This review may contain spoilers
This is the third time I'm writing this review. Somehow it got deleted again. I'll be brief.
What I liked about this drama:
1. retainers trio (they had lot of potential)
2. You keep guessing till the end who killed the princess.
3. Actors playing villains were amazing unfortunately they characters weren't.
4. Sad song (I think it's called Hurt)
What I didn't like:
1. Villains were one dimensional character without any depth.
2. Han Ji Min's character was very boring and her acting didn't improve the character
3. Retainers trio potential wasn't used. Their character weren't developed and were used more like extras and in comedy elements than helping progress the plot.
4. Main leads were stupid.
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Dropped !!! Misleading title
Lol, Ms. Incognito is such a misleading title. If they had just called it Good Woman BuSeMi, I wouldn’t have even bothered watching. With Kdramas, the title usually gives you a clear idea of what you’re signing up for!The first two episodes were solid, I was hooked and thought the show would keep that same energy. But episodes 3 to 7? Total brain reset. That’s when I remembered the golden rule: never judge a Kdrama until you’ve reached episode 8.
Now let’s talk about the characters:
1. BuSeMi started off strong bodyguard vibes, cool energy. Then suddenly she’s acting like a helpless princess. Meh. I’ve seen her in other dramas and her acting just doesn’t hit. Her facial expressions don’t help either. And that whole “moving to a small town with a silly storyline” twist? Not in my plans.
2. DongMin is another one I’ve seen before, but something’s always missing. His character feels flat. Unless they randomly reveal he’s the chairman’s son (which would be pointless), he’s just taking up space.
3. HyeJi: whew. Her voice alone had me skipping every scene she was in. The character is badly written and her behavior is just cringe. Totally unnecessary.
The comedy in this drama makes no sense. It doesn’t fit the story at all. And it’s not even good comedy, it’s the kind that makes adults look ridiculous. I swear, some Korean dramas live for that awkward humor.
It’s only 12 episodes, but they wasted half of them in a small town doing nothing. I can already tell they’ll rush the ending to make up for lost time.
And the chemistry between the leads? Non-existent. Fans are hyping it like it’s sizzling, but I’m sitting here wondering if we watched the same show.
Anyway, I’m officially adding this one to my 2025 list of disappointing dramas, right next to Buried Hearts, WTSG, and a few other flops.
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Long-Awaited Seduction Into A DARK CONCEPT !!
Exceeding Expectations. And Then Again Disappointing. It´s wild.This painstakingly created series is expected to be one of the most controversial, hardest and longest emotional rollercoasters in 2022 and it has also been highly awaited by the entire LGBTQI+ film community.
However, if you easily feel offended by toxic tropes then I recommend you reconsider watching this series !!
Production / Music >> 9.5 >> 9.0 >> 8.5
As already seen in the first trailer – deleted by now – KinnPorsche has always been visually incomparable to other series. Even with their delay in airing and producing, the fandom has been faithfully waiting for this visual masterpiece to finally air. Given the second trailer and after watching the first episode, I know that KinnPorsche will lift the visual standards of LGBTQI+ shows to another level. Additionally, for those who don´t know me, I am a sucker for dark concepts and for what has been displayed so far with the lighting and colouring, my eyes are blessed and my creativity is exploding.
Combined with the series' soundtracks – e.g.: Slot Machine´s “Free Fall” – this entire show seems so unreal in quality, especially since it has a heavier and more challenging plot and concept than most LGBTQI+ series in the past. Therefore, I think they can still fail in the execution of a good story, but they have lifted the standards for the cinematography and consequently, I´ll predict this to blow up and get at least an 8.0 rating on MDL - excluded any crucial errors such as misrepresentation of fundamental issues, e.g.: LGBTQI+, toxic relationships, abuse, etc. I, however, doubt they will fail in the portrayal of those.
Let´s especially praise the Cinematographer (Maneerat Srinakarin) and the Screenwriter (Pond Kritsada Wittayakachondej), for perceiving the possibilities of this concept's aesthetics and implementing them successfully, as well as the Editors and Production in general.
Plot / Story >> 7.5 >> 8.5 >> 9.0 >> 8.0 >> 7.5
So far, I´ve been satisfied with the introduction to this series and its concept. However, even though the plot is exciting and thrilling, "it is not that innovative yet and therefore I need more episodes to change my mind and give it an 8 or higher". At some points, it was just so random, and the entire mafia thing got a bit laughable.
