The film main point is making a dictionary titled “The Great Passage”, like the chief-editor stated: “A dictionary is a ship which crosses the sea of words and languages”. Being a lover of dictionaries and words in general, I am ashamed to admit that I was ignorant of the hardships and the overwhelming mission of making a dictionary that may take more than a decade to accomplish. Therefore, this film was such a penetrating telling of an intriguing theme.
While watching The Great Passage, you will be stroked by two things: the story’s process and the characters’ portrayals and interactions. The first part is a quite slow narration of events that may not sound impressive at first sight. However, with the film progressing; many parts start to connect and the plot becomes as solid as ever. Moreover, light moments were also used to add some entertainment such as the editors eavesdropping on young girls’ conversation to find out new words invented by the younger generations. Although, this film may not be to everyone’s liking because of the theme and the very slow events’ development but I believe that was the perfect way of making such a film.
The second part is what makes the film quite special too; this film’s characterization was carefully handled to not appear surreal or lacking. For instance, the male lead Majime (literally translated as “serious”) was a quiet man who finds trouble with expressing himself; he’s always surrounded by books and has zero friends and thus no social abilities. The only one who’s able to understand him a little is his landlady. When such a man gets the chance to make a dictionary, he was inspired and determined to make it his life goal. In the meantime, he falls in love and starts struggling to win his lady’s heart, despite his lack of self-expression, while continuing his dream of making the dictionary come to life.
On the other hand there are his co-workers at the dictionary department; his fellows in this enormous mission of defining, refining and editing thousands of words in a modern-day dictionary. All of his colleagues were quite endearing but the most captivating character must’ve been Nishioka; an entirely opposite character of Majime; talkative, social and very affectionate; he was Majime’s right hand because dictionaries can’t be made by bookworms alone.
The acting was powerful. Matsuda Ryuhei is a very talented and versatile actor; I’ve got the chance to see him in five different roles so far and I loved him in all of those but this must be where I become a great fan of his acting style: expressive, calm but turns intense in need. His portrayal of Majime’s was perfect; he involves you with his character at every facial expression. Other actors were also quite good in here especially Miyazaki Aoi and Odagiri Joe, one heck of an iconic Japanese actor.
The selected music for this film was very well synchronized with the film’s theme and developments. It adds a great taste to the watching experience. The cinematography was also pretty well conveyed considering the fact that this film contained many time jumps from the 1995 till 2010.
Watch if:
-You’re interested in different types of films.
-You like watching inspirational films.
-You like to learn more about dictionaries.
-You like watching high-profile acting.
Do not watch if:
-You can’t handle slow films.
-You’re looking for romance.
-You’re not interested in dictionaries or words.
-You find inspiring stories “boring”.
The Great Passage is a motivating film that handles a different topic. It’s certainly not for everyone but if you can handle it then it’s undoubtedly one of those hidden gems that leave you with a smile on your face.
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This review may contain spoilers
Time-travel with an enchanting encounter between traditional medicine & modern medical technology
Because "Live up to your Name" chooses time travel as the starting point for the action, the KDrama is able to contrast traditional medicine as well as modern surgery and medical technology in two historical time zones. This sprinkles a lot of color over the topic and opens up a perspective that does not have to polarize. This rapprochement is rounded off by the enchanting development of the relationship between the protagonists - the modern day surgeon in modern Seoul and Heo-im from Joseon days, who get emotionally involved over the course of the story, although their personalities could not be more different."Live up to your name" juxtaposes modern surgery & medical technology as well as traditional Korean medicine, which is recently becoming more and more popular in the increasing medical tourism in South Korea. In this context, the audience is introduced to a luminary of traditional Korean medicine who made a considerable contribution to acupuncture in his time (16th century) - Heo-im. The KDrama guarantees an entertaining and lively excursion into some background knowledge about attitude, methods and possibilities of traditional medicine.
Just seeing Kim Nam-gil as Heo-im is worth watching this KDrama. He does an excellent job of portraying the ambivalent personality: there is the simple man from a poor background, whom he would like to escape at any price, and there is the ingenious healer with almost spiritual talent. Sometimes it's quite funny and then again heartwarming and profoundly serious with confident lightness.
In addition, there are the traditional healing methods, the virtuosity in handling the acupuncture needles and the feeling for the flow of energy... this can not only be experienced with the example of Heo-im, but also with the other representatives of traditional Korean medicine. There is also room for dealing with those for whom traditional medicine is mainly a business today - a service that can be sold very well in South Korea these days, especially with a VIP upgrade as a trendy, exotic treatment method in the context of medical tourism. There are the VENDORS of traditional Korean medicine and there are the HEALERS of traditional methods. And then there is modern medicine and the growing market of the health industry. Eventually, what makes the difference (and also offers the common ground between paradigms) are the attitude, dedication and mission when it comes to healing...
------ SIDE NOTE: --- Historical Heo-im (1570-1647)---
His reputation as an acupuncturist preceded the historical Heo-im of his time - not only in the Joseon Dynasty itself, but as far away as China and Japan. Originally he was of humble origin, but due to his incredible achievements in medicine he became the personal physician at the royal court and a government official at the age of 30. During the Japan War, he was able to further expand his reputation through his gifted achievements in acupuncture. However, the nobles rejected him as their equal and excluded him, so that he returned to his village at the age of about 50 and practiced his healing art on the common people there until he died at the age of 77. In recent years he has written a large, well-regarded work, the ChimGuGyungHumBang (book on acupuncture and moxibustion). In it he describes his methods of pain management and procedures in which acupuncture points are not (only) stimulated by needle sticks, but also by heat.
