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The actors mostly shine, the director shows talent, and there is sex appeal for a while, but...
Yes, Bad Buddy is good. Let's put that out there before I get attacked for not giving it straight 10s.With that said, there are also some huge holes in its story, unneeded or unexplained awkward gaps in time, some poorly executed moments, and enough drawn-out product placement to question if it's an infomercial or a television show.
Sold and packaged as a Romeo and Juliet story, Bad Buddy, in-the-end, shares very little in common with the over-taught, and over idolized, tale. Yes the two main leads, Pat (A sexy and charismatic Ohm Pawat Chittsawangdee) and Pran ( A Soft, cooing, emotional Nanon Korapat Kirdpan) come from warring families and friends that just refuse to get along. However, everything else in this series is its own and does not use anything more than this basic plot device to create the age old trope of enemies to friends. For a while you may be trying to decide who is who with all the side characters in play and maybe MOST importantly who is Romeo and who is Juliet, but the story never lends itself to those rigid character constructs (For our male/male leads this is a good thing and recognizes the differences in homosexual relationships) and the tale never allows any of these side characters, or main characters, story arcs to play out in any meaningful way, Thus, in the end it will be a fruitless endeavor with time better spent on not trying to match these characters up but to just toss the Shakespeare play you know away and watch the series as simply an Enemies to Friends story. (To be fair it IS adapted from a novel and not the age old play so this fits)
Our two main leads spend the first couple episodes lost in the chaos the story is trying to design around them and create a base of why these two just can't like each other or be together. Yes, you will get their introductions and a helping of some backstory (that stays muddled so future episodes can put it more into clear focus), but you will not really spend time with the leads in any truly meaningful way while this is happening. These beginning episodes are repetitive, long winded, and obnoxious with only some golden nuggets of moments for the audience to cling and see that their may be something worth staying for here. It was enough that the MDL rating dipped almost out of the 8's into the humdrum 7's at the time, and the director took to media to tell everyone to just sit tight and stay tuned that the show was about to leap forward.
So it was a rough start that mainly only the attractiveness of the stars and the rabid fan base kept afloat, not to mention the BL industry being so disrupted by Covid that most 2021 projects found themselves delayed or canceled and such Bad Buddy came along in an anorexic marketplace. Also, the music in these episodes is by far the best. Not only the theme song and the introduction to Nanon's single (Which I will say I liked) but the score of these episodes is a fun techno crunch of leftover 90's and early 2000's synth kits that are energetic and fun to hear. I missed them in the latter half of the series.
Trying to steer clear of spoilers, in broad strokes the center of the series, or middle episodes, explode into some great story telling, exceptional acting, truly emotional moments, and amazingly choreographed scenes that possibly may be considered meteoric and will be ensconced in the "Greatest Ever Moments" annals of BL fandom. Or ya know, maybe they won't. But, it is, in all honesty, this portion of the series that awards Bad Buddy with a rating in the 8s. What comes before it is very average 5-6 area. And what comes in the later episodes is much more 7-8 range. Meaning that if the middle hadn't been so incredibly strong this would probably only be a level 7 rated series at best.
Unfortunately, the creators cannot keep this momentum or strong storytelling going, and it all collapses into the heinous episode 7 which is set to restart the story in an ACT II design. Yes, it covers, or hides, the very poor writing under heaps of sexiness and flirtatious moments that had the fandom reeling and social media in overtime with edits and clips of these scintillating moments. But, these distractions were layered over an illogical time jump that makes the "game" the leads are playing seem to last for months of time off screen, while changing nothing of the actual story except to bring Pat's younger sister Pa into the University for a side plot. This jump comes out of nowhere and is awkward to watch and swallow. The fact that at least a1/4th of the episodes runtime (or one whole section since the episodes are delivered in 4 part installments) is taken up with product placements is shameful and cheapens the overall feel of the show. It is, by far, the largest disappointment the series comes to offer and its juxtaposed in an episode that highlights some of the great chemistry the main leads have with each other, which makes it one hell of a frustrating watch.
The ending of the series will finally follow the story lines built in the beginning episodes. One of the friends of one of our leads will do an unforgivable act. Long rivalries will be discovered but left unhealed or left in their toxic states. Pa, Pat's sister, (Played motherly and humble by Love Pattranite Limpatiyakorn) comes to cement herself in the series as one of the MVP's along with (Head strong and kind Milk Pansa Vosbein) as a mutual friend to all in her wining role of Ink.
The final episode is, like many I have watched, both satisfying and disappointing. Overall, the series has always put their strongest moments and best parts of every episode mostly in the part 4/4, or end of each episode to get you to come back the following week. That is, for the most part, the beginning of each episode is throw-away that eventually grows into something of more importance by the end. In fact, it could almost be said that you could watch Bad Buddy as a series of part 4s and have a very strong almost level 10 viewing experience. That rings true even up through the final episode which starts off very awkwardly, again with a time jump that is mostly not needed plot-wise, but ends very winningly.
I will give this show the benefit of having some excellent chemistry, acting, and directing choices. While the end starts to feel more perfunctory, and as some have stated, Bromancy (With sexual acts inferred and talked about playfully, but never attempted to be shown in even a G-Rated way and kissing moves more to cheek territory, and you just start to feel like you are watching best friends play around with each other) at one time it was palpable and exhilarating with some truly strong moments. Nanon and Ohm show they are a head of the pack in their acting chops and capabilities than most Thai BL's casts while Jimmy Jitaraphol Potiwihok as Wei gives a star making performance (Already with a new show for 2022 announced). Bad Buddy brings a lot of goods. But it only hints and has moments of Greatness, its own story the weakest part of production and dragging it down. But boy how moments of greatness can elevate an otherwise average encounter into something noteworthy. Bad Buddy could be a case study.
8.0 = B+, 4-Stars. A solid all around entry that will likely not disappoint.
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This review may contain spoilers
Very strong beginning, but the tension between the characters was lost...
While the main-couple was one of the most appealing we have seen this year, their tension and kissing was not appropriate to the story they told. You will remember "My Personal Weatherman" where the longing for each other where the central point of the story, so they did kiss with passion and at this time this JBL shocked many with their NC scenes. Again, they were necessary for the story. And here is the fundamental flaw in this series. The physical attraction to each other is one of the driving forces of the story and neither the script nor the actors could deliver on it.In episode 3 they are in that booked hotel and in the manga there is of course a sex scene and here it was refused. I think in this case, that was a bad decision, because during the sex scene Shizuma confesses which makes Minato even more split, which increases tension between the characters.
The resolve of the "bet" was also over in a heartbeat. I think the second half of the series generally did not live up to expectations. While I understand why Minato is struggeling, the series can't keep the tension between the characters high enough and it's doing just ok.
It's not a bad show, it's just that the longing for each other could not be delivered and that's the central point of the story. It's irrelevant if the actors where shy or not, they all knew which material they put into a series. They should have had either a workshop and/or an kissing instructors (yes, they exist) and if they can't do it, then they should not have taken the roles. The side couple was dull most of the time, they acted like brothers not lovers.
The only highlight of this series was the production quality, which was top notch. So overall, this is an ok show which had higher expectations but could not deliver. And again, even the most handsome couple can't elevate a flawed delievery.