BUT Then I continued watching and changed my mind A BIT. Despite the aspect of some lack in the stories innovation, I am a total sucker for these sorts of concepts, and in the past, I´d just blindly give it a 10 BUT I´m trying to not let my excitement take over my rationality. However, if my rating was based on my own excitement, this rating would surely have a different outcome.
Cast >> 9.5 >> 10.0 >> 9.0
The entire training the actors have been going under in 2021 has finally paid off and the series successfully cast very talented individuals for each role. Especially Apo has been well chosen as Porsche, his personality finds shelter and rises like “The Phoenix”. Mile takes our breath as toxic-tinged Mr Kinn, who exudes a bold and decisive charm like Mile himself. The result is well-cast Main roles.
However, I will not forget to give the supporting cast all the praise. It´s just that I could write so many paragraphs about them - trust me I did that - but I´m trying to keep it short. Honestly, Bible did not only put effort into acting out Vegas but he also committed a lot to the KinnPorsche Story by translating Daemi´s book. I´m happy to see that the involved people also enjoy being part of this huge project. Love it!
Rewatch Value >> 9.0 >> 9.5 >> 9.0 >> 8.0
So far so good. Since this sort of concept is always extremely pulling me in and my disappointment in “Golden Blood” is heavily weighing down on me, I am quite sure this will be one of the shows I will come back to at least twice, if not more often. Therefore, my overall rating so far is a solid and well-deserved 8.5 and had chances to be a 9.0 if they had increased the story's uniqueness and matched it to their incomparable cinematography/ visuals.
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I am new to watching anything from Thailand mostly I've hung out with Korean, Japanese and Taiwanese dramas so it's kinda a mind flip on what your accustom to watching when it comes to dramas.
I am a fan to both Ken and Ann's acting and if you watch this what makes the story worth watching is the phenomenal acting and where these two are able to take this tragic script and make you care about the characters and want them to find happiness at the end. The only reason I would review this drama and stuck with it to the end is because of how well acted and talented the two leads are in this story to keep you going. Ken is able to make you feel sympathy where none should be thought to be given.
If you decide to hunt this lakorn down know you will find Kawee actions are beyond forgiveness but he's a child of abuse, extreme wealth and neglect and has no personal growth in his emotions and sympathy of others until he sees what his own actions have cost him and only then does he learn from what he has done and only it shows how only love can change him. You will hate him ten fold in what he does to Narin. You will find yourself disgusted by both his father and his new wife / Narin's sister's marriage and you will see how Leela and Kawee's fighting nearly destroys Narin.
This lakorn was on Viki but it no longer is available. The original translator of this drama had uploaded the episodes on Youtube but then canceled their account. Only 7 of the 12 episodes are available online with translation and its a blurry copy and the rest of the episodes are listed by another person there. If you want to hunt this down there is one seller on Ebay who has it available for around 12.50 with the english translation. It is a story worth watching but its not for the faint of heart and it has graphic subject material.
I give the acting on this a 10. By far the best acted lakorn period.
There is some slight comedy worked into it in from the coworkers at the floral shop but I would by no means call this a romantic comedy.
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The story is a complete and cohesive tale; beginning, middle and end. Which sadly is something Kdramaland tends to have trouble with. But the writers of this drama really got it right! I fell in love with the Boong Do and Hee Jin falling in love. And even better I loved the plot. Usually I have a lot of trouble with time travel genre. I think time travel is one of the harder kinds of plots to pull off and pin down. They can get convoluted and tend to lead to more questions then answers. But this drama kept things simple and fairly clean. It didn't try to over explain or get too complicated. I walked away feeling satisfied with a really great story and ending.
Queen In Hyun's man is so satisfying to watch. There is dramatic tension, bad guys to fear, funny characters to laugh at and romance to make me sigh. And the kisses! Such great kisses!
The acting was so wonderful. I was very impressed with Yo In Na. She really gave a memorable performance and is quickly becoming an actress I will happily follow from drama to movie and back to dramas again. She was so engaging and real with all her emotions. I never felt she was faking her performance and she didn't over act and fall all over herself crying. She was a delight. Ji Hyun Woo blew me away with his portrayal of Boong Do. I fell in love with him right along with Hee Jin. Every girl needs a Boong Do! The orbiting characters were portrayed just as well. I loved Hee Jin's friend Soo Kyung played by Ga Deuk Hi and her ex boyfriend, played by Lee Kwan Hoon. He was such a character. This cast was a great fit together.
