Reviews

I think this Drama really portrays something quite important especially in today's society. It has a clear moral and message that is delivered very well to the audience by the wondrous actors and soundtracks. I feel like when we reach the end of the story, we all have something we could take from it that we can implement into our own lives. Switched kind of reminded me of one of my favourite Webtoons out there which is Lookism in regards to the perception of how people are treated differently just because of their appearance and looks. It's because of that reality that people can be driven to be greedy, jealous and can be overflowed with desire to own and be something that they are not. Switched presents that in such a fresh and deep way that resonates into our hearts and souls.

In terms of the story, it is nothing like I had seen before. It revolves around switching bodies where the personalities and minds remains the same. However, even though it is a plot that was used many times already in media, Switched is one of those stories which will certainly grip you and keep you glued to the screen the whole time, anticipating what would happen next and wondering whether they're actually going to solve the problem in the end. I like the fact that there is a whole back story in terms of Switching and that it is a global supernatural phenomenon that had affected quite a lot of people which goes to show that the world is not as black and white as it seems but rather corrupted because people have these desires such as desiring a life much different than their own. The creators and author used this occurring device and twisted it into their own way to make a suspenseful and mysterious storyline.

However, what I can say though is that I felt like the last episode was particularly rushed. Because the series only had 6 episodes, I felt like a lot of the things that happened were all squashed to fit in one single episode. This includes the solving of the conflict and the aftermath of the events. It gave me the impression that the whole conflict was in a rush to be solved before the end of the episode which I thought had the potential to be extended and explored if we had more episodes. Needless to say, I'm not particularly complaining since it is not the first time that Dramas had executed rushed and less fluidity as opposed to the rest of its episodes, but overall, I was glad that Switched had graced us with the ending I'm sure we wanted to happen and I'm really happy for that. Not to mention, I was a bit sad that it only has 6 episodes and that it is too short to my liking; we need more of these wonderful goodness ;; However, if it did get extended and it had more episodes, I would have liked to see more exploration about the Red Moon, the history behind the Switching and also the psychological effects of people who had experienced it especially Ayumi and Umine's situation.

Furthermore, I don't know about you guys but the acting was remarkable to me. It was simply fantastic. The feelings that were expressed did resonate to me as an audience and man did it impacted me quite a lot. I wouldn't have cried a few times whilst watching the series if it weren't for the powerful acting that was demonstrated consistently throughout the show. Each of the four teenagers made an impact to me in their way and man, can I say I love Kaga to death - he is such a pure angel <3 Umine had shown an outstanding performance presenting someone who had lived a horrible life and was corrupted and driven by hate and greed, someone who was unwanted in the society and was treated nothing worse than scum but then realised how to be a strong person and to tackle her problems with a positive attitude. As for Ayumi, she was someone who emphasised and sympathised with Umine after being switched to her body and developed to this caring and aware person as opposed to her naivety before. And Koushirou...he's just a whole enigma lol. You just won't expect what he would do next; quite a good manipulator as well.

Anyway, moving on, I wouldn't have enjoyed the whole series experience without the amazing soundtrack like honestly, it's wonderful to listen to. I've always been a music person so the Ost affects my viewing experience as a whole when watching a show, so when watching Switched, it just added more of the depth and atmosphere that is needed to support the acting and it made it more enjoyable to me. This reminded me of Devilman Crybaby's soundtrack actually because it pulls at your heartstrings yet some are upbeat and pleasurable to the ears. Switched has one of the soundtracks that I would listen to in a playlist and download.

To conclude, I really enjoyed watching the series. I love the themes that was explored because I feel like it is something that has the importance to be addressed especially in a society like ours. The way it was portrayed was just enthralling to the point that I was even in tears. So yes definitely would rewatch it again at some point in the future because I haven't really watched a series with that kind of approach in a while and the fact that it is quite different to the other usual Dramas out there. I may be exaggerating in some areas lolol but it just goes to show how much I've grown to be attached to it because it is something I relate to in many levels. Plus the soundtrack is worth listening to as well.

I may have loved it but it may not always be the same case for everyone but all I can say is that it is definitely worth the watch. Totally recommending it if you are looking for a series that has mature, supernatural and psychological themes :D

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NOT WHAT YOU'LL EXPECT!

