Reviews

Liar's Poker.

The Ingenious One is part of the new wuxia genre where the main protagonist is an anti-hero by classic wuxia standards. He is so highly evolved that intelligence and cunning rather than superior martial arts is his defining characteristic. Thus the ingenious Yun Xiang is aloof and cynical, he can run but he can't fight, he is righteous in an ends justify the means sense and his main tactical advantage is his big brain. This drama unfolds like a three-dimensional chess game, which can be very interesting or very boring depending on your attention to detail and interest in complex plots. Even though Yun Xiang can't fight, he is surrounded by characters who can so there are well choreographed action scenes to look forward to.

After his village was massacred, Yun Xiang was raised as the sole disciple of the master of the mysterious Yuntai sect. The cerebral and commercial Yuntai and their rival the lethal and rebellious Lingyuan are successors of the legendary Qian sect. At Yuntai, Yun Xiang immerses in qiān shù 千术 or the secret Qian art of scheming and deception. They are sophisticated grifters with a controversial reputation that pay lip service to Taoist principles. One of their core principles is detachment as everyone is a pawn. Attachments and emotions make you vulnerable. This is Yun Xiang's lonely world view as he makes his way down the mountain 15 years later as a brilliant practitioner of qiān shù 千术. Time and all that brain washing did not erase his thirst for vengeance. Against his master's instructions, he makes a beeline for Nandu to uncover the truth behind his village's massacre. Along the way, he is besotted by the formidable and mysterious Shu Yanan. Sparks fly and their objectives appear aligned so they both let their guard down enough to form a wary alliance.

In Nandu, Yun Xiang's first order of business is to finance his mission. This focus on the practical money aspects of everything from running a sect to building influence is fresh and interesting. To achieve his goals, Yun Xiang plays monopoly using qiān shù 千术 or deception to control a bank, a port, a casino and a silk business. As it turns out, this brilliant protege of Yuntai is just a talented con man, a grifter. He boldly plays liar's poker with higher stakes at each turn with the power brokers of Nandu. Everyone is a pawn until they are not and he starts to break Yuntai's core principle of not letting emotions be it love or friendship mess up the con. The drama could have better highlighted how his hidden opponent was plying the same schemes against him. With narrow margins against a hidden foe, does Yun Xiang's growing affection for his pawns become his Archilles heel?

A recurring criticisms of this drama is that Yun Xiang is not that ingenious. The narrative fails to emphasize how under resourced and outnumbered Yun Xiang is. When he shows up in Nandu, he has no allies, no money and only cold clues as to what happened 15 years ago. So it's not fair to expect him to be three steps ahead when he can barely tell friend from foe. We are told he is a complex and morally ambiguous revenge driven character but his backstory is so cursorily shown that he seems like a blank person with no family or friends or history. This impression is amplified when his revenge gets sidelined as he stumbles upon the greater conspiracy and that plot-line takes over the rest of the drama. Similarly Shu Yanan's history is murky until late in the game and her relationship with Wen Cong is never explained. Thus her decisions and priorities are difficult to understand and seem at times inconsistent. Their romance developed too quickly and hiccups at a point the plot should have been building momentum towards a climax rather than digressing into romantic angst. Even though Chen Xiao and Mao Xiaotong did their best, their character designs and relationship evolution did not give them that much to work with.

In sharp contrast, the supporting roles are better written and steal the show. The priorities and drivers of Jin Biao, Mo Bufan, Kang Qiao, the Su family and Liu Gongquan are understandable and empathetic. I was too invested in their well-being and happiness to enjoy the irony of Yun Xiang's role reversal into a puddle of a tropey female lead whose whose life's mission gets hijacked by love. The standout entertaining roles areJin Biao the assassin with a heart of gold and Mo Bufan the money loving banker lured by greed and whipped by fear. Liu Gongquan's entrance also lifts the plot at a point it was sagging. I enjoyed Wang Zirui's chemistry with Chen Xiao better than that of Mao Xiaotong's, which seemed forced. While the role is well acted, Kou Yunjie is the biggest moron in the entire drama. His actions make no sense other than to facilitate plot movements. Only lazy writers take short cuts in plot design by dumbing down characters. The so-called brilliant mastermind and his main dogsbody win more as a result of a huge information and resource advantage rather than exceptional tactics. Their motives for engaging in such a vast and long-dated conspiracy with dire consequences for failure are not compelling. Petty antagonists like Tang Xiao are more believable with their penny-ante tricks and more basic instincts.

The plot picks up into a predictable but overall satisfactory ending after the final conspiracy and mastermind is unveiled. The main antagonist is designed to not show themself or their plans too early. This comes at the cost of making their motive unconvincing and is pointless as their identity quickly becomes obvious anyway. While based on true historical events, the plot design is often used and does not stand out in any unique way. After years of scheming, the mastermind's grand plan is full of holes and overly dependent on single sources of supplies and too few and too unreliable sources of manpower. This kind of shoddy plan would have failed on its own without much help from anyone! But I was too busy enjoying the confiscation of irreplaceable family jewels, a nice end surprise twist and watching villains face gruesome consequences. The message that detachment is a flawed Yuntai mantra; that emotional attachments can swing the odds both negatively and positively is lost in the finale. I enjoyed this drama but recognise there are many holes and unanswered questions, the pacing is not exciting enough and the momentum build disrupted by unnecessary romantic angst. It is a story that had a lot of potential and a wonderful cast but did not come together in the best way. Thus it would not be fair of me to rate this more than an 8.0/10:0 as one of those far from perfect but still highly enjoyable dramas.

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"This is my love story".

The movie opens up with this declaration, uttered in background narration by the main character while he's scorned and targeted by a players-filled basketball court. And it isn't only the rival team watching him with contempt: his own teammates are shouting the loudest.

"This is my love story", repeats Sugihara while he escapes from the police or is beaten by his father.

The contrast between the narration and the scene shown on screen gives us the key to the reading of the whole film, which is about finding ones place between love and hate, belonging and distancing, caring and detachment.

It's the story of a young man who has to show the world he doesn't give a dime while inside he's yearning for a sense of belonging.



