Reviews

LA that sit on same table as AOT LA and Drangon Ball LA

I’m SCREAMING. WTF is this?! It'd like the director read half the source material, said “nah,” and decided to yeet the soul of sNs masterpiece into the void. They changed SO MUCH, and I’m not okay! Kim Dokja deserves better, and this mess is sitting at the same cursed table as the Attack on Titan and Dragon Ball Evolution LA!! Let’s talk about how they fumbled this bag and why it’s giving the same vibes as those other disasters.First off, WHY THE HELL are they giving everyone GUNS?! Like, are you kidding me? They’re out here handing Hee Won daggers like she’s in an Avengers flick and giving Lee Hyeon-seong some high-tech gauntlet nonsense. And don’t get me started on Yoo Joonghyuk’s sword looking like it was forged in a sci-fi lab. This ain’t the apocalyptic struggle we signed up for! It’s like they saw the Attack on Titan live-action films and thought Let’s copy their homework and make it flashy but soulless. This is not My ORV!!!!!

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Attentive drama needs to meet people who know how to taste.

This is not just a drama that simply catalyzes sweetness. Under the vast background of the sea of ​​stars, it restores the ordinary face of life, but creates a romantic atmosphere, adult love is not only sugar, but also insurmountable helplessness in life, and it also comes from hormones. Impulse, and love and pursuit of ideals. All these sentiments are presented in the passionate interpretation of the two leading actors. The ingenious combination of lighting and space scenes pushes the delicate expression of emotion to the extreme. This kind of drama in which all members are devoted. It is worth savoring carefully, 10 points of great drama in my mind.

The leads Just played Their characters perfectly. Chemistry, romance, emotions every single thing was perfect. Absolutely Best modern Romance Chinese drama of This year so far.

Love Yu Tu the most. He really showed us the realistic things in life. Yu Tu represents not only aerospace workers, he represents thousands of ordinary people. Qiao Jingjing showed us the purity and sincerity.

As an a brilliant aerospace engineer, the male protagonist Yu Tu struggled between reality and ideals, and at this time he got the star heroine’s favor. Love and encouragement, and re-enter the path of the stars and the sea. This process is the core of glory and the concentrated expression of the "drama" you said. Compared with the common derailments, births, misunderstandings, childhood sweethearts, and glorious romances in current romance dramas The plot is obviously more realistic and advanced, and also more romantic. A large number of life and supporting role plots also make the influence of stars and astronauts fuller. In short, compared to the classic and excellent TV series with high tide, you are my glory closer to the healing anime.

Finally, I would like to confess that Chen Xueran's "Born to be an Eagle" is very well written.

Also, Yang Yang is the YYDS!

People who seek for true real life dedicated drama, it's one of the best one.

Must Say greatly done every single thing in this drama.

Can’t get out of the glorious world, I believe there must be a parallel time and space. This beautiful story continues. Never going to forget Yu Tu .

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It felt like the highlights of a greater story.

You know what? I want to watch either the show they teased in the trailer one year ago, because what we’ve got was just completely different material, or what we’ve got here, but in a longer format.

I’ll start with the biggest flaw I saw, to get it over with. Earth was miscast. To everyone who honestly thinks Earth fits the role - drop me the name of your country, I gotta go and find myself a 40 but looking 20 daddy. Don’t know what kind of fountain of youth your government is selling for you to think he is believable “about to be” middle aged man, but I want some of it.

And please don’t start with: some people look younger than their age. Sure, but this is literally not the case in this story. Not once was it part of the discussion how he looks good for his age. I mean, the fact that Wen even asked Jim if Li Ming was his son suggests, Jim is supposed to look his age. He just looked way too much like a peer next to Mix and Khaotung.

Because of that, many scenes that were more hard hitting and emotional, felt simply not sincere. He is the main character, so if I cannot connect to him, the whole show starts to fall apart. This is what happens when profiting from a popular and established pairing is more important than proper casting. Pro tip to directors - if you are not willing to cast age appropriate actors, do not try to make shows with big age gaps between characters or about characters who are in their late 30’ and 40’. (Putting this casting into perspective - the actor playing Heart’s father is 45).

That said, I’m not gonna act as if it will for sure ruin the watching experience for everyone - it will not. It’s just something that I personally cannot ignore, especially since the character’s age was brought up over and over again in conversations.

Putting Jim aside, I actually enjoyed a lot of other characters and their interactions. Wen and Li Ming were truly adorable, with this older/younger brother dynamic, and Wen did a good job being the bridge between the uncle and the teen. He made them both understand each other better.

I also found Wen’s and Alan’s relationship fascinating and wish we would see more of it. It seemed like they made almost every possible mistake to end up in this situation, and trying to fix it right away would be an impossible task.

Heart and Li Ming were obviously fans’ favorites. Did I like them? Yes. Do I feel like their interactions were too similar to My School President and it was a bit like watching the same characters just in a different context? Also yes.

Honestly speaking, Alan was my favorite character and one that I was most curious about. It should also be illegal to give Khaotung such a tiny role taking into consideration his talent. I find it a bit funny how, in my view, two most talented actors in the show were sidelined like that.

While I enjoyed Earth and Mix in their other projects, I did not quite like them here. The main couple was for me the weakest aspect of the whole show. I enjoyed the characters far more with other people, compared to watching them interact with each other.

Giving credit where credit is due, Moonlight Chicken tries to tackle more serious issues and steps away from the typical high school romance. It does not follow the “one relationship for the life” idea, showing the past relationships of the main characters. It gives us a deaf community representation in a tactful manner. It shows that at times putting more effort will not save the relationship, and the most healthy way is to just end it and leave. It shows various types of parents-kids relationships, and how there are no right and wrong universal answers, it all depends on the circumstances.