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Perhaps the daunting prospect of wrestling political debate is keeping potential fans away. There's no need to worry on that front. This drama's title can also double as the plot descriptor. Everything is about the lead couple's relationship; the political ideologies were simplified and, like the government positions held by most characters, were largely used to flavor conflicts and create an interesting atmosphere for love to blossom and persevere. Unfortunately this device over-saturated the first four episodes, which served as a foundation for the later events of the story. It's like the necessary bit of salt in your cookie dough recipe accidentally got doubled and overcame the sweetness. By the fifth episode though, a burst of romantic chemistry blows the bitter taste away, leaving the rest of All About My Romance charming and delicious.
The acting was generally good to passable, with Shin Ha Kyun blowing everyone else out of the water only to carry it to the end. Some people have said he's not handsome or young enough to play a romantic lead, but they must not have seen him smile. His whole face lights up and, if you're anything like me, you'll find yourself grinning right along with him. The personality Shin Ha Kyun infuses into his Soo Young will probably win him some attraction anyway, because it fuses the zany and romantic in a completely lovable way. Unfortunately, this great performance also means that he destroyed any possibility for Park Hee Soon (forgettable) to form a compelling second lead and badly overshadowed co-star Lee Min Jung (passable). It's lucky then that Shin and Lee look very well together and have believable chemistry, right?
Musically, the only special mention would be the excellent vocal inserts. Akdong Musician's "I Love You," and Shin Yong Jae's "Simple Love" have found themselves into my iPod. The instrumental tracks were either largely not present or too forgettable. However, watch out for the wacky Benny Hill-esque tracks which play during the fun or comedic scenes. They sound a little silly, but somehow remain completely suitable.
The low level of angst and satisfying wrap to most conflicts in All About My Romance take down its rewatchability, but in a good way. I feel like the sweet and comedic scenes are definitely worth a revisit though, and there are several I'd love to see again.
If you want something light and easy to watch, this drama is for you. Especially if you've just gone through a particularly traumatic melodrama or just want a mood booster.
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Acting/Cast- The leads had really great chemistry. The female villian was very unlikable and almost scary. The actress did a great job portraying her though. The supporting cast is wonderful!
Music- great, goes well with the scenes.
Overall- If you like HYD and Hana Kimi you will love this. One of the best J dramas Ive ever seen!
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This review may contain spoilers
A heart-wrenching film about the importance of friendships
When people think about the word soulmate, most of the time, the first thought that comes to their mind would be related to a significant other/a lover. But what if I tell you that your soulmate is the pure and deep friendships you've made throughout your life? A soulmate isn't just about finding "the one", a soulmate is someone who understands you significantly, someone who treasures you, and that person can be anyone in your life: a lover, a parent, a pet, or a friend. And this film: "Soulmate" excellently captures this concept. If you're coming into this film with the thought of wanting to know who the ML (Byun Wooseok) ends up with, then you're going to be disappointed because the ML isn't the film's focal point.Rather, it is the relationship between Miso (Kim Dami) and Haeun (Jeon Sonee). The film takes us from the beginning of their friendship until the end, the conflicts that they have in the middle, and a heart-wrenching conclusion/ending at the end. Miso and Haeun come from different worlds, with different personalities yet they stick together like magnets. With such differences, the film also touches upon the societal expectations for girls such as getting a decent job and marriage and these aspects can be clearly seen in Haeun - an ambitious young woman who wants to paint and draw but had to conform to her parent's expectations of becoming a teacher (something that she is not passionate about). Miso, on the other hand, is more adventurous and she does things her own way. However, she had to cope with harsh circumstances and had to learn the hard way to earn a living by going against social norms. In the end, the only time these 2 characters feel at peace and can be themselves is when they're with each other.
I have already watched the original before watching this and the Korean remake definitely has made some changes, but it did not steer completely away from the main storyline, instead, it adds more substance to it and I really appreciated that. The actors did an amazing job portraying the characters. This film will leave you sobbing after so have some tissues prepared. Definitely recommend this film.
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I really liked the idea of one girl being in a school full of boys.
(I mean what girl doesn't? ^.^) Sometimes it was cute and sometimes it was a little dramatic (ok, maybe sometimes a little too dramatic). The music was catchy, the acting was great and the boys were cute. This drama has a special atmosphere. You know, when you watch those (american) movies where the lead character dramatically gives a Speech/Explanation in front of an audience/other lead character towards the end and the audience so moved by his/her words that they all cheer/kiss or whatever. This kind of atmosphere leads you through all 9 episodes. Not much romance but a lot of "fighting"-attitude, so if you don't mind a little cheesiness on the side, you should give this a try. I did and I didnt regret it.
*Fighting* (makescutefistmoveintoair)
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This review may contain spoilers
Not bad, but also not enjoyable to watch
I think there’s a difference between a series being good/bad and it being enjoyable. Let Free the Curse of Taekwondo has many of the elements to be considered a good show. The main actors are talented, the couple has chemistry when they are together and the soundtrack is nice. The scene on episode 2 where they feel shy and awkward about kissing is an amazing portrail of young love, and not something we see often in BLs. But, overall, I personally didn’t find the experience of watching this show enjoyable.It’s the same feeling I had with To My Star 2, from the same director/screenwriter. Even before realizing that fact, I kept thinking the shows had so many similarities. For that reason, I know a lot of people might enjoy this show a lot more than I did. I really enjoyed To My Star, which reminded me of the first few episodes of Let Free the Curse of Taekwondo. But from episode 4 onward, it's To My Star 2, which I didn’t like at all. And I know I’m the minority on that.
I really have a hard time enjoying shows with protagonists that are not at least a little bit likable. They can be bad, they can be annoying, they can be grumpy, they can be irrational … but they also need to be likable. And I definitely had a hard time with adult Dohoe. Most of the time I just wanted the episodes to end because I couldn’t stand him any longer. Yes, I understand his life was tough. But it’s not like Juyeong had a perfect life after feeling guilty for 12 years. So guilty that he took care of the guy that physically abused him for all those years. He also didn't achieve his dreams.
Dohoe is directly responsible for his unhappiness, he let his pride win. He chose not to get involved when he saw Juyeong getting beat, he chose to remain friends with Hyeonho, he chose not to contact Juyeong and then go work close to him.
It’s been a long time since I wanted so much for a main couple to end up apart in a BL, simply because I despise one of the characters so much. Juyeong simply deserved better.
PS: Hyeonho’s constant presence also annoyed me a lot. It’s not like he had a major impact in the story, other than to cause issues to prevent the couple being together. The fake university diploma and the whole issue with the student’s mom could move forward without him.
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I am happy to admit that my secret romance is exactly like that. Starting it I had no expectations and I had braced myself for the impending, inevitable hard-drop! Even though, I can easily name this the cliché-est kdrama I’ve ever watched; the cheesiest, corniest, fluffiest shit I’ve ever put myself through, yet against all odds, I deeply loved it and honestly I stand here in awe of it. As a rom-com hater, how is that even possible? Well, looking back, I can name a few things.
Secret Romance, despite its heavy cliché-ridden self, had this exclusive, borderline inexplicable dosage of fresh air in it. Kinda contradicting isn’t it? Well, that is the main reason it was so good!