The music was Daebak! I love the OST and one that I would like to own. The songs fit with the undercurrent of romance always present in this drama.
I would wholeheartedly and happily watch this drama again. It's a keeper. One I am glad exists so I can go back to on a rainy day and re-watch with delight.
Solid 10's overall for everything. There is not one bad thing I can say about this drama. I am so glad it appeared this spring/summer in a sea of some really mediocre romantic drama fare. Stellar acting, writing and great fun. Please don't miss this!
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This review may contain spoilers
Sensational drama that has stolen the hearts of millions
Get ready to be captivated by the sensational drama that has stolen the hearts of millions: "True Beauty." As a newcomer to webtoons, I stumbled upon this extraordinary story, and its unique plot and stunning art instantly won me over. Little did I know that this webtoon would be adapted into a drama, filling me with an immeasurable amount of joy and anticipation."True Beauty" boasts a cast that is nothing short of perfection. With each episode, I found myself completely engrossed, unable to miss a single moment. The characters are all so lovable and relatable, bringing an extra layer of depth and charm to the story. The comedic talents of the female lead injected laughter into every scene, making her a delight to watch.
The romantic aspect of the drama is simply irresistible. The chemistry between the female lead and Suho, with his cold demeanor and yet sweet gestures, had me swooning. And let's not forget about Han Seo Jun, whose boldness, patience, and sacrifices made him an absolute standout.
The drama is not without its fair share of emotional moments. The twists and turns of the plot kept me on the edge of my seat, experiencing a whirlwind of emotions. But in the end, the drama delivered a satisfying conclusion that left me feeling content and fulfilled
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First of all in both versions I don't understand why the title "rich man, poor woman"...isn't it kind of a thing in 97% of dramas?...could have been named "the ceo and the employee" or "cheerful and naive girl falls for her boss who have some sort of past trauma" at this point.
The female lead's motivations were so weak when she claimed she wanted to stay in the company or beside the ceo (first time that she rejected the vice-minster woman) and I really can't understand what kind of character she should be...how can someone that can memorize an entire book and do all that administrative work (when they founded dancing whale) is considered dumb? The world is divided only in magical geniuses and idiots? And why she let people call her that way? She showed a little of attitude only in the last episode but so drastically that she seem another person entirely...
And why all that shareholders/meeting whatever footage?
The male lead was sorta okay, but in comparison with the japanese one he lacks a bit of charisma. I personally not really into that type of character so I even found him annoying sometimes.
The romance between the girl best friend and the womanizer guy was more interesting that the leads one.
Second female lead was annoying, I liked the one in the japanese version because she was competing fairly without being bitchy with the fem lead.
Some scenes (crying scenes mostly) were a bit weird, they overacted a bit.
Overall it gave me a Steve Jobs biography vibe with a little of Zuckerberg (the mini file/big file project), probably the original writer was inspired by those.
I found it very boring, won't recommend if you're looking for cute romance or comedy.
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I'm ORV fan
Bruh wdym Lee Jihye holding gun, Yoo Joonghyuk not grabbing Kim Dokja by the neck, Kim Dokja hating on WOS, Kim Dokja is not a reader, Kim Dokja hating on Yoo Joonghyuk, Kim Dokja writing the epilogue himself, Jung Heewon is the main character, no Biyoo, Yoo SangAh is a healer, Lee SooKyung relying on Kim Dokja, Kim Dokja is ordinary, Bihyung is labubu or Doraemon, Kim Dokja saving Kim Namwoon, no deus ex machina, Kim Dokja killing a kid back when he was bullied, no Broken Faith but a core instead ❓ 这部电影像是狗做出的一样，人不会这么做。T sẽ ở dưới gầm giường ông nào sửa nát nguyên tác ~MỗI đÊm~ 🤡 hãy tận hưởng đc ải chỉa suốt đời nhé broWas this review helpful to you?
Too much talk and not enough plot.
