This review may contain spoilers
One Word Description: Boring
Suffering from insomnia? No worries, here's an effective solution. It won't fail to help you to fell asleep. da da da 'Doom at your service' powered by tvN network.Disclaimer: This review is written by my utter frustration. Still, I tried my best to point out the pros and cons. So please don't mind me.
You are making a soup, you bought all fresh ingredients and veggies, added all exotic spices. Soup is simmering for many hours and it smells so nice and even makes you hungry. You have a beautiful set of crockery and cutlery. Now the soup is done, then you take a sip and the 'Moment of Eureka'........... you forgot the salt. But you can't take it back as it's already been served. As salt is the soul of every dish without it everything is tasteless. The same thing happened with drama. It doesn't have a soul, it's just trying to become somewhat majestic and ends up becoming nothing.
Everything is so pretty... pretty actors, pretty sets, pretty cinematography, pretty clothes, and most important the 'petty' story. It's badly written has no logic, draggy with many plot holes. The conversations aren't meaningful rather vague. Where plot twists aren't interesting, surprising, or have the ability to hook the audience and keep them on their toes.
The thing with fantasy is, it's a vast genre without many restrictions, rules-regulations it depends only on imagination, the main problem is the 'story' which lacks in 'creativity' and becomes repetitive after one point circling. We live in 2021 and the plot is about 'A damsel in distress with knight NO Doom who's gonna save her.' is this intriguing? I found only the second leads storyline is interesting in the whole mess (But they don't have screentime lol), and as I person who doesn't give fuck to second leads it's the superlative thing. Just because the lead storyline has literally nothing captivating.
Tak Dong Kyung has a most miserable life. If you are having a bad day just go and watch the first episode Oh No not for lifting your mood, because you won't feel your day was bad after watching her day. I don't have a particular problem with her character just she lacks common sense lol. Her many decisions are just stupid, why even she made it if she was gonna return to the same point. Kim Sa Ram/Myeol Mang, well he is good-looking... um very good looking oh yeah his hairs look cool. Wow, I have literally nothing to talk about his character lol, he seems to hate humans but then why he has a soft corner towards Dong Kyung. I am confused by his actions, firstly what the heck was his plan? and secondly why the hell he started to like Dong Kyung? He isn't human, right? he can't sleep, eat or drink then why does he have human emotions? There's a conversation where the male lead says he can't cry (time stamp 54:58 14th ep). And in that very scene, he is crying... seriously, does this make any sense.
Talking about Deity hats off, they played dirty with her character. She doesn't have her own personality as it depends only on the flow of the story what will be her actions or her behavior. Whereas any other side characters don't have a major role, as none of them actually has contributed. Only Deity is part of the main plotline.
We didn't even get time to explore characters individually coz they had to mix Loveline in between so abruptly. Where is the process? out of blue, they were head over heels, without giving a simple reason or explanation to it, their romantic relationship development went from 0 to 100 in the blink of an eye. Well, I know you don't need a reason to like anyone but as a viewer am I not getting fool? As it gets bombarded (We have to use our imagination power to find a reason wow, what creativity). I mean WHAT? so they made one cliche trope around the 12-13th episode, but without brain lol, well I mean if you are doing something stick to it, why just do something to consume time as you have left nothing with the story. Due to failed execution its pace, great acting was in all vain.
Drama has an amazing casting Park Bo Young and Seo In Guk look good together with great chemistry, whilst with all supporting cast, it would have been a blockbuster. Music is one of the few things I liked... it has some beautiful OSTs 'Breaking Down' by AILEE would be my favorite. There were some scenes I particularly liked, some had good humor that made me laugh too. Seon Kyung's character is quite fun and refreshing. The cinematography is stunning, with great visuals. Pretty much eye candy.
Fun Fact: For those who don't know Seo In Guk is also a singer and he has sung one of the OST 'Distant Fate.'
Maybe for the beginners of this genre, who have many things yet to explore this might be a pleasant watch. But as a person who has watched almost everything of this genre in K-dramaland, 'DAYS' has failed miserably to show me something new and refreshing.
Still, you insist. Go watch it and waste precious 16 hrs of your life.
Enjoy! Have fun xD
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Great for those unfamiliar with broader mental health issues; otherwise nothing truly new.
