Yes the main plot is about one couple who were together for so long that their relationship started to fall apart and at one moment the girl comes in possession of magical chocolate that brings her mind when she was 17 to 28 years old herself in the present time. And going like that back and forth she begins to realize her life, her mistakes, she starts to find her old self again and learns what was it that she lost along the way till this day. Whole movie is funny and very sweet, it brings many memories of our own past and it definitely makes you connect with the main girl. She is one beautiful woman who for the man she loves gave up her dreams, her own desires and her own self, she thought that acting that way will bring her marriage and happiness. And that's when Little Liang comes to the light, she awakes in Liang that young spirit, she brings her back her love for painting and drawing, she makes her feel alive and full of life again, to be more brave and relaxed, simply she makes her to learn to love herself and do what she really loves. And that was the strongest part of this movie, the main focus is only on her and her two personalities- young 17 years old Liang and unsatisfied lost 28 years old one. The way they start to interact with each other, in the beginning their bickering, misunderstandings, to the part where they finally accept and learn all the lessons becoming one. The guys were pretty good although I couldn't feel the chemistry with her boyfriend and I find that part of the movie weak- it simply wasn't explained how they feel in love with each other and till the end I think they weren't suited for each other. My heart has won the second lead or should I say the guy with whom Little Liang fell in love with. He was a typical rebel, riding a bike with living his life to the fullest but the one who awoke in her passion and love, they were totally great together. And when you add that Darren Wang was that second guy, well then it's logical that I rooted for him. ;)
The choice of the actors was also good, Ni Ni is one gorgeous goddess and she looks more beautiful by each day. She could really pass as a high school girl. Her acting was very believable and although she is older than Darren, their chemistry was so damn real and fantastic. Wallace as the lead guy was okay but in his typical wooden serious cool style and although in some other projects of his I liked him, here he definitely wasn't my choice nor the right choice for her. Despite that, it doesn't matter in the end because the main thing wasn't in men and relationships, it was in her, her mind and her heart.
" I'm proud of us"- this sentence simply engraved in my heart, the moment she said it, the way how two of them were portrayed and what they said to each other, it was very touching and realistic. As long as we have our own selves, as long as we think with our hearts and do the things we desire, as long as we don't lose ourselves along the way of growing up, we can make it, only then we can be truly happy, making our dreams come true and our lives into the life worth living for. This is the best message one movie can teach us. Despite that we may already know all that, still it means and makes us smile. It made me smile and I fully recommend it for watching.
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There are many characters in this drama and tons of different story lines. Although there is a lot going on the story never really drags like some 16-20 episode dramas do. It's always interesting and something is always happening to hold your attention.
The acting was great from the whole cast. If I had to pick a favorite from the entire drama it would be Lee Hee Joon as Chun Jae Yong. He was amazing in this and stood out among the talented cast. He made me laugh and cry, not to mention his fantastic chemistry with Jo Yoon Hee.
The music was good and fit the drama nicely. I really liked the use of American pop when the scene took place in a restaurant or coffee house.
I loved this drama but due to the number of episodes and the monster that is my plan to watch list, I don't see myself re-watching it anytime soon.
Overall this is a great drama and definitely worth watching.
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Wild Chives and Soy Bean Soup: 12 Years Reunion
31 people found this review helpful
This review may contain spoilers
This is my first review (don't know how to write it actually~) so I'll just share some of my scattered thoughts.So.. this drama started really good and the young actors did an absolutely great job. Both story and acting made me feel like I was watching Wednesday-Thursday drama. Almost perfect... but...
My opinion changed as soon as they turned to the current Jang Kook and and Joon Soo... The acting was terrible. Though I watched some of Nam Goong Min's dramas and he seemed like a good actor, this drama made me change my mind...
I don't want to post any spoilers so I can't write anything about the ending.. Though you should keep in mind that as soon as you finish the last episode you'll feel lost - "is this end? where is the next episode". It feels like they just cut off the drama in the middle...