I expected "Doom at Your Service" to easily become a new drama favorite of mine. It starsSeo In Guk as an attractive and mysterious male lead, which is his specialty and almost a guarantee that I'll get hooked, but his storyline is hijacked by a mediocre love triangle/fractured bromance that made me lose any interest I had. Instead of getting a fully fleshed-out-fantasy- romance about Doom itself going against character and falling in love with a depressed woman, I got a boring office drama about writers and editors with way too much dialogue and not enough plot. This is also meant to be a tear-jerker yet my eyes remained dry the entire time. This drama went from addictive to barely watchable fast. I almost dropped it in the last episodes because it dragged so much. Maybe a more dynamic female lead could have kept me interested longer. Even though Park Bo Young may be cute, and even likable, she annoyed me as the Tak Dong Kyung.
Dong Kyung as a character starts off amazing. She does the unexpected, she appears brave and considerate and clever, but as the story loses direction so does the character. There were too many Park Bo Young scenes with her crying/whining before I had a chance to fully connect with the character's situation. I also felt declining chemistry between her and Seo In Guk as Doom/Sa Ram. What started with an interesting connection turned into long conversations and repetitive fantasy sequences but not a love story I could connect with. I'm just gonna say it, Seo In Guk is much better at passionate scenes and showing depth (like in "The Smile Has Left Your Eyes"), and he tried to carry many of their scenes with subtle choices I loved, but having Park Bo Young play so innocent, almost childish, missed the mark for me. She also seemed too indifferent about literally dying for too long. The denial in the beginning aside, which worked well, as episodes evolved I just didn't believe she was a woman making life or death choices which stopped me from caring enough to cry or just fall in love with the story. I can't say she was bad in the role, she just wasn't good enough to make me buy into this unusual plot. Big Park Bo Young fans may feel differently and be more forgiving, which would make a huge difference in whether you like this drama or not. She is in 2 unique concept dramas that I loved "Strong Woman Do Bong Soon" and "Oh My Ghostess", where being cute worked much better, but not this time. I was unimpressed.
The next problematic character for me is Jeong Ji So as "God". I didn't mind the whole Dora The Explorer Diety Gardner thing, or her performance, but her esoteric unclear presence in the story was more frustrating than interesting. Mainly, again, because she talked too much and showed too little (besides random plants). Maybe some things were lost in translation, but her long conversations and observations may be good in a novel, or a webtoon, but on screen, it just drags and bored me almost to sleep at times. I'm wondering if the dialogue sounds so "beautiful" in Korean that the writer fell too in love with their own words to cut any of it down and remember that showing is more compelling than telling on screen. Yes, there were a few well-done visual scenes but they were still mostly overwhelmed by talking. Too many scenes of the leads just staring at each other in bed (together and apart) was a huge romantic disappointment too. They were damn near platonic for such an epic fated love story, with too much narration. It lacked enough passion to sustain the story to the end and by the time things resolved I barely cared.
Oh, and about that extra love triangle, usually even a cliché love triangle has exciting scenes and chemistry but nope... these 3 characters also just have lots of conversations about the past, about each other, about what they may want to do or should have done, with very little actual progress. I think Lee Soo Hyuk as blunt and straight-faced Cha Joo Ik was supposed to be funny, but I found those banter scenes to be flat. I'm sure much of that intended dry humor was lost on me as well. For me, just having two attractive men isn't enough to fuel a love triangle romance plot. It also has nothing to do with the Doom plot, which makes it seem like unnecessary filler or a different drama.
I did like her brother's character, mainly for cute comic relief, but most of the other characters are just ok, and pretty forgettable (Shout out to poor Kevin who didn't even make the cast list lol).
Would I watch this again? I wouldn't torture myself like that. I'm sure a lot of these actors will go on to better dramas that I'll watch and I will probably forget this drama even exists after a while.
The OST is also forgettable but oh how I love Seo In Guk's voice. Rather, I just love him and his beautiful voice is a bonus. I didn't fall in love with any songs though... or his hair color.
Overall this drama is a huge miss. Maybe it's good if you want to hear more Korean dialogue than usual as language practice (it's A LOT y'all) but I can't call this drama good. It is an ambitious and pretty original idea but that's not enough to make this drama work as a whole. Characters saying how they feel instead of showing it for me felt like a romance buzz kill and lazy. If this drama had no Doom character I would have dropped it almost immediately. I also expected tears, since sadly cancer scenarios are too familiar in my real life, but my eyes remained dry the entire time. And what's worse than abusing flashbacks... describing flashbacks as you abuse and overuse them. I looked up the last drama written by this writer and it was "The Beauty Inside", another drama with all concept and zero plot. Another movie plot idea stretched beyond its means. Another missed opportunity to create a really interesting love story. Maybe I should have double-checked who the writer was before I decided not to drop this. Sadly, those who don't learn which drama writers create shows they should have dropped are doomed to repeat it.
