So why should you watch 9 End 2 Outs?
Firstly, because it shows a story about two lifelong friends falling in love in a very realistic way – they don’t fall for each other instantly, it’s a long process that makes you believe that this CAN happen in a real life. You won’t find here a vicious ex or a third party who does everything in his/her might to separate the main couple; the biggest obstacle that Nan Hee and Hyung Tae have to overcome is their fear that when they’ll change their relationship they’ll lose a precious friend.
Secondly, the acting. I have to say that both Soo Ae and Kee Jung Jin have done a marvelous job portraying characters who are ”maybe something more than friends”. When I watched them bickering I felt like they really knew each other very well, when they supported each other it looked real and when they started to question their relationship it made me understand their dilemmas. Even if their love story is not passionate or full of bold kisses it’s not boring, it draws you completely into their world.
Thirdly, the atmosphere of the drama as a whole. This one is really heartwarming, maybe because of the relationship between Nan Hee and Hyung Tae: their comfortable friendship, their maturity and their obvious caring for each other and as for the plot mostly the lack of bigger twists – the story is flowing steadily in its own pace.
I gave this drama an 8 because, let’s face it, it’s not something that makes you stunned by its greatness or creativity, but still is worth watching (and rewatching!). If you’re looking for a realistic story about mature people, this one is for you.
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This is literally one of the best dramas I watched this year, starting from the first episode, I was already hooked. It only took me a day to finish and wow....so many things happened, it was amazing.
Story: The story is interesting and really pulls you in. It's about regular, everyday people who are given an opportunity to earn millions of dollars in this show called. "Liar Game". The game itself is unrealistic obviously, they even mention how it ruins ethical guidelines and morals of a person. However, to some extent this shows perfectly illustrates greed, mistrust, manipulation of the media, and how far people will go just to earn money. The story itself will blow your mind with the game's guidelines and how Ha Woo Jin (Le Sang Yoon) and the others perform throughout them with psychology...but is left with some unanswered questions in the ending.
Acting: Acting is amazing. Everyone was amazing, I can't express enough how Shin Song Ruk was born to play the antagonist/bad guy.
The only downfall I had was Kim So Eun's character (Nam Da Jung). Her character is supposed to be a naive, innocent, and kind girl, she does a good job displaying them, but it was irritating to watch her half of the time. There is a difference between being naive and being stupid. Throughout the drama it gradually disappears, but her character had a weak and a "damsel in distress" image left upon her. However, I can understand that her personality plays an important purpose throughout the story so it didn't annoy me a lot.
Music: I didn't pay attention to the OST, but the soundtracks made the scenes intense and keep you absorbed in the story.
This is a must watch, especially to those who are into psychological and suspense!
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Enter Sandman
I’ve always loved mysteries and detective dramas, especially with a refreshingly unique concept and innovative approach to investigations of cases. Even better if it has elements of friendship and bromance or sismance, while romance is optional because there are already so many romance-fuelled dramas out there and we need more of the other stuff for a change. I’m positively thrilled to attest that this drama has all of the above qualities (minus sismance but plus romance).Psych-Hunter is a supernatural mystery and psychological thriller adapted from the novel Haunted Houses Handbook (凶宅笔记) by Er Shi San (贰十三) which was published in 2013. As I understand from readers of the novel, the adaptation is modified slightly pertaining to the main characters’ backstory and the inclusion of a romance arc, hence the FL is added in the screenplay. It is directed by Li Ze Lu (李泽露), who had directed the similarly-themed Tomb of the Sea (of the Lost Tomb franchise), and his experience in this genre really shines through.
What makes this show truly fascinating is not only the fusion of investigation procedural with traditional Chinese beliefs, mythology and the art of geomancy (Feng Shui), but also the practice of “exploring the psyche” aka Zhuyoushu (where one completely immerses within the psyche of the subject in a subconscious state, as opposed to mind reading). Having this concept set in the Republican period in China is appropriate as this particular era is steeped in moral ambiguity and intense fear of superstitions, folklore and mysticism, all of which enhances the paranormal vibes of the mysteries being investigated.
The drama showcases high production values through outstanding art direction, lavish Republican era settings and beautiful costumes – in particular the smart police uniforms, extravagant evening gowns and the bespoke 3-piece suits - along with generally fantastic cinematography and steady camerawork during action scenes. The framing of the intriguing abstract setting of the psyche world is visually stunning, and the steampunk outfit worn by the 2 leads during the hypnosis sequences is a nice touch.
The story centres on the friendship between the 3 leads and their investigations in Changshanzhou. Jiang Shou is adept at exploring the human psyche. Qin Yi Heng is the scion of the prominent Qin family and a skilled medical doctor. Yuan Mu Qing is a (self proclaimed) policewoman and daughter of the local warlord. The overarching plot is about Jiang Shuo’s unexplained memory loss, the disappearance of family, friends and others linked to the main villain known as Liu Zhi aka Six Fingers. In connection with the main mystery, our band of protagonists encounter no less than 15 mysterious cases in their pursuit of the villain, namely:
1.Feng Shui murders
2.The abduction
3.The horologist
4.The bizarre black cat
5.Mu Qing’s past
6.Game of death
7.Jiang Shuo’s psyche
8.The playboy
9.Movie studio murders
10. The mysterious village
11. Dead spirits’ post office
12. The riddle of the cheongsam
13. The haunted mansion
14. The tattoo conspiracy
15. The Rubik’s cube
Each case is infused with elements of horror, some more so than others, which puts a bit of scare in viewers. The story starts off briskly then settles at a steady pace, before reaching a frantic and thrilling climax. There are certain unexplained plot holes and loose threads that are left hanging along the way, but we still get the answers to the major question marks by the end. Somewhere past the halfway mark around episodes 22 to 27, the romance gets in the way somewhat unnecessarily with draggy fillers and certain characters - Jiang Shuo and Yuan Mu Qing being the chief culprits – momentarily losing their composure (and common sense). Fortunately, by episode 28, normal service resumes and the 3 friends re-focus on solving mysteries. The haunted mansion, the tattoo conspiracy and finally the Rubik’s cube mystery which brings closure to the overarching plot, are the most convoluted and action packed among all the cases and require much thinking to unravel the puzzle. The big reveal takes place right in the penultimate episode where at long last we learn the truth of who Liu Zhi really is. NOT TOTALLY UNEXPECTED YET SHOCKINGLY UNEXPECTED AT THE SAME TIME. Absolutely and utterly FREAKING MINDBLOWING. I will stop right here and not spoil it.
The main cast generally performed well, in particular Liu Dong Qin’s understated and naturally portrayed Qin Yi Heng. The actor subtly invokes the right dose of intelligence, stoicism, and vulnerability that elevated the portrayal of this very well written character to greater heights. The nuanced micro-expressions and overall exemplary acting really sets Liu Dong Qin apart from the rest of the cast and points to an extremely talented actor indeed. I’m tempted to follow his portfolio of work after this, notably his main role in Medical Examiner Dr Qin 2, and other future projects.
Hou Ming Hao is a popular actor who’s well known for many major roles, including the iconic character of Wu Xie in The Lost Tomb 2 so he is no stranger to this genre. His acting here is on point and fits well the role of Jiang Shuo – lively, witty, street-smart with a hint of mischief in his eyes, plus he cross-dresses very nicely indeed. Perhaps the only issue I have is the lack of consistency with the way the character is written, which is attributed primarily to the romance element written in involving him and Yuan Mu Qing. He somehow loses his edge and suffers from serious lapses of judgment for about 6 to 7 episodes. For the most part, including the amusing bromance between him and Qin Yi Heng, I’ve enjoyed Jiang Shou’s scenes which provides much entertainment value to the show.
