Reviews

Nevertheless, it turned out to be a disappointment.

It seems Nevertheless too was just another rollercoaster ride, where the drama initially is able to build up so much of anticipation and excitement but literally goes downhill from the midpoint onwards. If you were looking for an honest, realistic portrayal of college romance, then nope this doesn't cuts it, not even close. Nevertheless basically covers just the crust of it whereas I was hoping to unravel the basic core of the experience and the involved characters.

My major disappointment was character development of Park Jaeon or the lack thereof. Expecting more in depth focus on him, his personal life and how and why he was the way he was because honestly, if you want to convince the viewers that a legit fuckboy has turned into a lovestruck puppy, you don't do that through super cheesy intimate scenes instead, you ought to uncover and display his plot arcs with his family and past and his gradual journey to redemption with few episodes from his perspective and not just Nabi's. I mean c'mon Song Kang's acting potential at least deserved that! What was his equation with his mom? What happened to his father? Why did his ex girlfriend or whatever she was just left all of a sudden? Why was he still playing with Nabi's feelings when he fell for her at first sight? Why didn't he confess Nabi of his said "first sight love" much before? Why was he being a douchebag when he could have been so much more? Guess nobody will know.

The drama had no plot whatsoever it just swinged between the concept of attachment and dissatisfaction, these themes could have been explored more genuinely but sadly that was again, me expecting too much out of this 10 episode of a drama.

Using the word realistic in the plot blurb and then going ahead with the second lead receiving the emotional blow despite him clearly being a superior choice and the male lead sweeping off the lady in lead irrespective of the fact that he clearly doesn't deserves her, the Korean Drama writers must be jamming on "oops, I did it again" a little too much I guess.

Like many have said already, the only silver lining of this drama were the side couples especially, Ji Wan and Sol. Chef's kiss to these two cause boy, am I glad that this unexpected but totally necessary plot was added into the drama because they kept me invested in the whole thing till the very end. Extra points and appreciation for the little cameo by that very cute kitten in episode 7 and 8.

I won't recommend this drama to anyone but the ones who crave to see physical aspect of a romantic relationship more than the emotional because you rarely see that happening in the Korean Drama industry and I get that.

In conclusion, the brilliant cinematography, casting, chemistry between the lead duo and OST will sweeten up the toxicity shown in here for sure but still, the lingering sour taste of it all will remain.

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Maybe a Masterpiece for the regional audience¿¿..??

Historical dramas could be a lot more meaningful to regional audiences who may have lived through it. However for a global audience looking for pure entertainment this may not have such a deep impact.

Everything was okay for me and I would've given it a 7 or 8, but there was a jarring situation.
Taking the risk of being cursed by the star -obsessed fans of the region, I must say that the lead couple was JARRING.
They were mismatched and uncomfortable with each other, there was no chemistry, in fact there was a certain distance or coolness to the relationship that went against the storyline.

The FL - as brilliant as I've seen her in other dramas- had one singular expression throughout. She looked like a 12 year old obstinate child. That's it. It didn't waver.
All the 3 male leads falling in love with her was a bit ridiculous to watch.

The romantic thread between these 2 totally mismatched and chemistry-less leads just messed up the drama for me.

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A Badminton Drama, Which Needs More Training…

Sports-related K-dramas are few and far between, and the delivered results of these dramas can often be hard to truly take seriously. ‘ Racket Boys’ is no exception. The drama has arisen to a lot of criticism respectfully for certain racial stereotyping, badminton stances and the exact depiction of the drama’s messages. However, it is wrong to entirely point out that “ Racket Boys” does keep the ball rolling with certain elements of the sport and screenwriting either.

Before delving into reasons behind more mixed-criticism for the drama, let’s start on a positive note with what kept viewers entertained . The drama is pretty lighthearted. Whilst it does delve a little beyond the surface into darker territory with Hae Kang's father Yoo Hyeon Jong (Kim Sang Kyung)’s struggles and his mountain of dept as well as more heartfelt moments , the comedy was pretty silly for the most part , the friendship factor for Hae Kang ( Tang Joon-sang) with captain Bang Yoon Dam (Son Sang Yeon), hipster wannabe Na Woo Chan (Choi Hyun Wook) and maknae Lee Yong Tae (Kim Kang Hoon) the good performances by the cast, the romantic elements of the storyline and even the occasional cameo appearances by actors ( such as Park Ho San, Park Hae Soo, Kim Sung Chul, Kang Seung Yoon and Lee Kyu Hyung) from screenwriter Jung Bo Hoon’s previously commercial and critically-acclaimed work ‘ Prison Playbook’ (2017) were surprisingly endearing touches.