Hear me out. This series actually blew my mind. Contrary to the negative backlash that colored it when it first premiered, Earth , Mix, & Jan did a great job in my opinion. So glad that I took a leap over many negative opinions to see the series for myself. Body swapping is not my thing but it is so nicely done and certainly addressed in the series that I ended up enjoying the story line. Earth plays himself throughout and Jan was shown periodically so that we the audience do not forget that Win (Mix) is now in Lin's (Jan) body. If the body swap happened in a manner Lin's face was used to act as Win, I would have found that problematic. Or, if Korn (Earth) continually addressed Win as Lin, it would have been bad. But we can see that Korn is constantly aware that Win is the person he is on a journey with. Win even questions who Korn loves. Him or his sister. I am glad they made it clear that bodies had been swapped. Now, lets talk about the chemistry between Korn and Win. SHEEESH!!!!!!!!!!! They came in hot with the chemistry. I was so impressed. Their chemistry on ATOTS has NOTHING on this series. I want to attribute the ease with which they connect to the fact that Earth and Mix have spent a lot of time together since ATOTS. The stares, kisses, touches, my goodness, so so good. Mix has such a great way of expressing different emotions that just draws you in. Earth's acting was certainly better than I have ever seen it. I guess that goes to show the importance of partner pairing. I think some of the racist issues were cut out because I did not see any scenes with them. This series has made me more excited for Moonlight Chicken because I think that if Earth and Mix delivered such acting under a director everyone claims is very problematic, I cannot wait to see the art P'Aof wrings out of them. I will certainly be rewatching on GMMTV once it is released on YouTube. Earth Mix is certainly a new favorite after this series. I personally do not pay attention to anything other than the acting and storyline of a series. This way, I can support the actors based on what is within their power to influence. I do not think anyone asked Earth and Mix what they felt about the color grading. So, I am not going to use that to rate the show when I know it may affect their ability to secure other works in the future.

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I always say webdramas have the best most realistic relationships~ if this was a romcom, it'd have had a useless love triangle with female characters that couldn't speak up for themselves..
this had everything:
+ a slow natural "friends to lover" relationship.
+ no cliches, or better yet realistic twists to the cliches (like the girl "rivalry")
+ a normal 2nd ml that didn't secretly love the fl
+ a cute friendship
+ female power
+ dimples everywhere!
+ a male lead that apologized and didn't over step his boundaries, ie a real "nice" male lead
+ girls taking care of their own "problems"
+ and the best part, the nice healing plot development~
I kinda wish it was longer though ;(

the ost highlighted the strong female characters well, and I rarely rewatch things so it's either 1 or 10 ;p

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(There are heavy spoilers ahead for those who haven't watched it, since this is a review mainly about the details of the plot.)

Burning is the type of film that has multiple themes but still manages to bring them out clearly through layers of symbolism. Recurring themes are sprinkled throughout the run time, and seemingly unimportant details become essential to the appreciation of this work. The slow-paced, character-driven plotline may be a turn-off for certain viewers, but rewards those who are patient and attentive to details. In this review, I will try to unfold all the themes that I have observed throughout the story.

Theme #1: Fact vs Imagination
A recurring theme in the story is what is real and what not. This is first mentioned through Haemi's depiction of an imaginary tangerine, peeled and consumed between her fingers. "Rather than imagining its existence, you forget about its non-existence... and naturally your mouth waters", she says. Another instance is Haemi's cat Boil, which Haemi tells Lee Jong Soo to feed while she is gone. The cat is never seen in the apartment despite Jong Soo's frequent visits. This could be a reference to the "Schrödinger's Cat", a quantum thought experiment in which a cat is simultaneously dead and alive, until it has been observed. Another reference of this is when Ben says he is "here and there, at home and out travelling, in Korea and in Africa". Haemi also talks about falling into a well at the age of 7, feeling disappointed that Jong Soo doesn't remember him saving her at the time. After further enquiries, Haemi's family claims that there was never a well at their place, while Jong Soo's mother remembers the well having existed. Was there ever a well? Or was it all made up by Haemi? The dual nature of existence expands further to the actions of the main characters -- whether there was truly a greenhouse that Ben burnt down, why Haemi suddenly vanished, and whether Ben was the culprit behind Haemi's disappearance. Did Haemi run away to escape from her debt, commit suicide because of her existential depression, or was she really killed? Near the end, Jong Soo calls Ben's new cat "Boil", and the cat runs into his arms. We never know if this is a mere coincidence, or if Ben killed Haemi and adopted her cat. These events highlight the ambiguity and uncertainty of life, that we can never be sure about what we seem to know, and everything is up for interpretation and our own belief.

Theme #2: Presence vs Absence
Another theme is an unsettling tension caused by the desire for something and the lack thereof. The absence of Haemi and the lust that Jong Soo has for her, the absence of a mother figure in Jong Soo's life and his loneliness as a person living a solitary life in a rural area carrying the weight of his father's prosecution on his shoulders, the absence of the cat that is believed to exist, and the phone calls that remain silent regardless of anticipation. This unsettling tension is evident even to the audience, whose questions about the plot are never answered. Jong Soo fails to find enough evidence to prove that Ben killed Haemi, and it leaves us hanging forever even after the credits roll. Our emotions become one with Jong Soo, and we become Jong Soo himself -- we want to search for truth, to be certain that we know something, to the point we start to believe what we want to believe just for the sake of filling that void in our minds. The movie ends without answering any of our questions, because the essence of this movie is not what the truth is, it's how we and the main character react to not knowing the truth. Something is off, but we don't know what exactly is wrong. It's always the absence of something that makes our skin crawl. We keep answering that anonymous phone calls hoping that someone will say something, so that we can know the "who", "what" and "why", and every time they aren't answered, we feel more impatient and curious, and "burn" with the growing desire of receiving a response -- this brings us to the next theme that we will explore.