GO is a wonderfully dramatic movie, one that deals with a cruel reality of discrimination. It's the journey of a guy who struggles to find his place on the planet. But don't be fooled by the surface: the director highlights the Japanese prejudices and the Korean stubborn obtuseness in equal measure. To each their own share.

And in the middle of this, there's Sugihara, who looks like a Japanese, talks like a Japanese, was born in Japan and is not recognized as one. His part is superbly acted: Yosuke Kubozuka is so convincing one can't help falling for him despite his murderous glances and his rebellious spirit.



So how is this a love story?

It is such on multiple levels: there's love for the friends, love for a father shown with fists, love for a country - or 2 - and love for a girl.

The music fits the pace beautifully, never overpowering the scenes.



Overall an emotion-filled movie, superb in acting, direction, plot and photography.

To be avoided if you're looking for a light watch. A must if you like thought-provoking films.

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The blurred line between right and wrong

This one took months to write because I wanted to use big words (I know...) and I watched the show 3 times before submitting.

Prepare for a binge-watch session like no other, as Awaken sets a new standard for action-thrillers. This drama delivers heart-pounding suspense and electrifying action that's sure to keep you on the edge of your seat from start to finish. This series has solidified its place as a must-watch for anyone seeking entertainment that lingers in the mind long after the credits fade.

Story:
Is it murder or suicide? It's hard to tell when it comes to the mysterious case this show throws us into. Seems like another one of those detective shows, but do not be fooled. As the story progresses, things escalate and you find yourself watching something entirely different. Buckle up, because the action-thriller show that is about to hit your screen is an absolute rollercoaster ride.

Characters:
The characters in Awaken are three-dimensional gems that shine brighter with each episode. From the brilliant and mysterious lead Do Jung Woo, who adds a touch of humor amidst the chaos, to the brooding yet brilliant FBI agent grappling with her dark past - each character evolves realistically as they face moral dilemmas and personal challenges.

Acting:
The performances in this drama are nothing short of exceptional. The cast effortlessly brings their characters to life, infusing every line with emotion and depth. Each actor's portrayal contributes to the show's gripping atmosphere. Not even a single drop of disappointment here.

Writing and Dialogue:
Now believe it or not, there is not a single show without loopholes, not even this one. Perfect writing doesn't exist, but this one is pretty close to it. The writing is razor-sharp with dialogues that keep you engaged. The pacing is expertly handled, combining heart-stopping action sequences with moments of quiet introspection that give insight into the characters' motivations. Twists and turns are seamlessly integrated, creating a narrative that leaves you craving more after every episode.

Cinematography:
The camera work amplifies the tension, capturing the energy of chase scenes and the raw emotion in the characters' expressions. The use of light and shadow enhances the show's gloomy atmosphere, immersing viewers deeper into its world.
The haunting soundtrack adds an extra layer of intensity to key moments, heightening the emotional impact.
(No, literally. I can still hear "set me free", even though weeks passed since I last watched it.)

Message:
Beneath the adrenaline-fueled action lies a harsh message: where's the line between right and wrong? It's blurred. Can you see it? Awaken doesn't shy away from exploring complex topics, giving viewers food for thought long after the credits roll.

Viewer Experience:
As a viewer, I was gripped by a sense of exhilaration that's hard to put into words. The heart-racing action, the intricate plot twists, and the genuine emotional connections between characters create an experience that is deeply moving.

Final Verdict:
Awaken is a triumph in the action-thriller genre. With its compelling characters, relentless pacing, and thought-provoking themes, it delivers a viewing experience that's not to be missed. If you're a fan of adrenaline-pumping suspense and intelligently crafted storytelling, this series deserves a top spot on your watchlist.
Beware: You'll probably lose a lot of tears.

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Starting All Over

As dramaland resets itself with the beginning of another year, viewers get the opportunity to kickstart 2022 with an awesome C-drama right here. Reset doesn’t come with much fanfare where at the beginning of its run, the availability of (good) subs was somewhat hampered by a lack of involvement from major OTT streaming platforms for international markets. Fortunately as the weeks went by and more viewers started watching it, the fanbase for the drama gradually grew, affording it the recognition that it deserves.

Reset is a “time-loop” drama in the mould of Groundhog Day, Deja Vu, Happy Death Day and Source Code. The protagonists, a college girl and a young game designer, mysteriously find themselves reliving a bus explosion each day. Why this is happening to them and, more importantly, how they free themselves of this catastrophic cycle are central to the narrative.

This drama is produced by Dongyang Noon Sunshine Film and Television Co., or more popularly and affectionately known as Daylight Entertainment which is famed for producing top quality dramas such as Nirvana in Fire, Battle of Changsha, The Story of Minglan and The Bond, among many others. It is co-directed by Sun Mo Long (Candle in the Tomb and Mining Town), Liu Hongyuan, and Lao Suan. The screenplay is adapted from the novel "Kai Duan" (开端) by Qi Dao Jun (祈祷君) who was also involved in the screenwriting process, alongside Qiu Yujie, Lao Suan, and Huang Kaiwen.

Principal photography took place from June to August 2021 in Xiamen. Reset is considered a short format production running at only 15 episodes of 42 minutes each. To date, viewership on Tencent Video platform for mainland China has exceeded 400 million views (at the time of writing), making it the most watched domestic production for the beginning of 2022.

What I Loved

The innovative concept of time loop in a contemporary C-drama setting. I don’t think this has been done before in a Chinese production, which usually focuses on time travels or alternate world fantasies as far as speculative fiction is concerned. The way this premise is established and conveyed via a rather absorbing and engaging approach to the storytelling is a major boon as well because my initial fears of confusion arising from inconsistent or illogical plot holes proved to be unfounded, for the most part. The parameters of when and how the time loop occurs are clearly defined for the viewers’ understanding as the story unfolds.

Along with the suspense and mystery of the overarching plot, the entire story has much depth to it with a balance of youth themes, slice-of-life human drama and even hints of a budding romance imbued into the development of the characterization and side stories. All of these elements are carefully laid out over the course of an eventful 15 episodes, where the second half in particular is filled with many surprising twists and turns.