Another thing which seemed pretty enticing for viewers was that director Jo Young Gwang had done some evident homework into Badminton terminology such as '4U' (to indicate racket weight) and even mentioning the ideal string tension for beginners to badminton of 26 pounds. Adding to this was the depiction of female players of the sport, with a girl’s team at the middle school, whose coach, Ra Yeong-ja (Oh Na-ra) is renowned for her fierce teaching methods shared some more diverse lighting on the game.

Less impressive was the drama being its own worst enemy at times. The camera work could often be dull when actually depicting the game being played, and the usage of badminton shot positions by Hae Kang's father Yoo Hyeon Jong (even as a disgraced player) was badly depicted at the best of times . Adding to this pile of problems was the episode lengths. Averaging around 90 mins, there’s a lot to cram into these episodes and the skip button can often look more appealing than actually watching the drama at times. The stereotypical cliches here also drag on when Yeong-Ja and her two players are forced to move in with the Yoons and the rest of the boys’ team as the “ will they?, Won’t they?” chemistry lingers between evident romantic setups here. Oh, boy. Then there’s the controversy with racial stereotyping here also with depictions of “ foreigners” being presented as flaky or fickle, such as the cameo appearance of Black exchange student Johnathan( himself) , the obvious “K-pop fan “ ( who disappears and is never mentioned again pretty much because he is no longer relevant to the plot), and then the questionable depiction of the Indonesian team also.

Controversy aside the comedy factor is dependent on personal taste, rather than being universal. It is silly, rather than cleverly written but some may enjoy the running gag of Oh Mae (Cha Mi-kyung), the village “grandma” and her antics, whilst others may view at as distasteful and a poor screenwriting excuse for Hae Kang to learn the value of the “ unique” personalities personalities of the countryfolk living there,and nothing else. Yet in between these more questionable screenwriting, the drama does have surprisingly heartfelt moments here also, like when Hae-kang realizes that neither Oh Mae or her husband are literate , and so he helps her with the remote to her TV and sets up a way she can video call her grandson.

Overall, “ Racket Boys” isn’t a bad show per say. The acting is pretty solid, the sport depiction isn’t bad and the lighthearted moments are fairly sweet but it is very much dependent on what you are looking for. The comedy really isn’t everyone’s taste with its goofy gags ,often stealing away from the more profound moments of the drama and the tropes can grow tiresome and predictable.There were times where it felt as though ‘ Racket Boys’ struggled with balancing out the comedy and drama factors due to episode lengths, and would’ve flourished more as two separate shows rather than as a K-dramedy . However if you’re just here for some laughs and a couple of “ aww” moments during a binge-watching session ( rather than the central storyline) in order to disengage your brain from more serious and complex storylines, then you’ll likely enjoy it.

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This was a weird one. Japan produces plenty of great BL/yaoi anime and manga, but their few live-action offerings are never quite right. There were some funny and cute moments, and I understand that the tone was meant to be lighthearted and over-the-top rather than subtle and realistic, but some things about it bothered me.

Warning, spoilers below...




Ossan's Love employs the strange tactic of having a not-very-likeable lead character. Haruta is not a bad person, but he behaves more like a teenager than an adult man. His mannerisms are bizarre, he shouts a lot, he's always rolling around drunk, and he doesn't seem to have any self-awareness. I guess it's his good looks that draw people to him...?

More importantly, however, I didn't get the impression that Haruta had ever - at any point in his life - considered himself to be bi or gay, but when he found himself with two male suitors he gave both of them hope (by going with the flow and not giving any clear rejection) while simultaneously recoiling from any physical contact and seemingly just wanting to be friends. This kind of confused response might make sense in someone much younger, but it doesn't sit right coming from a 33-year-old man. Just what was he trying to do? What was he thinking? I'm still not sure. Even by the end of the show I wasn't convinced that Haruta genuinely had romantic feelings for anyone, which made the ending somehow unsatisfying. I would have liked it more if I had seen and believed in a real transformation in his feelings.

