Reviews

More of the same…

For me, I would say this drama is a little overrated. It’s more of the same type of Xianxia that many of us CDrama watchers have seen many times before. It does have some high points that many shows within this genre doesn’t have.

The Good

Production quality was definitely higher than a lot of Xianxias but by no means perfect. The CGI was more polished, the costumes looked pretty well. I can appreciate that ShenLi did not have a million dangly bits and fake jewels hanging from her. The OST was one of the highlights as the music was very nice. The overall acting was good which I typically expect from an older cast. If this would have been played out by a younger cast, the perception may have not been received well by older watchers due to many younger actors having limited experience in acting. Although this was a serious drama, the comedy was well balanced through out.

The Bad

The plot is typical and predictable. These CDrama Xianxias tend to go through the same cycles and not too many of these stories offer anything new. This story was a character driven plot which they tend to be very slow and at times, not much was happening in most of the episodes. I found myself starting to skip through it towards the end. There were a lot of throwaway episodes that could have shorten this show down to 24 episodes. Although I liked the overall production, the skin smoothing and whitening was overdone and sometimes made them look too unnatural and unrecognizable. I would have also liked to see the actors dub themselves. With more CDramas doing away with dubbing, it’s refreshing to see the actors display their real talent. The credit in this drama goes to the great voice actors who can pull off different emotions in their voices.

I am a fan of the genre and will keep hoping and waiting for a new thrill. This one was average and I likely wouldn’t rewatch it. If you are a fan of the cast, it’s worth checking out. Make your own judgement.

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Boring...

This drama focused more on the ml's career as an areospace engineer rather than the romance between the ml and fl. I felt it was more sci fi based with a hint of romance rather than the other way around. The couples relationship felt realistic because of how little time they had for each other, it was an accurate depiction...thats probably why I didnt enjoy it as much.

Spoiler:

The fl liked the ml is hs but he rejected her bcz he felt she wasnt good enough, which he came to regret 10 yrs later after getting to know her, then he felt he wasnt good enough for her and turned her down again. This plus eng shit literally sums up the plot for the first 18 episodes.

They start dating offically in the 21 ish episode I think.

They get togther, bunch of kiss scenes, fl is busy with work, ml is busy with work, they get together on their break, kiss scene - bed scene,
ml is busy with work, fl is busy with work, they get together on their break, kiss scene - bed scene... just a continuation of that along with areospace eng scenes then they get married two years later.
Honestly their romance had zero plot it was soooo boring to watch...felt no excitment at all.

There is a five year time jump (ep 31-32) they are 38 yrs old have NO kid and it ends with a fucking rocket launch!!!...

The story was boring but I really enjoyed dilraba's acting. That and the special effects...the first couple of eps werent too bad either, but it just got really boring when the ml talked about rockets which was literally half the drama!. If you enjoy that kind of stuff I say go for it but I zoned out, my brain wasnt willing to compute.

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Twilight called and it wants its dignity back!!

I am no Stephenie Meyer, but compared to Golden Blood, Twilight did a pretty solid job, seemed more coherent than this and that alone should tell you everything you need to know about this drama.

Let’s start from the beginning. I was genuinely excited for this series. I waited eagerly for GMMTV to announce the slot, and the first few episodes didn’t disappoint. They were campy and kitschy in a fun, entertaining way, you know the kind of over-the-top storytelling that didn’t take itself too seriously and had great chemistry to carry it.

But here is the thing, we have come a long way with fantasy genre. Even supernatural world need logic (atleast some), some basic rules that make sense within the world they have built. Vampires don’t follow human logic, sure I agree, but their world should still have some kind of structure.
For example : when a human discovers vampires exist, the natural reaction should be fear, suspicion, or at the very least curiosity. You run, you hide, you maybe go home and do a little research. What you don’t do is fratenize with them five minutes later. I missed the whole chase and run aspect of a forbidden romance.

The whole "vampire lore" felt dull and dry. I am a sucker for supernatural romances but this went from campy to sometimes uncomfortable to watch real quick!

As the drama went on, the characters just started acting... weird. Their decisions didn’t make much sense and their emotions seemed to flip on and off like a switch. One minute they are scared, the next they are head over heels, with zero explanation. One moment one tries to kill the other and the next moment they are hot and heavy for each other.

The twists didn’t feel justified and they just kind of happened, like the writers were tossing in drama for the sake of it. It all started to feel really random and by the end, none of it came together in a way that made sense. Whatever logic the show had in the beginning clearly checked out halfway through and what was left was just an unintentionally cringey mess.

Coming to the romance, I could definitely see the chemistry between Joss and Gavin. Their NC scenes were a standout, just the right amount of spice and visually on point. But was that enough to save this sinking ship? Sadly No. Hot leads can't save a cold script.

And I am all for unique character quirks, but Mark’s obsession with Tong’s sweat (!?) was borderline gross. I get it, everyone has got their "thing", but maybe let’s stick to “you smell nice” instead of “your post workout musk drives me wild.”

The supporting character arcs (especially Nakan and Tonkla) had such a strong start. But somewhere along the way, in an attempt to make their journeys feel more “unpredictable” or shocking, the writing took a sharp 180°.
What we ended up with felt less like organic growth and more like a complete rewrite. It was jarring, almost as if we were suddenly watching entirely different characters. The emotional consistency and depth that made them compelling in the beginning got lost in the twist for the sake of surprise.

As for the acting, I’ve seen Gavin’s work before and I know he can act very well, but this script gave him nothing to work with. If anything, it dragged him down. Joss, on the other hand was a mixed bag. I haven’t seen him in anything else, so I want to give him the benefit of the doubt here. Maybe with a tighter script and better direction, he could show some range.

Also, I never knew budget could be a problem for GMMTV. Those golden lenses looked like they came straight from the bargain bin, you know buy 1 get 1 free thing. And the special effects just looked childish at times. I know Joss and Gavin are very easy on the eyes but this was a supernatural series, that is not the only visual we needed. They could have just polished that a bit.