Theme #3: Burning
The title of the movie is "Burning", so there are plenty of "burning" symbolisms sprinkled throughout. The burning bonfire of the "Great Hunger" dance depicting Haemi's desperate search for the meaning of life, the burning greenhouses suggesting Ben's unruly and destructive tendencies, the burning clothes of Jong Soo's mother representing the desire to sever ties and erase memories, the burning scene of the crime when Jong Soo kills Ben representing his hatred, and the burning lust and passion that Jong Soo has for Haemi that is never satisfied after Haemi drifts apart from him and eventually disappears from his life. Even the audience experiences a burning sensation of wanting to unravel the mysteries but is unable to -- resembling a slowly burning pot that never gets to boil.

Theme #4: Working class vs The "Gatsby"
There is an apparent gap of living between Jong Soo/Haemi and Ben/Ben's female friends. While Jong Soo is unable to earn a living as a creative writer and Haemi is struggling to make ends meet with all that endless debt, Ben lives a worry-free life cooking pasta at home and blurring the line between "fun" and "work". Jong Soo cannot do anything but frown when he realizes that he has lost his love to a man in a speeding Porche. The way Ben yawns and his friends laugh is almost humiliating sometimes, even though they try to cover up their lack of interest and degrading attitude behind their noble facades. To Ben, people's possessions (and probably people too) are only toys to him, things that can disappear without a trace without drawing any attention from the police, because they are too insignificant to be concerned about. The haunting thing about this is how true it is. When Haemi disappears, nobody seems to notice or care at all, because losing one lonely and ordinary girl does not matter at all to the world. Regardless of whether Ben murdered her, the indifference of the world towards a girl's disappearance is brutal enough, and shows how frail a person's life is if they are a nobody.

Theme #5: The clash of characters
It was brought up multiple times that Jong Soo's "occupation" is a creative writer, yet we never see him writing except in two distinctive scenes. Jong Soo spends most of his time managing his father's farm, passing the time at home, feeding Haemi's unobservable cat, and satisfying his sexual desires. The only piece of writing we see from him is the petition he writes for his father who is being convicted, implying that rather than using his writing skills for creative production, he can only use them to solve his real-life issues. One of the possible reasons could be that he is incapable of writing, because he is merely a mindless empty shell stuck in his past. He resonates with Faulkner's work, because he thinks it resembles his own life (his past), but he has no other thoughts aside from this past, nor does he have enough connection with the outer world to come up with any story for a novel. Due to having a broken family and lacking maternal love he is unable to properly interact with the world and enjoy life, but deep inside he longs for a connection, and tries to address this loneliness through touching himself. He is only surviving, but not living. Haemi, on the other hand, is drowning in debts but living her life in complete spontaneity. She is free-spirited and always has her head in the clouds, as if she is drunk. She smiles at one moment, and suddenly bursts into tears in another. She dances wildly, strips herself naked, without social schema ever crossing her mind. Haemi may seem insane, but she could be the most sane character in the story -- the only character that is truly living, that knows what is real and what is not, and contemplates about life's meaning. Despite having plastic surgery, she is more raw and authentic than those who live wearing a mask. And this is what Jong Soo likes about her, but what Ben finds boring. The three characters have different personalities and backgrounds, which ignites interesting sparks in their encounters.

Theme #6: Gender roles
The movie briefly touches on topics of toxic masculinity and female oppression in society. Quoting from Haemi's friend, "there is no country for women", women are often subject to scrutiny and harsh standards. "You're ugly", "Only prostitutes take off their clothes like that in front of men", Jong Soo is the typical traditional male who applies the scrutiny of appearance and behaviour. To Jong Soo, Haemi is the target of his sexual fantasies, the serrogate of a mother figure, and just an "ugly" girl that he doesn't remember from his past but a smoking love interest after her physical transformation. Ben takes on the role of playboys in society, those who pretend to respect and treasure women because "women like that are interesting", but actually see women as objects of possession, and to the extreme in this case, "trophies" that can be collected.

There could be more themes in this movie waiting to be discovered, but the above is my take on its more easily accessible themes. Burning is a masterpiece when it comes to having multiple themes perfectly woven together and presented through a single sit-through. It is a hidden gem among the countless fast-paced Korean films of this era, as it manages to go against the tides to adopt a more relaxed pace of story-telling, and such attempt was highly successful.

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One of the best bls ever.

This bl is one of the best out there and I would 100% recommend to watch it.

No absurd drama, no same sluggish plot, no irresponsible male leads... This series has everything to look for.

The pace is steady, not too slow or fast and every character play their part beautifully in depicting every emotion around. You will find many cute and heartfelt scenes which will make you to blush. The heartbreak part was gorgeously depicted. The acting was fabulous. I'm greedily looking for the last two episodes cause the wait is torturing me.

After reading the manhwa I was confused as how they will show it , but damn they have included all the main parts and even those heart fluttering moments....gosh I already want to watch it again.

Moreover, if you are a hugger or loves hugging, this bl is for you. There are several hug scenes and felt so intimate that make you want more in your life.