It's a pity that such a potentially good story was made into this... very disappointing....
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Know your value. If you don't... then learn.
I learnt a lot from this drama as a woman. Instead of setting standard for a man this drama taught me how to set a standard for myself.I've never written a review before. And all the dramas I watch are light hearted like the on I'm watching side by side 'You are my lover friend'. But I always found myself waiting only for the episodes of in between. It goes around the stories of different women pursuing different lifestyle. But that doesn't keep us women away from some men.
Which take me to the charachters of this drama and their experience with differnt types of men which only gave one conclusion.. we women don't really need a man to make a living and live a happy life.
I won't write about the acting or music but yessss, this drama goes around different stories which represents the different types things that are happening in this materialistic world. Cheating, harassment, lying, backstabbing, revenge etc. This drama is definetely a good drama if you want something different. And not some honey coated lovestory.
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Even though there was a lot of angst, I found myself smiling happily and even laughing out loud because some scenes were just ridiculously funny and just made me happy. Those scenes were very welcomed breathers between all this anxiousness and nervousness.
I actually liked all the characters (except the root of all evil Choi Jin Cheol) and the way they all were intertwined. Their relationships were interesting to follow and I was especially fond of the relationship between Sun Woo and Young Hoon, Sun Woo and Chul Min and of course Sun Woo and Min Young.
The interactions between each one of them and that everyone has some kind of a relationship with the others was great. Especially since we didn't know from the very beginning where they knew each other from.
To be perfectly honest I am not such a big fan of the time-travel-theme. But I found myself enjoying this drama very much. Although I found the beginning and the ending somehow confusing or just too much for my brain to grasp I didn't think that the whole time travel thing was difficult to follow. Even though that's often the case in such dramas.
But I don't think that not understanding the ending is a problem because I believe that this was intended by the writers. Everyone can interpret the ending the way he wants. There are many possibilities. And depending on which ending you choose it's either a happy or a sad ending.
For my part I still don't know if it has a bad or a good ending. But the last episode made me equally happy and anxious. But I guess the happiness or the funny parts in the last episode exceed the sad ones.
Nine_ Nine Times Time Travel is one of the best dramas that I have watched. It is awesome. The story and the characters are great and for me there is nothing more to wish for. Although at first I wasn't sure if it would be worth my time I am so happy I gave it a chance.
And I think that's also what you ought to do.
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"Even where the evil has been buried, flowers can still bloom" Writer Yoo Jung Hee
One thing I love about this drama is the pace. Up to episode 11, I was so shook all the things I predicted that will happen has already happened, and as I watched more episodes, I realised how they didn't seem to drag a single thing! And I feel like that's really different to other kdramas. After episode 11, all the emotions just began piling up together. The audience felt, nervous, thrilled, angry, shocked, sad and happy. I remember how many times I started to cry at this point and I don't even remember the last time I cred to a drama too!I also keep saying this numerous times but this drama is just phenomenal. It's so unique. So beautiful. A masterpiece. There is so much good content yet they structured everything so neatly! Just perfect! I love every single character, even the guy who played as the villain. I gotta say, they have the most admirable female lead ever - she shows professionalism, care, patience, love, compassion, embracement. And the male lead! Initially, he's so complicating to understand but over time, we realise how special and genuine of a person he is. He doesn't understand feelings but he can still feel them. Feelings play a big role in his character. Together, they make a beautiful and extraordinary couple.
Oh and it gets better.
The actors/actresses portrayed their character soooo well, it's crazy how talent everyone is. I always thought Lee Joon Gi (hyunso/heesung) was amazing but this drama just made me realize that all over again. Also, I never really noticed Moon Chae Won (jiwon) but here, she did exceptionally well. I could feel the motherliness in her.
The most beautiful yet unique love story I've ever encountered out of my 5 years watching kdrama . Even if you don't like romantic or crime stories, I bet you'll get touched by this one.