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Warm and Simple
As I grew older Its weird but I tend to like simple stories. The warmth and simplicity of the love story tends to affect me compared to those cliche plots with third party etc. i give this 10 because I always based my rating to chemistry no matter how good a story if the leads are not compatible its useless.And Based on previous Lin Yi dramas he is best suitable for modern romcom dramas than historical or he might be suitable for drmas like Wuxi a (eternal love cinematography ) .
I like dramas with not that much third party issues .
Simple and Warm drama
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I made jokes about this one in the comments when I first read the synopsis. I was expecting to be force-fed some BS attraction between a young guy and a woman 14yrs older than him. After the first episode, I felt like I was dead on with my expectations, but kept watching since it was entertaining enough. It didn't take long for me to see that I was actually dead wrong.
This show was so well-executed that even the cliche parts came off as normal occurrence. You feel like this story is somehow familiar, like you know some people who have experienced the same regardless of how far-fetched that would be. What I love most is each hurdle is a real growing experience. Not just an "Oh, I messed up and apologized, now forgive immediately." There's depth in each situation.
The chemistry between all the characters is spectacular. Yes, I said all. Each person fits into their role snugly and works so well with anyone else that's on-screen with them. Enemies, friends, lovers, family... you'd think you were made privy to the lives of actual people, it all feels so natural.
Best part: Uhm Jung Hwa's acting. None of that typical stuff actresses do to mimic falling in love. She brings those real reactions that women usually can't prevent from doing and endearing qualities of an enamored woman to her character. All of this while still maintaining a strong no-nonsense personality. She portrayed a woman that can be an axe-grinder, and cutely fall in love without compromising her strength. She also is able to grow to learn from her lessons and change only what needs changing.
For me, this is the second best drama I've ever watched and I'm a harsh critic. I'd highly recommend it.
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Fighting Hand-in-Hand
This drama is a much-needed drama with a sweet romance to compensate the angst in the recently aired Love and Redemption, and numerous other open-ended dramas. It has a super handsome new actor who is making his debut and it is also one of the many cross-dressing dramas released lately. The story is semi-serious with cute and funny moments littered throughout. The pace is good and the storyline is not complex. It is certainly a very relaxing watch.This is a story about palace power struggle. Right from the start, the antagonist is already made known to the viewers. Though unknown for the protagonists with no concrete proofs that all the mysteries and crimes they’re trying to solve are linked to the antagonist, nonetheless, the eventual outcome does not surprise them.
The Prince of Qi (Zhang Ling He) is a wandering prince who holds no political power. He has a great relationship with his younger brother who is the Emperor, but a nemesis of his uncle who wants the throne. He disguises as a wealthy aristocrat as Pei Zhao and frequents the brothels. There he meets and falls in love with Su Ci (Sebrina Chen) who disguises as a man working as a high-level investigator. Pei Zhao is patient, forgiving, condoning and protective towards Su Ci. He is strategic and very intelligent. Su Ci is upright, unbiased and detailed which makes her a great investigator. Together with their friends, a medical genius, a skilled sword man and the best cook, they make an ideal team with enviable friendship. Right from episode 1, Pei Zhao and Su Ci begin to work hand in hand, literally, solving crimes and unfolding a bigger conspiracy. They’ve never been separated since, everywhere they go, they go together and everything they do, they do it together. It is really very comforting to see they are always at each other’s side and trusting each other. Any misunderstanding is resolved almost as soon as it arises because they are being very honest to each other; it is indeed very heart-warming to see the couple holding hands all the time.
I’m delighted with Zhang Ling He’s portrayal of Pei Zhao/Prince of Qi. This is his first drama but his performance is beyond my expectation, far more convincing than many other more experienced actors. He has a very handsome face and a well built body. Acting as a flamboyant playboy and later as a devoted lover, Zhang Ling He’s performance is believable and lovable. I cannot help myself but looking at his handsome face all the time.
Su Ci has a calling – to find out what had happened seven years ago when her whole tribe was massacred, leaving her the lone survivor. Her investigative prowess helps her unravel the conspiracy and eventually bring justice for her tribe. Sebrina Chen has cross-dressed in several other dramas and she is very convincing, dressing as a man. Having a matter-of-factly demeanor, Sebrina Chen’s portrayal is authentic and wonderful.
The second couple is perhaps the cutest and sweetest side couple. Their love for each other is unmistakable and they help solve many crimes together. The other cast members are both good looking and wonderful in their respective roles. The ending is concluded properly with justice served - the good is being rewarded and the bad is being punished, and the lovers are happily ever after.
This is indeed a very enjoyable drama not to be missed.
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1Why Is This So Good??
OMG I NEVER THOUGHT I’D BE INTRIGUED BY MEN WHO CAN GET PREGNANT LMAOBut here we are. This show is crazy high budget, and it shows, the visuals and the attention to detail feels premium. You can tell a ton of work went into it. And despite the fact that ABO stuff usually isn’t my thing (seriously, it’s not), I was fully hooked. It’s weirdly good and really intriguing so give it a try.
Anyway, for the confused and curious, here’s a quick crash course in the Omegaverse (ABO):
Alpha – The top of the hierarchy. Dominant, often temperamental, sometimes feral. They can impregnate Omegas. Often portrayed as aggressive, possessive, and very much in control.