I finished this drama thanks to Seo Ye Ji and Oh Jung Se. If this review possibly happens to make you question watching IONTBO, I would tell you to watch it for these two incredible actors. I've been a fan of Seo Ye Ji since her Moorim School days and her talent has only become more stunning as time has passed. Oh Jung Se is a legend in my books, period. I'd also say that, if you like artistry in storytelling, IONTBO is an interesting watch. There is beautiful incorporation of various art styles weaved throughout the show, and this is one aspect that I truly enjoyed about the show. The writing is alright; certainly better than your average drama, though it still succumbs to obvious fan service (which, to be honest, I can't completely fault the writer for because Seo Ye Ji and Kim Soo Hyun are her leads—she took expert advantage of that, haha).So, onto the not-so-great elements. As an individual with deeply personal experiences with mental health, as well as experiences with the mental health of loved ones, IONTBO ultimately is a slap in the face. It's not entirely the show's fault, truly. KdramaLand and, in general, Korean entertainment as well as entertainment internationally, are all guilty of requiring a beautifying lens on most interpretations and storytelling of the world.
Don't get me wrong, I also enjoy watching beautiful people playing roles in heart-wrenching storylines. But there is just something irreconcileable to me about the concept of beauty and mental health. I do not (at all) mean that beautiful people cannot have mental health issues or that mental health is a completely ugly thing. However, when we talk about de-stigmatizing mental and having diverse voices or representative storytelling—I could not help but think: how many people would be raving about IONTBO and its championing of mental health issues if the leads were not Seo Ye Ji and Kim Soo Hyun? If this was a representation (note: I don't mean copy or true story) of real life, how many people would truly care if this story was told? What would domestic and international reception look like if Kwon Yoon Hwa was cast, rather than Seo Ye Ji?
And so, as the show progressed a certain cliche refused to stop ringing in my head: "Nobody cares unless you're beautiful or dead". While I personally can't say that I believe this to be completely true—sadly, when it comes to most mainstream media, wherever you might be in the world, this saying often holds heavy truth.
As I did not expect Crazy Rich Asians to be the representation of all Asian stories and voices, I do not expect IONTBO to represent all voices, stories, and perspectives for mental health. That being said, if you've been around KdramaLand for a while now, you'll know that this is not the first "groundbreaking" attempt at telling stories about individuals and mental health.
Ultimately, IONTBO will be enjoyed by most, I reckon. So, all I can say is that IONTBO was nothing new for me in KdramaLand, and is certainly not groundbreaking in its explorations of mental health. Instead, it's a painful reminder of the endless habit of beautification in film and TV industries around the world.
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1bananakim (first review)is trash and false so here is the real info...
"The Wanted Detective" is a captivating Chinese crime drama that blends mystery, action, and emotional depth into an enthralling viewing experience. From the very first episode, the show grips you with its clever storytelling, well-written characters, and a refreshing take on the classic detective genre.The story revolves around a detective who is not only solving crimes but is also a fugitive himself. This duality makes for a highly engaging narrative. As he solves each case, he is also running from the law, hiding secrets, and trying to uncover a larger conspiracy tied to his own mysterious past. The pacing is tight, with each episode ending on a hook that keeps you coming back for more. The drama does an excellent job balancing episodic crime-solving with an overarching storyline that grows darker and more personal as it unfolds.
What sets "The Wanted Detective" apart is its character development. The lead actor delivers a powerful performance, portraying a man torn between justice and survival. He’s flawed, complex, and entirely human. You can’t help but root for him even when he makes questionable choices. The supporting cast is equally strong. Each character, from the determined police officers chasing him to the civilians caught in the crossfire, is given layers of personality and motivation.
Visually, the series is polished. The cinematography is sharp and atmospheric, often using shadow and lighting to enhance the suspense. Action scenes are well-choreographed without being over-the-top, lending a sense of realism to the drama. The urban setting, often gritty and moody, fits the tone perfectly and helps ground the story in a believable world.
One of the show's biggest strengths is how it explores moral gray areas. It poses important questions: What does it mean to do the right thing? Can a person be both a hero and a criminal? The detective’s journey forces viewers to think beyond black and white justice. It’s this psychological and emotional depth that keeps the show from being just another procedural.
The writing deserves praise too. Dialogue is tight, and each case is thoughtfully constructed. Clues are cleverly planted, and the reveals are satisfying without feeling forced. The show also avoids dragging its plot with unnecessary filler, making every scene feel purposeful.
Another standout element is the soundtrack. The music heightens the tension at just the right moments and adds emotional weight during character-driven scenes. It complements the story without overshadowing it.