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Throwback to Classic K-Dramas
This was fun!It was very classic K-Drama. The cliché of a rich guy butting heads with and getting humbled by the person he'll fall head-over-heels for. All with slapstick humor, cheesy lines, and easy music included.
What was particularly good about this was the time they allowed for just general bonding. Before our MLs even get together we are already convinced that they get along and have gotten to see them interact and bond enough to make their feelings believable and have depth to them.
If you're looking for a good-time drama with some occasional intriguing bits, you'll enjoy this.
Side Note: I'm so glad these guys got a chance to be in another drama together and show off their chemistry with a better story.
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Bitter Sweet Journey
Production , cinematography, world/year events and scenery were all excellent. The music/OST also was very well done.LIKES:
The acting of both ML and FL was very good. All the actresses and actors did phenomenal jobs in their roles; the supporting cast, the cast for sporting and news events, all the extras too. The Director did an amazing job for this drama. I felt that the ML and FL had amazing chemistry, but so did all the younger couples. The friendship, love and rivalry flowed nicely throughout the storyline and plot. All the sports competitions and training about Fencing, was the best from all similar dramas. It was as if you were at the competitions yourself as the viewer. The theme of growing up to handle hardship and happiness, while never giving up on hopes and dreams was mostly well delivered. I liked how most of the relationships were concluded. They showed plenty of growth for all the main leads. I enjoyed that the story was based on the diary being read by Na Hee Do's daughter. I didn't notice if there were any "FX". I liked how they concluded or tied in the book store from beginning to end.
DISLIKES:
Baek Yi-jin's mother was very annoying and I wanted her to just shut up. Maybe it was how the writers wanted that character.
Throughout the drama there were some moments that made me say WTF [See spoilers at the end of this review]. The ending felt a little rushed and should've been changed to 2 or 3 more episodes. I think time management became an issue in some of the episodes, especially noticeable in the last 2 episodes. The ending was a little too open, based on what the viewers were fed about the ML Yi Jin and FL Hee Do.
OVERALL: Everything up until the last two episodes was great, interesting and had me enraptured. I would recommend this drama and might re-watch it in the future.
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[SPOILER ALERT ]
I liked that Baek Yi-jin's brother and Seung Wan reunited at the end, to give more depth to their characters.
I disliked that Hee Do didn't show as much growth as Yu Rim. Same with Baek Yi-jin, as a reporter he grew, but as an adult there wasn't much character growth. I was thoroughly annoyed that we don't find out who Hee Do married and had a daughter with. Having focused in the beginning on the fencing and going to the olympics for Hee Do, then at the end nothing of the stress and excitement of going to the olympics and winning gold was shown. In the end I hated that they didn't show Baek Yi-jin and Na Hee Do reuniting (even as friends) at the end and final episode. It made the adult Hee Do seem pointless. Also some of the flashbacks in the final episode, ran too long and they could've used the time better.
