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This review may contain spoilers
Where Wounds Become Strength and Two Hearts Learn to Beat as One
The First Jasmine begins as what appears to be another arranged-marriage political drama but gradually reveals itself to be a remarkably layered story about trauma, justice, power, and healing. Set in the fictional Dachu Dynasty with Tang-inspired aesthetics, the drama follows Ye Li, a woman released from eight years of isolation on Lishan Mountain to marry the politically disgraced and crippled Prince Ding, Mo Xiuyao.Although it embraces familiar historical romance tropes, the series distinguishes itself through meticulous character writing, emotional maturity, and philosophical depth. Rather than relying on plot twists alone, it builds its story through psychological realism and carefully developed relationships.
YE LI: TRAUMA, REVENGE, AND HEALING
Ye Li is one of the strongest female protagonists in recent historical dramas. Calm, intelligent, and calculating on the surface, she is deeply scarred by the tragedy on Lishan Mountain, where she watched her family and friends die during the plague while remaining powerless to save them.
Bai Lu portrays this duality beautifully. Her hallucinations of the dead are presented not as supernatural events but as believable manifestations of unresolved trauma. The drama never sensationalizes her suffering, instead showing how trauma fragments the mind while allowing someone to continue functioning outwardly.
Her revenge is never driven by blind hatred. The four straw figures she keeps symbolize carefully planned justice rather than impulsive violence. Even her decision to eliminate Empress Dowager Guo Jin last demonstrates patience and political understanding. As the story progresses, revenge gradually transforms into healing as she learns to reclaim agency and build meaningful relationships again.
MO XIUYAO: STRENGTH BEYOND PHYSICAL POWER
Cheng Lei delivers one of his finest performances as Mo Xiuyao. After years of political humiliation, disability, and grief, he remains remarkably restrained, expressing pain through subtle expressions rather than exaggerated emotion.
His character challenges the traditional image of the invincible male lead. Although physically crippled, he possesses extraordinary intelligence, leadership, and emotional maturity. His recovery is satisfying not because he becomes physically powerful again, but because the audience has already learned to admire him before he ever stands.
His relationship with Ye Li develops naturally through trust, mutual respect, and shared suffering. Moments such as quietly caring for each other, cooking together, or simply watching the moon become far more meaningful than dramatic romantic declarations.
EMPRESS DOWAGER GUO JIN: A TRAGIC RULER
Guo Jin is arguably the drama's most fascinating character. Unlike conventional villains, she genuinely improves Dachu through tax reforms, women's education, infrastructure, and social policies. Yet every achievement comes at the cost of countless innocent lives.
Her final conversations with Ye Li explore one of the drama's central questions: does successful governance justify immoral methods?
Ye Li's grandfather once described Guo Jin as talented but lacking benevolence. She understood power but never fully understood compassion. This distinction becomes the philosophical heart of the series, separating effective rule from humane leadership.
Supporting Characters and Moral Ambiguity
The drama refuses to divide its characters into simple heroes and villains.
Mo Jingli's childhood trauma explains—but never excuses—his obsession with power. His final realization that he genuinely loved Ye Li despite originally viewing her as a political asset gives his downfall emotional weight.
Even Xu Wanzhou's controversial decisions stem from desperate attempts to save lives rather than selfish ambition. Throughout the series, good intentions repeatedly produce devastating consequences, creating a world filled with moral ambiguity instead of absolute right and wrong.
Supporting characters such as Lin Tinglan, Qin Cang, Li Feibai, Lady Yusheng, Wen Ran, and Feng Zhiyao all receive satisfying emotional arcs that strengthen the overall narrative rather than existing solely to support the protagonists.
THE CHESSBOARD PHILOSOPHY
Chess serves as the drama's central metaphor. Ye Li's grandfather teaches her about "solitary pieces"—pieces that become isolated from the rest of the board.
This metaphor defines several major characters. Guo Jin isolates herself through power, Mo Jingli through ambition, and Ye Li through trauma. Each discovers that isolation ultimately leads to emptiness, while genuine strength comes from connection and trust.
Rather than celebrating individual achievement, the series argues that relationships are what ultimately give life meaning.
TRAUMA AND RECOVERY
One of the drama's greatest achievements is its portrayal of psychological trauma.
Ye Li's hallucinations, emotional detachment, and gradual healing feel authentic rather than melodramatic. Recovery is portrayed as a slow process supported by understanding, patience, and love rather than miraculous transformation.