In conclusion, "The Wanted Detective" is an excellent Chinese drama that offers much more than standard crime-solving. It’s a mix of thriller, mystery, and emotional storytelling done right. With strong performances, a gripping plot, and thought-provoking themes, this drama is definitely worth watching. Whether you’re a fan of detective stories or just looking for a compelling drama with depth and excitement, "The Wanted Detective" will not disappoint.
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It was a bit weird because it seemed like each couple was like out of different genres of dramas.
I needed fluff right now so I still liked it. I watched it without much thought while it was in the background.
If you want something light and fluffy you can watch without much thought you will enjoy it. There are still better ones out there.
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Women should not rule the world.
The Legend of Zhuohua is another in a string of recent female empowerment themed historical romantic dramas. The production is upfront that this drama is a work of pure fiction. It is impossible for women to exercise the kind of influence and authority portrayed in this story in ancient Chinese patriachical society. The attitudes and values articulated are also incredibly modern and unsurprisingly, resonate with current audiences. It should be enjoyed at face value accepting that many aspects of it are sheer fantasy.Titular character Ma Zhuohua flees an arranged marriage to the capital; where she must pass the imperial exams to fulfill her ambition to be a female official. Quick witted and resourceful, she saves Lord Ding, a decorated war hero, when he is wouded in the middle of a clandestine operation. Their fates intertwine as he is the strongest advocate of opening up scholarship and official positions to women. As they collaborate on official assignments and work toward their shared vision of the country, they fall in love. Can their relationship navigate a feudal system that requires women officials to choose between marriage and their career?
The most enjoyable arcs of this drama are the early courtship ones. This is the first time I have enjoyed Jing Tian's playing such a clever, demurely mischevious and independent character. Despite a ghastly white color filter and not the best dubbing, the strong chemistry between Jing Tian and Feng Shaofeng is unmistakable. It is so refreshing and very hot to see such a candid, lively and purely adult relationship dynanic laced with flirtatiously racey dialogue. The humor is very well written and so cheekily portrayed that I laughed uproariously many times, and especially at the dirty jokes. The political commentary and philosophical debates are surprisingly well written, with a sophistication beyond what I would expect of a light romantic comedy like this.
Outside the empowerment theme, the sub-plots are not special but this top notch veteran cast is very charismatic and executes so well it makes up for some of the lack of originality. Both Shi Yueling and Wang Likun in particular deliver formidable, almost terrifying performances as Empress Dowager Zhou and Princess Roujia. I also found Roujia's complicated relationship with Shen Jinghong very interesting. Unfortunately just after the mid-way point, the narrative rehashes tired plotlines including noble idiocy, murder most foul and high treason. In quite a similar vein to Destined, it nose dives into a poorly designed political melodrama and predictible twists. Even incredible acting cannot paper over that this is yet another delusional ends justifies the means antagonist with an unconvincing villain origin backstory.
This would have made a much better 20 episode drama that ended on the intended message that women should seize their dreams. The writers took it one step further into women can also seize the world. And then left us with an unambiguous message that women should not rule the world. The first few arcs of this are worth about an 8.0 but the latter arcs are just 6.0/6.5. I can only give this a 7.0. Its still a quality production with some good laughs to pass some time but it won't rock your world.
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A Story About Dreams & Destiny: "Although I know my destiny, I still courageously choose to face it"
Fangs of Fortune is a fantasy drama that is based from Chinese Mythological Creatures. It tells a story about a heavily discriminated great demon named Zhao Yuan Zhou and the journey of his life as he chooses to face his destiny. Along his process of walking onto this new path he had chosen, he managed to be involved with a group of beings ; either mortals, gods, demons. They later formed into a team at the Demon Hunting Bureau who at first were only bonded together for the sake of solving mysterious cases about creatures that had gone rampant. They each face each other with indifference and mistrust at first, but the more they unravel truths about the past - especially of their own, they gradually began to warm up to each other and thus, formed a friendship that later turned into found family. Regardless of their differences, they began to understand each other and stand in equal footing eventually learning to separate evil and good from origin, and coming to accept life's greyness and the complexities of beings - whether mortals or creatures.What had heavily made me gravitate towards this drama is its compelling storyline that is thought provoking and how it finely touched different gradients about morality. It isn't all for a captivating watch as viewers are also challenged to put their perspectives into each of the characters shoes to understand the different contrasting layers of these characters ; their decisions and actions towards certain events or situations. Adding to these is the unabashed portrayal of intense emotions from every character no matter what gender which in turn pinches at the corners of the viewers hearts. To say it is merely a fantasy drama is a bit of an injustice, beyond the excellent cinematography and gorgeous visuals lies a much more meaningful story about life and its lessons.