This show kept me watching to the end, mainly to see if Haruta would ever make a clear decision with conviction. On a positive note, the side-characters were kind of interesting and fun, especially Choko, even if her reaction to the situation was unrealistic.

In short, this show wasn't terrible, but there are much better BL offerings out there that have more emotional punch, more chemistry, and frankly...make more sense.

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Underwhelming

I just finished the drama and I have no idea what I just watched.

The premise was very interesting: two female spies infiltrated an enemy sect as potential brides to wreck havoc. "We must act as enemies!" they said. "So we can gain trust!" they said. And then it all fell apart. They did nothing except cozying up to the two males and then falling in love with them. There was no suspense, espionage, intrigue, betrayal, ANYTHING to fit into the promised plot. Weishan and Shangguan just spent time drinking tea and talking about what they should do, without actually doing anything.

And then there were long winded pointless side stories. Why should we care about Ziyu's mother? She was some chick his dad married who spent all her life pining after her lost love and ignoring her only son. Shangjue and Yuanzhi made a big deal about her being pregnant when marrying the dad, insinuating that the dad wasn't Ziyu's biological father, which would disqualify Ziyu from becoming the Sword Wielder. We were forced to watch a series of flashbacks of Ziyu's mom and Lady Wuji as if there was an actual point there. Was Lady Lan really Ziyu's mom? Or was it actually someone else...like Lady Wuji? That would've been such a cool plot twist. Ziyu was the secret son of the Gong family and Wufeng's super secret agent "Anonymous". SHOCK! But nope! Lady Lan was Ziyu's mother and Lady Wuji was just a nanny. Nothing to see here.

The drama was only 24 episodes, so I thought it would be action packed. Nope! The writers actually managed to make it mindbogglingly boring. The last 3 episodes dragged on and could've been made into one single episode. There were scenes of characters just standing around with snow falling in the background. I seriously couldn't wait for the story to end. I just did not care about any of the character or the plot. Too much screen time was given to secondary, less important characters and their irrelevant storylines, like Elder Yue and Yunque. Why was this important and why did we need to care? There were extended scenes of characters monologuing and telling us all about their plans, instead of showing us. The dialogues about poisons and fighting techniques were extremely convoluted and technical. I felt like I was reading a pseudo scientific thesis filled with confusing terminology that I did not understand.

For the entirety of the show, it was emphasized that Wufeng was the ultimate villain. So why was Ziyu's brother, who was killed off at the beginning, brought back as the bad guy AFTER Wufeng was already defeated? There was just too much plot entanglement and surprise twists that led to nowhere. Less is more.

The writers could have done a better job at Ziyu's character development. He started off as an immature and care-free guy who was forced into the position of the sword wielder. After becoming the sword wielder, he continued acting like an immature and clueless hot-head. The three trials made him grow up and improve his skills. But we didn't see the actual character growth. He just suddenly became mature in one episode.

I did like that Shangjue and Yuanzhi were not the actual villains, but more like competition for Ziyu. Shangjue was right for questioning and challenging Ziyu because Ziyu was an immature kid who did not deserve the position of the sword wielder. I am glad that Ziyu actually earned it at the end.

The finale was plain stupid. Shangjue watched Shangguan leave after she told him she was pregnant with his baby. Ziyu let Weishan go visit her family without any security escort. It appeared that Weishan was ambushed at the family home, so her fate was unknown. The last scene was Ziyu painstakingly waiting for Weishan to come back looking all sad. We heard the gate opening and him looking at it with an unreadable expression. Did Weishan come back? Or was it someone else? Did Weishan and her twin do a switcheroo? What was happening? If there is a sequel in the works, this ending makes sense. But, we don't know, so the ending was completely nonsensical. It's ok to make sad endings. But an ending should have a logical conclusion. This was not an ending at all, but an end season cliffhanger.

Overall, the drama had very good visuals and fight scenes. The acting wasn't bad either. But the story progression, pacing, and the finale were disappointing.

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Such a disappointment

I just finished the drama yesterday and I was super frustrated and disappointed because after all I had high expectations because of the writer Park Hae Young with her Masterpiece drama (My Mister) but I was totally wrong. This drama had few amazing written scenes but most of it was a fail.

