This review may contain spoilers
Unintentionally hilarious
This series was honestly so bad it went back to being good again just for the amusement factor.It looked like a high school film class project. They seem to have shot all the exterior scenes at the crack of dawn as there was never anyone around and they clearly couldn’t afford any extras. The acting was pretty appalling thought the guy who played Jing Jim Ming was the better actor of the two by far, the other guy , Ding Jun Jie wore the same expression throughout, even the sex scene had him looking entirely disinterested.
Both main guys were very pretty though, no denying that!
The plot was terrible, the series blurb made much more of the fake boyfriend thing when that was barely relevant. It just limped along never quite taking off.
Yet - - - I watched the whole series so there was something captivating about it somehow and now it’s ended I’m puzzled why I didn’t give up.
No rewatch factor, terrible music, yada yada.
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For the most part, the drama is easy to watch and the episodes go by fast. Good pacing with no time is wasted since there is a lot to tell in the given time. There are some stories that outshine others, but the story still gave a fair amount of screen time to all the characters. The music that accompanies it is excellent. The main theme song, sung by our main heroines, is perfect in portraying what this drama is all about, women of this era. The other theme song that caught my attention was Cinderella by Jiang Xin (Fan Sheng Mei) had really great lyrics that describes the hardships and hopes of women our generation.
If I were to look at the stories individually, I wouldn't call them original in any way. Not only that, you can say they aren't that realistic either. What makes this drama outstanding and memorable in my eyes isn't the over story, it isn't the result where our girls end, but the characters, the journey they take individually and together. It makes their world feel real and complete. Every new character we meet feels that he or she is playing their main character in their own world. While watching each episode, I found myself having so much to say about each and every character. Everything they did made sense in their mindset. Everything they say had a reason behind it. And the more we discover about the characters, the more the picture feels complete and everything starts making better sense.
Honestly, I could write an essay on each character in the story. None of the characters is perfect, each characters had good and bad points. But you know what the genius is in the end? At the end of the drama, we still have the same people, with the same positive and negative side, yet they felt more at peace and more satisfied with themselves than when we first them. There was definitely changes and development throughout the drama, but it is very subtle and didn't require any of them to change their personality.
While characters individually were all written well, and the relationship between the girls was great and felt the most genuine, when it came to the love relationships, the chemistry wasn't all there, and many times it felt awkward seeing the characters together. Somehow, when they went on dates, it felt like everyone was being pretentious. At times that suited the characters, but other times it felt out of place. It didn't bother me much, though, since the main theme of the story was the relationship between the girls, and that felt the most genuine with the most sizzling chemistry XD
The one thing that annoyed me most was the narration. First of all I just don't like the narrator's voice. And second, it's a wasted effort. In reality, the cast is all very capable, and they were great at expressing their thoughts and turmoil through their facial expression. NONE of them needed someone to tell us what they were thinking. It really annoyed me in the beginning, then I just tried to ignore it.
Before finishing the drama, when I heard there would be a second season, I worried that the story would drag. However, this isn't the case anymore. While the drama ended in a good place and I feel completely satisfied, there is a lot of potential for a second season and a lot more stories to tell. For that reason, I can't wait for it. I already miss those girls!
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Firstly let me say that the acting is on point, no surprise there at all. These are all talented cast who've worked for many years. Guo Jinfei as Su Mingcheng was the overall highlight for me as I felt his character was the most difficult to grasp and had some intense dialogue, many of which were improvised. Of all the cast, I hope he gets some recognition for his performance. They also added a touch of Suzhou culture to the drama by inserting Suzhou "pingtan" (a traditional form of performing arts sung in the Suzhou dialect) that usually matched the scenes they were edited to.
It's hard for me to review this for several reasons. I think most people watching this would enjoy it as a good, emotional family drama. But let's set aside emotional manipulation and convenient plot devices because I feel that's lazy writing. What ruined this show for me was the ending that broke away from the novel's original ending in order not to aggravate TV audience expectations. The amount of toxicity and abuse in the Su family could not have realistically been resolved the way it was in the show. As a result, characters went through typical whitewashing, which I think completely missed the point of the original story and does a huge disservice to Su Mingyu and all people who have grown up in similar environments.
