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We've all seen her in dramas, the woman who married into a wealthier family, who is faced with comparisons to people that are doing so much better than her and receives lots of pressure from her in law family. What makes this drama and its heroine stand out is the focus on her journey of growing stronger and questioning her status quo in life. That is not to say she's a weak woman at the start of the drama, because she can take a stand for herself when required, but she's just not a person that puts her own needs above everything else.
The drama raises several important social issues, the most prominent ones were the role of wife and mother in a family, education of children and affairs. Some people might be put off by the fact that the female lead starts an affair, but imho the affair topic was not the point of the drama. These two people meet and get closer, because they both feel kind of left behind in their respective lives, but the important point for me was not whether they would stay together or not in the end, but that they began to think about their current situation in life and whether they could continue living that way. I see the affair more as a starting point of their character growth, and especially in the case of the female lead that was really well done.
I keep talking about the female lead, but her character really was the heart of the drama for me. I realize now that I rarely cared about a female character as much as her and Kim Hee Ae's outstanding and relatable performance played a great part in that. She made that character come alive, so that I always felt her pain and was rooting for her to find happiness. The rest of the cast was impressive too, there were several characters that I hated with a passion, but the drama actually managed to make me feel a bit sympathetic for some of them, although that doesn't excuse their previous behavior.
There were some things I wish would have been done a bit differently in the second half, which is the reason I didn't rate it a 10, but those aren't any major flaws. All in all, I highly recommend this if you want to see a drama with a mature approach to its topics.
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This review may contain spoilers
What you need to know
This has a very good storyline, but a lot of people can’t get past the fact that it also was sponsoring products. They incorporated it in a fun way that not only helped progress the drama but to sponsor the products used to help fund the drama. If you don’t pay attention during the show, you will get lost and not understand what they mean so make sure that you do pay attention the entire time. There were a lot of comedic lines and the drama that made my stomach hurt from laughing so hard especially when the bodyguard and the counterpart from the other world met that scene, made me cry laughing. If you understand the story plot you will love this drama very much and want to watch it over again I know I did.Was this review helpful to you?
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A love story, that is told in a completely unorthodox way. Impressive in a refined manner
Capturing so much feeling quite sensitively and lifelike, “Remember you” is definitely for KMovie connoisseurs - with a memorable story and two wonderful leads deeply touching the audience's soul.However, the story is not at all concerned with meeting common audience expectations. The KMovie chooses its own pace while poetically linking the loose threads into a three-dimensional pattern – in a stringent but by no means linear manner, purposefully but without any haste.
“Remember you” (or rather “Don’t forget me”, as the original title says) is mostly a love story through and through. However, it is a love story, that is told in a completely unorthodox way.
The past that lies behind – with the memory of it having the potential to ripping emotional abysses with brute force. The future, that lies ahead – with hope dwelling inside. The present – in which the ´now´ can become a safe zone. Within and throughout: the transcendent power of love.
There is something meditative about “Remember You”. We´re stumbling alongside the amnesiac protagonist through his (to him) strange present, with people coming and going. It almost feels like in a dream. He acts on the outside while inwardly commenting and silently asking his questions to an inner authority that should know... But the inner authority is mute.
The memories of the male protagonist, who suffers from amnesia, come back in fragments and immediately collapse again. The soul has found its own ways in dealing in a somewhat more bearable way with an almost unbearable reality. But ultimately, this situation, too, still is not really bearable either. The KMovie portrays a desperate psychological wrestling with reality - of the male lead on the one hand, and the female lead on the other.
Before we notice it, at the latest as soon as the puzzle has been put together, we suddenly find ourselves very close to the no less desperate inner world of the female lead. After being very close to HIM for so long and learning to feel with HIM, we suddenly find ourselves compassionate with HER emotional horror trip...
Impressive in a refined manner!
PS:
The KMovie “Remember You” is based on a short film by the same director. Based on this template, crowdfunding was used to raise funds for an international independent cinema film production. $32,000 was donated for this purpose. When it premiered in South Korea, “Remember You” grossed around $2 million already.