Similarly, Mo Xiuyao's hidden disability symbolizes emotional wounds carried in silence. Both protagonists learn that healing requires vulnerability rather than isolation.
The Lishan plague itself is particularly heartbreaking because it has no mastermind behind it. Sometimes tragedy simply happens, making the story's exploration of grief feel even more realistic.
FEMALE AGENCY
The series incorporates meaningful feminist themes without becoming preachy.
Women consistently demonstrate intelligence and leadership. Ye Li repeatedly outmaneuvers experienced politicians. Guo Jin transforms the country through reforms. Lin Tinglan pursues her career independently, while Princess Lingyun and Wen Ran each display remarkable resilience.
However, the drama also acknowledges that female authority often requires tremendous sacrifice. It celebrates women's achievements while recognizing the unequal burdens imposed by society.
THE SLOW-BURN ROMANCE
The romance succeeds because it develops naturally.
Ye Li and Mo Xiuyao begin as political partners before gradually becoming emotional anchors for one another. Their relationship is built through everyday acts of care rather than endless misunderstandings or exaggerated romantic gestures.
Their emotional confessions feel earned because they emerge after episodes of shared hardship. Cheng Lei and Bai Lu rely heavily on subtle acting, making small expressions often more powerful than dramatic speeches.
Secondary romances are equally meaningful. Feng Zhiyao and Princess Lingyun represent love destroyed by politics, while Li Feibai and Lady Yusheng explore freedom, choice, and respect rather than possession.
PERFORMANCES
Cheng Lei gives a career-defining performance. His physical acting convincingly portrays disability, while his emotional restraint makes scenes of vulnerability especially powerful.
Bai Lu delivers one of her most emotionally nuanced performances. Ye Li could easily have become another stereotypical "strong female lead," but Bai Lu instead creates someone whose strength exists alongside profound psychological fragility.
The supporting cast consistently elevates the material, ensuring even secondary characters leave lasting impressions.
PRODUCTION
Visually, the drama favors a restrained style. Warm domestic scenes contrast effectively with the colder political settings, while the dreamlike cinematography during Ye Li's hallucinations subtly reflects her psychological state.
Fight choreography is elegant without becoming excessive, and the soundtrack complements emotional moments without overwhelming them.
Although some CGI backgrounds appear artificial, these issues rarely undermine the overall experience.
## STRENGTHS
* Rich psychological characterization.
* Excellent performances from Bai Lu and Cheng Lei.
* Thoughtful exploration of trauma and healing.
* Mature political and philosophical themes.
* Organic slow-burn romance.
* Strong pacing with very little filler.
## WEAKNESSES
* Some visual effects feel noticeably artificial.
* A few minor supporting characters remain underdeveloped.
* The political resolution is slightly rushed compared to the careful buildup.
The First Jasmine stands out because it treats its audience with intelligence. Rather than relying solely on romance or palace intrigue, it explores grief, justice, political morality, and the importance of human connection with surprising maturity.
Its greatest strength is its refusal to simplify people into heroes or villains. Nearly every major character exists within shades of grey, making their choices feel deeply human. Combined with excellent performances, thoughtful writing, and one of the most satisfying slow-burn romances in recent historical dramas, the series delivers both emotional impact and philosophical depth.
Despite a few production flaws and a somewhat rushed ending, The First Jasmine remains one of the strongest historical dramas of the year. It proves that familiar genre conventions can still produce something memorable when supported by careful writing, nuanced performances, and characters whose emotional journeys feel genuinely earned.
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Fresh from seeing Episode 16 which I skipped a lot of scenes, I am still glad that I managed to finish this show. So let me get straight to my thoughts:
STORY
Nothing extraordinary. It is ok but the storyline is not something memorable or could be classified as classic that would tickle my memory in the coming years. The story is straightforward, light, and comical, sometimes raunchy due to the romantic scenes of the leads.
CHARACTERS
I have to say that my fave couple is the the second pair. They are really cute and funny together, especially their banters, misunderstandings, and the idioms!
I like the male lead gumiho in the first few episodes but his stalking tendency threw me off. It was a red flag. I am probably one of the viewers who do not feel comfortable or approve them dating secretly at the same time as they are student-professor. He should’ve not done that. After he became a professor, I lost interest. And even got away without any repercussions. He just quitted and she dropped out to date openly.
