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A Sugary Sweet Romance Story...
Love is Sweet accounts the tale of emotionally sensitive and hardworking investor Jiang Jun ( Bai Lu) , who after landing a place at MH firm, runs into her old childhood friend Yuan Shuai ( Luo Yunxi) , now one of her conniving bosses determined to make her life a living hell. As Jiang Jun tries to guide her new career between work and making allies with the sudden arrival of a new friend from a rival company Du Lei ( Gao Hanyu) , Yuan Shuai’s secret feelings from his youth are rekindled again for Jiang Jun, as Jiang Jun finds herself more and more bamboozled by Shuai’s actions.As you may have guessed, Love Is Sweet is filled with all the cliches and certainly isn’t what I’d typically define as “ original” or “ unique” in regards to a new concept for a Chinese drama. From high school crushes, boss and worker / cohabitation romances , excessive product placement ( looking at you Burberry ) and the “ older woman and younger man” tropes, it certainly does beg the question what on Earth is the point of watching a drama which has been seen and done before a million times.
Going into Love is Sweet with zero expectations ( and certainly seeing this concept done incessantly in Chinese Dramas before ), one of the things which immediately clarified the answer to this question for me, was its ability to hook you as a watcher from episode 1 ( despite the tropes) , something which must exceedingly be praised as a consequence of relationships between characters and of course the cast‘s acting abilities . None is this more shown than Bai Lu’s portrayal as Jiang Jun. Whilst I will be honest that Bai Lu didn’t entirely tread new ground within her new portrayal as the “ workaholic, independent woman” trope, yet, she did perfectly capture the essence of a successful, yet hardworking and emotionally- driven businesswoman (something which I wish some Chinese dramas would portray more in romance dramas rather than the “ airhead “archetype ). In addition to this, there is no denying that Bai Lu’s chemistry and the scriptwriting for her character was approached in a refreshingly modern manner to her romance with , Luo Yunxi’s character, Yuan Shuai.
Again, the relationship between Yuan Shuai and Jiang Jun has been seen and done before a million times in Asian Dramas, but, the one thing which did impress me in a more realistic manner ( and no, we are not talking about Shuai’s aftermath of excessive product placement in buying her gifts ) to their relationship rather than the “ tight embrace; do or die ” approach of most asian dramas, was that refreshing respect and obstacles within their relationship as two working individuals. This was shown particularly throughout the drama by ; the distances sometimes their jobs presented within travel, the occasional arguments and the respectful distance that the characters would take as well as respect of privacy ( well, in most cases),and of course ,Yuan Shuai’s refreshing speech near the end of the show, where he tells Jun that he will respect her choices, just as he hopes that she will respect his. Undeniably, this is something which was brilliantly portrayed by Bai Lu’s costar, Luo Yunxi, who took upon the role as the smart yet love crazy businessman brilliantly, and a portrayal which I hope that Asian Dramas seek to explore more often.
Like with all dramas, however, there is the dreaded cliches of love triangles without respect to the characters’ contrasting personalities in a forced manner, particularly through Du Lei ‘s sudden transition to feelings for Jiang Jun and of course, Jiang Jun’s supervisor Qiao Na ( Zhao Yuan Yuan)’s “ feelings since she knew him” cliche for Shuai. Whilst thankfully the show didn’t dive into the oldest trope in the book by putting Qiao Na and Du Lei together, there was still a lot of inconsistently with the love interests here for the leads; not least destroying the friendship between Du Lei and Jiang Jun ( with little redemption either ) and writing off Qiao Na’s feelings in order to make way for the relationship with Jiang Jun and Shuai by pairing her with a younger lead by the end of a drama. Whilst there was certainly nothing entirely wrong with deciding new love interests both characters, the way this was done demeaned a lot of unnecessary time in the show apart the obvious “ spanner in the works of love” trope, which took away a lot from both these characters as individuals.
On a more positive note, I was mildly surprised by the emotional depth behind the build-up of the relationship between Jiang Jun’s best friend Xu Li ( Shane Xiao) and Shuai’s younger cousin and technology genius Li Xiao
Chuan ( Riley Wang). Playing upon the overrused cliche of the “ older, slightly ditzy” woman and the “ younger, attractive and cool- headed” boy, it was inevitable both leads would end up with one another through the “ opposites, attract” scenario, yet, what did surprise me was that rather than the female lead entirely chasing after the Male lead, the show reversed the old trope by providing the Male lead being in the female lead’s shoes later in the show; as shown with his jealousy when Xu Li is “ being hit on ” by another guy. Whilst there are a couple of criticisms I do have within the portrayal of Xiao Chuan’s controlling nature over Xu Li at times during later scenes , it was a surprising reverse on the trope to see a level of depth to this cliche.
Overall, it’s fair to say that Love Is Sweet doesn’t tread on new ground with overrused tropes, product placement and inconsistencies for a romance drama. Despite this , it was a surprisingly enjoyable show within watching our two leads and our side couples slowly developing over the course of the drama without toxicity and often realistic mutual respect in their relationships , something which I’d hope more Asian Dramas will be able to portray in the future.
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The WTF value
DO NOT READ IF YOU HAVEN'T WATCHED THE MOVIE YET. I'M WARNING YOU NOW BECAUSE IT CONTAINS A BIT TOO MANY SPOILERS.Before I get into the actual review of the film, I'd just like to say this really quickly; I must be a really messed up person to enjoy this movie as much as I did... This was a 10/10 for me. I'd also like to point this out: I didn't read the manga because the film is the way I found out about the story. Forgive me for getting loads of stuff wrong, please.
The plot of the movie was a whole lot of wtfuckery that I can't truly summarize into a few words, so with that said, here we go:
The start of the movie made me so goddamn confused at first because of the whole Makoto being tied up already on the bed when Ryoji walks in as if seeing the guy tied to the bed as a normal situation. Yes, he is the one who had captured and tied him up but the fact that he doesn't show any amount of an expression upon seeing Makoto awake and being scared out his wits has me questioning things. 8/10
One thing is for sure, I did in fact enjoy the film. Not only for the story line, the music or just the actual thing as a whole, but over all, I enjoyed it a bit too much, I'd say.
The actors were a bit iffy at times but I can approve of their acting skills. They're talented in conveying what is going on just through their actions alone. I'd even go as far as saying that I liked Watanabe Sho's acting over Kitadai Takashi's more. 7.5/10
The music as far as I could tell was enjoyable. A bit of mystery filled tunes but also an eerie type of feel to it, too. Haunting and enjoyable, at the same time. 10/10 for me.
Would I re-watch it? Maybe once just to see if I can clearly see what it's truly about even though it is already laid out in full. A man, who has lost his parents to an accident, feels like he doesn't have the will to live, tries to commit suicide only for another man to save him just before he even gets the chance to. Being kidnapped basically instantly afterward, used as a sex slave(as a way to make him feel alive? WTF) and then being released as if it didn't happen; only to then have sex at the end of the film again after the man who kidnapped him tried to kill himself, too. HUH. Instant mindfuck. 5.0/10
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Hanzawa Naoki treads the waters of Japanese financial culture, following a brilliant man who dove in after experiencing its volatility firsthand. The main body of the tale begins once this man, Hanzawa, has established himself at the management level of a certain bank. We follow him through two intense loan crises, each taking five of the total ten episodes. While the first, occurring in Osaka, is truly excellent, this drama shines most brightly in the second (Tokyo). Everything feels tighter, more intense, and more character development occurs; the first half is merely beautiful set-up in comparison. If you feel daunted by business talk, don't worry. With a clear narrative careful to explain everything, Hanzawa Naoki is very accessible. Long story short, this is an intense and unpredictable drama -- sure to get hearts pounding and fists pumping. Bring on a sequel, I say!
