1This review may contain spoilers
I dare to say this drama is perfect. And I was stupid enough to almost not watch it. The hype was just too strong and so off putting. WARNING: this is NOT a review for someone who has not seen the show. I just need to express all my thoughts somewhere.
So… Are you bored and tired of the “I’m not gay, I only like you” plot lines in BLs? How much do you wish some shows would address the hardship of coming out? The fear and confusion related to it? How much do you wish to see a well written, heartbreaking conflict that is not based on poorly written and ridiculous random jealousy? How much do you wish to see well written supporting female characters, whose whole arc is not just “I ship two cute boys together”? You get all of that and more in Like in the Movies.
The story revolves around the exploration of sexuality and identity. What makes us who we are? How much should we compromise between who we are, want to be and who others want us to be? How to react when you are both pulled back in line and pushed out of it by people you love and care about? How to make a relationship work when one person has already finished the race, but the other is not even on the track yet? Each character represents a different story, different perspective and different point of view. Their actions might make us angry, sad, heartbroken, happy or annoyed, but we see the reasoning behind what they do. We might disagree, but we understand. And this just proves how good of a writing quality Like in the Movies presents. There are no silly villains, nor over the top crazy exes or evil parents. There are just people. Real people with flaws, fears, hopes and dreams.
“Don’t be scared of the word. You can say it. I don’t mind”.
Vlad was an emotional fluff that spoke the truth and gave everyone some real lessons. I cried because of the words he had spoken. He showed how much being an educator can accomplish. Knowing Karl has no bad intentions, he was willing to explain everything to him, was patient, but firm about his views. As someone who would rather sit down and explain things over getting defensive and offended myself, I truly appreciated and loved that about Vlad. Of course, it was not his responsibility to guide Karl, but his understanding approach just impressed me. Communication is the key, not only in romantic relationships, but also any type of social interactions. He didn’t play mind games, spoke what he thought and felt and it was up to others to accept it or not.
His story is also truly heartbreaking. It shows how stigma and homophobia in a society can shape the way we see and interpret situations, especially at a young age. In the past, he associated every negative and bad action of people around him as a result of him being gay, even if it was not true. But the truth is often meaningless. It’s the perception that matters. It’s the perception that guides your thoughts and feelings. And, like in Vlad's case, it takes years to look at the situation from a different perspective. If society did not present being gay as something bad, Vlad would never assume his dad left because of that. He would never assume his mom was against his relationship because she did not want her son to be gay.
Vlad represents someone who fully accepted himself. Who is proud about his identity and does not want to hide it. Who, after facing so much hurt and struggle, does not waver. Who wants to proudly give and receive love. Who just wants to be happy.
“I don’t know if I’m like you. I don’t even know who I am”
Karl never had a chance to explore who he was. He lived for his brother. He lived as his brother. Getting away from the expectations put on him by his family, allowed him to slowly learn about himself. And it was scary. It was unfamiliar. It felt great when he didn’t think about it, but you cannot shut the thoughts out for eternity. You need to face them one day, but if that day comes too fast, if you are not ready… that can break you. Or push you even more into a corner. And that’s what happened with Karl. External circumstances forced him to face it when he was not ready, when he felt emotionally confused and vulnerable.
He was brave enough to tell his parents about his dream, about the goal of switching majors, about his will to chase his dreams. It was a tough decision to make and required a lot of strength. The aftermath of his decision was still unknown to him, and yet others expected him to do it again. To face the expectations of his parents. To rebuild the identity he had so far, to completely reevaluate how he thought about himself. No time to think, no time to accept, just expected to act accordingly. But he deserved that time. He deserved a minute to explore and get accustomed to who he was. Coming out should have been his decision, that he made on his own terms, in the time that he felt comfortable with.
“But I just don’t know how to get to you (...). I’m still navigating through this.”
Judit represents what happens when driven by guilt, you go from one extreme to the other. She is clearly close to being paranoid and definitely overprotective over Vlad. Taking into consideration the pain she caused him in the past with the words she said, now she does everything she can to save Vlad from disappointment and heartbreak. And she definitely crosses the line doing so.
She acts as a fake ally persona, which is closer to fujoshi. Not knowing the full story and observing her behavior in the first two episodes, one could assume she is another crazy female character without depth who just ships all the guys that are in close proximity (flashbacks to Zol and her “shipping my brother and writing stories about it” behavior). But then, with episode six we get a complete shift of the perspective and actual explanation for her action.
While I still didn’t like her overpowering and overbearing presence, I understood where it came from. As Judit said: she is still navigating through it. It’s obvious her and Vlad never seriously talked about the situation, the past and how to move forward. During that episode she faced her mistakes for the first time, she apologized for the first time. Before that she did what she thought was correct, not what actually would be helpful. As always kids, communication is the key. But even after that confrontation, she still does not completely change her ways. And it’s frustrating, but also realistic. You cannot just change who you were for years after one honest conversation. It takes time, it takes others pointing out your mistakes countless times. Talking with Vlad was a great start. But it was just a start. All the hard work is still ahead of her.
“I don’t want to blame her one day for all the time that I have lost for myself”.
One could say that statement and Anna “running away” from her child is selfish, but it’s the opposite of that. She is not giving up on her kid, but she is not willing to give up on herself too. She is a mother, a great one, who raised her child alone for years, but she is also just Anna, a woman that needs time for herself. Need time to chase her dream, to live and have fun. How could she make her child happy and encourage her to work hard if she gave up on herself? Words are not enough, you need to be a true model for your child. And that’s what she is doing. Feelings are not something we can control. She can love her child with all her heart, but still have these small “what ifs” creeping and poisoning the relationship and bond they have. What if I didn't have her? Where would I be? Who would I be? Would I be happier? Would I be more successful? What would my life look like? The thoughts that we have no control over. So yes, Anna is a badass person and an amazing mother. Even though she is just a supporting character, she also tells an important story that brings more value to the series itself.
Moving away from the characters, I have to admit something: this show slapped me across my dumbass face quite a few times and I’m glad it did. I like to think I’m not one to judge and jump to conclusions (especially negative ones) quickly, and this drama showed me I’m not quite there yet.
It started with the opening scene and my “glorious” thought “wow… way to start a BL with a cliche of 2 pretty guys dancing in random pretty location”. Boy, I was wrong, and when we finally got to see the full scene in episode five, I just felt stupid. It was not “just cliche”, it had powerful messages and quite an impact. “Maybe that’s why it’s such a big deal to me because it’s just a small thing and I still got deprived of it” is quite honestly one of my favorite lines, one of the most impactful, and one that represents well how twisted and wrong the world is.