I guess Seo In Guk was too good at his Doom role because he doomed me to complete this.
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Great for those unfamiliar with broader mental health issues; otherwise nothing truly new.
I finished this drama thanks to Seo Ye Ji and Oh Jung Se. If this review possibly happens to make you question watching IONTBO, I would tell you to watch it for these two incredible actors. I've been a fan of Seo Ye Ji since her Moorim School days and her talent has only become more stunning as time has passed. Oh Jung Se is a legend in my books, period. I'd also say that, if you like artistry in storytelling, IONTBO is an interesting watch. There is beautiful incorporation of various art styles weaved throughout the show, and this is one aspect that I truly enjoyed about the show. The writing is alright; certainly better than your average drama, though it still succumbs to obvious fan service (which, to be honest, I can't completely fault the writer for because Seo Ye Ji and Kim Soo Hyun are her leads—she took expert advantage of that, haha).So, onto the not-so-great elements. As an individual with deeply personal experiences with mental health, as well as experiences with the mental health of loved ones, IONTBO ultimately is a slap in the face. It's not entirely the show's fault, truly. KdramaLand and, in general, Korean entertainment as well as entertainment internationally, are all guilty of requiring a beautifying lens on most interpretations and storytelling of the world.
Don't get me wrong, I also enjoy watching beautiful people playing roles in heart-wrenching storylines. But there is just something irreconcileable to me about the concept of beauty and mental health. I do not (at all) mean that beautiful people cannot have mental health issues or that mental health is a completely ugly thing. However, when we talk about de-stigmatizing mental and having diverse voices or representative storytelling—I could not help but think: how many people would be raving about IONTBO and its championing of mental health issues if the leads were not Seo Ye Ji and Kim Soo Hyun? If this was a representation (note: I don't mean copy or true story) of real life, how many people would truly care if this story was told? What would domestic and international reception look like if Kwon Yoon Hwa was cast, rather than Seo Ye Ji?
And so, as the show progressed a certain cliche refused to stop ringing in my head: "Nobody cares unless you're beautiful or dead". While I personally can't say that I believe this to be completely true—sadly, when it comes to most mainstream media, wherever you might be in the world, this saying often holds heavy truth.
As I did not expect Crazy Rich Asians to be the representation of all Asian stories and voices, I do not expect IONTBO to represent all voices, stories, and perspectives for mental health. That being said, if you've been around KdramaLand for a while now, you'll know that this is not the first "groundbreaking" attempt at telling stories about individuals and mental health.
Ultimately, IONTBO will be enjoyed by most, I reckon. So, all I can say is that IONTBO was nothing new for me in KdramaLand, and is certainly not groundbreaking in its explorations of mental health. Instead, it's a painful reminder of the endless habit of beautification in film and TV industries around the world.
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This review may contain spoilers
In spite of all the horror and struggle for survival, there is still room for the heart note
"All of Us Are Dead" isn't specific to South Korean culture, but it's not surprising that the story was born on South Korean soil... The story picks up on the sheer horror that South Korean youth are exposed to in the face of their brutal educational system. There, the enormous pressure to perform is higher than almost anywhere else in the world. For some, bullying is one way to reduce stress. The bullied, in turn, are doubly stressed. Other options include withdrawal, drugs, or suicide. South Korean society is largely blind and/or helpless in the face of this. The pressure to perform and, in this context, the psychological suffering of young people seems to be without alternative in view of the nationwide (and worldwide, economic) competition - a price that society has to pay in view of the greater good. And with that, the youngsters are left alone to somehow survive in this merciless world. However, this applies (perhaps not so blatantly) in a similar way to young people in many countries around the world.This is where "All of Us Are Dead" comes in its impressive and striking way.