Sakai Masato, one of the finest actors currently working in Japan, is the real draw here. As Hanzawa himself, Sakai-san oozes nuance and dynamic characterization. How hard it must be to portray this samurai-like banker, full of ferocity and compassion at once! But he makes it look easy, with his sharp and seemingly effortless performance. Even his delivery of the now-famous catchphrase: "If you screw me, I'll screw you back. It's double the payback!" induces goosebumps.
Of the supporting cast, Takito Kenichi (troubled Kondo) and Oikawa Mitsuhiro (cheerful Tomari), are memorable as Hanzawa's old compatriots. Their chemistry with Sakai-san is really wonderful, especially during the Tokyo arc. Some intense kendo practices occur between Hanzawa and Kondo, making for telling character interaction. Also featured, veteran Kagawa Teruyuki rounds out the talent as deliciously two-faced Owada.
Sweeping, dramatic instrumentals fill every scene. They are of a cinematic quality, perfectly placed, and unique. Without realizing it, I recently found myself humming the theme song while doing laundry. Though there are no traditional vocal pieces, you won't even notice.
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How a controversial show made people miss out on a masterpiece
Chugakusei Nikki...… those words will be imprinted in my mind for the rest of my life. I still can't stop thinking about it, it is the only show I have watched that had my jaw drop to the floor and feel so empty inside after completing it. It honestly felt like saying bye to your best friend you knew your whole life and they one day disappear, or the ending of a long-term relationship. One of the most famous sayings is "Don't judge a book by its cover." and that definitely applies here. BE OPEN-MINDED! this show does NOT normalize pedophilia at all, so please, I implore anyone who is curious or on the fence about watching this show because of the synopsis to PLEASE WATCH IT. I too thought it was revolting at first, but after reading the comments I decided to give it a shot, and the emotional experience was worth it from beginning to end. This show has one of the greatest OST's (Original Soundtrack) I've heard from a show. The main song called Prologue is overwhelmingly satisfying from the beginning melody, to the singers soft, yet powerful voice. Once the music starts playing in emotional scenes, I DARE YOU to try and hold back tears. Arimura Kasumi and Okada Kenshi… these two, are perfect in their roles and I'm definitely looking forward to more of their work. The emotion they show is so raw and genuine, It's that good and their chemistry is fantastic. I hope people give this drama a chance. It’s not like those teacherXstudent stories that derived from an existing, perverted fantasy. Instead, it tells a story of a student’s pure and innocent first love. As for the teacher, She’s aware of the societal boundaries and repercussions of these kinds of relationships and properly refutes his confessions and feelings throughout the drama (sort of) even though she loves him. As I was watching the drama, I found the teacher to be a real and relatable character. She is honestly the one you will sympathize and empathize the most with. Yes, pretty much every character in this show is someone you sympathize and feel empathy for but she really goes through the worst of it. So how do I describe the story? It’s such a complex and deep story that explores these two’s view of love. I understand that the student’s age is problematic but if you watch this drama with an open mind, you’ll find that this story is not perverted in any way. This isn't a story about lust, or the teacher manipulating the student or someone's work of perverted fantasy - NO, The writers were able to portray these two consenting individuals as humans who happened to find love in an unexpected place and time, and that's what the show is about: Two people genuinely falling in love. You will laugh, you will be in awe, and you will most certainly cry. This show.....this beautiful , captivating work of art is something that will be on my mind for a lifetime and yours too if you are willing to give it a chance. Please, give this show a chance, or you'll be missing out on one of the greatest emotional experiences ever put together. Chugakusei Nikki gets a 10/10 (Masterpiece).Was this review helpful to you?
We can learn a lot of things here..
This drama tells us a lot about the different of Japanese culture and South Korea culture..
It is easy for Tomoko for going to South Korea, because the price in Korea is cheaper than Japan (based on Japanese point of view).
Otherwise, when Ji Hoon wants to meet Tomoko in Japan, he must work hard to earn money to go there.
This drama tells us how both of the main role try to adjust their culture (Tomoko is Japanese, while Ji Hoon is Korean) and to adapt with each mate's culture..
The conflict be more peaked when Ji Hoon parents know that their son has a Japanese girlfriend. Based on the drama, In Japan, maybe it is a common condition when Japanese has a foreign mate. But in Korea, it'll be a big problem.
When i watched this drama, I cried like a baby at the scene where Tomoko and Ji Hoon had to be parted.
But, in the end the can back together and overcome all the problem, especially the problem about different culture..
Honestly, this drama is one of my most favorite Drama.. :D
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The pinnacle of amateur writing
I don’t know where to start so let’s start with the story. The ‘story’ was chaotic and all over the place. Actually, there was no continuous story, just random plot points thrown here and there. It felt more like a boring anthology that mostly sustained itself on showing Leo and Fiat looking at each other with overly fake affection.I want to be honest here and admit that I was quite interested in some of the plot points, like Fiats overly controlling mother or Fiats estranged relationship with his father but, as expected, neither of these issues were given proper screentime and development. I would’ve like to know more about Fiats mother like f.e. what kind of mental issues does she have? Is she getting any help? Does she want to get better? How will this affect their mother-son relationship going forward? None of these questions were even remotely addressed. I also wish they didn’t make her behave in a comically evil way. It might’ve been more interesting to see her behave incredibly nice and indulging to Fiat, while also manipulating him at the same time. Her choice of words was very on the nose and the whole issue could’ve been handled with a lot more finesse but this applies to the whole drama, not just that one plot point.
And now that we’re on the subject, the dialogue was baaad. I’ve rarely seen such badly written dialogue but here we go. Embarrassingly cheesy and superficial. I felt like I was listening to preschoolers role playing at recess or smt.
Which leads me to to actors. Most of them weren’t good. Some were decent and some were bad. Especially First and Ja, their acting ability was pretty weak. Ja is only marginally better than First and that’s not saying much. I know that they’re still pretty much amateur actors and to hone your skills does take time and dedication, not to mention the sh*tty story and script of this drama, so I won’t give them much flag for that but still. They performed without much feelings. Any feeling they showed was only surface-level. Badly written scripts and characters do present an additional challenge to the actors and it shows. The director didn’t seem of much help here as well.
I do hope the boys get to start in a better drama with better written characters next time.
The make out scenes weren’t good either. They felt perfunctorily at best, like two robots going through the motions. I understand that the actors were probably tired and all but this shouldn’t translate onto the screen. Leo and Fiat are supposed to be totally into each other and horny 24/7 but their make out scenes made me believe the opposite.
I feel like there are two types of BLs. Either story-driven or skinship-driven. There’s nothing wrong with either and I feel like DNS was supposed to be second but bc of the robotic acting it fell flat. In TharnType, which story was a similar mess, Mew and Gulf at least delivered on that front. First and Ja unfortunately didn’t.
Ultimately, “DSN” suffered from similar problems as “TharnType”, meaning it attempted to showcase some serious issues but astronomically failed in its execution because the writer didn’t know how to either conduct proper research or simply wasn’t willing to deepen the subject and rather used it as plot device for the ‘romance’.
The directing and editing was slow and boring too and that one creepy soundtrack didn’t fit most scenes it was used on. But credit where it’s due: I did like the Op and Ed songs
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So much potential, probably wasted??