Starting off, the drama is characterized by its archetype characters. Cute female lead in need, shy, naive, with sad mommy issues in her backstory striving to survive and make a living y’know, usual stuff; paired with the uber classic chaebol hawt arrogant womanizer. Been there, done that. What secret romance did differently, ultimately breaking the mould of rom-coms in the best way possible is the realistic and natural expression of young adult sexuality. HELL TO THE YES PEOPLE! No more over-romantic, fake and unrealistic holding hands as the expression of ultimate love. It was ‘bout time drama gods!
More specifically, sexual jokes, innuendos and gestures, taboo job occupations, actual kissing, underwear clothing products and finally the acquittal of sex as a despicable act in kdramaland! There is nothing wrong with expressing sexuality people and it was about time we saw that in kdramas.
In all honesty, I have never witnessed a better romance development in a kdrama. The flirting felt real, the chemistry was exquisite and I enjoyed every moment they had building up their relationship. Nothing about it was really new, but it was the way that it happened that not only felt right but left extremely close to me as a person. The archetype characters strayed only a little bit away from their lanes just to make the drama that much more addicting.
Moreover, nothing about the romance was idealized here (finally); but rather, it was so fucked up that it ended up being relatable – expressing how we can hurt but also heal through an unexpected relationship, how easy it is to misunderstand and how easy it is to misinterpret. So relatable it felt too real! All in all, the best part of the drama for me, besides the lovely chemistry, was the natural expression of sexuality in its complete spectrum, while always keeping it real, cute and never filthy or awkward. I salute the writers for taking a chance here and actually making it work.
Having said all that, I cannot argue that secret romance was perfect. Critically assessing the drama, I have to admit that there were no substantial side characters or stories, most of them misused and underdeveloped. Simultaneously, while there was some basic effort to make the characters feel real giving them stories of their own to grow on, these backstories were barely ever elaborated on and were resolved abruptly at the end out of the blue.
I can safely say, the drama is not perfect and the more you think about it the more problems could be found. This is a drama to just smile and spend 13 fun hours doing nothing but letting your heart flutter. However, the fact that the drama did romance so well and touched upon -otherwise normal- stuff that are for some reason unheard of in kdramaland easily make me give this a well-deserved 8.5 just for that.
As far as the acting is concerned, no awards will be given here, but I don’t think anything was problematic.
I should mention at this point that Song Jieun is my 2nd ultimate bias in kpop (and my list is big, so I do love her) so I might be lenient and biased when I say that I absolutely loved her as Yoomi, she felt thoroughly real and behaved very accordingly to her role. She definitely had this role down and was a perfect match. Since her last project that I couldn’t help but drop, she was overwhelmingly improved and I can’t wait for her next drama.
I will not stay and talk about trite things like how unrealistically handsome Sung Hoon is, like everybody with a pair of eyes can see that. I will talk about how good he is, considering he’s a former athlete though. I am not entirely sure how flexible he is as an actor, and for a moment there I did believe that he won’t be able to act in any role other than the arrogant womanizer chaebol, but let’s not be quick to judge. I’d love to see him again, preferably in a different role next time.
Concluding, my secret romance is like a good pasta dish in a lovely restaurant. You know what it is, you’ve had it a thousand times but each time it is as good; and to top all that off, this plate of pasta has a very unique ingredient inside it to spice things up and leave a unique experience. Therefore, I would wholeheartedly recommend this drama to every rom com lover and honestly pretty much everyone who is looking for an easy watch.
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Money Heist: Korea - Joint Economic Area - Part 2
33 people found this review helpful
came for the men, stayed for the plot
Now to preface, I have not watched the original Money Heist.I originally watched the first part because i love political/crime thrillers and because the cast includes some dilfs but im really glad i stayed through the end. I came for Kim Sung Oh and stayed for the plot.
If you liked the first part, you'll love the second part. You literally HAVE TO watch this if you watched the first part because TONS of thing happen and character development is top tier. The amount of emotional trauma this caused me (in a good way) is crazy. Kim Sung Oh, my son, bf and husband, was so good playing the north korean police officer. just had to mention it.
If youre a Kim Ji Hoon or Park Hae Soo simp you MUST finish watching it because the men's acting in this is sooo good.
As for the actual plot, whatever you think is gonna happen next, will not happen. This show will leave you questioning your prediction skills. Ending was satisfying and that's all i'll say about that.
This show really had me switching sides. Am i on the robbers' side or the polices' side? Idk and i still dont know.
Overall super entertaining. I hate that my predictions were wrong because i like being right. Whoever wrote the original plot to Money Heist and the Korean variation has a huge wrinkly gigantic brain with many brain cells because wow, i loved this show!
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1This review may contain spoilers
Tales of messy relationships in a topsy-turvy world
This review will contain A LOT of spoilers. You have been warned. :)TL;DR: Oddly constructed rom-com that is weak on rom and com. A lack of direction and focus compounded its woes. Not recommended.
As with many contemporary rom-coms, this show started out with a promising idea. A rich, handsome troublemaker being protected 24/7 by an attractive, no nonsense, female bodyguard. Lots of opportunities for witty banters and close quarter actions, you'd think. It was a love-hate relationship from the start.
A decent show can become a problematic one when missteps are compounded. Let us apply the matrix to this show.
* Lack of Direction
What is this show about? Is it a rom-com? A family melodrama? A revenge drama? Business/crime thriller? At times, the show was all of the above and more. It really packed in a lot of subplots as if the writer was throwing mud at the storyboard and see what sticks. With that many threads and plots fighting for space, the main OTP plotline is sidelined without much progression.
* Lack of Focus
Case in point, most of the rescue missions were very elaborate and consumed a fair amount of screen time but it showed little return. It showcased how brave the ML is but also his recklessness and not being a team player. The people rescued or even the team members were just extras on the set. We know nothing about them, and they played no part in the rest of the show. Ditto the elaborate night race. It only served to give the FL street creds but all the people there were all forgotten by the next scene. Lots of other scenarios were thrown at us just to make a quick point and just as quickly forgotten.
* Illogical Plots and Actions
The company just carried on after the thieve of 20 million yuan (half their cash reserve), . The police did nothing. The top-level staff shouted at each other for a few minutes and it was business as usual. Another example, showing up with an expensive necklace for SFL1 in front of a crowd of squealing actresses. Why? The kidnapping in the final episode. (facepalm)
* Too Many Cooks
This is a common problem with c-dramas. When 1 CP is not enough, make it 5!
Let’s count;
CP1, ML (Johnny Huang) and FL (Wang Li Kun). Their faces are on all the posters
CP2, ML’s father and FL’s best friend (a drill instructor)
CP3, ML’s best friend and a waitress at his restaurant
CP4, FL’s mom and dad who are divorced
CP5, ML’s father’s assistant and the company’s accountant
SFL1 is a young actress (complete stranger), SFL2 is a rich b!tch from hell (old family friend), SML (FL’s college era ex-BF).
Collectively, we have crushes, unrequited love, love triangles, autumn-romance, push-pull, separations and more. This sucked the oxygen out of the OTP’s storyline, and the show suffered. (See Lack of Direction/Focus)
All these antagonists/protagonists lead to. . .
