Reviews

Awww, the feels.
I'm so guttered that it got cut down, because it was a beautiful series and could've been developed a lot more.

Watching the movie, I initially thought it was going to be boring, with no kisses and stuff (I found it kind of odd) [and Ochiai Motoki is so cute]
but this was really a discovery: it's funny, not predictable in any way possible and it's so romantic and well done.

Story: I wish Chief's storyline was a little bit better (the ending is so much painful to watch), but I loved it! It makes sense, it's not boring and there are pretty much no fillers. I liked that Haruta-san didn't actually understand his feelings for men, thinking he was just a kind-hearted person.
All characters have specific roles, they're not just there for decoration or to fill some plot holes. The storylines are not extremely developed, but they're clear enough to let you understand every character's feeling.

Acting: Tanaka Kei is awesome, really, but Hayashi Kento (Maki) surprised me so much. He's really skillful and i think Maki couldn't exist without him.
The kisses are so goood! (I mean, there's no tongue, like in some thai BL or sex scenes, but they're realistic!)

The game with "Haruta" being mixed up as the lead's first name (his first name is Soichi) is HILARIOUS. I couldn't stop laughing. Even Chief, that loves him so much, still thinks Haruta is his first name xDDD

If you're looking for something romantic and funny, in a very sweet BL sauce, this is definetely for you!

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If you’re looking for fast paced story, crave for passionate romance and love from first sight or if you prefer it when dramas have complicated plot and lots of action, beware, this drama doesn’t have it.

So why should you watch 9 End 2 Outs?

Firstly, because it shows a story about two lifelong friends falling in love in a very realistic way – they don’t fall for each other instantly, it’s a long process that makes you believe that this CAN happen in a real life. You won’t find here a vicious ex or a third party who does everything in his/her might to separate the main couple; the biggest obstacle that Nan Hee and Hyung Tae have to overcome is their fear that when they’ll change their relationship they’ll lose a precious friend.

Secondly, the acting. I have to say that both Soo Ae and Kee Jung Jin have done a marvelous job portraying characters who are ”maybe something more than friends”. When I watched them bickering I felt like they really knew each other very well, when they supported each other it looked real and when they started to question their relationship it made me understand their dilemmas. Even if their love story is not passionate or full of bold kisses it’s not boring, it draws you completely into their world.

Thirdly, the atmosphere of the drama as a whole. This one is really heartwarming, maybe because of the relationship between Nan Hee and Hyung Tae: their comfortable friendship, their maturity and their obvious caring for each other and as for the plot mostly the lack of bigger twists – the story is flowing steadily in its own pace.

I gave this drama an 8 because, let’s face it, it’s not something that makes you stunned by its greatness or creativity, but still is worth watching (and rewatching!). If you’re looking for a realistic story about mature people, this one is for you.

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I haven't watched the Japanese version or read the manga, so I'm not going to make any comparisons and focus on the drama itself.

This is literally one of the best dramas I watched this year, starting from the first episode, I was already hooked. It only took me a day to finish and wow....so many things happened, it was amazing.

Story: The story is interesting and really pulls you in. It's about regular, everyday people who are given an opportunity to earn millions of dollars in this show called. "Liar Game". The game itself is unrealistic obviously, they even mention how it ruins ethical guidelines and morals of a person. However, to some extent this shows perfectly illustrates greed, mistrust, manipulation of the media, and how far people will go just to earn money. The story itself will blow your mind with the game's guidelines and how Ha Woo Jin (Le Sang Yoon) and the others perform throughout them with psychology...but is left with some unanswered questions in the ending.

Acting: Acting is amazing. Everyone was amazing, I can't express enough how Shin Song Ruk was born to play the antagonist/bad guy.

The only downfall I had was Kim So Eun's character (Nam Da Jung). Her character is supposed to be a naive, innocent, and kind girl, she does a good job displaying them, but it was irritating to watch her half of the time. There is a difference between being naive and being stupid. Throughout the drama it gradually disappears, but her character had a weak and a "damsel in distress" image left upon her. However, I can understand that her personality plays an important purpose throughout the story so it didn't annoy me a lot.

Music: I didn't pay attention to the OST, but the soundtracks made the scenes intense and keep you absorbed in the story.

This is a must watch, especially to those who are into psychological and suspense!

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In a unique way affectionately told. Critically nuanced. Not off-the-shelf. Still easy to digest.

I might have easily missed “Not Others”, if I hadn't volunteered to help out with the German subtitling. I'm glad I didn´t miss it, because "Not Others" turned out to be an unorthodox surprise - being unexpectedly substantial and also pleasantly true to life, thus rooted in a rather simple, normal, everyday world. It is the story of a family, above all of a single mother and her daughter, but there are also a few contemporaries who are related by blood or by choice.

The story goes on and on as life goes on and we go with it as a matter of course (and gladly so). (Well, at least that's how it was for me.) There was nothing particularly extraordinary and exciting about it. Just normal madness.