The osts are good and I already love them. The main leads are the one who sang it and I was so surprised to hear that.

I'm not gonna criticise anyone here but truly, I found many reviews which are not giving justice to this drama and that's very sad.

Well, I'm gonna say it again, ULS is already among the top 5 bls.

PS : ULS gained #2 spot on TV-OTT overall drama ranking list in Korea, literally fighting with popular kdramas !!!!! while Gongchan and Seowon got #2 and #1 in SNS category, omg this is soooo huge !!!!

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OH THE FEELS!!! And OH THE ORIGINALITY!!! And OH THE AWESOME LEADING MAN AND SUPPORTING CAST OF CHARACTERS!!! Those are the reasons Ho Gu’s Love (HGL) is getting this review from me. After I finished watching HGL I immediately gave it a 10, then I let it soak in a while and let my objective mind take over and bumped it down to 9.5, but really it’s more like a 9.9 with the only flaw being that so much of the plot had to depend on just simple misunderstandings (like 16 hours of Three’s Company). I felt that after a while it might have been better served for at least one of the misunderstandings to have been cleared up a little sooner, and they became so silly as to almost be a parody of themselves within the drama, as though it was self-aware as to what absurd lengths the misunderstandings had gone (which actually made it better for me). That said the feels and the cast and the characters and the originality were just so on point that they overcame this flaw and then bounded past it like a bullet train past a horse and buggy. So without further ado, here is why Ho Gu’s Love is one of my favorite Kdramas of all time.

1. Originality: Yes, I consider originality an essential element of a great Kdrama. HGL had many elements we don’t normally see in Kdramas including decent treatment of normally risqué themes (all of which I’m not going to name because spoilers). It also frequently upended my expectations of how the plot would play out, with a particular bit at the end that I was surprised by when I really thought it would go another direction to give a more pat Kdrama moment (once again, you have to see it to know what I mean). Also, there are amazing parental characters that behave in such refreshingly awesome ways.

2. Characters: Oh the characters. I am so in love with HO GU I just cannot stand it. He really is one of the best leading men characters of all time. The writer (and the actor, to be discussed next) took a character that could have been just a fool and just a sicky sweet guy and made him so real and warm that it truly is a feat of genius. I think what is most amazing about Ho Gu and the way he is written and acted is that he makes everyone else in the world look like the fool that they think he is. It’s like he has got it right and we are all wrong. Even when he shows flaws like being a little too clingy or nosy, it’s okay because sometimes in real life our emotions do override our rational and that can happen in the moment. And then at the end he even grows. There’s never been a character like him before.

a. Do Hee: She rubbed me a bit wrong at first, but by the end I was totally in love with her. She really is pretty awesome!

b. Byun Kang Chul: Speaking of rubbing me wrong at first. There are people that dropped this drama because they hated him so much. To them I say WAIT! Nothing is as it seems! He is wonderful and his growth in the drama is the greatest; don’t judge after just a few eps. You are totally wrong!

c. Ho Kyung: BAD ASS!

d. Do Hee’s Baby: The cutest baby in the history of Kdramas.

e. The Support(ive) Cast: The greatest parents ever (Ho Gu’s)! Parents that show a lot of growth. Funny and kind friends who also have lives of their own and aren’t just props. It all results in just the sweetest extended family you’ve ever seen!

3. Acting: Awesome across the board! Even Uee who I previously didn’t think much of was wonderful in her way. And Im Seulong, who I found almost mesmerizing in Mandate of Heaven as the king, was even better here. He really is good and I expect great things from him in the future. He can do drama or comedy with equal aplomb. And his physical comedy is just hilarious. The supporting actors and actresses are all good, especially the parents and the actress that plays Ho Kyung.
But Choi Woo Shik, for him I don’t know if there are words. He is a star. He is wonderful in every way. Without him the character of Ho Gu would have failed with a thud. CWS is PERFECT in this drama with no flaws. When he cries, I cry. When he laughs and smiles, I laugh and smile. When he is intense, I burn and when he does physical comedy, I laugh until my nose runs. He brings Ho Gu so much life and warmth and spirit and even gravitas for a character that on paper would have none. I love him in this. I love him so much it hurts!

4. Plot and Writing: As I said earlier, there is a little weakness here where the plot depends too much on misunderstandings, but the originality and the dialog and the twists more than make up for that weakness. I know this was based on a manhwa so it’s not an original story and I have not read the manhwa so I don’t know how much this deviates, but I think the writing was really top notch. Once again a cable channel brings home the bacon where so many network shows fail miserably.

5. THE FEELS! What puts this drama over the top for me in terms of love and awesomeness though is the feels. I laughed; I cried; I laughed; I cried. I did those things over and over again, episode after episode. I can watch whole dramas and never laugh out loud or cry like a baby; I did both every week with this show. Maybe it touched me more deeply because I have a 16 mo baby. I don’t know. But I will never forget the emotions this show made me feel for as long as I watch Kdramas.

So there you have it. Stop whatever you are doing now and go watch this drama. It is nearly perfect and where it isn’t perfect, the intangibles make up for it. And if you love great acting, you have to see Choi Woo Shik in this. You are really depriving yourself otherwise.