* Muddled view of Love
It is not unusual for the love line of the leads to be angst filled but this show brings home the bacon.
Both SFL1 and 2 subplots started with the ML leading them on so that they thought he was interested in them. Old trope but it was done in a very ham-fisted way and highlights the foolishness and naivety of the ML.
SML was a pest and just won’t take no for an answer.
The show suggested that ML5 was using FL5 to further his revenge plot but we are told it was true love later. Really?
Speaking of true love, the show gifted us a tropey romantic scene in the rain with a glowing merry-go-round as the backdrop. There were tears, rejection but ultimately, reconciliation and declaration of love. This is CP1, right? Wrong. CP2 got the special romantic treatment. Who is the OTP in this show?
CP2 was an autumn-romance with an age difference of 29 years! Not that I have anything against age gap love as long as it is believable but the meet-cute was a game of golf and lunch. Put together with the hint that he just wanted a bit of fun on the side, and she giving off gold digger vibes (no hint of that beforehand), it just screamed WRONG. Luckily, she came to her senses but later we were supposed to believe it was true love, again.
In the meantime, CP1 and CP3 are stuck in a quagmire. CP1 did eventually became official at the end of ep.38 (out of 40) with a hug and the CP3 was a nod and a wink in ep.40. The show really have problem closing deals.
* Lack of skinship
Some commentators suggested covid restrictions, but I don’t think so. If you were looking for kisses, there were none. Nada, zip, nuthing. There were a couple of hugs. Actually, CP5 was shown making out in the stairwell once but it was oddly unromantic and seemed to support the coercion theory. I discounted that.
Please, don't even dream of an intimate scene. This show is more chaste than some religious dramas. :)
* Lack of Character growth/whiplash changes
The FL was a cold, calm professional from start to finish.
The ML was an irresponsible rich heir and Johnny Huang did not play that convincingly. In short order, he reformed into a nice, upstanding man. In essence, he played himself as he did in other dramas. Is that growth?
Most of the other characters remained largely unchanged. The only exception is the ML’s father. Oh boy, did he change! He went from a ruthless businessman, controlling father and a boar of a man to become a nice, gentle, fatherly figure in the space of 1 episode. Cue death bed conversion to Born Again Nice Guy™ in ep.35. Never too late.
The show is not unwatchable, there are good bits. I just felt detached and despondent as I watched. The various romantic subplots were flavourless and underwhelming. The business subplots insubstantial. I almost dropped the show a couple of times.
Thankfully, there was a dramatic change in tone and direction in the last 10 episodes. It really felt like a different show, one that finally have a clear purpose and direction. Did someone whispered something to the writer?
The last few episodes were fan service. All the loose ends were tidied up. Unicorns were roaming free. The attempt at some drama/action in the last episode was a bit laughable (see Illogical Plots). Those last few episodes are the saving grace for me, but the damage is done. It was hard to ship any of the CP's and that is the kiss of death for a romance drama.
OST is serviceable but repetitive. Rewatch? When I get a big slice of that 20M yuan.
Take heed fellow viewers, I gave you fair warning with is missive. Watch this at your own peril. ;)
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Is it camp though? GAP and the messy politics of lesbian representation
We did it folks, Asia’s first full-length Girls Love. There is a lot to say about what GAP represents. As the name suggests, this was an earnest attempt to well, close the gap for lesbian representation in Thai cinema, which is mostly known for its variety of BL content. It's a groundbreaking drama that's breaking barriers for sure, but did it break the mold of mediocrity? This review will be a wild ride so let’s strap in (no pun intended!).I’ve been advised to go easy on this drama and I will do my best. I fully recognize what GAP means and represents for Asian sapphics, and I also recognize that no one involved in this was going for art-house cinema. And I myself am also not immune to charming cheesy trash. But I can’t write this review without addressing GAP’s quality in some capacity.
Since I am trying my hardest not to lose my lesbian-license it might be a good idea to ease in with the good stuff:
GAP’s cinematography is a bit of a hot mess but it does have its more stylish moments. Surprisingly enough those ended up being the sex scenes. I genuinely felt like these were the visuals that the director put the most thought into (I will not comment on how I feel about that) and I appreciated that GAP didn’t feel the need to dial the steaminess down just because it featured two women instead of men. This was an aspect I had been largely worried about before GAP even aired. If BLs are produced primarily for a female audience, would that mean GAP would be produced for a male audience? The fact that the director/producer was male, didn’t ease my concerns. I feared that what I would be served was bound to be a product of sheer fetishization. But I also did not want GAP to feel sexless, just because it had female protagonists. Women having sexual desires is cool actually. Well, I am happy to report that I actually had no issue with how GAP portrayed lesbian sexuality. The male gaze might be impossible to escape but it was subtle enough that I, a bitter lesbian, could still get something out of those scenes.
I struggle with critiquing an actor’s performance, especially if it’s in a language I am not very familiar with, but I will say that Sam’s actress Freen brought a lot of charm and humor to her role. Sam is a bit of a bitch and while I don’t think that her character was executed brilliantly, I also recognize that a lot of measures were taken to make her more likable, which is an effort I can appreciate. One of those was making Sam sufficiently awkward, something that the actress embodied pretty well (maybe because she did feel a bit awkward, who’s to say). I appreciate this effort even more so, after I have been informed, that Sam actually behaves a lot worse in the source material. I think softening those edges was the right move for sure. But script changes aside, I thought that Freen’s characterization came across as charming either way. Charisma is a difficult thing to evaluate because it’s very subjective and also innate to a person, so it might be something that you can’t really praise someone for but I do think that Freen really did the absolute best with the material she was given.
I don’t want to imply that my favorite aspect of a lesbian love story was a male character but I do have to earnestly commend the show for Kirk. The show’s main antagonist is Sam’s grandma, someone so comically evil that all that’s missing is a big mustache she can twirl. Kirk is not that. In fact, Kirk is the guy that everyone at the office loves. Someone that at first glance might even seem like an ally. The guy your friends insist you should marry because he seems “like one of the good ones”. And Kirk is an absolute douchebag. This was a character that appeared likable, had solid motives for the way he behaved, genuinely believed he was doing the right thing, and he still managed to be a huge asshole in a way you had to build up to. Kirk didn’t “suddenly turn out to be evil” because he isn’t and he never has been. But his crime was entitlement. He believed he was entitled to the company as he believed he was entitled to Sam. It’s, dare I say, an attempt at social commentary, that managed to be both subtle and effective all in a show that tended to be painfully on the nose. Kirk as an antagonist amidst the mess was truly a breath of fresh air, I think the casting choice was also great. Choosing some BL-heartthrob to portray him was the right call.
I guess as far as representation goes, this is pretty solid. We obviously have two morally dubious sapphic disasters for our protagonists but we also have one trans woman who is not entirely played for laughs (and one that is….) and a butch/masc lesbian which is something you rarely see on TV these days. None of these characters are entirely “unproblematic“ representation but that is also such a boring standard to uphold so I can live with a little messiness if it means that we get a more diverse cast.