The message this drama passes along is that family is everything and no matter what, you should always forgive family because forgiveness sets you free. But I disagree, I find this message extremely invalidating and oftentimes unrealistic. Letting go of hatred is not equivalent to forgiving those who have abused you emotionally or physically. No amount of whitewashing, no reasons, serve as justifiable validation for people to treat you like trash, ever. Period. You can learn to let go of hatred so that you can free your present self from the grasp that shitty events in the past have on you without forgiving people who do not deserve your forgiveness, even if those people are family.
And that's why I'm conflicted about my thoughts about this. I don't feel like I have the right to decide how other people, such as Mingyu, personally handle these situations. We all choose our own way of moving on and letting go, and at best we can only be supportive instead of judgmental of what makes other people feel empowered and happy. I personally feel that the direction this drama went is rather fantastical and is something more often wished for than actually happens in real life. For a realistic production such as this, I expect less wish gratification and more stark realism. I can only say that in the original novel, Mingyu did not make certain choices she made in the drama, and I think the drama should have at the very least kept the choices she made in the book. Firstly because they make more sense character-wise, even if they are less wholesome; secondly because while I can't make decisions for Mingyu, the original author can and did, but her choices weren't respected. Most Chinese family dramas choose this type of ending, All Is Well did not bring anything new to the table even though it had the opportunity to.
There is also one error in the writing that doesn't actually affect the story, I only want to point it out because this is supposed to be a realistic drama and I really feel like the writer should have done some work here: The entire premise of this story is unrealistic in itself due to the fact that China established the one-child policy in 1980. The Su kids are obviously born after 1980, so yeah. Especially in a major area like Suzhou, given the Su parents' occupations (hospital nurse and school librarian) it's impossible that the Su family could have had 3 children.
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Spring, Summer, Autumn, Winter... and Spring
32 people found this review helpful
This was a movie that showcased the beauty of life in all it's stages, what the world can show you if you only watch and listen, and how harmonious it can be. This is not a fast paced film, nor is it filled with alot of dialogue. However, 10 years later I still remember this film fondly and look forward to watching it again.
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Watch it for your favorite actor / actress
This is the first review I've written because I find the high rating (7.9 currently) puzzling.Compared to other dramas of similar rating, I must say this is not on the same level.
I'm fan of the leads, so I'm watching the drama because of them. Unlike other comments, I find the acting more than acceptable (but I haven't read the novel, so I can't say if the characterization matches that in the novel). They are cute individually, but I also agree the chemistry is lacking - despite the cinematographer's efforts into building romantic picturesque scene that's just classically gorgeous (particularly those scene in those last episodes - you know the ones. yum.)
Except those few scenes at the end, the special effect was also horrible in the sense that it pulls you out of the story. The "inner force" is all just fan and wind, and the power feels a bit hallow on screen. The line trap that's virtually invisible is thick as a rope at times, and can just be cut through or repositioned if you're a character that needs to stay alive. It is impossibly deadly if you're a bad guy. The green screen effect and prop so obvious that again it looks more like a school project than a professional production. The editing is choppy. The exact same line repeated in consecutive scenes (as if they filmed it, and didn't know how which they want to use and decided to include both).
The fights themselves are not the most interesting choreography I've seen, and we've all seen these actors execute better fight scenes in other dramas. Every c-drama fight is a dance, but it's like watching a professional dancer dance or watching an elementary school production. The steps are simple - suggestive of a fight more than seeing and feeling it. For a show billing itself as a wuxia, the "wu" (meaning fight) element is surprisingly weak. This got worse in later episodes, where they skip the fight entirely. There is a scene where the character picks up their knifes indicating they are going to fight. The next scene is the bad guy on the ground suggesting there was a fight and the bad guy lost... which leads us to the biggest problem of this story - the writing. The political dynamics both of the court and of the martial arts world were brushed over. It leaves the viewers feeling like all the fights were just random. You're barely invested in the fights. You know good guys will win and bad guys will lose.