Another moment that hit me hard was the Judit and Vlad’s conversation I already mentioned. I truly thought she was just hyped fujoshi and there is nothing more to it. And yet again, I have been wrong and I felt stupid for jumping to a conclusion when nothing was even presented to me to validate my position. Don’t know if these two moments say more about me or the BLs as part of the entertainment industry. I was fed poorly written female characters and cliche plot lines for so long, sometimes it’s hard to have higher expectations.
Another thing I loved about Like In The Movies: it had big brain energy. It has been just clever and not a second of screen time was wasted. All the small interactions and details were meaningful and I’m legit too dumb to even notice them all. I just loved how scenes, interactions, small behaviors connected and were explained at different parts of the story. Vlad not liking people touching his hair? Far more than “just because he doesn’t like it”. Small details like that, turned out to have so much emotions and depth for them. Vlad finishing a scary story with the “corpse in the closet” idea, and then he finds a photo of Karl’s brother in the closet, thinking it’s Karl. Truly big brain energy. There were many moments when I went ”damn… that’s why they showed it a few episodes ago”. Everything connects and everything has a meaning and I’m about to cry from happiness overwhelmed by this perfection.
Now, let’s talk about music. I am not an ost person. Unless the soundtrack is truly outstanding or truly bad, I don’t pay that much attention to it. Here we have the case of “truly outstanding”. Each song was beautiful. They were perfectly fitting for the moments and scenes they were playing for. The lyrics were just the cherry on top of this beautiful cake that brought me to tears. This is ALSO the case of big brain energy.
You know what else is big brain energy? The credit scenes! I’m amazed. Truly. You can tell how much care and thought was put into this show when they decided to even use the credits as a way to convey the message, describe the relationship and its progression. As I said, not a second was wasted. There were no fillers. No line wasted. Everything was crafted perfectly to give us this masterpiece, with quotes at the end of the episodes being the dot at the end of the sentence. Tying it all together, leaving us hopeful, emotional and grateful.
Though this will never be seen by anyone involved in the production, I just want to say thank you from the bottom of my heart. This was an amazing, emotional and engaging journey that will stay with me forever. I cared for the characters deeply, as if they were truly my friends. I cried, laughed and screamed with anger. Thank you for making me this emotional mess.
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Be the chess player, not the chess piece.
Sword Snow Stride evokes all my best wuxia memories; action, adventure, chivalry, an old murder mystery, political intrigue and a dash of romance and a medley of eccentric surrounding characters with astounding martial arts capabilities.Set in a fantasy world, Xu Fengnian is the son and heir of the fearsome warlord Xu Xiao, king of North Liang, Liyang's largest and most powerful fiefdom. Adapted from 烽火戏诸侯 Feng Huo Xi Zhu Hou's epic 20 volume novel The Snowy Path of the Heroic Blade 雪中悍刀行, this first instalment focuses on the coming of age of main protagonist Xu Fengnian.Anchored by Zhang Ruoyun and adapted by Wang Juan of Joy of Life fame, this was one of 2021's most anticipated dramas and for me, it did not disappoint. The leisurely pace at which the plot unfolds gives the viewer the time to imbibe the rich complexity of the interplay between characters and their relationship dynamics. Wang Juan has taken his writing to a new level, delivering a crisp dialogue that gives the first impression of wit and occasionally irreverent humour that masks profound layers of hidden meaning, wisdom and emotions in conversations within conversations. This is most evident in Fengnian and Jiang Ni's delicious repartees but it also underlies multiple exchanges between Xu Xiao and Fengnian and belie numerous other superficially adversarial relationships. This requires a level of sophistication and nuance in the portrayals that is only done justice by the more experienced actors.This is unfortunate for Li Gengxi whose lack of experience is evident in her immature and shallow rendition of the marvellously atypical Jiang Ni. Despite some endearing moments, she does not "own" the character quite the same way Zhang Ruoyun is Xu Fengnian but he is a tough act to follow and not a fair comparison for a young actress. She warms to the role considerably in the latter half and I would be happy to see her return for the second season.
Do not be deterred by the fact that this drama did not live up to the high expectations of Chinese viewers, whose main issues are with the slow pace, the choice of female lead and the slo mo action scenes. It is true that the direction of some scenes, in particular action scenes could have been better. While the director wanted viewers to appreciate the grace, artistry and difficulty of the actors movements, the end result is the scenes lack the intensity and thrill of imminent peril. This is understandably a dealbreaker for some hard core wuxia action fans but it didn't really bother me. As the drama progresses, there is some speeding up of the fight scenes that are boosted by Marvel universe like CGI. The final encounter is spectacularly ferocious, thrilling and violent enough to satisfy most critics.
The drama opens with the roguish young Xu Fengnian living in the moment while traipsing the world with his groom Old Huang. He is not comfortable with his father's ruthless tactics and eschews his legacy, one that puts him in the crosshairs of those in the highest circles of power. While Fengnian draws inspiration from many mentors, Xu Xiao and Old Huang are by far his most important early influencers. An unconventional thinker, Fengnian refuses to compromise, strives for win win outcomes but does not hesitate to be ruthless when he needs to be. As he steps up into his role, he starts out as a mere chess piece in a high stakes game where his father Xu Xiao is many steps ahead. Along the way, he grows to be the chess player, not the chess piece. He also better understands his father's choices and become more like his father in some aspects. Zhang Ruoyun and Hu Jun have great chemistry and I found their unorthodox banter and relationship hilarious and moving; we really didn't get enough of them together! This must be Zhang Ruoyun's best role, I enjoyed both his portrayal and Xu Fengnian the character even better than his fabulous Fan Xian in Joy of Life.
While Fengnian starts out protected by his father's retainers, he manages to win hearts and minds using his own unique methods and inducements and finds himself surrounded by a formidable entourage of martial artists, retainers and maids with mysterious pasts; leaving a string of alliances and favours owed in his wake. These are classic wuxia archetype characters that make me shiver with delight at their single minded obsession with the quest for supremacy that comes with inevitable sacrifice and regret; who willingly barter their swords and their lives to advance or to honor past promises or debts. While the story revolves around Xu Fengnian, so many of these surrounding master swordsmen captured my heart and imagination with their prowess and their backstories from the laconic and lethal White Fox, Old Huang, Qing Niao and of course Sword God Li Chungang. The many awe inspiring female swordsman makes it hard for Jiang Ni to really shine and leaves the indelible impression that Fengnian is a man with a fleet of many ships.