While I appreciate the writer and director bringing all these important issues to the table, I also feel like they were more of an appetizer than a whole meal. It’s undeniable that they did not have enough time to truly dive deep into any of these topics, so at the end it felt more like highlights of a greater story. Personally, I prefer my slice of life character driven shows in a slower pace, that gives me time to digest everything that is happening on the screen.

The quality of the production fluctuated quite a bit. Some scenes were a true perfection and there was not a detail that had to be changed to improve them. But then some scenes had such sloppy lighting I actually laughed. What I loved for sure though were the set designs. Aesthetically pleasing, but not over the top that it looked unnatural. You saw it and you believed - yes, someone lives/works here.

Overall, it has many great messages, many great lines. Could have been one of the best BLs if the production was a bit more daring, but also selective in terms of the story and the casting.

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LONG AWAITED FLOPPY WEDDING ...

What a rip-off! Having to pay 12.99 US$ to watch 1h 10 of extracts from the series' episodes that I had already seen and 10 poor minutes of the wedding itself is really dishonest. I was expecting an entire episode dedicated to the wedding: preps, ceremony, guests, banquet, party, a lot of emotion and tears, etc ... in one word: a wedding.
This episode was so cheaply made: first, as I said, images and scenes already seen in previous episodes, the same damn song all along the 80 minutes, obviously no budget for extras at the wedding (we see the same buddies and some members of the families).
The ceremony itself was totally botched: the couple gets out of the house into the garden where the guests were waiting, Tharn and Type stand up in front of the guests, facing each other, nobody was there to welcome them, introduce them, they exchange the rings and that's it. Pathetic! Nothing happy, "over the roof" as Tharn was feeling in the weeks preceding the wedding.
In our streaming world, $12.99 is more expensive than the release of a new film, a large public blockbuster ...
This shows a true contempt for the fans who follow T & T since the first image of episode 1. I'm not only disappointed but also furious to be the naive victim of this inglorious trap.
Please, save your money and do not attend this cheap wedding.

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"HEAR ME OUT! ENTITLED ON THEIR OWN OPINION"

If it's not your cup of tea then don't try to smell or have a taste with it. Spill it don't sip it. WATCH AT YOUR OWN RISK.

In my opinion, labeling viewers of a drama series as pedophiles simply based on their interest in watching it can be unfair and overly simplistic. Such accusations are serious and should not be made lightly without understanding the context and intent of the viewers.

Be informed that the production is in Thailand, so they have their own rules, guidelines and laws concerning age consent, in reality age consent may differ in different countries based on their norms and beliefs.

THIS IS SOMETHING THAT'S HARD FOR SOME PEOPLE TO SWALLOW: From a legal standpoint (based on Thai law), there is no issue with their age gap in ACTED OUT a sexual scene. I think it's all going to come down to what people think from a MORAL standpoint because every potential viewer has their own culture and beliefs based on the country they are living in. So, no one have the right to dictate to other people that they are disregarding their morals and ethics when it is okay with them regarding the age gap of the two main leads who acted out a sexual scene. DRINK SOME WATER TO PREVENT CHOKING.

Don't be problematic here. There's no problem with their casting; it's just that it goes against your MORAL standpoint. But that doesn’t mean they are doing something illegal or immoral.

Concerns about the portrayal of minors in scenes involving sensitive content are valid, if that is really your concern. However, it is clear that IN THIS SHOW, NO ACTORS NEED TO BE PROTECTED FROM THE HARM OF BEING EXPLOITED and ABUSED. How I can say that? Just simply watching their EP 0, wherein they show how they produce this series (behind-the-scenes footage) and the reaction video of the four lead actors to the official trailer of their series. I cannot see and feel that they are being abused and exploited. As of now, there are no allegations of abuse or mistreatment coming out from the actors in this series.

Don't make things complicated, if the show violates the law or fails to meet regulatory standards, it typically won't be produced or broadcast.

To those people who keep on spamming here in the comment section about "A MAN KISSING A CHILD" please stop being DELUSIONAL. The way you think is really disgusting. No viewers want that kind of scenario.

This Drama series is based on the novel about two sixteen-year-old boys, who despite their social differences and personal history forge a close love relationship that is ACTED OUT BY PROFESSIONAL ACTORS.

So basically, this drama series is not about "A MAN KISSING A CHILD". STOP BEING DELUSIONAL it really disgust me and clearly your intentions are to put malicious accusations and destroy the show.

Friendly advice: You better do some research to gather knowledge about creative filming techniques like camera angling so it can cure your DELUSIONS and also help you to distinguish between fiction and real-life scenarios. It will help you to understand the difference between what's real and what's acted out in dramas or any form of entertainment.

FACT: Mac and August acted out a sexual scene as consensual, under Thai law, it would generally be considered legal and morally right in their country. AGAIN, THIS IS SOMETHING THAT'S HARD FOR SOME PEOPLE TO SWALLOW. DRINK MORE WATER TO PREVENT CHOKING.

These two main leads (regardless of their age) are 'ACTORS' who are passionate about their job at portraying fictional characters convincingly. Criticizing them for their choices or age only undermines the value of their craft and the dedication they bring to their roles. Such disparagement reflects more on the critics' own biases than on the actors' abilities or performances.

It is an early apology when you beg to disagree. Im sorry???

Spread positivity and don't forget to detoxify (y)ourselves. 🤡

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???? Not quite sure what I just watched

Soooooo looking at the host of other 10/10 reviews here I'm not quite sure if we've watched the same show. Because what I've watched was a disjointed, complicated, outrageously unbelievable mess of a show that definitely is not worthy of 10/10.