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The drama features many themes and at first I was curious if they would be able to make me believe this world where ghosts exist. I was deeply immersed in the story and the world it built. The drama did a good job at establishing this world and had enough details and information to make the supernatural elements feel real and believable.

The mystery kept me on my edge till the end and the performances of the actors felt fitted to their roles. Kim Dong Wook proved himself as a good actor in other works before and his and the other's acting felt good and compelling. It's not easy to act something that doesn't have a real reference in life.
Those characters were humans with all their flaws and mistake and while one might judge some of their choices, this makes the characters feel more human in the end. The budding friendship and the bond of the three main characters was nice to watch and I'm so glad they drama stayed true to the characters by not forcing a conventional drama love line into it.

One of the reason that made this drama so good is also the music that contributed to the eery atmosphere and also gave a conflicted feeling of desperate and also hope at the same time. The songs were not overused and I never got tired of hearing them.

The drama was great and I would consider rewatching it in the future to let the story unfold in front of my eyes once again.

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A Step Forward in Danmei

The story sticks pretty close to the novel which a lot of fans will totally vibe with. But one big issue is how they handled the non-consensual scenes. Instead of taking those moments seriously - they were kind of romanticized which is definitely misleading. In my opinion they could have been way more thoughtful about this to show a more responsible perspective of those heavy themes but I do not fully blame them because they did follow the book after all.

On the flip side - the actors really killed it! Their chemistry brought a lot of authenticity to the adaptation, I really loved how they looked at eachother and the kisses were pretty decent too. And even with a limited budget, the creative team made it look pretty impressive.

So overall I think this adaptation is a promising step for the genre. It features Chinese actors and culturally relevant elements and it sets a new standard for future projects. Its awesome to see a production that respects the source material in the DANMEI world. Sure, there are some areas that need a bit more care and improvement but this is a meaningful move towards more nuanced and culturally accurate representations of danmei literature.

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I'm here to support Kitiwhut Sawutdimilin "Newyear". I'm here to support a gay man interpreting a gay character, because maybe y'all don't know, but for mostly thai BL dramas directors is a requisite to be straight to get gay characters roles.

Newyear (the one who interprets Pond, the main character of this series) auditioned for 2 Moons The Series (also a BL thai series) Wayo's role, and was rejected because he's wasn't "manly" enough. 2 Moons The Series director said that all the six gay men characters of 2Moons The Series MUST be interpreted by straight men.

I know maybe this isn't the best BL drama, not the best plot, characters lack in depht, we all know that. But i think it's pretty entertaining to watch, It's a cute boys love story, and although I know it isn't the best thing in the BL world, I can say I absolutely don't hate the 20 minutes per week I spend watching it. So well, that's all: I'm here to support Newyear, and all the others who also are amateur actors, I hope him to be able to get more thai dramas' roles in the future.

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Mahoro Ekimae Bangaichi is simply one of the most underrated dramas of this year. I am sure that most people didn’t even hear about this drama. I call it lack of attention for these types of Japanese dramas and it can be somewhat understandable.

So what is this about? It’s a story about “Benri-ya” which literally means “handy men”. The two main leads are given certain jobs to accomplish and they get involved in various adventures through their clients’ requests. It’s a concept that’s not very unique since I am sure that many of you saw dramas where the main leads are “problems-solvers” where they get into contact with many characters and go through various situations to achieve their missions.

However, what shines in that episodic pattern is that our main leads don’t get involved in their clients’ lives to be sacred savers, heroes or creators of happy ever after endings. Even the side characters are Mahoro’s ordinary people and job requests don’t demand anything heroic to pull through. In this drama, the situations are handled quite realistically than any other non-detective episodic drama I saw, it deals with some of the life’s dark cases such as prostitution, stalking, AV’s, Yakuza, alcoholics, etc. I was actually surprised in a good way with its pattern.

Another point that attracted me about this drama’s screenwriting is the great slices of humor; I always appreciated Japanese style of comedy and silly hilarious situations so during this drama, I always had to pause and laugh out loud for a while.
The acting is realistic and very believable; I wouldn’t choose any other actors over Eita and Matsuda Ryuhei for the main roles; they did great jobs with their characters’ portrayal. Even guest actors delivered good performance although I am not familiar with half of them.

The characterization is top-notch. As a stated above, the main characters in this drama aren’t sacred saviors; they’re actually anti-heroes without dreams, ambitions, a real life or even families and friends. In short, they have nothing so they need to take job requests that allow them to eat meals even if many of them are hard to accept. Although Tada is a straight gentle character, Gyôten is a real slacker who’s always hanging around in pajamas pissing Tada off just for fun. He’s also a rudely honest character who throws his words without counting the consequences but everything he says is practically pure joy and he always make me laugh whether it’s the way he runs, the way he talks or the way he imitate zombies. That guy is surely going to get a spot in my “favorite characters list”.