First of all, Mr. Gu I never understood him… and I found his character very poor written. even thoughI personally like the actor but this character was a big no. Always looking bored, lost and tired with a mystery past that was not exciting at all nor well explained. Also, his relationship with the FL oh my god… I have never ever hated main couple romance as I hated it in this drama. I almost skipped all of there scenes as I found it very boring, uncomfortable and very weird and not charming at all. I didn’t get their relationship at all and I don’t understand when the love bloomed? I hated watching nonsense so I just skipped it.
Chang hee was my favourite character. His scenes and dialogues were amazing and the actor excellently delivered his emotions, but I unfortunately skipped most of his scenes at the last couple episodes right after the stupid THIME SKIP. I the time skip thing was it necessary? Because actually the last three episodes were a total fail and the writer missed up. Ki Jung was also my favourite character as I found her very relatable outspoken and true to her self… but again why she super unconfident after being with tae hoon? Why all of a sudden would she accept mistreatment from his crazy sister and spoiled daughter? What happneed to the outspoken strong confident woman? I was really angry with how the writer ruined her character and even did not give her a clear proper ending. And tae hoon ahhh don’t even get me started. he promised to marry her when his daughter becomes 20??? and the way he ignores all the stupid things that his sister does to his girlfriend and yet pretending that he is the one who is having a hard time?


I would never watch this drama again and I just gave it 5 for the acting and couple of scenes.

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Tedious

After not enjoying SITR (unlike everyone else in the world, apparently), I should have known better than to waste my time on this drama, considering it's the same writer, director, and main actor.

I'll start with the good - there was nothing wrong with the acting, everyone played their part well, I enjoyed the interactions between the sisters, but I think that's as far as I can take the compliments.

STORY: Oh my gosh, there were so many unlikable characters! The ex-boyfriend, both sets of parents and yes, the female lead. Female lead - I think she was supposed to be this outspoken woman, but apparently that only came out with the male lead. With him she was bossy, demanding, cranky and immature ("It must be nice to be able to eat, you must not be bothered by this at all.") She spent almost EVERY episode meeting up with the nightmare of an ex-boyfriend. She was a weakling where he was concerned, even though she knew she didn't love him. Was she trying to be nice? I couldn't quite get it. The ex-boyfriend trying to get her to marry him went on until the next to the last episode. He was just creepy. Give it a rest! Seriously, she should have gotten a restraining order or something. And then there were the parents - I know that it's important to respect your elders, but when your elders don't have any respect for you and won't listen when you say you don't want to marry someone, there's something wrong. Each episode seemed to be just a rehash of the previous one. Should she pursue this new relationship? Should she give the ex another try? The male lead was smitten with the female lead because she came in for hangover medicine? Why these two liked each other was never made clear. Almost all of the conversations revolved around how they were going to manage, because everyone was against them. I realize that Korean mores are different than American, but they made the male lead out to be a terrible person because he had a son. Then when the female lead APOLOGIZED to her mother because she was involved with a man with a child, that really irritated me.
CHEMISTRY: Kisses. I didn't feel chemistry between the leads at all. There were a couple of technically good kisses, but again, I didn't sense chemistry.
COSTUMES: She was a librarian. Was it absolutely necessary to make her dress in such a dowdy way? The clothes and shoes she wore made her look so much older than she was.
OST: Three-four songs on repeat throughout the whole drama. The songs were in English for no discernible reason and they were very distracting.
REWATCH VALUE: Not on a dare!

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My Therapist Says I’m Not Allowed to Talk About the Gold Anymore

Let me start with a confession: I went into Remnants of Gold expecting a stylish sand-and-swords romp. What I got was a three-day existential crisis, a sudden urge to distrust all dunes, and a profound fear of loose change.

Director Xu Bing doesn’t just adapt Gu Long—he dissects him. The 300,000 taels of gold aren’t treasure; they’re a Rorschach test. Everyone who chases them doesn’t go mad—they go true. And that’s the horror. The desert isn’t a setting; it’s a character, and it hates you personally. The cinematography is so achingly beautiful that you’ll forget people are screaming until you realize you’re the one screaming.