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The other two things I loved about the drama are the music and the location. While the music really set s you in the mood, the drama is set in Harbin, a Chinese city that looks like Moscow. The location is a stroke of genius and really adds to the atmospheric effect.
Highly recommended if you are in the mood for a noir
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Well-written police procedural
This script has everything - good humour, interesting exploration of humanity and justice, excellent character development, solid chemistry between characters, and a mesmerising villain to top it off.The earlier cases may come off as small and insignificant. Unlike most police procedurals, only a handful of cases revolve around a murder - some are probably just misdemeanours. What's interesting in these earlier episodes is that there are clues, characters and concepts dropped in which feature in a more significant way later on. I think that's the appeal about this whole series, because the fact that things that occurred in an earlier episode have a bearing later on makes these characters' lives feel real and present.
There's a lot I can say about the story, from the very nuanced depictions of not just the main characters but also of their female boss, who's probably one of the most convincing and well-rounded female police bosses written in Japanese TV. It's also full of ideas that's worth further exploring on a rewatch, like the idea of smaller crimes not being insignificant, the lack of (and urgent need for) an appropriate witness protection program, the prejudice against migrant workers (which is applicable to most developed countries), the dangers of internet vigilantism (and how apt it was to get Suda Masaki to do this role after "Class 3A"), or how fragile and vulnerable justice is, even for people who society expects to uphold justice.
Suda Masaki is a scene stealer, and his portrayal of the insolent and enigmatic Kuzumi makes him one of the best villains to come out of this genre (I don't think that's a spoiler since in his first appearance he shows an underage kid a drug). It will be such a shame not to have a second season of this.
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For the acting, I seriously want to give a standing ovation to the main cast (Masataka Kubota) for his excellent acting and perfectly portrayed as Kaneki Ken. Why I said that he is perfect as Kaneki because every scene that has Kaneki in it, I can feel the main character's pain, sad, happy, nervous. For those who still not read the manga yet, Kaneki Ken is such a complicated and tragic character yet he brilliantly conveys his emotion as Kaneki Ken who got confused with his own body and the struggles to keep his humanity as a half-ghoul, half human. The other casts also played their character really well.
What makes this film not perfect is the CG. The CG of Kakugan seriously looks great but the CG of Kagune, for some reason there's a time that the Kagune effects look a bit awkward but don't worry, it's not a big deal.
Overall, I enjoyed every part in this movie. Since the first movie already good, I have a high expectation for the sequel and hope they will have more budget for the next film so the CGI will look more awesome and the viewers will more enjoy watching the film.
For all fans of Tokyo Ghoul, it is official that Tokyo Ghoul is getting the third anime series in 2018 for the adaptation of TOKYO GHOUL:RE.
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It's sweet as it's name.
This drama was like vanilla ice cream plain and sweet without any major twists and surprises. So you won't feel any thrill it's just a light, cute and fluffy drama with lots of cliches in it that will definitely make you cringe.It's a fairytale with happy ending. Probably Cinderella story. Rich, handsome, talented and there's even more he's her idol also so basically it becomes so unrealistic but if you like this type of stories then this is your cup of tea. It doesn't have many silly misunderstandings, breakups yeah but there's a irritating I mean very irritating second FL that's her character is only made for to we hate her. Still is wasn't bad it was good dose of fluffy ness after watching some serious stuff. The acting and execution was good, I liked the fact that FL wasn't dumb and ML wasn't mean.
Overall it was okay, it was good watch I enjoyed it's cuteness and sweetness...