Well, admittedly, a bit more than normal madness... after all, the mother herself is still a teenager when she has her child and doesn't want to give up on some of the youthful pleasures in life - regardless of responsibility for the child. However, the script and the two leads find a good pitch for this very special, unusual and inherently difficult relationship dynamic with all its challenges. A clearly structured 'I'm the grown up and you're the little one' doesn´t exist. It is rather upside down here. Instead of the classic authoritarian hierarchy between parent and child, they both ended up bonding as allies sort of, in a world from which they have fallen. Due to the unusual role constellations, the arguments between mother and daughter often have a slightly funny touch. Behind this, however, lurks a rather unconscious overburdening on both sides. And this earnest approach of this emotionally tricky situation shines through again and again in the strategy of both of them trying to cope with everyday life. However, mother and daughter are overall impressing with their casual authenticity as well as pleasant directness and openness - a communication style that clearly sets them apart from so many others in the story. Choi Soo-young shines here, but especially Jeon Hye-jin, who can show herself from a completely different side in the role of the still youthful mother...).

At some point it's about a criminal case - eventually almost symbolic for the unwanted and eventually professionalized role of the daughter within the mother-daughter-relationship: the need to/the urge to look after her mother. And at some point it's also about romantic love - symbolic for the very human longing to rely on a partner on eye level, to lean on a shoulder... This human need actually concerns mother and grown-up daughter alike. But can there even be a place for 'outsiders' within the mother-daughter relationship?

Please don't take "Not Others" as a crime thriller or even as a RomCom. (The men in particular come along rather secondary...) Ultimately, it is the complicated emotional behavior patterns that characterize the family life of mother and daughter in the context of their very close and extraordinary relationship. This makes the KDrama breathe in and breathe out in its very unique pacing. It is primarily about this uncommon family, with an affectionate, yet critically nuanced look at their very special relationship dynamics. "Not Others" is cautiously questioning established (conservative) family models, too...

Overall, “Not Others” is no off-the-shelf KDrama (like so many others in 2023...).

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Too good to be true. Only watch if you can handle a kdrama masterpiece...

I started this drama out of the blue with no epectations while i was in a kdrama slump mood.

This is the best choice I made. But like every good thing, it comes with a price : it ended.

What am i supposed to do now ? People are suggesting a season 2 where the king goes to find JBW in his next life. I don't trust season 2 since Moon Lovers broke my heart lmao (yes i'm still not over it).

This show only gets better each episode. The mix of humor/sadness/ hatred/happiness is mastered. The cast / the main couple / side characters /the scenario are elite. This brings something new to the historical dramas sphere.

[SPOILERS]
Choi Jin Hyuk Cameo <3. Only god knows how much I love this man. I wish they developed more his story and the one of Mr Han but that was good enough.

Shin Hye Sun x Kim Jung Hyun is a killer combo. I saw them in previous projects as support roles and noticed their talent right away. They are bound to be great. I wish them the best rewards for their performance. They can play any kind of character.

To me, this show is a success because of all the characters that beared it on their shoulders.

Funny how the writers could switch my emotion especially with Jo Hwa Jin and Byeong In. They let true evil remain evil (Kim Jwa Geun, Empress Dowager, Grand Empress Dowager and all ministers) and the ones who still had kindness in their heart and were lost because of one sided-love/jealousy get back to themselves.

Byeong In got my heart in the first episode. Then I hated him 18 ep straight. And then the way they ended his character made me like and pity him again :(. They let his body rot on his knees in the cold for days :(. I know this is a fictional story but they got my heart on this one.

Kim Jwa Geun humiliated by the people he was contemptuous of was the right thing.

Knowing that Empress Dowager and Grand Empress Dowager will spend the rest of their life in quarantine together brings the best feeling ahahaha.

Royal Chef and Court Lady Choi is a dream romance. I want to see their spin-off...same for Eun Bin x Prince Yeongpyeong and Hong Yeon x Hong Byul Gam or Hong Byul Gam x Kim Hwan's friendship love story...

What will i miss the most ? The sisterhood of So Yong x Court Lady Choi and Hong Yeon :(

I will rewatch this show...

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Fantasy Healing Fable

I will preface this by saying that this is in all likelihood the best drama I’ve seen all year. By a strong margin. It’s certainly one of the best I’ve seen in the last 12 months. Until Shards of Her, I hadn’t watch any Taiwanese dramas in several years. Yet in the last couple of months, I’ve discovered a treasure trove of good shows. This is perhaps the best one with the widest appeal. While it has whodunit elements, there’s no gore or violence to deter the faint-hearted. It’s a gloriously perfect blend of coming-of-age, fantasy, a touch of horror, detective and family drama. The weakest part I’d say is the police procedural side of things occasionally played for laughs (which doesn’t help especially from the perspective of a seasoned watcher) but all is quickly forgiven because this show is driven by great storytelling and is imbued with plenty of heart. It’s the kind of show that the Koreans call a “healing drama”. Which usually results in an outpouring of eye water once the waterworks are turned on. Good grief. I don’t remembered the last time I cried this much in a drama.

The star of the show is Pu Yiyong played by Tseng Jinghua, an underachieving high school graduand whose only talent is calligraphy. It’s hereditary. His grandfather is a renowned calligrapher and a teacher in the art. But that distinct family trait has a habit of skipping a generation. Calligraphy however is a dying art form, quickly being superceded by technology. On the other hand Yiyong’s only ambition is to be a comic book artist after completing high school. One day on his way to a calligraphy competition, Yiyong, his father and grandfather board a bus which unfortunately falls prey to an incoming airplane. The lad survives but wakes up after being comatosed for over 2 years. His grandfather barely makes it and is still unconscious in hospital even after all that time. It is left to Mother, Ye Baosheng (Cheryl Yang) to pick up the pieces.