So okay, I mostly liked this drama. I went into this looking for a comfort drama, nothing too challenging but emotional and warm, and mostly it fulfilled this role, but I could have been done so much better. I mean the actors we are really good, obviously Kim Da-Mi and Choi Woo- Shik were the most well known faces and I expected very good acting from them, but the rest of the cast was also pretty good. The premise was right up my alley, I love stories of lovers who lose eachother and then find their way back after they've grown and matured, LOVE IT. And the atmosphere was also very on point.But often times I felt like there were gaps left without a reason, rushed storylines that never get proper closure, the last few episodes are sometimes boring even, and the finale felt so rushed! I hate that after decades of friendship Kim Ji-ung and Choi Ung never really air out all the stuff. Also Yeon-soo never really explaind the original break up to Choi Ung, I felt that was an important step. Idk, I just feel like something was missing, so much more could have been done with the characters, because I really liked most of them. I liked this, but the finale was really anti climactic and I don't really feel like rewatching this. Maybe ever.
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Truth doesn't equal Accountability
Though at the core this drama is of FL whose family is massacred and she is out for revenge, the revenge story is told through series of cases solved by FL and ML rather than a straightforward vengeance arc. Each case stands on it own as well and all these come together and build something heavier and unsettling.This is a deeply female centric drama. FL Is the intelligent martial arts well versed person whereas the ML is more like an intelligent companion who uses his knowledge and memory and observation kills to help the ML. Individual cases are not just mysteries to be solved , they expose how women were oppressed and abused in palaces and by men in power. And how men in power used other women to trap, lure, target weak women and families to abuse women and keep their chain going. The writing and drama doesn't sugar coat it at all. As viewers watch cases unfold, FL investigated these cases, risks her life, everything to uncover the truth, but despite that Justice never truly gets served.
This drama's central theme gets beautifully summed up by FL in the end when she says
“What’s the point of uncovering the truth when no one actually gets justice?”
Wrongdoers do not always receive the punishment they deserve. It’s a frustrating truth, but also a painfully realistic one. In that sense, the drama feels incredibly relevant to present times, where powerful networks protect their own and truth does not always equal accountability.
Bai Lu delivers one of her most restrained yet powerful performances here. Her character is a woman shaped by survival — someone forced to protect herself while still maintaining her compassion.What I appreciated most was how layered she felt;Guarded, but not cold. Strong, but not invulnerable. Caring toward her princess friend, her subordinates, and the empress who raised her. She carries the revenge arc, and it feels earned. This is very much her story. she reminded me many times of Ling Bu Yi from LLTG. The ML played by Wang Xin Yue plays a reserved, poker-faced astronomer who avoids court politics but gets pulled into investigations because of his sharp observational skills and intellect.He performs the role well — but it does feel somewhat familiar. If you’ve seen him in other dramas, you may feel he’s treading similar ground. It’s not disappointing, just not particularly expansive in terms of showing new acting range.
The leads begin flirting early, but it evolves into a slow-burn dynamic built on intellectual compatibility and quiet support.
There’s no dramatic, over-the-top passion — it’s more about being on the same wavelength, mutual respect,shared understanding. It feels like regular more realistic love.
Fight scenes are well choreographed.Costumes are detailed and thoughtfully aligned with each case and its themes. The pacing remains steady throughout.
Overall one of the best female centric drama which doesn't reduce ML into some weak person or doesn't make the FL into a toxic masculine character. On one hand the drama shows the cruelty and oppression of women by men, also on the other hand it shows the men and women who help rescue them. A well balanced drama in that aspect of showing the power of feminine with help amd support of the masculine.
Rating 8.7/10
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Charming but Ridiculously Ridiculous
Watching the series made me feel like they were trying to fool me. It is a fantasy drama but i feel like even the creators werent taking it seriously.Let me talk about the good things:
1. The art. The focus on artworks made me appreciate traditional Korean (and asian) paintings. I love how they showed the details and the skills it take to create these masterpieces. The painstaking strokes and technique in painting the kings portraits are absolutely stunning to watch;
2. Good, if not above average special effects;
3. The cast. Kim Yoo Jung and Ahn Hyo Seop are not particulary great but are still charming. The real revelation for me is Kwak Shi Yang, he is just captivating to watch as an antagonist.
What about the bad:
1. "Convenient" plothloles. They created story obstacles but they also created very convenient solutions - kind of like a loophole to get out of these problems. Uncontrollable demon? Lets give them a ring for it. Lost sight at the most crucial part?Lets give them a magical being to give them extra power. The family is to be publicly executed? Lets magically bring back an ailing king to put a stop to it. These situations, among others, dont feel like twists, but lazy and random resolutions to conflict.
2. Main character is blind but actually moves like he isn't, he can even ride horses for crying out loud. He puts on a mask and walks around like he's normal. Plus, he IS a stargazer, an astrological reader who can accurately predict the future by watching the stars, because why not, they think we'd believe it, even if he is blind.
3. The rudest most entitled #metoo normal girl in a korean historical drama. Like when she was to lose in the painting contest and she cries foul and asks why, like a spoiled kid in tantrum
4. They pretended that you can hear brushstrokes when somebody paints and you can tell what is being painted. Come on!
5. I feel like they wasted the chance to use the royal shaman into something better or even sinister. She was neither good nor exactly bad but I was kind of expecting her to do something grand in the final ritual, She was there to salvage her reputation and save the kingdom only to suddenly die without really doing anything.
First part of the show, specially the first episode got me hooked, however halfway through the series, i was just there just to finish it like watching a drama so you can submit a report for it. Halfway you'd realized you know where its going and everything, and i mean everything became predictable.
Will i rewatch? No. Will i recommend? Not really, there's a whole lot of other better dramas out there.
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1Hidden Love ʚଓ A Beautiful Story of Timing and True Love ʚଓ
SUMMARY ❀˖°🍓Sang Zhi catches feelings for Duan Jiaxu the guy who used to always come over and hang out in her older brother’s room playing games. He’s five years older than her. When she was younger, she had this huge crush on him, but then they lost contact for a while. Later on, after Sang Zhi graduates, she ends up going to university in the same city as him. And from all their little moments together, getting closer day by day, they slowly fall in love. It’s based on "Secretly, Secretly; But Unable to Hide It" (偷偷藏不住) by Zhu Y.
Hidden Love is a beautiful, well-written love story that deals with friendship, sibling dynamics, family, and the journey of Sang Zhi and Duan Jiaxu’s love story. It’s about two people who started off at the right age and the right time. Sang Zhi is this vibrant, super friendly girl who first meets Duan Jiaxu when she’s young. As a teen, yeah, she did like him first, but as she grew up, she got to know him better and learned a lot of good lessons that helped her stay focused on her studies.
The way their story plays out is honestly so beautiful. They meet again when Sang Zhi leaves for university, and little by little, as they start talking more, Duan Jiaxu falls for her too. Eventually, he asks to woo her, and that’s when they officially get together. Hidden Love never made their story feel wrong or weird, Sang Zhi was at the right age, and everything happened at the right time. It was never about anything inappropriate, no matter what some people tried to say.
CHARACTERS 𓂃 ོ☼𓂃
Chen Zhe Yuan As Duan Jiaxu ⋆˙⟡♡
Starting off with Duan Jiaxu he’s such a well-written male lead. He went through some serious hardships because of what happened in his family. The consequences of his dad’s actions messed him up a lot, and people around him always criticized him no matter what he did. But even with everything he went through, Duan Jiaxu stayed focused. He never let it break him. He kept pushing toward his goals and worked hard to build a better future, not just for himself but also to pay off his family’s debt.