The music managed to catch my intention although I don’t really focus on drama’s music but the “Happy Janai, Lucky Janai” and “Matomo ga Wakaranai” songs were really enjoyable and perfectly suited for this drama’s theme.

Watch this drama if:
-You like Japanese style of comedy.
-You like to watch light-hearted drama with great life-like situations.
-You like Eita, Matsuda Ryuhei or both.

Do not watch if:
-You dislike Japanese silly sense of humor. I know that many people don’t appreciate it.
-You dislike Matsuda Ryuhei.

To make the long story short, Mahoro Ekimae Bangaichi is an enjoyable piece of Japanese humor with greatly chosen life-like situations and realistic acting skills that deserves to be watched by the fans of this genre. It’s definitely one of the best dramas made this year.

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I love how this drama is unlike many others with a damsel in distress in need of saving. The female lead's character is strong and Tang Jianan's (Wang Richard) silly character and the way he pulled it off is what makes this drama enjoyable for me. The side characters story line is actually good and I specially love Ah-Jiu when he gives a very big side-eye toward Tang Jianan whenever he becomes dramatic or narcissistic. I actually want to say more but I'd give a spoiler so I'll end it here.

Recommended? Definitely YES, if you like a stick-to-one male character, a female lead who is smart and do not let others walk over her, supportive side characters and a light-hearted romantic drama.

Re-watch value? I actually just finished it and will start a re-run once it's the weekends to just watch the sweet moments of our main characters.

That's all I hope you can find this review useful <3

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Soulful spot on: South Korea ranks fourth in the world when it comes to the suicide rate

According to WHO data, South Korea ranks fourth in the world when it comes to the suicide rate. (Germany ranks 42nd in comparison.) Not only stars and starlets are affected, but it runs through all sections of population. And with that, it holds up a bitterly serious, socially critical mirror to turbo-capitalist South Korea, whose tradition still places more value on appearances/make-believe than authenticity/true-being.

"Tomorrow" throws the spotlight on this socially problematic aspect. It is definitely a tough topic! It is based on a webtoon that enriches people's limited view by looking at the bigger picture from the perspective of the spiritual world. By providing an emotional link between the two worlds through the protagonist Choi Joon-woong, the worlds inspire each other with their insights and impulses. (After all, a wound can even heal in the afterlife...)

In short, the approach might at times seem light-footedly playful. Yet the content is profound and serious. It´s no feel-good-series. Sometimes it's fast-paced and action-packed, sometimes tongue-in-cheek, but mostly the story wants to touch, move and make you think. And it does. Overall the narrative style once again finds the right tone and the successful mix to work through the difficult, complex emotional area of conflict. Thus it is carefully, sensitively and differentiatedly illustrating the example of very different fates.

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I binge watched this drama in 2 days after finally deciding I was going to give it a shot. Updated edit after a rewatch: I'm hesitant to compare this against NiF 1 anymore (even though I still do think it was better produced, I'm more emotionally attached to the characters in NiF2) because I think they're such great companion stories for each other. While 2 is a sequel (it takes place about 50 years later after the first), it's an entirely different story with a different premise. Prepare for an emotional rollercoaster - this show will earn your tears and your emotional investment.

Story
The story focuses on the family of the general of the Changlin Army (the army that was created in Mei Changsu's memory). Ting Sheng, the head of the family and of the army, was one of the slave boys that Mei Changsu had saved in the original, and was later adopted by Prince Xiao Jingyan. Ting Sheng's oldest son, Xiao Pingzhang, is his right hand man and the named heir, while his younger son has lived a spoiled and sheltered life (in the sense that his family lets him have a lot of freedom and not have to worry about the responsibilites of being in a military family)  and spends most of his time on Langya Mountain. Both sons are supremely talented - Ping Zhang is an incredible military strategist and represents his family in court with the Emperor to navigate the political waters. Ping Jing, while young and a bit brash, has had his sharp instincts honed by his father and brother and has street smarts in spades. While very different, the two brothers are very close, and much of the first half focuses on their family's bond.

While the original story focused on one central storyline, the sequel follows the ups and downs of the  Changlin family - because of this, the plot isn't as tight as the  original as it is much more complex. The political stuff was a bit too much at times (and infuriating), but the reasons behind most of the conflicts were logically sound.

One of the pluses of the drama was that there was a strong focus on relationships - be it family (THE CHANGLIN FAMILY - ugh, I'm still recovering from all of the feelings), romance, friendship, the bond between a person in  power and those who serve him, or the relationship between the past and future (sooo many name drops - it was kind of fun to figure out who was related to a character in the original story). The original had elements of this of course, but due to the story being about the Changlin family (who are also a military family), the emphasis on interpersonal relationships is much greater. The romance was also much better in this one than the first, in my opinion - Ping Zhang and his wife have such a great, healthy relationship and the mutual respect (and love) that they have for one another is wonderful to see. The younger couple was cute as well - and I liked the fact that while both could lead very independent lives, it was the times that they were together that made them the happiest.