First of all, WHAT ON EARTH is this plot like what even??? High schoolers performing SURGERY. MULTIPLE TIMES. It was the most ludicrous part of the story and I took off points for this. The whole school being full of pill poppers was actually more believable than whatever the hell the surgery scenes were supposed to be. With such a short run time of only 30 mins per ep, I don't see why there was a need to introduce so many random ass side plots and plot complications that could not be resolved adequately. It was confusing as hell to watch. This was especially evident in the last 2 episodes where the pacing was all over the place and show was jumping from scene to scene almost randomly. I thought I was watching fan edits on Tiktok with those hastily spliced scenes.

Secondly, is this supposed to be a GL or what????? Maybe I'm blind or being deliberately obtuse but other than that makeout dream scene in ep 4, I'm not really feeling the supposed GL aspect. Sure, Jaeyi is oddly fixated on Seulgi the moment she lays eyes on her and goes out of the way to help her, but this could be explained by Jaeyi wanting to find out what their fathers are up to. Seulgi kind of just mopes around sadly with her backpack but probably wouldn't have given Jaeyi the time of the day if Jaeyi hadn't forced herself into Seulgi's life at the start. I guess on some level they DO care for each other, perhaps on a level sliggghttttlyyyy higher than a platonic relationship but because there isn't any confirmation of it right till the end, there is still that degree of plausible deniability. Comparing it to Jeongnyeon, which was also similarly marketed as a GL - I felt like it had stronger GL undertones despite not having any overt displays of affection between Jeongnyeon and Jooran. Of course, the rushed and nonsensical pacing here did this show no favours in trying to convey any subtleties in the feelings between Jaeyi and Seulgi. I've seen another review call this queerbaiting and yeah, it does kind of feel this way. If you remove that kiss scene, it would have just been a regular ass high school drama. The writer/director could have at least given viewers a scene of them confessing their true feelings or even ANYTHING but the only thing we got was Jaeyi and Seulgi passing notes to each other very UNDISCREETLY in class (as if her father wouldn't have found out??). They never had a proper conversation till the end, and it's honestly sad.

Lastly, I'm not entirely convinced on the director's/writer's casting choices for basically all the high schoolers in the show. I'm going to get mad hate for this but cmon, Hyeri does not look 18. Neither does Hyewon, even though she's the youngest in real life. Oh Woori who plays Choi Kyung looks the most like a high schooler probably because her dressing in the show is the least mature out of the 4 leads. But Hyeri is pushing 31 and while she looks youthful, she doesn't look young. Don't get me wrong, the acting is phenomenal and probably the best part of the show but for a show that is set in a high school, it's kind of important that the actors look the part. Even the extras are not convincing as high schoolers. It's like the "hello fellow kids" meme with adult actors essentially cosplaying as high schoolers. After a while, I kind of got used to it, and it was easier to look past it when they were in the school uniforms but holy shit in those scenes at the club - the immersion is totally gone.

If you've made it this far it might seem like I hate this show, but trust me I do not. It's actually a pretty compelling watch, thanks to those 10000000 mind-bending and confusing twists. The cinematography and music are actually pretty good too, even though the plot suffers. The acting is great too - Chung Su Bin and Oh Woori shine as relative newcomers to the acting scene.

In short - give this a shot but don't go in expecting a real GL romance or a plot that makes sense.

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What Did I Just Watch...?

I feel like the last two days that I've been watching this show didn't happen. I feel like I lived in a simulation in which I thought I was watching this, but I would just end up waking up to it being all a dream. But nope, I really watched this. I heard nothing but amazing news about this series -- "It's perfect", "It's the best BL in a long time". I genuinely think we were all watching something different. No, I'm convinced there is another My Beautiful Man out there that is what everyone was talking about because this can seriously not be it. Utsukushii Kare is a perfect setting with the absolute worst story possible.

Let's Dive In.

The basics of this story is that Hira is a nobody and everyone treats him like trash, even including the guy he deems the beautiful-est human ever, Kiyoi, who is the high school's most handsome, and treated like a god among the others. A great premise, and sure, we've heard similar ones, but Japan has a way of telling a story that you can just never get bored with it, and I think this really could've been a good series -- heck, a great series. However, it crumbles under its own hold by having terrible characters, a god-awful plot twist, and a lackluster ending.

Let's start with what I liked: I liked Koyama more than anything else. He falls under the Second Lead Syndrome for sure. He was the definition of the perfect boyfriend: cute, funny, charismatic, thoughtful, caring, there to help Hira with his stutter, there to be his friend, someone he could talk to -- and Hira can't seem to see any of that..? It's okay, Hira doesn't deserve a Koyama, I do. I will take Koyama, because, who wouldn't?

Again, I think production was nice. The bike scenes were really nicely shot. I liked the sceneries and the lighting the most. There is a way Japanese series are shot that I just fall in love instantly, so this was a big bonus of watching.

The acting was really good, especially Hagiwara. Even if they really did his character wrong, he still played it to the best of his ability, and it comes off really nice. The rest of the cast did an excellent job too, even the bullies were good.

Alright, now into the terrible: Both Hira and Kiyoi were just horribly-written. Hira can't seem to stand on his own two legs, which is fine, some people are super shy, and stuttering's not even the problem -- it's the fact that he let everyone walk all over him, including the guy he liked. He would automatically do anything they asked, without hesitation, and it made me sick to my stomach. It was so hard watching him on the screen, I just couldn't stand him in any way. And Kiyoi was just the worst. I was thinking at some point, Kiyoi was going to be like, "Ha! I was only being mean to you so that you could finally grow some balls and stand your ground," nope, instead, he bosses Hira around like the rest, calls him disgusting, gross, a stalker, kicks him, pushes him down, and Hira still manages to fall for him for god-knows-what reason. Looks can only get a person so far. Instead, Kiyoi's big plot twist is that he also liked Hira, he just didn't know how to tell him. This plot twist is just pitiful. Why harm Hira then? Why call him names, have him do things for you? Nope, it still doesn't make up the fact that in the entire series, Hira is bullied to death by his own love interest. There's no turn in Kioyi's behavior until the very last episode. It's disgusting. And what makes it worst is that the ending is so lackluster. How could I care about them after all this time? I sat and watched Hira be used like a ragdoll, and you want me to sing Kumbaya..? No, just no. I think this behavior is dangerous in a BL, especially with me seeing so many people praising their relationship, and for what?

