After almost a year in dramaland and close to 30 dramas, I've finally, finally found a bonafide favourite. A Korean favourite and an overall favourite. I've watched many dramas that I've liked & enjoyed, but none comes even close to how much I love Lovers!
Lovers is the kind of drama I've been waiting for since Oct 2012 when I first took up residence in dramaland. It was just what I needed to pull me out of a minor slump. I chose it at random because it's a combination of two of my favourite genres, gangster/crime and romance so I said what the heck, just watch one episode and see how it goes. I fully expected to be disappointed. Well, that one episode turned into 20 in less than 48hrs.
And damn … what can I say about Lovers except that this drama is really a wickedly delicious lesson in Sexual Tension.
I'm an avid fan of romance, but lately I’ve become rather disillusioned with Asian romance dramas. It's mostly because of all the recurring cliches: separation because of overseas work or study, random cancer diagnoses, stupid nonsensical love triangles etc but it's also, perhaps mostly, because I hate fake intimacy. A LOT.
I hate the fake kissing, the cheesiness, the characters' lack of sexuality and just the general feeling of watching two grown ass adults act like pre-teens stealing pecks from each other when no one is looking. I can understand that for younger and more conservative viewers this might fly, but at my age I want to see an authentic relationship between an adult man and woman. And let me tell you, this is exactly what I got in Lovers!
Sometimes great sexual tension is better than the actual thing. If most dramas of this genre were half as good at building that tension, as Lovers did, I’d die a happy watcher having never seen two people kiss.
The AMAZING build-up of passionate feeling between Kang Jæ and Mi Joo completely blew me away. Massive props to the director and actors who were able to play up an attraction so palpable that you experienced their every emotion. I loved the banter, alternately playful and frustrated, the subtle flirting, the stolen glances, the longing, the internal struggle, the denial … all of this served to create such mad chemistry you could easily catch your breath and forget to release it.
When they’re finally intimate … it’s like dessert, only more satisfying than the main course. Moreover, if you’re a child of Hollywood like me and you do not want too much left to the imagination, fret not … you can look forward to steamy, lip devouring kisses. Hey, a smoking, HOT red-blooded mob boss like Kang Jæ wouldn’t stand for anything less! Even better? Mi Joo doesn’t want him to! To me Lovers sets the tone of how a romance between adults should play out. The characters act their age in life and love. None of this silly, wide-eyed playground stuff. The typical drama cliches are kept to a minimum or they play out in a way that's logical, rather than frustrating as they tend to be in other dramas.
I’m just decidedly pleased with this drama overall. It’s well written, well executed and well acted.
Given that I like to attack life's struggles with a gangster's swagger, I love that the romance is set against the backdrop of Korean gangland. From the safety of my own living room, it’s a fascinating world to inhabit for 20hrs. Now you may have to suspend belief a little given the absurdity of certain scenes, for eg 2 bands of pipe wielding gangsters invading a hospital en masse and having a go at each other, but no one thinks to summon the police. LOL In spite of this, I love the machismo, the fight scenes, the car chases, the assassinations, the bromances, the loyalty, the code of ethics.
Best of all, the leads are amazing! Kang Jæ is totally badass. Tough as nails on the outside, but melt your heart soft and sweet on the inside. If you have a weakness for bad boys ...
By far one of THE coolest male leads I’ve ever encountered. He lives hard, play hard, fight hard, love hard. And is 100% sex on legs. No wonder Mi Joo calls him her Dimpled Gangster. Male audiences will hate or envy him ;) and female audiences will want … well, HIM! (ha!)
As for Mi Joo, for once I have no complaints about the female lead! I love her, she is awesome! She’s smart, silly and confident all in one nice little package. She’s a breath of fresh air from typical female leads who are annoyingly aloof, stubborn, mercurial and uncommunicative all in an attempt to portray a ‘strong’ woman (I’m looking at you, Joon Young from A World That They Live In, Soo-in from Love Story in Havard).
Her and Kang Jæ’s love is a delicious slow burn. They had no intention of falling in love, but basically grew on each other over time, as fate brings them together time and again, until they realize … wow, this person is really amazing. To me it felt very natural and organic, rather than constructed as say … when one or both characters are made to fall in love at first sight or there's some ridiculous childhood connection.