Yuan Mu Qing is played by Zhu Xu Dan (Bambi), whom I last saw in Heavenly Sword and Dragon Slaying Sabre (incidentally, the final episode here reminded me of her transformation in HSADSS). She’s an experienced actress who has been cast in a long list of dramas and I thought she did okay here as part of the investigative trio and is convincing as the pampered daughter of a warlord. However, her character suffers from the same inconsistent writing at various points in the show. At times she can be lethal with her martial arts, strong and smart, as befits a policewoman (even an auxiliary one) only to turn into a damsel in distress, and her extreme neediness to cling onto Jiang Shou did grate on the nerves a little. I’m generally indifferent to the romance arc, as long as it doesn’t disrupt the storytelling but unfortunately it did for a few episodes. Mercifully, her character grows out of it towards the end.
The OST features 4 tracks, including the energetic intro rock piece Hunter Heart, and the subdued and emotional Let Her Go as the closing theme, which is very beautifully sung. Track listing as follows:
1. Shin - Hunter Heart
2. Sean He, King - Let Her Go
3. Meng Zi Kun - Game of Happiness and Sadness
4. King - Empty Fortress
On the whole, Psych-Hunter is one of the better produced and extremely entertaining detective investigation dramas of the year that successfully integrates supernatural themes, traditional Chinese beliefs and cleverly conceived mysteries into a smartly condensed package, along with poignant moments of pure bromance. I have thoroughly enjoyed myself and now that we have come to the end, I will truly miss this show. I’m not sure if there will be a season 2 but if not, hopefully another similar one comes along in the not too distant future.
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This drama is so amazing!
This drama is more down-to-earth and more realistic than most romantic dramas out there and it hit me right in the feels and finding out it's based on the author's own experiences got me more in the feels :)
When I started, I thought I would get tired of this drama by episode 20 but surprisingly the drama doesn't get boring, I didn't skip scenes like I normally do with such long dramas (I usually can only watch dramas that are 30 episodes or less) and I usually skip the scenes not involving the main leads. But with this drama, I saw myself getting invested in all the characters.
The following is just a run-down on some of the things I liked and disliked with this drama.
Firstly what I liked:
•The actors who played the main leads were well picked. They display a chemistry that seems so real.
The cast as a whole was perfect. favorite couple besides the main couple is definitely her mother and father :)
•I love the bond that the siblings had, usually, sibling bonds are not shown in the positive light in dramas.
What I didn't like:
•That there was a weird haze/blur present in some of the scenes. I get that it's supposed to help us differentiate between the different timelines but it was distracting at times.
•The cast hardly changed in appearances between the different timelines i.e. they have the same hairstyle even at the same lengths.
Overall I thoroughly enjoyed this drama and will definitely watch it again even if it's just for the main leads :)
Love,
ayaj
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Rewatch and rewatch
Never expected this drama to be so good. Everybody has such good chemistry and the plot is so good. Bear in mind that this is a school/youth genre, so don't expect too much crazy plot twists or strong villains.I love all the couples in the drama. The plot is really so sweet that I just can't help but rewatch the romance or bickering parts between the main couple. You've probably seen many reviews talking about how good the male lead is in terms of expressions and how he fit in the character.
Parts I really love from the drama:
- How the entire drama really focus on the character development in all the characters, lead characters and supporting characters alike.
- The dream high school experience. When watching this, I can't help but feel envious of their high school experience.
- Sweet interactions between the male lead and female lead. How Si Yue is protective of Ding Xian, how he looks at her and how they both constantly support each other.
- Though Si Yue is portrayed as the school genius and basically this popular guy who is good in everything he does (typical school romance plot right?), but the way the character is acted out is not unrealistic at all. He is not the typical cold blooded, cool guy who is unapproachable.
I rarely rate a drama so high when it comes to high school romance because to me, most high school dramas are nice to watch but not exactly relatable. This drama, however, brings you on an emotional ride and you can't help but dream of going back to high school and relive your high school in the same manner.
Also, I rarely pay attention to drama OSTs. This drama is packed with amazing OSTs, so much I would play them on loop throughout the day.
Kudos to the cast, director and screenwriter.
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A riveting romantic story between Hardy and Ramanujan
Initially I went into this drama for the stacked cast and out-of-the box premise. What I got in return was something so mind-blowingly beautiful that exceeded all my ever-imaginable expectations. From the 150+ dramas and 50+ movies I have watched thus far, many of them highly rated on MDL, “Melancholia” which currently sits at a mere 8.0 has just comfortably took the top spot as my all-time favorite, has become the only drama I’m leaving as a 10/10 and that position will most likely hardly change in the future. Here are the reasons why I consider “Melancholia” to be such a special drama:
Yoon Su’s nickname when posing a quiz in the train was Hardy. Hardy, just like Yoon Su, had mathematicians as parents. Just like Hardy who meets Ramanujan after coming from a taxi with the number 1729 which turned into Ramanujan’s biggest discovery, Yoon Su crashes into Seung Yoo who is wearing a cap with the number 1729 while they are inside of a train facing each other, with both becoming their biggest discovery and incident with whom they feel an instant connection. Having experienced both rejection and illness from a young age despite his talent, Ramanujan, just like Seung Yoo, lived under great hardships before meeting Hardy. Hardy takes Ramanujan under his wing to become his disciple and partner, just like Yoon Su does to Seung Yoo. Thanks to Hardy, Ramanujan becomes one of the best mathematicians. The same happens to Seung Yoo because of Yoon Su. Seung Yoo never forgets his roots and returns to the side of his mentor, who is everything to him. Yoon Su likes Seung Yoo’s perspective of Math and wishes to nurture and protect it while Seung Yoo enjoys Yoon Su’s passion and the smile she carries when she thinks and talks about Math and wishes to preserve it.
When Hardy was asked what his contribution to mathematics would be, without hesitating, he said it was Ramanujan. He called the partnership they had “the only romantic incident in his life”
Luxurious Main Cast of well-reputed actors – Lim Soo Jung (I’m Sorry, I love You, Chicago Typewriter, Search: WWW), Lee Do Hyun (18 Again, Sweet Home, Youth of May), Choi Dae Hoon (CLOY, Flower of Evil, Beyond Evil) and Jin Kyung (It’s Okay That’s Love, Pinnochio, Romantic Doctor Kim 1 & 2). All 4 of them gave outstanding performances.
Directing/Cinematography – “Melancholia” is very beautiful and a pleasant drama to look at. Director Kim Sang Hyub in the past was responsible for works such as “True Beauty” and “Extraordinary You”, that despite having somewhat poor writing (from what I heard), are very gorgeous in terms of cinematography.
Original Script with a unique premise and great worldbuilding. The screenwriter has an history of previously having portrayed a teacher-student relationship successfully with “Doctor John”. This time, however, it was not an easy premise to go over as it needed to be dealt with carefully, especially with now being under a more controversial academic setting, but I believe it was very well executed as the boundaries were not broken beyond what they should while they were in school. The way the show blended math into dialogues, visual representation and plot/character specifics is also something worth lauding.