The drama has never set any tangible goal for any character. Zhou Fei leaves home for the sake of leaving home - no goals to speak of. Xie Yun's goal is achieved by the end of the first episodes, the rest of the time he's just wanting to live his life. Now, wanting to live his life has been the plot of many leading man, if only there was someone who doesn't want him to do that. But in fact, everyone wants him to just live a normal life and do nothing. So, yeah, our leading man is someone who's entire arc rests on do nothing. One could then say his arc is to support Zhou Fei, but Zhou Fei's arc seems to be supporting Xie Yun. So, again, circling around nothing...
Side characters are largely one-dimensional, and again lacks purposes. So often, I feel like why is that character in that scene? She has no skills and therefore no reasons to join this "mission". Eventually I concluded the actress needs screen time. So, even though there is absolutely no reasons for character x or y to be there, the script put them there because that's where the action is. The acting for some were flat - furthering my feeling of "huh?"
Low music scores because as the show progress, I find the music montages as just a way to fill time. Later episode also had very modern sounding music that pulls me out. I thought I was watching a James Bond movie...
I'm writing this review because I use this site to evaluate what drama to watch - and 51 ep is not a small amount of time. So, if you are fan of the leads, go for it. The plot is simple enough that you can watch it easily in 2x without issues. Honestly, this is a fine show if it wasn't for higher expectations. Had this been a show with no names, no supposedly good source material, and released without fanfare, it would have been just another average c-drama in the sea of internet dramas with rushed script and low production. Some reviews say this is their favorite drama of 2021, I suspect it's only because we're in January...
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This review may contain spoilers
Overall, I like this drama. I don't understand why many people drop this drama or why they are giving it a bad review. I believe that this drama doesn't deserve such a low rating. The actors and actresses all did a wonderful job and the plot is pretty solid. The ending of the drama was definitely a twist, but it brings the story to a full circle.It explains the true events of 500 years ago. It also explains the truth behind the Qi family curse. With the truth coming to light, we can see the reasoning behind Yi Mei's actions and Qi Yanran's actions. I'm not making excuses for them since I hated them throughout the entire drama, but it gave me a clear understanding of why they did what they did, especially Qi Yanran. I understand that they explained the twin theory earlier on, but after finding out the truth of the curse, it does explain why there is an "evil" twin and a "good" twin.
My rating of this drama is actually 8/10. I did took two points off for the fact that they killed off so many people towards the end of the drama. I should have expected this, since it is always almost the endings for majority of dramas with this kind of storyline, but I was hoping that they will keep everyone safe and sound. We already knew going in that the battle was long with unforseen dangers, but I was still hanging onto a tiny sliver of hope that everyone will make it alive -- injured, but alive. And yet, there were so many deaths at the end.
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All style no substance.
I was really excited to watch this Republican period detective drama. Having enjoyed Hu Yitian and Zhang Yunlong's chemistry in My Roommate is A Detective, I couldn't wait to see them team up again in a similar setting. The adaptation of Agatha Christie's Poirot mysteries seemed like an added bonus. Sad to say, despite the visually sumptuous set and costumes, both the characters and cases are bland, uninspired and the pacing is very draggy.While Situ Yan is the lead detective, he is not meant to be a literal adaptation of Hercule Poirot. Poirot with his known eccentricities including his fastidiousness and obsession with symmetry, is one of the the most distinctive, well dimensioned fictional detectives ever. He has a clear process and methodology that is based on human nature and psychology for solving the case. I would never cast Hu Yitian as Poirot and I am ok with the fact that Situ Yan is not Poirot. What I am not ok with is the colorless, cardboard characterisation of Situ Yan as simply a highly intelligent but rather lethargic lawyer with a strong sense of justice. Hu Yitian does his best with the role but he doesn't have much to work with. This is made worse by Luo Shaochuan, the money guy whose contribution to the crime solving aspects of the partnership is unclear. This character is so indifferently written it is not worthy of an actor of Zhang Yunlong's calibre. The two leads get little screen time together as they go down disparate paths in the investigations. Unlike their previous best loved collaboration, Zhou Mowan is more often Situ Yan's sidekick than Luo Shaochuan is. Thus we don't get to enjoy their banter and their incredible chemistry that builds up and fleshes out both characters as they work through the cases. While both female leads are well written and likeable, they crowd out the bromance.
