sense, and there was either little or no explanation to them afterwards. I at often times felt frustrated by many of these actions, but fear not; it shouldn't detract much from your entertainment, as the overall execution and the story itself are quite beautiful.
Moving onto the cast--they were absolutely splendid. The leads had amazing chemistry, and everything felt genuine, from hardships to happiness.
Seo In Guk plays his first antihero role in Kim Moo Young, and he truly delivers. His character is sharp, mysterious, and conflicting, and much like Jin Kang, I could not help but be drawn to him, wanting to figure out his character, questioning his motives and actions. Moo Young's dialogue was also quite intricate in that viewers and characters alike could draw multiple meanings from his words. I think this was one element the drama and In Guk pulled off especially well.
Jung So Min plays Yoo Jin Kang, a rather strong willed woman who is also very kind, forgiving, and sympathetic. Jin Kang's strength as a character is not what I would classify similarly to a strong female lead, but she is strong because of her ability to endure everything she has experienced, accept it, and move on. Jung So Min conveyed Jin Kang's emotions so vividly well, the emotional pain is visible through her interactions.
Park Sung Woong nails his role as Jin Kang's brother, Yoo Jin Gook, as well. He portrayed the shifts in emotion as the drama progressed very well. I do however, wish his character was better written.
As for the supporting cast, their performances were stellar as well. Seo Eun Soo pulled off a very convincing girl blinded by love in Baek Seung Ah. Go Min Shi as well with the complications in her character, Im Yu Ri. Special mention Kim Ji Hyun whom played Jang Se Ran. She completely took me by surprise, both her acting and her character.
Most of the faults in the cast were largely due to shifts and errs in the script, not the actors themselves. The actors always delivered in their roles, but often there were actions that just didn't make any sense, conflicts that could have been avoided if we applied any spec of common sense to the situations, which leads back to my stance on there being too many (in)conveniences to the story.
The music in this drama was synced flawlessly. If I had to compliment any one thing about the drama, it would absolutely be the soundtrack. The eerie, sinister themes added so many elements of suspense to drama. Sorrowful, yet calming and somehow uplifting music complemented the melodrama and romance all too well, especially 'Lost' by Ahn Ji Yeon. 'Someday' by Yi Sung Yol was the perfect song to end off many of the episodes' suspense, while leaving you craving for the next. And I can't forget 'Star' which was a beautiful addition sung by none other than the 2 leads Seo In Guk and Jung So Min. I feel this song greatly reflects their relationship in the drama.
Definite a recommend from me if you're looking for a melodramatic romance with thriller and mystery! Just take note that this does happen to be a tragedy.
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Comfort
First of all, I really do hope more people discover this drama, it's just too good to ignore. The perfect healing and comfort drama. Also it's storyline and how each character was thoughtfully written were beautifully done, especially the development of the female lead and the male lead. I looked forward to every new episodes every week. Towards the end it did get a little sad and dark, but nonetheless it wasn't too rushed and the ending wrapped up nicely. There was truly never a single dull moment. 'Summer Strike' is also not your simple slice of life drama, but a deep meaningful insight of life having the blanket of comfort over it.Was this review helpful to you?
Tomorrow
160 people found this review helpful
Soulful spot on: South Korea ranks fourth in the world when it comes to the suicide rate
According to WHO data, South Korea ranks fourth in the world when it comes to the suicide rate. (Germany ranks 42nd in comparison.) Not only stars and starlets are affected, but it runs through all sections of population. And with that, it holds up a bitterly serious, socially critical mirror to turbo-capitalist South Korea, whose tradition still places more value on appearances/make-believe than authenticity/true-being."Tomorrow" throws the spotlight on this socially problematic aspect. It is definitely a tough topic! It is based on a webtoon that enriches people's limited view by looking at the bigger picture from the perspective of the spiritual world. By providing an emotional link between the two worlds through the protagonist Choi Joon-woong, the worlds inspire each other with their insights and impulses. (After all, a wound can even heal in the afterlife...)
