A unique but strange watch.
The whole storyline is quite odd, but it works so well. There is pretty much a different mystery every episode so it doesn't get boring. I honestly think I loved every character. The first episode is very strange and had me wondering if I should continue it, but I feel if you enjoy the oddness of it, you will enjoy all of the storyline.It truly is something I haven't seen yet in a kdrama. The effects are very high quality and well done, truly amazing to see and can't imagine the work that was put in. The effects are very cutesy at some points looking like little pets or candies, and at other points quite scary fitting the ghost/horror vibe. The story is very cute and humorous with some darker tones. It has so many aspects that I enjoy in a show.
It has only 6 episodes so I found myself thinking "there doesn't seem to be enough time to finish the story well enough" but it wrapped up nicely. I do wish it was longer but I feel satisfied with how the story progressed. However I also feel there could be more added on eventually in a new season if they wanted.
At some points a noticed a few plot holes or points that were missing and I was left thinking "wait what happened?" but I eventually figured it out. I do think rewatching it will give me some clarity on parts I may have just missed. All in all didn't have many issues and kept me focused, I didn't skip every 10 seconds like I do with some dramas.
The main leads were lovely, seeing Nam Joo-hyuk in this he seemed way older than other dramas I've seen of his. He fit the teacher role surprisingly well. Jung Yu-mi was very charismatic and she fit the odd-strange school nurse so well. At some points I cringed over how odd the character behaved but it just shows how well she acted because it's exactly what was intended.
Finally to close this off, I do think it's worth watching, the story has many different elements and can make you laugh or cry. I even found myself crying and that's rare for me! The strangeness was so new and fun to see. It's a cute watch that it is truly unique and honestly a breath of fresh air that I felt I needed from dramas.
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This review may contain spoilers
It took me 5 days of mind wrecking just to decide on an overall rating for Empress Ki. The eternal reviewer's doubt whether it is fairer to value a drama using the brain or the heart is maximized here: this is an epic tale where almost every single aspect is at the same time exceptionally good and glaringly bad. In trying to elaborate this, what follows may become very long, and for this I apologize in advance.First, the pace.
If you are preoccupied by the length, be assured the rhythm of the narration is so fast you'll come to the 51st ep. wishing you could have another 10. There isn't even one moment of boredom among the hundreds of little and big events that follow one another. By the end of each episode, I sat there wide awake wishing it wasn't already 4 a.m. and I could watch another. The downside of such a fast pace is that it never gives you respite. I wanted to linger, now and then to bask in the sweetness, or simply see these people being happy for a while, but it was not to be. Every time an issue is concluded the next is ready to shatter that glint of satisfaction it was so hard to finally obtain. The infamous last 10 episodes I've read many criticize, could have been the most poignant part of the drama if they hadn't been so incredibly rushed, to the point that events seem to make little sense. As a matter of fact they do make a lot of sense – with the glowering exception of the silly Maeback botch – but you have to think the entire journey over in order to see it.
Which leads me to the script and its characters.
This isn't a journey to begin in search of historical dependability, not in the details, at least. Little to nothing is known about the woman who became the Empress of Yuan before she entered the palace as a tribute from Goryeo, and there isn't much information about the single steps that were taken in order for her to sit on that throne. The writers have taken many liberties both in characterization as well as chronology, but I personally think they did a great job in always making those steps exciting and suspenseful and when you reach the end you will realize the plot is rounded up very well, with a couple of exceptions. This is why I think knowing a little about Empress Ki's true story in advance can actually enhance the watching and explain the choices some of the characters make.
For instance, we can assume Crown Prince Ta Hwan was exiled to Goryeo when he was only a teenager, which perhaps will make you judge his character with some indulgence. King Wang Yoo of Goryeo, on the other hand, is by all means the most fictionalized of all the main characters, so much so that knowing his true story is not only unnecessary but extremely counterproductive. My humble advice: stay well away from the true known facts about him if you want to enjoy the drama.
When history is taken into consideration, a lot of the twists invented by the writers acquire significance, since the opening scene tells us in advance where we are heading and curiosity is all on how they'll get there. History also explains why so many characters in this drama change side, go from good to bad, from bad to worse or are suspended somewhere in between. It obviously does not explain or justify the fact that everyone speaks Korean, but I am aware that having the huge cast speak different idioms would have rendered the watch almost impossible.