Slow-burn pure love. While there is not much “romance” per say, their interactions are very romantic, there is a lot of tension and chemistry and their relationship or the way they think about it sees small but exciting positive developments with each episode that are worth looking forward to, and it feels hard earned. Rather than the typical romance this is an intellectual romance, it’s also about the blossoming of a bond and relationship between 2 individuals who share the same passion that gradually develops into unconditional love despite all odds. The two of them wind up changing each other lifes forever, healing each other in the process and instigating change in themselves for the better. The feelings they have for each other build up as the links that tie them together increase. Their relationship far transcends the usual lovers. You may end up questioning what can considered romance. To me this ended up being the most romantic drama I have ever seen. The age gap of 16 years between the lead actors is actually not that noticeable as they match each other perfectly and Lim Soo Jung looks so young to the point that sometimes she looks the same age or even younger than LDH.
Inspiring core message: to never give up, that there is always hope even in times of despair and how passion for something beats everything else
This drama is much more than a love story. It also has an engaging and well-paced storyline with high stakes that brings out a rollercoaster of emotions, tackling relevant topics such as education, corruption, mental health and depression, parenting, high class privilege and inequality, and love of many kinds. There are also many life lessons given from the perspective of a mathematician.
Very good OST’s that blend well with the drama and leave you emotional
Hidden/double-meaning dialogues, symbolisms and interactions open to interpretation
Satisfaction of seeing the antagonists slowly driving themselves to their doom. It is ironic that the ones that make the most damage to the antagonists are not the leads, but the antagonists themselves. Those who end up belittling the fruits of effort and passion, will end being consumed by their own greed in the end.
Character arcs and how they were neatly closed and treated as humans by the end, be it the good or bad ones
Geometrical plot structure (6+6+2+2):
1-6: Episodes 1 and 2 – Getting acquainted; Episodes 3 and 4 – Healing Seung Yoo and becoming closer; Episodes 5 – Seung Yoo’s Feelings; Episode 6 – Error in the premise
7-12: Episodes 7 and 8 – Getting acquainted; Episodes 9 and 10 – Healing Yoon Su and becoming closer; Episode 11 – Yoon Su’s Feelings; Episode 12 – Error in the premise
13-16: Episode 13 – Yoon Su’s resolve; Episode 14 – Seung Yoo’s resolve; Episode 15- The old sun descends; Episode 16 – The new sun rises
Last but not least, Choi Shi An aka SY and YS’s adopted daughter (the drama makes it so intentional to make them seem like a family of four lol).
“Melancholia” oozes a special vibe where it enraptures you in its own unique world and is just the type of drama I was looking for. Above all it has a lot of heart. I hope more dramas that give out this type of feeling are made in the future. They have that special element that makes them different from everything else you have watched before and that can make you attached to it, and that is why I watch dramas.
There are many other things I have not mentioned in detail because I do not wish to spoil the story too much or may have glossed over and will only be able to notice with a rewatch (which I will certainly do, and more than once), but I think this alone should be enough, so I hope I was helpful in any way in convincing you to watch this magnificent work of art and thank you for dedicating your precious time in reading this review.
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1House of cards.
My Journey to You is dark, intricate and suspenseful wuxia that hones in on Wufeng spy Yun Weishan's mission to sneak into the Gong family's heavily guarded mountain stronghold. This is a once in two decade opportunity, as the Gong family holds a bride selection event for their young masters who have come of age. A shocking twist thrusts Gong Ziyu, the least capable young master, to the helm of the family. He is clearly unequal to the task and must prove himself worthy before the seemingly invincible Gong family folds like a house of cards under the force of internal and external challenge.Shocking murders that rock the foundations of Gong family just as Wufeng spies slip through the gates. The whydunit is quite clear from the get go. By elimination and a few clues, most of the mysteries including Wuming or Anonymous's identity, are easy to solve. The mysteries look more complex than they really are because many other sub-plots unfold at high velocity. The key is not to over think; the straightforward answers are usually the right ones. The antagonist reveal comes late in the story after the facts are stale and the long expository style gives a sense of anti-climax at the end. It may have been better to resolve the internal conspiracy prior to facing the external challenge. Nonetheless the mystery sub-plots are fairly tight and engagingly woven into the external plot of this dark wuxia.
The real guts of the main plot centres around the Gong family and the secret that they vowed to safeguard for all time. It is no fun to be a Gong; stuck on an isolated, toxic mountain and locked in an existential battle with their arch enemy Wufeng. All of the young masters of the Shang (weapons), Jue (commerce), Zhi (poison) and Yu (defence) lines shoulder many responsibilities from a young age. All except the self-indulgent and spoiled Ziyu who has a father, foster mother and older brother to lean on. It is no wonder that Shangjue and especially Yuanzhi resent Ziyu and demand he prove his mettle. The real irony is Sword Wielder is the most sucky job that comes with a butt ugly tattoo and life imprisonment on that dreadful, suffocating mountain. Not to mention the exhausting chore of trying to stare, glare or scowl down Shangjue and Yuanzhi only to be torpedoed by one of Zishang's whacky, mind boggling non-sequiturs that destroy any crushing come back! As much as I was riveted by the Gong family soap opera, it is the mysterious denizens of the back mountain that broke my heart with the intensity and absoluteness of their obsessions. This drama has the most absurdly gorgeous, eccentric, layered and memorable cast of characters.
While romance is always a feature, it is never what this kind of dark themed wuxia is built around, so conventional romance watchers are bound to be disappointed. Both Weishan and Qian are spies on a do or die mission. If they have love brains, they'd have been long dead spies. By design, Shangjue and Qian's relationship is more interesting because Shangjue is a more cynical and questioning character than Ziyu. He is a much more difficult target and this forces Qian to take more risks and thus reveal more of herself to captivate him. It is quite clear there is an intense attraction, that they got their hooks into each other. It is a dark and fascinatingly toxic relationship where it is left for the viewer to decide whether and to what degree they actually fall in love.
In sharp contrast, Ziyu is naive and unquestioning. Weishan is his first love and he falls for her like a ton of bricks, absolutely and unconditionally. The feeling may be intense and pure but it is also uncomplicated and not that differentiated. The bigger problem is that Weishan is by design an elusive character. She does not have to reveal much about herself to reel Ziyu in and so for the most part, she remains a blank character. By the end of the drama, she is still so much a mystery that it is difficult for viewers to be that invested in her and thus the main romance. Yun Weishan is the main character but because she is so hidden, it is as if there is no main character or CP that anchors the story. For the most part, this feels a story about many characters told from many different points of views. To me, this is the biggest shortcoming in the narrative that is saved by the presence of many other fully realised characters. This is not completely a bad thing because it allows the entire spectacular cast, and notably Cheng Lei, Lu Yuxiao and Tian Jiarui, to really shine without taking away that much from Yu Shuxin and Zhang Linghe. All of the actors got the screen time their characters deserve and deliver all around strong performances.
In terms of cinematography, breathtaking action scenes and stunning aesthetics, this drama is everything I expect of Guo Jingming and more. He is the ultimate connoisseur of male beauty and truly immortalises all of these actors, male and female at the peak of their gorgeousness at their most flattering camera angles. Yue (Moon) Gongzi was the one that stood out for me in this visual feast and his love story moved me most - I'd have gone to the moon and back for him any day of the week! Despite some holes, I am overall very satisfied with the writing. I much enjoyed the witty repartee, the foreshadowing and the layers in the dialogue and many hidden clues in the form of riddles and homonyms that are embedded in the script.