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could have been amazing
Overall: imagine if Muffin was actually a police officer and we saw her beat up some baddies in one of her outfits, or what if the mafia boss was actually a secret huge romantic at heart? There were so many ways the writing could have been innovative with this premise, but the cliche writing really ruined it, especially in episode 6. It is based off of "The Ideal Relationship" which I have read but I reviewed the series on its own merits. 8 episodes about 45 minutes each. Aired on iQIYI.Content Warnings: deaths/murders, non con touching/attempted sexual assault, violence, drugging, manhandling, stalking, attempted murder, kidnapping, manipulation
What I Liked
- the intro credits style was an homage to the source material
- how Guy was set up as a queer character from the beginning
- the video gaming sequence, unfortunately we only saw 1 sequence
- cute/sweet moments
- Guy showed agency
- laughed a few times (although mostly at huge plot holes/nonsense writing)
- Wahl's girlfriend in episode 6
- (neutral) comedy noises
Room For Improvement
- cliched/nonsense writing (i.e. Tew's idiotic "plans", Guy probably had 6 bullets in his revolver but seemed to shoot waaaayyyy more than that in episode 8)
- Kenji's backstory makes zero sense, maybe if Tew had used him as a human shield then it would have made sense, they made him into a cliche cartoon villain with nonsensical actions/motivations, even episode 7 didn't make enough sense for his motivation, also way too much screentime taken by Kenji
- the voice over was a fast way to set up a character/beginning but not my favorite way to start a series
- the music was sometimes not what I would have preferred, also think they could have removed the comedy sound effects and just let the comedy come through on its own
- tropey (ie multiple accidental fall and catches)
- avoiding physical affection in episode 5 (although Guy was better by the end)
- cliche plot point in episode 6
- Wahl had way too much screen time, needed to devote some of that to Guy/Tew building their relationship
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This review may contain spoilers
This show was so crazy I don’t even know where to start.The story was very bad, and not even in a fun way. Often it feels like the writer was using the characters as puppets to rant about how the feminists are evil and that working women are ugly and being a good waifu is the best thing a woman could ever do. What is particularly frustrating is that for about the first four-ish episodes it seems like the show is doing a satirical take on the stance of "all women should be housewives" and in my opinion, those are the best episodes, though that's not saying much considering what comes after. These episodes actually have funny jokes and the best character moments in the show and until the end of the episode, you can trick yourself into thinking that the show is going to get good and have something to say. The moment the show's writing falls from mediocre to just plain unredeemable can be pinpointed at the end of episode four: After a touching scene in which Jun ( Ryusei Yokohama) confronts Tae (Mano Erina) as to why she stays with her boyfriend Shunpei (Yasushi Fuchikami) even after he repeatedly cheats on her and makes her feel like she's not good enough for him, which ultimately leads him to the conclusion that everything Shunpei does to Tae all adds up to psychological abuse (it is) and the two of them have a very sincere and touching conversation. This is the shows high point, it all feels like it's been leading up to this point where we pull away the curtain and reveal that the problem is not women who want to work or be housewives but rather men who use the system they have created to their advantage while also policing and demeaning women for even thinking of doing the same. But then it all falls apart when you get to the end of the episode and Tae out of nowhere punches Jun and essentially say "fuck everything we were talking about, I'm going to be Shunpei's housewife no matter what" as if all the emotional build-up hadn't even mattered the entire time. After this punch to the gut, the show really starts to go for it with amazing lines such as "When humans start mixing the roles together things become very strange." (a line from Shunpei, who is not transphobic but is misogynistic - yes this is a plot point in the show and I nearly lost my mind) and "There are those ugly feminists who are unable to get married and just talk crap and are jealous. They will try to brainwash the housewives." (just like this show tries to brainwash you into thinking that that's a normal way of looking at the world - remember how I mentioned rants about the feminists). I don't think it's hard to see how the story isn't good.
The issues of this show mainly fall upon the writing - the show was edited as best as it could have been and the actors are doing such an amazing job with the garbage they were given. Mano Erina as Tae, a woman obsessed with becoming a housewife, can balance cuteness and slapstick very well and is such an amazing actress, it makes me mad that they made her do this. Ryusei Yokohama as Jun, Tae's "rented boyfriend," was extremely charismatic, balancing being insightful and a total dumbass very well, and had amazing chemistry with Mano Erina. Even Yasushi Fuchikami as Tae's shitty boyfriend was great and he too deserved a better project than this. All of the actors tried to add as much nuance to their characters as possible (especially Kyoko Hasegawa, thank you for your service queen), but there was nothing of substance to hold up their characters. I can see, from the first few episodes, what drew the actors in - at first glace the show can appear to be a satirical slapstick romance that seems like it's going to say a lot about gender dynamics and Japan's falling birth rate, and that, in theory, can be amazing career-making stuff, if not an easy paycheck. However, once you see the show for what it truly is, the acting too falls flat and all of the actors' hard work is cheapened by a bad script and story.