Omega – The bottom of the hierarchy (socially, but in bed too👀). They can get pregnant, go into heat, and are sometimes described as self-lubricating. Male Omegas are just as fertile as females and are often portrayed as more delicate or emotionally intense.
Beta – The "normies" of the system. They’re often background characters or emotional buffers between Alphas and Omegas. Some works ignore them entirely.
Enigma – The holy shit what is that tier. A rare and terrifyingly powerful Alpha variant that can impregnate literally anyone, including other Alphas. Their dominance overrides everything. They’re the “alpha of Alphas,” and people in-universe often have no defense against their presence.
This review will be edited when the show stops airing.
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Fresh twists on old cliches.
At first glance, Autumn Ballad looks like just another light historical romance featuring a strong, independent heroine with 21st-century attitudes and aspirations. Yet with a chock full of fresh twists on old cliches, this manages to surprise and delight with an all too familiar tale of a lowly illegitimate daughter who finds love most unexpectedly on her quest for self-determination. This well-told story with an authentic voice is carried by Xu Zhengxi and Qiao Xin's heartfelt performances which make me invested in their characters before I even like them.What I like most about Qiu Yan is that she is really not that nice or always that smart. Phew, what a welcome relief from the all too common suffocatingly flawless heroines. This is where notably Yu Zheng's recent, much higher budget projects fall way short by comparison despite big-name actresses. Trapped and exploited by her low birth status, Qiu Yan is the anti-Cinderella - her stepmother is her fairy godmother; she gives as good as she gets to her step-sisters and her mysterious prince leaves her a fan at the stroke of midnight. She tries for the best hand from the cards she is dealt and if she has to use a few people or step on toes along the way, so be it. She can be as harsh, selfish, and unforgiving as she is brave, capable, and loyal. She schemes, miscalculates, and makes mistakes with real consequences for herself and for others. I don't always like or agree with her but can understand her desperation and humanity.
Liang Yi is a pretty gray character which makes him my kind of male lead. Beneath his icy, civilized veneer he is a calculating, manipulative, ends-justify-the-means kind of guy with an agenda and he plays a long game. His path crosses with Qiu Yan repeatedly over the course of his investigations as head of the powerful Firewood Bureau. From the get-go, Liang Yi sees through Qiu Yan's machinations with contempt and tries to frustrate her designs on Qin Xuan. But he stops short of throwing her under the bus, perhaps in silent acknowledgment of his own utilitarian nature. When their interest align they agree to collaborate and are unflinchingly honest with each other about what's in it for them. In doing so, they also reveal the better sides of their nature and as they grow on each other, I fall for them. Qiu Yan is no damsel in distress in need of rescuing and Liang Yi can be as much cad as a knight in shining armor. They are kindred spirits and when they join forces, the sum of the parts is greater than the whole. It is inevitable that conflict and antagonism spark mutual awareness and passion. Their repartee is witty and the dialogue humorously highlights universal truths about human nature and the role of women in society. Is it too contemporary to be realistic? Probably but who cares?
This drama ought to be the gold standard for how realistic, believable relationships should be developed and portrayed. Xu Zhengxi really captures the essence of how Liang Yi's feelings for Qiu Yan evolve from dislike and distrust to grudging respect and consternation when it dawns upon him that he added to her burdens. His ironic, disbelieving expression as he comes to terms with his feelings for her kills me every time. This is by far the best-acted, anchor performance in the drama, elevated by the OTP's undeniable screen chemistry. While Qiao Xin stages a convincing, empathetic complimentary act, she falls short in her crying scenes.
The supporting characters are also mostly well-written and I particularly appreciate the balanced point of view with respect to the sibling rivalry between Qiu Min and Qiu Yan. Both Qiu Min and Qin Xuan are less thoughtfully written but despite their character flaws, they both get a pretty raw deal. The writers seem to know how to design layered and interesting characters but don't know how to finish their stories. Too many characters get outcomes (good and bad) that are underserved. There are so many gratuitous deaths I wonder whether they were running out of money.
Though far from a masterpiece of suspense and intrigue, the overarching conspiracy that loosely connects the cases moves at a fast pace and is quite well conceived and not just contrived to allow the couple to discover each other. It is a story that has enough momentum and characters with agency that the ending should write itself. Instead, with about 6 episodes to go, the writing inexplicably deviates into flashbacks, forced angst, melodrama, and excessive plot twists that culminate in a just barely satisfactory ending. If not for the sag towards the end, I would rate this production that shines in spite of its modest budget better than a very enjoyable 8/10.
This is not a fairytale but that is what makes it so much fun. It is well worth watching for the fascinating and hilarious relationship dynamics alone.
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A promise in front of the moon yet beyond the light.
Are you confused because of my title? Let's examine and resonate what, how, why, when, where and find the answers.Note: It's a obvious that ITSAY is way better than IPYTM but will you actually discredit the work? NO, Never do that. Let's talk. If you haven't watched you can skip the 2nd part for now.
1st PART: REVIEW
ITSAY (s1) is indeed a game-changer in the world of Thai BL, being the best ever Thai BL ever produced; it is inclined more towards the LGBT pov of a BL, yeah! But If we are gonna compare it with IPYTM (s2), it's better to realize that we are on the wrong boat. The type of storytelling, as everyone can feel and see, has obviously changed from "an artistic narration of love that complements a soul" to "simple narration of love that doesn't want to be bound within limits" kind of story.