Along his journey, he met Sang Yan his male best friend, before he even crossed paths with Sang Zhi again. Then came Sang Zhi, and honestly, she was like this light that showed up during all his dark nights. But what’s beautiful too is that Jiaxu didn’t just rely on others he healed himself too.
Duan Jiaxu is a man of his word. He’s so determined, hardworking, and respectful. He doesn’t just care for Sang Zhi, he takes care of her in the most beautiful, patient way. And let’s be real, he’s also handsome, super charismatic, and elegant without even trying.
Chen Zheyuan absolutely brought this role to life. He didn’t just act Duan Jiaxu he became him. Every little look, every smile, the way he carried all of Jiaxu’s pain, hope, and love,it was so natural. I could feel everything through his expressions alone. He brought so much depth and softness to Jiaxu’s character that it made you love him even more. Honestly, no one else could have pulled off Duan Jiaxu the way Chen Zheyuan did. He understood the assignment and delivered it better than anyone could have imagined.
Zhao Lu Si As San Zhi 𓂃˖˳·˖ ִֶָ ⋆🌷͙⋆ ִֶָ˖·˳˖𓂃 ִֶָ
Sang Zhi is such a well-written female lead. I loved seeing all the transitions she went through how she handled being a younger sister, a daughter, a friend, and then growing into her own person. She was so good with her relationships with everyone around her. Whether it was with her family, her friends, or anyone she met, Sang Zhi always knew how to balance being sweet and playful while still being respectful. She’s the type of girl you can’t help but like because she’s real, she's humble, and she carries herself so well.
Even though her parents are rich, Sang Zhi never acted entitled. She was raised right, you could see it in the way she spoke, the way she treated people, and how she handled tough situations without ever looking down on anyone. And honestly, her maturity was such a treat to watch. She knew when to be playful, when to be serious, and when to step back and reflect. She was smart too, not just in school, but emotionally smart.
And Zhao Lusi? She Slayed in this role. She didn’t just play Sang Zhi, she made Sang Zhi feel alive. I kept rewinding during her close-up scenes because she was so gorgeous and her expressions were just perfect. Every little look she gave said more than words could. Lusi really captured all the layers of Sang Zhi, her innocence, her growth, her confidence and she made it look effortless. I really admire how she gave Sang Zhi so much heart and made you connect with her instantly.
Victor Ma As Sang Yan .☘︎ ݁˖
Sang Yan was such a good brother to Sang Zhi. You could really tell he cared about her deep down, even when he was acting all funny and teasing her. He never once treated her badly, it was always that typical older brother energy where he jokes around but would still fight anyone who hurt her. I loved how their sibling bond felt so real and natural, not forced at all. They bickered, they teased each other, but at the end of the day, Sang Yan always had Sang Zhi’s back.
And as a friend, Sang Yan was honestly such a good one to Duan Jiaxu too. He never judged Jiaxu for the hardships he went through and always treated him like family. Their friendship felt solid like even if they didn’t say much sometimes, you knew they were loyal to each other no matter what. Sang Yan was the bridge that connected Sang Zhi and Duan Jiaxu in the beginning without even knowing it, and I just loved how he was always present in both their lives without being overbearing.
Victor Ma's Acting here was very natural and good, i loved how he conveyed the comedy in this drama, it felt natural and not cring at all and he was very good as a big brother.
SUPPORTING CHARACTERS
I also have to say the supporting characters in this drama were so good. Everyone’s acting felt so natural and real. It never felt like they were acting just to move the story along; it felt like every character had their own life and story going on in the background. It made the whole world of the drama feel more alive and believable. You could tell the whole cast understood their roles and made everything come together so perfectly.
ROMANCE PART────୨ৎ────
I love the romance in the drama, everything came out at the right time, right moment, and the feelings were mutual and not forced at all. The maturity in Sang Zhi was such a treat to watch, Lusi really slayed here as she always does and I kept rewinding during all her close-up moments cos she's so gorgeous. I love how Jiaxu respects Sang Zhi and never crossed any boundaries.
I liked how the drama showed how a healthy relationship should be, just like Sang Zhi and Jiaxu, even when there is a misunderstanding they open up to each other on time. It’s so refreshing to see two characters communicate, compromise, and show vulnerability without it feeling too dramatic or over the top. Their dynamic felt like a real relationship – supportive, understanding, and full of mutual respect. The way Jiaxu listens to Sang Zhi and values her feelings is just... chef's kiss.
There are so many scenes I loved in the drama and I really liked the proposal scene, the birthday scenes, like I said every scene. EVERYTHING ABOUT THEM IS CUTEEEEEEEEEEEEEEEEEEEEE °❀⋆.ೃ࿔*:･. The little moments of just them being together, laughing, or sharing a quiet gaze... it felt so pure. And let's not forget the chemistry, it's electric, but in such a natural way. These two were so in sync with each other, and it’s honestly the kind of relationship that makes you believe in love a little more. Just... PERFECTION.
Favorite Scenes 🐻❄️ྀིྀི
I loved the OST so much. It just blended perfectly with the drama. Every song matched the mood, and it made each scene even more emotional. The music didn’t overpower the moments ,it enhanced them.
Their first date
Sang Zhi’s birthday
Sang Zhi with her friends
Sang Yan and Sang Zhi’s bickering
Every moment of Sang Zhi and Duan Jiaxu’s relationship-from their awkward but sweet conversations to their more mature moments, I was living for all of it. Their growth as a couple was so natural.
The proposal scene
Overall Thoughts on Hidden Love ｡ ₊°༺❤︎༻°₊ ｡
Hidden Love is easily one of the best dramas I’ve watched. The story is so well-written, and everything just falls into place. The way love, family, friendship, and life in general are portrayed is amazing. Author Zhu Yi has a real gift when it comes to blending all these aspects and creating something that feels real and heartwarming. She doesn’t just write a love story she writes an entire life story. Honestly, I might need to ask her to write my own love story (LOL).
This drama is so rewatchable for me. It's never boring, and I can watch it over and over. I even watched the special episode where the behind-the-scenes cuts and the main leads shared their experiences. It was so nice seeing how comfortable they are with each other and how friendly they seemed off-camera. Since I joined the Hidden Love fandom a bit late, I’m not sure how the fans feel about each other, but I really hope Lusi and Jiaxu get paired up again. It’d be tough to get a second season, though.
The summer’s coming, so you bet I’m going to rewatch it again. Even when I was tired after work, I watched it, and it made me feel alive again. It’s just that good. Now, I’m diving into watching edits and even planning to create a Pinterest board for this drama.
So, would I recommend this drama? A thousand YES, no doubt. Would I rewatch it? Well, I’ve already said yes, and it’s a big YES. And here’s the thing: watch it at your own pace, don’t let FOMO rush you. I watched it at my own pace, and I enjoyed every moment of it.