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She Loves to Cook, and She Loves to Eat
24 people found this review helpful
Perfectly Complementary Character Growth in a Cozy Backdrop
Japan just has a way with these food dramas that few other productions can match. It just feels so down-to-earth, real, and cozy. It puts the small details into focus like nothing else can, and somehow manages to soften any societal critique messages and story stressors.I wouldn't say this is a GL drama, but rather a lesbian adult coming-of-age drama. There isn't that same focus on the *need* to enter into a romantic relationship. Instead, we get to navigate the slowly shifting dynamic between these two women who find their perfectly complementary half. We get to see how the small comments and practices (what has often been coined as "micro-aggressions"), seemingly insignificant to the masses, can have a longstanding impact to others. They can become a source of insecurity, dissonance, and wariness. Things that make you feel "other." But this drama does it in such a way that it feels almost conversational, in such a way that we actually see every day and with responding messages that, while feeling unnatural at times, weren't drawn out and hung up for continuous reference).
I loved seeing the progression of these characters through the work. From shy, uncertain, and insecure, to understanding, to irreplaceable. From a dynamic where one ate and the other happily watched, to a dynamic where they both ate meals together, to a dynamic where their relationship was no longer limited to meals. I really hope that we get a season 2, and I don't say that about many dramas.
And the food looked delicious. I am so glad that the producers included recipes on the drama's website for the key dishes - because I'm definitely going to be trying some of these.
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Khun Chai Taratorn is the first part of the very popular Suparburoot Jutathep series. It’s somewhat an exclusive Thai way of making dramas where three, four or five plots are connected by a main thread. In this series’ case, it’s the story of the five noble brothers, set in the after-war times in Thailand.
The first part of the story started in a promising way, it gets extra credit because it introduced us the main characters, their relationships and the general atmosphere. The premise of the plot seemed interesting; antiques robbery, cross-dressing and so on. However, the writing didn’t manage to keep things captivating. I think that’s the main issue with most Thai lakorns, they usually have interesting topics and characters but they tend to mess things up in the middle and near the end.
I found too much Indecisiveness to tolerate. Many main characters kept avoiding the obvious for the longest time that’s why the lakorn could turn out to be a little boring. Of course, the bromance moments between the brothers surely kept my interest, the way they eavesdrop on each other or plot against each other just for fun was priceless. I believe that’s the main strength of this series.
This may have been the non-interesting brother as some may call it but I surely liked Chai Yai’s character, apart from his indecisiveness of course. He was calm, caring and well-worthy of the eldest brother’s title. The acting was, not bad is all I can say. As many of you would know, Thailand doesn’t contain the greatest actors out there but they can be good enough. Grate did well with the character, at least more convincing than Preem’s acting. You see, beside Grate and Pope (playing the first and the second brother) who are well-known actors from Channel 3, Jame, Bomb and James (playing the other brothers) are newbie actors who made their breakthrough with this series so they deserve encouragement.
The female department was nice; I especially liked the two grannies. The triangle was also good, at least there’s no evil second female lead that you would gladly throw in hell. She had your average next-door neighbour girl feel into her despite being in the noble class. She was also a great friend of the female lead (something you would rarely see in lakorns or in Asian dramas in general). It’s her two sisters that I am worried about when Chai Pat and Chai Pee’s stories come; they will be the obnoxious type for sure. The second male lead in this part was also very nice and no, he wasn’t friend-zoned since he never grew a crush on the female lead in the first place.
Watch if:
-You like Thai lakorns.
-You dislike slap/kiss lakorns and prefer the other genres.
-You like good chemistry.
Do not watch if:
-You’re looking for something great.
-You’re not familiar with Thai lakorns; I wouldn’t recommend this as your starting point.
-You’re very impatient for developments to happen.
Khun Chai Taratron love story wasn’t that great to be honest, but as usual the chemistry in Thai lakorns is something you’d gladly watch. I am looking forward to the rest of this series, hoping that the other brothers’ stories will be more interesting than this.