When it comes to adapting these beloved Poirot classics, I am no die-hard Christie purist. I am receptive to and have seen good adaptations that take a fair amount of liberties with the original works. This can be successfully achieved because changes notwithstanding, the adaptation remains true to the essence of Christie; the psychology of the crime. This is where Checkmate fails to deliver. The supporting cast is very mediocre and lacks screen presence. Bland storytelling and poor pacing with unnecessary romantic digressions disrupts the build up in suspenseful tension into the final reveals. The cases must be evaluated convincingly from the point of view of each character, to assess their psychology as a sense of imminent peril escalates. Who was the victim? Why would someone want them dead? Who would cross that line and actually do the dastardly deed? This drama fails to make me feel invested in the human aspects - the victims and potential suspects; it fails to create a sense of urgency to solve the case or engender that mixture of sorrow, pity and revulsion for the perpetrator that is signature Christie.
The first case is Murder on the Orient Express, a well known case that has been adapted to death. While this version does not stand out, it stays close to the original and is fairly well done. Although Roger Ackroyd is also quite well done considering how difficult it is to adapt an unreliable narrator case into this format, from there, things start to go downhill. These cases are masterpieces; material changes should be weighed carefully and not made with the misguided idea that such impeccable Christie plots have scope for improvement or merely for the sake of delivering a surprise twist. Which is what they did to one of my personal favourites. They went for the plausible alternative solution which simply did not fit the human nature aspects of the case. And thus fails to deliver Christie's magic wow factor, the thrill and the chill and that sense of shock, sorrow and acceptance that it all made sense; that it is the best and only solution. It devolves further as cases are stitched together in a cut and paste fashion that is increasingly incoherent. The final case bears little resemblance to what I think must be the original. While it took no genius to spot the the final antagonists a mile away, their motives are uninteresting and unconvincing and the ending is frankly farcical.
If you are a Christie purist, I would say avoid this drama. You will feel they have desecrated some of the author's best works. If not, this is a watchable if unexceptional adaptation. The production values are quite good and the Republican period setting in Harbin has some novelty appeal even though the drama overall is all style no substance. This is a 7.0 for me but I would have rated it 7.5 if they didn't ruin Five Little Pigs and finish in such an absurd manner.
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All is good up to the last few episode / ending
Story :I think the main story was good and it was really engaging, really like the part however when it comes to the ending, it became really shitty. I couldn't understand what was going on. It makes sense but doesn't make sense in the way that it just doesn't come together. It felt like they didn't had enough time or money to put in the effort. After ep 20, things start to go haywire imo.
CGI:
Despite it being a show where most of it is CGI, I think it is pretty good. The CGI don't seem too fake like other Chinese movies/dramas. It doesn't look like a 50cent CGI. Feels like a good $2 CGI.
Music :
No Much comment, think it is pretty good. I skipped the intro song and ending songs because it wasn't really that catchy but suits the mood. I binged watch every week once it is fresh out of the oven so I only listen to it once or twice per few ep.
Acting:
I don't know how others view their acting. The ML does has a pretty solid filmography so his acting is ok. The FL, many people complaint about her acting. I think there are quite a few moments where her expression do not tell me anything, particularly towards the ending but overall, I still can stand her and I think she is pretty good looking. The chemistry between them offset feels more real than the chemistry in the show. I felt that at the starting that there was no chemistry and I wanted to drop but I continued.
Ending:
I really cannot stress how this ending is like BOOM in your face. There is no real meaning I felt. It felt like I dropped into a pit and had no way of coming out. Will there be a second season?? Open ending?? I felt like the last 10 eps are kinda waste. of time.
There is no proper ending to the second male lead and the main male lead. The female lead also. Who the fk this master comes over "Hey , I am here to fetch you" Go where????? There is no proper explanation.
There are a lot of questions that I have in mind and I want to know:
1. Where is the FL's real home/ real past?
2. What happens to the ML and second ML now that this FL is going to leave?
3. How the hell did the two side characters (Xwien Ei, Jaoke) came back when they were gone during the fight?
4. What is the master's story? How did he went into that ring and the coming back out didn't really make big sense.
As you watch this show, please remove all your doubts from your head if not you will be like ????