The great demon Zhao Yuan Zhou's journey came with a lot of loaded heartache but as the plot progressed, his heart became vividly clear. He is a very courageous character who had accepted and had long awaited his destiny, yet still he chose to face it. In the process of doing so, he found himself spreading warmth towards everyone and at the same time receiving the same warmth which he thought he is undeserving of. His selfless act of sacrificing his life for the greater good and his loved one despite having already grown roots for living, proves his heroic character, great love, and how he holds his dream of a peaceful and carefree life ever so importantly. He didn't just simply accept his destiny, he fulfilled his dream along with it. The immense amount of greatness of his character is immeasurable.
This drama might not have been centered solely on the romance between the main leads, however, their love story turned to be the most beautiful yet tragic to be foretold. The love between Zhao Yuan Zhou and Wen Xiao is one that is seen as subtle on the surface, barely palpable - but as you take off the heart shaped rose colored glasses, what awaits is a love that conquers all. Deeper than the romantic moments or sweet intimate scenes, it's the strength of their feelings towards each other that time and time again, they constantly and gravely chose one another. Zhao Yuan Zhou's journey to life started because of Wen Xiao, but it also ended because of her. His love for her is so vast and selfless. While Wen Xiao became the living testament to his deep love, her devotion to wait for 300 years in the sundial and her willingness to guard his home ; the wilderness, while endlessly waiting for their reunion. The nuanced and subtleness of Zhao Yuan Zhou and Wen Xiao's love, proved against odds how deeply rooted and ever lasting their love is, even if their fate is tragic, their feelings for each other never cease to exist, and continue to live on, for every rain shower is their reunion.
All the performance of the actors in this drama are praiseworthy. I specifically have to praise Hou Ming Hao's phenomenal acting skills, his portrayal of Zhao Yuan Zhou connected the most with me. The expression and emotions he delivered on screen screams how great and talented of an actor he truly is. He always left me in awe. I instantly became a fan of him. On the other hand, Chen Du Ling's role as Wen Xiao spoke so much volumes about humans limitations when faced with destiny, her portrayal has been admirable. Tian Jia Rui and Cheng Xiao doesn't fall behind much, they also did a commendable job with their roles. I am looking forward to seeing more of Lester Lin's growth as an actor, he carries so much potential at a young age. Lastly, Yan An, Zhen Xuan and Lai Wei Ming deserves more recognition for their acting performance, I applaud their performance too.
I highly recommend this drama. Perfection is something unachievable in life, even the best comes with flaws. This drama is no exception from such flaws but what makes this stood out is the amount of good qualities it had. From storyline, to cinematography, to acting, to characters and to chemistry.
The 'Fangs' in 'Fangs of Fortune' surely carved into my heart ♡
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More Like A Hundred Disappointments
80s story that could have had potential but ruined by hundred dumb routes. They have promising setting, two female bus conductors at first having their own family burdens, social expectations, and dreams. Their contrast personalities give balance for their character. But the show reduce them to “love rivals” rather than an individual characters who have goals. The writer want to create story about girl friendship complexity but failed, no build up, no progress, no motivation, no solid story message. They wasted it with story being defined and revolved around the male lead and lost the unique identity they supposedly had.Oh yes, I understand it is romance. But then they didn't show how they develop the relationship, how and why they catch the feelings bit by bit, what push them to change, how they got to be who they are. The story becomes a disconnected events rather than a cohesive journey for the main characters. All of their purposes are pulled into shadow by the romantic entanglement rather than resolved by their own growth. All these forced emotions are craps.
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A Hundred Triangles?
Alas, I find the male lead out of place from the female leads's dynamic. Whereas Yeongrye and Jonghui's opening come from down to earth household, economic hardship and gender expectation; Jaepil comes from the contrasting background. Prince on white horse? His cliche "privileged rich cold boy" introduction failed me to connect with his character in their 80s setting.
Yes, ML owns his emotional wounds, daddy issues, and bankrupt era. But the drama also seems to rely on him being the “object” that the two female leads orbit, rather than giving him enough depth to make the audience care deeply about him as more than just a romantic figure. Even his "aspiring boxer" narrative is scrapped by "heartbreak". He also got no much role for female leads's development. At least other male characters play a significant part in female leads's ambitions plot / Yeongrye asking the brother duos about law as she lacks education but she still revolve the problem on her own / Jonghui with his criminal brother side by side with Ko's siblings.