To this drama I own the realization that I possess a dark side too. There have been moments when I wanted to see blood and wished some characters would not only be killed, but killed with pain. It's such an alien feeling for me, it shocked me. It goes to the credit of writers and actors to make me hate with such an intensity, but I'm not sure I want to experience that kind of emotion again. Attachment and love to some characters, though, was equally intense and I swam in it with gusto. It's going to take a very long time before I can get these people out of my system. While it kept me highly entertained in the first half, in the second this drama almost broke my heart. It has very little to do with characters dying or living, and a lot with them losing their innocence. At some point I almost wished the leads had died on that exile island and remain forever what they used to be, before being scarred and marred by that terrible imperial palace, "a place with no blood, no tears and no mercy". to quote Lady Park.
When it comes to the much talked about love triangle, I must say I jumped on Seung Nyang & Ta Hwan's ship very early on and never wavered. I could not see or feel any chemistry between Ha Ji Won and Jo Jin Mo and while my brain kept on telling me these two characters had a lot in common and it was logical for them to fall for each other, my heart never agreed. In fact, my heart unyieldingly refused to accept it. Ha Ji Won and Ji Chang Wook, on the other hand… I could have watched them waltz one around the other for the whole 51 hours run without complaining even once. Some of the most poignant moments in the entire drama involve these two and they are the main reason why I enjoyed Empress Ki so much.
This said, the love triangle was not only central to the story, but dual purpose too. Because on final analysis the true seesaw is not between a woman and two men, but between a woman and two countries. The issue of eradication underlines the whole narration and should never be forgotten in order to understand Seung Nyang's choices. This is, after all, her story, how she's initially forced to abandon her country and her roots and gradually develops an attachment to her adoptive one. The more she distances herself from Goryeo, the more the story focuses on China and takes the viewer along.
Spectacular acting by Ha Ji Won - no news here, not for me, at least. I doubt any other actress would have pulled off such a role with that seeming ease; Ji Chang Wook - yes, I'm just a little obsessed with him right now, after seeing him in two very different dramas I loved and being impressed by his ability to convey such a varied range of emotions. His Emperor is so controversial I could write a review only on him, but let's go on; Baek Jin Hee – Danashili, my most hated and beloved villain was terrific too and Jin Yi Han, who possibly didn't deliver the best performance of his career, but whose charisma alone made him into an all time favourite, unforgettable Tal Tal. The rest of the cast did great too, although I was more impressed with the young actors than the older ones.
A word needs to be spent on the villains. There are a lot of them here, all evil for different reasons. A few of them are very consistent; others are such since the beginning, but the viewer is manipulated to the point of thinking otherwise; some suffer from inexplicable 180° turns. What they all have in common is the unyielding conviction they never did anything wrong, which for me is the saddest trait of this drama and even when they got what they deserved, I was left feeling… empty. Their evil logic is at times extremely lucid and makes the line between good and bad blur.
Music is the hardest aspect for me to rate and perfectly mirrors this drama fluctuating between good and bad. The instrumental pieces are hauntingly beautiful and extremely powerful. Listening to them with closed eyes might be the biggest spoiler of all as to how this story is going to end, which is an achievement in itself since an Ost exists to tell the story via music. The songs, on the other hand, were not only very annoying to my ears (personal taste) but also inserted too abruptly at times when not completely random for the scene they soundtracked. I ended up using good old maths: instrumental 12 + songs 5 = average 8,5.
To come to such a high overall score despite the glaring shortcomings of the script, I took the whole picture into consideration. A 51-hours long story that manages to keep the interest alive till the very end is commendable in itself and the fact that I already know I will definitely re-watch it in the future is proof of the high level of emotion it made me feel. Furthermore, this is not a book, and the visual means is used at its highest, with stunningly beautiful sets, costumes, colours and camera work. If you are able to suspend belief at times and focus on style and emotional impact, you'll no doubt enjoy Empress Ki as much as I did.