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Having said that, G 1970 is thoroughly watchable. In fact I watched it twice. The first time was a blur because there were so many characters, and to be honest, all the men, and there were plenty of them - gangsters and politicians - did sort of start to look like one another after a while which made it difficult to understand the plot and storyline, not to mention having to read the subtitles fast left me a bit confused.
But when i watched it a second time, I enjoyed it much more because the story and characters became clearer to me.The action/fighting scenes are very realistic and well executed; there is a lot of blood and gore. The pace of the movie is tight and well controlled although I think the editing did leave some parts a bit patchy and not as smooth and seamless as it could have been.
Kim Rae Won shines as a baddie but I think this has to do with his "bad boy" look in the first place which makes his character believable but KRW does play his character very effortlessly and it is testament to the good actor that he is. Jeong Jin Yeong who plays Jong Dae's adoptive father is also an excellent actor - very controlled in his acting yet conveying volumes - pain, regret; you really get that he wants to leave his gangster roots behind and live a simple life.
It is tougher to see Lee Min Ho as a gangster, but on the occasions when he is out for blood and you see the anger and raw emotions - that's when he really stands out. It helps that he is not an all out baddie; he did not start out as a gangster and his psyche is such that he would not have been one if circumstances and fate had not dealt him such a hand. So he can be excused for looking exceedingly handsome while wielding a knife. I think overall it was a major transformative role for him and he truly delivered. Aside from anger and ferocity which he conveyed well, he also spoke volumes with his eyes when channelling ambition, despair and emptiness. You have to watch his eyes; it's all in his eyes. All in a great performance for a breakout role such as this. In fact, after sharing his pain and loss as Jong Dae, I had to get a dose of fresh air and made my way to the Innisfree store downstairs to look at his standee (he's their global brand ambassador) - there he was standing, smiling, fresh faced and youthful, with his Kim Tan look and that was when the contrast of characters really hit me, it was like i was looking at 2 completely different people, and that was when I realised he had really managed to change his image for the movie and he had done it very successfully. Forgive me for rambling about Min Ho; I am a fan!
The last scene is very touching, heart wrenching and symbolic and very well done; a fitting end to a roller coaster movie. On the whole, kudos to Yoo Ha and the cast; it was quite a ride!
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1I shouldn't have to do homework to understand a show
This is a very confused series. Taking multiple movie's worth of story and condensing it down to six episodes was a fool's task. I have read the comments of, "if you watch the movies it makes sense," but a retelling needs to stand on it's own without knowing the source content..
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This review may contain spoilers
Moments of brilliance, buried in mediocrity
I approached "Love in the Big City" both eager and guarded, as one who steps into a garden rumoured to bloom with rare flowers, dreading the thorns beneath. And indeed, my patience soon withered/waned under its oppressive sorrow and despair. A suffocating pall of misery clung to the gay characters. The very air seemed heavy and coagulated. And yet, I cannot, in good conscience, deny the actors their due. Their performances were of such distinction, such disciplined passion, that they elevated the poor scriptOf those who graced the stage/screen, Nam Yoon Su did shine with a peculiar radiance. His readiness to partake, without the least restraint of feigned modesty or hesitation, in the delicate and tender manifestations of carnal affection between men, was an uprising against the profane doctrine of homophobia, gnawing ever at the fabric of society. Each kiss, each quivering proximity, was a venture into the "forbidden" and a courageous unveiling of a man's innermost self before another. Stunned I stood, for here were men, yielding mutually and entering the blessed harmony where desire is met with desire, or flame answers flame. Few were the sights that could rival the fair and beautiful scene
Having paid homage to the commendable virtues, I must, with sober and judicious mind, now dissect the manifold imperfections of "Love in the Big City." The narrative faltered at its threshold. Therein, a "straight" identifying woman, she whose eyes roved with lecherous and unbecoming intent on men, trespassed into the charged social space of a gay bar/club, a haven purposed for the free and boundless flowering of same-sex desire (31:07 of episode 1). This is no mere lapse in judgment, but a flagrant assault on the sanctity of single-sex spaces