Ratings:

Story: 5 - How could I give two craps about the story when for the entire series is was Hira being picked on? I'll give it 5 stars for Koyama, and Koyama only.

Acting: 9 - I think the acting was the only good thing about this series.

Music: 5.5 - I don't remember it, meaning it wasn't a distraction. Great.

Retwtch Value: 1 - No.

Overall, this is one of the worst, if not the worst, series I've seen in a while. I can't comprehend what people like about this, and quite honestly, I don't care to know. It's sick. A BL like this is dangerous, it shows that a toxic relationship like their's is revivable, that it's okay when it's absolutely not! If this were real life, Kiyoi would've been cut off immediately, or he would've put a restraining order on Hira, cause I know I would. Not recommended in the slightest.

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A Story About Dreams & Destiny: "Although I know my destiny, I still courageously choose to face it"

Fangs of Fortune is a fantasy drama that is based from Chinese Mythological Creatures. It tells a story about a heavily discriminated great demon named Zhao Yuan Zhou and the journey of his life as he chooses to face his destiny. Along his process of walking onto this new path he had chosen, he managed to be involved with a group of beings ; either mortals, gods, demons. They later formed into a team at the Demon Hunting Bureau who at first were only bonded together for the sake of solving mysterious cases about creatures that had gone rampant. They each face each other with indifference and mistrust at first, but the more they unravel truths about the past - especially of their own, they gradually began to warm up to each other and thus, formed a friendship that later turned into found family. Regardless of their differences, they began to understand each other and stand in equal footing eventually learning to separate evil and good from origin, and coming to accept life's greyness and the complexities of beings - whether mortals or creatures.

What had heavily made me gravitate towards this drama is its compelling storyline that is thought provoking and how it finely touched different gradients about morality. It isn't all for a captivating watch as viewers are also challenged to put their perspectives into each of the characters shoes to understand the different contrasting layers of these characters ; their decisions and actions towards certain events or situations. Adding to these is the unabashed portrayal of intense emotions from every character no matter what gender which in turn pinches at the corners of the viewers hearts. To say it is merely a fantasy drama is a bit of an injustice, beyond the excellent cinematography and gorgeous visuals lies a much more meaningful story about life and its lessons.

The great demon Zhao Yuan Zhou's journey came with a lot of loaded heartache but as the plot progressed, his heart became vividly clear. He is a very courageous character who had accepted and had long awaited his destiny, yet still he chose to face it. In the process of doing so, he found himself spreading warmth towards everyone and at the same time receiving the same warmth which he thought he is undeserving of. His selfless act of sacrificing his life for the greater good and his loved one despite having already grown roots for living, proves his heroic character, great love, and how he holds his dream of a peaceful and carefree life ever so importantly. He didn't just simply accept his destiny, he fulfilled his dream along with it. The immense amount of greatness of his character is immeasurable.

This drama might not have been centered solely on the romance between the main leads, however, their love story turned to be the most beautiful yet tragic to be foretold. The love between Zhao Yuan Zhou and Wen Xiao is one that is seen as subtle on the surface, barely palpable - but as you take off the heart shaped rose colored glasses, what awaits is a love that conquers all. Deeper than the romantic moments or sweet intimate scenes, it's the strength of their feelings towards each other that time and time again, they constantly and gravely chose one another. Zhao Yuan Zhou's journey to life started because of Wen Xiao, but it also ended because of her. His love for her is so vast and selfless. While Wen Xiao became the living testament to his deep love, her devotion to wait for 300 years in the sundial and her willingness to guard his home ; the wilderness, while endlessly waiting for their reunion. The nuanced and subtleness of Zhao Yuan Zhou and Wen Xiao's love, proved against odds how deeply rooted and ever lasting their love is, even if their fate is tragic, their feelings for each other never cease to exist, and continue to live on, for every rain shower is their reunion.

All the performance of the actors in this drama are praiseworthy. I specifically have to praise Hou Ming Hao's phenomenal acting skills, his portrayal of Zhao Yuan Zhou connected the most with me. The expression and emotions he delivered on screen screams how great and talented of an actor he truly is. He always left me in awe. I instantly became a fan of him. On the other hand, Chen Du Ling's role as Wen Xiao spoke so much volumes about humans limitations when faced with destiny, her portrayal has been admirable. Tian Jia Rui and Cheng Xiao doesn't fall behind much, they also did a commendable job with their roles. I am looking forward to seeing more of Lester Lin's growth as an actor, he carries so much potential at a young age. Lastly, Yan An, Zhen Xuan and Lai Wei Ming deserves more recognition for their acting performance, I applaud their performance too.

I highly recommend this drama. Perfection is something unachievable in life, even the best comes with flaws. This drama is no exception from such flaws but what makes this stood out is the amount of good qualities it had. From storyline, to cinematography, to acting, to characters and to chemistry.

The 'Fangs' in 'Fangs of Fortune' surely carved into my heart ♡

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The biggest disappointment in BL history....

While this show was not only overhyped and we all expected greatness, the script of this show was worse than I could ever have imagined. As usual this series started strong in the first two episodes to declined at a steady pace *till episode 12, where the jumped of the cliff and landed on the belly.