Story wise I think the show is golden. Badass mobster trying to go legit, but not being able to fully untangle himself from the dark side. Throw in romantic and familial complications and you’ve got yourself one captivating drama. And there are some hilarious, laugh out loud moments too.
There wasn’t any poor performances here either. I was pleased to finally meet the (in)famous mr. Kim Nam Gil, who delivered well as Kang Jæ’s dongsæng and left hand man. Basically every actor did an amazing job with their role. No one stood out as annoying or unconvincing, not even the child actors. Lee Seo-jin, as Kang Jæ, has netted himself another fangirl! To me he played his character just right. With just the right amount of emotion, or lack thereof, befitting a top gangster.
I can not relate to other reviewers who said this drama dragged. I personally never skipped a minute of any scene, a first for me. In fact I rewatched several scenes whilst in the process of watching the drama. The great sexual build-up and the machinations of the mob world kept things fast paced and action packed.
Even the music, which I normally don’t notice, captured my attention. It helped that the lyrics were translated so I knew what was being said, and as a result the score seemed very appropriate in amplifying the overall mood of the drama.
If I have to criticise anything about Lovers it would be the ending. It’s perhaps a tad rushed. If ever there was a drama that needed to be 21 episodes, this is it. That said, it works as it is and I LOVE the show regardless. I recommend it to anyone who’s looking for more than your average run of the mill romance. Something with a more mature spin, and a little danger thrown in for added excitement. As of now Lovers has taken the # 1 spot as my all time favourite Asian drama. It was a bit underrated when it first aired, but then … the best dramas usually are. :)
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Song Wei Long is Adorable!
This is a sweet, sweet, sweet little rom-com. Sweet in every sense. Though there are some conflicts, nothing too outrageous or unsolvable. Song Wei Long who plays the character Yuan Song has definitely brought life into this lovely drama and his character. I'm normally not a light-headed blurry eyed person, but Song Wei Long has turned me into a silly teenager basking in his youthfulness.When Song Wei Long made this drama, he was still a teenager (18). Despite his very young age, his acting is mature and convincing. As Yuan Song, he doesn't hold back with anything, especially when it comes to intimacy. He dares to kiss and love. Young, handsome and sunny, he is a heart throb. I just can't have enough of his scenes because I love watching him from the start. I love his youthfulness that doesn't lack maturity.
When He Fanxing (played by Victoria Song) meets Yuan Song, she's attracted to him. Fighting back her own emotions, she doesn't know what to do. On the other hand, Yuan Song falls head-over-toe in love with Fanxing and he knows this woman is exactly who he wants in life. Compared with Yuan Song, Fanxing is like a little girl emotionally; she doesn't have what a normal woman her age has. Though smart and strong, Fanxing is naive and clueless when it comes to intimate relationships. Yuan Song however, is mature and devoted. Despite a huge age difference of 10 years, the pair looks perfect for each other.
Of course nothing sails smoothly in life. Comes the killjoy Ye Lu Ming (played by David Wang). He tells Fanxing that their friendship is only platonic, she believes him and treats him as her confidante. But he uses this opportunity to winning the hearts of her parents and making her indebted to him. He creates dates after dates pretending these are their innocent hangouts, and she is oblivious to the facts. He plays her naivete to the fullest. At this point, many viewers curse the Fanxing character, and inevitably the actor herself. This is silly because Victoria Song should not be condemned for being such a good actor that brings the Fanxing character to life.
Initially I questioned the writer for giving us such an emotionally naive character as in Fanxing, and such a foxy character as in Ye Lu Ming; I thought such characters were unrealistic. However, when I searched deep into my own experiences, such characters do exist. I used to know someone who used the same tricks as Ye Lu Ming does, and trapped a girl that he had been pursuing without the girl realizing she was being trapped.
I love the side couples here, in particular Cai Min Min (played by Esther Yu) and He Can Yang (played by Zhang Yu Jian). Cai Min Min is so adorable like a little toddler. He Can Yang's relationship with his twin sister He Fanxing is simply so cute and silly. It's rare for Chinese dramas to portray parents as open-minded as the He's - both of their children have a penchant for very young partners, like at least 10 years younger. The family dynamic is amazing and nostalgic for me.