What cause had the authors and producers for the unceremonious reference to HIV? HIV is not divine chastisement or a gay disease. The military doctor's diagnosis presumed a manner of transmission he himself deemed improbable. "Are you a top or a bottom? The truth is, the chances of spreading HIV to a sex partner are low" (39:50 of episode 5). Whence we may conclude that to afflict a gay character with the blight of HIV, while all else in his life proceeds unimpeded by the ravages of the disease, notwithstanding its low transmissibility or the accessibility of "curative" measures, is to commit an injustice altogether superficial, contrived to stir the blood of the audience and cast aspersion on the inclinations of gay men
Methinks it a wearying contrivance that "straight" identifying women are the sole passage through which the lives of gay men are revealed. A stranger to the sting of homophobia befriended a gay man and claimed the right to utter his sorrows. Is his voice feeble? Can it not speak for itself? Or is it that the ears of society are closed to the truth, unless it be spoken by one it takes to be "safe" and unthreatening to the established order? Be that as it may, the time is ripe for gay men and gay women to gather in brotherly and sisterly concord and recount the trials and joys of their lived experiences. They could find in one another a steadfast, compassionate friend
Evermore were the gay characters denied the solace of a blissful end. I marvel not. From the dawn of civilization, gay existence has been granted provisional legibility within the public sphere on condition that it be sentenced to a life of bitterness, celibacy, or exile. The possibility of societal tolerance rests on the disavowal of collective joy/happiness, the desexualization and deradicalization of same-sex physical intimacy, and the proscription of a viable, enduring future
There is an urgent need for narratives in which gay joy/happiness is the norm, however much they strain against the limits of the prevailing regime of plausibility. It is in their defiance of said plausibility that we can affirm the radical banality of gay flourishing, a mode of being so simple and unremarkable in its presence that it precedes the demand for justification
TL;DR I have, after deliberation, settled on a score of 6.5/10
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A Lighthearted Sweet Drama
You should definitely watch this drama if you crave a lighthearted sweet drama without stupid misunderstandings. This drama mainly focuses on the main leads, and not so much on the second leads, but the second leads still get a reasonable amount of screen time (the right amount in my opinion). Also, the chemistry between the main leads are just... AMAZING. There's not a lot of kiss scenes (since Allen Ren is married) and this drama shows that even without many kiss scenes, the drama can still be as sweet as any other dramas. The reason why I gave it a 9.5/10 instead of 10/10 was because the ending seemed really rushed and a lot of parts were missing or cut out. So, the beginning and the middle of this drama is definitely a 10/10 for me.I usually don't really mention music since it's not TOO important, but here I have to say something about it...
There's about 100 different pieces of music used in this drama (it's an exaggeration but still) and most of them are really... weird. Not only that, but the most of the music comes in during very awkward places that doesn't seem that appropriate for that specific piece of music. Also, sometimes it's unnecessarily loud. Nevertheless, I really enjoy the music "Exchange" sang by my favorite singer Zhou Shen, and you'll hear it a lot throughout the drama lol. But as I mentioned earlier, music isn't that important in a drama so it did not affect the overall score of this drama :)
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Not having been a huge fan of Taecyeon in Dream High, I watched this drama strictly for the plot. It sounds neat: A girl who discovers she can see ghosts after a 6 year coma and a guy who helps her solve her ghostly mysteries. I'm not saying the plot line should win a Pullitzer or anything, but it does sound entertaining! Unfortunately, this drama squandered all of that fun potential on pseudo plot twists and mediocre romance.
It's never a good sign when you root more for the lead character to be with a ghost than you do the actual male love interest. Surprisingly, this isn't even Taecyeon's fault! I was really impressed with how much he had improved from Dream High, and I really did love his character. Cha Gun Woo is an all-around good guy, willing to help out our heroine even when he isn't sure if he believes her. But even though he was doing all the right things, there was just no chemistry between him and Yang Shi On.
Yang Shi On's character was, for the most part, fairly likable. It was hard not to feel for her when she was so obviously lost and confused, trying to pick up the pieces after a 6 year absence from the world.
Kim Jae Wook was easily the star of the drama, which is interesting considering that for the majority of it, he didn't have any lines. But the way he watched over Shi On and loved her so much, even after so long was just heartrending.