The two leads may be central to the plot but the drama also carefully takes its time to explore the various side characters, namely the other passengers onboard the ill-fated bus ride and the police detectives assigned to the investigation. Most of these characters are realistically depicted as being extremely layered and fully fleshed out as the mystery gradually unravels.

The characters truly do come alive thanks in no small part to the superb performances of the cast. Bai Jing Ting delivers as the fresh-faced game designer Xiao He Yun, as he utterly embodies the conflicting emotions of someone who wants nothing to do with this calamity yet cannot extricate himself completely from caring about a total stranger. Zhao Jin Mai plays college girl Li Shi Qing in a somewhat more subdued role compared to her co-lead but no less convincing as a naive youngster inadvertently caught up in an incomprehensible and extreme situation.

To be perfectly honest, at the beginning I wasn’t really expecting romance in this drama. However, seeing both Bai Jing Ting and Zhao Jin Mai living dangerously throughout in attempting to survive this distressing time loop has sufficiently shifted my mindset to unequivocally root for them as a romantic couple. In addition to both their characters being adorably sweet and innocent, as well as the unintended comic relief and minor frustration at times from witnessing their numerous futile attempts at unravelling the mystery, the emotional connection they share that is borne of hardship and tragedy genuinely does tug at the heartstrings.

Of the supporting cast, as usual Liu Yi Jun impresses with his immense experience and mastery of his craft. Despite the limited screen presence, his character of police detective Zhang Cheng displays the necessary nuances that befits the characterisation and brings a touch of class to the drama. Likewise Liu Tao’s surprising appearance here as police inspector Du Ju, who elevates the cast list with some star power albeit while wearing a rather unsightly wig. That said, I would have loved to see more complexity from her character aside from delivering her now iconic line, “Perform drug test!”.

Special mention goes to the strong performances in the portrayal of certain other side characters who I shall not name to avoid spoiling the story. It's worth mentioning that You Jing Rou makes a rather brief but quite impactful appearance in the supporting role of Liu Yao.

This drama features music composed and arranged by South Korean composer Kim Hyun Do for 2 of the 3 tracks listed in the soundtrack. My personal favourite is the emotional theme song, the English-language love ballad My Only, performed exclusively by Zhou Shen.

My Only by Zhou Shen
Wake Up by Wang Xiaokun
Rebound by Chen Hui

Final Thoughts

Reset turned out to be a pleasant surprise indeed. It may not have the bearings of a big budget epic or colossal production headlined by an extensive cast list of star names. But it does the basics very well with a great script and storytelling approach, convincing acting with relatable characters and a hugely satisfying closure. I think this drama exceeded many viewers' expectations in the end, including mine.

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Touching. Romantic. Lovely. Addicting in a slow, pensive way. This drama is a little wonder, one I fell in love with without a clear reason: it's not sparkling, the action is reduced to the bare minimum, and so are words. But there's an intensity in the long silences which makes the unspoken a lot louder than whatever is being said.

Most of it is due to the excellent cast. I knew Ueto Aya from Attention Please and loved her there: she was the reason why I watched that drama and the only reason why I completed it. There she was feisty and entertaining, here she plays the role of a disillusioned young woman, wary of men - who can blame her? - and in desperate need of warmth and a sense of belonging. Her acting is outstanding, one can't help falling in love with her fragility, her courage and beauty.
Takenouchi Yutaka is just as awesome. His character is that of an honest man who leads a simple life but is ready to go to any length in order to save his sister. He's so sedate throughout the whole drama, I expected him to burst out at some point. But he didn't, and I realize now this is what makes him into such an endearing character. He expresses a world of meaning via glances and silences: I loved it.
The encounter between Risa and Kengo is poignant and their interaction from that point on is always defined by a sedate fire. Nobody shouts, or desperately cries or have fits of anger, and yet the chemistry is powerful.
I don't think it's accidental that Matsuda Shota speaks in a very sedate and calm way too through the whole show. This is the imprint of Nagareboshi. Just like the beautiful jellyfishes that float around in the aquarium. I never thought I could come to consider jellyfishes such beautiful creatures.
The side cast is just as brilliant, mostly the women.

The photography deserves a mention too. There are some truly outstanding sceneries of Japan shown in this drama. I was captivated by the colours and the general atmosphere. I love it that Japanese can produce wonderful dramas without the pomp and the shine we have been accustomed to with the usual super stars sporting gorgeous outfits or your average hero under the shower. This is a simple yet complicated love story between two very average people. It could be us.

The music is beautiful, although not my genre. I usually prefer instrumental pieces in dramas, so I don't really care much for songs. But it suits the pace and the feel of the drama perfectly.

If you like well acted, slow developing stories without love triangles or squares, played on style more than actual happenings, this drama is for you. I suppose it's for mature viewers - and I'm not referring to age.

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Into the wild, wicked West.

The second season of Strange Tales Tang Dynasty sees the team reunite in Chang'an at a time the power struggle is intensifying between Li Longji and Princess Taiping. Su Wuming with his keen survival instincts falls on his sword to get them booted out of Changán into the wild, wicked West. In the blink of an eye, Lu Lingfeng is demoted and banished to Yunding, which is literally at the far corner of the Tang empire! This sets the team on a hazardous journey west along the exotic and magnificent ancient Silk Road, a trip fraught with mysterious and dangerous encounters. The team solves eight zhiguai 志怪 or slightly strange cases in this second season.

In a year where many highly anticipated sequels have disappointed, STOTD2 stands apart by exceeding S1 on practically all fronts. The Journey to the West theme pays tribute to the classic novel about Tang Sanzang's pilgrimage West, battling supernatural forces along the way. This season is a visual feast for the eyes with meticulously crafted sets and costumes rich in historical detail. The changing increasingly exotic landscape and the stunning, remote sense of timelessness and insignificance as the team traverses the Gobi imbues the narrative with a sense of other-worldly adventures. Even though the antagonists are (mostly) ultimately temporal, there is a whisper of other forces at play. Or at the very least, the spirits of the wronged souls are not silent, they have just been waiting for someone to listen.