Lee Dam, there are times that I felt like watching Reply 1988 Deok Sun in this show. Nothing really new impressed me with her acting since I’ve seen Hyeri do these antics in her Reply role. Sometimes I even think she doesn’t act her age. I get confused if she’s really a university student or a high schooler by her behavior. Sometimes I don’t find it cute anymore. Her younger brother (the real high schooler in the show) is even more responsible and mature than her (academics, house work).
I like the friendship dynamics in this show. It was really funny and entertaining. One rant I’d say is how they cheapened the marble in the latter part of the show that could be tossed here and there. It was well presented in the earlier part, how it’s fragile and couldn’t be passed on easily. But it went meh later on that I lost interest.
OST
“Door (Your Moon)” by Jeong Sewoon should land in your playlist. It’s the best song of this show.
Overall, if you are looking for a light romantic comedy, sure watch this but don’t expect too much with the plot since it’s nothing that interesting. I enjoyed and stayed till the end because of the second lead couple, if it weren’t for them, I’d probably have dropped this. To be honest, I got roped in watching this after seeing Kang Ha Na and Kim Do Hwan’s chemistry in Start-up, and not really for JKY and Hyeri.
REWATCH VALUE
Will I rewatch this? Not even a hottie nine-tailed fox like Jang Ki Yong would make me. Moving on to other shows quickly. Or should I just wait on his possible next project with Song Hye Kyo?
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This review may contain spoilers
Even if winter feels endless, a spring breeze might blow someday once you keep fighting through it.
I'm in my lowest of low lately and this drama found me. It's the type of drama that also heals the viewers with them while watching. The storyline is not full of twists, but this made this drama unique than the others. And I believe, this drama will find its way to your hearts when you needed them.That's all I can say about the storyline, full of lessons and just about life. Some people may focus on the AI like drawings of the animators in the drama, but I hope you realize that isn't just it. This drama is more than just the AI looking drawings, it's about life and how did they fight through it. Like as the season changes, what am I going to do about it and such.
I'd like to commend especially the halmeonis and harabeoji actors, I think they made me stay for this drama. I mean don't get me wrong; the other actors are amazing too but growing up with my grandmother as a child made me focus more on the grannies, they have a soft spot in my heart. And Hayeong (middle sister), I love her through and through, no words can explain how I felt while watching her.
The music didn't stick out to me honestly, but I will probably watch some tt edits of them.
I HOPE THIS DRAMA WILL FIND ITS WAY TO YOUR HEARTS WHEN YOU NEEDED THEM ~ I hope whatever season y'all are in, you'll get through it and stand-up fighting again! tomorrow is another day yeorubun <3
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From the first airing, I'm already fall in love with it because of the light story
But after a few episodes, the story is not light like I think before
The plot is like make viewers guessing what happen here and make me really curious what happens next! I like the plot that make me curious
Amazing acting from the casts. Especially Choi Woo Sik and Lee Soo Kyung. Uee and Seulong acting is improved too here
And I love almost all of the soundtrack
Well, the drama is really worth to watch if you want a romance comedy although Do Do Hee character is a bit annoying at first. But I love it!
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Well, that happened.
I enjoyed Fish Upon the Sky, and while I noticed the shortcomings of the acting, both leads had good comic timing, and there were good secondary characters to help carry the weight, plus Pond is gorgeous and Phuwin isn't far behind, so I was looking foward to this - I thought for sure it would be campy fun, with a billionaire heir that everyone is trying to kill having also to get through high school.Unfortunately, the production takes itself very, very seriously, which makes this a cringey, plot-hole ridden mess of inauthentic emotion and weak acting, and the end result is a series that's alternatively frustrating and boring.
It wants badly to be a PG-rated KinnPorche, but somehow missed the campy outrageousness of that series, which made it's giant plot holes features rather than bugs. Here, everything is a plot hole. The violence is gratuitous, very poorly integrated into the story, and without creating any stakes at all, while leaning heavily on cliches and contrivanaces that are just incongruous and silly.