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Strong Start, Weak Finish
Contrary to the popular opinion here, I really appreciated the extensive backstories of the characters. It effectively provided justifications for why the participants would engage in such an insane project, which is quite rare for the typical Death Game film (usually, the participants are lazily thrown into their circumstances due to some metaphysical element within the story or deus ex machina reasoning). I also enjoyed the softer social commentaries in the beginning of the film and the fairly realistic and reasonable depictions of the main characters. That is, none of the characters are overly virtuous or exceptionally talented, and they all act or respond appropriately to the situation at hand; I can see these characters in my day-to-day life. Finally, the cinematography and acting (of the main characters) were masterfully executed.Where the series started to go seriously wrong was in the final few episodes when the filmmakers decided to use caricatures for their characters as if they were holding a contest to use as many tropes as possible to fit the bill of the caricature in question; at some point, I was not sure whether the series abruptly became a satire. Not only were these caricatures agonizing to watch, but the decisive shift in narrative presentation really killed the immersive experience evoked by the previous episodes. Additionally, the moral justifications for why the mastermind started the entire project were banal, forced, and unconvincing; the creativity of the "midnight bet," from which he grounds his perspective, is what you would expect from a #SocialExperiment YouTube video, not a Netflix produced K-drama.
All in all, for someone who does not enjoy the typical Death game flick, I found the series very entertaining and well made within the category, but beyond this, it is forgettable. Although the cast, cinematography and music scores were appropriate and exceptional, there was, unfortunately, nothing noteworthy about the screenplay and directing.
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This review may contain spoilers
Following History While Telling A Completely Different Story. Brilliant Script All Around.
Great story with great acting. Chinese small screen has really gone a long way. The cinematography is beautiful and the battle scenes are shot like it were for movies. The magnitude of quality offered in this drama is simply breathtaking. I really enjoyed the political schemes and plots since the story is full of intelligent people with their own hidden agendas. The level of Chinese political mind games are in different levels when compared to Japan or Korea.The title is exactly what the drama is about. We all know the history of the 3 kingdoms from the Four Great Classic Novels but this drama told the 'secret' behind the 3 kingdoms' stories but with a twist. For history buff like me, I enjoyed it a lot as it followed the real historical events with real historical figures. The so called 'secret' and how the writer incorporate it to the real historical events are what make the this drama really interesting and great.
I think many people misunderstood the so called 'weak' main character. The Emperor is by no mean 'weak' but he wins battles with wit and intelligence. His kindness and benevolent characteristics are always at odd with the viewers but many failed to see the brilliance behind his decisions. Many times his kindness save them from enemies' traps and never once he was caught red-handed by the enemies. Everytime when he compromised with his enemies, he got more advantages in return -- just by giving something small, he achieved something bigger in return. He won the hearts of his enemies and supporters and they call him a great and a wise king. He strike fears in the heart of his enemies just by being kind -- I find it really brilliant how his kindness is the reason why he managed to turn around the weak Han Imperial Family name into something that the people respect and love.
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Great but never dares to go all the way
Okay so it leans into emotional realism more than flashy romance, centering on the quiet exhaustion that comes from work, expectations, and unresolved feelings.The series does a solid job portraying burnout not as a dramatic breakdown, but as a slow, heavy fatigue that affects relationships and self-worth, which makes the characters feel painfully relatable. While the pacing can feel slow at times, it fits the story’s reflective tone and allows the emotional moments to breathe. The chemistry is subtle rather than explosive, relying more on shared silences and small gestures than grand romantic scenes.
One thing that I don't get it like it wants to be brave. The show hints at bold ideas about modern labor, automation, and emotional detachment through tech, but it never really digs deep into the ethical or social weight of AI... it mostly stays symbolic rather than critical.. The show plays it safe by softening the consequences and resolving conflicts too neatly, which undercuts the rawness it’s aiming for. So while it looks courageous on the surface for tackling burnout and vulnerability, it doesn’t quite push far enough to be truly uncomfortable or transformative. It ends up feeling cautious rather than bold—well-intentioned, sincere, but ultimately not as daring as it pretends to be.
Anyway it is a thoughtful, mature show that may not be for viewers looking for high drama, but it resonates deeply if you appreciate introspective storytelling and emotionally grounded narratives.
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Just to the add. The leads remain true to themselves and just like their love it has always been honest and sincere. The heart to heart talk and mature discussion before the made up and even the proposal was so fitting. I love the balance of sweet romance and a couple who is honest and mature to face the reality and their background differences, together.