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Pretty well done and very, very tragic all at the same time. This show had some of the best casting I've seen in a drama yet, and Dong Chi (Choi Jin Hyuk) and Kang Soo (Lee Tae Hwan) stole it away pretty quickly. The secondary cast was simply amazing in their roles, and they were almost more important than the leads to me. To be honest, I think of the leads, Kang Soo was the best all around actor although Dong Chi certainly did a wonderful job. But considering that Kang Soo is still a little new, he never once failed his role. They kept in character and made you feel that the emotions they displayed were real and honest. I felt like they had great chemistry, bouncing well off of one another and the rest of the cast members. The relationships between Kang Soo-Chang Gi and Dong Chi - Chief Moon were very well developed. The secondary cast also worked wonderfully with each other, and the script successfully used them as both plot developers and stress-relieving comedy at all the right places. Jang Won (Choi Woo Shik) and Gwang Mi (Jeong Hye Song) were dazzling in their roles and played their parts exceptionally. Without them, the story would have been far to dark and depressing, but with them it was the perfect mix of comedy and serious thought-proving storyline.I didn't actually really care at all for Han Yeol Moo (Baek Jin Hee), and she took away some of the points I would have given the show. I'm not sure if it was bad acting or bad scripts, but her character just didn't really work. I'm used to the female stars being, well stubborn sure, but mostly good-hearted, solid morals, and someone who thinks of others first. But Yeol Moo has little patience for other people, actively and deliberately hurt her mom, and had no respect for the rule of law or her superiors. I mean, I understand that the point is that when bad guys are in control, you may have to work the system. But she actually was willing to sentence another girl to death or to sacrifice up evidence just to get her and her boyfriend out of trouble. Although the show never dealt with it, she was sometimes quoting basically the same thought processes as the bad guys she wanted to stop. It didn't help that her expressions were non-existent or just felt off, I never felt that her feelings (anger or love alike) were actually real.
Korean Dramas usually focus on personal relationships, with the political message in the background. However, Pride and Prejudice definitely pulled its themes forward, with the romance and friendships being largely a secondary plotline. The show questions the theory that "the ends should justify the means" with both good and bad characters trying to argue their point using this premise. Is it okay to do bad things for a good ending? Or what if you only do something wrong because it is the "lesser evil?" The show pulled in themes of Corruption, Pride, Self-Entitlement, Good v. Evil, Bad Leadership, and knowing when to draw the line. I thought one of the most interesting points the show brought up was the question of what to do when you can't defeat the evil. Most shows want to portray the bad guys as defeatable, but that isn't really true. Whenever one bad guy is defeated, another one is probably going to follow shortly. Furthermore, if the bad guy you want is only a middle-man, is it worth your career to stop him when you know the leader will walk away? We want to put everything on the line only when the person we're chasing is the ultimate evil. But what if he isn't? What if there are 50 others worse than him running around waiting to be stopped later? Will you still risk everything to stop the one? I liked this show just because it made me think, and gave us some interesting things to talk about when it was over.
The plotline was somewhat standard KDrama fare, but also threw in a bunch of unique elements. For the first time ever, there wasn't much of a triangle. This wasn't about the romances; the show wanted you to focus more on the philosophical questions of morality and good citizenship instead. The crime itself was actually well set up and had lots of new or unique little twists and elements. It wasn't the simple murder; there were about ten layers to even plot development, with each character having their own side to tell. The bad guys who weren't really bad guys, the good guys who made horrible mistakes, the bad guys who were just bad guys, and the good guys who were so good as to be little earthly good. The show pulled them all in, asking you to look at humans, our ethical systems, and the important question of when can the right go wrong.
There were of course a few plot holes (especially with the ending being so rushed), but overall, I wasn't too disappointed with it. On the one hand, the weak ending was a really, really weak ending. It went too fast, it left a lot of loose ties, it didn't finish things at all. On the other hand, t was well written and well-designed, even if it left me crying and largely unsatisfied at the end. To be honest, I think it needed an unsatisfying ending, because that's the point. The battle is never over, the next generation simply takes over the reigns and pushes on.
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Cha Seung Won and Gong Hyo Jin's chemistry was palpable. I loved the hilariously charming arrogance of Dokko Jin, and that Gu Ae Jung was a secure female lead. I felt my heart flutter, and break with them throughout. I guess there is nothing really new about their relationship scenario, but it still felt fresh, and was exciting to watch.