The music in the show flopped between "okay but ultimately forgettable" and "who the fuck choose this? Who thought this was a good idea?" People often underestimate the use of music in drama's (mainly cause dramas tend to be viewed as a form of "low art" but that's a completely different conversation for another time), often just adding whatever pop or easily acquired song to the soundtrack. But music sets the tone and can easily make or break a scene the same way editing or acting can. This show has a lot of flaws, from its clumsy dialogue, awkward editing, harmful message, and so on, but what encapsulates how disappointing and depressing this show is can be found in its soundtrack. From how many of the songs sound like they belong in a Marvel soundtrack with their blandness and unimportance, to how strange and off-putting some of the songs sound - a strangeness that is only intensified by how out of place they are within the scene. The soundtrack has a few okay tracks which are ultimately buried under the blandness and badness of the rest, just how the show has some good things that are just drowned out by the overall badness of it.
The show feels like it's teetering between complete sincerity and no effort whatsoever and ultimately fails. The whole show was just anti-feminist propaganda made by men who don’t understand the reason for the birth decline in Japan and think it's due to women wanting equality and being evil cause they criticize men or whatever, rather than it being due to men (to an extent). Like I stated previously, men controlling, policing, and demeaning women, creating a system that is set to fail women no matter what (these things still happen to this day - look at how women in Japan get pushed out of the workforce once they marry or are pregnant or the medical school scandal of last year) , these are things that cause women to think twice about settling down. Not the feminist "brainwashing" them or them naturally being "corrupt" or "evil," but just the simple fact that men treat them or are willing to view them as such. Women don't need men the way they used to, to rely on income or basic necessities, and can work for themselves and live for themselves (a thing that men have historically been able to do without question) and this for some reason frightens men.
This is all summarized in the character of Shunpei, who is never wrong in the eyes of the story. He is manipulative, often neglecting Tae and then trying to make it seem like he did nothing wrong even going as far as convincing her to lie about being his girlfriend when she runs into him while he's on dates with other women. He's a liar, telling Tae that all the women he's seeing are actually his relatives - this, by the way, is predicated on the fact that to him he's doing nothing wrong, yet he feels the need to lie to Tae which shows that on some level he knows what he's doing is wrong. He's just the worst of men. As I observed Shunpei all I could think was its men like you that cause the birth decline to plummet even more. Like the creators of the show created a man who perfectly encapsulated everything that causes women to refuse marriage or having kids. Men, I can assure you it is not the feminists causing the “deterioration of the home” or whatever you think they are causing. The annoying thing is that there could have been an interesting feminist look at the birth decline and being a housewife in current Japan, but apparently men can’t not hate women for long enough to write something nuanced. I can almost imagine the feminist version of this show exploring a woman wanting to be a housewife (despite what men apparently think, feminist aren't against women who want to be housewives being housewives) in modern Japan - it could have been good and nuanced, everything this show wanted to be so desperately. This show sucked, and not even in a fun way, 0/10, would not recommend
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This review may contain spoilers
*****This Reviews contains SPOILERS****I discovered Korean dramas after discovering and falling in love with Rain in 2010. I've seen many a k-drama and Misty is now the best drama I have seen in my 8-year k-drama life. IMO, it is perfection from the beginning to the last frame.
Every episode of this masterpiece is brilliantly written and acted. From a super compelling who-dun-it to complex, multi layered relationships. not only betweeen Go Hye Ran and Kang Tae Wook, but between Go Hye Ran and her younger rival Ha Ji Won, her boss/director, a female colleague, the protagonist Kevin Lee, and the devoted Byun Woo Hyun. Kang Ki-Joon, the tenacious homicide investigator, is one of the very best of the great supporting cast. This is a mature, sophisticated, complex, suspenseful drama that tackles marital strife, revenge, obsession, freedom of speech, corruption, class, justice, and workplace politics. I feel privileged to have seen it and I LOVED THE ENDING.