While time has moved on and everyone else with it, Yiyong is lost at sea with no paddle. Or map. Metaphorically. He has no idea what’s next for him until he becomes entangled with supernatural beings who insist that they need him to settle unfinished business on their behalf. So an almost 20 year old unemployed Yiyong reluctantly takes on “cases” that contain at their heart a riddle that needs to be unravelled. Enter Chen Chuying, a junior police officer (Vivian Sung) to lend him a helping hand and takes the lion’s share of the credit for clearing up these mysteries in front of her colleagues. Still cracking these cases is a team effort. Along for the ride is former schoolmate and med student Cao Guangyan (Peng Cianyou) who coincidentally moves next door with his dad (Mario Pu) when Dad’s days in publishing comes to an abrupt end.

Yiyong becomes a reluctant sleuth as he wrestles with his own future and the loss of his father which has left a gaping wound with guilt at the centre of it. He has nightmares that he can’t make head or tail of. There’s also a shadowy figure in the background determined to test his mettle at every turn. Unlike others who have come before, Yiyong is a reluctant superhero. He would rather get on with life and not be haunted by beings that only he can see. Until he starts drawing them that is.

On a deeper level, like many crime shows, this is about the forgotten people in our communities. Those who have suffered loss. The lonely. The homeless. The victims of crimes. This where the show tugs at the heartstrings effectively. The rollercoaster of emotions that I feel in this comes only very rarely. Beautifully intertwined with all of this is also the message that everyone has something that they’re good at. Even a designated “loser” by current social standards can contribute in unexpected ways. Academic smarts aren’t the be all and end all. Everyone has a part to play in the social engine regardless of social status, education, smarts or rank.

This journey of course isn’t Yiyong’s alone. Chen Chuying and Cao Guangyan, his so-called “superiors” who accompany him have a lot to learn from him as well as these out-of-this-world experiences. Chuying understandably is desperate the climb the ladder and break glass ceilings in the police but is forced to confront her own motives for wanting to a respected detective. And Guangyan, for once in his life doesn’t have all the answers regarding his future.

I am new to most of the cast and Tseng Jinghua who leads the cast is definitely brimming with potential. He brings the right balance of confusion, grumpy frustration and a reluctant compassion to the role. Despite Yiyong’s brusque demeanour Tseng Jinghua manages to keep him relatable and likeable.

To give credit where it’s due, I leave my highest praise for the script and by extension the writer. It’s the kind of story that could easily lose its way or get derailed by all the moralizing but unlike many others it’s unusually disciplined by keeping the main thing the main thing. The result is a coherent piece of storytelling which is undergirded by a surefooted direction. Once it takes off it never falters. Furthermore they also manage not to butcher the finale in order to leave the door open for another series. Which is entirely doable if the will (and a decent script) is on the table.

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I don't understand why there's so much hate for this drama, I was really put off by the comment but honestly just give it a go!
I watched this purely for Kim Young Kwang, I was thinking i'll just skip through to see his face and itll be fine but honestly? this wasnt a bad drama at all!

Don't get me wrong it is not a Perfect drama nor is it up in my absolute faves but it delivers every aspect of a great drama with a decent simple storyline.

The acting isnt too bad, it's actually pretty believable..!
Each character no matter minor they were, played their part very well and fulfilled their character's role.

This drama had it's comedic moments, family teary moments, a bit of mystery to it which isn't dragged out, secrets are let out at the right time and it helps move the story a long, there's a bit of tension, the romance is cute and it was an enjoyable watch.

I didn't have to skip any of this drama, I was content with the beginning, middle and end. But I was thoroughly affected by the comments I saw below and I'm glad I still went ahead and watched it!

I probably won't watch this again no, purely because I know what happens in it now and the pull isn't strong like my 10 score dramas but it's one that makes me happy to be reminded of it, a chilled out easy drama to watch :)

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Rewatch and rewatch

Never expected this drama to be so good. Everybody has such good chemistry and the plot is so good. Bear in mind that this is a school/youth genre, so don't expect too much crazy plot twists or strong villains.

I love all the couples in the drama. The plot is really so sweet that I just can't help but rewatch the romance or bickering parts between the main couple. You've probably seen many reviews talking about how good the male lead is in terms of expressions and how he fit in the character.

Parts I really love from the drama:
- How the entire drama really focus on the character development in all the characters, lead characters and supporting characters alike.
- The dream high school experience. When watching this, I can't help but feel envious of their high school experience.
- Sweet interactions between the male lead and female lead. How Si Yue is protective of Ding Xian, how he looks at her and how they both constantly support each other.
- Though Si Yue is portrayed as the school genius and basically this popular guy who is good in everything he does (typical school romance plot right?), but the way the character is acted out is not unrealistic at all. He is not the typical cold blooded, cool guy who is unapproachable.

I rarely rate a drama so high when it comes to high school romance because to me, most high school dramas are nice to watch but not exactly relatable. This drama, however, brings you on an emotional ride and you can't help but dream of going back to high school and relive your high school in the same manner.

Also, I rarely pay attention to drama OSTs. This drama is packed with amazing OSTs, so much I would play them on loop throughout the day.

Kudos to the cast, director and screenwriter.