Many viewers show doubts in following a story that involves a large age gap between the main couple. To this, I'd say, keep an open mind. It's always socially acceptable for a man to marry a very young wife, but not so the other way round. I understand the rationale behind such norm as there is a limitation within a woman's body when it comes to the biological clock and reproduction, but who were to say a couple must always produce offspring in a relationship? Intimacy in a relationship can be expressed in many forms. How Yuan Song plays out in this drama makes me believe that happiness does exist despite the age gap.
I hope through this drama, some single ladies take up the courage to start dating younger men of which I'm supportive. Discard any social pressure or traditional norms. Follow one's heart. Find one's true love. Don't make do with just any men. No one can tell how one should live one's life.
What a wonderful sweet drama this is. Worth watching.
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Both leads are seasoned actors already but this puts them under a different light -- Seo Jihye, who is almost always "the rich and proper/cold second female lead," plays a completely different personality in this drama; and Song Seung-heon, whom I honestly only remember vaguely from Autumn In My Heart, also gets to show off his comedic side with this drama. Both the chemistry and the comedic timing are impeccable, and the show has me laughing really hard every week. The two second leads are also well-chosen for the role, even though it's my first time watching either of them act!
And omg the older couple (you'll know who I mean) -- comedic value A+
There aren't a lot of songs in the OST, but the few songs truly convey the vibe of the scenes they're associated with, and I would put the songs on repeat! Would also rewatch the particularly funny scenes -- omg those CLOY references are A+!
I would say this is a great show in the rom com genre, and is a must-watch if you liked Seo Jihye in Crash Landing On You!
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This review may contain spoilers
The winner REALLY deserved it all.
I loooove every bits of this show. The games, the participants, the drama...The games was good overall. It's actually a simple games, most of it from board games I'm pretty sure we all played it before like Monopoly, Tic Tac Toe, Scrabble, Tangram, Gomoku, etc... but with upgraded rules that sometimes very difficult to understand and made my head dizzy when I try to follow 🤣 Well, sometimes it's indeed very stressful (I recalled myself crying out loud when Dongjae eliminated because of the nasty betrayal), but it's also fun, thrilling, and exciting.
But most of all, I'm very, VERY happy with the way this survival ends.
Ha Seokjin deserved it all. He's the most calm & collected since episode 1, a great strategist, and his tenacity just... wow. I knew him since Problematic Men era, I knew he's a great opponent everyone should watch for; but I didn't expect he'll be THAT GOOD. Every single episode he played every game skillfully, with everything he's got. It's truly mindblowing to watch (yes, I'm referring to his grande plan in episode 9 OMG how can he calculated all that???)
And I believe he's the only one who understood the rules of this survival game perfectly. I really like his statement (angry statement, if I may add) after Dongjae eliminated, "I want to see a skill-based elimination."
Indeed, because up to that episode, all I see was Orbit trying to save everyone—even the one who did not deserve to be saved. Alliances is needed, yes, but I don't think that was what Orbit did; he acted like a peacemaker but actually he's more like a dictator, giving instructions to everyone who followed him.
Not hating on him though, I'm trying to understand the way he think but obviously... trying to save everyone while you're in a survival show is kinda nonsense. The one with mind games and all, to be exact. It's a good act, but it's not for this show. Well, if that was actually his strategy to make all those people followed him and using them as a jumping stone to be in the finale... wow, he's good y'all 😂
This was the great drama to add, and because of that I fall more deeper to Ha Seokjin's charm. I'm rooting for him since episode 1 and very happy when he wins. All in all, watching this show was like my personal journey as Ha Seokjin fans; I'm happy to realize he's that smart, kind, and humble as a person, and I'm just happy so many people find out about him as an actor (well, and youtuber) through this show. Hopefully he gain some fans (I really want to gatekeeping him though HAHA) and be more successful in the future. Respect to all participants, I really enjoyed their friendship, and their betrayal 🤣🤣 Also, kudos to the great crew behind this show!
Season 2, please?
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This drama is so amazing!
This drama is more down-to-earth and more realistic than most romantic dramas out there and it hit me right in the feels and finding out it's based on the author's own experiences got me more in the feels :)
When I started, I thought I would get tired of this drama by episode 20 but surprisingly the drama doesn't get boring, I didn't skip scenes like I normally do with such long dramas (I usually can only watch dramas that are 30 episodes or less) and I usually skip the scenes not involving the main leads. But with this drama, I saw myself getting invested in all the characters.