I actually quite like the ending epilogue which has caused quite a bit of consternation and heated discussion among viewers. This is a plot driven story so none of the main characters are the end game. Both main plot lines converge to deliver a very complete ending in terms of th narrative, which is merely one mission or chapter in the saga of Wufeng's longstanding rivalry with the Gong family. The end epilogue closes with just the right dark and chilling note that upon reflection was long foreshadowed, makes sense and is completely in character. As such, I am very happy to rate this 9/10.
I will elaborate further on the ending epilogue in a spoiler below but please don't read it until you have finished watching this drama. This drama is best enjoyed without spoilers so please don't scroll down until you are done watching.
WARNING!!! Major ending spoiler below!!!
Yun Weishan returns to Wufeng to face the music because her work is not done. The biggest clue is that she is not that surprised to find Wufeng waiting for her. She allows Ziyu to think she chose freedom over him, so that he does not look for her and endanger himself and his duty to protect the Infinite Fire. Beyond that, she also knew the note was not from Yasi and possibly she always knew about her twin. More than the Fortnight Flies, that may have been Wufeng's real hold over her. If you rewatch the opening scene, it is very suggestive. Yasi quickly reassures her that the Yun family was just knocked out and not harmed. So it is important to Weishan they are not harmed yet she is not curious enough to even look at the bride she is replacing. Why? Because it is her twin, she already knows what she looks like.
The bigger reason she returns to Wufeng is revenge. She is probably quite safe from Wufeng because everyone that knows of her betrayal is dead and Qian was the one who actually leaked all of the information that lured Wufeng in. She told Jin Fan the truth about Zhuomei, just not the whole truth. She may even be Zhuomei's daughter. That is why she was taught all of Qingfeng's top martial arts but Qian was not. Neither of them even got close to Dianzhu/Wufeng's leader so they could not have learned Qingfeng sect's top martial arts from Dianzhu. Weishan probably joined Wufeng to avenge Zhuomei and possibly also free her sister. She simply could not stay with Ziyu in Gongmen because her work is not yet done. But the first chapter of her story can be considered complete.
A second season probably reunites Weishan with Qian because Dianzhu is their common enemy. This is also why Qian leaves Gongmen, she also has a mission more important than love. Another season could well take place entirely outside of Gongmen so it is not clear the entire cast needs to return. Given how popular the Gong family is with audiences however, my guess is if they can reunite everyone they will bring it all back to Gongmen. But they can also continue it outside of Gongmen with only Shangjue returning or Ziyu returning after handing the reins over to Shangjue. This is very smart of Guo Jingming. He left all his options open. Including the option of not proceeding with another season.
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Modernized, efficient, layered, masterful story re-telling of a classic tale
F4 Thailand is a modernized version that seems to make the main male lead Thyme a more fully fleshed character (why is he pressured to be a bully). Fast paced (similar to the Japanese version), very efficient and masterful story-telling (makes really good use of social media technology to advance the plots--an excellent update from the previous version). Great cast, awesome visuals, good acting and high production value.What really sets this series apart from other adaptations and shows is its use of layers and layers of story-telling. Every detail from choice of EP titles, character names & birthdays, costumes, accessories, set designs, colors all the way to floor patterns seems purposeful and symbolic in its communication. I've never seen any show like this before. There is a growing fandom experience where very intelligent, observant people do deep dives, analyze the hidden symbols, decipher astrological significance, draw parallels to myths, tropes and plot devices, and unpack the messages of the show as they relate to the contemporary issues. The depth and quality of this show is simply EXEMPLARY!
Another mind-blowing thing about the show is its very clear anti-patriarchal message. The first EP starts off establishing the status quo of a very dark patriarchal world where control, hierarchy and violence rule. As the story progresses, you will see tremendous progress in character development, change and redemption. But the first EP began with a serious tone around bullying, which I appreciate because it clearly communicates that bullying is a serious issue that shouldn't be condoned.
Each EP has its own story arc and comes to a satisfying end (the director O Patha really pays attention to the story graph of each EP). There are many hidden ways the series pays homage to the original source (manga) and previous adaptations (e.g. names of characters, shops, words on billboard, etc.). The series is clearly the top in terms of my favorite adaptations (I watched the Taiwanese, Japanese, Korean and part of Chinese versions (too lengthy for me)), and possibly my favorite show ever. It'll surely become a classic.
The series has everything! From tear-jerking drama to peak comedy, the story is packed full of entertainment value. There is no scene wasted! Everything is super tight. I'm really enjoying it. Bright Vachirawit as Thyme has been able to show different facets of character Thyme (cruel, dumb, angry, bratty, childish, cute and smitten), while Tontawan delivers a very strong FL Gorya whom I find easy to sympathize with. Her family is so lovely and provides great comedic relief. Many people have fallen for the 2nd lead Ren but I'm team Thyme (esp. after EP3). (I fell hard for the 2nd lead in the Taiwanese and Korean versions.)
The rest of the cast is also really strong. Great chemistry among all the F4 boys (the Kavin-MJ duo is especially solid). Last but not least, Cindy as Thyme's mom, Mariya as Thea (Thyme's sister) and Fah Yong as Mira (Ren's first love) are all powerful scene stealers. They all have such strong presence whenever they appear on the screen, sometimes without word. Mira's character is the best of all the adaptations - so beautifully strong, inside and out. I appreciate that the portrayal of characters in F4 Thailand is more realistic and logical (as opposed to being cartoonish or over-the-top). Later June as Hana, Lita as Thyme's fiance and Kaye as Talay were all stellar in their roles.
Oh, and the OSTs are excellent. Seven have been released so far. I really like Who Am I, esp. the lyrics and Bright's singing. Shooting Star, In the Wind, You Mean the World, One Last Cry, Nighttime, and Best Life are lovely too. It is wonderful that most of these are all sung by F4 actors themselves. One Last Cry sung by Violet Wautier is very good and emotional.
Overall, the series is the best I have seen in a long while. Certainly my favorite of all the adaptations.
Highly recommended.
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1If u are undecided if u must watch this drama, this is the sign. WATCH IT ❣
At first I was reluctant to watch this since it is another fantasy/all about gumiho type of drama. However after the first 2 episodes id say it's very fun and hilarious to watch. Hyeri is made for comedy! The way she exaggerates her movements and facial expressions makes me laugh so hard. Also it is good to see somewhat another side of Jang Ki-yong; didnt really peg him for comedy but his character suits him. Loved Kang Hana from Start Up, and seeing her in this drama with a completely different vibe is a treat.Updaaate! Just finished ep 16 This drama is worth your time!! The main actors (and second leads) are just so perfect for their roles. Their chemistry is on point.
The story has good pacing too! Altho it's a gumiho/ fantasy drama; the writing is good and not boring at all.
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Absolute Masterpiece
This is not really a BL. The secondary couple is more "typically" BL, but they serve as a contrast to the main story - more on that below.This is a very complex and layered story - it's not so convoluted that it's incomprehensible, but it will help a viewer to go into it understanding that how people act is not as simple as it first appears. The two leads are not hard to look at, and neither are most of the secondary characters. There is humor in this story, but it's not a comedy and it's certainly not fluff. Keep in mind that it's very consciously framed as a fairy tale - and fairy tales always have a positive message to give, but they also contain a lot of darkness.
As you've probably noticed, the reaction to this is either a "10" or a "1". I feel like it's impossible for this to be a 1, just based on the acting and quality of the production - but I think many people don't understand what they're watching, or were expecting a BL, in which case maybe I can understand, because this contains none of the standard BL formulas. If you're looking for something cute and fluffy, I would recommend against watching this. But it does have one of the most affirming messages you could find in a drama, and is clearly designed for family viewing.