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holy effing chemistry batman

Whoever decided to pair these two up knew exactly what they were doing, I was ready for this chemistry as soon as I saw who they cast for the roles. The show just ended and I have complicated feelings rating it.

The story is simple enough, cocky boxer Yoryak (Great) meets his match outside the ring, a doctor who has no patience for his attitude, Dr. Wandee (Inn). He runs into our drunk, heartbroken doctor a few days later and takes him home, just for the doctor to drag him inside for some sexy fun. They hit it off a lot better than either of them expected, so when they they end up tangled up in bed again, they decide to strike up a deal.

These actors are much more than just pretty faces, the two leads have depth to them, and their chemistry is CHEMISTRYING. Their playful personalities make them loveable, and the romance that threatens to break into their FWB situationship is like a heavy sweet and innocent syrup they pour on top to fill the show with flavor.

Yoryak's brother and his boyfriend are adorable too, they bicker like an old husband and wife and im here for these wholesome vibes. I was also really interested to see our asexual best friend get into a cute and loving relationship, but to be honest they didn't do much with it and I was disappointed.

Production quality is good, it's GMMTV after all.

Heres the rub, they hit us with a SOLID first 7 episodes, great quality and gave you all the feels, and then the episodes after that were plain BORING. Not that there weren't some cute or sexy scenes sprinkled in, but the plot felt forced and the tension wasn't there. It went from a 8/9 stars for the first 7 episodes to 5 stars for the last 5. I'm going to go with a 7.5 overall because it will probably be easier to push through the boring now that all of the episodes are out, and the beginning was really worth the watch. Hopefully GMMTV will start focusing on the plot quality instead of pushing out so many of these "could have been incredible" BLs.

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A realistic portrayal of modern day relationships

The last 10 minutes of the movie will leave you mind-blown. That's where the twist is, and you need to watch it again to get a complete grasp of the story. Thank goodness it's on Netflix! We can rewatch the scenes until we fully understand what's going on (lol). This is a well-executed film, with three equally talented stars at the forefront. It has a good balance of seriousness and humor as the characters matter-of-factly tell their story, a characterization of why relationships in this fast-paced world are short-lived. This is rated 13+ by Netflix, but it tackles a more mature topic apt for, perhaps, a more open-minded perspective on dating and relationships. If you are expecting a feel-good happily-ever-after romantic comedy sort of thing, this, without a doubt, will disappoint you. Watch something else.

Chae Soo Bin impressively portrayed her role as the lively and cheerful turned lonely and weary nurse, Da Eun. She's one of the younger stars whose acting prowess is commendable. The camera immaculately captures her sweetness. A real beauty who's a class act of her own. Jang Ki Young (Jang Hyuk), nailed his role as the struggling young professional climbing up the ladder. An imperfect guy with a perfect smile. Such a charming young man! I've watched him portray different roles in dramas, he never disappoints, always a pleasure to watch. His scenes with Krystal (Bo Young) were fun and light in contrast to the serious and heavy scenes with CSB (Da Eun), yet he wonderfully delivered. He's got good chemistry with both CSB and Krystal, too. Krystal as Bo Young was exceptional. She playfully and brilliantly brought the character to life.

I love this movie. I like how it ended. I let out a satisfying chuckle at the final scene yet, at the same time, heartbroken for the sweet romance that turned sour in the end. I was left with an afterthought of what could have happened if they had done things differently. The main leads are not bad, they're just young people who still have so much to learn--perfectly flawed humans who are newbies in the real world and still have a lot of growing up to do.

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A riveting romantic story between Hardy and Ramanujan

Initially I went into this drama for the stacked cast and out-of-the box premise. What I got in return was something so mind-blowingly beautiful that exceeded all my ever-imaginable expectations. From the 150+ dramas and 50+ movies I have watched thus far, many of them highly rated on MDL, “Melancholia” which currently sits at a mere 8.0 has just comfortably took the top spot as my all-time favorite, has become the only drama I’m leaving as a 10/10 and that position will most likely hardly change in the future. Here are the reasons why I consider “Melancholia” to be such a special drama:

Yoon Su’s nickname when posing a quiz in the train was Hardy. Hardy, just like Yoon Su, had mathematicians as parents. Just like Hardy who meets Ramanujan after coming from a taxi with the number 1729 which turned into Ramanujan’s biggest discovery, Yoon Su crashes into Seung Yoo who is wearing a cap with the number 1729 while they are inside of a train facing each other, with both becoming their biggest discovery and incident with whom they feel an instant connection. Having experienced both rejection and illness from a young age despite his talent, Ramanujan, just like Seung Yoo, lived under great hardships before meeting Hardy. Hardy takes Ramanujan under his wing to become his disciple and partner, just like Yoon Su does to Seung Yoo. Thanks to Hardy, Ramanujan becomes one of the best mathematicians. The same happens to Seung Yoo because of Yoon Su. Seung Yoo never forgets his roots and returns to the side of his mentor, who is everything to him. Yoon Su likes Seung Yoo’s perspective of Math and wishes to nurture and protect it while Seung Yoo enjoys Yoon Su’s passion and the smile she carries when she thinks and talks about Math and wishes to preserve it.