Once again, the main character's dreams, are scrapped throughout the drama, removed, forgotten, then pulled back in last seconds just for the sake of dumb plot. Titled hundred memories then give us a whole 7 years timeskip with a minimum flashback with majority of dramatic tension still weight heavily on the male lead, who, is not given enough complexity, growth, or... good acting to justify that weight. Romance drama? Well, it is also supposed to be a youth family drama but the series fall back into hundred romance tropes.
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Not Enough A Hundred Memories, But A Hundred Cliches.
Anyway, some parts are great especially when they show Yeongrye's family dynamics and 80s economic straits through the open door bus conflicts and.... well, there isn't much arc in the dorm lmao, what else I can mention? Wait, there is another love triangles plot in the dorm! Rather than showing the fellow conductor's struggles, they chose to add another male-centered side story! Even the side character cant escape from the love triangle, sick how the writer sidelined Jeongbun's struggle and made her story all about cheater character instead of addressing pregnant without marriage issue in 80s. The ending is such a joke too, I would accept the writer's intention to push "friendship" narrative in the last minutes if they focus resolving the main conflict, the stab incident trauma between the girls, but then they pulled this foggy dream light crap and made Yeongrye scream "Jaepiiiill" !!
But really, this drama has some genuine emotional moments, especially during first half in portraying female friendship and societal pressures of eldest daughter, female labor etc.. Though it went down hill, jumped to the cliff latter part, especially with the makjang nonsense.
Overall I am disappointed. I gave it lower rating because I had high expectations with my fave starring here. I have much more to complaint especially the late 80s hair salon background setting and styling post time skip. I expected much more from both Kim Dami and Shin Yeeun. Why the hell did they accept this script? I wished the story prioritized showing the dorm characters's inner lives, ambitions, 80's conflicts, and especially more evenly. It could have been a strong 80s story. If you are looking for that, turn around! Don't get scammed like me~
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A “ Lesson” For Itaewon Class...
Most people will probably tell you that this show is the “ most original Korean drama, they’ve ever seen” or “ the best one ever”, however, there was something about this drama which took me awhile to work out where my problem lay from a critical manner. Of course, there’s no doubt that Itaewon Class has some selling points which were tackled for the appeal of the “ young generation” and “international” viewers. This is particularly seen through; casting choices ( note fairly newcomer actors Da- Mi and American Chris Lyon) , themes tackled( attitudes to racism, LGBT rights and of course released prisoners) , fairly unique plot premise and characters as well . So, where did a show with such brimming potential go wrong? Well, its biggest problem was for once not entirely upon the acting ( this is something which I must give the show some praise for , especially from Da-Mi ‘s emotionally vibrant role as her role character Yi Seo, against lead actor Park Seo Joon’s sometimes lacklustre moments) , but, upon the characters and plot itself. The show ( based upon the titular Korean webtoon) centres around Park Sae-royi ( Park Seo Joon) who during his teen years, was wrongfully imprisoned around the same time of his father’s accident, when he is angered by bully and legitimate heir to Jangga Group, Jang Geun-won ( Ahn Bo Hyun). After being released, Sae- royi claims revenge against Jaanga Group by establishing his own restaurant in Itaewon with the help of fellow misfits , intelligent and tech savvy Jo Yi- Seo as his manager ( Kim Da- Mi), Yi- Seo’s classmate and illegitimate son of the head of Jaanga , Jang Geun-soo ( Kim Dong hee), fellow inmate Choi Seung-kwon ( Ryu Kyung-soo) transgender woman and head cook Ma Hyeon-yi( Lee Joo - Young) and Guinean- Korean part-timer Kim To- Ni ( Chris Lyon). As a premise, the show has a unique flair to it, but, I think it’s quick to become apparent that a show which focused upon the characters as plot devices rather than human beings at times, certainly has lacking emphasis upon characterisation . This cliche grew apparent when the show trickled into the tropes of revenge dramas from illnesses, illegitimate heirs to the stereotypical cliche of love scenarios between the “ older” Male lead Park Sae- royi, the “ young prodigy ,and not so innocent” Yi- Seo , the “ tangled between love and duty” Oh Soo-ah ( Kwon Nara) and the “ puppy -dog outcast” Geun- Soo. Whilst there was nothing entirely wrong with having romance in a drama about misfits, Itaewon Class made the classic mistake of centralising too much focus upon the romance of these characters rather than as individuals with