For example, why is this set in high school? What possible reason for this is there other than "BL needs to be set in school"? Why is a billionaire heir that everyone is trying to kill even in high school? Instead of endangering the lives of the entire student body, why not home school, or just not go to school at all, given he's stupendously rich and has a business empire to run (after he's done with swim practice and his homework)? If he's in danger, why would you give him only a teenaged fisherman as a bodyguard? If you're going to do that, shouldn't he at least be able to protect his charge? Palm can't even fend off bullies at a ballroom dance! (Speaking of which, who goes to a ballroom dance at a senior center to pick fights, and why did everyone just stand around while the ballroom dance thugs [sigh] try to beat someone to death for virtually no reason whatsoever except to insert violence?) Being kicked for half an hour only gives Palm a few scratches, so this is an early indicator that there are absolutely no stakes in this series.
Early on, Neung's mother is gunned down at point-blank range by assassins that simply ride through the open unguarded gates of the mansion - I guess nobody thought to increase security after her husband was gunned down - drive to within 3 meters and open fire. And fail to kill anyone or even wound Palm's father (I think. He seemed totally fine afterwards). The boys are sent to a fabulous beach resort to "hide" for their safety, where they frolic all day and Nueng proclaims he's never been happier in his life. Never been happier than the week after he had both his parents gunned down before his eyes and is fleeing certain death? OK, I guess we all have our standards of happiness, and he never gives his mother a thought during this time, so maybe he just doesn't like her.
There is absolutely no plot purpose to the entire beach resort section of the story - it's simply a contrivance to give the couple a honeymoon, because that's where it goes in the formula, whether or not it makes sense. From the wreckage of the underlying novel behind the script, it looks like the author's intention was to put Nueng through hardships which harden and mature him so that he can return and take on his enemies, but all he does is pay off a loanshark and let Palm's mother sacrifice herself to save them after Nueng completely stupidly uses an ATM and then doesn't immediately leave, allowing the baddies plenty of time to stealthily sneak up with a bunch of thugs dressed all in black at a beach resort walking around with photos loudly asking "has anyone has seen these two boys?" Sigh.
Nueng then dumps Palm with the "find a good woman who you can be happy with" cliche which makes me want to BURN THINGS DOWN. Then they get back together because Palm does the "nonconsensual hug from behind" stupid cliche which makes me want to burn more things down. Then Nueng dumps him in his sleep - sleep induced by pills Nueng buys from the sleeziest and shadiest sex motel manager he could find and then puts in Palm's beer. Sure, why not? Nothing could go wrong with that plan. Besides, Nueng is rich, so he could buy his way out of a charge of negligent homicide. Later on it's Palm's turn for a contrived breakup - the third time's the charm, right? I don't know about you, but if you break up three times for completely stupid reasons in the first month of your relationship, are you really meant for each other?
Anyway, Nueng goes home surrounded by bodyguards, and the story more or less picks up where it left off, which raises the question, what are the stakes? Why didn't Nueng have bodyguards before? If it was that easy for a high school kid to seize control of a giant business empire, why didn't he do it before, when he had Palm's father to lean on and help and guide him?
Then, the authors seem to think that walking in slow-motion, speaking in a deeper voice, and being stern is "maturity", when his underlying behavior is foolish, ungenerous, short-sighted, and otherwise stupid. If you want to seize power, do you march around in dark suits and make grand entrances everywhere and go out of your way to announce yourself and your intentions and humiliate and anger your enemy, or do you take him by surprise?
Anyway, Nueng makes a grand slow-motion entrance to his family's hotel accompanied by that "inception blast" - you know, that loud BWAAAAAA! that plays in movie previews whenever something big happens, in order to lend it weight. So he does that, gives a dressing down to his usurping uncle, and announces he's taking power over the family empire. So what's the next scene? The exact same BWAAAAAA! slo-mo entrance... at his high school. Wow, big man, intimidating high school students with hired bodyguards.
From the moment of his return, everything "meaningful" he says is accompanied by the BWAAAAA!, a musical "mic-drop", as if that gives gravitas to his banal pronouncements. Then he's reuinted with Palm at a derelict building - it turns out Palm has been following him around from about 5 feet away for two weeks, which somehow Nueng's guards failed to detect (and so did Nueng) - because a tall, smoking-hot man dressed all in black and a leather jacket every day in tropical weather isn't noticeable or anything. Also, a photographer follows them into the building, again slipping past the bodyguards. I don't think a single bodyguard managed to guard even one body the entire series.