In short, the approach might at times seem light-footedly playful. Yet the content is profound and serious. It´s no feel-good-series. Sometimes it's fast-paced and action-packed, sometimes tongue-in-cheek, but mostly the story wants to touch, move and make you think. And it does. Overall the narrative style once again finds the right tone and the successful mix to work through the difficult, complex emotional area of conflict. Thus it is carefully, sensitively and differentiatedly illustrating the example of very different fates.
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"Eating and sleeping well... Is that all there is to life?"
This is the therapy that I didn't know I desperately need.Every morning is the beginning of another busy day in my city life, so hectic that it often feels like suffocation is no longer an option. Yet, When the Weather is Fine is like a timely letter to my subconsciousness, telling it that it's alright to miss a couple of breaths but not too many. Following Hae Won and Eun Seub's journey to self-discovery and self-healing has been heartwarming, endearing and even motivational at times, especially amidst the current uncertain and relentless worldly affairs.
Despite the slow progression, much slower than what I would normally prefer, this drama never fails to captivate me with its beautiful and soothing storytelling. What appears to be a purely coincidental and mundane encounter between two almost complete strangers at first gradually materialises into a fated serendipity. As Hae Won spends more time with Eun Seub in the rural Bookhyun Village, we as an audience begin to delve into their memories through a collection of nostalgic flashbacks, gaining a bit more insight into each of their dilemmas and how that has led them to their current circumstances.
It turns out that, for the impatient person that I am, I didn't mind the slow pace at all as it has given me the time to sympathise with the characters' underlying emotions and appreciate all of the poetic essence in the script. The settings and soundtracks are incredibly complementary to the storyline and characterisation. From the occasional pleasant acoustics to playful tunes, or the alternating warm and cold colour schemes, the drama is able to integrate its audience into a serene and cozy countryside lifestyle while still manages to retain some of its unique charms.
To say I'm in love with the casting would be much of an understatement. It is a rather pleasant surprise to see Park Min Young venturing into the slice-of-life scene after starring in popular rom-coms such as What's Wrong With Secretary Kim and Her Private Life. I feel like it has become a more apparent trend for Hallyu actors to take on indie projects and introduce more diversity to the international drama community, notably Lee Jong Suk in Romance is a Bonus Book and The Hymn of Death and Park Seo Joon in the recent Itawon Class. I must say this is a fairly defining role for Seo Kang Joon. I first got to know him as the defiant yet caring second male lead in Cheese in the Trap and then it was the robotic but humane male lead in Are You Human Too, both of which have left a fond impression on me. So coincidentally meeting him again in my new favourite drama certainly feels like a treat. As a couple, Park Min Young and Seo Kang Joon show a rather unlikely chemistry, probably due to the fact that Min Young is such a veteran and me used to recall her role in Sungkyunkwan Scandal, but still very fitting nevertheless. I also thought the supporting cast is very well-chosen, especially Eun Sub's sister Im Hwi and best friend Jang Woo.
I would highly recommend checking out the divine and enchanting OSTs: Like a Winter's Dream (Kwak Ji Eon), Doors of Time (Jungyup), All Day Long (Kyuhyun), Dear My Love (Byul), I See You (Giryeon) and Moody Night (Jeong Sang Keun).
Here are some of my favourite excerpts from the drama...
"Life has never bought me a drink.
On many winter nights, at a snack stall in a dead-end alley, I emptied out my pockets to buy life a drink.
But life has never bought me a single drink.
Whether it was a snowy day or a day when a stone lotus flower silently bloomed and fell."
A Drink by Jeong Ho Seung
"When loneliness meets loneliness and becomes coziness.
When sadness meets sadness and becomes happiness.
When a cool breeze collides against another cool breeze and becomes soft snow.
That's what warmth is."
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