It is said that a hero is only as good as its villain and in Zhao Kai, Liu Duanduan explores a deeper villain, a riveting opposite character to Xu Fengnian.and pulls off an oddly empathetic antagonist that practically steals the show. They are both scheming and ruthless characters who attempt to escape their destiny but that is where their similarities end. Zhao Kai is utterly lacking in moral fibre and can only win by foul means ,regardless of consequences or how many must die. He is dangerously and humorously self aware of this and stalks Xu Fengnian looking to exploit a moment of weakness. He won my heart with his unabashed appreciation of Xu Fengnian's brilliance and insight; were their goals not in such conflict, Zhao Kai would be Xu Fengnian's greatest fan. It is a great pity Zhao Kai is not an out of box thinker that could have found a way to align his interest with that of Fengnian. Even though Zhao Kai is far from the most powerful antagonist, a big chunk of the season one plot revolves around his pursuit of Xu Fengnian.
Season one draws to a very satisfying conclusion with an epic and very satisfying showdown and major immediate tasks achieved. It leaves me hungering for more but not in that awful cliffhanger kind of way. It will undoubtedly take a few years for season two to materialise but even if it doesn't, we can still think of this as an immensely enjoyable and very satisfying slice of life kind of drama. This is the second 9.5 from me for 2021 that closes the year on the same high note that Word of Honor started it on.
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I must note that while there is a loveline in the story, I think it's horribly written, so if the family angle doesn't capture you, I don't recommend watching this for romance, because the romance nearly ruined the drama for me. Although it doesn't show up much (comes in around episode 8?), so I guess regardless, one shouldn't watch this for romance.
Hu Ge as Ming Tai is probably what draws most people to this drama. His character here is a spoilt 20 something who would have spent his days horsing around with his friends, picking up girls if he didn't meet Wang Tian Feng. He's immature, impulsive and thinks he knows the best, he does have some sort of character development but not by much. Don't get me wrong, he's very likable, his interaction with his sister, Ming Jing is adorable, and he does look very cool in various outfits; but he's fairly simple compared to other characters.
Jin Dong as Ming Lou is the other main character in this drama. It's him that I love despite this drama's many many faults. He's spectacularly layered as a double agent and he oozes charm. He is basically living in a web of lies and setting up more lies. To convince the audience that he's a double agent, he'd have to have microexpression or looks or something to show that he's not really working for the puppet government. On the other hand, these can't be too obvious or they would easily be caught by characters in the drama and he'd be expose. To begin with, his loyalty was already questionable, it's just he's one of the very few people who can do this and who are willing to.
Even though it wasn't meant to, his relationship with Wang Man Chun is the only romance that interested me in this drama. They were once an item, but Ming Jing broke them up (for reasons that you'll find out). It's almost the plot of Romeo and Juliet except they both changed and have adopted vastly different ideals. His relationship with Ming Cheng, Ah Cheng, is even more fun. I'm struggling to find words to describe it, it's almost mentor-like, since Min Lou is older and more experienced; it's also a schemer/executioner relationship on top of sibling affection and friendship. Regardless, it's a relationship with 100% trust in each other, and this is rather difficult to have in a spy drama.
Wang Kai as Ming Cheng, or Ah Cheng. To the outside world, he's an assistant, almost like a very competent butler. He's actually very much part of the family though. Like Ming Lou, he bears a lot of pressure working for the puppet government, but he wears even more masks because of his peculiar position in the Ming family. Liu Min Tao as Ming Jing, probably the most clueless one in the family, but she's a very capable lady who managed their family business since she was 17. She's graceful and fiercely protective of Ming Tai because he's the youngest and she felt more like a parent than a sister to him.
There are many many characters that I love, like the ruthless Wang Man Chun (played by the gorgeous Wang Ou, I need more drama with you in it please), the adorable Liang Zhong Chun who just want to live his life peacefully in times of turmoil even though his position really wouldn't have let him. The strict and almost cruel teacher, Wang Tian Feng, or the frail looking but actually fierce as hell Yu Man Li (Song Yi! you don't even have a profile on here ;A; <3), I should probably stop before I list all of the characters.
So, how's the story? I like the premise and I really do love the family angle. It's refreshing and their interactions are a lot of fun. The action scenes are pretty well done, even if sometimes, it seems things are done for the sake of looking cool. The schemes near the end seems confusing and might need rewatching, but I don't recommend looking too closely to it. Since all kinds of question and plot hole will pop up. I just accepted what the drama told me and called it a day.
Now I need to complain about my biggest gripes with this show, setting aside plot holes and unrealistic action scenes. Its goddamn stupid romance. I repeat, if there's ever a cut without the romance (if you can understand Mandarin, I recommend bilibili), watch that version instead because it's so so so much better.
I actually didn't have a lot of problems with the love interest to begin with, aside from its cliche situation and cliche lines, it's disappointing that we don't see anything new, but it make sense for the character (wealthy young man). I just can't deal with it when love interest nearly ruin an operation, putting everyone in danger because...because...I don't even know, some kind of upstanding morals? That's not the first nor the last time a character does stupid thing in a drama but it still infuriates me. Not sure if it infuriates me more because I ship some other ship that won't happen.
I never quite bought the love between the two characters and that's weird because I bought the friendship, the familial relationship and even bygone romance, but when it comes to the very visible ongoing romance, I never cared about. I have no idea is it the chemistry or is it the actress' acting ability (because I haven't seen her in anything else).
Side note, I must bring up the fact she was injured during the course of filming and therefore had to use a lot of doubles (5 different people I think?), close up shots while she was clearly in pain. I really respect that she tried her best to film despite being in severe pain and not wanting to delay filming or straight up change actress. But a lot of c-netizens are wondering maybe the drama would have been better if she was swapped out. She had fair amount of scenes but latter parts had to be re-written, her close up shots/acting were terrible and in the end the product was subpar.
Anyways, I've rambled long enough. My 8 honest goes to all the characters I loved in this drama, the amazing Jin Dong and spectacular team behind this drama, it sure has been a ride. Now I'm off to catch up 20 years of c-drama. WHY MUST YOU BE SO LONG c-drama.
This is my first review so if you have any constructive criticism or want to flail about dramas with me, feel free to message/comment.