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This review may contain spoilers
A Historic Milestone in BL Drama - China’s Mastery of Historical BL
After waiting so long for our first uncensored historical BL drama, I can confidently say it did not disappoint. Across a vast land torn by war, you’re the only freedom for me! perfectly captures the heart of this story.The plot is gripping, following a prince and an assassin who fall in love as their kingdom collapses. To secure Xiao Shu He’s rise, Duan Ziang kills the crown prince, shattering their bond, only to return years later as emperor.
The scenery and cinematography are breathtaking,, and the snow scene paired with its moving score was simply unforgettable. The costumes, along with the stunning and handsome cast, were all top notch. The acting shines in every moment, and the music and OST heighten every emotion. The fight choreography and martial arts are executed beautifully, keeping me hooked from start to finish.
And can we talk about that flying scene? The two leads soaring through the air, clinging to each other with such intensity, it completely took my breath away. After watching over 350 BLs, this is the very first time I’ve seen two male leads in such a classic wuxia-style moment, protecting and hiding each other with eyes full of unspoken emotion. We’ve seen it countless times in straight dramas, but to finally witness it in a BL felt groundbreaking. I was literally screaming, because flying scenes like this only ever happen in historical dramas.
Duan ZiAng’s love for ShuHe is so consuming, so absolute, that he would rather drink poison than cause a single wound to the man he loves. For five long years he carried this weight, sacrificing everything, even killing his own father, all so he could fight for a future with ShuHe.
He created an entire identity, the Six Prince residence, not for ambition, not for glory, but as a gift, a sanctuary built with his own blood and sweat, solely for his lover. Two kingdoms waged endless war, millions of soldiers were sacrificed, and yet at the heart of it all was not conquest, but love, one man’s unshakable devotion to another.
If this is not love, then what is? A love that defies reason, a love that bends morality, a love so fierce it chooses the beloved over the world itself.
My heart tells me Duan ZiAng will die from the poison. And that thought crushes me, because what could be more tragic than a love between two emperors, eternal in devotion but doomed by destiny.
Their story is not just romance. It is sacrifice. It is pain. It is love written in blood, carved into history, and drowned in tears.
I truly hope China 🇨🇳 lifts its BL ban one day, because when it comes to potential, Thailand 🇹🇭, South Korea 🇰🇷, Japan 🇯🇵 and Taiwan 🇹🇼 cannot compare. China dominates in so many areas: cinematography, acting, storytelling, chemistry. And when we talk about historical costume dramas, horseback riding sequences, and martial arts fight scenes, China operates on another level entirely. The scale, elegance, precision, and sheer intensity are unmatched. Kill To You proves once again that no one does it like China.
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This review may contain spoilers
Warning: Beware of Diabetes, it includes so many sweet moments. Wanna have some good laugh, a full dose of fluff with adorable pairing with excellent supporting characters? Falling into your smile definitely won’t fail you… to fall for its charm.
The story isn’t magnificent itself (it offers nothing new) but I fancied its pace, progress, relationship dynamics, the portrayal of friendship, how characters are written and their interactions happen. I wouldn’t consider it as fully plot-driven drama, it focuses more on the characters’ life-development-problems they face. There isn’t a specific evil antagonist here but it portrays the cruel reality of how social media, obsessive fans can play the role of antagonist with being so much toxic to the extent.
It’s not necessary to have information or have much interest in gaming to watch it, you can take it just as an individual romantic comedy.
In terms of chemistry, I felt the spark and they are just so cute together. I can’t imagine Chessman or Smiling without Xu Kai and Cheng Xiao. A classic example of a bickering couple, their fights are entertaining, the quintessential foundation for their relationship. The fact the progress in the relationship between them is very realistic surely adds more points. It does have an arc where it becomes more serious but it’s just for short time... it never stops being rom-com.