The original title is something like "Currently at our school", so the focus is actually on the school and their students. In fact, the horror of everyday school life, which is more existential for some and less existential for others, mutates into a horror for everyone. A troubled father wants to create a way for his suicidal son to finally stand up to his bullies. The experiment goes astray. The vicious, zombie-like virus is sweeping the entire city and beyond. Disaster control, state of emergency, martial law - the whole program is needed to get the situation under control. And here, again, the young people are left alone in their existential need.
The story telling and expression of various group and relationship dynamics between the young people represent high-end KDrama quality - intense, powerful, sensitive, excellent. Almost everything is on the table. For me, this is the strength of this KDrama and the reason why worth watching.
Besides the problems, dynamics and approaches of trying to 'master' the threatening epidemic somehow sums up what we have had to go through worldwide in the past 2 years marked by Covid. When the rules are overridden, individuals (those who happen to have something to say) rule against the backdrop of their (helpless) personalities - arbitrary or scientifically based, rational or irrational, mostly driven by fear and from a safe distance and/or on the (argumentatively) safe side. Then real quick nobody takes side of individuals anymore, the big picture being more important...
Seen in this way, "All of Us Are Dead" is a qualitatively demanding KDrama in several respects. In spite of all the horror and struggle for survival, there is still room for the heart note.
However, I would like to emphasize that the virus is turning people into flesh-eating zombies. So the abundance of screaming, rattling, biting, blood-smeared zombie scenes, which simply lack any aesthetics for the eye and ear, is part of the story, too. In general this drama is brutal. This is obviously very popular in the international zeitgeist and thus (being published on the international netflix platform) stagily staged. I would say, brutal details and zombie-screentime could definitely have been less prevailing (in order to still tell the story).
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I appreciate the attempt, I question the presentation.
I’m not sure how I feel about this drama. Being romance driven, I cared about romance the least. While I loved the gradual healing on Uea’s side, I do believe the level of trauma this child had to face in such a short period of time (screen time wise) made it a bit ridiculous for me. By the 3rd toxic person in his life I just started to laugh… And it’s not like this scenario is completely unrealistic - many people who were victims become victims more than once. That said, the way they presented it with lack of good spacing in time and pace, I just could not take it seriously. The presentation was just lacking too much.I also could not get on board with how Uea treated King a few times closer to the end. Everything that happened at first is understandable - miscommunication happens, especially if you don’t trust the person yet. At some point though, it felt more like Uea testing King for no other reason than enjoying watching King plead. Even that would not bother me if they established it’s something King is into, but they did not. So it seemed like a mind game when King had to constantly prove how much he loves and respects Uea to the point of asking before he can touch him (and I don’t mean in a sexual way, I mean literally any way) and being denied by Uea with a smirk on his face. That’s when I started to think - maybe Uea is truly completely not ready to be in a healthy relationship and needs to book a visit to a therapist first. It’s not like it happened a lot, but enough for me to feel a bit uncomfortable.
While I loved King, I also find him painfully underdeveloped and one dimensional. Net did a great job with acting, but the writing of the character itself was empty.
As for the nsfw scenes - let’s say I’m glad I watched the cut version, because even that was a level of cringe I could barely handle. Most of the bed scenes made me laugh, some skipped completely.
Acting was decent - big props to all the villains, perfect presentation that made me hate them with a passion. Net did great with some vulnerable scenes, but James sadly does not have enough skills yet to truly deliver the pain and suffering Uea as a character was internally going through.
Production was okay. Lately a lot of BLs are truly overdoing it with the blur filter on actors faces making them look like Barbie dolls - ain’t fan of that. Last episode was more like a bonus than the continuation of the plot - everything was concluded and there was nothing left to add. Personally, I was kind of bored watching it.
Overall… I don’t know. I kind of enjoyed it? It led to a few interesting conversations I had with folks on mdl, but I find it sad that most complex ideas came from the community and not the show itself. A lot of things were truly basic and simplistic, and by now I think we can expect a bit more nuance from the genre.
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It was a bit weird because it seemed like each couple was like out of different genres of dramas.
I needed fluff right now so I still liked it. I watched it without much thought while it was in the background.
If you want something light and fluffy you can watch without much thought you will enjoy it. There are still better ones out there.
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Lower your expectations if you don't want to be disappointed.