When Hardy was asked what his contribution to mathematics would be, without hesitating, he said it was Ramanujan. He called the partnership they had “the only romantic incident in his life”

Luxurious Main Cast of well-reputed actors – Lim Soo Jung (I’m Sorry, I love You, Chicago Typewriter, Search: WWW), Lee Do Hyun (18 Again, Sweet Home, Youth of May), Choi Dae Hoon (CLOY, Flower of Evil, Beyond Evil) and Jin Kyung (It’s Okay That’s Love, Pinnochio, Romantic Doctor Kim 1 & 2). All 4 of them gave outstanding performances.

Directing/Cinematography – “Melancholia” is very beautiful and a pleasant drama to look at. Director Kim Sang Hyub in the past was responsible for works such as “True Beauty” and “Extraordinary You”, that despite having somewhat poor writing (from what I heard), are very gorgeous in terms of cinematography.

Original Script with a unique premise and great worldbuilding. The screenwriter has an history of previously having portrayed a teacher-student relationship successfully with “Doctor John”. This time, however, it was not an easy premise to go over as it needed to be dealt with carefully, especially with now being under a more controversial academic setting, but I believe it was very well executed as the boundaries were not broken beyond what they should while they were in school. The way the show blended math into dialogues, visual representation and plot/character specifics is also something worth lauding.

Slow-burn pure love. While there is not much “romance” per say, their interactions are very romantic, there is a lot of tension and chemistry and their relationship or the way they think about it sees small but exciting positive developments with each episode that are worth looking forward to, and it feels hard earned. Rather than the typical romance this is an intellectual romance, it’s also about the blossoming of a bond and relationship between 2 individuals who share the same passion that gradually develops into unconditional love despite all odds. The two of them wind up changing each other lifes forever, healing each other in the process and instigating change in themselves for the better. The feelings they have for each other build up as the links that tie them together increase. Their relationship far transcends the usual lovers. You may end up questioning what can considered romance. To me this ended up being the most romantic drama I have ever seen. The age gap of 16 years between the lead actors is actually not that noticeable as they match each other perfectly and Lim Soo Jung looks so young to the point that sometimes she looks the same age or even younger than LDH.

Inspiring core message: to never give up, that there is always hope even in times of despair and how passion for something beats everything else

This drama is much more than a love story. It also has an engaging and well-paced storyline with high stakes that brings out a rollercoaster of emotions, tackling relevant topics such as education, corruption, mental health and depression, parenting, high class privilege and inequality, and love of many kinds. There are also many life lessons given from the perspective of a mathematician.

Very good OST’s that blend well with the drama and leave you emotional

Hidden/double-meaning dialogues, symbolisms and interactions open to interpretation

Satisfaction of seeing the antagonists slowly driving themselves to their doom. It is ironic that the ones that make the most damage to the antagonists are not the leads, but the antagonists themselves. Those who end up belittling the fruits of effort and passion, will end being consumed by their own greed in the end.

Character arcs and how they were neatly closed and treated as humans by the end, be it the good or bad ones

Geometrical plot structure (6+6+2+2):
1-6: Episodes 1 and 2 – Getting acquainted; Episodes 3 and 4 – Healing Seung Yoo and becoming closer; Episodes 5 – Seung Yoo’s Feelings; Episode 6 – Error in the premise
7-12: Episodes 7 and 8 – Getting acquainted; Episodes 9 and 10 – Healing Yoon Su and becoming closer; Episode 11 – Yoon Su’s Feelings; Episode 12 – Error in the premise
13-16: Episode 13 – Yoon Su’s resolve; Episode 14 – Seung Yoo’s resolve; Episode 15- The old sun descends; Episode 16 – The new sun rises

Last but not least, Choi Shi An aka SY and YS’s adopted daughter (the drama makes it so intentional to make them seem like a family of four lol).

“Melancholia” oozes a special vibe where it enraptures you in its own unique world and is just the type of drama I was looking for. Above all it has a lot of heart. I hope more dramas that give out this type of feeling are made in the future. They have that special element that makes them different from everything else you have watched before and that can make you attached to it, and that is why I watch dramas.

There are many other things I have not mentioned in detail because I do not wish to spoil the story too much or may have glossed over and will only be able to notice with a rewatch (which I will certainly do, and more than once), but I think this alone should be enough, so I hope I was helpful in any way in convincing you to watch this magnificent work of art and thank you for dedicating your precious time in reading this review.

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This drama was such a delight and surprise to me. It was sold as a melodrama, but there is no melo in it at all. Instead, it is a beautiful and lyrical story where each episode is a chapter in a beautiful fairy-tale, as pointed out by the beautiful art at the beginning and end of each episode.


Story: This is a character-driven story, not plot driven. This is the story of how they met and changed each other's lives, and how they individually grew, and I couldn't have been happier that this was it, without any cliches or contrived plot points.

Characters: On one hand we have Cha Soo Hyun, a chaebol through and through who has never had a chance to have a live of her own, because of the deep love and commitment she has for for family. On the other hand we have Kim Jin Hyuk, an old soul who loves poetry and has a very positive way to look at live, not to be confused with naiveness; he is also a man who is completely free of the toxic masculinity that has been so talked about in recent times. He always respects Soo Hyun's decisions and backs her up, and encourages to empower herself, without pushing her.
There are good side characters throughout the story, but this is a story about these 2, and the drama doesn't waste much time focusing anywhere else.