Tong Yao is just ambitious, hard-working, not to forget soo adorable, though due to her expressions she seems oblivious :’). But her development, the way she reacts to situations is genuine, I would rather say her character is rational plus human-like (The thing many drama writers forgot to make characters who can be considered as humans). Lu Sicheng can’t be considered a cold lead at all, he is just straightforward and honest. He does have different shades in nature...He can make mistakes but also admit when he is wrong. He has flaws as any normal human being can have with being a three-dimensional character. He can be very lovable, warm, tender when he is with Tong Yao but very austere and responsible as a captain of the team. Ah I forgot the important thing he is such a tease lol xD
Loved Xu Kai’s performance, was vigorous, lively. His smile is icing on the cake. I’m not fully satisfied with Cheng Xiao’s acting. As she has almost the same expression (Which looks like she’s confused) most of the time. I’m not so sure about her game ID as she doesn’t seem to be Smiling much (no pun intended). But I can let that slide as most of her previous works are in reality/variety shows and relatively she’s new in acting or maybe it’s her character that doesn’t allow her to have many expressions. Though there are particular scenes where she impressed me. Special mention: Ending scene of 26th episode and opening of 27th episode.
In technical aspects, it doesn’t have any problems when it comes to camera angles, editing, color palate/grading. Though I’m not a very big fan of dubbing and it bothered me here, it is overdubbed (Means without the original voice of actors), Especially with Xu Kai, It’s ME because it’s hard for me to hear three different voices from the same person as I have seen him in Court Lady and ALP very recently. Korean dubbing it all out of place. Sound effects are on the point with being funny many times, really liked the OSTs they wouldn’t have been more adequate. 'Heroes' give me goosebumps with its bg music, 'Follow the light' is my favorite among them with Chen Zhuoxuan's vocals
I really liked the animations of games, it has a different feel and vibe. It’s more satisfying than just listening to the commentary and actually visualizing what’s happening in the game, plus the graphics were good so more than enough. Talking about the cinematography of the show it’s not stunning but definitely decent, and as it’s about gaming it doesn’t need to be very beautiful.
This drama has one character without him… sure it wouldn’t have been this fun, and he is no other than Fatty (do I really have to explain the reason why?) His expressions and reactions are priceless plus he encounters some situations all time where he’s like ‘Is this dream?’ ‘Am I sleepwalking?’ ‘Why me?’ He just makes the drama more funny and enjoyable. He is unquestionably a show-stealer for me, and one more reason to smile. Not just him but I love all team members of ZGDX every character is colorful and with an interesting secondary couple that is like the cherry on the top.
Fun facts: After ages, any C-drama managed to stay on the trending list (on MDL) for a long time.
The end credit song 'Soulmate' is a duet by our leads Xu Kai and Cheng Xiao.
This was the end of the review.
Now if you are curious about different information as drama is facing a lot of dispute from c-netizens (Its douban rating is 3/10) some basic information about it:
It is adapted from the web novel that is implicated of plagiarism, the writer added real-life events without any consent from the people. Professional players spend 16-17 hrs every day training. They don’t really have any time to do other things as they have no time left, let the fact of having a romantic relationship aside. Unreliable portrayals and lots of inaccuracies of professional Esports players, the online gaming community, how things work out there. It is written by people who totally have zero idea about professional gaming. China has one of the largest gaming communities and Esport is becoming more widespread day by day. It has become a delicate topic to handle and for all these causes, drama receiving hate from c-netizens and gaming communities.
But people forgot at the end of the day... Its main purpose is entertainment as it's just a drama.
See you next year ;D
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A plot as thick as Dao Ming Si's eyebrows
Only real trash connoisseurs will understand the true value of this masterpiece. The most irritating finale i've ever seen but would this show really be as entertaining with an average vanilla finale that doesn't feel like you're tripping on LSD ? Think again... Like a river, the plot flows and flows. Not a single dull moment except for the whole episode exploring the unnecessary drama between Mei Zuo and Caina. You can skip it without feeling guilty.Last but not least: Thomas powerful, gripping and iconic performance at the London restaurant will never be forgotten.
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This review may contain spoilers
Too good to be true. Only watch if you can handle a kdrama masterpiece...
I started this drama out of the blue with no epectations while i was in a kdrama slump mood.This is the best choice I made. But like every good thing, it comes with a price : it ended.
What am i supposed to do now ? People are suggesting a season 2 where the king goes to find JBW in his next life. I don't trust season 2 since Moon Lovers broke my heart lmao (yes i'm still not over it).