🐻❄️ྀིྀི🧸🎀
"Our story began when he was 22 years old. I once buried my feelings towards him worried that someone else might find out. I worked hard to become a better person to match his pace. And when I finally caught up to him, that's when I knew that I wasn't the only one running. He was running towards me too. In these five whole years, I healed his trauma. He gave my bittersweet first love a happy ending. Our story began when he was 22 years old. And it came to an end when I was 22 years old" - Drama's Message ₍ᐢ. .ᐢ₎ ₊˚⊹
Hidden Love – Released 2023, Watched 2025 LOVED BY PRECIOUS ִ ࣪𖤐
Thanks For Reading ✮ ⋆ ˚｡𖦹 ⋆｡°✩ Final message from the BTS - Love changes one's chaotic life into two mutual journey, going through High's and lows together. ‧₊˚ ☁️⋅♡🪐༘⋆
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This review may contain spoilers
Started off great but...
This started off great but ended very stupidly.Story:
A woman trained as a doctor. Gave it up mid-way to raise her kids and become a housewife. Gets sick during her middle age. Once recovered, decides to resume her medical training and pursue her own dreams.
The FL was disrespected greatly and very much used by her husband and mother-in-law.
Her two children take her for granted at the start of the show.
There's a lot of pushback to her resuming her medical training. Her husband works as department chief and her son is also a first-year resident and none of them are happy to have her join their hospital. The daughter, a high school senior, is used to having all of mommy's attention and devotion and is unhappy at the prospect of having to heat her own dinner while mommy does something for herself for a change.
Despite the challenges in having been gone from the medical field for so long, having just recovered from a liver transplant, and having to deal with her family's disapproval, our FL sets forth to become a fully licensed doctor.
She has struggles, but she overcomes them. That's the medical side of things.
Then there's the family side.
We discover that the ML, the husband, is having an affair with a woman who used to be his girlfriend in medical school.
(Back then they'd broken up because the ML and FL had had a one-night-stand which resulted in the FL getting pregnant with their son so they had to marry. )
This "other woman" is also a doctor at the same hospital.
And the cherry on top? The ML and other woman have a daughter who's the same age as the daughter of the ML and FL (conceived when the ML and other woman meet during a medical conference in the USA several years after the ML and FL had gotten married).
To round off our cast we have a dashing, handsome, and rich professor doctor who performed the FL's liver surgery. He takes a liking to her, and helps her out in small ways while she's his patient. And when she returns to the hospital as a resident he does his best to be kind and encouraging- the only person around the FL who gives her that. It's obvious to see that he "likes her" likes her, but he's always respectful since he knows she's married.
The series focuses on:
1) The FL's growth as a doctor: slow but steady, with its share of challenges and setbacks, which she overcomes.
2) The FL's son and daughter growing up a bit, eventually coming to see their mom in a new light, and ending up being very supportive and loving.
3) The FL, the MIL, the son and the daughter finding out about the affair.
Spoiler & Ending: The kids take mom's side. The couple gets divorced. The FL ends up opening her own medical clinic and being a happy single doctor. The ML ends up pining after the FL, having broken up with the other woman.
While this may seem like a "happy ending", I'm angry that the romance we were teased with (between the FL and the dashing professor) never materialized. Why put it in there at all? If the goal was to showcase a strong woman living alone, fine. Focus on that without introducing the romantic aspect of the second ML. It's rude to the viewers. And also, not in keeping with the FL's character. She definitely responded to the SML on multiple occasions. She liked him and connected with him. I can accept her wanting to become settled as a doctor first, before pursuing a relationship. To come into her own and recover from her divorce. But to turn him down, and say she wants to be alone forever? Zero sense. She's a warm person. A good mom. She likes people. And her friends would have pushed her to meet someone new. She'd been living in a sexless marriage for 10-15 years, with no emotional support either. The entire situation, and its resolution, was so completely stupid and implausible. They ruined the ending for me.
Not worth a re-watch (except for some funny scenes in ep 1-2 that always make me laugh-basically the only comedy in the show).
PS: The daughter of the other woman and the ML also got a raw ending. She deserved better. And the other woman? A total idiot. Her character makes no sense to me. She basically gave up her family and their financial support just for the sake of having this baby and being a single mom. But instead of moving on and creating a stable home for her child, her obsession with a med school boyfriend (who cheated on her!!!!!) caused her daughter decades of pain and potentially cost her a stepdad and solid family life had her mom made better choices. Dumb and stupid of the other woman. I expected more from her. And the daughter deserved better.
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Sing when you can not dance.
Uncertainties of life that should help us come out of our shells, often end up holding us back, and what life demands us to do is, put some efforts and liberate ourselves out of the incertitudes. After all, we do not notice that we are chained until and unless we move. What we are repeatedly reminded throughout our difficulties is that, real liberation is not achieved by burnishing and covering the painful memories, rather by experiencing it to the entirety. The drama is a reflection of numerous paths of liberating yourself, on your way to eternity and fulfilment.Jointly produced by 'Studio Phoenix', 'Chorokbaem Media' and SLL, "My Liberation Notes (나의 해방일지) [2022]" is a 8 billion won budgeted slice-of-life Kdrama. Reuniting writer Park Hae Young and director Kim Seok Yoon after 11 years, the show was broadcasted on JTBC and internationally distributed by Netflix.
The show takes place between the contrasting vistas of a quiet countryside, namely Sanpo of South Korea's South Gyeongsang Province and busy metropolis of Seoul. The show follows the life of three 'Yeom' siblings who are enervated of the sameness of adult life and their mysterious neighbour 'Gu' who is always by himself. As life happens to these people and the ones surrounding them, they set out on a prolonged and endless road, seeking liberation and eternity.
Yeom Gi Jung (Lee El), the oldest of the siblings, is huffy & short-tempered who always complains about everything, making silly judgements; yet wishes to find love and fulfill her life. Yeom Chang Hee (Kim Min Ki), the middle sibling, is awfully outspoken who despite of his crave for better life doesn't really have a goal and spends his leisure meaninglessly. Yeom Mi Jung (Kim Ji Won), the youngest, is faint-hearted and introverted who feels unfulfilled in her boring life, coveting to escape from all her worries. Mr. Gu (Son Suk Ku) is the closest next-door ahjussi who has recently moved to the neighbourhood and a drunkard who talks less and prefers to remain by himself.
Chun Ho Jin (Yeom Jae Ho) is the siblings' father while Lee Kyung Sung plays their mother Kwak Hye Suk. Ji Hyeon Ah (Jun Hye Jin), Oh Du Hwan (Hang Sang Jo) and Suk Jung Hoon (Jo Min Kook) are closest neighbourhood as well as childhood besties of the siblings. Cho Tae Hun (Lee Ki Woo) and Park Soo You (Park Sang Min) are Mi Jung's colleagues. Other familiar faces in the supporting roles are: Choi Hee Jin, Yang So Min, Kim Ro Sa, Jung Soo Young, Kang Joo Ha, Choi Min Chul and Kim Min Song.
Plot development is not a thing when you talk about slice-of-life genre and the show had the same case, for it doesn't indicate a particular direction or destination, that the characters must reach in order to imply an ending. Well, MLN is not feature obvious, with a gripping conflict or larger-than-life charactes. But them, their everyday desires, their disappointments, their emotions and their actions & reactions to what's (not) happening around them has been beautiful sketched and well developed. The show is quite for most of it's parts but still interesting, engaging and most importantly eternally healing, which makes it worth the time invested. The major characters go through a slow burn process, i.e. they don't change over the course of time, some, nor by the end of the show, but it affects us, the viewers, and that's the miracle of MLN as well as other slice-of-life shows.