personalities, pasts and lives outside of their relationships . For me, this was particularly seen with Sae- royi. Considering the amount of psychological and emotional damage he’s been through as a character since episode one, you’d expect such a character to be a realistic, cautious and likeable Male lead who is able to relate to viewers through their own painful experiences. Instead, Sae-royi is a perfect example of a “ stock Male lead” who has little emotional outburst, awareness to feelings, manipulation or any moments of weakness which truly make us reflect as viewers upon his journey. Arguably , there’s his “ romance” with Yi- Seo to make him more ‘ human’ ; so lacklustre that it’s a question why it exists in the show at all . Sae-royi seems to constantly mislead this girl with “ obliviousness” only to suddenly be falling in love with her next moment, with little explanation or reasons behind his feelings. Whilst I find it hard to fault Da- Mi, Yi- Seo was a female lead who I absolutely loathed upon so many grounds. I can understand where drama viewers are coming from to an extent by the argument that Yi- Seo is a “ strong and independent female lead”. The show made that evident from nearly episode one when she is able to “make or break “ an establishment’s reputation through her social media account and hold herself in a fight against people using her wit as well. This is also what irked me about Yi- Seo as well. She was a strong character , but she had little emotional depth as an individual. Whilst she did have some scenes which exposed more “ vulnerable moments” , these scenes didn’t truly add up with her “ sassy” characteristics at times or were truly built to expose this side of Yi- Seo without seeming somewhat “ random” and poor writing . Note the scene with the confrontation with her mother early on in the show about chasing an ‘older man’ ( Sae- Royi) rather than following her mother’s hopes for her to become a successful and independent woman. Whilst to an extent the scene explains some of the psychological reasons behind Yi- Seo’s desire to fall in love in order to escape from the planned- out intentions of her mother, there was little emotional bonding or vulnerability both with Yi- Seo and the mother who raised her, or anything truly emotional to expose Yi- Seo as a human being in this scene . Whilst I guess there is the argument of Yi- Seo being a sociopath suggested by several fans by her ability to grow on emotional attachments through her manipulative intelligence, there are scenes later on ( such as Yi- Seo bursting into tears in front of Geun- Won) which question whether this is simply bad character writing , or simply a confusing interpretation for us as watchers . I don’t usually bring in comparisons to my reviews, but, looking at dramas with similar “ strong female leads “ like Jang Man- Wol ( IU) from Hotel Del Luna or Ko Moon Yeong ( Seo Ye- Ji) from Its Okay, Not To Be Okay , brings a stark contrast between “ strong” and “weak “story writing. Love or loathe both dramas, there is the undeniable strength within both shows of a female lead who has emotional emotional depth; exposing these characters not just as “ plot devices for romance”, but, human beings as well with feelings, scarred pasts and flaws as well . Overall Itaewon Class isn’t necessarily a terrible drama, but it the epitome of recent romantic “ fad” shows - mediocre storywriting, poorly-written characters and easily forgettable the minute the watcher starts a new drama. If you’re bored and looking for something to pass the time, I’m certainly not saying that you shouldn’t give it a go , however, this isn’t a drama to watch if your looking for something to genuinely commit time towards.Was this review helpful to you?
The drama itself was a pretty good drama, not one of the best I've seen but I did enjoy watching it. Its one of those dramas you have to keep watching to like.
I really enjoyed the acting, characters were really unique and entertaining to watch. I mean you get to see both No Min Woo and Park Ki Woong play completely different roles from what we are used to and on top on that they sing >< .....I just loved the music. The songs were really fun and catchy.
Any who definitely recommend if you are in the mood of watching a light romantic/comedy.
P.S NO this drama does not have anything to do with the first Full House but the name.
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There were a lot of things that I liked about this drama and a lot of things that I didn't.
The acting was one of the best thing of the drama. Each actor and actress did a great job portraying his or her character and they complemented each other perfectly as a family. Sometimes they fought, sometimes they cried and sometimes they were plain hilarious, but each time they did it as a family. Seeing them like that kind of made me wish I had such a huge family like them!
The music was a lot better than I expected, I even learned the lyrics for the songs! There was one that was specially catchy, the one with the ?vis a vis face to face? chorus.