While everyone is entitled to his/her opinion, I find many drama lovers' need for some bullshit happy ending idiotic and infantile. The ending of Misty is 100% consistent with the narrative of the 15 episodes that got us there. I mean, did you really think they were going to move overseas and live happily-ever-after given ALL that occurred? Seriously, WTF did these people complaining about the ending expect? IMO, it really could not have ended better or any other way without compromising its integrity and greatness.
Again, best drama I have ever seen and I have no idea what I am going to watch next. CANNOT RECOMMEND HIGHLY ENOUGH.
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One that loved not wisely but too well.
Once upon a time in Beili, there lived a woman who was simply too beautiful 倾国倾城/qīng guó qīngchéng; she could fell a city with one look and fell a kingdom with a second look. This kind of woman is a menace to mankind that can only be locked out of sight in a gilded cage. This is the cautionary tale of a brave man, one that loved not wisely but too well who dared to set her free. And his one true friend who tried to help him do the right thing.Dashing Youth 少年白马醉春风 or Young White Horse Drunk in the Spring Breeze is the highly anticipated prequel to 2022's dark horse hit high fantasy martial arts drama The Blood of Youth 少年哥行. Like its predecessor, it is a youthful coming of age story about friendship, adventure and the spirited idealism of youth. Even though Baili Dongjun is the titular character, it is equally his best friend Ye Yun's villain origin story. They are parallel characters; both innate martial artists and scions of the Beili empire's founding families. As boys, they vowed to storm the martial world together when they grew up; Yun as the Sword Deity and Dongjun as the Liquor Deity. After the Ye family's downfall, they are destined to go down opposite paths. Dongjun lives a charmed life; making a name for himself as Li Changsheng's final disciple at the prestigious Jixia Academy; surrounded by new friends like Sikong Changfeng and Beili's Eight Talented Gentlemen. He reunites briefly with Ye Yun, who now calls himself Ye Dingzhi. In sharp contrast, Ye Dingzhi's path is a lonely one, full of obstacles, inequities, betrayals and brief snatches of happiness.
At its core, this is quite a straightforward story that is cluttered in the storytelling. There are too many digressions into the Who's Who of the martial world and and its pretentious rankings. While the fan service is terrific, such a dazzling array of too hot to handle swordsmen put my exploding ovaries in danger of apoplexy. The surfeit of hot filler characters with shallow side stories distract from the main arcs. For all their fancy swords and pompous rankings, all we see are a few showy poses and twirls before the CGI takes over and screen explodes in a gory orgy of light and digital creatures. While the CGI is well done, it is a big let-down not to see a few well choreographed live action fight sequences.
I was happy to see Hou Minghao dub himself as Baili Dongjun. It makes a big difference in how the character comes to life. While his acting is still a work in progress, he plays a character he can relate to and it shows. Ye Dingzhi is a more complex and intense role, one that He Yu pulls off charismatically. Even though he does questionable things, I empathized with him every step of the way. It would have been nice to see more of Xia Zhiguang's Sikong Changfeng. The humor and camaraderie between all the dashing youths is one of the drama's highlights. Even though the romances are not convincingly written or well developed, I liked all of the couples enough to root for them. The role of Yi Wenjun should have been more sympathetically portrayed instead of just as helpless, selfish and willful. The lovely Ye Yao is only Dongjun's muse, her character doesn't get to do much.
The irreverent Li Changsheng/Nangong Chunshui is the funniest, best acted and most engaging character in this story. Even though his arcs don't tie well with the main plot, the narrative visibly sags after his exit. His parting words to his disciples 凭心而动/píng xīn ér dòng or "act according to your heart" captures the spirit and idealism of youth that is Dongjun's lifelong mantra; one that years later, he passes on to his disciple Tang Lian. He helps Dingzhi steal the bride because Wenjun was not willing and therefor it is wrong to force her. It is the simple, absolute truth that trumps the cynical calculations driven by politics and expedience. He never wavers from this belief. It is true that Wenjun is a selfish, weak and dislikable character who makes terrible decisions with devastating consequences. But she was still wronged in the first place. Thus like Dongjun, I understood, even tried to empathize with her until she was too easily manipulated into returning to Tianqi. That was not only a stupid decision, it showed that she simply did not trust and love Dingzhi enough to wait for him. Poor Dingzhi, he never got any breaks. Even the love of his life failed him at the end. Through sick and sin, it was always and only Dongjun who remained his one true friend.