THE TITLE:
So when the title of the 2nd season along with the first poster was released, everyone was so happy but at the same time difference in interpreting the title was seen. Many people perceived it as 'one pledging their lover to do anything for them at any given cost' and others explained it as 'promising something that's difficult to keep or even impossible to achieve'. Despite of all the speculations, each of us wished for a happy ending even though we were in doubts. But as the series is over what we can conclude is, Moon that's full of spots as imperfection, is also a sign of love and perfection; because even the most perfect relationship has some flaws. Notably, the 1st episode started on a full moon and the 5th episode or finale ended on a full moon depicting how our lives are drawn in full circles, making us come back to the same different spot; but it's upon us to find our way out of it to achieve what we wish for. I am amazed the way the writers put symbolic meanings to it along with the use of various props with deep meanings.
PRODUCTION: There are bigger production companies in Thailand but when it comes to quality, Nadao Bangkok is the BEST among all. I have trusted in Nadao and the team it formed since ITSAY and this time even though Nadao changed the team, my trust still remained the same. I am sure they never compromise when it comes to producing. The quality of their work can never ever be discredited. P'Boss who was the director of ITSAY remained in IPYTM as a producer to supervise everything. I was a little disappointed when Goy was removed from the screenwriters' team but she was casted in the show as a character and I believe there was a reason behind it. After everything, I really wanna commend the entire team who has always believed in the immense study on life, critical analysis and putting best of their efforts in writing, managing and directing the series. People who are fool to misinterprete and jumped into conclusion thrashing and bashing you all for the story don't deseve such a precious series at all. Do not listen to them as I trust you guys must have reasons behind all these when you clearly knew that you'll have to face backlash once it goes on air. Thank you for the courage. Also, Bravo, Nadao! As someone who has always complained about the lil production value of Thai BL industry, ITSAY and IPYTM came as a revolution in the Thai BL history writing a chapter that no other can ever claim.
STORY: I am really not sure how to explain but let me tell you, you will never see such realistic approach in any other BL series as they've shown us in both ITSAY and IPYTM. I feel the entire crew that includes the directors, producers and the screenwriters are masters of storytelling on individual level and their combined efforts has been successfully paid through the series. Both ITSAY and IPYTM are more like "feeling-based romance" stories with very heavy plots and despite the obvious changes from one season to another, IPYTM still kept us going for the quality work put by the production and the cast. ITSAY was an awakening and realization of blooming youth whereas IPYTM is a reflection of struggles of adulthood or precisely the process of adulting as an individual and evolving in a relationship. Given both the seasons have 5 episodes each, there was no way to be bored or feel like it's going slow because every episode is filled with a lot of solid contents. I really don't know how to express my feelings for the fact that IPYTM is so very realistic and relatable that threatened the inner-self of lots of people. May be that's the reason a large no of audience are disappointed for they were shown their own reflection through the story, hence making them dislike it. Not just the main leads, rather each and every character we encounter in this series more or less represent us and our life who either run away from reality or chase after it. Both the seasons are coming of age stories set in different premises and involves different stages of life. They in fact have proved that how one's persona can define the other at points where two persons are in a relationship and what are the ways to come out of it. Just like ITSAY, IPTYM has been successful in showing the artistic pov of how the turmoil of conflicted emotions can shake lives which is both tragic and eye-pleasing at the same time and hence making the audience hooked up the complexity of the feelings that the character had to go through. Also, it's not an one year or few months story, rather a relationship of years so they had to go through all these anyways. Us being upset is totally unreasonable because people gotta get out of happy-go-lucly fairytale stories. PLEASE.
DIRECTION:
OOF! How many times I gotta repeat it? P'Meen and P'Boss are brilliant directors and stupendous creators of art and probably the best directors Thailand has ever produced. Given their age and experience, they can turn soil into gold which is reflected through this series, ain't it? If you're set to discredit them, please stop wherever you're because you're absolutely moving towards a wrong direction. The way they've set the entire thing and the kind of screenplay by drawing parallels and portraying contradictions between ITSAY and IPYTM is so very fabulous and worth the appreciation.
UNIQUENESS: One of the many peculiar things about both the seasons is that, the series is different from other BL series in which too many illogical plots are drawn. Plus unlike others, in ITSAY and IPYTM the supporting characters have not been portrayed as the sidekicks of the leads who always tag along with the main characters and keep teasing them. Also, the usual BL-fetish fujoshi/fudnashi stuffs have also been prevented from the series where others keep pestering the lead couple (I am in no way demeaning the BL culture since I too am a part of it, rather saying how it's not necessary to put the same thing in every other series). Even a girl like Khim's character was so mature and enough to move our hearts. Another thing is that unlike ITSAY, IPYTM is a time jump story. In five episodes we saw (i forgot) at least 3 or 4 leaps (?) and that included their entire university time plus the last episode was after the graduation and their professional lives.
ACTING: Do I really need to explain a lot about this? I mean give a huge award to the casting director. Nadao could be a small company with few artists but all of them are skilled and quality actors. BK and PP were so into their characters as Teh nd Oh-aew that it felt very real, it's like they've absorbed the entire persona of someone else and turned into real beings and not just mere characters of a series. There are scenes which could seem usual to you but the way they performed is just way beyond the cringeworthy acting of other actors. I mean the way they felt natural is wow and also their accurate facial expressions for every other emotions; in fact what makes ITSAY and IPYTM standout on the top of the pyramid is the performance. Apart from BKPP the supporting characters are also good as actors. Especially Khim (Goy) and Jai (Oab) are fantastic performers who were able to make a strong impressions upon us and I believe the Nadao directors have a part to play in how they've taught the actors in the workshops.