The following is just a run-down on some of the things I liked and disliked with this drama.
Firstly what I liked:
•The actors who played the main leads were well picked. They display a chemistry that seems so real.
The cast as a whole was perfect. favorite couple besides the main couple is definitely her mother and father :)
•I love the bond that the siblings had, usually, sibling bonds are not shown in the positive light in dramas.
What I didn't like:
•That there was a weird haze/blur present in some of the scenes. I get that it's supposed to help us differentiate between the different timelines but it was distracting at times.
•The cast hardly changed in appearances between the different timelines i.e. they have the same hairstyle even at the same lengths.
Overall I thoroughly enjoyed this drama and will definitely watch it again even if it's just for the main leads :)
Love,
ayaj
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Masterpiece
Story: very good ;well written , comedy was smart while using very well the grotesque.
Soundtrack: very good ;
Not once i got bored by it, it helped the story perfectly.
Visuals: very good ;
Empathy to characters: very good;
It's not every drama these days that manage to get me attached to the characters.
In this one, i felt some attachment even for side characters.
Casting: very good ;
Everyone did well, but Shin Hye Sun stole the show, she is perfect.
P.S: Bae Jong Ok as queen dowager deserves an award.
Realisation + direction; very good ;
Pacing: Good
I'm not giving it 10, because i never give 10, but it came as close as possible.
I don't know why i waited so much to watch this.....
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1This review may contain spoilers
Following History While Telling A Completely Different Story. Brilliant Script All Around.
Great story with great acting. Chinese small screen has really gone a long way. The cinematography is beautiful and the battle scenes are shot like it were for movies. The magnitude of quality offered in this drama is simply breathtaking. I really enjoyed the political schemes and plots since the story is full of intelligent people with their own hidden agendas. The level of Chinese political mind games are in different levels when compared to Japan or Korea.The title is exactly what the drama is about. We all know the history of the 3 kingdoms from the Four Great Classic Novels but this drama told the 'secret' behind the 3 kingdoms' stories but with a twist. For history buff like me, I enjoyed it a lot as it followed the real historical events with real historical figures. The so called 'secret' and how the writer incorporate it to the real historical events are what make the this drama really interesting and great.
I think many people misunderstood the so called 'weak' main character. The Emperor is by no mean 'weak' but he wins battles with wit and intelligence. His kindness and benevolent characteristics are always at odd with the viewers but many failed to see the brilliance behind his decisions. Many times his kindness save them from enemies' traps and never once he was caught red-handed by the enemies. Everytime when he compromised with his enemies, he got more advantages in return -- just by giving something small, he achieved something bigger in return. He won the hearts of his enemies and supporters and they call him a great and a wise king. He strike fears in the heart of his enemies just by being kind -- I find it really brilliant how his kindness is the reason why he managed to turn around the weak Han Imperial Family name into something that the people respect and love.
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So what exactly is the show about? I mean you have read the synopsis, and maybe would like to have another push towards why you should watch this incredible show. And believe me, when I say incredible I mean that in every way.
The show is most definitely about the relationship between a mother and a child, and how the two main characters tackle the trials they are given during the course of the show. So what makes it so good?
Maybe you could have guessed it, the character interactions. Ashide Mana and Matsuyuki Yasuko deliver a great performance regarding the interactions between a mother and a daughter. Their trials will make you laugh, cry or just smile weirdly because it's so cute *ahum*.
I mainly stated the two main characters here, but the supporting cast is great as well.
The story progresses in a well-written manner while never forgetting the realism they need to maintain during the course of the show. The story doesn't let you play ball, they throw the ball at you from the get-go, and you will keep following the ball until it finally reaches your glove. The pacing in the show may be slow to some, however incredibly fitting due to the shows Slice-of-life nature.
Because of the well-written storyline and the great acting, you will start rooting for the main two characters hoping they will get that final happy ending, because as you could’ve guessed, the story isn’t a light one. It’s about acceptance, Overcoming trials without giving up, family and so much more.
So why do you need to watch this? The well written story combined with great actors deliver a touching emotional story. This show will stay with you for a long time. It is one of those shows that makes you ponder for a bit while remembering the show, coming to the conclusion that it was a great watch.
So I heartily recommend it to anyone who doesn’t dislike slice-of-life shows. Because if you do watch it, you are in for a treat.