BUT WHAT HAPPENED??? everything was going so well until episode 3, the ep cover launching feels like I'm watching a comedy that my uncles would laugh at, the story had everything to become interesting and the romance too, but it seems that the screenwriter wanted to try something new and now the story is uninteresting, boring, strange, a dubious comedy, and this HORRIBLE romance where ML seems to be fall in love with the girl in the second episode? like a drama made in 2023 with everything good, and yet the original drama crushes this poorly made work, the acting in this drama is HORRIBLE I thought that AT LEAST the acting could save this shit, but what happened to the actress? she does so many good works, all of are dead, your adults matter, her appearances are incredible, the Her productions are perfect, why did she have to put herself through that? the main character seems like a stupid and inattentive child, and on top of that the couple has no chemistry at all, i would rather have closed eyes and imagine that they never made a second drama of the original. simply despicable.Was this review helpful to you?
1This review may contain spoilers
More Like A Hundred Disappointments
80s story that could have had potential but ruined by hundred dumb routes. They have promising setting, two female bus conductors at first having their own family burdens, social expectations, and dreams. Their contrast personalities give balance for their character. But the show reduce them to “love rivals” rather than an individual characters who have goals. The writer want to create story about girl friendship complexity but failed, no build up, no progress, no motivation, no solid story message. They wasted it with story being defined and revolved around the male lead and lost the unique identity they supposedly had.Oh yes, I understand it is romance. But then they didn't show how they develop the relationship, how and why they catch the feelings bit by bit, what push them to change, how they got to be who they are. The story becomes a disconnected events rather than a cohesive journey for the main characters. All of their purposes are pulled into shadow by the romantic entanglement rather than resolved by their own growth. All these forced emotions are craps.
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A Hundred Triangles?
Alas, I find the male lead out of place from the female leads's dynamic. Whereas Yeongrye and Jonghui's opening come from down to earth household, economic hardship and gender expectation; Jaepil comes from the contrasting background. Prince on white horse? His cliche "privileged rich cold boy" introduction failed me to connect with his character in their 80s setting.
Yes, ML owns his emotional wounds, daddy issues, and bankrupt era. But the drama also seems to rely on him being the “object” that the two female leads orbit, rather than giving him enough depth to make the audience care deeply about him as more than just a romantic figure. Even his "aspiring boxer" narrative is scrapped by "heartbreak". He also got no much role for female leads's development. At least other male characters play a significant part in female leads's ambitions plot / Yeongrye asking the brother duos about law as she lacks education but she still revolve the problem on her own / Jonghui with his criminal brother side by side with Ko's siblings.
Once again, the main character's dreams, are scrapped throughout the drama, removed, forgotten, then pulled back in last seconds just for the sake of dumb plot. Titled hundred memories then give us a whole 7 years timeskip with a minimum flashback with majority of dramatic tension still weight heavily on the male lead, who, is not given enough complexity, growth, or... good acting to justify that weight. Romance drama? Well, it is also supposed to be a youth family drama but the series fall back into hundred romance tropes.
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Not Enough A Hundred Memories, But A Hundred Cliches.
Anyway, some parts are great especially when they show Yeongrye's family dynamics and 80s economic straits through the open door bus conflicts and.... well, there isn't much arc in the dorm lmao, what else I can mention? Wait, there is another love triangles plot in the dorm! Rather than showing the fellow conductor's struggles, they chose to add another male-centered side story! Even the side character cant escape from the love triangle, sick how the writer sidelined Jeongbun's struggle and made her story all about cheater character instead of addressing pregnant without marriage issue in 80s. The ending is such a joke too, I would accept the writer's intention to push "friendship" narrative in the last minutes if they focus resolving the main conflict, the stab incident trauma between the girls, but then they pulled this foggy dream light crap and made Yeongrye scream "Jaepiiiill" !!
But really, this drama has some genuine emotional moments, especially during first half in portraying female friendship and societal pressures of eldest daughter, female labor etc.. Though it went down hill, jumped to the cliff latter part, especially with the makjang nonsense.
Overall I am disappointed. I gave it lower rating because I had high expectations with my fave starring here. I have much more to complaint especially the late 80s hair salon background setting and styling post time skip. I expected much more from both Kim Dami and Shin Yeeun. Why the hell did they accept this script? I wished the story prioritized showing the dorm characters's inner lives, ambitions, 80's conflicts, and especially more evenly. It could have been a strong 80s story. If you are looking for that, turn around! Don't get scammed like me~
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