The Serious Part (because I have to):
This is a Wuxia drama about the death of idealism. Pu Ying (Yin Fang) is the law’s last gasp, and watching him wrestle with duty while the sand eats his morals is like watching a candle burn in a hurricane—heroic, futile, and hypnotic. Xin Zhilei’s Zhang Luyao is a revelation: a vengeance engine wrapped in poison-proof skin, yet somehow more fragile than glass. She doesn’t want the gold; she wants the lie that gold represents. Chen Kun’s Yu Hou is the political animal we all fear becoming—calculating, charismatic, and utterly hollow. And Vengo Gao’s Ban Zha? The chaotic neutral trickster who made me laugh, cry, and question if freedom is just another cage.

The Funny Part (because I’ll cry otherwise):

· The gold has a higher body count than the plague. At this point, I’d trust a timeshare salesman more than a treasure map.
· Ban Zha walks into every scene like he’s at a desert rave, and I respect that energy.
· If I had a coin for every time someone whispered “the gold” with dramatic gravitas, I’d have 300,000 taels and promptly lose my mind.

The Thought-Provoking Part (because I can’t stop):
Is the gold a metaphor for ambition? Greed? Hope? Or is it just a MacGuffin that exposes how we’re all willing to become ghosts for something that doesn’t exist? The show asks: What do you chase when you know the chase will destroy you? And then it gives no answers—just more sand, more masks, and more broken oaths. The finale doesn’t resolve; it echoes. I sat through the credits in silence, feeling like I’d just watched a funeral for every character I loved, including the parts of myself that believed in happy endings.

Final Verdict:
It’s a masterpiece. It’s also emotional vandalism. I’d rewatch it endlessly—not because I enjoy the pain, but because each viewing reveals a new lie, a new truth, or a new shadow on the dune. Bring water, bring patience, and bring a therapist. You’ll need all three.

10/10. Would lose my sanity again. Next time, I’m chasing the gold with Ban Zha. At least he’ll make me laugh before we both die.

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This drama is,honestly, the worst one I have watched. The plot introduction was intriguing with crime and melodrama. In the beginning, it was only right to sympathize with Mi Do. However, as the drama progressed, I lost all sympathy toward her. Her acting is bad, keeping a stale face and personality throughout the whole drama. It's the first time I despised the lead actress so much. The only reason I rated the acting 6 is because of Tae Sang. He played his part great. All the efforts he put in just to get shot down and heartbroken all the way to the last episode. On top of Mi Do, there was also Jae Hee. The 2nd guy in the love triangle is expected to be somewhat irritating (in most cases). Jae Hee had me annoyed from the beginning to the end. I couldn't stand the Mi Do and Jae Hee couple. Honestly, I only kept watching because of Tae Sang or else I would have dropped this drama right from the beginning. The plot playout was very disappointing as well as the ending. There's a nixture of good and bad reviews and I guess it's a matter of how Mi Do got to you. To me, she is the biggest reason why this drama is so bad.

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'The Return of Iljimae' has many strong points, and in many ways is more complete story-wise than the other drama 'Iljimae', but I wasn't entirely happy with it.

Having watched 'Iljimae',I must say, there is very little in common between these two dramas, other than the 'Robin Hood' nature of Iljimae and his rather misfortunate connection to his parents.

The return of Iljimae has a broader framework,is more well written, and explores the identity of Iljimae as a hero of the times, working against injustice than for any personal quest. I felt that the story and the characters were more complete in this.

The action sequences are good. There must have been plenty of rope and pulleys used in the making, as Iljimae and numerous others are always flying and leaping about in these scenes.
The episodes are all interesting, and keep you moving forward without boredom.

Regarding the cast: I had wanted to watch this initially for Jung Il Woo, and he didn't disappoint. He is good as Iljimae, truly the 'pretty girl-like-boy' as often referred to in the drama (I loved his ponytail hair).
The supporting cast is good,with many strong performances except that some secondary characters were made annoying by over-acting.

Despite all this, I didn't feel really satisfied with this drama. There wasn't so much plain fun or happy-energy associated with it.

Iljimae's character is mostly solemn/sad/serious/angry. Very rarely do we get to see his smile, let alone hear a laugh. There are so many things happening, we can near feel him carrying the burden of the world on his shoulders.
The romantic relationship is developed on realistic terms, along the sidelines of the plot.
The ending too, although happy, has a solemn, contemplative feel to it.