The team hits the ground running with a familiar rapport, sense of humor and teamwork that developed over the course of Season 1. In a hilarious role reversal, Su Wuming finds himself the subordinate, a lowly secretary to Lu Lingfeng. I was surprised to see Lu Lingfeng take Su Wuming's "betrayal" so casually and how lightly, almost enthusiastically he embraces his assignment in Yunding. It is as if he is secretly relieved to escape the power play in the capital with his beloved team alongside him. Su Wuming plays the assistant with exaggerated wit and perspicacity as he watches with a gleam of pride in his eye as Lu Lingfeng comes into own as a student of Di Renjie. What I always love best about this pair is that it breaks out of that mold of the master sleuth with a dumb sidekick whose role is simply to elevate his genius. Everyone on the team has a role to play; Pei Xijun as a genius sketch artist, Ying Tao taking up some coroner duties and Chicken Fei as their healer and resident alcoholic,...ahem,...wine connoisseur. Their witty bon mots and playful antics lift the tedium of some of the narrative detail and relieves tension that builds up in tragic or dangerous moments.

Even though the team functions seamlessly, this season is not really about them or their development. Both romances are more or less in holding pattern and most of the spotlight is on the characters in the cases; the victims, survivors and even the antagonists. What S2 has done most successfully is to make us truly invested in the cases, to empathize with the victims, their loved ones and at times even the perpetrators. Or in some cases to truly hate the antagonist to the bone. All the important roles in each case are well cast, with recognizable talented actors that convincingly convey their roles. It is a nice touch to bring back Dugu Xiashu, a beloved character that won hearts in S1. The mix of cases is also well balanced; some are more procedural with more action, adventure and mythical beasts; while others unfold as classic Christie-styled whodunits.

I found the first case Mara's Defeat to be the least well paced and it stretched over too many episodes but that was inevitable as it also brought the team back together and set the stage for their departure from Changan. The case that made me laugh hardest was The Snowy Inn with its tongue-in-cheek humor and of course the hottie sheriff Jiang. Even though I was quite impressed with the CGI monsters and action, I found the the linked Old Boat Official and Tongtian Rhino cases to be the weakest, with missed opportunities and loose ends. The Letter from Shangxian Hall was the best written case, one that left me questioning the high price of justice paid to punish a truly despicable human being. I was quite mad at the team for not looking the other way. But it is the final case that truly moved and broke me. I will not forget Doubao's story for a long time. Thus the season comes to an end in an emotional and visual climax at the awe inspiring Mogao Caves in Dunhuang. The best cases don't have to be water tight, they just have to connect us with the victims and make us reflect upon the dark side of human nature and how far short of restitution justice falls. This is where by comparison this year's high budget Judge Dee's Mystery fell down hard.

The season closes with the team being summoned back to Chang'an into what should be the climax of the historic conflict between Princess Taiping and Li Longji. I expect Season 3 to have a heavier focus on Lu Lingfeng and the team again as they navigate perilous times ahead. While I am sorry to leave behind the wild, exotic and mysterious Silk Road, it will be nice to be in the boldly prosperous Chang'an again. This was a fabulous season and a testament to the importance of hiring one helluva scriptwriter. This will be a hard season to top but this production team is not one I would bet against. I very enthusiastically rate this 9.5/10.0 and count the weeks, months but hopefully not years until S3.

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The reason I am giving this a 10 even though my other scores are a little lower might not make sense but I can not help it. In a sea of dramas with a certain premise we have all come to expect, this one is different.

It is about two people who have been friends all their lives. They turn to each other for comfort, for friendship and fun. They have seen each other at their best and worst. They yell, they fight, they comfort and criticize. They are REAL with each other. And slowly they begin to realize that this is not just a friendship. And once they realize that...What do they do with that knowledge? Go for it? Risk their friendship? Admit how they feel to the other person and most importantly, to themselves?

There is no grouchy, in denial chaebol hero. There is no plucky misunderstood girl who is downtrodden but so cheerful in the midst of her unfortunate circumstances. There is no backstabbing b*tch or scheming inlaws. They are just two people slowly but surely waking up and realizing that just maybe, the person they truly are meant to be with might have been there under foot all their lives. The writers make it so fun for the audience to watch it happening. The actors have great chemistry!

Give it a try. The music is a bit lacking. (I have a tendancy to be hard on music scores in my reviews. After the excellent OST of Coffee Prince and Soulmate I tend to be picky!) But I adore this drama...ADORE IT. Warm and sweet and surprisingly passionate. When you watch and realize it is not as quiet as you thought it is such a treat.

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Do I love it more, or am I frustrated more? I am honestly not sure.

The set up and idea behind the story is one of the most interesting things I have seen not only in BLs, but any romance. The concept of monos and probes opens the door for so many different dynamics in the relationships and paths that could be taken. Monos hating the probes for messing up their current life. Probes hating and fearing monos because of their possible obsessions. Monos being overprotective of their probes, since they are their way to see colors. This and so much more, to never be explored, because it’s just a short mini series and not a full length kdrama…

The show focuses on the forming connection and relationship between Yeon Woo and Yoo Han, and the internal dilemma Yeon Woo has, when faced with his probe. Taking into consideration the length of the show, the romance between boys is well presented. The chemistry is amazingly natural and believable. The intensity of the emotions and decisions made because of them, closer to the end, does feel a bit rushed, but it can be forgiven (trigger warning in the comment hidden under spoiler).

There were some side plots that were either forgotten or not addressed, with the missing mom being the cherry on top. I need to know more about it. I need to actually know the full back story, how they looked for her so far. Also, Kim Min Jae? More. I need more old man and the explanation behind it. His character alone was interesting enough to have a proper story written around him.

The best part of the show was Yeon Woo. Poor boy could not take a break between his mom missing, the aunt being overprotective and at times too controlling, and him forming a bond with Yoo Han that scared the hell out of him. Not to mention, I actually enjoyed Yoo Jun’s acting quite a lot. Which is not surprising - he has been acting for years.

Talking about acting, I’m on the fence with Heo Hyun Jun’s performance. While his playful and cheeky side was perfect, any more emotional scenes and lines felt flat and robotic.