There is little new in the political plot that wasn't revealed in dialogue and flashbacks in TBOY. Which would be fine if they fleshed out the character stories and the succession struggle instead. But those are dealt with cursorily with Ruojin left as a blank cartoon character and the relationship between the brothers not explored. TBOY romanticizes Prince Langya as a tragic hero, the noble uncrowned king of Beili. In this prequel, he is the character that disappointed me most. He tore up his father's will out of misplaced loyalty and his own selfish desire to live an unrestrained life. He never made the case for why Ruojin was more worthy, supported him unconditionally and in the case of Wenjun, enabled him even though he knew it was wrong. There was never a so called greater good or do or die reason why Wenjun had to marry Ruojin, it was simply a matter of imperial privilege and entitlement. They could have escaped with his help and everything could have been so different. But I don't hold him solely responsible; there were so many malign forces at play and bad decisions that there is plenty of blame to go around.
The ending to this story leaves that bitter after taste that the bad guys won. It makes too convincing a case that a too beautiful woman who can topple kingdoms must be safely locked out of sight so she can do no harm. Both Wenjun and Dingzhi paid a high price for their mistakes but too many people who pushed Dingzhi down the dark path got off unscathed. In the novel, Dongjun has an epiphany about his own dào/道 or convictions in the middle of his fight with Dingzhi. He switches sides and punches the daylights out of the emperor instead. He scolds him: "She does not like you, why force her to marry you? She has escaped and is living a happy life, why lock her up again? You are the emperor with a harem of 3000. My brother only loves one person. Live and let live. Learn from your brother, he can even let you have the throne, why can't you let my brother have one wife?" Even though it changed nothing it was something that had to be said. Without this scene, Ruojin is never called out or held accountable for his role in starting a war over a woman. Instead it is Dingzhi who is destroyed and villainized for trying to hold on to a grass hut in a tiny corner of the world where he was happy. It is very hard to feel good about a story that ends like this.
This messy and disappointing prequel was in some ways limited by what was already canon in TBOY but still could have been better on multiple fronts, Nonetheless it is a chock full of eye candy and a fun watch if you don't look too hard at it and ignore the inconsistencies with TBOY. Even though this is a critical review I enjoyed the drama. I am just mad because it had the potential to be almost as good as TBOY. But it wasn't and so I can only rate this 8/10. I am still happy to recommend it , especially if you loved TBOY. If you liked Wuxin before, you will love him more after knowing his parent's story.
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This review may contain spoilers
Will it be the best drama of the year?
This series has a sophisticated atmospheric magic blended with real life traumas and believable characters. Every person in the drama is flawed, but relatable and likeable (except the ML’s sister, about who I'll rant below). As opposed to recent “Queen of Tears” where every character was also flawed, but none of them were likeable (perhaps the exception being the aunt).In “The Atypical Family” story as well as character development expands with an atmosphere – the colour tones, the music scores as well as sound design, and the easily flowing caesural pauses allowing the viewers to take in the vastness of the scene settings, the seriousness of the situations. One could almost compare this drama with the poetry. Actors and their characters are allowed pauses to think, not to say that they’re slow, on the contrary, it makes them and their choices more believable. The script and most chosen actors are spectacular in their roles….. except one minor detail.