A lot of people have absolutely no mercy for Nut, the main character, extremely well-acted by Job Thuchapon - "toxic, abusive, gaslighting (!) and selfish". It's clear early on that this is someone who as experienced very serious trauma, included sustained emotional and physical abuse - to the point of PTSD. This is a young man who has suffered all that, and has, completely alone, had to support a mentally ill mother since he was a teen. As the story progresses and you grow to understand the true depth of what he's suffered, it's hard for me to believe that so many people can't develop any compassion for him. He's not perfect, and so he's "canceled".
He's one of the first protagonists in a BL-ish story that's complex, realistic, and fully realized - he's not an archetype, and you don't even know if he's a seme or uke - because there's no such thing in real life, so there isn't in a realistic story, either. He's complicated, the product of his life, and flawed, like all of us. And also explicitly and unambiguously identifies as gay, which is rare in BL, but fortunately this is starting to improve.
The secondary couple has a lot of "typical" BL characteristics, including the enemies-to-lovers trope, but this is a conscious choice with a specific purpose. The key to this is their parents. Gen's are wholly and completely supportive, and Song's father is obviously loving, but absent and ambivalent about Song's sexuality - but ultimately this is worry, not lack of acceptance, and his reaction is quite a bit more typical in the experience of lgbtq+ youth than the more ideal parents Song has. (Regretably, Nut's experience is all too common as well.)
The reason for this is to show the contrast between getting love from a healthy family and the horror Nut faced from a monstrously abusive father and a weak and ill mother. Song's relationship with his father is not idyllic, but shows healthy resolution of trauma (the years-ago death of Song's brother) and bridging diffrences through love and understanding.
Nut only receives this through a miracle.
It should be fairly clear fairly early on that you are probably not going to get the ending you would want - but it's the only ending possible. A quick comment on that is below as a spoiler.
The production is first-rate - this must have had a serious budget and so much love was poured into this.
The ending is bittersweet but not sad. The message of this fairy tale is powerful and beautiful: there is no power greater than love, not even death, and there is nothing that it can't overcome.
Story: 10. There are a couple of flaws that I believe are the result of cuts to the length - I understand several hours had to be removed to get it down to 16 90-minute episodes. But the writing is easily the best I've ever seen if you count this as a BL, and among the best of any series of any kind I've ever seen.
Acting: 10. In Sarin is perfect as the innocent teddy bear - innocent but not stupid or weak. Job's role is challenging as the complex and damaged Nut, and he's wonderful. Um Apasiri is powerful in every one of her scenes as Nut's ill mother Na. Tee Thanapon, who was underwhelming in 2Moons, has improved enormously and holds his own with a strong cast. All the minor roles are well-acted, including the annoying female coworker (who will grow on you once she gives up on her hopeless love, and is the character who voices the underlying message of the story).
Music: 9: Just right and ably supports the story, and never drowns it out.
Rewatch: 3: It's rewatchable, and I think anyone would benefit from a second viewing to pick up a lot of the subtleties that might have been missed the first time. However, it's 24 hours long and very heavy, so it's hard to imagine watching it again.
Overall: 10. This is a beautiful and powerful series - it will stay with me, and will always be one of my favorites.
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The writing/direction/production team all paid close attention to detail and crafted both scenes and sets with clues and forshadowing that make it the perfect sort of show to rewatch.
For anyone who is into story analysis, it struck me in the closing scenes that they wrote a Hero's Journey into a romance plot (not along side it, but literally, the romance IS a hero's journey), which is really something amazing. I can't say I've ever seen it before. So, I feel like it's not hyperbole when people say this is the best show they've ever watched. It's pretty amazing.
(Original review written around episode 8 below):
There's so much going on in this series that I love. The writing is tight, well paced, and presents at the same time a fascinating puzzle of a time travel story; a deep reflection on grieving; a thriller-type murder-mystery; and a double romantic comedy, played out in different timelines. It is genuinely a cross-genre show, so don't go in expecting pure comedy OR pure drama.
The acting is fantastic. I have always thought Alice Ke was an exceptional actress and she's not disappointing here. I liked Greg Hsu in Love Storm, and he's even better in this. The whole cast is great, but these two really shine. Directing. It's brilliant. Together, the writing and directing are letting the mystery of the time travel as well as the murder unfold in a way that raises new questions as it answers old ones. The directing includes so many little details that not only draw us into the mystery of the time travel, but hint at the more overarching explanation of what is happening. There are nice little symbolisms, like the red earbuds that the leads share at times, which creates a red thread linking them. There are also many conversations and dreams that we see early on that take on new meaning as the story unfolds, giving a sense that all the details matter... there's no filler here.
There are some more ambiguous symbols as well. There's some significant representations of enclosure and separation/isolation. These could represent grief and loss, which is a major theme in the drama, but they take on additional potential meaning in terms of what is really happening... that there is loss, grief, and perhaps the potential to heal or even change the past is a given. But what isn't given is that what we see is the actual story; many of the symbols reinforce the sense of fragmented reality that the female lead experiences in both her grief and her early experience of time travel.
For example, the "broken audio/video" shifts between scenes, especially with time travel, play into the fact that in the first few episodes the transition from an ordinary story about living with grief to a supernatural story about time travel/fate is started by the use of technology, once to find a "doppleganger" and the second time to use virtual reality to "reunite" with the lost love. While nothing much is made of this (and as of the 8th episode, it hasn't become a factor), these sorts of hints are beautifully done. They make it harder to guess the overarching explanation while at the same time they work on their own. That is, if it turns out that they were never anything more than a couple of scenes in the first few episodes and had nothing to do with the over-arching story, they still work. They aren't just red-herrings to obscure the truth, they are integral moments in the character development and plot that *could* mean more.
Long story short: it's fabulous, and given how well done it is so far, I'd really be surprised if it stopped being fabulous.
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This review may contain spoilers
I dare to say this drama is perfect. And I was stupid enough to almost not watch it. The hype was just too strong and so off putting. WARNING: this is NOT a review for someone who has not seen the show. I just need to express all my thoughts somewhere.
So… Are you bored and tired of the “I’m not gay, I only like you” plot lines in BLs? How much do you wish some shows would address the hardship of coming out? The fear and confusion related to it? How much do you wish to see a well written, heartbreaking conflict that is not based on poorly written and ridiculous random jealousy? How much do you wish to see well written supporting female characters, whose whole arc is not just “I ship two cute boys together”? You get all of that and more in Like in the Movies.
The story revolves around the exploration of sexuality and identity. What makes us who we are? How much should we compromise between who we are, want to be and who others want us to be? How to react when you are both pulled back in line and pushed out of it by people you love and care about? How to make a relationship work when one person has already finished the race, but the other is not even on the track yet? Each character represents a different story, different perspective and different point of view. Their actions might make us angry, sad, heartbroken, happy or annoyed, but we see the reasoning behind what they do. We might disagree, but we understand. And this just proves how good of a writing quality Like in the Movies presents. There are no silly villains, nor over the top crazy exes or evil parents. There are just people. Real people with flaws, fears, hopes and dreams.
“Don’t be scared of the word. You can say it. I don’t mind”.
Vlad was an emotional fluff that spoke the truth and gave everyone some real lessons. I cried because of the words he had spoken. He showed how much being an educator can accomplish. Knowing Karl has no bad intentions, he was willing to explain everything to him, was patient, but firm about his views. As someone who would rather sit down and explain things over getting defensive and offended myself, I truly appreciated and loved that about Vlad. Of course, it was not his responsibility to guide Karl, but his understanding approach just impressed me. Communication is the key, not only in romantic relationships, but also any type of social interactions. He didn’t play mind games, spoke what he thought and felt and it was up to others to accept it or not.