Probably one of the biggest criticisms of the show is that it is centered around a boy/man who is barely 20 when the story begins - but to me, this is one of the best selling points of the shows. Perhaps younger viewers may not appreciate this, but the freshness and youthful enthusiasm of Pingjing was an absolute delight (more so because is he is played by someone who is right at that age), and watching him grow up and mature was both bittersweet and awesome. There are times where you wish he was more self-aware, but he's not a stupid character - just a very young one, and that's part of the charm. I can honestly say Pingjing is probably my favorite drama protagonist in the last...I don't even know how many years.

There's also this bittersweet satisfaction knowing that we are, in a way, watching what the 19 year old Lin Shu would have been like, because we never got see him go through that growing up process - we went straight to adulthood. It's noted by several characters that both Lin Chen and Xiao Jingyan, who were probably Lin Shu's best friends, were both incredibly fond of Ping Jing and spoiled him accordingly - in part because they are very similar in personalities, though obviously the roads they walked were very different. It's a subtle reference that I really enjoyed - they are not the same people at all, but the spirit of Lin Shu/Mei Changsu lives on through Pingjing.
 
I found in particular the discussion of nature vs nurture to be pretty interesting - this is a topic that is pushed pretty hard in the drama, as the debate follows multiple characters who walk on different paths. The idea of fate is also nicely interwoven in - no matter how much effort we put in, no matter what choices we make, are we always going to end up at the same destination?

(Edited after rewatch): This isn't the same story as Nirvana in Fire and if you're expecting that, you're already going to be disappointed. NiF was a story of triumph, of redemption (more so than revenge, in my opinion), mingled with bittersweet elements. Mei Chang Su set out with a specific goal in mind so he had everything planned out and the climax was when he obtained that goal at the very end of the series.

NiF2 is very different - it's more like a chronicle of the Changlin family, with a specific focus on Pingjing and the people around him. For some people, the climax of the story probably happened around episode 36, and I agree, to a certain extent. I think the point of the story isn't about the fall and redemption of the Changlin family - it's about family and bloodlines; it's about growing up and living with yourself and the choices that you make. I understand what people mean by the anticlimatic ending and the final arc (and I do agree that the writing was a bit poor towards the end), but to me, it felt right and matched everything we had learned about all the characters up to that point.

Acting/Cast:

Huang Xiaoming and Liu Haoran as the two Changlin brothers exceeded expectations for me. This was also a heavily criticized decision when the production first started, because Huang Xiaoming is known as an idol actor, but like Hu Ge before him, he turned in a strong performance - if HXM doesn't overact, he has this natural warmth that comes from his real life personality and it worked so well for his big brother role. Seriously, never doubt these directors - they know what they're doing when they cast people (well, for the most part - see below for what I didn't like about the casting choices).

Pingjing was a really tricky role to play (and to cast for) and I feel like it has to be acknowledged - you're talking about a story that spans about three or four years and the character goes from a carefree, sheltered prince to a solemn, matured young general (this isn't a spoiler - it's in the synopsis). So basically your casting options would be: 1) Pick an older actor (early to mid 20s) - a la Hu Ge in The Disguiser - which...wasn't great. They would be able to handle the second half well, but you would cringe your way through the first half. If people already think (then) 19 year old LHR was a bit hard to watch acting as a 20 year old, I have no idea how they'd tolerate this.

2) Pick a younger actor (late teens, presumably) and hope that they don't look like a child pretending to be an adult when they reach the second half. In the Chinese market, there just simply aren't a lot of candidates that would fit all the criteria (age, looks, height, acting talent, public recognition, temperament, demeanor, and ability to pull off both arcs). As great as Daylight Entertainment's reputation is, they also have to have someone who has some degree of popularity as the main role. The word that is most associated with Liu Hao Ran on Chinese media is "youth" (even before  NiF) - it's not his age, necessarily, but a spirit that he has in spades - and it served him so, so well in this role. He was able to rely on it to carry him through the first half, and then the natural contrast between his youthful demeanor and the burden on his shoulders really tugged at the heartstrings in the second half. I cried when he cried, I laughed when he laughed - he embodied the character perfectly for me. He's not a polished actor by any means - but he's got a good foundation and definitely grew as an actor throughout the drama. Again, he just turned 19 when he filmed this - 19!

The shining star in terms of acting though, definitely goes to Sun Chun, who plays the brothers' father. What a masterful performance by a veteran actor.The character felt 100% real and he really fleshed out every aspect of Changlin Wang - as a father, as a friend, as a brother, as a general, and as a loyal servant of the Emperor. The way he delivered his lines - oh man. If China actually did legit drama awards, he deserves one.

Sun Chun, Huang Xiaoming, and Liu Haoran also had phenomenal chemistry as father and sons which made some of the later scenes all that more emotional for me. (If you want something cute, go look at their weibo comments and posts to each other throughout the drama - it's like if the family lived in the modern age and could access social media, ha. Some of the other cast members also occasionally pitch in their opinions on where the story is at).