This show only gets better each episode. The mix of humor/sadness/ hatred/happiness is mastered. The cast / the main couple / side characters /the scenario are elite. This brings something new to the historical dramas sphere.
[SPOILERS]
Choi Jin Hyuk Cameo <3. Only god knows how much I love this man. I wish they developed more his story and the one of Mr Han but that was good enough.
Shin Hye Sun x Kim Jung Hyun is a killer combo. I saw them in previous projects as support roles and noticed their talent right away. They are bound to be great. I wish them the best rewards for their performance. They can play any kind of character.
To me, this show is a success because of all the characters that beared it on their shoulders.
Funny how the writers could switch my emotion especially with Jo Hwa Jin and Byeong In. They let true evil remain evil (Kim Jwa Geun, Empress Dowager, Grand Empress Dowager and all ministers) and the ones who still had kindness in their heart and were lost because of one sided-love/jealousy get back to themselves.
Byeong In got my heart in the first episode. Then I hated him 18 ep straight. And then the way they ended his character made me like and pity him again :(. They let his body rot on his knees in the cold for days :(. I know this is a fictional story but they got my heart on this one.
Kim Jwa Geun humiliated by the people he was contemptuous of was the right thing.
Knowing that Empress Dowager and Grand Empress Dowager will spend the rest of their life in quarantine together brings the best feeling ahahaha.
Royal Chef and Court Lady Choi is a dream romance. I want to see their spin-off...same for Eun Bin x Prince Yeongpyeong and Hong Yeon x Hong Byul Gam or Hong Byul Gam x Kim Hwan's friendship love story...
What will i miss the most ? The sisterhood of So Yong x Court Lady Choi and Hong Yeon :(
I will rewatch this show...
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Fantasy Healing Fable
I will preface this by saying that this is in all likelihood the best drama I’ve seen all year. By a strong margin. It’s certainly one of the best I’ve seen in the last 12 months. Until Shards of Her, I hadn’t watch any Taiwanese dramas in several years. Yet in the last couple of months, I’ve discovered a treasure trove of good shows. This is perhaps the best one with the widest appeal. While it has whodunit elements, there’s no gore or violence to deter the faint-hearted. It’s a gloriously perfect blend of coming-of-age, fantasy, a touch of horror, detective and family drama. The weakest part I’d say is the police procedural side of things occasionally played for laughs (which doesn’t help especially from the perspective of a seasoned watcher) but all is quickly forgiven because this show is driven by great storytelling and is imbued with plenty of heart. It’s the kind of show that the Koreans call a “healing drama”. Which usually results in an outpouring of eye water once the waterworks are turned on. Good grief. I don’t remembered the last time I cried this much in a drama.The star of the show is Pu Yiyong played by Tseng Jinghua, an underachieving high school graduand whose only talent is calligraphy. It’s hereditary. His grandfather is a renowned calligrapher and a teacher in the art. But that distinct family trait has a habit of skipping a generation. Calligraphy however is a dying art form, quickly being superceded by technology. On the other hand Yiyong’s only ambition is to be a comic book artist after completing high school. One day on his way to a calligraphy competition, Yiyong, his father and grandfather board a bus which unfortunately falls prey to an incoming airplane. The lad survives but wakes up after being comatosed for over 2 years. His grandfather barely makes it and is still unconscious in hospital even after all that time. It is left to Mother, Ye Baosheng (Cheryl Yang) to pick up the pieces.
While time has moved on and everyone else with it, Yiyong is lost at sea with no paddle. Or map. Metaphorically. He has no idea what’s next for him until he becomes entangled with supernatural beings who insist that they need him to settle unfinished business on their behalf. So an almost 20 year old unemployed Yiyong reluctantly takes on “cases” that contain at their heart a riddle that needs to be unravelled. Enter Chen Chuying, a junior police officer (Vivian Sung) to lend him a helping hand and takes the lion’s share of the credit for clearing up these mysteries in front of her colleagues. Still cracking these cases is a team effort. Along for the ride is former schoolmate and med student Cao Guangyan (Peng Cianyou) who coincidentally moves next door with his dad (Mario Pu) when Dad’s days in publishing comes to an abrupt end.