Everyone reading the novel can agree, that the novel did not need to be spiced up with the SM part for example. If the book is already good, you should not change it into something it never was. The pacing is all over the place and the side couples are mostly just extras where their stories are wasted and not explored in depth. But we see scene after scene of the ML which did nothing for the story.

Episode 12 culminates in the trash script this was, with one cliché after the next. Nobody can fault the actors who all did a very good job with what there were given. And of course costumes, most of the staging and cinematography was impeccable, The music with an real orchestra was great - if they had used it everywhere and not used some music from a library which again was completely unnecessary. The few minutes in every episode could have been handled by the composer as well. Of course I could nitpick about the "english" natives and the "London underground station" and so on. And don't forget all the ads slapped directly into our faces. And don't forget the miraculous healing power of Chakri, who was serving again after being shot (which was not a stray shot in the arm or so).

All in all, this was overhyped and did not deliver. Aof said, he did the best he could. If that's the best, I don't see a future for Domundi. But of course the fangirls will overrate this show again, will not understand how weak that story was and that the drama was forced. And they will write glowing reviews (hello CRPH & thanks for blocking) not having a shroud of integrity to write about the flaws this show has. Normally this show would rate even lower, but I can't deny the acting performance (oh daddy Ramil you were the perfect asshole through out the series), the cinematography, costums and most of the staging and most of the music. But the script was trash. As I have written all of that - the conclusion is: This show is a waste of your time.

Oh, I forgot: The cut version should not exist, because they even cut STORY elements. Which makes no sense at all, especially in the first episode.

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Comic relief with great chemistry bwteen taynew

Watch it and you will find yourself laughing and gushing over taynew's chemistry after a long tiring day!
The music score, the background effects, the pace of the story is just perfect!
Newwiee's elegance and attitude to play Kanit, who is a flight attended, meets your eyes and Tawan's nonchalance and rowdy aura as Toto shows the moment he appears on the screen! Taynew's chemistry is the reason why their fans stick with them even after 10 years into the BL industry. And the role they play in this as TotoKanit shows how talented they are indeed. It's been just the first episode and you can already see who well they have acted.
Mond, Ryu, Tui, Oab and Kapook are also playing their part to perfection!
Other than great acting, the story is also the reason why one should go for this show. The love between two people from different economic class can be cliché but what makes this story special is that how a super elegant and materialistic man like Kanit falls for someone who unapologetically bears a crude persona (toto).
There are plenty of other sweet things kept by director (P'Jojo) which probably the fans will be able to relate!

So yeah, go and give it a watch. You will only want more of it!

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Dynamic with high intensity caused by a sheer impossible tension between self-control & surrender

Revenge and KDrama obviously go extremely well together. TV productions are full of it. Actually, the revenge-motiv appears to be eternally young, being grippingly re-staged over and over again. "Eve" from the year 2022 is one of them - idiosyncratic, with an unmistakable coat of paint. "Eve" is about a long-planned vendetta against one of the most powerful Jaebeol clans in the land. "Eve" may join a long list of KDramas in the revenge genre. However, this KDrama scores with its very own charismatic aura.

Premise of the revenge-plan against the most powerful: Perfection should be brought down by perfection.
Maximum control should be conquered by maximum control.

If one wants to control life to perfection, what remains is a lifeless, loveless shell. The price of power is transcending one's humanity. The little Jaebeol preschool daughter vividly fights the emotional price of power: she's already learning to play golf, but she's still peeing her pants - she´s overstrained ... Living the Win are her parents and grandparents: feeling and behaving like deities... The perfection of arrogance finds its direct expression in the control, the unscrupulous abuse and the brutal oppression of others. It goes hand in hand with self-control. Yet, the extent of the staging of their 'beauty' and ´perfection´ becomes downright repulsive and turns 'beauty' into its opposite - disgust.

The (dramaturgically chosen) valve grounding the human being in his earthly transient body is the dance. Here especially the tango. Exotic, erotic, heavy, deep, dark. The dance, the rhythm and the music bring you back into your own body. You have to listen to it - in tango to the body of the partner, too. So it's also about perfection here, but it consists of perfectly balancing your own body movements with personal authenticity, feelings and perception. THIS ´perfection´ draws from itself and is not at the expense of others. It culminates in a state of relinquishment of control - an altered state of consciousness. This condition only lasts for the moment of the dance, for the moment of encounter. (The Andalusian flamenco even coined its own term for bringing the dance to perfection: 'Duende'. This concept stands for an almost ecstatic state of consciousness that results from surrendering to the interplay of different brain areas, physical dance technique and emotion.) This moment makes you feel alive - intense, true, pure and innocent.

Throughout the individual episodes the revenge-hungry protagonist (a fantastic So Yae-ji) maintains an extremely high tension between the poles of maximum possible emotional self-control (in the service of the elaborate revenge plan) on the one hand and complete surrender to the sensual, invigorating movements of tango dance on the other. As the dance draws its power and charisma from the depth of the subjective, authentic emotional world, maintaining this tension is almost impossible. In fact the KDrama thrives on this very special dynamic (of the sheer impossible bearing of the tension between self-control and surrender). The result is a consistently high and gripping intensity.

I have read some reviews that accuse this KDrama of the (missing) chemistry of the protagonists or the ending or the resolution of the revenge motive, or even the revenge motive at all. Well, that is of course a matter of taste, too. In any case, I think the motive for revenge suits South Korean authoritarian society. Even today. I also consider the character of Kang Yoon Gyeom being drawn (and acted) extremely well - if the protagonist were sympathetic, open, tangible (and, if you like, more classically attractive), then the relationship dynamics would be more predictable. His repulsive, calculating side suits him. The fact that he is 40 already plus he doesn't really fit the image of classic male love interest suits the role, too. So do those very subtle nuances that reveal his other (touchable, needy) side. He is not extremely likeable. I agree. Yet, thus the provoking relationship with him subtly, unintentionally and unexpectedly develops its own dynamic. The ambivalence - attractive vs. repulsive - comes across quite well in my opinion. A strange chemical mixture, an unknown factor in the revenge plan equation. The reactions triggered by this in turn leads to an ending, that is what it is. ... Either way, revenge NEVER makes you really 'satisfied'. Because the pain of the old wounds or the memory never goes away, and the loss cannot be reversed either. On the other hand, with revenge new karma comes along and is guaranteed to be saddled on top of everything else, which one has to spoon up ... (This is usually overlooked when one sets out to take revenge...)