The rant (at ep. 4):
To me it seems that in Korea there are no plus size actors. I’d bet anything it’s not the truth, but the industry is hellbent on trying to prove to the world that there’s either no obese people in Korea or no “fat” actors. Whenever the creators need to have a heavier character in the show, they just find the skinnies actress and put her in a costume. (To be fair it is impressive, what a film crew can do nowadays, and it does look somewhat realistic, however, it also gives “uncanny valley” vibes, because the actor trying to act is not actually fat.) Not to mention, the creators make that particular character as unpleasant visually and in personality as possible. Around the world there are plenty of big and heavy people, who are wonderful, who do not care for their weight, and even have a sense of fashion. But noooo, let’s vilify the fatness. I would not wish it but, I’d guess the plan for Bok Dong-Hee is to lose all the weight, so she could fly again. I would prefer, if she could accept herself as she is and still could regain flying, because that power should not depend on her actual weight, it is after all a Super.Power.
End of the rant.
All in all, I find the story refreshing and interesting, the clashing of one dysfunctional family with a fake united one, the deadpan comedy, the pain of trauma and not managing to let go of the past.
This drama for me might even be the best of the year.
Second rant (at ep. 10):
At ep. 10 Bok Dong-Hee becomes slim, just like that. Boom. We see each episode that she is becoming slimmer, but that amount... just took me out. I generally skip a lot of her scenes because her personality is too childish for me and grinds on my nerves about the whole "get back the cheating man" by losing weight. Ughhh. Bish, if he doesn't want you fat, he will not want you slim.
The only, ONLY redeeming point about the whole lost weight thing is that she still can not fly! Thank you! Because it's not the weight that was holding her down!!! It. Is. A. Super. Power!
End of the rant.
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This review may contain spoilers
A waste of time
Nevertheless is a K-Drama adopted from a webtoon with the same name. Before watching the kdrama, I have already read and finished the webtoon.*SPOILERS FROM THE WEBTOON*
In the webtoon, the story was straightforward because we know that PJE is just playing with Nabi. Nabi knew this NEVERTHELESS she still wants him. However, PJE continued being a player and Nabi ended up with Dohyuk, who had more depth in the webtoon.
Now that we have gotten the overall storyline from the webtoon, lets talk about the drama. I came into this knowing that the writers would definitely change up some parts because we know that kdramas doesn't like to be faithful to its webtoon counterpart (True Beauty). My expectations were not met at all. This drama is just 10 episodes of repetitiveness and back and forth from the main leads whereas the background stories were definitely more compelling. I will be analyzing the main leads only for this review since some of the characters weren't in the webtoon.
1. Park Jae Eon: In the webtoon, he is your charming playboy who can't commit to a single girl. He tried to but his efforts were diminished by Nabi when she told his gf a very off-putting comment which ruined his relationship with Nabi and his gf. This scene happened in the drama. HOWEVER, somehow, for some unknown reason, he forgives Nabi and is suddenly infatuated with her for no reason. What makes her different? Well we don't know. The writers completely took a different approach and painted Park Jae Eon as a victim with a sad background story and can't convey his emotions blah blah blah. The story was supposed to be realistic but it turned out cringey and predictable. A typical "bad-boy-turned-soft-when-he-falls-in-love". People who like PJE only sees him through Song Kang's face. Prove me wrong
2. Nabi: In the webtoon, Nabi was more outspoken. In the drama, she's more passive. There is nothing compelling about her. Nothing interesting. She is a very bland character who needs to find herself first before committing and jumping into relationships. One minute shes angry at PJE and the other shes not. Like, what make up your mind?!?!
3. Dohyuk: In the webtoon, he is cute but as we got to know him we found out that he did it with a girl who had a boyfriend. Hence thats why we see him saying that he always falls for girls who have boyfriends. In the webtoon, he ends up with Nabi. In the drama, Dohyuk is just too smitten with Nabi that he sees everything in rose-colored glasses. Basically he'd do anything for Nabi. This kind of character could definitely bore some viewers so that's why I think the writers should've added more dimension to his character. Well, they should've added dimension to all of the main characters.
All in all, I wouldn't rewatch because the episodes are too long and the leads gets on my nerves. The OST is really good tho. The acting... well.... it could've been better. I think this drama would've been better if it was just a short webdrama instead of a long 10 episodes with 1 hour each drama.
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