I also have to say that Yoon Kye Sang, was one of my favorite second leads ever. He was so great as Yoon Pil Joo (aka "Mr. Perfect"), that I felt myself starting to root for him [team pil-line!]. My only complaint is that Dr. Perfect started to seem a little too repetitive towards the end. It seemed like the hong sisters just didn't know what to do with him after a while.
Speaking of the Hong Sisters, I think they did a great job making this drama fun. The music played a large role in setting the mood, and the cast was great, but it's the script that played the biggest role in what worked (and what didn't). Even though I knew how things would generally turn out, there were many rewatchable moments, moments that made me swoon, moments that caught me off guard, moments that brought unexpected tears, and moments that made me laugh out loud.
I also have to mention little "Ding Dong" who was so cute. The bromance between him & Dokko Jin were some of my favorite moments.
I'll admit I didn't have much interest in the girl group backstory, though I do think It was funny watching them mask the fact that Gong Hyo Jin is not the greatest singer. The fact that such small things could cause such huge scandals for Hallyu stars felt exaggerated to me, so It was hard for me to get too invested in that part of the drama. I think that has a lot to do with my cultural differences than anything at fault with the drama itself. It still swayed my overall opinion of this drama, and made me lean more towards 8 than 9.
Although it sometimes reminded me of other dramas (and not just because of the shiny tracksuits), I think "The Greatest Love" still holds it's own. I can easily see why it is high on so many people's favorites list, and I certainly never expected to love "The Greatest Love" as much as I did. Add me to the bunch of people who highly recommend this Rom-Com. If the romance in this one doesn't get to you at all, you might want to check to see if you still have a pulse.
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Suspensefully Good
This series is finally finished and though I am not an advanced writer I just like to express thoughts of how I view a show so hopefully it can help someone else trying to decide.Cast:
Lee Yoo Ri (EunSoo) well known from her stellar acting in Father is Strange (great family drama if you haven't seen it) is the protagonist here. Her character here is really different from other one so its kind of hard to compare. My takeaway of common tropes in kdrama is the trance look/slow moving and it bugs me when it's overdone. Other than that she delivered well as a woman that is wronged. Yeon Jung Hoon (Kang Ji Min) as a loving father and persistent journalist is a polished actor and male lead. We can't stand most antagonists and you'll hate Lee Hwa (Kim Ho Ran) as the mother in law who is infuriatingly evil but man she is good. Go Na Hee (Woo Joo) is the little girl who is adorable and the heart of the storyline. The rest of the cast are excellent though if I could make adjustments, I would of given more family support scenes to Kwon Hwa Woon (Yeon Joon), the pro golfer, (EunSoo's childhood "brother") to add substance to her role of not having any family.
Storyline:
Maybe because I'm a fairly new "adoptee" of kdramas/asian dramas, I find this plot really compelling and interesting.....framed for murder, giving birth in jail, etc. I won't give more away. The thing is, the writer and production team did an excellent job weaving the story through from present to past and then gradually connecting the dots, keeping us in suspense but hungry for next and next. After all is done with the "who done it" and "why", in the heart of it is a beautiful love story of a man and a woman and a little girl. This is a well rounded great series (in my opinion) so if you are looking for your next drama binging, this is the one.
Overall: easily a 10 for me but I'm a novice..Let me know if you liked it afterwards. It might help me as an aspiring writer. Thanks.
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besides the story, i believe the true treasure of this drama is the actors' ability to make their characters shine. this is the first drama i've seen of gakky and i don't think she was a "turn-off" at all.. she may lack superior talent, but she also isn't a horrible actress that brings everything down. okada masaki is one of my favorite actors so it may be that i carry a biased opinion of him, but he really did a great job in this one. i really felt that he let himself be "free".. his expressions were always on point and he knows how to create a mood. he can make you laugh, but he can also warm your heart.
the music was great. i'm not one that normally pays much attention to it, but it was nice and fit the drama well.
i'm also not one to rewatch dramas, but i think i would watch this again if i ever got the time.
overall, this is a good drama to watch when you need something light. i don't think it's a complete must, but i think it's a drama that will definitely make you feel something for awhile.