DIALOGUE WRITING: Well, as I have already told, the writers a set of brilliant storytellers and the part of dialogue writing has been so beautifully done that it compensates for even the tragic moments. Some were so simple yet so deep and meaningful, I must say they must have pull the heartstrings of millions. Teh who has been a emotional fool all along this season had not much to say but look at the lines of Oh-aew, Jai and Khim. I felt triggered at points and those things hit just right at my heart.
CINEMATOGRAPHY: Ummmmm, master quality skills of cinematography. I heard even the camera person were changed in this season but I still loved because as I have already told, we are not in the same boat as ITSAY this time. The camera angles were so very apt, particularly during the stage performances and the rehearsals that Jai conducted. The aesthetic views during their first meet on the foot bridge, the aquarium, the temple scene, in Oh-aew's condo scene; everything was done very beautifully and left me speechless. The colour coordination work has been amazingly done by the screenplay editors too and it's sometimes that had ITSAY vibes too. So a plus point for the quality editing too.
OSTs: This is something which many are complaining about but why do we need to do everything as we did in ITSAY? Season 1was definitely made to feel us overwhelming and content hence the old-style deep and pleasing lyricism was introduced. But in season 2, as I have already said that the kind of storytelling has changed, they changed the OSTs to simple and relatable lyricism that somehow felt deep and touched hearts too. I am so in love with the OSTs. One thing to note that, in ITSAY BK has more original tracks than PP and PP was made to cover one, whereas in IPYTM PP has more original tracks plus one cover from BK. Only common thing is in both the seasons, BK and PP has a very beautiful duet. Also, like ITSAY, IPYTM too left us awe with the sound effects that even made the subtle scenes beautiful; no unnecessary editing and no use of OSTs multiple times just for promotion sake.
ENDING: Not gonna spoil but if you're wary about it, please don't be because it's worth it. The series that has left us awestrucken all along during the entire thing deserved this ending. All that matters is the growth, development and the evolution in individual level as well as in a relationship that's been immensely picturized in this. Happy or sad ending, what actually matters is the journey that we have been put through. Believe me, we all are blessed to have ITSAY+IPYTM and we should definitely be thankful for it.
Let me tell you that if you're actually moved by the script, as in cried with Oh-awe, crused your heart out for Teh and hated Jai to your core, congratulations because that's what the team wanted. They've succeeded in their job when you are left with demeaning thoughts towards the entire thing. As already mentioned, ITSAY and IPYTM are nothing but revolutionary examples in the Thai BL industry that deserves much mote attention, recognition and attention. This too deserves a 9.5 if not 10/10.
In my 7 years of watching Kdramas and BLs this is the first time I paid to watch something with the anticipation to have all kinda nostalgia and art like ITSAY. Although it didn't have the same thing as the prequel rather I was hit really hard with reality, it is worth the money I have spent and worth best of the best appreciations.
2nd PART: ANALYSIS
(SKIP FROM HERE UNTIL YOU WATCH. If you want to read my analysis, you can come back after finishing)
Let's analyse!
Cheating is when you do things deliberately, with your full consciousness, without caring about your conscience. So from this, whatever Teh did, can't be considered entirely as cheating, because if being swayed from/getting confused about your feelings is considered as cheating, then more than half of the relationships of the world will fall apart right away as you read my review. Let's understand Teh's situation.
1) Firstly, in the Ep2 he saw his most dear person, Oh-aew growing away from him. It's not like Oh-aew's love for him was becoming lesser but just like many people Teh, who always finds deeper meaning to whatever happens with/around him, felt like with Oh-aew changing his major things between them might change too. He was insecure and afraid to lose Oh-aew whom he loves so much. But he was wrong when he mocked Oh during the dinner with his seniors, because it's okay if you're flustered but he should have taken his time to understand Oh-aew's situation for changing himself.
2) Secondly, after Goy and Top passed out of the Acting School, Teh was left with Jai Only. Because of the club, he never made friends from his dept nor did he hung out with anyone except these 3 people. Morever Jai was someone who was like-minded with Teh. Their field of study, their interest, their choice of career and their way of seeking meaning in lil stuffs; everything matched as if they were meant to be. We as human beings usually tend to get attracted towards someone with similar interest and thought process, isn't it? Many of us end up falling for someone with whom we spend almost all the time of our day, it's psychology. So Teh falling for Jai isn't something very big of a matter though he should has have control on himself as he's already in a relationship with someone else. He should have hold himself back even if he was intimidated by Jai's behaviour. Jai somehow was kind of a jerk even though Teh is to be blamed more for whatever happened.
3) Thirdly, the kissing scene. Yeah, Teh was at fault too but whatever happened was just a spark of the moment. Basically it was a rehearsal plus the scene's purpose was to depict intimacy. So while practising Teh, who was already swayed, ended up doing a mistake without consciousness and he was clearly out of his mind. He definitely did wrong but that can't be counted as cheating, again because that was so sudden during the rehersal and Jai had a part to play in the matter. Oh-aew as expected had to be upset and flustered seeing this and I totally cried all night, not because Teh kissed a 3rd person, rather Oh witnessing it was so tragic. I felt so poor for him.