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What really got to me in this drama was the realism of it. There are people that go through these types of issues in real life, and they don't always have someone by their side to help them get back on their feet. In the drama you find out more about each person as the story progresses, it made me think a lot about the people in my own life, everyone struggles with something, some people have deep dark secrets their embarrassed to talk about or afraid to talk about.
The acting was done really well! Exceptional! I haven't seen any of the other actors act in anything else, except for Nishikido Ryo, I've seen him in 1 Litre Of Tears. Needless to say, seeing him go from his character there to this one proves how much of a good actor he is. Sosuke was dark, his character was scary in ways because of the things he did. Nagasawa Masami as Michiru did a really good job, you saw her character getting stronger as the drama progressed. Ueno Juri as Ruka did an excellent job, her character had a lot of internal suffering going on as you find out more as each episode ends. I loved Eita's character, Takeru, even with all the things he's gone through he's an upbeat guy, admirable. The rest of the cast was really good, as well.
The music was good, the theme song, "Prisoner Of Love" by Utada Hikaru was perfect for the drama. The lyrics really matched with what the characters felt. The instrumental to it was really nice as well. The rest of the instrumentals fit the drama as well.
Will I rewatch this again? Someday. Serious dramas like this I love and enjoy for their realism, but I'm not sure when I'll rewatch this, if I do it won't be for a while.
Overall: It's a really good drama, I'd recommend it to everyone. It deals with a lot of issues. I found myself needing to watch each episode, like I mentioned above - I wasn't bored with any of this drama. There was always something going on to keep me intrigued and wanting to see what happens next.
The impact of their friendship, how each of them were willing to do anything to protect each other, that's the most important part of this drama I feel.
I wished they'd of gone a little more into detail about a few things, but overall it was done really well, I can't say it enough!
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Missing... something.
Oh, man, how do I even describe this?I went into this with no expectations and I think that helped my enjoyment of it. I was curious as to the main characters' backstories and why they were the way they are now, and that kept me watching. I actually did enjoy watching this and kept wondering what Yeon Woo would do next to woo (no pun intended) Woo Jae.
However, I do think this show ran into a few classic K-BL problems. The plot, while enough to keep me interested, wasn't the most satisfying. Yeon Woo did everything to get Woo Jae back, but Woo Jae honestly didn't do too much to reciprocate. I wonder if we'd had more of their past (where it was implied Woo Jae was the... pursuer for lack of a better word, though not in the traditional sense) it might have been better, but I'm not sure it would be. I felt like it was missing one of those "I realized I messed up and am now going to run to him" scenes.
Second, the actors were very much lacking chemistry. It wasn't super noticeable in earlier scenes, but towards the end where they were meant to be closer romantically, I felt like they were just actors trying to act in a BL instead of the characters who missed the other and wanted to be with their partner. The kisses were the stereotypical dead fish kiss and I very much got a "let's press our lips together because the script says it but no homo" vibe. I could easily see them as friends but struggled to see them as a couple. I am begging K-BLs to do chemistry workshops, please.
While I do think this show ran into a low-budget, low-episode-count problem, I also feel like the plot was all over the place and didn't do the best it could have. We got hints of their earlier relationship, we got hints of their current relationship changing, but unfortunately it wasn't fleshed out enough either way to give us any satisfaction.
It's a fun, fast binge for those who are looking to kill time, but I recommend you lower those expectations and just go with the flow for this one.
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1This is NOT 9.5/10 show… but it is. Let me explain.
Technically speaking, the show was quite a mess. The editing, directing and pacing were all over the place, but Fightor storyline was close to perfection, and even if you don’t want to watch the whole show, watch Fightor. As far as I know, they are one of the best BL couples up to date with the most fresh and not stereotypical personalities. Or rather, nice twists to the boring stereotypes we know.LET’S TALK ABOUT ACTING
While most of the cast did a good job, I want to focus on the talent Zee showed. I rarely ever get amazed and impressed by acting in BLs. Often I see the imperfections that make me feel less emotionally attached to the characters, because I don’t see them as real people. Meaning, I don’t immerse myself in the story completely.
Not here, though. Zee’s eyes… oh his eyes spoke volumes! I like to call them "Fighter's searching eyes". While his whole presence showed more of a cheeky and confident side, his eyes showed all the insecurities he had. He was also really good at controlling his microexpressions. Sometimes less means more and makes the performance seem realistic. Viewers are not blind. An actor does not need to make full theatrical gasp with a hand up to their face and huge eyes, for us to understand that they got scared, surprised or taken aback. Simple, short intake of breath is enough. The split second of a reaction, but that’s all we need. I appreciated these small things a lot in his acting.
Overall, he makes these small decisions while acting - when to close his eyes, when to open them, when to fix his gaze and when to make it unsure, when to swallow or take short intake of breath, perfectly timed and telling viewers so much about Fighter’s character.
Both Zee and Saint are also masters of using pauses for their advantage to make the storytelling even more believable and engaging. It’s a perfect example how sometimes not doing anything can enrich the portrayal of the character. With Tutor, the pauses are more intentional for the character, it's his time to "decide", think about the consequences of "what if you push forward a bit more" and with Fighter it’s not intentional, it's him not being able to get back to reality, not being aware whatever happened or was about to happen, ended.
Tommy aced his role. His overreactions were still natural and did not feel theatrical. As the story of Zon and Saifah progressed from comedy to romance, I was able to appreciate more of his subtle acting, with shy smiles and joyful laughter. The potential he has and the flexibility in this craft to fit different genres and moods of the story impressed me a lot.
Jimmy did well for his first role. He did feel more inexperience and his performance fell flat compared to other cast members, but I could see how much of a progress he makes in every episode.
TUTOR AND FIGHTER: DYNAMICS OF LOVE
Ever changing dynamics of their interactions were simply beautiful and amazing to watch, to the point I could write a book about it. Tutor is nothing like your usual stereotypical shy, confused, passive bottom and Fighter is anything but the dominant, overconfident, possessive top. Tutor does not let Fighter get away with the teasing and always questions his behavior, demanding answers and explanations. They pull and push, but never cross the line if the other person is not okay with it. THE CONSENT ladies and gentlemen was a recurring theme. Always giving each other space and time to back off and stop whatever was happening. I wish I could say no forcing yourself on the other person after you've been pushed away, but I guess (?) that was an important part of the plot and the development of the relationship.