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The entire cast was great. The first episodes are set in the past, and I thought the cast of younger actors were exceptional. I also thought the younger actors matched their older counterparts very well. Younger Kim Tak Goo hooked me into the story, and older Kim Tak Goo kept me hooked from the first time he smiled. I loved that the cast of "villains" had depth, and some characters walked the fine line between good and bad. I liked that Eugene strayed from the romantic lead path into her own interesting character. I thought Joo Won was really good at being very sympathetic, and equally distasteful, though I lol-ed at the look on his face as if something constantly stunk. Even the supporting characters really added to the story, so I had to give the cast a 10.
Though the show is about baking, the story centers around family betrayal, revenge, rivalry, and painful relationships between children and their parents. There are some over the top fight scenes, dramatic rescues, and heartbreaking confrontations, so don't expect to just watch a bunch of scenes about how to bake bread. There's also a good balance of sweet, and humorous moments, and the pacing is good as well. I loved that the romance in this was a bit unconventional, and was touching without being cheesy, or the central focus of the story. This drama also has something I find rare in most dramas, a great ending. They manage to give each character proper closure, and the ending felt just right.
Overall the story isn't necessarily original, but It wasn't predictable either. I laughed and cried many times while watching. There aren't many specific rewatchable scenes, and since suspense is mainly what kept me up nights watching, I'm not sure If I will watch this again. Yoon Si Yoon is so charming, that he may be enough of a reason to give this one a second look.
I definitely recommend this. The 30 episodes will fly by...
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This review may contain spoilers
Please Don't Watch This With Expectations Of a Grand Romance
I started watching this drama without having read any comments or reviews. I learned that lesson about short web-series after I passed on a lot of good shows that have unfortunately low ratings and a terrible comment section. I've discovered that it's better to check the tags and then walk in blindly without other viewers opinions marring your own perception.The poster image for this drama is deceptive. On MDL the image is bright and bubblegum colored with smiling faces and a quirky undertone. On Viki the drama link image is a girl with a notebook with 4 very attractive guys lined up in front of her, also in bright and cheery colors. These insinuate a happy and cute rom-com is waiting for you, maybe with a lot of heart-fluttering reverse-harem moments. But if you look a little deeper into the information provided by MDL, you'll notice the second tag is TRAUMA. This drama is basically a character study of a flawed girl that has felt unloved her whole life and the lengths she will go to feel loved and "whole". The relationships with these men, while starting out fluffy, quickly deteriorate into pain due to the circumstances of the notebook. Some are even abusive and toxic. This is all part of the journey the FL takes to achieve self-discovery, and find out that relying on others to provide love when she has none herself is going to be a never-ending circle of regret and pain.
The actors in this drama did an exceptional job of either making me love them or hate them. The FL was flawed and likely was hard to understand by viewers that haven't experienced that feeling of being lonely and unlovable. Her desperation to feel whole by receiving love from another person is relatable, and I found myself viewing her actions as understandable. The actress did a good job of providing emotional balance and I found myself rooting for her. The ML appears perfect but was also flawed in his own ways. He was impatient and jealous, which he vented on the FL often, but was unwilling to confess his feelings to provide context to why he was so upset with her on so many occasions, which lead her into deeper feelings of isolation. The ML's acting was great for a rookie. You could feel his anger, hurt, panic, and love without him saying a word. The SFL was surprising, for the first half of the series she presented without nuance or depth, but in the second half the actress proves that appearances can be deceiving and becomes almost an entirely new person. As for the supporting male leads, they all did a fantastic job of either making me love them or hate them... or love them THEN hate them.
Overall, this drama has a re-watch value that is pretty low, but it's worth watching once if you're in the mood for something a little deeper than a fluffy reverse-harem. Jump into it without expectations and you will enjoy where the story takes you a lot more than if you have a preconceived notion about how it should play out. It's a little dark, a little traumatic, a little emotional, with moments of sunshine and rainbows and fireworks mixed in, just like real life.
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