With a limited budget, the production value was truly good. It was aesthetically pleasing, most scenes were not cut in weird places and the flow was decent. The aspect I truly loved was the soundtrack. I need each and every song right now.

Overall, it’s hard for me to be objective, because the unused potential of the plot just hurts me. This could have been so much more than just a romance. With proper world building, explaining how society works around the idea of monos and probes. So much to explore, so little time.

Still, for a short love story, it was fun. Me having wild imagination and seeing the potential - I need more.

+ Can we talk about Yoo Han's make up tho? Damn, boi was whiter than the snow outside of my window.

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Have you ever loved someone so much and irrationally so optimistic that someday you will be with him and to be near him every single day, and you really try hard to make it come true? Well this drama is all about it.

I was so much enjoyed watching this drama, the plot is nothing new, it’s about to pursue your first love to become yours.

It’s nice, funny, and you won’t find someone really cunning in this drama.
Every episode ends well, you will excited to watch how the story goes on.
I love watching how good the chemistry between the casts Takeru and Mone.
I am also impressed with the relationship of doctors, nurses and patients in Japan as well as their technology in medic.
You will love to see the cities of Tokyo and Osaka in this drama.

Nurse Sakura is a hopeless romantic.
From the beginning she declares to the whole world that she loves doctor Tendo.
She may looks naive and irrationally in love to him, but her love towards him is pure, strong and sincere.
She works so hard to become a good nurse. She is clumsy, kindhearted to patients, and cheerful. She likes to fantasize dating with doctor Tendo, and like a Warrior - she never gives up on her love to him. She remains optimistic that someday he will love her even he seems ignorant and cold to her.

The two opposite characters of this couple are the main attraction of this romantic drama.
Since a million years he knew that she doesn’t suit him, she is not as smart as him, but still he starts falling for her.
It’s so sweet to see how doctor Tendo's love for nurse Sakura develops slowly and in the end he loves her as much as she loves him.

Believe me, you will not regret watching this drama. Highly recommended!

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One of the best melodrama I've ever seen and also one of the best dramas period. To be honest when I first started watching it, I dropped it at the first episode because it bored me, but then I tried it again after reading the reviews and right then and there I was hooked. I pretty much finished in 2 days and didnt even skip a second of it. Everything about this drama is perfect, from the cast to the acting, to the story, the romance and the chemistry between the leads were incredible Hwang jung eum's acting was on a different level. I actually cried every time she cried. (lots of crying in this one) That was how convincing she was. Ji sung was amazing too but I feel like his talent is showing more on KMHM. In the end of it all, this drama broke me into little tiny pieces but I will never regret watching it and re-watching it over and over again.

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Sageuk of the year 2021.

A quote from Oscar Wilde goes like, "Women have a much better time than men in this world; there are far more things forbidden to them." Indeed the women of the world have been chained with rules created by bigoted individuals, for which they're made to sacrifice their wills, rights and aspirations. This drama, too, is based on the story of a woman who, till the very end, did her best not to fall into the patriarchal system's confinement.

In Joseon era, the court ladies chosen for the palace to serve the King, his family as well as to carry out different matters, were more like slaves. Bound to stay single until death, once chosen, they had to wear clothes with crimson red coloured sleeves. This red sleeve was more like a handcuff to hold back them from leaving the palace as well to remind them of their limitations. So the drama is based the love story of a King and his court lady turned royal concubine and it truly lives upto it's title throughout.

"The Sleeve's Red Cuff" (옷소매 붉은 끝동) is a live-action adaption of the famous Korean novel with the same title, by Kang Mi Kang (강미강). With a fictional script, the drama is the true love story of King Jeongjo, the 22nd monarch of Joseon dynasty and his royal concubine Sung Ui Bin. Some historical facts about major events found later is also included in the drama to maintain the most possible accuracy.

To simply put the plotline, the drama is set in the Joseon premise of history from mid to late 1700s (18th century), with only 1st episode taking place in 1764 and the rest after a couple of decades, with flash backs from both 1762 and 1764. The basic story is about Yisan (Lee Jun Ho), the Crown Prince of the kingdom trying to persue his handmaiden, court lady Sung Deok Im (Lee Se Young) to become his royal concubine. Although they're in love with each other, circumstances stand in their way to unison and this what the story is about.

Yisan is the Crown Prince of Joseon, very intelligent and aware of his duties and responsibilities, he strives to be a better ruler than his grandfather, the King. Deok Im is a quick-witted, strong-willed and free-spirited girl who has progressive mindset and believes in living an independent life; she's a medieval feminist. Both the characters are stupendous in their own places and their arcs are beautifully drawn by the writer; couldn't help but fall for them. Romance? Well, I won't call it romance. To me, it felt like an amazing chemistry buildup, growth of mutual understanding and blooming of untold emotions. Even though they were not together as couples for most part of the story, but whatever amount of togetherness we witnessed, it sufficed my heart bcs I had been savoring myself with the bonding throughout.

Lee Se Young is already a proved actress who has won us over through her skills for years in different roles, and she, as Deok Im in here has done very well in bringing out the truest essence of it. This is not her first Sageuk so I'm sure the experience has helped. Junho came back after his enlistment with this and I can say with confidence this'll be a turning point in his acting career. Even with less than 10 dramas, he was a decent actor but his acting graph went really really high in here and I am very happy about it. Lee Duk Hwa who played King Yeongjo (Yisan's grandfather) was a show stealer for me; being the one with most experience, his performance was so powerful that it has left a tremendous impression, what an actor! Kang Hoon as Hong Duk Ro (Yisan's closest aide) struggled in accommodating at first but improved in the later part. Honestly, I thought he was not enough skilled yet to play a major role like this but at least he learnt a lot. Park Ji Young as Head Court Lady Cho served as a prominent antagonist though I was expecting more of her character; she's an amazing actress nevertheless.

Jang Hye Jin as Court Lady Seo (Deok Im's mentor) was the simplest and easygoing character and very likable. Jang Hee Jin as Queen Consort Jung Soon (King's Concubine) and Kang Mal Geum as Consort Hong (Yisan's mother) were of moderate importances in the drama and they're already praised for their acting skills. There are many other familiar faces in supporting characters, who did well too.