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Enter Sandman
I’ve always loved mysteries and detective dramas, especially with a refreshingly unique concept and innovative approach to investigations of cases. Even better if it has elements of friendship and bromance or sismance, while romance is optional because there are already so many romance-fuelled dramas out there and we need more of the other stuff for a change. I’m positively thrilled to attest that this drama has all of the above qualities (minus sismance but plus romance).Psych-Hunter is a supernatural mystery and psychological thriller adapted from the novel Haunted Houses Handbook (凶宅笔记) by Er Shi San (贰十三) which was published in 2013. As I understand from readers of the novel, the adaptation is modified slightly pertaining to the main characters’ backstory and the inclusion of a romance arc, hence the FL is added in the screenplay. It is directed by Li Ze Lu (李泽露), who had directed the similarly-themed Tomb of the Sea (of the Lost Tomb franchise), and his experience in this genre really shines through.
What makes this show truly fascinating is not only the fusion of investigation procedural with traditional Chinese beliefs, mythology and the art of geomancy (Feng Shui), but also the practice of “exploring the psyche” aka Zhuyoushu (where one completely immerses within the psyche of the subject in a subconscious state, as opposed to mind reading). Having this concept set in the Republican period in China is appropriate as this particular era is steeped in moral ambiguity and intense fear of superstitions, folklore and mysticism, all of which enhances the paranormal vibes of the mysteries being investigated.
The drama showcases high production values through outstanding art direction, lavish Republican era settings and beautiful costumes – in particular the smart police uniforms, extravagant evening gowns and the bespoke 3-piece suits - along with generally fantastic cinematography and steady camerawork during action scenes. The framing of the intriguing abstract setting of the psyche world is visually stunning, and the steampunk outfit worn by the 2 leads during the hypnosis sequences is a nice touch.
The story centres on the friendship between the 3 leads and their investigations in Changshanzhou. Jiang Shou is adept at exploring the human psyche. Qin Yi Heng is the scion of the prominent Qin family and a skilled medical doctor. Yuan Mu Qing is a (self proclaimed) policewoman and daughter of the local warlord. The overarching plot is about Jiang Shuo’s unexplained memory loss, the disappearance of family, friends and others linked to the main villain known as Liu Zhi aka Six Fingers. In connection with the main mystery, our band of protagonists encounter no less than 15 mysterious cases in their pursuit of the villain, namely:
1.Feng Shui murders
2.The abduction
3.The horologist
4.The bizarre black cat
5.Mu Qing’s past
6.Game of death
7.Jiang Shuo’s psyche
8.The playboy
9.Movie studio murders
10. The mysterious village
11. Dead spirits’ post office
12. The riddle of the cheongsam
13. The haunted mansion
14. The tattoo conspiracy
15. The Rubik’s cube
Each case is infused with elements of horror, some more so than others, which puts a bit of scare in viewers. The story starts off briskly then settles at a steady pace, before reaching a frantic and thrilling climax. There are certain unexplained plot holes and loose threads that are left hanging along the way, but we still get the answers to the major question marks by the end. Somewhere past the halfway mark around episodes 22 to 27, the romance gets in the way somewhat unnecessarily with draggy fillers and certain characters - Jiang Shuo and Yuan Mu Qing being the chief culprits – momentarily losing their composure (and common sense). Fortunately, by episode 28, normal service resumes and the 3 friends re-focus on solving mysteries. The haunted mansion, the tattoo conspiracy and finally the Rubik’s cube mystery which brings closure to the overarching plot, are the most convoluted and action packed among all the cases and require much thinking to unravel the puzzle. The big reveal takes place right in the penultimate episode where at long last we learn the truth of who Liu Zhi really is. NOT TOTALLY UNEXPECTED YET SHOCKINGLY UNEXPECTED AT THE SAME TIME. Absolutely and utterly FREAKING MINDBLOWING. I will stop right here and not spoil it.
The main cast generally performed well, in particular Liu Dong Qin’s understated and naturally portrayed Qin Yi Heng. The actor subtly invokes the right dose of intelligence, stoicism, and vulnerability that elevated the portrayal of this very well written character to greater heights. The nuanced micro-expressions and overall exemplary acting really sets Liu Dong Qin apart from the rest of the cast and points to an extremely talented actor indeed. I’m tempted to follow his portfolio of work after this, notably his main role in Medical Examiner Dr Qin 2, and other future projects.