THAT SAID, while the behavior of a character was definitely wrong, the way the writing and editing portrayed it was close to perfection. It was a situation that should never take place and the editing and acting surely did NOT make it look like a romantic behaviour. It was not one of the “force it till the other person gives in and starts to enjoy it”. Was it painful to watch? Yes. Was this scene well done? Yes Was it necessary? Yes and no. It showed the mental state of both characters in a raw way that could not be achieved in any other take. Sadly, because the writing of the show, up to that point, didn’t explain enough in how bad of a mental place one of the characters was, this behavior might have felt out of place. In my opinion, they could have mellow it down and not go that far, and still convey needed emotions, desperation and broken state the characters were in.
To sum FighTor up - it’s hard to describe the depth of what was happening between them without quoting specific scenes, but you can see so much through the acting. How both characters struggled with internal conflicts and the feeling of unsureness. And yet, they gravitated towards each other.
PROBLEMS WITH PACING AND EDITING
Shall I say the pacing was a clusterf*** even before the COVID-19 happened and I literally laughed at how confusing everything was? Coz that’s how I felt. But then I just said: wherever, let’s just enjoy this acid trip.
While I was in love with how they handled Tutor and Fighter’s story and the pacing was everything I might have wished for, the fact the drama focused on them so much made the other characters suffer. With the overload of characters and couples, it was doomed from the start - not gonna make it. How can you have well established and developed 5+ couples with their own side-stories? Goal impossible to achieve.
Zon and Saifah... where to even begin. Zon the first half of the episodes had 10 different personalities, I was confused. Because the director did not spend enough time showing us the gradual change in Zon’s perception of his situation and relationship with Saifah, everything just came out of nowhere. There were not enough scenes showing us how Zon went from panic to soft. Which was a bummer, because their sweet story could perfectly balance the drama happening between Tutor and Fighter. We were robbed of such an amazing story it truly pains me.
Don’t even want to talk about Hwahwa. Poor girl makes no sense, her feelings change every second. Just sad. Justice for Hwahwa and her beautiful hair flip.
It’s hard to comment on other characters and their plot lines since they were just dropped here and there without much linear progression nor explanation.
The audio editing was distracting. While the use of some comedic sounds was fine and brought a smile on my face, they definitely overused them. The scenes would be funny even without some random sounds dropped every few minutes. Video editing suffered quite a lot because of COVID-19. In later episodes there were some black screens showing up, the subs were missing, we got the same action done by characters shown in x number of angles, just to stretch the scene a bit more. It was not tragic to the point I could not focus on the plot, but the difference in the quality in the first and second half was quite obvious.
BACK TO POSITIVES
What this drama does have though, is an amazing message. While, in default, most BL dramas are supposed to promote - love is love no matter what gender, Why R U does not shy away from talking about it in a straightforward manner. Calling out and questioning homophobic characters, explaining to them how they are wrong, showing how being heterosexual does not mean your love it perfectly good and will never fail. There were quite a few scenes that deserve to be called “iconic” in BLs realm for how well written the dialogues for them were.
Overall, Fightor is life and perfection. I was legit obsessed with them and rewatched their scene every week. I was never as invested in any couple in drama ever (and I have seen quite a number of them). Watch their story, fall in love and let’s all fangirl together.
PS. While my rating is extremely biased and subjective, I tried my best to be more objective in the review itself. Hope it worked out well-ish :)
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First, if you are choosing to watch this drama due to historical context reenactments, you might be disappointed because it is fictitious rendition of the historical events, so creative liberties have been taken. Personally, I didn't mind the changes and/or omissions of history to suit the drama because I was more interested in the fiction of the story rather than the history being presented.
Second, there have been some people who have said that they really didn't find the music to be fitting for the tone of the drama. I completely and wholeheartedly disagree. I think ALL of the music was exceptionally fitting and helped really build the scenes. Even though there was some EDM, rock, and bagpipes in the OST's, they all blended well, and none of them took away from the drama.
Now that I got those out of the way...
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What was amazing:
The friendship felt between Hwi and Seon-Ho was impeccably powerful. Their friendship lasted through the good times and the horrific times. There was a brotherly love they hold for each other that motivated them to fight and die for each other. I loved every moment of it. Especially when they only had bad and worse options to choose from - it was hard to watch, but you can't help but keep watching it happen.
Writers did a great job blurring the lines between "good" and "bad." A lot of times in historical dramas, all the main characters are "good guys" and the opposing party is clearly the "bad guys" - there are no blurred lines. But this drama is deeper than that. It very powerfully demonstrates that when you believe that what you're doing is best for those you love, it's not "wrong" or "bad" just the best option out of the choices you have. The plot in regards to good vs. evil was so well crafted. There were only some characters that I truly thought were bastards (such as Seon-Ho's father), but for the most part, I could see where they were coming from and couldn't hate them for it. Which leads me to my next point...
I ADORE Seon-Ho. Yes, he made some really awful decisions that put Hwi through some really horrible things, but they were the best decisions be could make in trying to protect Hwi and Yeon. AND he tortured himself every day knowing what he did to his best friend and sister. So no, I couldn't hate him, not once. He was actually my favorite character.
I think the writers also did a really good job of writing a story that WASN'T about people fighting over the throne for themselves. The main characters are trying to protect what they view as "their country" but they go about it in vastly different ways. And they do indeed have very different ideas as to what their "country" is too. The writers did a great job writing about historical figures that got mixed up with royalty, but it wasn't about them being king and instead about them surviving in their respective worlds.
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While I really enjoyed this drama, I do need to address some issues:
Unnecessary romance - I am usually ALL about the romance, but honestly, the romance between Hwi and Hui Jae was unnecessary (it reminded me of Hwarang's romance, to give comparison). I don't think it was very well developed at all (we were just meant to acknowledge that they love each other and fight to the death for one another after only 3 or 4 encounters). Personally, the story would have still been just as great without the added romance.
Battle wounds - Simply put, characters recovered really quickly and easily from mortal blows during battle. Some characters would be stabbed through-and-through and would be able to fight within a couple of days with little issue or ride a horse for hours without issue. *shrugs* It's a plot convenience, I know, but highly unrealistic. It didn't distract me much from the drama, but I feel like, either make the battle wounds more realistic to fit the intended plot or have the characters suffer the actual battle wounds given.