Overall, this was the classic example of writing being the weakest link and everything had to suffer because of it. This show made me miss the sparkly vampires. I will not recommend this unless you want to watch it for the leads. But I would rather recommend watching YouTube shorts or instagram reels of them, things would make more sense there.

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A Love Forged On The Edge Of Hatred, Tempered By Silence And Pain

"Feud", also known as "Lin Jiang Xian" (Lament of the River Immortal), presents itself as a xianxia drama rooted in misunderstanding, but beneath its surface lies a haunting, layered tale of how grief can blur the line between love and hatred.

At the heart of the story is the tragic bond between Hua Ruyue and Bai Jiusi: two souls once intertwined by fate, only to be torn apart by pain and betrayal. Their relationship, rich with longing and unresolved devotion, forms the emotional backbone of the drama. Their journey was never about romance, but of healing — a reflection of how love, when wounded deeply, can either wither into ruin or be transformed into redemption.

STORYLINE ₊ ⊹❀
The drama opens with a deceptively lighthearted tone, focusing on the fairytale-like romance between Li Qingyue and Bai Jiusi. Their sweet, almost innocent dynamic hints at a familiar setup. At first glance, it feels like a typical love story within a xianxia setting, and yet, something about it feels quietly off. There were no backstories offered, no clear exposition given, especially regarding the main leads. This deliberate withholding of context created a sense of mystery which piqued at my interest. I thought this choice of narrative is one of the drama's strength because as the story progresses, it unravels into something far more tragic and complex.

After the illusion of simplicity fades with the revelation of Li Qingyue's true identity as Hua Ruyue, the tone of the drama takes a dramatic and somber turn. Her reemergence is not merely just a shocking twist, but a pivotal moment that reframes everything that came before. What once appeared to be the beginning of their love is actually just a continuation of a deeply fractured bond. For me, this arc marks the start of their true story, it is what made the drama more emotionally engaging and narratively unique. Each revelation drew me deeper into their twisted entanglement.

The transition from the first half to the second half of the story was seamless —it felt organic rather than jarring. The pacing struck the right balance, and the nonlinear structure of storytelling, through the use of flashbacks, added richness and layers to the characters and their relationship. What stood out most during this part was how the drama avoided a simplistic narrative of right and wrong. Instead, it carved out a space for both Hua Ruyue and Bia Jiusi to exist as flawed, grieving individuals — not heroes or villains, but as two souls shaped by their heartbreak and longing. The moral ambiguity embedded in their contrasting ideologies became the lens through which their pain and conflict were explored. I appreciated how the drama didn't ask to choose sides, it rather asked to understand.

Furthermore, the side characters weren't merely added as background figures, each of them carried enough weight and nuance to feel real rather than one-dimensional. Fan Linger wasn't confined to the typical trope of an annoying second female lead ; her arc became one of self-love and growth. The Jingyuan Sect deviated from the usual portrayal of a hypocritical or power-hungry factions in xianxia dramas. Even Xiao Jingshan, who walked the darker path wasn't portrayed as inherently evil but as someone affected by the weight of his pain. While the romance wasn't the central focus of the drama, the chemistry between the main leads was palpable, and the few moments of affection and tenderness they shared felt both authentic and heart fluttering.

The drama's conclusion wasn't a conventional happy ending, but one far more meaningful and symbolic. It didn't erase the suffering and tragedy Bai Jiusi and Hua Ruyue endured, instead it illuminated their long emotional journey towards healing. It was deeply moving to witness each character learn to let go of their hatred, resentment, attachments, and obsession. In the end, it wasn't about neat resolutions, but about choosing peace after pain, and choosing love even in the aftermath of loss.

The CGI in the drama wasn't anything groundbreaking, it was more in line with what you'd expect from older xianxia productions but it did serve its purpose. The cinematography, on the other hand, was visually pleasing and managed to capture the tone of the story well. As for the costume designs, what particularly stood out for me was for the main leads. I especially adored the intricate details in Hua Ruyue's hair pieces, and the soft, elegant color tones of Bai Jiusi's hanfu which suited him perfectly. I only found one aspect lacking, it was the sound effects. At times, they were overpowering the dialogue in certain scenes. Also, the comedic sound cues felt misplaced and distracting, like the glass shattering sounds.

CHARACTERS & ACTING ₊ ⊹❀
Bai Lu as Hua Ruyue | Li Qingyue
Hua Ru Yue is the most compassionate immortal god to exist. From the moment she first opened her eyes to the world, her heart was already soft. Despite her divine status, she never turned a blind eye to mortals suffering. She saw their pain, recognized their worth, and treated them not as lesser beings, but as lives equally deserving of dignity and care. Beneath her gentle spirit, lies an unshakable will. Hua Ruyue doesn't confine herself to the rigid laws of heaven, nor does she flinch at the face of fate. She is strong minded and unyielding, she follows her own truth even when the cost is great.

Meeting Meng Chi, a mortal whom she saved, marked the beginning of Hua Ruyue’s fated entanglement with cause and effect. His life was like a mirror — one that reflected the eternal divide between immortals and mortals. Birth, aging, sickness, death… the joys and sorrows of mortal life pass like fleeting shadows in the eyes of gods. But in an instant, Hua Ruyue came to understand the weight of those fleeting moments. She saw how "love" — that fragile, flickering flame, is what mortals cling to even when knowing they are destined to fade. And in that, she realized how divine power means nothing if it’s only used to look down with pity. Its true meaning lies in the courage to share in the pain of all living beings.

Though Meng Chi's life was brief, his impact on Hua Ruyue was profound. She came to see that if immortals are eternal but unfeeling, then they are no different from stone. Mortals may be fragile, but their suffering, born of love and foolish hope, weighs heavier than the sky. Hua Ruyue’s sword did not only slay the drought dragon — it shattered the cold, unyielding rules of the heavenly realm. For only by loving the fleeting can one become unafraid of the impermanence of life.