There are times, when the conversations are very deep; people in duo or group talk about things that is deep-rooted in their souls, affecting their lives in ways that they didn't expect it to, and then the next moment, it turns into a talk about utter bullsh*t, about some stranger narcissistically screaming on the street or some chocolate teapot or a sack full of hammers (metaphorical). To put in simple words, sometimes it moves your heart but the next moment it's stupid and doesn't make sense. But all of these boils down to the very fact that you enjoy, relate and relive it and don't you think that's only "life" ? About the ending, it's pretty sorted and greatly satisfactory. Letting aside my personal feelings and rationalizing have the same results. I can't call it an open ending since it's a slice-of-life show and the ending of such always implies that our lives are continuous and life goes on even when the show comes to an end. You can pretty much draw your own conclusion, very easily.
Park Hae Young PDnim is one of the most respected names, who, with her relatively less created pieces, have been able to win hearts through her skills of storytelling in slice-of-life vignette. MLN has been a transporting story, with the ability of transcending into both beauty and disaster at the same time. Utilizing realism, jakkanim has attempted to examine small & ordinary yet powerful narratives of daily life. Mr. Gu's part of sure is a bit wilder for such genre, but you know, what? There is no such rule that a devil and it's tale can't be a part of a coming-of-age story (He ain't an evil man, if you're guessing so from the statement. It's generalized.). In an overall sense, jakkanim brings out the best possible characters, with their compelling environments or spaces they tend to, by drawing scenarios that allows us to relate the pieces with our very own experience.
Director Kim Suk Yoon PDnim with the fair share of experience of working in both thriller and softcore genres, including MLN, have been able to evince his skills through various dramas over the last 'half the decade'. The primary motto of the drama, i. e. the emphasis on the very moment, with the intent of focusing the audience on that moment rather than using that moment as part of a narrative, has been accurately executed, with lots of sense. The incorporation of touchy monologue notes and the flashbacks of foregone days, are of great interest with their ability to stir up both joy and misery, at the same time. The screenplay attempts to triumph over emotions by means of creating a still, tranquil and taciturn mood, and I must mention that this makes the show unique.
The framework of the drama is not set up in a colourful and fascinating setting yet something about the characters' environment will make you feel riveting & compelling throughout, hence proving once again, how it's a perfect example of living upto it's genre's essence. The pieces & elements of the drama offer insight into the small, common moments that might go unnoticed in bigger stories. Indeed, it has many conversations, actions and reactions that might feel unavailing, but it's a matter of time, you realize that you're living the moment, seeing yourself in the characters and have been a part of such discussions. The contrasting features of Seoul and Sanpo will often change thd vibes it radiate, while allowing you to capture the beauty of different realms.
The cinematography is beyond pleasing, I can't be lying. The art of storytelling through stills and visuals of this kind is definitely not new in Kdramas, however, MLN chalks up to recreating a narrative of idiosyncratic judgements. The makers attempt to enable the audience to live the essence and the way the presentation is drafted through vehemence is praiseworthy. Witnessing characters through refractive lenses (of the audience) by fetching and fluctuating camera angles, often from one's face, to a nearby glass frame were both palliating and allaying. The obliquely focusing camera, often alters into unorthodox minds of ingenious thoughts.
The two words the drama emphasizes on are: liberation (해방: haebang) and worship (추앙: chuang). Mi Jung's greatest force for personal liberation was her decision to widen her periphery of compassion as well as leniency, moving from focus on service to focus on self, which might seem contrary to what life demands, however, self-care has been of greatest value over years and we should be admiring the way she disenthrals herself throughout. Her portrayal constantly reminded me words from Paulo Coelho, "The beauty of truth: whether it is bad or good, it is liberating." Humble heart is the true contribution to worship, and to worship someone is powerful device that is able to dismantle every shackle and its able to breakdown every wall, of own and of the one you put at centre of your heart. Mr. Gu proved himself to be a good worshiper by enabling Mi Jung's life to be found settling within his soul. Robert Webber rightfully quotes, "Worship is an it-is-well-with-my-soul experience.”
Yeom Chang Hee and his life hacks; his agressive and loudmouth talks which can come off as rude and annoyance, is always contextualized, no matter where you see him. This guy, that guy, the talkative guy who always tries to shove knowledge into others, ends up making them realize that he actually makes sense. His facial expressions always imply that he's good intentions and that he really means what he's saying. Even with these, the way he strives do better in his job is commendable. His failures to achieve something might have let him down, but he immediately finding relief in little & meaningless things, have comforted me each time. Coping up with results in way that brightens your spirit, is what you must learn from him.
Yeom Gi Jung and her love interest; the one who might be picky and hasn't been able to find anyone to be able to love despite her age, ends up crying at the end of the day for being so miserable. With the guilt of committing wordily mistakes, she constantly tiptoes around people. To her surprise, when she falls in love with someone unexpected, she finds herself in a complicated situation where she has no path to chose, but remain at the same point. However, the way her life takes a turn, bringing immense happiness to her feet, it is alleviating to witness her tears of joy. Sticking to your persona and being patient can result in fruitfulness is what you can take home from her.
Yeom Mi Jung and her misplaced emotions; not like she hasn't tried, but then, not like everyone succeeds even after multiple and constant attempts. Time doesn't heal all wounds. In a family where emotions are not transparent, in a workplace that doesn't appreciate and in a friend circle that doesn't understand, she must have feel suffocated and wronged. So, it's actually coherent & lucid, why she wishes to break free from everything and run away as far as the road takes her. The constant urge to become liberated from all her worries has made him into a cold-hearted woman. Consistency, straightforwardness, know-how and maturity are what you should be able to receive from her.
Mr. Gu and his mysteries; aahhh! What a personality and what a development. The way he walks, carelessly and as if it's tiresome to even move, the way he stretches his entire body & neck in order to avoid what's happening around him, and staring up the sky aimlessly, and his facial expressions, that includes reactions to what he's told; I am mesmerized how all of these transcend into a feeling of admiration and respect to this character. He was indeed full of mystery; talking less, remaining by himself and drinking all the day, it was crystal clear that he bears something heavy in his heart. Yet, stupefyingly, he inspires others, makes others think mighty of him and uses no effort in allowing everyone fall for his aura. Take as much as he offers. And on that note, Mr. Gu is the new crush of millions" including myself; I had seen him before, but the difference persona and his character are what aroused my heart.
"My Liberation Notes" in many ways establishes and emphasizes various forms of friendship. The very fact that we vibe differently with different people at the same time, even within the same group, has been beautifully demonstrated. ''The things we share with our friend A, we can't spill that to friend B' " sorta feelings. From neighborhood buddies to workplace collegues and from school classmates to long lost acquaintances, MLN throws light upon both the importance and complications of each.
One of the many silliest means of liberating yourself, that has been portrayed through the acts of the characters, throughout the drama is "moving your feet"; be it a tiresome walk or a simple strolling or a breathless running. As you walk/run and think at the same time, the worries and burdens might evaporate away little by little, if not entirely, and that actually helps. As you watch the drama, you will realize that there are actually plenty of scenes where the characters are only moving forward with monologue notes accompanying them, and those were actually gratifying and alleviating, or in the words of the writer, "liberating".
Chang Hee's admiration for Mr. Gu, the way he looked upto him, him calling 'hyung' and was able to extract out inspiration from Gu's life, was quite an intrigue. Even with no definite bromance, MLN showcased a meaningful non-romantic bonding between two men, who despite of their personal conflicts, were able to unbar the ways to relief & salvation. I can go on about how I felt looking at Chang Hee's eyes & emotions for Gu-shi multiple times.