Hwi's character development (specifically in comparison to Seon-Ho) - Seon-Ho was extremely well-written with lots of gray areas - he had to make a lot of horrible decisions, live with his choices, and fight for what he thought was right, constantly evolving. Hwi felt like the weaker written main character, lacking the same amount of depth that Seon-Ho was given. I know that they are different characters, but I would have really liked to witness Hwi experience the same amount of depth in plot realizations that Seon-Ho had even though their experiences were obviously different.
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I would like to sincerely compliment all the actors in the drama - they were all wonderful and powerful in their roles. But I would like to say that Woo Do-Hwan stood out exceptionally to me. He is exceptionally handsome, especially in historical attire (LOVED the long hair on him). And he simply did the most amazing portrayal of his character. Again, all actors were amazing, but he stood out to me the most. Do you realize how hard it is to have a man cry and truly portray the emotion without the audience giggling at the silliness of it on screen? Woo Do-Hwan portrayed Seon-Ho's emotions on all fronts with expert precision - you could truly feel his character's pain, turmoil, grief, and sincere love for not only Hwi, but Yeon even after her death. I will definitely be seeking out the dramas I've yet to see with him.
Ending: I don't like tragedies in general and typically avoid them. I started this drama before it was complete and got hooked before the drama was tagged as a "tragedy." Nonetheless, I really liked this drama. The ending makes sense and I'm not upset about it being a tragedy. I say this to hopefully give courage to those people reading this who are unsure about the "tragedy" tag.
Rewatch Value: Yes! I will definitely rewatch! I don't watch too many historical dramas, but this one is incredibly fast-paced and the story is worth witnessing again (tragedy or not).
This drama is not for everyone and definitely more targeted for more seasoned K-drama watchers. It's got some heavy plot and turmoil, bloody battles, little-to-no romance, and a tragic ending - all of which aren't usually mainstreamed. But, if the trailer intrigues you, perhaps give the first episode a shot - that's all it took for me to get hooked!
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No matter how beautiful a woman is. No matter how successful she is in her work life. No matter, how good she handles her house and children. No matter how smart, considerate, kind she is. Cheating men will cheat.
And then most of the time that woman has to deal with friends and family who will tell her to forgive the man, innocently selfish children who will ask her to compromise, outsiders who will gossip and an unapologetic man who will think it is his right to cheat. She'll be left with a destroyed family, broken pride and a stamp of a woman who couldn't handle her marriage.
This drama tells the story of what happens when you mess with the wrong woman.
Sun Woo is ruthless and takes no prisoners when it comes to revenge. Giving a new meaning to "Hell hath no fury, like a woman scorned", she is obsessive, borderline psychotic, scarily intelligent, calculating and even selfish but at the same time she is incredibly strong, bearing and someone who's been hurt in the most profound manner.
Kim Hee Ae's acting is beyond phenomenal, not unexpected from a four time Daesang winner. She hits every emotion on the spectrum to the point you are fully attuned with her character. She will make you love her fiercely, frustrate you to no end, question her motives, pity her and even hate her.
The shock value in this drama is no joke. Things that you haven't imagined in your wildest dreams happen in the most iconic fashion and you're just left with your mouth hanging.
There's no passive watching this drama, for it wrenches feelings out of you. You'd be screaming at the screen, tearing at your hair and will probably think of throwing your phone at the wall once or twice.
Every aspect is exceptionally executed. Where there is emotion, you'll be crying your heart out. Where there is thrill, you'll be biting your nails to stubs. Where there is suspense, you would be sitting at the edge of your seat. Where there are makeout scenes, the entire room will feel hot.
None of the characters in this show are truly likable. The moment you start warming up to someone, they'll do something to screw you over. These people are extremely complex, selfish, vindictive, weak- human nature at its worst and that's the beauty of the show.
The music is amazing and added in just at the right moments. The writing plus dialogues are crisp (pretty loyal to the original series) but the direction and delivery by the actors takes the cake.
It's impossible to stop, once you start watching it and it maintains the tension from beginning to end with never a draggy moment.
A true masterpiece, that explores the dark waters of marriage, relationships and being human, it is not reccomended for people who can only root for righteous and wholly good characters. For this drama, leave your moral compass behind or it will explode.
Lastly, the drama beautifully succeeds in delivering its point:
Cheating is NOT ok and you don't have to forgive it. No matter how weak you get, no matter how hard it is (and it will be) no matter what the world says, no matter how much history you have, you don't have to compromise. No excuse should be enough.
The world of married is a place where there are no winners, you just have to do what's right by you. Because, before being a wife, a mother, a daughter, a friend, a working woman: you are your own person.
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This review may contain spoilers
THE BEST OF 2024 SO FAR!
What are you doing? If you havent watched this series yet just go and fall in love with Moo and Kang already! Only Boo is this year's Bad Buddy and My School President! One of the best of the year so far!This series breaks my usual Friday night GMMTV BL habit. At first I was hesitant to watch it - 2 relatively new actors, with a cheap looking poster and a not so overwhelming trailer, plus its another one of those young high school themed BL series. but I am so glad I gave this a chance. The very first episode surprised me - and I immediately fell in love with the characters! This series is a testament that not everything has to be overproduced (with acting and production) to make an entertaining enjoyable series - if its made right, sometimes the best way is the simplest way.
I cant say enough how this series relied heavily on the 2 main leads's charms - Keen as Moo is a surprising revelation and Sea as Kang in his understated awkward robotic acting reminiscent of Japanese BLs. Both are super adorable and super lovable and their chemistry is just over the top. Their characters may be considered two of the greenest flags ever created for a BL and are really good role models for the current generation of LGBTQ and BL lovers. Watching them together is hard to believe its their first main series, It will be crazy if GMMTV isnt lining up projects for them.
Let me also just say that whoever thought of making Kang and Moo cry, you are an evil evil genius man! Everytime Moo and Kang cry feels like watching your puppy just died and triggers every maternal instinct to want to protect them both.
The second couple and the support casts are also amazing. Aun and Ashi as Potae and Payos are just as adorable as Kang and Moo. And Milk - what can you say about Milk - she has become the gold standard for all the BL fangirls (and fanboys) out there, it felt like I am Neth screaming at the top of my lungs whenever i see my ship together. Added to the mix is the always adorable Louis looking perfect as the band's leader and eventhough a lot of KangMoo supporters hated Book's character I still loved that he shared his experience to support the new actors.
The story itself, although at first glance showed a very common plot, was fully developed for a 12 episode series. I loved the idol concept and the journey that both Moo and Kang had to go through with a very fast pacing and a very positive messaging delivered in such a modern refreshing way. Every single episode felt important and most of all, i really appreciate the fact that eventhough some of the episodes especially 10 and 11 are meant to be the dreaded breakup episodes they still found a way to end each of them positively so we wont have to wait brokenhearted for a whole week.