Plot development is very fabulous, I must admit, it's been a while I witnessed such prominent and solid development in plot along with each of it's individual elements and possible side stories. The introductory episode is the background story involving the early childhood days of Yisan and Deokim. And then a leap of about 2 decades where the characters grow up. There starts the gradual progession that includes the individual lives of the leads and the supporting characters around them. 3/5th of the show is mainly about dealing with the conspiracies against the Crown Prince, within the royal family as well as in the palace. This is also accompanied with the simultaneous and unhurried buildup between the leads. The rest 2/5th is concentrated on the unison of Yisan and Deok-im with almost similar importance to crime revelations.

The connecting plots of past and present, the twists, the revelations and the storytelling method are awfully good. There are several peaks and very few slopes; it was somewhere around 8th and 9th, in which nothing major happens but it was still interesting. The last 4 episodes were ofty intensed and highly vehement. There are comedy elements incorporated here and there but 4/5th of the show is of serious tone. The single word narration of the drama's mood is melancholia; oweing to the already known sad story of history, it was bound to be sad and miserable.

Talking about episodic progression, in short it's fantastic. I've already mentioned about the perfect pacing for a major portion of the show; there is no part it feels boring. The last 4 episodes visibly get rushed but it's not that fast-paced to be bothered about. It could have obviously been avoided but anyways, it was fine for me.

Jung Ji In PDnim is one of the powerful female directors in Korea though she's produced less than 10 dramas over a decade with no significant piece but her graph of direction went really high with this one and I'm sure it's a big turning point in her career. The quality of the drama really speaks about her skills which we also saw in the BTS videos. The screenplay, the screenediting, pacing and execution is definitely praiseworthy though the pacing became a little fast in the last 4 episodes, but anyways, it was manageable. The cinematography was spectacular giving out the red&blue aura of a perfect sageuk premise. Most of the drama takes place inside the palace and whatever scene involved the nature, both in and out of the palace, were worth the enjoyment.

Honestly, I didn't know the screenwriter Jung Hae Ri jakkanim before this but I must say that she has done a commendable job. Even though the drama is an adaptation from a novel, turning a literature based book into a movie or show script is not really that easy. And given her least experience, she has done the work with a up to par quality. The immense research to create sets with historical accuracy and the efforts to retain the preserved facts, is clearly visible.

On that note, I must also applaud for the author of the Original novel, Kang Mi Kang jakkanim for this story of majestic essence, putting forth the importance of court ladies, their roles in royal as well as political affairs, the life of red sleev cuffed concubines, the heart of a King and several other lesser-told stories from the history, etc in a very beautiful manner. I haven't read the novel but from the drama, I am sure it's something very great, bcs books are better than their adaptations you know.

Execution of sageuk elements is another plus point and notable aspect of the drama, which is worth the mention. I don't really mind the dilution of cultural aspects in periodic dramas or inaccurate representations but you know what, accurate and realistic approaches serve as a huge advantage. The royal palace complex premise consisting of several residencesfor different members as well as different departments including the court maid residence, are well photographed. The costumes, the rituals, the architectural elements, the laws and regulations, the royal court proceeding methods, the literature, the natural scenrios, the city and rural setups, etc. etc. were perfectly delineated in accordance with real fettle of the period in which the story takes place. The execution, thus, is beyond perfect; I don't remember watching such in a while, probably not since Scarlet Hearts.

Noh Hyung Woo is an old yet lesser experienced in comparison to the other contemporary composers but I've quite liked his work in other dramas and so did I like here. He was able to compose pieces that perfectly suit the story, giving perfect sageuk OST vibes, and the substance it wanted to convey. The background scoes are up to par, as well. It has 8 OSTs. "Starlight Heart" by BEN is my most favourite among them, her vocals are so majestically heart touching. "I'll Leave You" by my all time fav Lee Sun Hee ahjumma is unfortunately a melancholic track released for the last 2 episodes. "I'll be with you everyday" by NU'EST Minhyun is a confessional romantic track and so beautiful. Jung Sang Keun's notes are that of an old classical Kdrama OST in "Every step you take" so are of XIA in "I'm still" whose passage stretches wrench your heart.

Things I loved the most
# The progression of the show was lovely, likable, enjoyable and entertaining with good dramatic values; I had a very good time. Especially the elements are what make it eventful and engaging.

# The chemistry between the leads and the coupled development in characters and relationship is alluring, even the romance is subtle for most part and real romance lasts for a small while.

# The portrayal of importance of Court Ladies in Palace is not new for sageuk Kdramas, but this drama does a better job in projecting extra focus since the FL is a Court Lady and not from any Noble Family. It reminded me of my first Kdrama Dwe Jang Geum (Jewel in the Palace,2003).

# The true nature, character, duties and responsibilities of a real Korean King has been very well illustrated which is actually very intriguing and impressive.

# In history, King Yeongjo was a ruthless King and a remorseless father but I somehow felt in love with the character in the drama, may be because of Lee Duk Hwa and acting, but yeah! He truly felt like an emperor and his majestic acting, oof!

# There was no exaggeration, neither of plot, nor it's elments; everything is in a perfect dosage. Unlike most of the sageuks this year, it didn't drag an empty plot to make it a proper cable drama. The drama didn't run out of substances at any moment.

# There was no deviation from history, the basic story and the historical facts were not changed which is in fact a big plus point.

The ending, well, yes! It's a sad one and it was, in fact, announced earlier. The real story on which the novel is written ended like that, so does the novel and hence does the drama. This was to retain the historical accuracy of facts. Some of the audience might hesitate to go till the finale or some other might not want to even start it because of that, but trust me, it's WORTH IT. Each and every second of the show is that good to give you beautiful experience and in my opinion, no one should miss it. In the end, I wanna say that I have cried a lot, A LOT. And I will never forget how much i did. I think I will comd back to my own review to cry.