The villains were disappointing, never evil enough to really be interesting, nor frightening. I can't even count the number of times that Gun Woo and Shi On were able to outmaneuver huge groups of men. If two people, with one of them having just come out of a coma, can beat 20+ gangsters, you are obviously not hiring gangsters from the right place.
Other than convoluted plot lines and a sad attempt at emotional terrorism in an effort to make you connect with the characters, this show isn't wholly irredeemable. It's short episodes ensure that you don't feel too bored throughout, and for the most part the ghost's problems were fairly interesting. All in all, not a complete waste of time.
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Refreshing modern female oriented drama
When casting is top notch & the story is not filled with over toxic characters, it's enjoyable to watch.The story starts off with everyone captivated by Rose's beauty. Beauty is not just standard Chinese beauty but also the energy, 气质 she exhibits. Picking Cristal Liu is perfect for the role. She has that artsy, sophisticated 气质 and she looks young enough to play college age to 30's mom age.
She comes from a healthy family with loving parents with an overprotective brother. There isn't the idea of girls are any less valuable than boys hence she grew up free pursuing what she wants rather than what her parents want for her. She's smart, sassy, confident but also with many imperfections. She's not afraid to take chances on love and in life.
Ep 1-12 1st love. She's impulsive and the relationship progressed fast without deeper understanding. Break ups, fights, yelling feeling semi toxic as they find out more about each other. Very relatable to many people's 1st relationships.
Ep 13-28 Mr. Wrong Husband. She wanted someone stable and settled with the obvious wrong choice, but the series got draggy that I almost dropped the series. The best part was the divorce where she wrote to her daughter: "Divorce in my view only represent an end in a relationship and not a life failure."
Ep 28-35 Mr. Soulmate. At this point she regained her career and she's on a happier path. They have undeniable chemistry and connect on that artistic level.
Ep 36-38 Younger crush, not enough to make an impact.
What's enjoyable:
1. Good female supporting characters small or big parts. Even in the beginning a woman blaming her breakup on Rose, acting all crazy, Rose said "You are smart and beautiful, why waste more time on an underserving guy?" There was no female bashing over love interest like in other dramas.
2. Rose's Loving parents. Positive supportive parenting & nonjudgmental. "Life is only few decades long. If Happier times > sad times, then life is worth it."
3. Modern topics: Career women/Married, unmarried, divorced/Single parenting/Multiple loves, realistic that love moves on (None of that drama love trope of 30-year-old never been kissed, waiting to be reunited from their 1st unrequited love from 10 years ago because they met at 5 or something)
What could've been better:
1. WAYYYYYYYYYYYYYYYYYYYYYYYYYYYY less episodes on boring husband choice
2. Use those extra episodes on Soulmate
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In short: This drama will bring about a physical reaction in you and you still won’t regret watching it one bit. You can quote me on that.
I think the title of this show pretty much tells its entire story. “Mother”. The amount of importance this word holds. The responsibility, love and sacrifice that comes with it. How some women can never be worthy to embrace it while some own it and wear it as a second skin. This show highlights how much a mother’s actions can define a child’s life. How sensitive the stage of childhood is and ultimately, how family can transcend blood.
I haven’t watched the original so I can’t make comparisons but judging this drama on its own standing, I will say it was one of the most beautifully written, directed and acted pieces of production I have ever seen. No amount of praise is enough for the actors. I am not a fan of Lee Bo Young but she embodied her character perfectly here. Lee Hye Young, my favorite veteran actress once again brought forth a character I will forever remember and treasure and finally, the star of the show: 7 year old Heo Yool. I am still speechless at how a child so young could execute such a difficult character with such mastery and that also in her first role ever. I am going to follow her career throughout her life and I’m positive that she’s going to take the world by a storm and I can only hope she wasn’t scarred by playing the widely complex role of Kim Hye Na.
The drama comes with excellent dialogue and symbolism. It is also morbidly suspenseful, as in you desperately want to know what happens next but are afraid to find out at the same time. I really don’t have anything to complain about and the only reason I took one star back was because so many emotionally powerful things kept happening throughout the show that by the last two episodes, I was just spent and exhausted and my capacity to react had vanished which is why I watched the end with a sort of indifference.
However, I will say that even though the process is painful the drama ends with a sweet relief that we all earnestly wished for.
A must-watch.
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