Also the music and soundtrack are both perfect - reminiscent of similar series before it like 2gether, Bad Buddy and My School President.
If there's anything to improve, i guess it would be to give Kang's character a slight upgrade cause his story felt somewhat secondary to Moo's journey. Also, why limit Louis exposure like that? We love our Louis and more of him is always good!
I cant tell you enough how in these past 3 months I looked forward to Sundays and how it gives me energy to face the new week again. I will definitely miss this duo and heres hoping to see them again in a new series soon!
PS. I just want to say that Im glad GMMTV is going all out with BL productions and giving their huge line of actors the space to shine- these past 2 to 3 months they have graced our Wednesday, Fridays, Saturdays and Sundays with contents to help us get through this dreaded heatwave, and im very thankful for that.
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Proceed with caution, if that makes sense.
'The Penthouse' is an SBS drama series which has been planned to have a total of 3 seasons. The show focuses on the lives of high society people who live in a luxurious apartment named the 'Hera Palace'. They'd do anything to protect their social status-- even if it means that they have to kill someone.3 seasons feel like a big stretch while the 1st season itself has 21 episodes. So, should you buckle up and watch 3 whole seasons of this show? Is it all worth it?
Firstly, let's talk about the plot. The first season of The Penthouse focuses on a murder mystery, a revenge plot and introduces its variety of characters to the viewers. A good revenge plot and a murder mystery is fun to watch, but does this show fall into the 'well-done' category? If you think logic and basic sense of knowledge, this show's plot lacks at that. Many conflicts made in the show would be quickly solved only if the writer had applied more common sense and logic to the story. However, the frequent plot twists and unpredictable situations definitely makes up for it. On the other hand, let's talk about the characters. Where do I even get started? The Penthouse sounds similar to the hit 2018 drama Sky Castle in many aspects. However, the characters of The Penthouse draw a big line. One moment you'd think one character in The Penthouse couldn't get worse, and then BOOM, the character turns out to be a whole lot more worse and just insane at one point. Most of The Penthouse characters don't have much sense of morality and they have very little humanity in them. One thing you need to acknowledge, is that no character in this show truly have a development or redemption. Is that a bad thing, you may think? Well, it depends on what kind of a viewer you are. Now you might also be thinking that how will you be able to watch something with 21 episodes where 9 out of 10 characters on an average are despicable? The evil characters and their insane actions make this show unpredictable, crazy and extremely addicting. You'll undoubtedly be hooked to it despite of the hatred it'll make you feel. This drama, in short, is an intense and over-exaggerated 'makjang' (soap opera), that is one of the most dramatic shows you'll get to watch. I believe anyone will finds themselves totally engrossed into the show-- as long as you don't take it too seriously.
Finally, about the acting. Many people will have issues with the acting and I have to admit, it is quite over-the-top at times. There's a whole lot of screaming, crying, throwing tantrums (or basically breaking stuff), shooting lazers from the eyes and a lot of... opera? I personally believe the acting style was pretty good and suited the plot well, and if I had to do a special mention, it'd be Kim So Yeon, who plays the role of Cheon Seo Jin. Her character is crazy, ruthless and one of the worst. And while Kim So Yeon's acting is also over-exaggerated, her overall performance was brilliant. The rest of the cast was great too, indeed.
For the music, I'd say it wasn't anything outstanding but it did the work pretty well. The scores they had suited the scenes perfectly and helped to set the dramatic mood much further. It would've done better for the show commercially if they had a memorable OST like the ones in 'Sky Castle' and 'The World of The Married'.
Overall, my rating for the first season of 'The Penthouse' is a good ol' 8 out of 10. 8 is a quite high score for me, so do I recommend this show? I do recommend. But, I personally believe it depends on what sort of viewer you are, as I mentioned earlier. You will either love and embrace the insanity of this show or you will not be able to tolerate it more than the first 3 episodes. But in the end, the question remains, is it worth for 3 seasons? That also depends on you but I personally doubt I'll be continuing. But then again, I might change my mind in the future when I'm in need of 100x stress and high blood pressure for no reason because I like pain :'). Thanks a lot for reading this excessively large and spoiler-free review, if anyone did read it and find it helpful!
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Don’t expect a fairy tale. Don’t expect a boring sad story full of fake tears and violins. Don’t expect any average acting. This drama is telling us the story of people you can identify with. This is a story that could easily be true. There isn’t one character that doesn’t fit, not one "black sheep" actor. The dialogues are written as if in a theater play, and each line is perfectly mastered (Sakamoto Yui got the Best Screenwriter Award for this drama). The palpable tension captivate us and makes you hold your breath and wait for the next move, the next line.
(The three directors also got the Best Director Award.)
Eita (who got the Best Actor Award in the Television Drama Academy) and Hikari Mitsushima are simply incredible. Both seems at the end of their tether starting from the very first episode, and this is one more reason why their dialogues are so enjoyable and captivating. But, as I said, even the supporting actors are are talented (especially Otake Shinobu, whose performance got her the Best Supporting Actress Award, and Kazama Shunsuke, who also got an Award)
As for the music, there isn’t much to say aside from it being beautiful and well-balanced. Very different from some sad dramas that need sad music to make the audience cry because the actor aren’t good enough.
6 Television Drama Academy Award are 6 reasons why I gave this drama a Overall 10 and a 9 in Rewatch Value.
In short, it's a must-watch..
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This review may contain spoilers
Pinocchio on the surface is about a bunch of reporters who learn what reporting is truly all about. Or at least, that's what I was expecting until I heard Lee Jong Suk joined the cast. I swear nobody has a knack for good roles the way he does. He just knows how to pick an amazing role and make it even more amazing with his acting skills. And that's what this drama was. Absolutely AMAZING. Every episode took me deeper and deeper into their story and by the time I was done, I was crying like a wild horse (if wild horses cry). Every character, every situation and every decision (made by Dal Po) either turned me into a huge of puddle of emotional mess or brought a huge, shiny grin on my face. Some stuff got me slapping my computer screen so hard (I'll make it up to you babe). There were no in-betweens. Also there were no dull moments. Coming to characters. Dal Po is amazing. And not just your everyday amazing but amazing amazing. While I was watching I can't even count the number of times I would've made a choice completely different from him. He was so brave and just so right. The kind of path he took, there was no assurance that he would be able to avenge his family at all and as we moved further into the story, we realize that if he hadn't made the choices that he did, he wouldn't even have been able to catch the right culprit. As for Park Shin Hye, I've really only liked her in You're Beautiful. Her characters in Heirs and Flower Boy Next Door were extremely disappointing. But this is her best portrayal. I loved Choi In Ha and her blunt attitude (not that she had a choice considering the Pinocchio Syndrome). I think I'll have a hard time remembering it's not a real syndrome.