But even the kindest hearts can break. Hua Ruyue’s descent into hatred was never born of malice, but from heartbreak. A grief so vast, it devoured her light and twisted her love into vengeance. Losing her child, Shi An, was a wound deeper than any suffering she endured afterward. Her hatred towards Bai Jiusi blinded her to the truth, but before she was an immortal god Siling, she was a grieving mother. Hua Ruyue was trapped between the thin line of love and hatred, and though her anger burned fiercely, it was clear she still only loved Bai Jiusi. Each time she tried to kill him, she wasn't afraid to die along with him, because deep down, that love never left. And if proof was ever needed, it lies in Li Qingyue. Although she wasn't real, she was still Hua Ruyue, a part of her untouched by time, pain, and betrayal. How can someone who has endured so much still carry a version of herself so loving, so pure, so tender? That alone speaks of a heart that never fully closed — of a love that, no matter how scarred, still quietly endured.

Hua Ruyue was able to let go of her hatred through the quiet acceptance. It was the time artifact which Xiao Jingshan gave her that allowed her this final journey. She wasn't returning to the past to alter the future or reverse her pain. Instead, she was rewriting it as an act of healing, a way of finding peace within herself. This time, she chose to reunite with Bai Jiusi once more, not as someone who is broken by grief, but as someone who had lived through it, carried its weight, and slowly learned to lay it down. She approached him no longer as a mother ravaged by loss, but as Hua Ruyue, a woman who had loved deeply, suffered greatly, and finally made peace with both.

Hua Ruyue is now undoubtedly one of my most favorite character that Bai Lu had portrayed. She didn't disappoint. She delivered a performance that was both powerful and deeply moving. I have always admired her talent, especially in angsty and emotionally charged scenes, yet she still managed to surprise me with her stellar performance here, particularly during the revelation of Hua Ruyue's suffering in the mortal realm. Those scenes were gut-wrenching, it reminded me of the same emotional devastation I felt when watching her in One and Only. This truly stands out as one of her finest performances to have ever come around. Although, it is a pity that she didn't dub the character herself, her raw acting carried every scene with grace and intensity.

Zeng Shunxi as Bai Jiusi
Bai Jiusi is the opposite of Hua Ruyue. He is bound by the laws of heaven and carried the immense burden of guarding the infinite steel. He had a great sense of responsibility and never wavered from his duty, he was someone more restrained. Unlike Hua Ruyue, he doesn't resist the wheel of fate but accepts it. This wasn’t because he lacked the courage to fight, but because he believes in a natural cycle governed by karma and heaven's order. But that acceptance came at a cost.

Beneath his composed exterior lies a soul full of ache. He loved Hua Ruyue deeply, yet he never once voiced it aloud. Instead, his love was reflected in the way he remained steady, like still water, quietly enduring the storm of her resentment. Every part of him belonged to her. That love never wavered— not even when he lost his memories, not even when his soul was shattered. Even his sword remembered only the love he bore for Hua Ruyue.

Bai Jiusi's tragedy is that of a man who loved too deeply but spoke too little. He often chose restraint over expression as a way to protect others. But in doing so, he unknowingly built a wall between himself and Hua Ruyue. His passivity, though rooted in care, became the very force that allowed distance and misunderstanding to take root. He was not without flaws. Every time he withheld his truth, every time he let the moment pass without reaching for her, the space between them grew. His understanding became a substitute for confrontation, and in trying not to hurt her, he ended up letting her hurt alone. The weight of things unsaid, pain endured quietly and love never spoken became the very ache that defined their bond. In the end, his greatest flaw wasn’t a lack of love, but the silence that cloaked it.

After he learned the truth of Hua Ruyue's suffering and his unintentional role in Shi An's death, he became consumed by overwhelming guilt. That realization shattered what little composure he had left, however, he didn't try to justify himself. His redemption came in the form of self-erasure — allowing Hua Ruyue to strike him down if it could ease even a fraction of her grief. And even in death or near-death, his love remained resolute, never tainted by bitterness or resentment. He let himself become the villain in her story because he believed her pain mattered more than clearing his name.

Yet, his ultimate redemption was not in dying, but in surviving long enough to be there when Hua Ruyue finally let go of her hatred. He was still there, quietly enduring, when she returned from the past having found her peace. And that quiet reunion, free of drama or grand declarations, was his final offering. His love was the kind that asked for nothing in return, a love that didn't seek to be seen, but only to remain.

Zeng Shunxi's performance is remarkable considering this is his first time starring in a xianxia genre drama. His portrayal of Bai Jiusi's inner turmoil and quiet devotion with subtlety spoke volumes of his emotions even in silence. The expression in his eyes which often held more sorrow than words could express added depth to his character. He absolutely also gave an impactful and memorable performance with his heavier scenes. I am looking forward to see him act in this genre again.

OSTs ₊ ⊹❀
The drama didn't have any powerhouse OSTs and the rest of the songs used were not that memorable. The only two songs which I really ended up loving were the ones sang by Bai Lu and Joseph, both these songs had lyrics that matched with the story and characters too.

OVERALL IMPRESSION ₊ ⊹❀
Feud is a compelling tale that goes beyond romance and traditional xianxia. It explores the fragility of love, the devastation of grief, and the moral ambiguity of choice. With its rich character depth, emotional storytelling, and quiet reflections on healing and forgiveness, it's a drama that lingers, not because of how dramatic it is, but because of how deeply it makes you feel. This drama was worth every emotion it pulled from me. I genuinely hope to see Bai Lu and Zeng Shunxi reunite in another project, as their chemistry and performances left a lasting impression.