There are lots of other things that just ring untrue, major and minor. For example, someone suffers multiple gunshot wounds. So what does his boyfriend do? Apply pressure to the wounds to limit the bleeding, you might guess? No, he does what any responsible adult does wth a crying baby, and shakes him vigorously and demands he be OK. I suppose it could be an act of love to try to accelerate his bleeding out so he doesn't suffer, but in that case it might be faster to just shoot him a few more times, Almost comically, it turns out the gunshot victim has a spinal injury - yeah, no sh$%, someone was violently shaking him. I suspect our instinct to staunch bleeding is exactly that, instinct - we've evolved to just automatically know to do that. His behavior is only understandable in the context of some sort of narcissistic psychotic disorder - fear of being alone overpowers basic instinct - perhaps to be expected in a person who has the best time of his life right after his parents are gunned down.
And can someone PLEASE explain the Christmas carols. It's very diffiult to concentrate on what's happening when Joy to the World is playing in the background. Why does this keep happening in BL?
Phuwin is good at comedy, but his lack of acting ability is glaring in a dramatic role where he has to play high school Michael Corleone (The Godfather is the clear inspiration for this series - from the romantic exile to the hospitalized parent in danger, to the son who wants nothing to do with the business eventually being forced to take it over and become ruthless. Well, ruthless-ish). This is underscored by the poor casting choice of Perth Tanapon as his cousin Chopper - poor, I say, because Perth is so phenomenal that it's embarassing to see them together in a scene. If he and the also-able Chimon had been in the main roles, instead of criminally underused secondary characters, this series would have been on fire. As it is, the dynamic between Chopper and his father is the most compelling element of this drama and should have been given much more time (Chopper's father is played by super-hot Nat Sakdatorn - they had strong chemistry. They should do an age-difference romance).
In the first few episodes Pond surprised me - he seemed much improved in acting skill, but then he just spent the entire series looking like a kicked puppy, which he does well, but it gets dull.
This is not all bad. The production quality is fairly high, Pond and Phuwin spend a LOT of time in swim trunks, which is good eye-candy, Perth, Chimon and Nat nail every scene they're in, and there are cute scenes between Nueng and Palm, although their romantic chemistry is close to nil, they do have great buddy-energy. If you're a Phuwin & Pond fan, you will probably enjoy this. Otherwise, I'd skip it.
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there is nothing wrong to like overrated series
I honestly don't get the hate this drama is getting in the reviews.
STORY: It's not your typical love story. It's raw, it's obsessive, it's uncomfortable at times and that's the POINT. The title is "You Maniac" for a reason. It's not supposed to be a soft fluffy romance. If you went in expecting that, that's on you.
ACTING: The leads carried the whole show. Their chemistry is insane, especially in the emotional breakdown scenes. You can literally feel the obsession, the insecurity, the love through their eyes. This is not easy acting.
WHY IT DESERVES HIGH RATING:
People are asking "why does this have such a high rating?" - because people genuinely LOVED it. Not everyone needs to like the same thing. If you didn't like it, just say why YOU didn't like it, don't insult the audience who did.
Don't compare it with other dramas just to bring it down. If you love your fav drama, go and give it 10 stars, why waste your time giving this one 1 star?
For me, this is one of those dramas that stays with you after it ends. It's twisted, beautiful and addictive.
Will definitely rewatch.
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One of the best shows of 2026!!
I really liked how progressive the show was without loosing its values and morals, and actually accepting the morals with the progress. I loved everything about the relationship between the main characters. What I loved best was that there wasn't any miscommunication plot. They were truly honest with each other and they went so well together. Their relationship, I found a kind of purity to it in the sense that they valued it more than anything else trying to interfere with it. It was a first for both these people and it was sacred to them.The supporting characters showed a variety of relationships and that insight into these lives showed how ordinary relationships work. There wasn't anything extraordinary in these relations, and that is what made it so extraordinary because you don't see these in any other kdramas.
The patriarchal mindset of the grandfather would never change in this age, and I love that they did not do a 180 for his character. We all have seen grandparents who are set in their ways and we know that it is very hard for them to change. So that is why I liked that they kept the expectations realistic.
Overall, it was one of the best shows of 2026 so far. There wasn't a single boring episode. It was really good.
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This Has Quickly Turned Into A Must-See Show
I love what has been put together in this series all the way through, and it has become an easy rewatch project for anytime.These episodes have slowly built up to some incredible moments and great acting.
What first lured me to this show was Earth. . . that's all the reason I needed right there.
Then I saw that they had New behind the camera - another plus.
Then some of my favorite actors on board, namely Prem and Pineare among them.