Acting: Song Hye Kyung and Park Bo Gum have great natural chemistry together; they pulled the drama all on their own, and did a great work while it. With them we were able to see 2 people fall in love, especially in the small details. They were able to convery their emotions and story without having to talk at all. Their scenes felt so real that sometimes we as the audience even feel like voyeurs by watching something so intimate.

Music: This usually is not a very important part for me, but the music in this drama really lifted up the story and gave it great ambiance; it was also great to hear music in Spanish.

Overall: I loved almost everything about this drama, from the simple story to the great chemistry between Soo Hyun and Jin Hyuk. I loved that their story wasn't overly dramatic but instead very realistic. Each time it could've turned into a cliché, the drama subverted it and went the other way. If I have one complain is that characters, especially antagonists, talked a lot about creating havoc but never actually did anything, robbing some momentum to the plot; however, the cute scenes more than made up for it.

Watch this if you're feeling down or just want to feel fuzzy all over; it'll help you remember your first love, and all the small moments and feelings that you go through when you first fall in love.

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This couple killed it

This drama is about a whole lot more than romance, but I will start by showing some love in honor of the lead couple, Gu Yanxi and Hua Zhi. They were classy in their cuteness and made our hearts flutter with every interaction. The chemistry was undeniable; whether they were adorably close or longingly apart, they were always in tune with each other. They understood each other, supported one another, and sacrificed for the other. From potential enemies to friends to lovers, they became each other's greatest allies. What I appreciate the most though, is the strong communication and the unbreakable trust between them. This delightful duo embodied how love can endure, even in the face of conflict and circumstance.

Apart from our leads, the other couples have also left a memorable impression on me, and I truly enjoyed watching how the relationships developed and blossomed. Even when romance did not always lead to the happiest of endings, the stories were touching and, at times, really tugged at my heartstrings.

When Blossoms in Adversity started airing, I had high expectations because of the director, Chu Yui Bun, and the cast. The show delivered even more than I expected. There was a strong theme of female empowerment, and a quote by Goethe came to mind, "The Eternal-Feminine draws us upward". Almost all the women characters had character development for the better, but sadly, most of the male characters did not. Save for a handful, most of the male characters were a disappointing lot.

Zhang Jing Yi's Hua Zhi was solid, and she proved again to be an excellent actress. ZJY portrayed an FL who was plucky, intelligent, precocious, quick-witted, but also very human. With her entire family thrown into chaos when a power-tripping Emperor exiled all their family men, HZ had to grow up quickly. Through HZ's struggles and triumphs, the show provided a lesson: in times of need, we can step up and be the kind of person others need us to be.

I threw shade at Hu Yi Tian in the beginning saying that ZJY was carrying the show, but in the end, I was won over yet again by our handsome ML. He shone in his fight scenes, and his usual stoic expression fit his role as Gu Yan Xi. This ML was also brilliant and was a skilled fighter. As the Commander of the Security Bureau, he was savage with everyone who deserved it but so gentle with the FL and the ones important to him. GYX started out conflicted, torn between gratitude to his uncle and his affection for Hua Zhi. Ultimately, he became a source of strength for HZ as he gradually determined that any amount of gratitude did not warrant the blind loyalty demanded of him.

GYX had background music dedicated to him, one that played whenever he turned up, ready to take the bad guys down, and it was just so bad-ass enjoyable. HYT should consider more historical dramas since this role is my favorite of his to date.

The supporting cast was terrific too, notably Lu Yu Xiao, who showed off how versatile she was. While Caesar Wu did not appear as often as I would like, he nailed his character as the overly earnest, idealistic Shen Qi. Bian Cheng as Shen Huan is someone to watch out for, and as the Emperor who demanded nothing less than everything, Hai Yi Tian delivered a great performance that had all of us wanting to see a painful death for him.

Apart from being amazingly acted, this drama was well-written and nicely executed. I applaud the show for keeping most of us engaged until the very end, throwing in something unpredictable just when I thought I figured out what would happen next. That said, the show didn't fall into the trap of using plot twists for the sake of creating last-minute melodrama.

The pacing was interesting to me in a good way. The plot went through the ups and downs of the characters lives so smoothly and quickly that angsty moments were not that dramatic and happy moments were more like normal events. No one really has an opportunity to dwell on the good or bad. Even with 40 episodes, the show never felt draggy, and best of all, it stuck its landing. I for one, am satisfied with how the show ended. It wrapped up the characters' journeys nicely and sent them off in such a way that left me feeling that this drama was well worth the watch.

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It took me 5 days of mind wrecking just to decide on an overall rating for Empress Ki. The eternal reviewer's doubt whether it is fairer to value a drama using the brain or the heart is maximized here: this is an epic tale where almost every single aspect is at the same time exceptionally good and glaringly bad. In trying to elaborate this, what follows may become very long, and for this I apologize in advance.

First, the pace.
If you are preoccupied by the length, be assured the rhythm of the narration is so fast you'll come to the 51st ep. wishing you could have another 10. There isn't even one moment of boredom among the hundreds of little and big events that follow one another. By the end of each episode, I sat there wide awake wishing it wasn't already 4 a.m. and I could watch another. The downside of such a fast pace is that it never gives you respite. I wanted to linger, now and then to bask in the sweetness, or simply see these people being happy for a while, but it was not to be. Every time an issue is concluded the next is ready to shatter that glint of satisfaction it was so hard to finally obtain. The infamous last 10 episodes I've read many criticize, could have been the most poignant part of the drama if they hadn't been so incredibly rushed, to the point that events seem to make little sense. As a matter of fact they do make a lot of sense – with the glowering exception of the silly Maeback botch – but you have to think the entire journey over in order to see it.