FAVE SCENES ₊ ⊹❀
- Li Qingyue proposal to Bai Jiusi
- Fan Linger using her shadow to kill Li Qingyue
- Revelation of Li Qingyue being Hua Ruyue
- Sweet moments of Bai Jiusi and Hua Ruyue during the first time they descended to the mortal realm
- Hua Ruyue seeing Meng Chi's painting of her after he passed away
- Hua Ruyue walking to awaken Bai Jiusi who was frozen
- Bai Jiusi learning how to coax his wife from his friends
- Bai Jiusi's amnesia and search of his wife
- Hua Ruyue and her masters late night drinking talks
- Hua Ruyue time with Shi An
- Bai Jiusi soul guiding Hua Ruyue during the final fight

˖ . ݁❀𝜗𝜚❀. ݁₊

"In the long endless night, only the sun brings light. The warmth of the sun is like hope at the end of darkness. And that radiant warmth is what the color gold is like" — Hua Ruyue

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just another fluffy drama

The trailer and the advertisements leading up to this show gave me very high expectations. I like yangyang and reba, they are honestly very good looking which I felt was the thing that gave this show its popularity boost. Acting-wise, it's all fine, no extraordinary emotional scenes or anything but that's not on them, it's on the script.

Do not expect a deep or emotional slice of life type of plot. This is simplicity at its finest, full on fluff for the majority of the episodes. I like that there aren't any ridiculous misunderstandings or annoying exes and the couple communicates well. Plotwise, I felt like there were too many unnecessary romantic scenes which other than satisfying cp fans, serve absolutely no purpose in the storyline. I think they are cute but sometimes, it's really too much. Even yangyang was shocked at the extent they have to go to in the behind the scenes footages. To be honest, the plot is very unrealistic and doesn't fully depict the lives of 30 years olds (even more so for an aerospace engineer and big celebrity) but take it with a pinch of salt that this is meant to be a very fluffy romcom. It's just that with all the anticipation building up for this drama, I expected a LOT more... this wasn't exciting or interesting, just very romantic.

I would recommend this if you're looking for a chill fluffy visual explosion drama that doesn't require thinking. But if you are expecting an intricate plot or emotion laden scenes then this is not for you.

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A fun, light-hearted watch for the rom-com lovers

As a die-hard fan of the webtoon, I was over the moon to see the drama adaption finally coming out!

It's the contract dating / marriage trope that fakes it till you make it once again. Cliché and exaggerated at times, but still extremely entertaining. In fact, rather than being pure cringey, I love how the screenwriters just absorb the clichés like a sponge and turn them into A+ grade comedy. It's a fluffy rom-com that hit all the right spots, making you laugh and swoon like there's no tomorrow. And the editing is just spot on with the fun and comic-like transitions.

We have an interesting cast here. It's a little scary how much Ahn Hyo Seop fits right into the ML's role with that side-parted hair and dashing suit, like he just steps out of a webtoon. The way he slicks his hair back gives me major What's Wrong With Secretary Kim vibes (I can almost hear Park Se Joon yelling "Aura" in the background). I like Kim Se Jeong's singing but I have yet to see her in a drama. Oh my goodness, she got me doubling over from laughing so hard when she called Ahn Hyo Seop an Archaeopteryx. And don't even get me started on who's Samantha and Rachel. Their blind dates are absurdly hilarious and you'll wheeze in laughter before you know it. It's a bit different from how I envisioned Shin Ha Ri would be, but definitely a refreshing twist for the webtoon fans.

On the other hand, Kim Min Gue is the ideal secretary sidekick for the ML. This is the bromance I was most excited about, snarky but sweet. Seol In Ah plays the free-spirited bestie for the FL, one that you always wish for yet never have. Together, they make up one of the most iconic second couples I've ever seen. They're so scandalously cute in their own way. It's great that not only each couple has its own arch but we also have so much bromance and sismance energy here. The grandfather is so loveable with his outrageous marriage "project", a quest to find blind dates for his workaholic grandson. It's a bit hard to believe this was also the mad king we saw in The Red Sleeve. And that makjang he's watching really hits home for me, it's like they're watching their own drama unfolding.

The OSTs are also overwhelmingly sweet, almost to a diabetes level. My absolute favourites would be Love Maybe by MeloMance, You Are Mine by VICTON and Spring Breeze by New (The Boyz). All in all, it was an extremely witty script with as many unexpected turns as there are clichés. If you're a fluffy rom-com lover and don't mind a bit of silliness to de-stress, then here's the perfect pick for you!

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When the music burned brighter than the actual plot!

Sometimes, music is the way to express ourselves, and the drama leans heavily into that. Music didn't just set the mood here, it hijacked the plot, stole the spotlight and not in a subtle way. It's the heartbeat of the story. With every strum, beat and verse, the drama tries to convey things its characters can't say directly and even when the writing slips, the music saves it all.

The story revolves around Saijo Akane, a drummer who her previous mates abandoned, and gets a second chance when she is invited to join the band "TENBLANK".

TENBLANK band members or should I say the "plots" :
✨Fujitani Naoki: He was the genius but eccentric composer with a messy heart and even messier hair. The creative nucleus of the group. I would describe him as intense, obsessive, borderline reclusive, but a fascinating creature. Under all that facade, he is a man weighed down by unresolved emotions and secrets he would protect at all costs. Takeru Satoh did a great job. I know he is a fine actor and it showed. I recently saw him in Marry my husband and the character difference shows his versatile range.

✨Takaoka Sho: He was the guitarist who didn't demand attention but had mine from start to finish! He was soft spoken, observant and incredibly skilled. Machida Keita completely stole the show for me. From episode one to the finale, his styling was absolutely flawless. From the turtlenecks to that effortlessly perfect long hair, every detail was on point. I know this isn't exactly about his acting (which is already well-respected, no need for testimonials there) but the look he served in this drama was iconic. He had me catching second lead syndrome so bad. I mean, imagine ignoring Satoh... and yet, here I am.

✨Sakamoto Kazushi: He was sharp, confident and wasn't afraid to speak his mind, especially when it came to challenging Naoki's authority. But I feel the writing didn't give him enough to fully bloom. We get glimpses of pride and conflict but it feels underdeveloped. Shison Jun did a solid job in portraying this character. He played the perfect tsundere.