They all made 'Until We Meet Again' required reading for all of us, so I can't wait to see what is coming up further in this story.
The acting from everyone is great, and it's all done convincingly, enough where I easily forget that Earth is actually several years older than Santa, and it all works well.
The characters are already developed very well, too, and I'm already very affected by the strong emotions coming out of these relationships (Yes, Earth. . . that would definitely be you. . .you do this too well).
I know that New is fully aware of how great an actor he has with Earth in front of the camera, so I am always aware that there are always a few hand-picked scenes for him where the direction is, "OK, Earth, your character is in agony right now. . . I want to see real tears".
"Earth. . .pretend that your heart is breaking and that your soul is leaving your body...."
And then he delivers spectacularly.
Ouch. . .I knew these scenes were coming but I was still not prepared for the meltdown I saw in Episode 4, or Episode 7.
We've all experienced this in our real lives at one point, and you can feel it all here in waves.
Add to that being 14 or 15 and separated from one of your best friends.
I think New also knows that Earth has the gift of doing a lot of his scenes carried only by his expressions and his eyes, so most of what you will see and experience in all of these episodes will happen with hardly any dialogue from him for some very powerful scenes.
To be continued. . .
If you're just starting to watch the series, enjoy.
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Is This Really Love? Or Interest In Love?
Ahn Soo Young is a beautiful, hard-working 4 year employee as Chief Bank Teller at KCU Bank. Due to her past experiences and personal difficulties whilst growing up, she does not believe that she is destined to be happy.Even with her stone face and distant demeanor, Ha Sang Soo under her mentorship when he first joined the bank, gradually found himself drawn to her as he grew through the ranks at the workplace. One day, he finally musters his nerves and asks Soo Young for a date. However, he was late arriving the dinner venue and was seen by Soo Young hesitating for a moment before entering the restaurant. Soo Young re-acts in a devastating manner and hence the possible relationship between her and Sang Soo spirals off to different directions. They then inadvertently paired themselves with respective partners whom I found were really well suited to them. However, like a ‘moth to the flame’, Soo Young and Sang Soo continues to be drawn to each other.
Soo Young has self-esteem issues and does not easily give herself permission to be happy. Sang Soo is a guy who takes life and relationship seriously, making him cautious in his thought process. Will such two un-confident energy ever find love?
I found this drama really angsty as I yearned to see the two main leads coming together. One might even find many moments really slow, but these are the moments where this type of drama requires one to sink into the scenes and emotions, which had my attention. Whilst waiting for that moment, I thoroughly enjoyed the stories with the second leads as well as the entire ensemble of family, bank colleagues and office politics. The entire drama was cleverly weaved in these really complicated relationships. Moon Ga Young was ‘horribly’ good as Soo Young and Yoo Yeon Seok (normally, whom I always enjoy watching his macho go-getter roles) was ‘horribly’ good as the mild, cautious and hesitant Sang Soo. So frustrating to watch and yet able to make me appreciate the flow and the tension.
This is not your normal love story drama, and this is why I enjoyed this so much.
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This movie is a masterpiece by the talented director Bong Joon-ho. The genre for this movie is a horror but this does not mean that it obeys every convention of a 'normal' horror movie.
Bong uses The Host to address the political relationship between America and South Korea. This movie is often seen as a very anti-America film BUT this is not what Bong intended. Bong does not paint the South Korean people featured within the film well either.
Bong addresses the issue of heroism in America; he addresses the Korean people's attachment to cellphones and technology; he addresses political relationships; family relationships; etc etc etc
This movie may NOT seem like a horror movie. It is but then it also is not. It is not a gruesome movie, it does not have much gore, and the moments of tension and anxiousness that the Host will inflict on the viewer is broken will moments of black humor. These inserts of humor is not to get 'cheap laughs' but to distance the viewer from what is being shown on screen. The humor that Bong uses makes the viewer remember that it is just a story, it is a movie and not real, then the viewer can watch and make a judgement on the relationships being shown on screen without leaving the theater jumpy and scared.
The monster within the Host was accidentally created by the American base dumping a toxic chemical into the Han River. This is very significant as a situation like this happened in reality. The American base's morgue dumped hundreds of liters of embalming fluid into the Han river in 2000. The Han river did become toxic because of this. (although some people claim that this is only a myth).
During the Host Bong addresses some of the political issues between South Korea and America that are present in reality.