This is such a small thing and I am not sure if it even was intentional, but the OST when something 〜shady〜 was going on and when Sam and Mon were getting down to business were pretty much alike. This furthered the impression that their relationship was a bad and ominous thing that was happening. This might not have been what the show (that presumably is first and foremost trying to be a love story) was trying to imply, but since I have been blessed with both eyes and a brain, this was a conclusion I inevitably arrived at. The OST seemed to point at the concept that Sam’s and Mon’s inherent toxicity was supposed to be text instead of subtext, which I thought was neat at least.
The bad:
One fun fact about me is that I have severe scoliosis and awful posture which is why my physician ordered me to do extensive physical therapy for an entire year. This painful progress might have been erased entirely by sitting through this show as I had to watch it with my head permanently tilted. I am not exaggerating, nearly every second shot of GAP is a Dutch-angle (tilted picture). Sometimes this made sense. A Dutch-angle creates a certain uncomfortableness, an eeriness if you will. Also: Sam is in a higher position than Mon. The scales are tipped. But more often than not this was a creative decision that puzzled me. It’s obvious that the director just thought it looked cool so he decided to use it ALL THE GOD DAMN TIME WITH NO THOUGHT IN MIND. I thought about making a drinking game out of it but that would have been a genuine health hazard.
What is it that this company does? This is an office romance but I m not even sure what this office is ordered to do. Something something social media something something. I wouldn’t care about this if it didn’t play such a big role in the overall plot. Also: Sam wants to keep her company and we’re supposed to think that she is deserving of that but we never see her work ever. It is implied that she is harsh on her workers because their performance determines whether she can keep living her life or will be married off. Well girl, how about you do some work then? I get it, it’s inherent to the cruel nature of the exploitative capitalistic system that the CEO never does any actual work and only leeches of their employees so this is quite accurate to real life but GAP is a silly romance and I am supposed to root for the undeservedly rich. I can’t do that if I never see Sam actually achieve anything. Every little success is due to the work of someone else and it’s not because of her management style but despite of it. To a wage worker like me, this is quite the hard sell. And I actually kind of like Sam and for her to be a bitch and a bad boss at the start of this show is fine, but we never see the needed character development from her. Sure, she warms up a bit, but arguably not nearly enough to excuse her prior behavior.
Sam and Mon suck. Not nearly as much as individuals as they do as a couple. It’s not so much that they’re unhealthy, I think the show knew that to some extent and I don’t think all love stories in fiction need to represent what is desirable in real-life. It’s more that they were… annoying? Which is a weak criticism, I’ll admit. But their constant bickering never seemed worth what they were getting out of the relationship. I was never sold entirely on their love. They had chemistry, sure, but that is very little to build a relationship on. If this was supposed to be a fatal-attraction sort of deal where they cannot keep away from each other despite how unhappy they make each other, this drama also failed to address that in a productive way. I like messiness and flawed, dumb people (I myself belong to said demographic), but Sam and Mon only seemed to always reunite because the narrative needed them to. Not because they were good together or it seemed like something either of the characters would want.
The sound quality was pretty atrocious in a way that I can't explain how it even got like this. Some passages of dialog were completely fine while others sounded like they were recorded with a fork. But I am not a casual lakorn-watcher and I have been informed that for a production of this size and budget, this is quite normal so this is probably just something you have to get used to and I am willing to let this one go.
I want to address the plot but it’s difficult to critique something there is so little of. Which is fine, intricacy is not what anyone watched this for. I guess the story is best described by things happening. One thing happens and then another one. Are those events correlated? Who is to say. But things certainly kept happening, that’s for sure.
So, is GAP an amazing show? God no. Is it an okay show? Also no. Should you watch this? I don’t know, I honestly don’t. I don’t know if I am capable of celebrating something solely for what it might represent. And I can’t recommend this show no matter which framework I use to analyze it. But yet I find myself wanting to. I once wrote that there are two schools of thought when it comes to LGBT+ representation: Either “we want stories that represent our experience, even if painful at times” or “we want access to the same rom-com escapism that heterosexuals get”. And personally, I see value in both. The problem is that I don’t think that GAP managed to deliver either one though I can certainly see attempts in both. There are some hints of social commentary and there definitely is the over-the-top rom-com storyline. But GAP is not good, it simply isn’t.
Is it camp though?
Define “camp”, please. Well, camp describes “art or entertainment that deliberately does not follow traditional ideas about what is considered good in order to produce a humorous effect”. The two types of camp that exist today are purposeful camp and unintended camp. As the name implies, intentional camp refers to the purposeful use of camp in humor. Unintentional camp results from naïveté or poor quality or tastes. It’s “so bad it’s good”, it’s the love of the unnatural, artificiality and exaggeration. This sounds like an insult but truth is that camp and the LGBT+ community have been intertwined from the beginning. Being excluded from mainstream society and mainstream art meant that we had to create our own. And this is where we got our ability to celebrate the ugly and weird. Camp evaluates tasteless kitsch whereas the bourgeois feuilleton high culture scorns it. The camp's level of sensitivity ranges from intense adulation to sardonic, disinterested amusement. Therefore, the definition of kitsch and camp is mostly subjective. And in my subjective perspective, when I look at GAP and see the nonsensical plot, the questionable performances, the Dutch-angles, the fake crying, and the constant yelling, I see camp.
Is this too little of a basis to recommend something? That is up to you but this is the hill I choose to die on.
I understand why so many people needed this to be good. One of my first comments on here reads “If this show turns out to be bad, I will simply gaslight myself into thinking it’s good”. It’s not just the lesbian representation, it’s the longing for a story that is not dependent on men. And now that GAP failed to be even passable, there is the fear, that no one in Thailand’s entertainment industry will ever try again to produce a WLW-story. But truth be told, I think we will be fine. I have never been a BL-watcher but according to all sources, Asia’s first BL was absolute dogshit and yet the genre found its niche. More importantly, however, while successful representation is undeniably incredibly important, social progress comes first. Good LGBT shows, books, and movies have always followed social changes in the real world, not the other way around. As East Asia becomes more progressive, the entertainment they produce will inevitably diversify. But we shouldn’t put our hopes and dreams in these capitalistic constructs. Our liberation should not be dependent on how much money people can make off us. Instead of hoping that rich men in production companies tell our stories we need to get out there and fight for the rights and resources to tell them ourselves.
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Watch it!! - no regrets :)
I absolutely adored!! It had it had cuteness. It had romance. It had drama. It had mystery thriller. It had tension. It basically had everything!!I love a series that pulls together and has a nice balance of everything and that’s exactly what this series had not only that but it also brought a light. The fact of truth that K-pop stars have to go through. Hopefully fans have watched this and they’re gonna reflect on their behaviour and be more like the fans at the end respecting privacy and protect protecting the idols privacy 👀👏🙏
I’d kind of figured out that it was the ex she just got so suspicious by the end but at the same time I’m so glad it wasn’t someone unexpected that you’d grown to love! The music was addicting and the way the main characters grew together was so wholesome and cute!! I’m definitely going to look at series with these actors and actresses in because they were all great and I would definitely watch a drama from this director again!
There was found family there was tension there were suspicion. I’d like to know whether the mum went to the concert. I’m hoping she did but I feel like she solved the ticket… and the ex manager/owner of golden boys the way he was almost like a father figure and he apologised for his behaviour so reflection tick tick! (I do love the actor who played the manager/owner of Golden boys I’ve seen him in quite a few things and he’s acting is incredible! Same goes for the male lead apart from that I don’t think I recognised many in this series but I will be looking them up for recommendations of other ones to watch now!