His story is also truly heartbreaking. It shows how stigma and homophobia in a society can shape the way we see and interpret situations, especially at a young age. In the past, he associated every negative and bad action of people around him as a result of him being gay, even if it was not true. But the truth is often meaningless. It’s the perception that matters. It’s the perception that guides your thoughts and feelings. And, like in Vlad's case, it takes years to look at the situation from a different perspective. If society did not present being gay as something bad, Vlad would never assume his dad left because of that. He would never assume his mom was against his relationship because she did not want her son to be gay.
Vlad represents someone who fully accepted himself. Who is proud about his identity and does not want to hide it. Who, after facing so much hurt and struggle, does not waver. Who wants to proudly give and receive love. Who just wants to be happy.
“I don’t know if I’m like you. I don’t even know who I am”
Karl never had a chance to explore who he was. He lived for his brother. He lived as his brother. Getting away from the expectations put on him by his family, allowed him to slowly learn about himself. And it was scary. It was unfamiliar. It felt great when he didn’t think about it, but you cannot shut the thoughts out for eternity. You need to face them one day, but if that day comes too fast, if you are not ready… that can break you. Or push you even more into a corner. And that’s what happened with Karl. External circumstances forced him to face it when he was not ready, when he felt emotionally confused and vulnerable.
He was brave enough to tell his parents about his dream, about the goal of switching majors, about his will to chase his dreams. It was a tough decision to make and required a lot of strength. The aftermath of his decision was still unknown to him, and yet others expected him to do it again. To face the expectations of his parents. To rebuild the identity he had so far, to completely reevaluate how he thought about himself. No time to think, no time to accept, just expected to act accordingly. But he deserved that time. He deserved a minute to explore and get accustomed to who he was. Coming out should have been his decision, that he made on his own terms, in the time that he felt comfortable with.
“But I just don’t know how to get to you (...). I’m still navigating through this.”
Judit represents what happens when driven by guilt, you go from one extreme to the other. She is clearly close to being paranoid and definitely overprotective over Vlad. Taking into consideration the pain she caused him in the past with the words she said, now she does everything she can to save Vlad from disappointment and heartbreak. And she definitely crosses the line doing so.
She acts as a fake ally persona, which is closer to fujoshi. Not knowing the full story and observing her behavior in the first two episodes, one could assume she is another crazy female character without depth who just ships all the guys that are in close proximity (flashbacks to Zol and her “shipping my brother and writing stories about it” behavior). But then, with episode six we get a complete shift of the perspective and actual explanation for her action.
While I still didn’t like her overpowering and overbearing presence, I understood where it came from. As Judit said: she is still navigating through it. It’s obvious her and Vlad never seriously talked about the situation, the past and how to move forward. During that episode she faced her mistakes for the first time, she apologized for the first time. Before that she did what she thought was correct, not what actually would be helpful. As always kids, communication is the key. But even after that confrontation, she still does not completely change her ways. And it’s frustrating, but also realistic. You cannot just change who you were for years after one honest conversation. It takes time, it takes others pointing out your mistakes countless times. Talking with Vlad was a great start. But it was just a start. All the hard work is still ahead of her.
“I don’t want to blame her one day for all the time that I have lost for myself”.
One could say that statement and Anna “running away” from her child is selfish, but it’s the opposite of that. She is not giving up on her kid, but she is not willing to give up on herself too. She is a mother, a great one, who raised her child alone for years, but she is also just Anna, a woman that needs time for herself. Need time to chase her dream, to live and have fun. How could she make her child happy and encourage her to work hard if she gave up on herself? Words are not enough, you need to be a true model for your child. And that’s what she is doing. Feelings are not something we can control. She can love her child with all her heart, but still have these small “what ifs” creeping and poisoning the relationship and bond they have. What if I didn't have her? Where would I be? Who would I be? Would I be happier? Would I be more successful? What would my life look like? The thoughts that we have no control over. So yes, Anna is a badass person and an amazing mother. Even though she is just a supporting character, she also tells an important story that brings more value to the series itself.
Moving away from the characters, I have to admit something: this show slapped me across my dumbass face quite a few times and I’m glad it did. I like to think I’m not one to judge and jump to conclusions (especially negative ones) quickly, and this drama showed me I’m not quite there yet.
It started with the opening scene and my “glorious” thought “wow… way to start a BL with a cliche of 2 pretty guys dancing in random pretty location”. Boy, I was wrong, and when we finally got to see the full scene in episode five, I just felt stupid. It was not “just cliche”, it had powerful messages and quite an impact. “Maybe that’s why it’s such a big deal to me because it’s just a small thing and I still got deprived of it” is quite honestly one of my favorite lines, one of the most impactful, and one that represents well how twisted and wrong the world is.
Another moment that hit me hard was the Judit and Vlad’s conversation I already mentioned. I truly thought she was just hyped fujoshi and there is nothing more to it. And yet again, I have been wrong and I felt stupid for jumping to a conclusion when nothing was even presented to me to validate my position. Don’t know if these two moments say more about me or the BLs as part of the entertainment industry. I was fed poorly written female characters and cliche plot lines for so long, sometimes it’s hard to have higher expectations.
Another thing I loved about Like In The Movies: it had big brain energy. It has been just clever and not a second of screen time was wasted. All the small interactions and details were meaningful and I’m legit too dumb to even notice them all. I just loved how scenes, interactions, small behaviors connected and were explained at different parts of the story. Vlad not liking people touching his hair? Far more than “just because he doesn’t like it”. Small details like that, turned out to have so much emotions and depth for them. Vlad finishing a scary story with the “corpse in the closet” idea, and then he finds a photo of Karl’s brother in the closet, thinking it’s Karl. Truly big brain energy. There were many moments when I went ”damn… that’s why they showed it a few episodes ago”. Everything connects and everything has a meaning and I’m about to cry from happiness overwhelmed by this perfection.
Now, let’s talk about music. I am not an ost person. Unless the soundtrack is truly outstanding or truly bad, I don’t pay that much attention to it. Here we have the case of “truly outstanding”. Each song was beautiful. They were perfectly fitting for the moments and scenes they were playing for. The lyrics were just the cherry on top of this beautiful cake that brought me to tears. This is ALSO the case of big brain energy.
You know what else is big brain energy? The credit scenes! I’m amazed. Truly. You can tell how much care and thought was put into this show when they decided to even use the credits as a way to convey the message, describe the relationship and its progression. As I said, not a second was wasted. There were no fillers. No line wasted. Everything was crafted perfectly to give us this masterpiece, with quotes at the end of the episodes being the dot at the end of the sentence. Tying it all together, leaving us hopeful, emotional and grateful.
Though this will never be seen by anyone involved in the production, I just want to say thank you from the bottom of my heart. This was an amazing, emotional and engaging journey that will stay with me forever. I cared for the characters deeply, as if they were truly my friends. I cried, laughed and screamed with anger. Thank you for making me this emotional mess.