Yiyong becomes a reluctant sleuth as he wrestles with his own future and the loss of his father which has left a gaping wound with guilt at the centre of it. He has nightmares that he can’t make head or tail of. There’s also a shadowy figure in the background determined to test his mettle at every turn. Unlike others who have come before, Yiyong is a reluctant superhero. He would rather get on with life and not be haunted by beings that only he can see. Until he starts drawing them that is.
On a deeper level, like many crime shows, this is about the forgotten people in our communities. Those who have suffered loss. The lonely. The homeless. The victims of crimes. This where the show tugs at the heartstrings effectively. The rollercoaster of emotions that I feel in this comes only very rarely. Beautifully intertwined with all of this is also the message that everyone has something that they’re good at. Even a designated “loser” by current social standards can contribute in unexpected ways. Academic smarts aren’t the be all and end all. Everyone has a part to play in the social engine regardless of social status, education, smarts or rank.
This journey of course isn’t Yiyong’s alone. Chen Chuying and Cao Guangyan, his so-called “superiors” who accompany him have a lot to learn from him as well as these out-of-this-world experiences. Chuying understandably is desperate the climb the ladder and break glass ceilings in the police but is forced to confront her own motives for wanting to a respected detective. And Guangyan, for once in his life doesn’t have all the answers regarding his future.
I am new to most of the cast and Tseng Jinghua who leads the cast is definitely brimming with potential. He brings the right balance of confusion, grumpy frustration and a reluctant compassion to the role. Despite Yiyong’s brusque demeanour Tseng Jinghua manages to keep him relatable and likeable.
To give credit where it’s due, I leave my highest praise for the script and by extension the writer. It’s the kind of story that could easily lose its way or get derailed by all the moralizing but unlike many others it’s unusually disciplined by keeping the main thing the main thing. The result is a coherent piece of storytelling which is undergirded by a surefooted direction. Once it takes off it never falters. Furthermore they also manage not to butcher the finale in order to leave the door open for another series. Which is entirely doable if the will (and a decent script) is on the table.
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Both leads are seasoned actors already but this puts them under a different light -- Seo Jihye, who is almost always "the rich and proper/cold second female lead," plays a completely different personality in this drama; and Song Seung-heon, whom I honestly only remember vaguely from Autumn In My Heart, also gets to show off his comedic side with this drama. Both the chemistry and the comedic timing are impeccable, and the show has me laughing really hard every week. The two second leads are also well-chosen for the role, even though it's my first time watching either of them act!
And omg the older couple (you'll know who I mean) -- comedic value A+
There aren't a lot of songs in the OST, but the few songs truly convey the vibe of the scenes they're associated with, and I would put the songs on repeat! Would also rewatch the particularly funny scenes -- omg those CLOY references are A+!
I would say this is a great show in the rom com genre, and is a must-watch if you liked Seo Jihye in Crash Landing On You!
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I watched this purely for Kim Young Kwang, I was thinking i'll just skip through to see his face and itll be fine but honestly? this wasnt a bad drama at all!
Don't get me wrong it is not a Perfect drama nor is it up in my absolute faves but it delivers every aspect of a great drama with a decent simple storyline.
The acting isnt too bad, it's actually pretty believable..!
Each character no matter minor they were, played their part very well and fulfilled their character's role.
This drama had it's comedic moments, family teary moments, a bit of mystery to it which isn't dragged out, secrets are let out at the right time and it helps move the story a long, there's a bit of tension, the romance is cute and it was an enjoyable watch.
I didn't have to skip any of this drama, I was content with the beginning, middle and end. But I was thoroughly affected by the comments I saw below and I'm glad I still went ahead and watched it!
I probably won't watch this again no, purely because I know what happens in it now and the pull isn't strong like my 10 score dramas but it's one that makes me happy to be reminded of it, a chilled out easy drama to watch :)
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Story
So, in contrary to the common belief that this drama glorifies adultery and adulterous couples, it rather incriminates infidelity simply by expressing a very well-round idea of what it exactly is. We get to see how it starts (as innocent as everything else, or maybe not so much), why it can start (it won't happen unless there's a reason(s) that has been ignored for a long time), how it intensifies, the guilt, the excuses, the fears, the acceptance, the happiness, the sadness, everything, and in the very end the consequenses, that hit hard, and hit everyone and everything around the adulterers. There is no happy end simply because in a sea of hurt feelings nobody can be truly happy ever again.