✨And the newly added member was Miss Sajio Akane, the underdog drummer, as they say. She had grit, she listened, she learned and she put in the work, not just for show. Nothing she did felt fake or wasted.
Miyazaki Yu gave a genuinely likeable and grounded performance. She played the perfect mix of insecurity and inner fire. I rooted and cheered for Akane.

🔥 Wild card Toya: I know he isn't the official member of TENBLANK but he isn't the one to ignore. You just can't! He is the kind of character who could walk into a scene mid-chaos and steal every ounce of attention. He is a loud, intense bona fide rockstar who seemed crazy but beneath all that is a man who is haunted by choices, loss and love that never really left. He is both tragic and unforgettable. Some scenes definitely tossed realism out the window, but it served the drama and I ate it up.
Maski Suda devoured this role. At first glance, I didn't recognise him. He was raw, a bit feral and had the reckless energy exuding. You just can't look away.

But not everything in the mix felt right. While the music and the stellar cast were a win, the pacing was all over the place, especially in the second half. This would be just me but we (I) DO NOT need a romantic subplot to show up like the last-minute guest. The story would have worked fine without a romantic storyline, it might have worked better if I were being honest. We could have focused more on the other band members and their stories. I feel there was barely any spotlight given to them. There were times it felt like a one-man show, but then a group performance glossed over that feeling, but it definitely lingered more than it should.

Another thing I noticed and maybe this is just me (again), was how the energy and adrenaline would spike during each performance, but then drop off right after. It didn’t really carry over once that fantastic music stopped playing. The in-between moments felt a bit dull and I kept waiting for them to practice or be back on stage to feel that energy again.
Maybe this is what happens when you have full-blown performances. This wasn't just "slap a ballad or two on it" drama but it gave us actual bangers. I feel the music is the main plot here and the rest of everything feels secondary.

The cinematography was stunning, especially the rain shots. And the camera work during the concert sequences was pure artistry. It screamed budget in the best way.

Overall, despite the scratches, this was an entertaining and binge worthy watch. It didn't exactly stick the landing or maybe I had high expectations from the actual plot "writing", but the journey is worth it for the vibes, stellar cast and amazing soundtracks. It's the kind of predictable plot where you will be rolling your eyes a bit but still replay the songs on loop. Not perfect, but comfortable in its own ways.

If you have made it this far, thank you for reading my review! <3
I thought I was going to keep this short… and yet here we are lmao. If you decide to check out the drama, I hope you enjoy it as much as I did!

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you better put your rose-colored glasses on for this one guys

Let's set the scene.

Imagine you are a teenager, just discovering BL and watching a show called Until We Meet Again and you fall in love with a little side couple called WinTeam. And there are rumours that they will get their own show!? The years go by and you still harbour the hope that maybe, just maybe they will get another chance at telling their story again. And then, it happens. News breaks out. Between Us is happening! It is actually happening. You mark your calender and count the days, actively following the countdown on the company's instagram. You stumble over the cast and are little shocked to find five (!) couples listed in there, but you tell yourself it's gonna be fine. You waited three years for this, they know what they are doing. And finally on Nov 6th, the first episode airs. You are thrilled. And you think this show actually managed to live up to the insane hype it gathered over the past few years. Can it be? A show that actually can live up to someone's expectations? And then you keep watching and a few weeks later, you suddenly catch yourself fast forwarding through an episode of your beloved show and you stop and ask yourself: What happened?

If you think to yourself: Wow, this reviewer didn't have to ramble so much in such great detail to tell us this story, it got boring pretty fast. Well, then I guess this show and I have something in common.

Sometimes the best stories are the one's untold. What makes Goncharov so good is that it doesn't exist. And maybe what made WinTeam so popular is the fact that they got just enough screen time to get viewers interested but never enough to give us something. But I'm rambling again.

This show is said to start with Win and Team entering a FWB situation. But the writers, directors, or whoever is to blame for this, didn't seem to know what the key factor of a friends with benefits story is, it's the friends part. They are friends first. Friends before anything else. But Win and Team were barely aquaintances before they hooked up. That's why I think FWB set different expectations that were impossible to fulfill. If you'd ask me I would describe their relationship as a one-night-stand that slowly turned into casual hook-ups with no emotions, then they got to know each other and became friends and developed feelings for each other afterwards. If they had labeled it as such, I'm sure more people would've set their expectations accordingly. There was never a line that got a little too blury for them between being friends and being in a relationship, because they were never friends to begin with.

This show also had a massive time problem. I already mentioned the five couples, one of which only get's blick-and-you'll-miss-it screen time, which is fair because they got their own show already. For the other four well... To summarize it: Wayy too much time was wasted and there was too much back and forth that led to the ending feeling rushed.

Win and Team: Okay, let me be straightforward for once, they could not carry 12 episodes. The beginning was strong, but towards the middle they became more boring. If took these guys 11 out of 12 episodes to finally confess their love for each other. That only gave us one episode with them being happily and sort-of openly in a relationship. And I wish BLs would stop pretending that after you enter a relationship everything is perfect and your get a HEA. I want to see them get together AND how they work in a relationship.

Team's "does he like me or does he treat everyone like that?" didn't make any sense. In UWMA yes, maybe. But not in Between Us where my man was out here leaving his room unlocked for his teammember to come in the middle of the night and sleep in his bed. He was making him breakfast, paying for his lunch, taking care of him when he got sick, driving to his dead cousin's grave to pick him up in the middle of the night while it's pouring, and a bunch of other stuff (not to mention that he literally said something about his FEELIGNS FOR HIM). And Team looked us straight in the eyes and said "yeah but maybe he does it for everyone"??????? ARE THESE OTHER PEOPLE HE'S DOING IT FOR IN THIS ROOM WITH US RIGHT NOW??? And Win too like "nothing every belonged to me, I always had to share" my guy this is not a Barbie doll or your favorite jumper, this is another human being. I'm sorry that you as well suffer from being the Middle ChildTM but pLEASE.