4) Fourthly, the 4th episode that was an absolute tragedy. Teh who was caught off guard even though he did wrong over intimidation, he should have come to sense when confronted by Oh-aew. He should have understood that being seen kissing with another person by your boyfriend is not a small matter. He should have tried even harder to resist his emotions but that emotional fool! Everything went okay till the final play and was going smooth during the after party but that fool had to go out after Jai and confront him about whatever happened between them even when Oh-aew was present there, why!? He was given a very fair chance by Oh who himself was hurt to the core but Teh just couldn't draw a line and realize that everything should have a certain limit and committed a grave mistake. But still, would you call that cheating? NO! It still isn't because it's not like he did it deliberately behind Oh-aew's back. Oh himself was there and whatever Teh did was without his consciousness and everyone could clearly see that he was totally intimidated. So even if he had acquired some feelings for Jai, it can't be interpreted as cheating.
5) Teh never stopped loving Oh, even when he was swayed by Jai. He obviously was afraid of the fading relationship but he tried well to understand the situation and cope with it plus to make things better in their relationship. He was a fool to be intimidated but at the same time he never wanted to let go of Oh-aew.
6) Ep1 to Ep4 are the story's side from Oh-aew's pov whereas Ep5 and particularly Teh's thesis play which lasted for a short while is from his pov. Please try to understand that too.
On my last note, I wanna remind y'all about the conversation that Oh-aew had with his school friend,Boss. If you were carefully listening them and tried to understand what exactly it meant, then I am sure all my analysis and explanation wouldn't be necessary to prove anything. Also, Teh and Oh-aew's last conversation on the beach made sense to a great deal, if you didn't understand it, I am sorry you didn't deserve it. Life, love and relationships are always unpredictable. So accept it as it comes to you and embrace all the hurdles with grace, and of course, together.
Finally I just want to say that, when it comes to love stories, we only have very few options or let's say 2 options: "moving on" and "reunion". What matters is how that's represented and whether it's reasonable or not. I am truly happy that Nadao didn't let us down. THANK YOU FOR EVERYTHING.
I really hope my analysis, examination and interpretation would help you in better understanding the things and what the directors plus the entire team have tried to convey. If you still don't agree, I welcome any argument in the comment section. Thank you for bearing with this long review, I wish it helps.
Lastly, I TOLD SUNSET ABOUT YOU and I PROMISED YOU THE MOON will forever be in my heart as THE BEST THAI BL SERIES EVER PRODUCED. I am so happy, so content and so grateful I can't even express them through words. Can't really bring myself to say goodbye to TEH and OH-AEW as well the entire thing of 2 years but I will remember everything till the moment I die, I PROMISE.
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Enter Sandman
I’ve always loved mysteries and detective dramas, especially with a refreshingly unique concept and innovative approach to investigations of cases. Even better if it has elements of friendship and bromance or sismance, while romance is optional because there are already so many romance-fuelled dramas out there and we need more of the other stuff for a change. I’m positively thrilled to attest that this drama has all of the above qualities (minus sismance but plus romance).Psych-Hunter is a supernatural mystery and psychological thriller adapted from the novel Haunted Houses Handbook (凶宅笔记) by Er Shi San (贰十三) which was published in 2013. As I understand from readers of the novel, the adaptation is modified slightly pertaining to the main characters’ backstory and the inclusion of a romance arc, hence the FL is added in the screenplay. It is directed by Li Ze Lu (李泽露), who had directed the similarly-themed Tomb of the Sea (of the Lost Tomb franchise), and his experience in this genre really shines through.
What makes this show truly fascinating is not only the fusion of investigation procedural with traditional Chinese beliefs, mythology and the art of geomancy (Feng Shui), but also the practice of “exploring the psyche” aka Zhuyoushu (where one completely immerses within the psyche of the subject in a subconscious state, as opposed to mind reading). Having this concept set in the Republican period in China is appropriate as this particular era is steeped in moral ambiguity and intense fear of superstitions, folklore and mysticism, all of which enhances the paranormal vibes of the mysteries being investigated.
The drama showcases high production values through outstanding art direction, lavish Republican era settings and beautiful costumes – in particular the smart police uniforms, extravagant evening gowns and the bespoke 3-piece suits - along with generally fantastic cinematography and steady camerawork during action scenes. The framing of the intriguing abstract setting of the psyche world is visually stunning, and the steampunk outfit worn by the 2 leads during the hypnosis sequences is a nice touch.
The story centres on the friendship between the 3 leads and their investigations in Changshanzhou. Jiang Shou is adept at exploring the human psyche. Qin Yi Heng is the scion of the prominent Qin family and a skilled medical doctor. Yuan Mu Qing is a (self proclaimed) policewoman and daughter of the local warlord. The overarching plot is about Jiang Shuo’s unexplained memory loss, the disappearance of family, friends and others linked to the main villain known as Liu Zhi aka Six Fingers. In connection with the main mystery, our band of protagonists encounter no less than 15 mysterious cases in their pursuit of the villain, namely:
1.Feng Shui murders
2.The abduction
3.The horologist
4.The bizarre black cat
5.Mu Qing’s past
6.Game of death
7.Jiang Shuo’s psyche
8.The playboy
9.Movie studio murders
10. The mysterious village
11. Dead spirits’ post office
12. The riddle of the cheongsam
13. The haunted mansion
14. The tattoo conspiracy
15. The Rubik’s cube
Each case is infused with elements of horror, some more so than others, which puts a bit of scare in viewers. The story starts off briskly then settles at a steady pace, before reaching a frantic and thrilling climax. There are certain unexplained plot holes and loose threads that are left hanging along the way, but we still get the answers to the major question marks by the end. Somewhere past the halfway mark around episodes 22 to 27, the romance gets in the way somewhat unnecessarily with draggy fillers and certain characters - Jiang Shuo and Yuan Mu Qing being the chief culprits – momentarily losing their composure (and common sense). Fortunately, by episode 28, normal service resumes and the 3 friends re-focus on solving mysteries. The haunted mansion, the tattoo conspiracy and finally the Rubik’s cube mystery which brings closure to the overarching plot, are the most convoluted and action packed among all the cases and require much thinking to unravel the puzzle. The big reveal takes place right in the penultimate episode where at long last we learn the truth of who Liu Zhi really is. NOT TOTALLY UNEXPECTED YET SHOCKINGLY UNEXPECTED AT THE SAME TIME. Absolutely and utterly FREAKING MINDBLOWING. I will stop right here and not spoil it.