Hou Ming Hao is a popular actor who’s well known for many major roles, including the iconic character of Wu Xie in The Lost Tomb 2 so he is no stranger to this genre. His acting here is on point and fits well the role of Jiang Shuo – lively, witty, street-smart with a hint of mischief in his eyes, plus he cross-dresses very nicely indeed. Perhaps the only issue I have is the lack of consistency with the way the character is written, which is attributed primarily to the romance element written in involving him and Yuan Mu Qing. He somehow loses his edge and suffers from serious lapses of judgment for about 6 to 7 episodes. For the most part, including the amusing bromance between him and Qin Yi Heng, I’ve enjoyed Jiang Shou’s scenes which provides much entertainment value to the show.
Yuan Mu Qing is played by Zhu Xu Dan (Bambi), whom I last saw in Heavenly Sword and Dragon Slaying Sabre (incidentally, the final episode here reminded me of her transformation in HSADSS). She’s an experienced actress who has been cast in a long list of dramas and I thought she did okay here as part of the investigative trio and is convincing as the pampered daughter of a warlord. However, her character suffers from the same inconsistent writing at various points in the show. At times she can be lethal with her martial arts, strong and smart, as befits a policewoman (even an auxiliary one) only to turn into a damsel in distress, and her extreme neediness to cling onto Jiang Shou did grate on the nerves a little. I’m generally indifferent to the romance arc, as long as it doesn’t disrupt the storytelling but unfortunately it did for a few episodes. Mercifully, her character grows out of it towards the end.
The OST features 4 tracks, including the energetic intro rock piece Hunter Heart, and the subdued and emotional Let Her Go as the closing theme, which is very beautifully sung. Track listing as follows:
1. Shin - Hunter Heart
2. Sean He, King - Let Her Go
3. Meng Zi Kun - Game of Happiness and Sadness
4. King - Empty Fortress
On the whole, Psych-Hunter is one of the better produced and extremely entertaining detective investigation dramas of the year that successfully integrates supernatural themes, traditional Chinese beliefs and cleverly conceived mysteries into a smartly condensed package, along with poignant moments of pure bromance. I have thoroughly enjoyed myself and now that we have come to the end, I will truly miss this show. I’m not sure if there will be a season 2 but if not, hopefully another similar one comes along in the not too distant future.
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Two smaller points I want to point out here because it does not really fit elsewhere. First, the camerawork creates some beautiful shots using the environment and open spaces (Who remembers Angel Ta Mi?). But, sometimes it butchers the emotional delivery of some scenes as it zooms and rotates into the actors’ faces. Second, the rich, experimental story immerses the viewer, and the PPL (product placement) becomes especially jarring as it breaks that deep immersion. Still, I will remember this drama for its highs, not lows, and easily recommend this to all drama viewers as a great example of a modern Korean drama.
Story:
The story is surprisingly refreshing given that the average age of its main characters skews older than the usual mini (16 ep kdrama). No young chaebol inheriting his director position from his grandfather, the women in Search: WWW clearly worked hard and sacrificed much to reach their positions. Given the main female leads’ maturity and high social position, it is a challenge to add believable conflicts, especially given its genre. Search: WWW overcomes this struggle and shows that everyone can grow, no matter how mature, and that there will always be a bigger fish, no matter how high you rise. So, its fallback to some typical kdrama conflicts is understandable and not a blemish.
I wish the same could be same about the main romance in the drama. I want to make a distinction between the content of the romance and the pacing of the romance. The pacing, like the overall story, is refreshing, and relationships grow and stumble at unique points. It weaves itself with the office plot to deliver entertainment in every episode, especially the secondary romances/relationships. However, the content of the main romance is a bit shallow upon closer examination. It attempts to highlight the age and ideological differences between the two leads, but they act like they are designed by the same aged person(s). Specifically, the male lead acts like how someone in their 30s/40s imagines someone in their 20s.
Ultimately, the main drivers of a slice-of-life drama is its characters and not its plot points nor romance. And I can go on and on about the depths and strengths of the entire crew of characters, even the slightly obnoxious Morgan. To keep this review a reasonable length, I will just say that the characters are 10/10, and I somehow found myself rooting for each one of them, protagonists and antagonists alike.