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a real marmite drama
honestly this is such a split reaction to a drama 😂 I totally get why people don't think it's amazing but I think it's getting more hate than it needs mainly because it came out after kinnporsche which was a lot more mature. tbh if you like a typical Thai BL even if it's a bit cheesy then I think you'll like this! I have dropped dramas that are rated higher and honestly I'm quite liking this!! I think it's worth giving it a few episodes as it's kinda addictive. I find myself excited to see what happens every week and I'm very pleasantly surprised by Kamols actor as I thought he wouldn't pull off a mafia type but he acts it well. sure its not perfect by any means but certainly worth a try especially if you can go in not comparing it to kinnporsche.Was this review helpful to you?
I usually avoid historical. NO REGRETS. Personal All-time great drama.
Took a chance to watch this series because I'm a fan of Shin Hye Sun. Don't regret anything about it. I don't usually watch historical because I don't really find it that entertaining. But the fusion of modern-ish stuff, fantasy, and romantic-comedy made this well worth the watch. I watched this series with my brother who doesn't typically watch kdramas and he watched every episode with me. We watched as it was ongoing and waiting out every week for the new episodes. It's good enough that we're recommending it to our friends who watches kdramas.Acting was really good. As expected from Shin Hye Sun (female lead). Her unorthodox character is not easy to pull off. But pulled it off she did. Respect for all those scenes. Basically carried the show for all her scenes. I was embarrassed for her at times, it was that good. Kim Jung Hyun (male lead) did very well, was very funny and did very well on his action scenes. The rest of the main actors were superb as well. Their acting made it that much more immersive and the story engaging. Support characters had their own flair, their own story, and shouldn't be counted out. Just watch them. I liked (almost) every support character in their own way.
Story is very engaging and was spaced out pretty appropriately. It felt like no scene was a filler. Everything had a purpose. I had rewatched episode 1 at least 5 times because I watched it with friends, because I recommended the series to them. I didn't once get tired. I could watch this series again right now. Rewatching value 10/10. Applause to the writers. I know this series had some controversy because of the original work, but everything was done excellently, imo.
Music was mixed with contemporary music, and I gave this a 9.5 star because I've heard more memorable OSTs. This wasn't as memorable by itself, but they all fit the scenes very very well. Didn't take the attention away from the emotions of the scene, and added to it.
If you're on the fence about this series, I'd say give the first episode a go, because the first episode will determine how you like the series, as the first episode is as intense as any other episode in the drama. I've wasted a lot of time rewatching the episodes between the new episode releases, and it was worth it as well. I personally like this series, and is one that those who has avoided watched historical, should still consider. This series will go down as one of my all time greats!
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Brilliant Scheming Drama Full of Smart Characters, Equally Matched in Term of Wits & Mind Games.
I always want Ren Jialun in heavy scheme political drama and I finally got my wish with Love of Nirvana. I love how clever and matched everyone is in this games of wit and how everyone literally aware of everyone's scheming and mind games. The steps are either 2 or 3 ahead and you only see it when it happens. Some of the chess moves are really unexpected, surprising and also served as plot twists. I usually can only guess the first step as the 2nd step usually comes later when you see the water repels on the course of the actions.THE PREMISE
At first, you need to understand the premise of this drama on how the ML and FL first met each other. The ML is from Yueluo, a slave nation while the FL is from Liang, the nation that enslaved his people -- so obviously, he only has contempt and hatred towards the Liang people. The point when you watch this drama is see the leads as enemies at war instead of love interest since that is what they truly are -- all they wanted to do is to kill each other, genuinely. The romance only come much later when they finally see each other for who they truly are -- which is the same kind of people of the opposite sites. They did not romanticize it at all which I appreciate. It supposed to be seen as torture and nothing else -- she is a Liang woman assisting a Liang official and mess up his missions again & again -- its as simple as that. If you can get over this part, then you gonna enjoy the ride since this drama is full of twist and surprises.
THE COMPLEX CHARACTERS
All the three leads are characters who is not only complex, but also full of layers with very clear motives. You are not supposed to judge them at first glance since they are all wearing masks intended to misled your first impressions. The 'mask' that Wei Zhou is wearing is a symbol not only used literally to hide his identity but as well as figuratively for the audiences not to judge him and perceived him on the surface -- the cruel assassin mask he put on during his missions, then another façade he is putting when he is in his official robes in front of everyone and his real face -- the look of sadness and helplessness like how everything inside of him is crumbing down when he put the names of his fallen people inside the box after failed missions. The same can be seen with Jiang Ci, our female lead -- on the front she is just this bubbly girl who smile a lot but she is actually one of the cleverest characters on the show. She knew she being used but regardless of that, she wont let anyone used her as can be seen in this drama -- Wei Zhou can used her as a pawn and looks where it got him. Same with Pei Yan trying to control her freedom -- and look how she ended up doing thing exactly where her heart tells her to. Same with Pei Yan -- do not be fooled with his nice and gentle demeanor as he is as manipulative and cunning. Under his good guy persona, he fools everyone to get what he wants. But at the same time, his concern towards Jiang Ci is genuine which add to the weird complexity of his character. Between his loyalty to his country and his filial piety towards his mother who raised him, its all adds up to make him the man that he is.
THE SMART & BRILLIANT SCRIPT FULL OF SYMBOLISMS, METAPHORS, ANALOGIES, HIDDEN MEANINGS, FORESHADOWINGS & THE USAGE OF UNIQUE & CREATIVE STORYTELLING
The scheming and mind games in Love of Nirvana is so well written as it involves really high level chess game moves from both sides. They are all shades of grey which makes everything even more interesting since they basically have no limit. How brilliant is the scheming? It even involves planting a wrong thoughts on innocent person to give misleading impressions towards the enemies. And the drama does a lot of ''show'' instead of ''tell'' so you have to be aware of every clues, smirk, moves and objects as they are used to show the characters motives and actions as well as their thoughts.
The symbolisms used in this drama is really a lot. I love how they show Wei Zhou kept a white bird in a beautiful big cage as the bird represent himself -- the hidden identity of lavish lifestyle with richness and adoration but actually trapped and wanting to get the freedom and justice he longed for his people who being sold as slaves and prostitutes and they humiliation they faced under the Liang's tyranny. Also, the symbolism of Pei Yan repelling the water in a calm pond of fish is the literal things he did to his corrupt family members which turning their peaceful world upside down like he has the hands of God. Aside from that, the use of object to show intention of the character is done marvelously. In one of the scenes, they show Wei Zhou rejected Madam Ronggue's offer of collaboration with tea; 'The tea is quite nice, but it's not to my liking' then the camera proceed with the focus of Madam Ronggue pouring the tea anyway inside his empty cup after he leaves and said 'It's not up to him to decide.' -- thus we knew what is her next chess moves after that.
Also, I love the metaphor of the black orchid seed which being used and described by Jiang Ci -- again, figuratively and literally. The black orchid seed can't be washed no matter how you try to get rid of it which she used on Wei Zhou to track where he goes as evidence. Just like the seed of doubt she planted on Pei Yan or the Emperor (no matter how much Wei Zhou try to wash it later) and these doubts will kept on growing and will crack with times if they managed to read her letter.
Aside from that, the foreshadowing -- there are so much of it all over the drama. From the song lyrics (which has hints of the ending) to all the leads' conversations with each other like the conversation that Jiang Ci had with Pei Yan about the big responsibility or big picture and how admirable Pei Yan is for holding out to that one. No, it wasn't to show where love blooms between them but it is to give us the insight of what's inside her head -- the understanding and admiration she has towards people who fight for what is right which is what Wei Zhou is doing for his people. It wasn't the red flag where he torture her that made she fall for him, but she finally see him beyond the façade he put or the masks he wears -- he might fool other people like the sword dance he did in front of everyone but she truly see him as what he is beyond the act he put in front of her. I thought the directing is great for the particular scene and the point of turn where Jiang Ci finally see Wei Zhou in different light.