From my perspective, "Eve" is a haunting KDrama - with a lasting impression for sure.

It might also be worth mentioning:
The staging of the cruelty within the Elite world, their madness as well as the space given for the sexual dimension of the relationship are exceptional for a KDrama. However, these deliberately staged rather animalistic or even archaic aspects of the human species (which are assigned to the evolutionarily older brainstem or reptilian brain) set a sharp contrast to the hypocritical, superhuman self-portrayal of the Jaebeol elite...





---------------------- SIDE NOTE: --- Revenge motive and KDrama - for once wanting to control the elite 'authorities' who otherwise control the rest of the country ---

South Korea (with its comparably recent dictatorship history) is probably one of the places on earth where (perhaps a little bit more than in many other places where rule of law has already gained a somewhat more solid footing) rules still mainly apply to 'simple' people, the masses. The influential Elite, the Jaebeol in particular, namely play their private, own, elitist game. They are isolated from the rest of society. They seem to own the world. They live and rule as they please in their own orbit. When their world collides with the masses, it's annoying, but rarely turns out bad for them. They simply get rid of disruptive factors (or better: let others get rid of them). They enjoy all the freedoms. For them, ordinary people are actually of no worth. They can be substituted. They can be controlled by money or violence.

The state should actually be responsible for objective justice. But 'state' is made up of people. And the less binding the objective rules are handled by these people or the more rules can be bent, stretched and interpreted in favor of the 'perpetrators' from elite circles, the greater the subjective dissatisfaction and the stronger the desire of the 'victims' for vigilantism - the desire for revenge!

However, there is a difference between the desire for revenge/subjective justice and the realistic possibility of actually getting it. For the influential powerful, a few phone calls may suffice. The common people have to be a bit more subtle and sophisticated. Vigilante justice needs to be well planned. Especially if you want revenge on a person from the orbit of the Jaebeol. It costs time and money to be able to penetrate their world at all. In most cases, sworn helpers are also necessary. After all, it is to be expected that the same applies here: a plan is there to be discarded... Not everything can be foreseen. Details have to be improvised. The space for the unexpected can only be calculated with a degree of blurriness.

Against the background of authoritarian South Korean social structure, KDrama and revenge motif often and happily enter into a dramaturgically promising connection. It offers a vicarious valve for the emotions of the many ´victims´ of a corrupt system...

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CLOSE YOUR EYES – NOW FEEL ⏯️

DISCLAIMER: I completed this a week ago and had time to collect / sit with my thoughts so please take my opinion / review with a grain of salt as I’m not here to argue with anyone.

I also have not watched the Taiwanese version yet (but I will do so soon) It will be interesting to see if my opinion on the show will been alter / change. Anyways, this is just a my summary of the drama. I watched it completely blind with no preconceived notions.

The emotions you will experience while watching this drama cannot be replicated by reading a plot synopsis or watching a summary video on YouTube. I recommend that you watch it without looking at the spoilers or hating / comparing it to versions you've seen before. Just pretend it's a whole new drama.

Genres: Mystery, Thriller, Romance, Fantasy

Tropes: Time travel, time loop, doppelgängers, friends to lovers, second chance romance ,found family, friendship, transmigration (body / soul switching), soulmates.

Likes:

This drama was interesting to say the least. The cinematography was beautiful and it felt very nostalgic because it takes you back to the 90s and 2000s. The time travel plot was very well done. I thought it would be confusing but it wasn't. It was easy to understand and found myself figuring out the plot half way through. I figured the scarred man was in fact Nam Si Heon and came up with reasons how this could be possible etc. My guesses were close enough lol. Every episode had me on the edge of my seat, thinking I had it all figured out, only to be surprised by unexpected twists and turns. I had to pay close attention because of the back-and-forth storytelling, but it was worth it.

Jeon Yeo Been's performance was outstanding, especially in how she portrayed the two different characters – she was convincing in showing us (the audience) that it was in fact two different people. The especially how she shifted her personality between the characters. The way she looked at Si Heon / Yeon Jun, laughed, walked, smiled and talked – all changed with the person and the timeline.

Ahn Hyo Seop gave me butterflies and made my heart skip whenever he was on screen, he really is very handsome and I think I developed a crush while watching. Si Heon / Yeon Jun was soooo boyfriend and just the greenest flag ever, across every single timeline. I mean he did such an amazing and convincing job as he portrayed the Si Heon / Yeon Jun who longed for his love (Jun Hee) across time and space. I thought the way he could immediately tell the difference between Min Ju and Jun Hee was precious and endearing. Min Ju could not fool him and unfortunately he would never be able to return her (or anyone else’s) affections becasue Jun Hee was his one true love.

Kang Hoon proved that even without a lot of lines, one's screen presence can be pretty impactful. Also, the way he emotes with his eyes is at another level altogether.

Rowoon's guest appearance was a pleasant surprise and I enjoyed seeing him on screen even thought it was short lived.

Min Jin Woong was a very compelling villain. He nailed the psychopathic murderer / serial killer role so well. I was definitely creeped out and on the edge of my seat watching and waiting to see what his character would do next.