Composed by Kim Tae Sung PDnim, there are 12 OSTs in total, including one which has both male & female versions. Most of the songs are soothing and assuaging, which depicts the slowburn theme and realistic essence of the show. I can't say the entire album is my favourite but sure, I like all of them.
# "A Kind of Confession" is my most favourite track which has both female and male versions, sung by HEN & Kwak Jineon respectively. It reflects a realistic love that is unpredictable and full of uncertainties.
# "I Think I Know" by Isaac Hong accompanied Gi Jung's love story as an appreciation to souls that heal each other.
# "Here We Are" by Kim Feel is a song about the wary of life delineating melancholy and I believe it was dedicated to Mr. Gu.
# "Deeply" by HEN, as it's title says, is about deep assessments of the events of our life.
# "To be together" by Lee Jung Hyung reflects the warmness from the embrace of love. The prelude theme of the track is used as the intro of the show.
# "Laggard" by Shin You Me is a track meant for Mi Jung and her introverted spirit that urge to come out of the shell.
# "That Day" by The Orchad is a mildly jolly song about the brightful days of expressing and experiencing love. It was for Gi Jung.
# "Be My Birthday" by Ha Hyunsang was a soulful rendition about all the first time that you get to live after falling for someone.
# "We Sink" by SWAY is an upbeat composition about the thick & thins of life, that bring forward variable opportunities, which in ways, emphasizes on Chang Hee.
# "My Spring" by Lee Soo Hyun is a softcore track about the feelings of times spent with your soulmate.
# "Diamond" by 9duck is another jolly track which radiates admiration for the one you love.
One of the many moving elements in the drama was Mi Jung's desire to be able to reminisce about past where she herself is be-seated by her younger self's side, enjoying the views she really loved and Mr. Gu suggests her to remember the very moment and remind it when she turns old, because by then, the present time would be her younger version. Similarly, I would like to mention few of short yet relatable and favourite dialogues which aren't actually spoilers...
# "I feel scared of being honest."
# "Suddenly, I feel lovable."
# "You should know who you are."
# "Now we can say, we have watched stars together."
Before I sign off, I would have loved to talk about "my liberation diary" and the "haebang (liberation) club", the most motivating idea of the drama that puts Mi Jung at the centre, but I truly want all of you, reading this, to witness and experience it by your own.
Final Remarks... Ahhhh! That's how you express yourself with drama that could imply to a plentitude range of emotions and thoughts, throughout. Coming to the last part of my review, I am not sure whether or not I was worthy of writing this piece, for it is so beautifully contented which not only took the characters in the journey of liberation, but also helped the viewrs learn how to liberate themselves. With great production values, fascinating script, fabulous execution and beautiful outcomes, this is one of the best slice-of-life Kdramas ever produced even so it didn't have a noteworthy viewership record as it aired. I wish it could reach a lot more people but I also believe, good things always find their ways to those who deserve. With this, I must not forget to express my gratitude to the cast and crew and everyone plus everything that's involved in bringing out "My Liberation Notes" to me. Thank you, so very much!
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One, they don't provide enough background for the main cast of the drama. Instead they provide way too many fillers with useless information and subplots such as the romance between Teacher Ae Kyung and Na Hyo Sang's little romance. Or even more unbelievably pointless, Teacher Kim Young Ok and Kang Kyung Joon's Uncle's relationship to Gil Da Ran's parents. While their comedic relief is undeniable the time used up on these people could be used to focus on more interesting and informative things like Kyung Joon and Mari's past. Or Yoon Jae's dad and Kyung Joon's mom. Or more importantly Yoon Jae himself, cause honestly after the guy got knocked the hell out we really lost the chance to see any sort of character development. What little flashbacks that were provided simply werent enough because they centered around Gil Da Ran and Yoon Jae as a couple, not him as an individual.
Furthermore, how did Ma Ri and Kyung Joon become acquainted!? How'd she grow to be so in love (obsessed) with him? Besides a few flashback clips of him patting her on the head and her asking him to stop his mom from going to her dad, I really don't know much about this pairing's past.
Also, another thing the writers could have shed a little more light on is the truth behind Yoon Jae and Lee Se Young's relationship. Was it really one sided? And if it was why the fuck would he take and KEEP the key she gave to him if he wasn't wavering in the least bit? Is he really as pure in thought and mind as the writers have tried to convince us after discovering Lee Se Young's lies.
Speaking of the devil, Lee Se Young was a total waste of a potential character if you ask me. I mean really here you have two female antagonist, Seyoung and Mari, yet you give more screen time to the one who is mostly just an annoying fly on the wall with weak purpose. Other than being an manipulative and obnoxious little liar exactly what is she there for lmfao. It'd be something different if Kyung Joon actually had feelings for Mari which would create more tension and drama with a real love triangle. Or maybe a love square? I'm not sure? Can you really count Yoon Jae anymore since he's pretty much had no say in the matter for the last uh...15 episodes.
But anyway, we can't really speak for Mari and Kyung Joon's past because like many other important things it's vague as fuck.
As far as the casting goes, I think it's safe to say that Gong Yoo (((oppa))) saved this drama. As always his performance reeled me in like a fish. I swear when he cries angels grab the tissues and start dabbing away at their tears, lbr. Every emotion is so believable.
LEE MIN JUNG. Love the girl i really do but i hate the character lmfao. She just seems so useless half the time? And only plays a game of tug of war with her feelings. Like really I can just picture her sitting on a park bench, plucking the petals off a sunflower and saying "I love him....I love him not...I love him...I love him not". Cause that's all her character did this entire time besides act like she older than Kyung Joon by 15 years and scold him restlessly even though he has more courage, patience, consistency, commitment, and sincerity in the tip of his finger than she possess in her entire fucking body. Honestly, she just proved to me that an age gap has little to do with maturity and readiness in terms of love. BUT I'M SORRY, i can't blame Lee Min Jung for having an "eh" role. I mean she didn't write it ykwim? Lmfao i really like her acting so I won't continue to complain.
OK. BUT LASTLY.
WHAT'S EVEN MORE UPSETTING
IS HOW THIS DRAMA DRAGS ON AND ON AND ONNNNNNNNNNNNNNNNNNNNNNN AND ONNNNNNNNNNNNNNNNNNNNNNNNNNNNNN and ONNNNNNNNNNNNNN AND ONNNNNNNNN-....see what i did there. Yea.
The writers spend most of the time making the main cast look like indecisive dumbasses instead of worrying about how to settle the "after come".
Here's a timeline of what they do:
exposition --> rising action --> CLIMAX? --> K nope rising action --> rising action --> CLIMAX NOW?..anybody? idk --> falling action? --> nope havent reached the climax i don't think --> a bunch of plot twists --> ok wtf are we even doing anymore --> finale resolution (lol hi)
Lmfao. Kyung Joon hasn't returned to his own body and there's only 1 episode left to take care of that. Naturally, this will lead me to believe that everything will be jam packed into the finale. I'm praying that it won't be sloppy. I'm praying that it won't be a cop out ending in which they pull a "5 years later" type of thing. There's literally so many things to cover after they switch bodies back that it just leaves...to many doubts and little hopes for a clean end.
If you ask me they could have spent less screen time on useless things like standing around crying while dramatic OST music plays in the background; or, knixed one of the supporting cast subplots on creating more time for the finale, in which all questions can be answered. All loose knots can be tied.
Anyway, overall this drama just seems to be yet another predictable and shallow romance that can be used to pass time. It gets kudos for some of the exceptional pieces of eye candy though.