Now to the main part: the story. This is a really long drama,so the story is like several stories put together. The first chapters were really frustrating for me to watch because every character is really annoying and dumb. They made me just want to smack them really hard.
But then, as the story continues you learn to love these characters even with their flaws, and feel what they're feeling. Maybe, you will even learn to relate to them.
In my opinion it was a wonderful story, because it wasn't the kind of story that made you want to dramathon through the drama, but it grew on you slowly and made you want to keep watching what happened to this crazy family, and how each character grew (they really needed to grow, ALL of them).
The downside of this drama for me was that it was extended. I think the drama would've been a lot better if they had finished it in episode 39-40. The last 5 episodes were a torture for me to watch, because I felt like I had already witnessed the end of the story, and that the last few episodes were a really LONG epilogue, and no one wants long epilogues.
Overall this a really funny, light and heart warming drama. It is constantly entertaining and you will never get bored watching it, there's always a crazy scene waiting in the next 5 minutes. If you're in the mood for something like that, this drama is just for you :)
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Framing Weiyoung
Repetitive, boring, there may not be words that better describe Princess Weiyoung. Even a story based on conspiracy, betrayal and a hint of melodrama cannot abuse an appeal in this way. Okay, the protagonist is chased, she has many enemies, but is it necessary to use the framing tactics all the time? Didn't the writers realize that the protagonist being framed almost every episode tires the viewer, even those who like "tricks"? My discontent is huge that I refuse the biggest episode 34, which was the last one I saw, sad because the story seemed promising.EDIT:
I finish the drama but my opinion remains the same
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I'm like a little obsessed with crime shows and stuff so I'm being a little harsh. Overall, if this was the first time I saw a crime show, this would blow my mind. But alas, I've seen a few good ones so this doesn't really compare that well.
The story was good in the sense that most questions got answered. You find out who almost everyone is at the end. But what bothered me was that the story wasn't really tightly connected. The overarching theme was really loose and it felt a little bit forced, like parts of it was inserted just because it'll add suspense but it didn't really relate to anything too significant.
The overarching plot was predictable and too typical. I mean it's still a decent drama, I would definitely recommend, but it was a *little* disappointing.
But the individual crimes and stuff, that was kinda neat. Props.
What I appreciated was the comedic relief, they were inserted a really good times so you're not psychologically stressed the entire show. And it really builds on character development.
Acting: 8/10
The main characters really worked well together, not to mention the male leads were definitely eye candy ^^ Character development only really happened for Dr. Qin, the rest kinda helped him a long with it. Which was cute. But development was pretty typical and expected. At least the acting was professional.
Music: 6.5/10
There were not really a lot of memorable OST parts that I could remember. I'm pretty good aurally so I would remember a song that relates a certain scene or whatever. The only vaguely good parts I remember is the quirky tune during comedic relief parts. When ever that music came on, I just felp more relaxed because nothing bad is happening.
Rewatch: 5/10
I don't typically rewatch dramas, but this was short and sweet enough to maybe go and pick out my favorite episodes. What I love about these dramas are that the beginnings are individual crimes and stories so you can watch it separately.
Overall: 7/10
It was a little disappointing that the overarching theme was too loose and typical. It was too predictable and thus a little anti-climatic. But the individual crimes were pretty decent and enjoyable.
If anyone is looking for a good crime show starter or just a laid back drama, this is definitely a good one.
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A bit cringy, a bit boring
Sadly, this korean bl suffers from what most korean bls I've seen suffers from. Low budget. It is so painfully obvious that they're just acting, it is almost impossible to imagine, even for a second, that it could be real.No offense to Ok Jin Uk and Kang Hui, who did the best they could with what they had. But something about their interactions always feel off. I think it has to do with the sound. The sound of their dialogue sounds so harsh in all of their scenes. The drama in general sounds as if it was filmed by a couple of high school students. It feels cringy watching two people supposedly fall in love, when I'm constantly aware that they are just actors, who, let's be honest, are probably straight.
That coupled with the awkward script, and the too short episodes. As well as music that feels disjointed in the scene; makes you constantly aware that this is just a drama. Not once did I get lost in a scene because of how good it was. Not once did I feel giddy, or sad, or annoyed, or any other emotions. No feelings were evoked watching this.
So, although I am happy that SK is progressing so far as to produce lgbt dramas at all. I can't wait until some major networks greenlight lgbt dramas. But until that happens, be it 1 year or 10 years from now. I suppose I'll just have to abide by these web dramas.