Dislikes:

Some aspects of the time travel phenomenon weren't entirely explained, like why there were two people with the exact same face? I also found it puzzling how Chan Yeong looked exactly like his older brother. That resemblance was truly a mystery for me but I guess it made the storytelling easier from the writers perspective. It seems like that's just how the world of 'A Time Called You' works. I did not have a problem with Si Heon / Yeon Jun and Min Ju / Jun Hee existing in the same timeline like other people. It was very understandable and if you pay close attention you won’t be confused.

What triggered me was Min-Ju’s suicide. It captured a suicidal persons thoughts perfectly but reinforced the fact that no matter what you say / do to help a suicidal person, it won’t change the fact that if someone wants to die… they will kill themselves. They have to want to live for themselves and want to heal / get better and have something to live for. I’m not saying this to be cold/heartless because I just knew a girl like Min Ju. The only difference is she'd always threaten suicide for attention (unlike Min Ju) but in actuality, being her friend was exhausting. Safe to say we're not friends anymore and she still has her depressive episodes but I’m glad I’m not around for her to trauma dump on me or act like her issues are for more important / greater than anyone else's. She used to claim other's do not understand her and that she doesn’t have the mental capacity to care about anyone but herself (at least she was self aware, but imo she was also self centered and mean spirited most of all!). I don't think it was for a lack of love or attention, because it seemed she received both, but like Min Ju she was bullied a lot in her formative years and then kept attempting to transform herself indefinitely. Unfortunately she did not realize (and still hasn't to this day) that by doing all that she was killing the person she used to be, leaving her feeling empty and full of self-hatred (much like when Min Ju claimed to be Jun Hee lol!)

Anyway, it's ironic because thorough everything I was deemed selfish and told that I just don’t understand even though I always was encouraging, reassuring and supportive much like In Gyu. Seeing such a similar occurrence in this drama brought up a flood of emotions for me, which is why I think I felt overwhelmed then slightly irked while watching it. It was insane, especially when they showed inside Min Ju’s mind, Jun Hee trying to stop her, In Gyu pouring his heart out and trying to comfort her by lending caring / supportive worlds to then hearing Min Ju claim nobody cared about her. It was even more shocking to then see her catapult / launch herself off the building, thus killing herself (bleeding to death) and In Gyu taking the blame. I had so many mixed emotions but that very intense scene left me feeling sad and disheartened most of all. I could feel the same sense of hopelessness much like how Jun Hee felt, just being a mere bystander/watcher from that cave – not being able to do anything to help or convince Min Ju her life was worth living.

Moral of the story is choose your friends wisely, try your best and be kind always. If it’s not good enough (especially to the other person) and they don’t see the value in their life then know it’s not your fault / on you. Don’t blame yourself and go to prison for someone else’s choice or twisted wishes to be fulfilled like In Gyu. As Jun Hee said it was Min Ju's own expectations of people that made her miserable and she needed to take time for herself and take care of her wellbeing.

I wish the show explained the alternate ending better, I would’ve liked to find out exactly how In Gyu saves Min Ju on time. It would also have been nice for them to tell how Min Ju gets stuck in a cave where she see through the eyes of Jun Hee and vice versa plus how they escape from it and become the main host of the body.

I’m a very emotional / sentimental person so I did tear up while watching. If you’re the same (or worse) be sure to bring some tissues.

Final Thoughts:

Overall, each of their stories was beautiful as was the ending. Even though it’s an open and some what bittersweet ending I think it gives the viewer hope and promise of what is to come between the two main characters. While watching I felt warm seeing the kind of love that was portrayed throughout the drama. It made me feel the butterflies of a first love, the comfort of a mature love, the pain of separation and the overwhelming relief of their reunion.

The ending made me hopeful and happy, but it also made my heart hurt. I think it’s more so because of the realization that so many precious memories and relationships formed across various timelines would be lost forever, as if they never existed.

This was the kind of drama that stays with you long after you finish watching it. I still feel an ache in my heart when I think about it or listen to the OST (which by the way is just as amazing!) I think everyone who enjoyed this had that moment where they played "Gather My Tears" and tried to close our eyes and dissociate pretending we were going back in time like Jun Hee.

If this drama was a quote it would be: "In a hundred lifetimes, in a hundred worlds, in any version of reality – I'd find you and I'd always choose you."

It truly deserves an 8.5/10 and I will definitely be sure to rewatch it in the future, whenever "a time calls me."

If you read all this ILY! 🥹


Thanks for reading & happy watching!

˚ʚ♡ɞ˚

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Ideal living

I love this drama.
This is my first review.
One of the most riveting modern Chinese dramas that I have watched in a long time. No need for any of the bells and whistles like fantasy fairy lands, CGI, nice fancy costumes/makeup, kung fu choreography, original songs. Even without all that, this drama still stands out. Why? Story is riveting, uplifting, storytelling is logical, and the actors deliver in portraying characters brilliantly.

What drew to me to drama to begin with was SunLi. I have not watched any of her previous dramas before so was curious why she’s so famous. And after watching her here in this show, I now know why. The first few episodes were difficult to follow, but I stuck with my rule of thumb on watching at least 5 episodes, and if I didn’t feel invested by then, I was out. But not with this one. After the 3rd episode, it was game on!

The title of the drama is The Ideal City, and it delves into the theme of what is the ideal way to succeed, and what do you do when you get there. Does the end justify the means?
It follows the story of a young woman (SuXiao) living in the big city of Shang Hai, and how she makes it in a male dominated industry despite the many adversities she has to face.

It’s natural for people to want to succeed, to climb the ranks of the corporate ladder, make more money, and to be respected. But what will you do to get it? How low will you go to get what you want? Ideally, we should strive and work hard to get what we want in life, but so many times, some people cut corners to attain that outcome.
Many times, it’s those at the bottom of the corporate hierarchy who suffer the consequences of the decisions of those above.