Squeals for Zhang Bo, who was great as the head of the Imperial Guard - I will never ever forget his performance as Sun Quan in Three Kingdoms about seven years ago and he was just as awesome in this role. He just has this natural charisma and gravitas that works so well on screen (and gets better as he ages). Why is he not more popular?! Tong Liya and Zhang Huiwen turned in decent performances as the main two female leads (though of course like the first one this is a very male-dominated cast) - Tong Liya in particular had some great scenes. I liked Zhang Huiwen's Lin Xi, but wish she was used more, particularly in the second half. Guo Jingfei probably had a blast in his role and I was torn between laughing because I knew he probably enjoyed the performance and also superbly creeped out because he turned in a very good acting performance.

I am conflicted on how i feel about Wu Haochen, who plays a pretty important role. I think his acting was solid (especially in the final arc - he was phenomenal), but somehow he just never visually fit into the part and it became distracting to a certain degree. I know that there's been a lot of comments about his appearance and I've never really been all that concerned about looks when it comes to acting, but the visual presentation took me out of his scenes more often than not. I had no issues with him in Ode to Joy, so I wonder if it's because he doesn't quite fit the "gu zhuang" look. I also just never cared about him - especially in the second half - I just wanted to see more of Pingjing - and I think that's because while Wu Haochen did a good job acting, he never made me feel anything about the character. In the original NiF, Prince Yu (played by Victor Huang) was definitely not a protagonist but I really felt for him (and part of that has to do with charismatic Victor was in the role).

 If there is one criticism that I have of this production team, it's their tendency to reuse actors that they've casted in previous shows - sometimes I like it as it's kind of like spotting Easter eggs, but sometimes it can also be very trying. I wasn't fond of the casting choice of Qiao Xin (she was already in the original as the oh-so-memorable-for-bad-acting Nian Nian!!). It'd be one thing if they reused an actor with great acting talent, but Qiao Xin is definitely...not that. Also, you could have done away with her character completely and it would probably been fine - I just found all of her scenes completely unneccessary.

The cast overall (especially the veterans) weren't as phenomenal as the supporting cast in the original, but the main cast really carried the show well, so it was okay.

Music
I love how the music is the same, yet just a tiny bit different. It brought back just the right amount of feels. The theme song has two different versions and has a much more stronger tone than Hu Ge's song in the original - probably due to the more military, war-bent nature of this one.

Rewatch Value
I took one star off because there were about ten episodes straight where I was just crying nonstop and I don't know if I can handle that again. But the emotional roller coaster is worth it, and I think I will definitely be rewatching very soon.

Overall
This is very different story than from the original Nirvana In Fire. As I mentioned previously, I think the first was a better production overall, but the second one has me invested way more in the characters, and if you don't mind a younger main character (and are interested in watching a growth arc), i think you may find the show a blast to watch.

Sequels are probably never going to live up to the original, but I love that they changed almost everything (the story, the cast) and still maintained that definite "Nirvana In Fire" vibe - it is definitely worthy of being considered a quality stand-alone show.

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"The place where you are happy is your reality"

This is the first time I'm writing a review, I'm not good at wording my thoughts out but I wanted to give this a try because I just really want to praise this drama, if I could give it a 100/10 score I certainly would. It raises the bar too high for all k-dramas and TV shows in general for me. GO WATCH IT NOW! You surely won't regret it.

Plot: it's a remake of the U.K. TV show going by the same name, I haven't watched it myself so I had no prior idea of how the plot would go. I have to say it's outstanding. I personally love crime and suspense dramas so this was definitely my cup of tea and it exceeded my expectations by a lot. I was pleasantly surprised by the amount of humour in the drama, despite the heavy cases they had to work on the writers managed to incorporate light-hearted moments and it made the experience even more amazing, nothing seemed out of place. I have noticed that in a lot of k-dramas the plot starts dragging out gradually and they tend to get a little boring in the middle especially but this one had impressive build-ups, there was not one dull moment and each episode keeps you on your toes. The surprises keep coming all the time and you can't seem to predict what will happen next. The cases were well-thought out and there weren't any plot holes. The ending was so emotional and a little open for interpretation, it was bittersweet, but I loved it for the way it was.

Cast/Characters: I was blown away by Jung Kyung Ho's acting, he gave life to his character and this impressive screenplay. The female lead I have to say is one of the most impressive and well-done female characters I've ever seen, this is female empowerment done right, she can kick ass, is not depicted stereotypically, is thoughtful, smart af and level-headed. The chemistry between the five main characters was out of this world, they gave off this warm feeling even if some of them didn't particularly start off on good terms, the fact that the friendship that flourished between them was gradual and not rushed off made it seem more believable. I really couldn't have picked better actors for this show.

OST: I loved the old songs they incorporated in the drama, it made me feel the 80s even more, the songs were chosen really well and put exactly where they're needed without them being too much in your face.

Cinematography: It was AMAZING, it's obvious that a lot of effort and probably budget went into the shooting of the drama and it's well worth it, the scenes and perspectives were really well thought out. This is the kind of cinematography a drama with such good plot and cast deserves.

Overall: it's a masterpiece, 100/10, it was a whole journey I'm glad I took and I can even watch it again which means a lot because I usually don't re-watch things I've already seen. If you wonder what to watch next give this drama a chance.

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