Which leads me to the script and its characters.
This isn't a journey to begin in search of historical dependability, not in the details, at least. Little to nothing is known about the woman who became the Empress of Yuan before she entered the palace as a tribute from Goryeo, and there isn't much information about the single steps that were taken in order for her to sit on that throne. The writers have taken many liberties both in characterization as well as chronology, but I personally think they did a great job in always making those steps exciting and suspenseful and when you reach the end you will realize the plot is rounded up very well, with a couple of exceptions. This is why I think knowing a little about Empress Ki's true story in advance can actually enhance the watching and explain the choices some of the characters make.
For instance, we can assume Crown Prince Ta Hwan was exiled to Goryeo when he was only a teenager, which perhaps will make you judge his character with some indulgence. King Wang Yoo of Goryeo, on the other hand, is by all means the most fictionalized of all the main characters, so much so that knowing his true story is not only unnecessary but extremely counterproductive. My humble advice: stay well away from the true known facts about him if you want to enjoy the drama.

When history is taken into consideration, a lot of the twists invented by the writers acquire significance, since the opening scene tells us in advance where we are heading and curiosity is all on how they'll get there. History also explains why so many characters in this drama change side, go from good to bad, from bad to worse or are suspended somewhere in between. It obviously does not explain or justify the fact that everyone speaks Korean, but I am aware that having the huge cast speak different idioms would have rendered the watch almost impossible.

To this drama I own the realization that I possess a dark side too. There have been moments when I wanted to see blood and wished some characters would not only be killed, but killed with pain. It's such an alien feeling for me, it shocked me. It goes to the credit of writers and actors to make me hate with such an intensity, but I'm not sure I want to experience that kind of emotion again. Attachment and love to some characters, though, was equally intense and I swam in it with gusto. It's going to take a very long time before I can get these people out of my system. While it kept me highly entertained in the first half, in the second this drama almost broke my heart. It has very little to do with characters dying or living, and a lot with them losing their innocence. At some point I almost wished the leads had died on that exile island and remain forever what they used to be, before being scarred and marred by that terrible imperial palace, "a place with no blood, no tears and no mercy". to quote Lady Park.

When it comes to the much talked about love triangle, I must say I jumped on Seung Nyang & Ta Hwan's ship very early on and never wavered. I could not see or feel any chemistry between Ha Ji Won and Jo Jin Mo and while my brain kept on telling me these two characters had a lot in common and it was logical for them to fall for each other, my heart never agreed. In fact, my heart unyieldingly refused to accept it. Ha Ji Won and Ji Chang Wook, on the other hand… I could have watched them waltz one around the other for the whole 51 hours run without complaining even once. Some of the most poignant moments in the entire drama involve these two and they are the main reason why I enjoyed Empress Ki so much.
This said, the love triangle was not only central to the story, but dual purpose too. Because on final analysis the true seesaw is not between a woman and two men, but between a woman and two countries. The issue of eradication underlines the whole narration and should never be forgotten in order to understand Seung Nyang's choices. This is, after all, her story, how she's initially forced to abandon her country and her roots and gradually develops an attachment to her adoptive one. The more she distances herself from Goryeo, the more the story focuses on China and takes the viewer along.

Spectacular acting by Ha Ji Won - no news here, not for me, at least. I doubt any other actress would have pulled off such a role with that seeming ease; Ji Chang Wook - yes, I'm just a little obsessed with him right now, after seeing him in two very different dramas I loved and being impressed by his ability to convey such a varied range of emotions. His Emperor is so controversial I could write a review only on him, but let's go on; Baek Jin Hee – Danashili, my most hated and beloved villain was terrific too and Jin Yi Han, who possibly didn't deliver the best performance of his career, but whose charisma alone made him into an all time favourite, unforgettable Tal Tal. The rest of the cast did great too, although I was more impressed with the young actors than the older ones.
A word needs to be spent on the villains. There are a lot of them here, all evil for different reasons. A few of them are very consistent; others are such since the beginning, but the viewer is manipulated to the point of thinking otherwise; some suffer from inexplicable 180° turns. What they all have in common is the unyielding conviction they never did anything wrong, which for me is the saddest trait of this drama and even when they got what they deserved, I was left feeling… empty. Their evil logic is at times extremely lucid and makes the line between good and bad blur.

Music is the hardest aspect for me to rate and perfectly mirrors this drama fluctuating between good and bad. The instrumental pieces are hauntingly beautiful and extremely powerful. Listening to them with closed eyes might be the biggest spoiler of all as to how this story is going to end, which is an achievement in itself since an Ost exists to tell the story via music. The songs, on the other hand, were not only very annoying to my ears (personal taste) but also inserted too abruptly at times when not completely random for the scene they soundtracked. I ended up using good old maths: instrumental 12 + songs 5 = average 8,5.

To come to such a high overall score despite the glaring shortcomings of the script, I took the whole picture into consideration. A 51-hours long story that manages to keep the interest alive till the very end is commendable in itself and the fact that I already know I will definitely re-watch it in the future is proof of the high level of emotion it made me feel. Furthermore, this is not a book, and the visual means is used at its highest, with stunningly beautiful sets, costumes, colours and camera work. If you are able to suspend belief at times and focus on style and emotional impact, you'll no doubt enjoy Empress Ki as much as I did.