My only complaint about this drama is, it not being a 20 episode show. I mean I am also a lil disappointed about the pacing in last 4 episodes, but they could have easily extend it upto 20. The makers themselves were aware of this and hence they extended the originally planned 16 episodes to 17 episodes, which can also be cited as a production flaw. So they should have planned this ahead of the casting and finalized in order to avoid the occurrence of such a situation. But anyways, its over now.

Final remarks... "The Red Sleeve Cuff" is the sageuk of the year without any doubt. Direction, production, screenwriting, execution, casting, acting, cinematography, music, etc.... all these aspects havs been taken care of very well and I can't praise much about how much I loved this drama as a whole. The only problem of lil rushed pacing in the last 4 episodes is totally avoidable, given the quality of the show. I was more than willing to give it a 9.5 but that only issue made me deduct 0.5 and i believe that's only fair.

If you're wary about watching bcs of the sad ending, let me state that "sad endings are not bad endings"; even if it's a sad one, the journey and the content are worth everything. Let's assume it ended with 16th and we got a happy ending though the reality is something else. It's definitely a must watch and also worth coming back for. Please do watch this bcs this needs more attention than this. This is the best historical as well as one of the best set of dramas this year.

P. S. Let me know in case of any mistake.

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Visually, musically, emotionally - This show hits all the right spots!

Season 1 ended well, leaving the audience much to look forward to in Season 2!

I was anticipating this drama not only because of Dilireba but also because of the director, Zhu Rui Bin (Chu Yui Bun), whose works included "The Long Ballad". Apparently, a casual conversation between Zhu Rui Bin and Dilireba, who was reading the "Blue Whisper" novel, led to the filming of the series and their collaboration. For those interested, the novel "Blue Whisper" is written by Jiu Lu Fei Xiang, and you can find a good English translated version here: https://wayeast.weebly.com/the-blue-whisper.html. I started reading and finished the novel when I was almost done watching Season 1, and it is a good read!

This show is tagged as a Xianxia, an ancient Chinese fairy tale set in a magical fantasy realm, with gods, monsters, ghosts, and cultivators (or xiūshì) who seek to become immortal beings called xian. As for the female lead, she is a guardian/spiritual master of the Wan Hua Valley. The male lead is Chang Yi, a Merman (or jiaoren) captured by Princess Shunde, an immortal and the older sister of Tianjun who is the Lord/Emperor of the Heavenly Court.

The drama starts with an episode highlighting the intelligence and kindness of our female lead, Ji Yun He, portrayed by Dilireba. Yun He is resourceful, and she seeks to achieve what she wants through the least harm to everyone involved. She is pitted against her "senior disciple brother", Lin Hao Qing, the young master of Wan Hua Valley. He appears crueler and one who would stop at nothing to get what he wants. However, his actions are contradictory, especially when it comes to Yun He. The audience will find out why eventually.

In exchange for a high reward, Yun He and Hao Qing accepted a challenge from Princess Shunde to transform the captured Merman into her subject by 1) teaching him to speak, 2) for him to grow legs, and 3) ensuring that he is forever loyal to the Princess.

The story focuses on the main couple's journey, as Yun He and Chang Yi fall in love, and the trials and tribulations they go through for each other. In season 1, the audience may find that the main couple does not have enough screentime together, and much of the story is also about the side characters. However, for me, each character adds depth to the story, and I find the side stories engaging. That being said, I still want to see Season 2 showcasing Yun He and Chang Yi more.

Visually, musically, emotionally - The story pulled me in so deeply. The production is undoubtedly high-quality, and a lot of attention is paid to the details. The costumes and sets provide a striking visual impact, and the special effects/CGI are well-done, immediately evoking feelings of wonder and fantasy. I like the cinematography, where the director filmed from different angles and views, providing a fresh experience, and drawing in the audience. Furthermore, the choreography for the fights, flying, and other action shots were done so superbly. I watched the "behind the scenes" (BTS) clips and it is obvious how much effort and time the actors put into practicing the wire-flying and martial arts moves.

So far, this show is a gem - it flows nicely and is well-executed. Each episode kept up the pace, never lost the momentum, and just got better and better. With unexpected twists and turns (some not in the novel), I never feel tempted to skip, and there are scenes that I would rewatch just so I could appreciate the gestures, effects, and words again.

The episodes show different aspects of a situation and the different perspectives of the characters, who are interesting and none are superfluous. No one is all good (except Chang Yi initially) or all bad. Every good character has flaws, and each villain has a backstory that makes them relatable and their actions justifiable. You will come to understand what the characters go through, the reasons for their emotions, and their circumstances. Overall, the script scores points with dynamic characters who struggle with their actions, who are not always clear if they are doing the right thing or what the right thing even is. I find myself connecting with the characters and rooting for many of them. As the story progresses, there are many more tears-inducing scenes, and I become more emotionally invested.

I have nothing but praises for the acting delivered by Dilireba, Allen Ren, and the other actors, including Xiao Shun Yao (very manly!), Hu Yi Xuan, Fan Zhen. Together, their looks are a visual feast for the eyes.

Dilireba fits the role of Yun He perfectly, but then again, this is not surprising since she often plays intelligent, quick-witted, and strong female leads. This time, it is another female lead with a tragic background that formed her resilient character. As expected, she looks gorgeous in her outfits and make-up. Just wait till you see her transform into her demon animal, you would be blown away! To me, she has improved even more in this role, honing her skills to deliver the story via her eyes and facial expressions. She does so well not only in scenes with increased, intense emotions, like laughing while crying during the ironic or tragic moments, but also in simple scenes where the audience only needs to watch her face and feel the loss or longing that Yun He is going through.

Likewise, Allen Ren impresses me with his ability to emote a myriad of feelings and thoughts just with his eyes and micro-expressions. His character does not speak for the first couple of episodes, and only through his physical acting, can still move the story well. Side note: I read that Allen got criticized for wearing a muscle suit during his merman scenes, but that still does not detract from his fineness. Chang Yi is the epitome of pure goodness in the show, which is what Yun He is drawn to at first. Allen delivers this innocence well but he is also able to easily express anger, nobleness, and arrogance. His visuals are not my usual preference, but in this show, in that persona, he's captivating. His transformation from trusting, naive, "fresh out of the water" Chang Yi to the all-powerful Lord of the North highlights Allen's acting chops.