The supporting cast was amazing, especially Yoon Yoo Rae. Her little love-story towards the end was really cute (I'm trying really hard not to give spoilers here, but I'm so excited I can barely contain it, lol). In Ha's mom, her dad, her grandpa, everyone was great. Both the Caps and OMG the whole staff at YGN. I absolutely loved them. Especially the dude with the creepy grin and the hairband. He was awesome! Ahn Chan Soo was awesome. Kim Hae Sook is one of my favorite actors when it comes to moms and other older roles and the parts she plays always have something great to offer. Same happened here. Her character started out as a sweet and overly-protective mom which reminded me of her roles in Marriage Not Dating and I Hear Your Voice but it grew into so much more. Last (but most definitely not the least) Ki Jae Myung was mesmerizing. You know what he does is wrong, yet all you feel for him is sympathy and make excuses for him, because the emotional turmoil he goes through is simply palpable. He suffered through years of pain and guilt and he suffered all by himself. It was beautiful, the way his character was shaped.
The music is good, though not extremely good. It's melodious, relaxing and not too dramatic. Every Single Day has composed some nice ones for the OST.
Comparisons to I Hear Your voice are inevitable since the lead actor along with supporting cast and the writer-director were same for both dramas. And there is an essence of IHYV here in this drama, which makes it just as great. But nothing is repetitive and Pinocchio easily holds it's own. I would recommend it to everyone now that all the episodes are out and you don't have to live in agony waiting for new episodes.
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Gaksital’s genre is not a genre I’m usually inclined to, but I was immediately captivated when I first read about its synopsis. At that time, I knew this drama was going to be phenomenal, and I was right. I started watching it as soon as it aired, and I never looked back. Gaksital made every single week of its run memorable for me. I don’t think I could ever forget the mental and emotional memories this drama has given me. It gave me so many feelings that I don’t think I know which is which anymore.
What made this drama so intense was the conflict between the two male leads. Kangto and Shunji defined Gaksital. They were the heart of the show, and I don’t think this drama would have been that successful without those two. Joo Won and Park Ki Woong definitely deserve some awards for their outstanding portrayals of these intricate characters.
Action-packed and beautifully written, Gaksital is a once in a lifetime drama that would surely strike one’s heart.
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What they will miss at first glance is this most amazing story told by this amazing group of actors.
It is beautifully written and produced. It gives really good feelings for the heart to experience.
The story is different. It isn't the typical family drama we see. It has a unique story line to it. And from the very first episode it has you hooked, lined and your done. It's funny, it's relatable, it's super sweet and romantic (ah my heart). When I watched this I kept on thinking this is how families should be, siblings should be and relations. This drama shows how much the little things means when your with the people you love. It doesn't only resolved around the family but the people around it. We see this different age of people from the grandmom to Min Ha (high schooler) and couples, parents, siblings, in-law's with their struggles and how they over comes it. It's a story that's written for everyone to enjoy. And the ending was so beautiful!
The actors are amazing. All of them deserves a round of applause. I love them all and they did such an amazing job with their respected roles. But my special call goes to the amazing actress Lee Yoo Ri who was just damn right AWESOME. I love her! I love her! She was great. She is great. I love others too (Lee Joon - God he is so cute!) they were all awesome and to the point with their acting. I can't even think those character's being played by others.
The music is so so sweet. Love them all!
Totally going to re-watch it. More then once. I have to because I miss them already!
It's an amazing drama. Don't let the "52 episodes and family drama" stop you. Because at the end of it you will wish it had 100 or more episodes. Because at this moment I do and I know you will too.. So please give this a try!
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If there is only one word that could describe this drama perfectly. That is 'Awesomazing'. From the A to the Z it is the most funny, dramatic and almost realistic drama I saw.
The most funniest drama I had seen ever. Ever.
Don't believe me? Let me tell you why you should.
The cast is Perfect. I don't think anyone could had done those characters more justice then people who played them. Though I am not familiar with any of the cast members but I am glad that I still tried it. Because they were perfect.
Nam Gung Min is the funniest actor, I know. Then there is Lee Jun Ho with him. And it's just perfection on it's own.
There are lot's of other people too. And You are going to like each of them for their characters. You just have to.
The story is amazing. I'm not going to say anything about it, except that you will love every single second of it. You will love, scream and cry (for all the good reason). In the end you will just wish if there was more, more and more.
Funny & crazy lead. Smart women characters. An antagonist that you will love. A corruption story told with the right balance of comedy. And with a few lessons for life (Don't do corruption!).
There isn't a bucket load of romance in it. But there is this one couple that you will be shipping from the first episode. *hint* hint* And if you are me, then there will be two or more.
The bromance...
You are probably hearing a lot about the Chief Kim & Director Seo's bromance. And none of the things you heard is a lie. If you thought Goblin & Grim Reaper's (From "Goblin" ) bromance was epic. Then this one is just a step farther. It is funnier, cuter and seriously has that felling that just makes you go 'aww' at them. TQ's Psycho & Gluttonous Sociopath, they are just to CUTE to resist.
Every time they were together, there was Bang bang bang. Every line, every scene, every time their eyes meet...there was Bang.
This is the most romance I have ever seen in a bromance. And there are kisses. Yes, kiss but in plural!
The music. The songs are amazing. Beautiful and light goes perfectly with the story and the scenes. You will be humming them all the time.
Rewatch - 10/10. I am so going to re-watch this. Actually I'm already re-watching it now.
So if you think 'Ah, it doesn't has romance in it. It probably isn't good.' Then I will like to tell you, "You are so wrong. It does has romance in it. Just not a bucket full of it. The story, cast, music, the bromance, comedy everything else makes up for it. When you reach the end of the first episode you won't even care about the romance anymore"
It's an amazing drama not to mention a hilarious one. One of the best of 2017.
I'm hoping for a 2nd season.
For all of you my advice is, "Watch it! Watch it! Watch it!"
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