The drama also trust you as an audiences to remember the details and make the connections and compare on the actions and behaviors of the characters. For an example, the contrast of actions of the characters of the 2 male leads -- it is done so subtlety to show to the audiences the swift change in state of mind of Jiang Ci. For starter, we all know how free spirited is Jiang Ci -- while Pei Yan clipped her wings, Wei Zhou in the other hands lets her fly and spread her wings. Pei Yan will limit what Jiang Ci wants to do while Wei Zhou will praise her and ask her to show more of her skills and abilities. Also, when Jiang Ci wants to join any investigation, Pei Yan will stop and forbid her while Wei Zhou will open the door for her. And while doing good deeds to the poor people, Wei Zhou did it at the back without anyone knowing while Pei Yan doing it openly and get adored by everyone. Apart from that, when Jiang Ci gave them the food of the poor, Wei Zhou accept and eat it while Pei Yan left it untouched. This all have the same situation but produce different kind of results between these 2 characters. As to why this 2 gives a very different reactions to the same situation? It comes back to their childhood. While both of them are caged birds, Wei Zhou grew up in a loving family during his fundamental childhood development years where he is taught compassion, love and also understanding -- he only caught later and become slave after that. While Pei Yan grew up in a completely toxic environment the whole of his life which build this very obsessive traits inside of him. While Wei Zhou only become ruthless and unhinged when he's in a mask, he is become kinder to everyone once they are in his intimate circle just like what Jiang Ci has becomes. Thats why Jiang Ci is no longer afraid of him since she seen him without the 'mask'. While Pei Yan in the other hand become completely different when someone become closer to him -- he ended up becoming controlling and taking away their agency just like the 'love' he knew from his mother. Thus, this completely different results of the same situation from the two of them.
Also, the use of deceptive storytelling. The fun part of scheming drama is for you to guess the outcome and Love of Nirvana done this part really well. They will show misleading scenes but at the same time giving different clues so you can guess together with the main characters until the truth is revealed. A lot of plot twists are happened this way that totally caught you off guard but once you know it, it made complete sense and how those clues aligned like pieces of puzzles.
Aside from that, the use of poems to convey emotion are done brilliantly. The prime example of this is the Poem Banquet at the Eastern Palace. All of them are speaking in riddles with flowers as the topic but actually sending their personal message to Jiang Ci. And Jiang Ci, the clever girl that she is responding the opposite and burnt them with her replies. The whole scene is like a smart people conversation with each other -- poetic, seemed unharmed exchanged of literature piece to outsiders but laced with poisonous message to those people it directed to. Not to mention the conversations full of riddles. Like the conversation that Wei Zhou have with the Emperor. They are talking in metaphor but both understand each other clearly.
THE THEME OF REVENGE, FREEDOM, HOPE, PREJUDICE & FILIAL PIETY
From how restricting on 'freedom' did to people and the baggage they have to carry and live with -- which can be seen with Jiang Ci's characteristics (a free bird) and both of the MLs' characteristics (caged beautiful birds) and how they turn out to be. Also, the message of 'Hope' is all over the drama -- how the Liangjiu flowers has stopped blooming for 20 years due to the mass grave but has bloomed again. And also the theme of prejudice -- how Wei Zhou is also shedding his prejudice slowly towards the Liang people and also helped them fighting against their corrupt officials.
This drama also deals with really heavy themes, decisions and choices. And the complexity of it makes it a very good watch as they are not sugar-coating it. We see Pei Yan's dilemma when he wants to stop the case only at corruption only at Nanling. Did he made the right decision to cast aside the SA victims? Of course not. But if the case go beyond corruption only, his clan, hundred of people will be annihilated since rebellion is a huge crime. Do you hate him? Of course! But do you understand his reasons? Yes as well. This also can be seen when Wei Zhou has to make the hard decision of opening the city gate or let all the hostages die. Not to mention in the last arc where he need to chose his own wish or the safety of his people. All these difficult decision making are done carefully without taking lightly of subject matters.
But despite this, there so many silver linings in the drama -- like the Lingjiu flowers that blooms again at Yueluo. Or the friendship that Jiang Ci form with all the Yueluo people -- at first they hate her but then they ended up really adore and love her. The hope of message is everywhere. Wei Zhou once told Jiang Ci that she cant change people -- him or anyone else. But we see how untrue is that. The irony of that statement and how its killing him later to make that difficult decision to deceive her. The drama deals with lots of heavy stuffs. It certainly not for everyone but it made sense, you understand the characters and why they are making those choices.
THE ROMANCE
While the romance is really slow burn, the progress of the 2 main leads' relationship was done delicately. Ren Jialun has amazing amazing chemistry with Li Landi. Lots of their scenes together involves staring into each other but instead of it being awkward, all those scenes glows beautifully. I love how she touched him with his childhood swing and tease him with it or how he drew on her face to cheer her up or just their interactions with each other -- it was really wholesome and sweet.
And I love the scene where Wei Zhou is having a nightmare and Jiang Ci pet his hands to calm him down. He was so restrained even when he's in his private time -- he just grip his blanket tightly and still suppressing whatever things that haunt him in his sleep. Then you realized that Wei Zhou as a character is actually very restrained even in his crazy and unhinged phase -- he could make a new wound on Jiang Ci everytime he faces her but instead, he just poking her wound instead to remind her. I love the consistencies in the writing and you can see how its all adds up to the layers of his character.
Also, the depiction on how Wei Zhou slowly wear himself down around Jiang Ci is a joy to see. In the straining of his shoulder scene where she is putting medicine on him, the stare that he gave her is the confident stare -- like he had her on the palm of his hands. But later, all those confident stares are gone -- when she falls down on him or when he saw her washing his face and neck or when he found her hugging him in his sleep, it was 'Oh noes, I'm in deep trouble!' face since now it is him who is at her disposal.
On top of that, I love how even when they are at their angsty part of the relationship but the show still managed to make it healing as well. There is thorn, but there is hope as well. Just like when Wei Zhou was given the poisonous flowers by Jiang Ci, but he gave her back small red flowers that she placed on his hair at Yueluo to show that all flowers will bloom again just like their love. I love how this small red flowers are used as their language of love towards each other as he used the same red flowers later to tell her that he will protect her. I really love all this hidden message that we can get from the subtle storytelling.
Aside from that, I love how many of their scenes together conveyed so many things despite many thing are left unspoken. For an example the scene where Wei Zhou fainted after the war and woke up on the bed and Jiang Ci is feeding him the orange. The way the Director focus on his trembling hands and the way Jiang Ci cries silently beside him -- it is to show that she knew he was poisoned but she didn't say anything since she knew he doesn't want her to know. And him looking guilty but also chose to stay silent since if they actually say it out loud -- it will be too unfair, thus not saying anything at all is the kinder way for them to cope with the tragedy. I'm so marveled at how the writer, director and both Ren Jialun and Li Landi conveyed that scene -- it made the scene more heartbreaking and devastating somehow.
CONCLUSION
The drama is so well written with lots of heavy themes and they were handled brilliantly. I love how it did not shy away to show how all these characters are making really hard decisions and they are not sugar coating or give them the easy way out. And all the scheming and mind games are top level but most of all, the amazing script! The conversations full of riddles, the use of symbolisms, metaphors, analogies, foreshadowing and deceptive storytelling made it such a fun ride.
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