The main cast generally performed well, in particular Liu Dong Qin’s understated and naturally portrayed Qin Yi Heng. The actor subtly invokes the right dose of intelligence, stoicism, and vulnerability that elevated the portrayal of this very well written character to greater heights. The nuanced micro-expressions and overall exemplary acting really sets Liu Dong Qin apart from the rest of the cast and points to an extremely talented actor indeed. I’m tempted to follow his portfolio of work after this, notably his main role in Medical Examiner Dr Qin 2, and other future projects.
Hou Ming Hao is a popular actor who’s well known for many major roles, including the iconic character of Wu Xie in The Lost Tomb 2 so he is no stranger to this genre. His acting here is on point and fits well the role of Jiang Shuo – lively, witty, street-smart with a hint of mischief in his eyes, plus he cross-dresses very nicely indeed. Perhaps the only issue I have is the lack of consistency with the way the character is written, which is attributed primarily to the romance element written in involving him and Yuan Mu Qing. He somehow loses his edge and suffers from serious lapses of judgment for about 6 to 7 episodes. For the most part, including the amusing bromance between him and Qin Yi Heng, I’ve enjoyed Jiang Shou’s scenes which provides much entertainment value to the show.
Yuan Mu Qing is played by Zhu Xu Dan (Bambi), whom I last saw in Heavenly Sword and Dragon Slaying Sabre (incidentally, the final episode here reminded me of her transformation in HSADSS). She’s an experienced actress who has been cast in a long list of dramas and I thought she did okay here as part of the investigative trio and is convincing as the pampered daughter of a warlord. However, her character suffers from the same inconsistent writing at various points in the show. At times she can be lethal with her martial arts, strong and smart, as befits a policewoman (even an auxiliary one) only to turn into a damsel in distress, and her extreme neediness to cling onto Jiang Shou did grate on the nerves a little. I’m generally indifferent to the romance arc, as long as it doesn’t disrupt the storytelling but unfortunately it did for a few episodes. Mercifully, her character grows out of it towards the end.
The OST features 4 tracks, including the energetic intro rock piece Hunter Heart, and the subdued and emotional Let Her Go as the closing theme, which is very beautifully sung. Track listing as follows:
1. Shin - Hunter Heart
2. Sean He, King - Let Her Go
3. Meng Zi Kun - Game of Happiness and Sadness
4. King - Empty Fortress
On the whole, Psych-Hunter is one of the better produced and extremely entertaining detective investigation dramas of the year that successfully integrates supernatural themes, traditional Chinese beliefs and cleverly conceived mysteries into a smartly condensed package, along with poignant moments of pure bromance. I have thoroughly enjoyed myself and now that we have come to the end, I will truly miss this show. I’m not sure if there will be a season 2 but if not, hopefully another similar one comes along in the not too distant future.
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The novel is so much more convincing when it comes to the main relationship, the Beloved Enemies because in it Gu Qing Pei is actually gay and is extremely attractive to other gay men that surround him (His foxy cunning is so alluring). Yuan Yang is young and brash and initially has non consensual sex with GQP, but the passion in their relationship gradually is very convincing. But that is the novel.
This Drama is a separate beast altogether. Though the main relationship remains explosive with unresolved sexual tension that is very palpable, in absence of actual sex a real mentor and pupil relationship comes to a forefront and the progression of said relationship is very realistic. As a rule the story deals with two very different and lonely people who have no one they can trust, as they are thrust into a situation they both don't want while being chained by their temperaments and positions., And the show does very well with the options it got. I mean, I would watch it for the suiting (costumes) and visuals alone, but it also has an intriguing plot and some good arcs and a great eye-candy cast. So kudos to this. I know it's futile, but I hope that one day we will get a proper BL adaptation of this too... *sigh*
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I Love My President Though He's A Psycho
119 people found this review helpful
I briefly considered giving this a 10 (like another review for this drama) simply because I just could not believe that the writer would, with their hand over their heart, believe this steaming pile of dog shit masquerading as a script could actually be halfway-decent enough to be shown to the world. But that would mean the rating for this drama would increase, which would be false advertising. So hence, here is my very honest and slightly disgruntled review (after all, I wasted a good day watching all 10 episodes. A day I will never get back.)
This show is low budget, but that's okay. Low budget shows can also be great (read: Go Princess Go) or at the very least, watchable (read: Master Devil Do Not Kiss Me). Here, on the other hand, it was like the producers didn't even have enough to hire actors. Hell, my aunt who stays at home and reads to her 12 cats can probably act better. For example, when the male lead was talking about his 'Paranoid Personality Disorder' (does this even exist?), he put on this facial expression that really, really wanted to be tortured, but sort of fell in the ballpark of constipated. I think that if the producers spent less on all the fancy sets and locations, they could've afforded some decent actors, but hey, who cares about actors anyway.