Overall, an amazing series really enjoyable really captivating and fun to watch!
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1Korea is now progressing in BL dramas
Why is this drama giving me 16 episodes high quality straight drama vibes ? Yes , finally a Korean BL series with excellent cinematography .Except " Semantic Error "( Masterpiece) , all of those dramas from Korea, were " good " ( not best ) for me , so I had not that much high expectations but " Secret Relationship " is really better 😉Disclaimer- If you don't like Love Triangles and messy plotlines then this is not for you.
POSITIVE-
1 . Adaptation of a very popular Manhwa " Secret Relationship " , this is a +1 point for this drama.
2. Excellent cinematography ( Rare in most of the KBL )
3. Handsome actors with great acting skills.
4. Green Flag ML .
5 . Beautiful Soundtracks .
NEGATIVE-
Messy story plotline with full of toxicity,
Overall -
8.5 / 10 , their visuals are eye catching, Manhwa lovers will definitely like this drama.
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Blue is the warmest colour.
Blue indeed is a colour of warmth and as an object, is a compassionate ode to the vagaries of the heart. The emotional honesty, precision, abandon and need; all summed up within the blue, have been the greatest force of love and benignancy. Letting the blue sky meet the blue sea could lead to bedazzling consequences, opening unimaginable possibilities. "Our Blues", the drama and it's stories illustrate as well exhibit the blues of a varied spectrums of lives and the arrays to which the life can haul us to.Produced by 'GTist' and developed by 'Studio Dragon', "OUR BLUES (우리들의 블루스)" is an omnibus-themed Kdrama created and nourished by none-other-than one of the best Korean writer Noh Hee Kyung jakka-nim. Joins her, her partner-in-crime, Kim Kyu Tae PDnim, assisted by Lee Jung Mook PD-nim as a debutant who's in fact been the executive producer of several qualitative hits. With a super-duper multi-starrer cast, the show was originally broadcasted on tvN whereas Netflix is in charge of international distribution. This also marks Kim Woo Bin's comeback drama after 6 years long hiatus and has been shot in Jeju Oil Feild, while a fraction of it has been filmed in cities like Seoul and Mokpo.
Established against the backdrop of Korea's Pureung-ri in the famous Seogwipo, the 2nd largest city on Jeju-do island or the southern part of Jeju Province, "Our Blues" is formatted as an omnibus tale of 14 characters, divided into 8 stories, told in a total of 20 episodes. While the term "omnibus" literally refers to different stories in a single book, the drama takes on characters living in the same neighbourhood who are interconnected and their path crosses on a daily basis, but the manner of presentation emphasizes only 2 of them at a time. In simple words, at a particular, time only a few characters are the protagonist of the story, having them at climax/peak, whereas others are simply extrinsic parts of their lives, coming in and going out of the scene randomly.
The drama is a true example of what you called a star-studded cast, filled not only with soooo many popularly acclaimed and skillfully talented actors but also with renowned makers who have always proved their worth. Among many, the major cast are: Kim Hye Ja, Go Doo Shim, Lee Jung Eun, Cha Seung Won, Shin Min Ah, Han Ji Min, Lee Byung Hun, Kim Woo Bin, Uhm Jung Hwa, Choi Young Joon, Park Ji Hwan, Bae Hyun Sung and Roh Yoon Seo. Special mention to the child actress Gi So Yoo who played Son Eun Gi and won hearts with her realistic acting of a 5 years old child.
In supporting cast, the familiar faces are: Kim Kwang Gyu, Nam Kyu Hee, Cho Hye Jung, Baek Seung Do, Lee So Byul, Park Jee A and Yoon Byung Hee. Again, special mention to Jung Eun Hye who played Lee Young Hee, a person with Down's syndrome, who, in real, is someone with the syndrome, and did a spectacular job. There are so many other known faces in guest roles, here and there in the show.
Rather than writing a character description, describing different stories without spoilers is a better choice. It's important bcs the drama doesn't have a particular plotline, and as told earlier, it consists of several stories.
# Eun Hi and Han Su: The wealthiest fish trader Eun Hi, who's loved by the entire neighborhood, reunites with her long-missed first love Han Su, whom she dated during highschool but grew apart due to individual situations.
# Yeong Ju and Hyun: These 2 highschool students who live in the same apartment, and been friends since childhood, secretly start dating and plan to fly to Seoul after graduating. However, an unexpected hurdle come their way, disturbing their entire wishes.
# Seon-a and Dong Seok: Thinking she's hit the rock bottom, Seon-a travels to Jeju, where she meets his first love Dong Seok, whom she'd abandoned years back. Still, uncertain about their feelings, both of them become friends again and help each other comfort.
# In Gwon and Ho Sik: Considered brothers from different mothers, Ho Sik and Ingwon had been there for each other through thick and thins, but as life happens to them, they grow apart, resenting each other for years. Now that their children are involved, they seem unable to turn away, rather fight it off.
# Young Ok, Jung Jun and Young Hee: As Young Ok and Jung Jun grow closer, Youngok's uncertainties have always bugged Jung Jun, and he's afraid of being left back. There enters Young Hee, bringing love to the city and to the relationship between the couple.
# Eun Hi and Mi Ran: The highschool duo, the rich Mi Ran and the poor Eun Hi, known as princess and maid, respectively, has always been there for each other. But there exists misunderstandings created due to own's sense, which has to be dealt with.
# Chun Hee and Eun Gi: The boss of sea Chun Hee samchun is excited for her family's comeback to Jeju to live with her. But as life becomes cruel, not knowing what's happening, she is left to take care of her granddaughter Eun Gi, who's adorable yet irritating.
# Ok Dong and Dong Seok: On the verge of death, Ok Dong samchun wishes to make up with her son Dong Seok, who resents his mother and has separated for long. As they set out on their first and last trip together, will they be able to clear the distance between them?
I do wish to elaborate a little about the topics the drama has attempted to tease and start conversations about, and doing this separately without character names, in order to avoid spoiler...... The most important element the drama tries to emphasize on is depression and related mental health issues; through a character, the drama shows how severe depression affects the lifestyle of one as well as their relationship with others. I believe it's one of those few shows, having the real symptoms of depression, that can be triggering. The 2nd most important placed is Down's Syndrome, a specially-abled person and the way of embracing them; I loved how well they have tried to draw basic notions about the normalcy of it, it was simply overwhelming.
Unprotected sex and teenage pregnancy are 2 other important elements showcased in the story, through which the writer might not have put forth the cons of it, but using it she's demonstrated the possibilities of growths in relationships and strengthening of love. Through each of the stories, the drama again, has emphasized the power of confrontation. Confronting one isn't always intended to bring down the rival, rather it provides a great mean of bringing out all the inner thoughts, helping in clearing misunderstandings. On that note, the drama also highlights greatly on self-realization and putting forward the flaws of all the character, which is follows by learning and growth, no matter their age, gender, situation and roles.
One of the many things that I loved about the drama is how they have also clearly shown that, our feelings and complexes about our friendships and other kinds of relationships are not childish or silly, because our thoughts and emotions always carry some values and could burden us to unimaginable levels. Both male and female friendships, the similarities & dissimilarities and the gravities of sentiments have also been pointed out by the writer.