But again, Gong Yoo was terrific and gives a heart trembling performance as always! So, if you're a huge fan of him you can give this drama a shot.
(might edit after watching the last ep)
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This review may contain spoilers
This is going to be angsty as hell! I'm hooked!
Ep 1 to Ep 10:-----------------
This is doing amazingly well! I expected it to be good because of Zhang Wan Yi but I didn't expect much from Wang Chu Ran. I have only seen her in 1 drama so far and didn't think much of her acting in that one. But she is doing a great job in this role. I like listening to Zhang Wan Yi's voice, there's this desperation to it. (I'm weird) At least I hope that it is his voice and not being dubbed by someone else. It sounds exactly the same as his character in Cang Xuan in Lost You Forever. Okay enough drooling over the guy, back to the drama at hand.
Cui Xing Zhou is cunning and ruthless, I kinda want to be mad at him but I cannot, because I think the Liu Mian Tang who has her memory is just as bad. (The creators made is so obvious that she is the Liu Wen they are looking for) She is gonna come at him hard once she figures out he has been lying to her. (At least, I hope that happens. I hope that she isn't one of the characters, that falls in love and is like, Oh okay, I understand. He is in a tough position and couldn't' have done anything else. ) I want to feel the betrayal from her.
When I started the episode from the first scene I was thinking this is what I was talking about, they had my attention. (I was comparing it to another drama I was looking forward to but missed a lot of marks: Love’s Rebellion) I like the visuals, but a lot of the places remind me of few other dramas. For example, the corner of their shop is very similar to the shop in Lost You Forever 2 where Xiao Yao drops some herbs or something and then Tushan Jing helps her out. There's one another one that reminds me of stage where Xu Fang Fie played the Guqin that made everyone cry in The Double. (I don't know if they are same or similar, even if they are the same it is even better in my books)
My current issue with Liu Mian Tang and how easily she seems to swallow his lies. His explanations are so weird, I wonder why she doesn't question them more. (Had it not been for that, I would have rated it higher)
Cui Xing Zhou is so hilarious, the efforts he has to put in to play house with Mian Tang make it fun to watch. At the same time, you want to call him an ass because poor Mian Tang is hooked. You have got to give it to her, she has been so damn understanding of everything he does.
I do wonder what he is going to do about his betrothed or fiancée! Dammit, it doesn't seem like he is going to cancel the engagement. I'm really not into the whole suffering that the wife and concubine dynamics bring. The only people who benefit in that one is the poor excuse for a husband and manipulative wives. (Not into it, sure hope the guy wizens up)
Ep 11 to Ep 20:
-------------------
I paused the drama at episode 10 and then went to find the book. I didn't much care for CXZ in the books in the beginning and only started liking him after they got married. CXZ complex character made it a much interesting read and it wouldn't have been the same otherwise. By the end of the book, you are glad that they end up together because they are good for each other.
Fortunately for all of us, the drama has a bit more of humorous tone and has found the perfect way to balance CXZ's ruthlessness and his love for LMT. I have liked the drama CXZ since the beginning, there's one or two instances where he was ruthless as well, one of them is very clear, the scene in the first few episodes where CXZ schemed to have her carriage broken up and she fell out of it, that was bad no matter how you look at it. Later on, when he continues to hide his real identity when there are so many chances to fess up.
I feel sad for LMT who has lost her memory and is harmless puppy who only cares about her husband's wellbeing. In contrast, CXZ life is bigger & doesn't simply involve her. He has too much to think about & LMT adds to that burden. And while I understand where he is coming from, he doesn't even know LMT is Lu Wen at this point. To him she is someone who has fallen on hard times and had to become Lu Wen's concubine. If not for his growing feelings, he would have let her go. And he did with that divorce letter, but he didn't dare fess up. The only reason he doesn't is that he isn't ready to handle the repercussions.
He is warmer in the drama, his visit to LMT before he left for Jinjia pass was a welcoming change. He even apologized to her sleeping form, he never did that in the books.
I have liked and admired Shi Xue Ji since I first saw her. I wish to meet more women like her and LMT in real life, people who aren't driven by jealousy. They have bigger things to worry about. They make a decision and stick to it.
I like the development between Zhao Quan and He Zhen. Although jealousy and envy gets to her from time to time, He Zhen still comes to her senses and makes wise decisions. Her entire 1 sided thing for CXZ was pitiful to watch. I'm also glad that Zhao Quan doesn't seem to covet LMT anymore. These two are more suited for each other. I'm a bit surprised with Zhao Quan's character transformation here.
Coming to Sun Yun Er, had she only loved Zi Yu and not been so envious of LMT, it would have been fine. She kept going out of her way to ensure that LMT died even when she had forgotten everything. One of the most satisfying things in the books was when LMT catches Sun Yun Er red-handed at the time Sun Yun Er hires a guy to pretend to be Cui Jui. They let her off easy in the drama, she got beaten by LMT's maids, one of the things that she would never forget about.
Ep 21 to Ep 30:
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Things are going to tough between them for a while now. I want to see them face off, knowing each other's identities. So, he finally figured out that she is Lu Wen. He did it quite early in their relationship and he seemed rational about it. Ep 22 was more focused on Zi Yu's part of it and his play for the throne. He is more like Cang Xuan in Lost You Forever. Zi Yu has been on his own journey since the get go, which is one of the reason he decided to push away LMT. He thought that he could win her back, but that's not going to work in his favour. I'm not even worried about the preview episode 24, LMT might need some time to organize her thoughts and CXZ will win her back soon enough.
Having binged the first half of the drama, the one episodes day go painfully slow. All I know is that drama CXZ is gold! I don't know why people expect LMT to just forgive and forget easily. It doesn't happen overnight, they need time apart to sort things out. It will be better for both of them.
Yes, the drama did change quite a few things and some were for the better. I have completed the novel and I liked it. So far, I have liked the drama regardless of the changes they have made. One thing they got right was what CXZ felt for LMT. Although their relationship began as a lie, once he fell for her he was all in. Just as it is shown in the drama. The only difference is that he is a more considerate of her in drama. We might see him being more domineering in the future but he isn't a guy who would treat his partner poorly. Right now (ep 26 to 28), the drama has slowed down a bit and it seems like a waiting game for something drastic. It gives me the same vibes as the beginning of the drama. Looking forward to the last leg of the drama things are gonna be rollercoaster from now onwards.
Ep 31 to Ep 40:
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Ep 31 and 32 went as expected. There's one part in the book that absolutely love (it involves some morons getting slapped), I hope that we get to see in the coming episodes. I liked how CXZ and LMT handle his mother. I love her mind. That ending looked promising for Shi Xue Ji but I would have liked to see more of good moments between the two. One of the scenes that I liked the best was CXZ's prison break where he and LMT fought together that was the most interesting scene in this last arc.
Comparison with the novel (If you haven't read the book, feel free to ignore the following):
They have cast the right people for all the roles, especially Zhang Wan Yi & Wang Chu Ran. I'll be seeking out all of Wang Chu Ran's dramas from now on.
I feel that they left out a lot of scenes and pivotal moments from the book that could have made this drama a lot more interesting and less linear. (By lot, I do mean lot!) I'll just go re-read the book again someday.
I was looking forward to Cui Xing Di's role but he turned out to be just a very underutilized supporting character.
It would have been fun to see Li Guang Cai & Cui Fu get together, but she is sticking with her fickle husband.
Although I liked the CXZ in drama a lot better, there were times when it became too comical for me and I wanted to see more of a composed CXZ.
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