This movie was so popular in South Korea that 20% of the total population of South Korea, even today, watched The Host at the cinema (this does not include people watching it more than one or home viewings). I highly recommend watching this movie as it is not only an enjoyable storyline but it gives insight into reality.
I live in New Zealand and in my University Cinema Studies course The Host was featured and analyzed. This movie is influential enough to have been recognized in such a small country as New Zealand. I high recommend watching this movie.
Also if you are put off by the genre Horror don't be, this is not a conventional horror movie, to the casual viewer it will seem more to be more like a Thriller than Horror. And if you are put off by my review please don't be. This movie is a great watch on the surface and very enjoyable to the casual viewer.
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Fun Watch, Bad Writing
Was this series easy to watch and have great chemistry? Yes. Was the writing good and did I like the characters? No.This series was really entertaining if you just turn off your brain and watch without thinking much but the second you sit down with it, you realize how toxic many parts of this was.
I hate most of the time when people say stuff like this, but if Pat was a man she would have been the villain of the story because she was SOOO TOXIC and OBSESSIVE to an unhealthy level. Her character was one of the main flaws of this series but somehow I still rooted for her? So maybe that's an issue on my part lmao.
Pat was also horrible with boundaries and some of her advances came off very creepy and bordered on SA. I also don't understand why GL series still have characters kissing the other when the other is almost black-out drunk, it's 2025, we can do better.
You also couldn't pay me to care about any of the side characters, especially Nam. I was so close to dropping this series at one point because Nam wouldn't leave Pat & Prem alone and it was just getting repetitive and annoying.
However, I would recommend watching this series to most GL watchers just because of how entertaining it was. Despite my complaints, I was sat every week for this mess and I feel like this would be a very easy binge. Also the leads had great chemistry and I hope to see them in a future series with better writing.
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oh sooooo boring....
While not really a bad show, man was it boring.The writing was predictable, there were no real challenges and if you do food, why is the "super monster chef" just the jury verdicts?
At least one fresh face with Aungpao who did a good job but most were acting like highschool kids and not like grown up humans. I am also not a fan of the weird sounds used in Thai romcons, but at least they did not overdo it.
The kissing scenes with OffGun looked strange for me. I mean they kissed really well in other shows but here it feels shallow without the feeling of love or desire.
This show is a good downer if you have seen something like "Not Me", to calm you down and turn your brain off, because the story does nothing to challenge it.
The finale was an all around happy end, all the parents are soooo nice and so understanding especially Fire's mother. Of course grandma was always cool and always supportive but for the rest I would have wished a more rocky ending or more episodes to see them come to terms and less of the earlier meaningless stuff.
All in all this show was a disappointment.
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To say I am disappointed is an understatement
I want to start this review by clarifying that I adore Suzy and Yang Se Jong is my beloved bias. I have anticipated the "comeback" of both actors with bated breath and when Doona! was pushed back, I started to worry.Finally Netflix dropped all episodes and I didnt have to pace myself. Although I'm not a fan of idol storylines, the visuals of Suzy and YSJ alone made it a breath taking first few episodes.
I think Suzy did a good job playing the damaged character as best as she could, there seemed to be a lack of true backstory. If the writers were going for mysterious, they failed miserably as it just seemed disjointed and incomplete.
Yang Se Jong who is normally know for his ability to express his complex characters with such nuance, was pretty flat. I again do not blame him for this. The writers gave his character only a perfunctory role (almost zero backstory, lines, growth or function outside of her storyline).
Yes, they had a sizzling kiss scene or two, but there was not any true chemistry (written) between the two and that is heartbreaking.
To say I am disappointed is an understatement
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This review may contain spoilers
Romantic, Angsty, Cliche, Nonsensical
I had high hopes for this drama as I absolutely love the main leads but the scriptwriting left much to be desired. This drama is about the love story between a sexy, poisoned Prince seeking revenge and a courageous, beautiful girl caught up in between the chaos. Imagine, a republican era angst but in a historical style, that’s the drama you are getting here. The main leads are the star of the show and the only reason you want to watch more. The plot and writing is bad even for a mini drama and yet this is still an entertaining mindless watch (at least in the first half).POSITIVE:
- Sexy blindfold scenes and beautiful main leads.
- Morally grey male lead (he appears to be a red flag but is more green flag).
- Feisty female lead.
- Lots of nice kiss scenes, wrist grabs and sensual vibes between the leads (definitely the best part of the drama).