There is nothing cute about what happens, the story is rather difficult to watch at times, you can't root for anyone, you can't excuse but you can understand and the whole drama just made me question several times what i would have done had i been in such situations.
The drama, in its core, isn't even about adultery, it's about life choices. It exploits all the wrong reasons we decide to settle down in a marriage. Because we're afraid to be alone, because we want an easy life financially, because we just want to see a face when we come from work every day and have a clean house, because we are arrogant and we think we can buy everything with money, even people... and so, so on. People marry because they're afraid to try hard and be happy, they're afraid to search for that one person, so they settle. Being happy is scary, and it means being with that one person that completes you, the love that consumes you; but what happens if that person appears in front of you after you've settled down?
The drama offers the answers. Either suck it up and live a miserable life, or face the facts, break up/divorce and continue, finding yourself. But still, people are scared, being happy is scary, so they get greedy. Who will leave their perfect safe life to live a dream? Noone, so they'll cheat, because they want the best of both worlds. The drama shows you exactly this journey or bad choices, of selfish acts and the result which is cheating and destroying everything because of greed!
I appreciated how fast paced and to the point the whole drama was. First 5 episodes illustrate the beginnings and reasons of adultery and after episode 6 how everything crumbles down and the repercussions of it. The music wasn't original but it brought so much to the drama, it set the atmosphere in the best, most dramatic way possible. Another thing i appreciated was the slow but steady build up which did make the first episodes feel bland maybe, but it was carefully planned for the intense explosion of the later episodes. Best thing about it were the 3D characters, they felt like real flawed, greedy, selfish people, that you can't help but judge and hate, but in midst of their spiraling they made more sense than i could ever imagine!
If i had one problem to point out, it would be the... mildness of some scenes. While the acting was always tip-top the quarrels and fights felt rather calm, i missed the intensity in the conversations. The drama definitely needed some more... tension in certain scenes.
Acting
The acting was overall spectacular.
Ueto Aya was luscious, conveying her charactrer's feelings constantly, she made total sense and expressed perfectly her thoughts and acts. Couldn't help but feel sorry for her while wanting to slap her for not being rational.
Kichise Michiko was equally breathtaking, portraying a character who saw infidelity as something trivial, who had never fell in love, but when she did she fell hard and completely with her whole essense! Breathtaking performance indeed.
Saito Takumi was cute and sensitive, a close-to-perfect performance as a kind man who is unhappy but isn't even aware because his life is seemingly perfect; and not to forget Kitamura Kazuki for his charming portrayal of a rough but emotional artist.
The casting was really special, the actors really suited and looked amazing next to each other, i don't know if they took the time to find them or if they just worked out this perfectly, but it was indeed magical.
Recommend/Rewatch
This should not be watched by a huge amount of viewers. It's a melodrama but not even your average melo. It talks straight about cheating, there is no side story, no comedy at all, nothing unreal, nothing pretty about any of it. It demands a certain mature viewer who can understand the meaning without judging too hard and is willing to see some disturbing stuff. If you are ready to go out of your comfort zone, watch something serious and difficult then do give this a chance, otherwise it's just not everyone's cup of tea. I can see myself rewatching it in a few years but i'm a fan of such dramas.
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Story: Nothing new here, rich guy comes across a poor girl who's not smitten by money. He gets curious about her and falls in love. The girl follows suit. There is some parental opposition, obsessed lover-wannabe, etc. but they don't play make much difference to the storyline.
Acting/Cast: It centers around just two characters played by Sung Hoon and and Kim Jae Kyung. I liked Jae Kyung in God's Quiz 4, but this was my first time watching Sung Hoon. Though I won't say they did an exceptional job, but they kinda complemented each other on screen very well. His brother and secretary and her friends play minor roles in the story, though I didn't pay much attention to them.
Music: Nothing original but considering 15-min episodes, they suffice.
Rewatch: Yes, yes and yes! Mainly coz it's so short, but also coz of the feel-good factor.
Concluding Thoughts: Nothing new about the story, nothing new about the execution, nothing spectacularly great about the acting and yet - it's pretty much awesome considering the time invested.
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