Speaking of which, I would've loved to see not only Team's trauma, but also Win's struggle with trying to please both his parents and supporting his siblings.

Prince and Bee: Their scene felt so out of place, like they gave off such different vibes that I was always so violently taken out of the story every time they appeared on the screen. They were cute, yes, but the acting was lacking. With a little more experience they will make a great couple. I also partly blame the material they had to work with. They couldn't get me invested. Sadly, because the concept was interesting. Also, if my friends would constantly make fun of me, I would not consider them my friends. I'm so over the friend group just being complete assholes to the guy and it never being called out. Saying that a guy is out of his league is one thing but to constantly rub it in his face and make fun of him for trying to make an effort to get with the guy and calling him dumb and whatnot, A and Sea were truly a waste of my time.

Waan and Tul: Probably the side couple I was most intruiged by. They got like five minutes of screen time every other episode and it was not utilised at all. They spent too much time on them talking to their phones. You tell me that Waan who told Tul multiple times "I don't want to meet you in rl" had the audacity to blame him for not telling him immediately that he was T-Rex??? And for some reason Waan hates liars so much that he is not even ready to hear Tul out but we never find out why??? Their story was so intruiging and I liked their chemistry. And the NC scene in ep 12 UFF what happened my dudes? I don't know if it's Yacht or O being uncomfortable kissing men or if it's the directing or idk. But it was really awkward and happened way too fast. We just had the big fight between them and they are already making up in the next episode. Give me at least a few minutes of angst and pining, jesus.

Manaow and Phruek: Oh what trist and grey show we would've gotten without them. While I wasn't sold on them in UWMA, I was definitely on board with them in Between Us. Sammy has a great on-screen presence and I love her energy. Even though I gotta say that I wish they would allow Manaow to be a little more serious sometimes, because Sammy can do serious scenes, but the constant over-acting was getting on my nerves a bit. Especially when it was used for cheap comic relief.

Wiew is a ray of sunshine and I'm glad he was added to the cast. But it seemed like he was a middle schooler rather than a high schooler, because he was acting like a child, not a teenager. His naivity was bordering on stupidity a few times, but Santa has a certain charm that makes you overlook it.

I wish this show would've cut down on WinTeam's drama a bit and maybe a couple or two and use this time instead to show us more of the friend group. I missed Team, Pharm, and Manaow so much and the little crumbs we got of them was everything to me.

Between Us feels very 2019 to me, even though this show tried to make some changes and adjust. And I was on board with some of the changes (most noteably the sheer amount of CONSENT LIKE YESS!) but not so much with others. Like New tried to recreate UWMA. Instead of P'Deeeaaan we got Hiiaaaa, ever other second. And now Team is suddenly scared of intimancy and doesn't like kissing his boyfriend for...reasons and he seemed to whine a lot more. And Win is suddenly no longer the flirty, grinning, always down for a joke type of guy but very serious and overprotective of Team. This show tried so hard to be UWMA, but it's not and therefore it didn't hit as much as it could've. Because the passion was there, you could feel the love of the cast members who put their heart into this show. That makes it even more sad that Pharm and Manaow and their friendship with Team felt more like an afterthought, since they got pretty much sidelined with their boyfriends. I did appreciate it though that Win got some bro-love from his two besties.

After seeing a lot of BLs directed by New, I think it's save to say that I just don't vibe with him. I don't know what he's doing but it's not it for me. On top of that I just disagree with his stance on NC scenes. The shade he has thrown at them just doesn't sit right with me. He acts as if Nc scene are inherently something dirty to be ashamed of. And if that's what he thinks, than the problem is him. And I wish he would just get over himself and leave high heat projects alone and get himself some BL scripts that are "pure" and have almost no heat in it. So everyone can be happy. Alas, he seems to get so many stories with interesting concepts (and with a high heat source material).

While we still haven't fully moved past the stereotypical portrayal of a gay relationships, we now get more shows that portray the two parties as equally in love and not one having to constantly chase the other. And excuse me, I have to get this off my chest: IF I HAVE TO WATCH ONE MORE SHOW WHERE ONE PARTY (USUALLY THE YOUNGER/SMALLER ONE) OF AN ALREADY ESTABLISHED RELATIONSHIP SEEMS TO DISLIKE KISSING THEIR BOYFRIEND IN THE COMFORT OF THEIR OWN HOME WITH NO ONE WATCHING I WILL LOSE IT!!!

PS: To like the five people who have not watched Until We Meet Again before watching Between Us, I'm sorry. Seeing Pharm and Dean having a cameo every other episode with little to no context of what the heck is going on must have been confusing as hell. You are truly stronger than I am.

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Pretty People Trying to Fight and Fall in Love, I guess?

Due to the change in the original reincarnation story, they utterly made this non-sensical plot.

What exactly was He Yan proving y'all? She was already a General. She didn't have anything to learn, just to get revenge against her idiot family. But y'all, here me out? Like......why not...and i know this sounds crazy....but why not, just go take out that snotty nose GeGe. What her dad going to do y'all? He is gonna be forced to keep her. Also, you could just kill that dude as well. Why not? She is strategic GENERAL, why can't she take what she wants from her useless family?!?! Don't give me the blah blah morals of her character blah blah. I don't want to hear it, this guy tried to assassinated her (was so close) and caused the death of 30,000 soldiers. I think she can take him out easy.

Instead, she "pretends" to be a new solider but legit gets caught within 1 minute of entering the doors. And get this, the guy who runs the show is also her classmate?!

Listen, that man is FINE. Respectfully. BUT HE DID NOT KNOW THIS CHICK WAS HIS CLASSMATES AND SOME HOW BOUGHT THAT THE OTHER GUY (her gege) who is what 6 ft? Wide shoulders? Deep Voice? Lacking moral character? is his classmates?!? Nah, that means he is dumb and shouldn't be running an army.