- Angst with lots of tension with over the top dramatic scenes.
- Romantic scenes and aesthetics.
- Enemies to lovers.
- Mystery plot. At the start you have no idea what’s going on which makes it intriguing.
- Second couple stole the show for me as they are better written than the main leads. Their story was short but heartbreaking and realistic for that area.
- Fantastic acting from the main leads Richard Li and He Xuan Lin. Seriously, these two need main roles in full length dramas at this point.
NEGATIVE:
- Cliche. My biggest complaint is that the writers have literally put every cliche ever known to cdrama watches here. There is nothing original and nothing you haven’t seen before. In fact, I suppose you could give them an award for putting the most cliche tropes and situations in one drama (there are literally in every single episode). But actually, it's not even the cliches that are the problem as much as that those cliches were put together in a way that made a lot of the emotional scenes feel very fabricated and the characters not real.
- Nonsensical. I usually don’t care much about logic and especially in short dramas as they have limited time but the world building, fantasy elements and basically the whole plot makes zero sense. You really need to completely turn off your brain for this one.
- Too dramatic. The characters turning into maniacs/psychopaths as a cheap and fast way to create tension and angst.
- Visuals. The main leads and costumes are great but the filter/colouring/lighting sometimes appeared too bright and made them look washed out. I feel in later episodes this gets better.
- Too fast-paced. Yes, short dramas are usually fast paced but here everything looks like it’s shot at 1.5x speed. People coming in and out of frame, people talking etc. The drama needed a breather especially at the start. Although this did improve in the later episodes.
- Second half is a snooze fest. Literally, the ridiculous situations, overused cliches and psychotic characters made me want to drop this but my NDD (Never Drop Disease) made me pull through the end.
- (MINOR SPOILER HERE) Unsatisfying ending of the Emperor. This guy. You will want to burn him, skin him alive and then feed him to the pigs. It’s been a while since I’ve hated a character so much I literally wanted to start throwing furniture in my room while watching his scenes. You will want this disgusting grandpa to suffer. But what happens to him in the end is NOT satisfying.
OVERALL:
If you want to see sexy main leads in a very cliche romantic story with many nonsensical but entertaining parts, oh and lots of nice kiss scenes, watch this drama.
TRIGGER WARNING:
This drama is heavy on abuse so bare that in mind (multiple attempts of r*pe, multiple scenes leading up to actual r*pe shown).
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13 Guys, 3 Rings, 3 Sizes but only 1 Specially Chosen
Korean BLs surprise me again with a dark BL in “Secret Relationships”. I heard nothing about this drama until Feeds posts started popping up. I thought this was a typical reverse-harem type drama with a few red flags MLs. Little did I know it was in for a crazy ride in these short 8 episodes.I am very surprised that the four main leads are pretty new to acting and they all did a pretty well. For his first acting gig, Kim Jun Seo did a pretty good job as the really good-looking center of all the attention. Aside from the very last scene of the drama which the acting of two of the leads seem very uncomfortable and fake, I really could not have asked for a better first drama for all of them as the main leads.
The unveiling of the secret relationships and hidden secrets for the first 5 episodes of the drama is done really well. You thought you knew exactly what’s going on in the first couple episodes, and then the drama surprises you with new plot twists here and there. Unfortunately, I found ep 6-8 dipped into makjang territory and things got a little out-of-hand. The excellent writing of these secrets and manipulation gave way to over-the-top craziness.
Nevertheless, I enjoy learning about the four main characters. Our guy-magnet ML is sweet and gentle. He attracted ML#2, who appears caring, but turned out to be manipulative and psycho. Then we have ML#3, the obvious Mr. Red Flag of the bunch, who is violent and obsessive. Adding to the harem is ML#4, Mr. Green Flag, to mellow out the bunch with his puppy adorableness with a dash of clinginess and persistence.
I wish the writing of the last few episodes were better because the acting is so good. I would bump my rating to 8.75 or 9. But I had a good time watching “Secret Relationships”. I am really happy about the recent KBLs, e.g. “Gray Shelter”, “Love for Love’s Sake” and “Let Free the Curse of Taekwondo”. I think Korea found its niche in BL dramas. The aforementioned dramas, including “Secret Relationships” are well-made, well-acted and very interesting. I recommend “Secret Relationships” if you the other KBLs I listed and are in the mood for something darker and psychological.
Completed: 3/20/2025 - Review #557
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