To sum up, although lacking in story and character development, character Iljimae in the drama 'Iljimae' evoked more happiness than the one we find in 'The Return of Iljimae'.

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This movie is a must see for those who like Psychological dramas. The complicated plot makes you think about things and see this aspect of the Korean school system in a different way.

There were many times where my heart was racing during this movie. Although it is not a thriller, some parts may surprise you and make you jump.

An interesting aspect of Pluto is its connection with Pluto. The reason why it is titled so is very interesting, though it only seemed to intertwine with the plot in the beginning and the end.

The cast seemed to fit well with the characters and the acting was extremely convincing.
I am glad that I watched this and would definitely watch it again.

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A crime investigation with a strong theme of bromance.

Where do I begin with this series? Of course like many fans, I found out about this series on twitter and only knowing Inukai Atsuhiro. I went in and bought all of the source manga digitally. Reading the manga really excited me of what I call a mix of action thriller investigation and semi metaphoric romance between Ichirou and Shirou.

The drama version of Kei x yaku is almost prefect. But because as a manga reader and knowing how good the drama could have been I can’t rate this series higher than 7.

I also have to warn that most will not like the ending. But it leaves a possiblity for season 2/movie follow up.

Kei x Yaku as a standalone drama is still very good, it’s got action, suspense, mystery but good chemistry between the two main leads.

Story

Kei x Yaku base story brings together Ichirou a public officer and Shirou a Yakuza gang leader together through one person they both know. It leads them to work undercover as a “couple” to find out the truth the story and from this unfolds into something more deep. As well as the bond between Ichirou and Shirou forming.

Acting/casting

One of the biggest positives/highlights of Kei x yaku is the cast. I have little complains (but in my ideal mind I would of casted an actor who’s the same height as Inukai). This would be my 1st introduction to Nobuyuki Suzuki in anything that he’s done, I will say Suzuki did great! He pulls off the soft but serious Ichirou, the best thing about his performance is that he can withhold his emotions in his acting.

I was more interested to see how Inukai Atsuhiro was going to act as Shirou, because I really like Shirou in the manga. Inukai blew those expectations out of the water, because Inukai is the perfect casting for Shirou and I couldn’t see anyone else but Inukai play as him. It’s amazing that dyeing your hair blond changes his whole image, but the slight gestures and attitude he displays screams Shirou. This so far is the like the best thing I’ve seen Inukai act and I would recommend 100% for Inukai fans just to watch him in this.

The rest of the cast is also very strong.

Music

I have to give a shoutout to composer Ryo Nobuguchi because the soundtrack to Kei x yaku is amazing. The main theme alone is enough to make you excited as well as 13th drums. An amazing mix of cello, violin, piano and drums. The music is one of the highlights of the show.

Positives

What I think the best thing about Kei x yaku is quality. The directing is amazing, the production is high quality, the cast/acting is amazing, and the music is amazing. Put it together and you get something like a semi action movie like drama. The 1st episode will always be the best one for me as it goes out with a bang.

I also like that the story doesn’t ignore the bond between Ichirou and Shirou, because the drama weaves in the investigation action with general scenes with just Ichirou and Shirou getting on with their lives.

Negatives

Kei x yaku honestly could have been something more special. One factor of the manga is that it has hints of showing something more between Ichirou and Shirou but the drama version doesn’t go beyond the “bromance” line. I assume it’s because they think the audience wouldn’t be able to tell what Ichirou and Shirou relationship is if they showed it like the manga. So face down the drama version is just a bromance, any BL drama fans looking for the next History Trapped this drama isn’t it.

Another factor is that the manga is WAY MORE ACTION PACKED. There’s a lot of action scenes in the manga that is gripping, I assume the drama didn’t have that much budget so these action scenes were reduced. But there’s an odd pacing to the investigation, like trial and error approach. The characters think they make progress but then they stumble and the progress they made is pushed back. There’s also way too many flashbacks to fill in screentime when they could of shown more new scenes.

Overall

Kei x yaku is a good investigation action thriller with bromance. If you are open to watching bromance then you are in for a ride! Any BL drama fans just looking for the romance I suggest to watch an actual BL drama.

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