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Is there any difference? Is there any difference?
I’m asking the world, on deciding life and death
Is there any difference between politics and swords?

These words, from the song “Muiiya,” a Six Flying Dragons OST, emphasize the human cost of both politics and the sword. Six Flying Dragons, as a drama, does the same when it implores the viewer to contemplate the possible outcomes of choice and the effects of those choices on relationships and society as a whole. If anything, Six Flying Dragons attempts to answer this question without limiting the answer toward one argument. As a result, this drama and its writers Park Sang Yeon and Kim Yeong Hyeon effectively communicate the answer to this vital question through the display of its narrative and characterization.

Six Flying Dragons’ narrative ponders the above questions by its creation of characters and actions that test the functions of relationships and its lack of limitation of the characters to a particular faction of good and evil. Characterizations are layered and multi-faceted; for example, Lee Bang Won’s early desire for justice masks a desire for recognition and power. One is surely good, and the other is dangerous, but they both exist within the character. Similarly, in Jeong Do Jeon, one can argue that desire for the people masks desire for recognition and power. Where history tries (and goes back and forth) on the bad/good spectrum of these two characters, Six Flying Dragons delivers realism--the reality, of course, that all humans possess a bug which may swallow them whole. It renders choices, not fate nor relative determinism, as the progenitor of results, effects, and conclusions while maintaining neutrality in its tone.

The narrative achieves this as a whole by offering twists and turns on a grand scale. Tiny, even miniscule character introductions turn into important aspects of character and scene later on; conversations between characters that are seemingly benign hold importance at the right moment. Between betrayals and loyalty, is there any difference? may be the question asked here; the question may also be Between two forms of government, is there any difference? Six Flying Dragons, then, explores these subtexts throughout its frames, urging the viewer to contemplate them as well.

Another way that the narrative urges viewers to explore these notions is through its cinematography. The cinematography of Six Flying Dragons colors and frames the narrative in much the same way that the characterization does. Through use of light, dark, colors (in particular, the deep scarlet of blood), the viewer sees the overt versus the subvert. Overt actions are more splashed in light; subvert or covert actions cloaked in darkness. In doing so, Six Flying Dragons plays on the eyes of the viewer at times, asking us whether the subvert cannot be seen in the overt and vice versa. Between light and dark, is there any difference?

The crispness of character aspect and portrayal not only resides in the narrative, but also in the acting of Six Flying Dragons. With a stellar cast at the outset, one could argue that potential for this drama’s outcome was high, but it would be remiss to leave it at that. The cast of Six Flying Dragons supersedes any previous notion of greatness accorded to it; they crash down the barrier of greatness and replace it with excellence of the highest caliber.

While extending regard to the entire cast of Six Flying Dragons, the focus of the show, and the most compelling character-wise, is its main cast. Yoo Ah In as Lee Bang Won and Kim Myung Min as Jeong Do Jeon bring depth and mindfulness to each of their characters. They allow the viewer to see all aspects of their personality. Yoo Ah In, in particular, plays Lee Bang Won with such nuance that the viewer sees the inner motivations of Bang Won’s heart clearly and sees the influence choices make even in expression and emotion. Kim Myung Min does the same; the viewer sees a man whose concern for the people gets lost a bit in the desire for political recognition. The phrase, “You are the same as me,” is a common and apt theme when it comes to the characters, and in their brilliant acting, one can see how this phrase manifests itself throughout the narrative.

Along with the two protagonists (as I refuse to name either an antagonist), Six Flying Dragons peppers the narrative with great acting. From young men to hardened warriors, Byun Yo Han (Ddang Sae) and Yoon Kyun Sang (Mu Hyul) provide insights from those who are not political but honor bound and how choices made by others affect them. Shin Se Kyung (Boon Yi) ignites a fire and demonstrates the plight of the people in politics--how, between love and loneliness, is there any difference? Jung Yoo Mi (Yeon Hee) shows the importance of standing up for values in light of all other desires. These are just a few of the many great performances Six Flying Dragons introduces into the dramatic world.

As the narrative and action set the drama, music sets the tone. In Six Flying Dragons, the music glorifies an already-rich narrative with lyrical power and earth-jolting strength. This OST is quite simply one of the best. A favorite, surely, is the song “Muiiya,” a song with so much meaning that pervades the narrative and asks the viewer to contemplate its short lyric for far longer than the song. One cannot get enough of the sound of Six Flying Dragons. If I could rate the OST, I would give it a 10, hands down.

Despite its 50 episode length, I need to rewatch this again. There remains much more for me to glean from the drama’s depths, much more for me to contemplate about character, much more for me to study about politics and choices. From someone who could not watch a long drama until last year, I could not get enough. I could go another 20 or 30 episodes if only to see more of this drama’s richness and characterization.

Overall, Six Flying Dragons provides me with the overarching question, Is there any difference between politics and swords? My answer to that question...well, I will let that remain a mystery to the for the new viewer. Instead, I will sit here in the grey, where these questions keep being pondered. Instead, I implore the new viewer to ask themselves these questions while watching and see if they can find a conclusive answer as well.

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