Another thing I liked was the portrayal of real behaviours of the old people; as in showing how they could be irritating, annoying, demanding and adamant about anything, frequently frowning and getting afraid instantly upon being screamed on and still crawling back to their own people, etc. These are not something to really complain about but most of the kdramas do not show it. Rather calm, relaxed and postured sides are the only tools used in typical Kdramas. I hope people don't misunderstand what I am trying to convey, it's simply a way of praising how realistically the makers have presented it. On that note, the makers were able to create a typical suburb environment and bringing out typical village lifestyle and human values.
Additionally, the show throws lights upon many small to big elements like: financial mishaps, aggrandizement of love, fraudulent intentions, custody battles, love for kids, reminiscence of foregone days, secrets and lies, shades of parenting, grudges from past, holding back thoughts, conflicts in group jobs, terminal illness, accidents, being long-term bedridden, poverty, bullying, etc.
The well-crafted show is a proof that something can be fun, exciting, thrilling, emotional and touching even when there isn't much going on in our lives or even in the contrary situations. The intricate and intimate glimpses into a character's life immerse you in their very worlds, not through glamorous and flashy visuals and actions, rather a realistic and relatable presentation; totally wandering, hazy, witty and totally absorbable. The drama successfully captures tumultuous moments, all the joys and all the growing pains meshed together.
The drama marks the comeback script of Noh Hee Kyung jakka-nim after a break of 4 years, but we know she was busy creating another masterpiece yet again. With the experience of over 2 decades and a half and creating numerous popularly acknowledged slice-of-life stories, jakkanim has comeback with a piece that is unique for Kdramas. The drama itself is character driven and the cerebral & in-depth portrayals of life remains the key feature, as her usual signature. The simple yet lesser discussed topics, the elements used to narrate the stories related and the touching plus triggering outcomes from each of them, everything has been sketched with lots if care and sense, that it directly hits the core of thoughts of the viewers.
As the maker of numerous highly acclaimed and huge budget dramas with skyrocketed ratings, Kim Kyu Tae PDnim is one of the top10 directors of Korea. Using the experience of almost 3 decades, he creates stories that most of the viewers are able to live than merely relating with their own lives. The presentation is all that matters, as they say, PDnim has proved to have mastered that craft, which clearly shows. Tell me a point that you thought was off about the flow of the show? Nothing, right? From screenplay management to scenario setup, from script interpretation to scene execution, from screen editing to accessory coordination and finally the filming supervision, everything reflects on how well PDnim has understood his job of absorbing the essence of the script, it's narrative and the storytelling style intended by the writer.
Cinematography of the show, as priorly expected from the audience because of the announcement of story being primarily set up in Jeju-do, went beyond the expectations. The agricultural land of varied green accompanied by propelling huge wind turbines, the coastal vincent and deeper navy blues of the sea paralleling with the story, the mysterious yet mesmerizing bed of ocean-floor decorated with planktons, abalones and conches and the sceneries of sunset and sunrise with contrasting yellow and orange hues, everything had their own significance and provided with alluring sights to the audience. Choosing the gauge, managing the speed, setting the sensitivity with diffusing filters and adjusting to an aesthetic frame with appropriate lens, the director of photography surely has mastered the art of moving photography.
The silhouettes of single houses with rock boundaries, having flowers blossomed on them, did serve as an unusual visual elements to me. I think I can stare at them for hours and still won't get bored. The marketplace was another location frequented by the characters, a place where almost all of them crossed paths on daily basis and from our pov, every single day. It was the place where several peak moments took place and served as a buffered zone, typical of village scenarios (though the show is set up in a town). The profuse number of occupations, little details added to their jobs and their ample contributions to the trade and business of the region, even so subtly, it's been shown resplendently.
The exclusive Jeju dialect (제주방언: bang'eon) used in the drama makes it even more indulging, particularly for people like me who're into language. The larger and more conservative vowel inventory of the dialect and nouns ending with ㅁ (m), make it unique. There were few moments where the characters used pure Jejueo for which the makers have given subtitles with standard Korean language.
Putting the emotions and momentarily paused reactions in a "frame" is how they want to emphasize that how the beauty of art is more to do with the backgrounds, rather than the art itself, which implies the small yet bonny inputs into our lives.
'Building back broken houses' (Ingwon and Hosik) or parts of it signify how the living entities always require to be mended with love, care and warmth. It's always wise to restore back what we have than desiring to get what we don't have. Even when things like approach and apology serve as saviors of relationships that you want to hold onto, do it.
'Harvesting abalone and conches, together', as the hanyeos said "We move as one", tells how unity is the key to prosperity. Before the fruits of prosperity can come, the storms of life need to first bring the required rains of testing, which mixes with the seeds of wisdom to produce a mature harvest. The lives of hanyeos reflected that a lot.
'Painting walls' (Dongseok and Yeong Jun) as a sign of renewing the preexisting ecstasy of life with a different colours, as your situations suit. Painting both dreams and nightmares, with one step further, painting own's reality, might result in eternity.
'Writing down the curiosity and thoughts' instantly is a tool for many to relief their pain, more than just keeping tracks. Dairy-keeping is not as simple as it seems and turning your diary into your best possible story, could be considered a miracle. While maintaining one, when you've struck the right vein, tiredness goes. It must be an effort, thinking wrong.
'One stone at a time', for life and prosperity; rock balancing is not new in Kdramas but through Ok Dong samchun, Noh jakka has tried to present the ways to extract hope from balancing rocks, slowly and steadily.
The coming-of-age essences to the stories and the characters serve as a perfect device to nourish the vitality of the messages the writer desires to give away to her audiences. The psychological and moral growth/transition of the characters, from a point of misery to prosperity or vice versa, has been a mesmerising chronicle to witness and preserve. Personal growth and change of them, contributed by different others, signifying the importance of community life, particularly in village, where all of them are protagonists of their own stories, makes it gratifying, which is again feathered by the beautiful dialogues, emotional responses and sumptuous actions & reactions.
Composed by Choi Seung-kwon and Kim Ji-soo, there are 10 OSTs in total, all sung by very skillful vocalists of South Korea, bringing back the OST queens back to track. I love how amazingly the OSTs have been used in the drama.
# "The Last" by Heize is my most favourite which is a comforting track about the warm moments in love.
# "Remember Me " by Davichi is a melancholic song about reminiscences.
# "With You" by Jimin (BTS) and Ha Sung Woon is a softcore and mesmerizing track depicting desires and confession.
# "For Love" by 10cm is a jolly romantic track as an ode to blooming love.
# "Whisky on the Rock" by Kim Yeonji is a retro-styled song with gracious vocals is an ode to the old and care free days.
# "ONCE AGAIN" by Winter and NingNing is a song about assurance of staying beside.
# "By My Side" by Taeyeon (GG) is a melancholically healing song about regrets.
# "Bye Bye" by Punch is a mellifluous song about missed opportunities.
# "Happy Song" by MeloMance is indeed a song about happiness and hopes.
# "STAR" by STAYC is about the beauty of love, written with gratifying lyrics.
The opening theme at the beginning of each episode with aesthetic set ups, as someone picks up the record for characters meant for that episode, playing the record player and unfurling their stories, all these provided great joy and was ecstatic.