A freaking dancer who met her ONCE, spotted that she was a chick. AND homey had MONTHS studying with her? Get out of here. Then the kicker, he feels her bound chest against his back and was like, "A woman?!" (insert that clip from Mulan where she is dragged once she is found out).

Now on to the other stuff, the villains were so subpar. The emperor was dumb. And those last couples episodes, why? like why? For who? What a silly mindset? Here me out. EVEN IF, either of them gives up their army authority, did the emperor really think the army is still not going to follow their command?! All you did was piss them off. And that throwaway 2ML, like boy. I was hoping you turn around have some common sense but no, you went stupider and lost the 1 chick who stayed loyal to you. Such nonsense.

And all this, I could forgive a bit (not all, ain't a saint) if the chemistry was FIRE. But no, it was meh. Sorry, it just wasn't fully there for me. But anyway, everyone was pretty to look at.

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Is This A ‘Hellbound’ Experience?

With director and screenwriter Yeon Sang-ho (Train to Busan) and co-writer Choi Kyu-Seok basing the series upon their own webcomic and original production, this does leave viewers with one ultimate question; “ is ‘ Hellbound’ actually worth watching ?”

For jaded and cynical detective Jin Kyeong-hoon (Yang Ik-june) humanity has offered him nothing but pain and sorrow. Still trying to come to grips with his wife’s brutal murder and having a fractious relationship with teenage daughter Hee-jeong (Lee Re), Jin’s research into the cases leads him face to face with leader of the mysterious cult ‘ New Truth’, Chairman Jeong Jin- Soo ( Yoo Ah-in). The cult has pledged salvation for “ sinners” by spreading gospels of the angels and encourage them to “ repent”. However as episodes progress it soon becomes slowly apparent towards Jin-Soo’s true nature and the brutal goals of the group, with attorney Min Hye-jin (Kim Hyun-joo) pledging representation for the alleged “ sinners”.

The biggest thing to address about ‘ Hellbound’ is that it isn’t a show for the lighthearted. Whilst devoted fans of the webcomic may notice some subtle storyline changes ,the show is violent and not afraid to present brutal murders alongside people being combusted like human torches throughout the series.

Intertwined amongst the shoddy CGI monsters of ‘ Hellbound’ as well as alongside the spine-tingling OST by Kim Dong-wook, ‘ Hellbound ‘ expertly paces its descent into chaos, knowing when to slow down on abominable killings and when to present its moral deadlocks . From the rising corruption of religion and the cultural phenomenon in South Korea of hysterical puritanism, hypocrisy as well as the rise of extreme conservative views paradoxical to the insatiable appetite of society for violence through popular culture, ‘ Hellbound’ addresses a lot of issues without shame or embarrassment and with the entire purpose to expose current issues and realities in South-Korean society. However this is also where the series began to hit a rut after the midway point; it never really carried through these messages with regards to the medium of the series . Whilst some characters are used with a purpose, some seemingly quintessential main characters have rushed arcs or suddenly disappear without rhyme or reason, whilst the climax and rising tension of the drama often went on a downwards slope after the halfway point.

The acting front is admittedly a mixed-bag ( especially with some line deliverances by the supporting characters.) Of course whilst the main cast shone throughout, one of the most dynamic performances throughout the show was surprisingly Yoo Ah-In’s performance as fanatic cult leader Chairman Jin Soo .

Whilst main lead Jin Kyeong-hoon is admittedly a complex character type as the “ cynical cop” and female lead Hye-Jin as the “ attorney”, they often felt tightly crammed into their roles as stock characters tropes . This isn’t necessarily a bad approach per say and did give director and screenwriter Sang-Ho opportunities to reimburse old character tropes for his own gain, but it did little to really diverge these main leads from their expected decisions and actions, often leading them to be shoehorned into the plot ( as well as lacking more profound depth) rather than allowing the characters to move coherently within the contents of the storyline. For example a major subplot surrounding the series for Kyeong-Hoon is the murder of his wife. Whilst later revelations play briefly upon this subplot, the profound details surrounding Hoon’s reactions as well as his relationship with daughter as a consequence were left underexposed, and therefore lacked more sound emotional-depth also.

Of course getting back to our mysterious chairman it isn’t necessarily the case that he was executed as an entirely “ original villain” as after all Sang-Ho does enjoy playing upon Jin Soo as the “ calm and quiet” archetype. However where Sang-Ho creates mystery surrounding Jin-Soo is that he isn’t a “ redeemable antagonist with a painful past” or “twirling his moustache planning world domination”, but just a regular person with a megalomaniacal desire to deliver his warped sense of “ justice”. However whilst Jin Soo helped us to bring together our main characters and kept the storyline moving, his anticlimactic character arc and exit from the series raided more questions than answers afterwards.

This was often a major problem with ‘ Hellbound’- plot points which could’ve been meticulously executed onscreen or poignant for audiences to reflect upon, felt missed out completely by Sang-Ho’s imbalance of subtext against plot. For example even through the cinematography and as the director Sang-Ho never seemed entirely sure how he wanted to capture the world of the characters. Seemingly ordinary or gritty early episode scenes hinting at the unexpected, turned into moody and drab aesthetic shots of Seoul straight out of a noir crime series. This isn’t necessarily unheard of a director playing with mood or lighting to convey messages or by transcending genres. However , directors or cinematographers usually have a vision in mind when invoking these scenes for viewers. Sang-Ho seemed often uncertain even through the objective lens of the director with how this truly captured or presented the emotional mind-frame of his characters . . Adding to this Yeon and Choi weigh down each dramatic scene straight out of a jump-scare movie; the monsters’ attacks feel animalistic and playfully sadistic, but never truly added a more profound and impactful tone for audiences.

The ending of the series attempt to crank up the shock value to the maximum with the delivered revelations of the finale. However whilst the series does leave a more open ending through a cliffhanger major characters arcs, subplots and storyline moments were rarely tied together or felt more complete as a consequence.