The show does a great job, allowing each main actor to showcase their talents and skills. Yun He is featured more in the earlier episodes, and I like her character development. Then in the later part, Chang Yi has more screen time, and he becomes way cooler and more impressive.

The entire cast has performed well, and the supporting characters help to carry this show. There is such good rapport among them, like the endearing sismance between Yun He and Luo Luo, her butterfly spirit, played by adorable Hu Yi Xuan. I also appreciate Xiao Shun Yao's portrayal of Lin Hao Qing's character, who displays conflicting motivations, forced to act a role to protect someone he cares for. Compared to the novel, the show made Hao Qing more complex.

The OSTs are on another level, with appropriate pieces underscoring the scenes. The starting and ending songs are very fitting, and both set a dramatic and emotional tone that is infused throughout the show. The more I listen, the more I like them! For posterity, I have recorded the main tracks here.

https://www.youtube.com/watch?v=BpzFy3Rzd74
Song: 留白是表白 (More Than Blanks)
Artist: 金志文 (Jin Zhi Wen)

https://www.youtube.com/watch?v=ExRgy5Ry3C8
Song: 鮫人之歌 (The Song of the Merman)
Artist: 周深 (Zhou Shen)

https://www.youtube.com/watch?v=l_pzD0itRfo
Song：#如你所想 (As You Wish)
Artist：#毛不易 (Buyi Mao)

https://www.youtube.com/watch?v=CtKnVuUxCN4
Song: 魚躍而上 (Leaping Fish)
Artist: 薩頂頂 (Sa Dingding)

On the whole, I find this drama worth watching and following. Not surprisingly, many of us are eagerly waiting for the English subtitles to appreciate it fully. I will rewatch this show when the whole show completes airing with proper subs in case I may have missed any nuances during the first watch.

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I apologize in advance for the length of what follows.
This drama hit me like a tsunami of emotions and has left me bruised in so many places I'm in dire need of a strong tonic
I had promised myself to never say this, but rules are made to be broken: King 2 Hearts is the best drama I have ever watched. It is so because it fully responds to what I ask a work of fiction: not just to entertain me, but to make me feel. Deeply.

I suppose it's not for everyone though. It raises issues which require a level of maturity, as well as a huge dose of emotional strength. It plays on prejudices and the rotten nature of politics, sparing no one: the arrogance of the western world, the obtuseness of military regimes, the cowardice of politicians, the corruptive power of money no matter where. But it highlights the best virtues too: loyalty, friendship, courage, honesty, responsibility towards the people we love. This story is the growth of a group of people, from biased to understanding, and most of all is the birth of a king worth of this name.
It's obviously a love story too, but I'm glad this is only partly the focus of the drama. Don't expect a rom-com, or you'll be disappointed. The comedy is there, mainly in the beginning, and it is a clever sort of fun, but it's devoid of the usual comedic tropes, and it always has a black undertone - which I personally adore.
So to me this is a truly romantic drama, in the classical sense of the word, full of awe, suspense and heartbreak. There isn't even an ounce of fluff: if this is what you're looking for, King 2 Hearts is not for you.

Two words about script and direction: the first is one of the most consistent I've come across, never deviating from reality even when the setting is fictional. I am aware some of the scenarios are controversial to say the least, but if you give a look at the way international politics works, you'll see that - alas - it's a lot more plausible than we would like to admit. This said, the writers managed to create an ensemble of wonderful characters who touch the heart, and always thought-provoking dialogues. Direction is splendid, very film-like, playing on grand-angle and close-up shots, on colours, light and dark. The action scenes are believable and thrilling.

Standing ovation for the performance of the entire cast. Everyone has done such a brilliant job, I'm in awe.
Ha Ji Won is wonderful, to say the least. I've read some arguing that a north Korean soldier can't be so girly and trusting in the matters of the heart, but her multiple layers are what make Hang A the incredibly believable character I fell in love with, and Ha Ji Won the awesome actress she is. Besides her doing most of her stunts, she studied the North dialect, voice intonation and poses. The result is a charming mixture of vulnerability and strength which is profoundly feminine.
I'm glad I've really got to know Lee Seung Gi with this drama, because this young man has done an amazing step forward in terms of acting. His performance as the shallow, prejudiced playboy he's in the beginning slowly growing to be a king to be proud of, is mind-blowing. I truly felt all his suffering, doubts, uncertainties, fear… stress. He has gained a loyal fan for his professionalism and for the courage to accept a controversial part which more mature actors had refused before him.
Jo Jung Suk and Lee Yoon Ji have been an incredible revelation for me, both acted so naturally it's almost unbelievable.
Hat off to all the other actors. I was just as involved in their fates as I was in that of the main couple. They all made me laugh, weep (buckets, really), be proud or exhilarated.
Yes, even the villain. It won't be easy for the actor to shrug off the image. He embodies evil in its most horrific, unadulterated form: gratuitous cruelty, the pleasure to see others suffer, vanity and megalomania, all highlighted by a child-like behaviour which is as disquieting as it reduces him to the sub-human this character actually is.

Oh, the music!
A good soundtrack explains the scenes with the notes. When he wrote the score for the 1993 film "The Piano", Michael Nyman said he needed some piano pieces which could speak for Ada, who is mute, and work as a substitute to her voice.
That's what the music in King 2 Hearts does: if you close your eyes and listen to it (I have it all on my i-pod) the music will speak for the scene, and will keep on speaking to you when the show is over. The instrumental pieces are simply perfect and aching. "Two Hearts" begins with the pound of two hearts, hence explaining in a second a title whose meaning I had been pining over for weeks.
Simply beautiful.

I have already re-watched half of the drama and am going through a second (third?) complete marathon. If I gave this a lower re-watch value I'd be a hypocrite. And, believe it or not, it improves on second watching.
There's so much more I'd like to say about it, but I fear I've been wordy enough. I feel a last word of… warning is needed though: be prepared to feel strongly. If what you ask a drama is to entertain you or divert you, don't watch King 2 Hearts; only approach it if you're ready to grow so much attached to these characters, seeing them go will give you an almost physical pain.

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