SuXiao is a principled woman who is talented in her field of work.
From the get go, she is served with wave after wave of injustices. Betrayed professionally and personally by those she loves and trusts. What I love most about her is that even though she is struck hard by these people, she does not stoop down to the level of her rivals. She does not use their methods to beat them.
Also, she doesn’t stay down. She picks herself up, soldiers on, and takes up any opportunities she’s given, proves her worth, and thrives.
To me, SuXiao’s journey and response embodies power through resilience and hard work.
She did it fair and square. She was a victim of unfairness, but she rose as a victor.
Life knocks her down, but she got up. Step by step she rises and proves her worth with sheer hard work. She shuts the mouths of critics by her actions.
Full of dignity and integrity in life and work.

She is the ideal.

But not everyone can enjoy the same idealistic journey.
Some others made it to the top by utilising inglorious methods like: back-stabbing, holding others back deliberately to not let them outshine you, taking credit for other people’s work, bribing, framing, scheming, and just knocking others out of the way to get to the top.
It’s ugly, dirty, desperate, and simply despicable. It’s unideal.

Also, when you get to the apex. What do you do? What is the endgame for all the headache associated with corporate boardroom struggles, mind games, schemes?
Be a vortex to seek to hoover in more money for yourself? Or should you look at how you can pull others up to be on the mountain with you.
It’s the reasonability of those higher up to be transparent, expose truth and administer justice.

I may be a bit philosophical in my drama review, but what I enjoy most about this drama is that it holds a mirror out to the audience and asks “what will you do to get what you want in life?” What this show reminds me of is that ultimately you are in control of your own destiny. Whatever your background, whether you have billionaire father, education, or a poverty stricken family to support.
Everyone has baggage to carry. Life is hard for everyone.
You can wallow and whinge, throw pity parties for yourself and continue in your state of victimhood.
OR you can after you fall down, re-evaluate how you can do it differently, and dust yourself off and try again. It is ideal to choose the latter, even though it may be a rough and hard journey, and, to not leave a trail of resentment and disgruntled people to get there.

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Brutal, merciless milieu of gangs & drug cartels. Stirring, gloomy but with soulful strings, too

What a positive surprise. For all those who are not afraid of the brutal, merciless milieu of gang wars and drug cartels: "Worst of Evil" offers intense characters with dynamic profiles, especially of the two protagonists - the rural police officer who joins a new Gangnam gang as an undercover agent, to help uncover the organized drug trade between China, South Korea and Japan, as well as the boss of that Gangnam gang.
In particular, Ji Chang-wook as Park Jun-mo alias Kwon Seung-ho puts his heart and soul as well as quite some muscles and fighting into it. Whatsoever, he is impressive. But so are the others. It´s well cast and Disney+ apparently didn't skimp on anything...
For me personally, gang stories like this one aren't really my first choice. Too much crude violence, too much highly concentrated testosterone... "Worst of Evil" is no exception. Sharp blades and baseball bats are in high demand, especially in the first half. Nicotine seemingly acts as nutrition and even the fanciest suits can't hide the fact that a lot of blood is being shed unscrupulously...

Nonetheless.
“Worst of Evil” features complex characters and highly explosive relationship dynamics that is touching, gripping and, more importantly, provides emotional substance, too.
Eventually, undercover operations are psychologically demanding. The boundaries between true and false identity are blurring. A solid compass for right and wrong can easily be lost. The reality of living the undercover life creates new truths in which even the 'false' identity becomes a ´true´ part of one's own life. Coming to terms with this obviously is not easy. The return to the old life as it was before, even less so. In the case of "Worst of Evil", these internal and external conflicts of our undercover investigator become even more difficult by the fact that his wife has a history with the gang boss that he knew nothing about. She, his wife, herself a police officer and officially not ´his´ wife in terms of the new undercover identity, is now drawn into current affairs in a way that the small special investigation team could not have foreseen.
Not to mention the fact that the drug cartels involves powerful partners, not only in South Korea, but also in China and Japan. At last, the homicide police also get involved in dealing with everyday gang activities and murder cases in Gangnam. None of those involved is squeamish whatsoever. So danger lingers everywhere. Not only fists and fights, but also intelligent, diplomatic solutions are required. High-end improvisation is on the agenda for our hero.

"Worst of Evil" is thrilling, stirring, gloomy and – despite all the blood that boils over and over again (and all the copious amounts that are spilled) – it has its soulful strings, too. It's about trust, loyalty, bromance, the relativity of 'right' and 'wrong', and ultimately the ethical question of which end justifies which means...

Is the story predictable? Well, I can't fully deny that. But in "Worst of Evil" the journey is clearly the destination - what the undercover special operation DOES with this once "mother-in-law's favorite" and how he comes to terms with it. In addition, his counterpart, the self-proclaimed, brash, brilliant gang leader, is also quite interesting. With his vita, his goals and desires, he doesn't really fit into the usual cliché and thus brings additional dynamism. In addition, several other characters in the cartel (and police) environment impress with strong profiles, too.

As I said, I was pleasantly surprised. "Worst of Evil" had me. It's pretty well made all around and has actually more to offer than just ruthless gangs and action. (Nevertheless, be prepared, it still is about the milieu of ruthless gangs...)

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Where Acting Meets Art: A Drama Worth Watching

This drama is truly impressive in many aspects. The actors' performances feel incredibly natural and effortless, allowing each character’s emotions to come through powerfully and convincingly. Nothing feels forced, which makes it easy for the audience to become fully immersed in the story. The filming locations are thoughtfully chosen—visually stunning and perfectly aligned with the mood of each scene. Combined with beautifully crafted cinematography, every frame looks like a meaningful painting. The blend of heartfelt acting and visually captivating scenes makes this drama truly deserving of high praise.

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