Acting:
Starting with the actresses, the leads are a minimum 9/10. I hate (read “love”) to nitpick but Jeon Hye Jin could have shown slightly more range, given the nuance of her character, beyond the serious/contemplative facet. Also, Lee Da Hee is one of my favorite actresses, but she is almost getting typecast into the rash archetype. The main female lead, Im Soo Jung, is faultless, but don’t get me wrong, all three are amazing in their own ways and carry the show together.
Out of their male counterparts, Lee Jae Wook is the most memorable, and I look forward to his potential growth (he’s 21 when shooting this drama!). I am also impressed with Ji Seung Hyun, who I underrated because his profile shows that he’s mostly been on support/guest roles. As you can tell, expectations do color my judgement, and my expectation for Jang Ki Yong did not get met, but he does have some redeeming moments near the end.
Music:
Search: WWW has one of the best OSTs I’ve listened to in recent kdramas. “Well-rounded”, “In sync”, and “Complementary” all perfectly describe the musical core of Search: WWW. It is impossible to not like at least one of the songs in the OST and very likely that you’ll love them all. I usually write very short reviews of the music, but I need to take the time to rave about the musical cast.
First, shout out to the fierce women of Mamamoo, extra for Moonbyul with her writing credits. Could not have picked a better kpop act to mirror the strong female characters of the drama. Second, Jang Beom-Jun bringing that husky Busker Busker voice that was extremely popular in the early 2010s. Sam Kim was also popular around the same time, but I am not as big of a fan. Kudos to Sam Kim, Elaine , and O3ohn, even though I do not know much about them. Third, huge props to Lee Da Hee for fearlessly busting out her singing chops. Fourth, OST veteran, Kim Na-Young, who has been killing the music charts with her latest single, “To be Honest”. She delivers another great performance for Search:WWW.
Take it how you will, but the music is the strongest aspect of this drama. I didn’t even skip the parental advisory, so I could sing along with “show you a bad girl”. The OST flawlessly supports the drama and keeps true the show’s topics and themes, and all the songs are still worthy of a listen without knowing anything about the drama.
Rewatch Value:
As high as the relisten value is for the OST, the rewatch falls a bit short, which I usually judge on story or cast. The story’s female-centricity is refreshing but no longer unique in kdramas. I find the women of “Because This is My First Life” more relatable and the women of “Sky Castle” to be more entertaining. In terms of cast, I’m a bigger fan of the previous works by the main cast, such as “Chicago Typewriter” and “Beauty Inside” (“Misty” is high on my “to watch” list). Jang Ki Young is equally mediocre in his past works (“Kill It” is low on my “to watch” list). Ji Seung Hyun mostly does support/guest roles. However, I do look forward to Lee Jae Wook’s next drama, “July Found by Chance”. So, it’ll be difficult to find time to rewatch Search: WWW.
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Newyear (the one who interprets Pond, the main character of this series) auditioned for 2 Moons The Series (also a BL thai series) Wayo's role, and was rejected because he's wasn't "manly" enough. 2 Moons The Series director said that all the six gay men characters of 2Moons The Series MUST be interpreted by straight men.
I know maybe this isn't the best BL drama, not the best plot, characters lack in depht, we all know that. But i think it's pretty entertaining to watch, It's a cute boys love story, and although I know it isn't the best thing in the BL world, I can say I absolutely don't hate the 20 minutes per week I spend watching it. So well, that's all: I'm here to support Newyear, and all the others who also are amateur actors, I hope him to be able to get more thai dramas' roles in the future.
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This review may contain spoilers
Epic&Bloody journey into bygone times - stately costumes, impressive landscape, elaborate details
"Kingdom" marks a new concept in the KDrama orbit. In 2019 the cine drama was born. This describes a kind of hybrid production with film studios being involved in drama series and movie directors hired for the production. Cinematic camera therefore has since then become characteristic. "Kingdom" was the first original Netflix KDrama production and is thus repeatedly mentioned as a pioneer in this cine drama genre."Kingdom" is an impressive, idiosyncratic mix of colourful historical drama and bloody zombie thriller.
In the broadest sense, the story relates to the so-called Imjin War, the Japanese invasion between 1592 and 1598.