I still can't believe this story is what it is. It gives me hope that if crap like THIS can get produced, then anything I end up writing will have the producers queuing in front of my house.
It starts off with our bug-eyed, small faced heroine (whose face kinda creeped me out with its very apparent plasticky-ness) being kidnapped and tied to a chair with a cheap-looking alien brain-sucking device on her head- or so you'd think (muwahaha the budget strikes again!) Its actually a lie detector. We see a bunch of science-y looking scientists (because lab coats, duh) ask her where she hid the baby. Female lead gets confused and vehemently denies ever being pregnant. Lie detector says she's lying, and the scientists keep asking her where she hid the baby. The heroine faints. Fast forward a bit, and we see our hero, looking all serious and hero-like while having a face that is 3 shades lighter than his neck (good make up artists cost money). Now, even HE asks her about the baby- his baby, apparently- and absolutely refuses to accept that they never had sex in the first place, because according to him, they both were drunk at a party she was waitressing at when they had it. While a normal person would accept that an ordinary woman would know if she ever pushed out a baby, this guy was somehow convinced that our female lead birthed a human without her knowledge.
Once this idiocy got over, the male lead had no reason to keep her at his mansion, but ya' know, he still did because he is 'ohmagerd obsezzed!!!' The female lead eventually stayed because Stockholm Syndrome.
Okay, I'll stop there. Not only because I was getting more and more annoyed as I typed, but the review was also suffering (if it hasn't already suffered enough.)
Tl;dr- The actors can't act, the writer can't write, the directors can't direct and the producers can't produce.
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This review may contain spoilers
Soothing sweetness of a healing Love Story in the midst of brutal, relentless Seoul business life
"Love Scout" offers a cozy, soft and warm love story for the heart. Here: embedded in the tough Seoul office workday. Also: it offers perfect KDrama craftsmanship for this genre. Somehow everything was done right. The social network of our two protagonists also fits perfectly into the whole. Additionally, there are quite some valuable messages between the lines. And then there is the soothing sweetness of a healing (fictional) KDrama-world in the midst of the harsh, intrusive, inhumane, unvarnished reality."Love Scout" conjures up a sweet love story in the brutal, relentless professional everyday life in Seoul 2025. On top of that: a workplace romance between a female boss and her male secretary is not exactly the easy choice.
The story has a certain sweetness to it, also thanks to 7-year-old Byeol. She actually manages to bring out the best in everyone, aiming directly at the heart.
However, the backdrop of the drama – or rather that of our two protagonists - is actually rather sad.
SHE is a successful businesswoman with good instincts, running her own headhunting agency, but along the way she has somewhat lost touch with herself – she has sort of cut off her needs. The price of her success is high. She is a workaholic, exploiting her body, and just as she tramples over her own needs, she does the same with those of her employees. Apart from work, she practically has nothing. The advantage: her (guilt) feelings are buried under workloads. No time to delve deeper.
HE has perfected the art of anticipating the needs of others. As a single father, he has everything under control. Admirable. But on the downside, he is almost compulsive, as he has no other choice – he cannot help but recognize the needs of others before they do. His antennas are completely tuned to his environment. Thus, he comes across as quite sympathetic, as he is the nice neighbor, friend, colleague... However, as a single parent there is hardly any room for his own needs either. He defines his joy mainly through the joy and satisfaction of others. This inevitably makes him not necessarily alone, but still somewhat lonely. And there, deeply buried, are well-hidden (guilt) feelings, too.
Both our FL and ML are quite efficient. Almost perfect. But both also work like highly efficient machines. In this, they are similar and can each see behind the facade of the other. A good start for a healing love story. A healing story overall, in the midst of a structurally sickening, toxic work environment where there is no place for human beings with human needs – for appreciation, sincere recognition, fairness, and enough regeneration time to recharge their emotional and physical 'batteries'.
The dance of FL and ML, performed on this stage, is touching the heart. Tender, at times playful, heartfelt. The encounter between the boss and her secretary becomes a gentle rapprochement between two people who are so cut off from themselves and their own needs, yet reflecting, recognizing, opening up and learning to love each other in this very aspect.
It is an overall good mixture. A love story with charming side plots, balanced in a well-proportioned way with socially critical issues. Those who wish, may condone the seriousness. And those who appreciate the earnest critique, will generously be served. Thus, in my eyes, „Love Scout“ offers quite salubrious and gratifying KDrama-delight.
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The acting is absolutely top-notch, the music is currently on infinite repeat in my apt, and I would watch this drama again.
I wished that there were more heart-pumping, squee/cringing moments--that kind that make you feel embarrassed and avert your eyes to give them privacy. But that's just me.
If you enjoy having a characters of the following variety:
love-to-hate, endearing, kick-ass, hilarious, hopelessly tragic, and one-you-watch-bc-you-fell-in-love-with-them-in-a-diff-drama/movie/etc
THEN THIS IS THE DRAMA FOR YOU!! ;D
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You get a double story in the end with her and her mother's love story. This certainly is the perfect mix of gushy romance with coming of age.
Much MUCH better than Romeo and Juliet by far. It's more satisfying than sad at the end and worth the watch! Perfect for a girl's night. My friends dread subtitles but they had nothing to complain about when it was over.
Although, I give the music a nine because I wouldn't necessarily go out of my way to hear it.
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