And unfortunately, I usually find them very hard to watch. A for effort, but C for everything else.
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This review may contain spoilers
There are spoilers in this review.Beautifully filmed and well written.
I was really surprised after watching this movie because I didn't expect much. I thought I would just skim through it and be like meh but ended up watching the whole thing and even liking it!
First of all, acting is pretty good, these people know what they are doing. All characters are well written, lovable and hateful in their own ways. But I am a little bit disappointed with the screenwriting in general. I didn't expect this movie to be so black and white about the moral codes.
One of the messages is that love is timeless. I like that message the most. An old man wishing he was young again so he could love freely. It's pretty sad if you ask me, that just because he is old it's wrong to have those beautiful feelings. So he pours those feelings into a beautiful poem which, unfortunately, gets stolen by his student. It's as if his feelings got stolen and sold, disgraced. And as if that wasn't enough the student also steals the purity of EunGyo. He pretty much tramples Juk Yo's heart, smashes it into a miserable paddle. I don't know, what he does is like peeing on his teacher's face after receiving all the teaching and then stealing the rest what he could. He gets totally swallowed by greed. No wonder Juk Yo retaliates in the end, I'm not sure if he really hoped for such a thing happen in the end or if he just wanted to scare Ji Woo a bit. I don't know, but I kind of feel for him. I mean he got old, lost his glory (to Ji Woo), lost everything and then he realized that he wasn't even allowed to love because that would be simply wrong. If I was him I would wonder about it too. I mean, it's love. And well, Juk Yo wasn't even asking for much, he just enjoyed her presence and the innocence. He was probably reminded of his own youth and all that...
I actually enjoyed Ji Woo's and EunGyo's interactions. I liked it how Ji Woo was annoyed by how easily EunGyo managed get on Juk Yo's good side. He constantly listened to her and allowed he to do whatever she wanted while being extremely strict with Ji Woo. As I watched Ji Woo and Eun Gyo together I was waiting for some kind of atonement for JI Woo's character. That maybe her innocence would touch his heart too and make him view things in different light. But instead, she only turned these two men against each other. Love can be ugly too. It was clear why Ji Woo couldn't write as beautifully as Juk Yo, because his spirit was confined within the society's norms and he wasn't able to break free. Too many superficial things mattered to him while Juk Yo, well he was just a poet who loved writing, that's all.
In a way, I think Ji Woo was a really sad character too, completely trapped. He struggled to get free but he was too petty and close-minded, ambitious without the talent. Juk Yo was trapped too but, at least, he had an open mind. I don't think Ji Woo cared about EunGyo on the emotional level, he might have been lonely, he definitely was and probably smitten by the poem too. He tried to live it but... how can you live the beauty of timeless love without feeling it? Maybe Juk Yo knew it, that what he write could never be lived because once the purity is lost it's lost forever.
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Hoping for a season 2!!
Since im a huge fan of JU JING Yi, im super bias here, i liked the drama overall and enjoyed it HAHAH although it wasnt the best!! Still enjoyed it.Firstly, the starting part, ju jing yi is abit too outstanding for being a maid? Like make up and everthing but i understand because shes the mainlead and should be more outstanding, just found it abit funny hehe.
2nd, the plot of romance was too rushed i got abit confused, they didnt declare they liked each other and suddenly they kissed and make out if im not wrong a few moments ago they were just master and student? Nonetheless still watched it because im a fan of XIAO JU!! ^.^
3rd, they had 3-4 different lives i think and all had the same ending which is very sad though, why can’t the male lead do something different and not kill FL. Anyways still love both of their acting HAHAH i love their chemistry :) hope they will act again in another drama or season 2. Wished the director and writer could have not rushed the plots and everything :((
OST - my heart aches everytime i listen to the OST.. the lyrics relates so much to the drama, ju jing yi voice is just so mesmerising and you can actually feel her emotions from the song.. which makes me 10000times more emotional 😭😭 but still the song slayed love it! Do LISTEN TO the song even if yall dont really like the drama MUAHAHA
Ending was very confused and upsetting 🥲 I hope there will be a season 2 to continue where the left us wondering what actually happened.. WISHED THEY GAVE US A GOOD ENDING BUT QUITE DISAPPOINTED THEY DIDNT HAISS, im guessing the director wants us to assume and imagine the ending however we like? PLEASE GIVE US season 2 and i will forgive your confused ENDING SIR/mdm! hehe
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