--------------- SIDE NOTE: History meets fiction
The KDrama specifically (but losely) refers to the Battle of Sangju (1592) in the Upo Wetlands. At that time General Yi Il had the problem that he only had a cavalry of 60 soldiers while he was supposed to stop the Japanese on their advance from Busan to Hanseomg. However, his assigned company, which was supposedly equipped and trained first-class, did actually not exist or was not operational. Either the original soldiers were sick, dead, or gone. The local garrisons were also empty because the soldiers stationed there had been recalled to Daegu. What he got were untrained civilians. With the grain he found in a warehouse, he was at least able to recruit some of them. However, he no longer had time to prepare the ca. 900 commoners for the battle, because the Japanese were already there.
The KDrama picks up on this moment in Korean history and rewrites the story in a zombi spirit: In that desperate battle, the former governor of the southern Chungcheong province, Ahn Hyeon, ultimately took command and led around 500 Koreans against an overpowering army of around 30,000 Japanese. The Koreans were victorious thanks to an unknown "resurrection plant" that can be used to resurrect the deceased as bloodthirsty zombies and, with a little skill, can be used as weapons. So (at least in KDrama) the battle in the wetlands could still be won.
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Otherwise, the historical setting provides the hook for an epic journey into bygone times with stately costumes and impressive (authentic South Korean) landscape shots, elaborate details and bloodthirsty butchery. (As adult Netflix production this KDrama is exceptionally brutal). The zombies, with their horde-like appearance and yet very idiosyncratic "fighting style", provide a change from the classic battle formations and martial art sword fights, causing a real challenge for the experienced generals as the opponents are already dead... It requires intelligence, creativity and, above all, high speed. The story itself progresses at this high pace. Neverthelss the emotionally essential scenes have been captured in the proven KDrama style: slowly, intimately and with maximum intensity.
As so often it is just a few powerful, scheming people who make life difficult or even impossible for the many. Yet, not only these political intrigues are the driving force of this thriller. First and foremost it is the question about the epidemic origin and how it might be defeated.
Answers to this question require a second season, even a KMovie and most probably a third season, too. Additionally another film spin-off is being planned. Obviously the story about the "resurrection plant" is far from being told.
... and I am ready to set out again with the noble crown prince to find a solution to save his people and the future of his country in the face of this locust-like zombie plague. Thrilling.
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At first I doubted if I should watch this drama since I really love the anime/manga and I don't want to be disappointed seeing the actors/actresses ruin the story. But since I really love the story I watched it... and I made the RIGHT CHOICE!
This drama was definitely a SUCCESSFUL one! For the story, I must compliment that they gave justice to the original story... They haven't made a lot of changes... almost the same, so much like the anime, but still, definitely worth watching.
For the actors, I really love the character of Tsuruga Ren in the anime (Dung He Lian in this drama), and I should say Choi Si Won has portrayed Ren's character well (just don't mind the voice dubbing). And I also did love how Ivy Chen portrayed Kyoko. Dong Hae was not bad as well... I really loved how all the cast portrayed their individual roles...
Music was definitely cool and awesome. Rewatch value (though I usually don't rewatch dramas), I would definitely watch this again after a couple of years... Overall, this was great!
You would definitely laugh your heart out! You'll enjoy watching this and for those who have watched the anime, you would enjoy this as much as you've enjoyed the anime version...
I definitely want to see a second season of this drama where they could include a lot more of scenes/story from the MANGA...
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You get a double story in the end with her and her mother's love story. This certainly is the perfect mix of gushy romance with coming of age.
Much MUCH better than Romeo and Juliet by far. It's more satisfying than sad at the end and worth the watch! Perfect for a girl's night. My friends dread subtitles but they had nothing to complain about when it was over.
Although, I give the music a nine because I wouldn't necessarily go out of my way to hear it.
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It is cute all over, it doesn't bore you, it doesn't make you skip any parts, it enters your heart, grows inside and leaves happily.
I am neutral about the music, there was a german song in the beginning, it was quite fun to watch Daikichi's fantasy and the music fitted it but other than that one song i don't really remember others, means they don't really stand out.
the story is nice, i love Daikichi and Rin's relationship. they do no cuddling, no "i love you so much daddy" but you just feel the love. It is the success of both the story and the actors.
so if you want to have a change of your cliché someone-dying, someone-fighting-so-hard-for-love movies, take the shot, you won't regret it.
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