Apart from these, the drama also has many old songs, not only Korean but non-Korean along with classic jazz, that has been either used as a background, or played/sung by the characters. The 1962 Italian pop classic song "Quando Quando Quando" by Tony Renis as well as it's English version cover by Korean singer Moon Haewon (문해원) is the most mesmerizing. "Our Blues,Our Life" by Lim Young Woong is a beautiful track.
My most favourite dialogue is...
"I heard this typhoon will pass by. But again, all of them do. Just like this typhoon, everything will eventually pass by soon. Now get some sleep, Yeong Joo-ah~ I love you."
Final Remarks... And just like that, once again, another drama has made me question my worth for daring to judge it; it took a lot of efforts to put my feelings and experiences into words. Another masterpiece slice-of-life drama is OUR BLUES which will be placed in the deepest cores of our hearts and remembered, for it was beautiful, healing and profoundly heartwarming, making us to think, resonate, rationalize and acknowledge the determinants life throws at us. I would have loved if it were more, I mean, at least that's what I desperately wished for. I would like to offer my gratitude to Noh jakka from offering us another spellbinding piece of art. Thank you to each and every one involved.
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Different does not mean good.This was one of the most discussed and controversial dramas this year. Many viewers felt cheated, angry because result totally differs from synopsis and marketing materials (hard to say it is even about romance). On other hand it had most intense discussions I ever saw. It was very fun to watch it live and later join in the comments. Though this drama has zero value to binge watch it. If you missed some episodes, I do not recommend to continue.
As writers tried to achieve ratings, create turmoil between viewers they forgot whole purpose of the drama, what message they want to convey. Seems all unprofessional work was covered up under "art", like you cannot criticize art though it has obvious flaws. Producers chose wrong methods to deliver wrong message. They had all the talent (actors, cinematography) to do right way.
Producers described drama as "poem about love during four different seasons". Usually artful dramas conveys strong emotional message and at the end leave you baffled, reminiscing what and why it happened. Here it is not the case. Chosen actors are really great and drama had many emotional turning points, Cinematography is artful too, there are many symbolic and hidden messages. But as story goes, felt like you were played around. Episode after episode you get really unexpected things but it became unimportant as story goes nowhere. In the end feels like everything returns to very first episodes. What was in the middle actually did not matter. There was no meaning behind those emotions. I felt less and less caring about character's ending. It feels tiring to watch it.
Story begins great. Feels very modern drama there main characters are very realistic and has obvious flaws. SKJ plays dorky geeky student with low EQ. What catches the eye, that SKJ does not try to be laughable or pitiful, but having friends, loving parents though very lost in social world. LS plays uneducated down to earth hairdresser. She is early matured, street smart, strong, willful but emotionally underdeveloped - she cannot express emotions freely, holds everything inside her because of dark past. These both socially awkward people unexpectedly blossom into love. Feels like one fits another, they both are outcasts, but combined together they are much better than other couples. This early love symbolizes spring - pure, naive etc. Personally such unique and realistic beginning rose huge expectations from this drama.
Sadly then came time jump into summer. They meet again and fall in love again. This time their love is free, head spinning but also burning and full of conflicts. Leads chemistry was amazing. Here are introduced 2ML and 2FL. These characters are very vague and only bring contrast to leads and source to their insecurities. They have no background or actual connection to the story or leads. They were so unimportant that I double checked whether they are on "main" or "support" cast. This was first very huge mistake from writers.
It was really hard to understand which secondary characters are important which are not, because many of them from first charm disappeared and many new were introduced. Who knows which ones will be left at third charm. Most importantly they had different purposes or if had any purpose at all.
Secondary stories were really boring and actually do not add anything to main story. Interactions with secondary characters brings more chaos than direction. Due to lack of direction many viewers started to search for hidden meanings between these dialogues, purpose of these characters. I call it "rise of conspiracy creators". This created huge contradiction - is this drama is artful or actually realistic? I lost what I am watching and what I should expect.
But what actually happened that producers created diffraction between two sides - one is ML, his friends, family and other is FL, accordingly. Between these sides there is no interaction. This automatically caused discussion, comments from viewers, which side they support, who was right and who was wrong during couple conflicts. Also viewers could not communicate among-selves because some saw drama as "art" and discussed hidden meanings of love, fate. Other saw it as realistic drama and what should actually happen in similar life situation.
Then came autumn (third charm) and everything fell apart. Drama did not had good ratings of viewership because of unimpressive first episode and sloppy work of writers. It attracted by its uniqueness, but plot was not engaging and consistent enough. Writers needed to save this drama somehow. The only strong point was that it caused discussions. Then producers created seesaw. One episode causes hate for FL and support for 2FL, then next episode causes pity and support for FL and uncovers hidden facts. Cycle repeats. Discussions and conspiracy theories ("child was his", "she was forced to marry", "he should chose comfortable realistic love") reached peak.
It was fun to discuss, read comments, but something important was lost - reason to continue to watch this drama (except "I will finish only because I like actor or actress"). Suddenly drama became very dark, sad and worthy of tag "tragedy". Drama became kinda a joke - "I will see how will writers clean this mess". I felt, that I was promised to see character development, growth, maturity from students to thirties. I thought third part should bring towards closure, not create additional mess. It had zero connection to first two charms. Most importantly I did not expect that writers will make FL character hateful and same time pitiful, just in order to create more discussions. It was very cheap move from writers. None of the promises were delivered.
Character development is not "crying while eating bread in Lisbon" or "losing everyone, and when none left asking for a help". Maturity is not talking less or looking at each other without words. There was none of character development or maturity displayed, only depression of growing old and coping with that.
And ending oh my... This is not even open ending. They did not define their happiness, it is even open for interpretation that makes them happy. What values left unchanged or changed during these third charms? After 16 episodes actually I do not know nothing about main characters for certain. Such ending made viewer further away from main characters rather than closer.
Second charm conflicts raised so many serious questions and none of them were answered till the end.
Second and Third charm discarded every possible meaning of romantic happiness:
-not a kiss (they both were together, no need to clear misunderstandings)
-not engagement (YJ was married)
-not married life with children, (YJ and HC had that)
-not mature comfortable love, (JY and SE had that)
-not passionate love, (JY and YJ had that)
-not supporting, extended love, (YJ do not meet JY parents, both friends)
-not healing love (who heals JY pain from being dumped, they never talk about it)
-not friends (still in love)
-not separation and moving on (neither is a bad person)
Writers shot themselves in the leg, not leaving any possible way to end the romance. The very worst way to end drama. Ending was not about romance at all. All four main characters ended in misery, not able to move on and not able to fight for.
It had huge potential. It had moments with very deep emotions. But it was totally wasted by direction. It has mix of styles (hidden messages+reality) (romance+majkang). It has no message, no core of the story that follows, connects these three charms. Feels like it was three different stories with very open interpretation. Zero consistency and definitely not a poem. Actually it is hard to describe as a drama, because story goes nowhere.
Each episode was great in quality, acting amazing, each episode was enjoying to watch even if it was very sad. But overall at the end I feel it was waste of the time, because producers cheated me.
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