So what is left to take from ‘ Hellbound’? ‘ Hellbound’ is a pacy supernatural thriller with an intriguing plot wrapped into six episodes. Aside from some dodgy acting by our side characters, the main cast were decent enough and the standalone performance by Yoo Ah-In did give the drama some undeniably charisma. However one of the major problems with the Netflix series is that it becomes lost in a maze of its own doing; subtext themes and plot were often lacking in depth and more profound deliverance, whilst even some of our main characters lost their gravitation to audiences by abrupt exploration and coverage alongside an incomplete ending. The series attempts to deliver a “ terrifying” experience through the CGI “ monsters” of the series whose design and presence onscreen felt insipid. Overall ‘ Hellbound’ is not a bad per say during a binge-watch session with an intriguing enough plot to keep you engaged, but certainly lacking within delivering a more sound impact for viewers also.

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Yes I'm here again!

Despite vowing not to touch any more Thai BL after the unfolding disaster that was this year, I nonetheless pressed play on TharnType: 7 Years of Dysfunction (sorry, love) and here I am. I know this is the review you have all been waiting for.

Well, it's been seven years since Tharn and Type got together and refused to deal with any of their internal relationship issues. So here we are, kind of tired and muted and a bit sad after seven years of Tharn avoiding conflict because of his fear of rejection and Type being publicly in the closet because he refuses to admit he's gay. The two do nothing but bottle things up, have a kind of passive-aggressive fight and then have sexy times to cover the cracks. I suspect as viewers we're just supposed to enjoy the sexy times and not notice that this relationship is terrible. But it is. It's terrible. I desperately want both of them to break up and go find somebody else better suited to them. Or at least FINALLY deal with the issues in their relationship. Also, Tharn has these moments where he's absolutely f'ing creepy to younger gay men and it only reminds me that he was abused as an adolescent and nobody is doing anything about it. His abuser is practically living at his family's house. But at least he's no longer dating a literal child.

So it's seven years later and Type is struggling at work in probably the only plotline that is possibly about something (there IS a big difference between studying and working and dealing with workplace nonsense can be exhausting). And I'll expand on the implied point here - there is literally nothing else in this drama so far that is about anything. There is no plot. At all. The show is lacklustre and paint by numbers. Even the shoe-horned soft-core porn I'm supposed to be distracted by is phoned in. They devoted actual screentime to Type being jealous over a woman despite his boyfriend being completely 100% gay. And if I touched on the screaming misoygnism of that whole plotline I'd be here all week.

Tharn wants to get married because he think that means that Type will be his possession and can therefore NEVER LEAVE (marriage doesn't work like this, my damaged friend) and Type doesn't want to get married because if he marries a man he might have to admit he's gay and we can't have that because this is Thai BL and we all know GAY IS BAD. And of course you'll remember show completely glossed over this conflict at multiple points even though it's the main one. Possibly if Tharn needs constant emotional reassurance he shouldn't have spent seven years with a man who's already married to his closet and again - these two are TERRIBLE for each other. Break up! Do better. I get it, you love each other. It's not enough!

Since this show is unlikely to be about these two actually working out any of these issues but will inevitably find an external conflict for them to pretend they're a rock under siege then I should bow out now. But if I did then how could I reliably report back that TharnType is a bad show about a dysfunctional couple and you shouldn't bother getting invested.

This has been my much-anticipated review of TharnType: 7 Years of Ignoring All Our Real Issues.

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Too many episodes, not enough story…

I know I’m probably in the minority with my rating but this drama was good but not amazing to me. The plot was a basic setup, very similar to some other modern dramas but managed to keep me until the end.

What I liked:

The TCM profession was interesting and I would have liked to see more about it in the show. I know the focus was on romance so it only skimmed the surface of the profession. I also enjoyed the story between Shen Xifan and her ex. It definitely pulled on my heart strings when it reached the conclusion because it’s very relatable. Although there were some moments where I felt the directors trying to push the drama to be for a younger audience (i.e. them tiptoeing around Shen Xifan’s need to spend the night), overall, the drama did offer a more mature view on relationships and I appreciated that especially since most of the cast is late 20s/early 30s. I like when dramas provide a more realistic take on adult relationships in this age range.

What I didn’t like:

This show shouldn’t have been no more than about 16 episodes. There wasn’t much story to tell especially after the main couple got together. There was a ton of uneventful dialogue and basically we were just watching a couple date, sending random text messages about nothing, having conversations about who fell in love first and late night dinners. There just wasn’t a story, it was just a series of random events between two people. I wish I would have but I didn’t find that very entertaining because it dragged on for so many episodes. One thing that bothered me was the overuse of slow-mos. There were so many slow motion scenes throughout this drama when watching the main couple date or stare at each other. To me, it just dragged the already uneventful scenes even more. The supporting cast also didn’t add much value to the story. They attempted to give us a little bit of them here and there but most of the interactions with the main couple was just uneventful and they didn’t flesh those characters out at all. The final thing I will say is the character setup between Shen Xifan and He Suye was cliche. Follows the same formula as a lot of other modern dramas. Female Lead is in a long-term relationship when they meet and Male Lead is single but falls first. Would have been nice if maybe the roles were reversed or both were in relationships or single. I wish these dramas would give us something different.

Overall, if you’re just watching because you are fans of the actors, then you’ll enjoy this along with most of the ratings here. Judge it for yourself.

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Dark Humor

This is a dark comedy movie. Despite winning the Oscar with 4 awards, I can't say I like it. The acting is fine, so are many other movies. This movie depicts the great divide between the haves, and the don't haves. It also shows how easy it is to forge any documents in today's digital world. And how the unscrupulous can cheat their way out in a world that demands paper qualifications.

I have to admit I do enjoy watching how the family of four get themselves out of their predicament living in a squalid condition to live in a multi million dollar home. But as the story unfolds, I sense more stormy waters ahead. As expected, the story takes on a dark turn, becomes psychopathic and murderous.

My verdict? This is not my cup of tea. As much as I'd love to have an Asian movie to receive the Oscar, I really can't say this is it.

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