Reviews

There's a certain phenomenon that happens to everyone that makes them want to buy or have a brand name product, only to find out that it's not all that cracked up to be and end up with buyer's remorse. The same can be applied to Korean dramas. Sometimes dramas are labeled as "the-best-drama-you-will-ever-see-in-your-lifetime" that people are blinded by how flawed the plot is because they can't look past the pretty-pretty faces of our lovely actors/actresses and don't notice the cheesiness of it all, when a ever-so-mushy kiss scene comes across.


People often think that because something is popular, means that it's good. Lots of people don't understand that something being popular doesn't necessarily correlate to the quality of it! Quality is what makes something popular, not the other way around. People are often get sucked into peer-pressure from talks and gossip and buy into the fact that something bad is actually good because people keep saying that it is.


Well, Descendant of the Suns is no exception here. One of the co-writers, Kim Eun-Sook, is revered as a popular screen writer who has written a slew of popular dramas in the past, but most of her dramas are not written very well (IMO). In the early 2000's, her writing style was a hitting trend in the drama business. Writing dramas with the happy-go-lucky damsel in distress with the misfortune of having to put up with a pompous rich and handsome chaebol who has a heart of ice that can only be melted by her cheerful attitude. But these days, the trend of dramas demands a little more realism and a deeper understanding and display of human emotions, instead of superficial dramatics scenes and fleeting emotions driven by the moment. Her characters lack depth, her plots are horrendous (and that's putting it nicely) and her pacing is erratic, if not, very inconsistent. I admit, I find two of her dramas, mildly entertaining, Lovers and Secret Garden. But Descendants of the Sun was just a complete and utter mess.


I don't know what this writer wanted to do with the army and soldier part of it all, because it just seemed like an excuse to somehow squeeze in some action into it, but the relationship development between the two leads were hard to watch. It was like a child pushing a naked Barbie and Ken doll together, and see if they'd make a baby. Kim Eun-sook literally did just this with our two leads, and created no real connection with the two aside from the super cliche bump into each other, hate each other, share a memory or two and (BAM!) fall in love. The feelings that Yoo Shi-jun had for Dr. Kang Mo Yeon felt like it just suddenly appeared out of nowhere when he met her. There was no real gradually (realistic) feelings of romance, it was just WAM, hes sees her across the hall and he thinks to himself "I love this woman!" deal.


I didn't know what this drama wanted to be! A rom-com, a melo-drama, an action movie?! It is possible to combine so many kinds of genres into a drama, but it needs good timing, wit and creativeness to pull it all off. This drama tried to do that, but it all felt very rushed as if it couldn't wait to get to the next drama-filled scene.


Cliches are sometimes a guilty pleasure for South Koreans, and we love a typical love triangle and angst (myself included), and that's fine, but it would be appreciated if you at least TRIED to develop your writing more to grow your talents and maybe realize, "Writing fun dramas is fine, but I think I can do better!". Most of Kim Eun-sook's dramas are very typical, and really boring! REALLY BORING! The Heirs was like nails on a chalkboard. If you're going to ask me, then why watch them? Because of the wonderful and talented actors that are involved. T-T It makes me wonder why they chose her dramas. Because they thought it was a good drama, or because they thought the press involvement would be good for their career. To be honest, I'm hoping it's the latter. After Descendants of the Sun, Kim Eun-Sook is a drama writer that any actor/actress wants to be involved with because lately, by being a part of her dramas has helped dramatically in furthering their exposure and acting career. It's a career move, and we can't blame an actor/actress for wanting to take advantage of that. After all, actors/actresses make a living off our consistent admiration and interest in them.


To be honest, I'm really scared of what she's going to do with Goblin, because it's got some of my favorite actors/actresses in it, and I'd hate to see their talents diminished by such horrible plot writing and lack of character development. I know this review has been mostly centralized around Kim Eun-Sook's writing, but it's been frustrating to see how her dramas, that involve great and amazing actors/actresses, fall so short and end up being a very long and boring 16 or 20 episode thing. I'm willing to give Goblin a chance because of the cast, but we'll see if maybe Kim Eun-sook can bring something new to her repertoire of boring-and-typical-drama, product line.

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Mediocre male characters that still somehow made the fans fight.

For a drama that on the surface, on paper seems to present many interesting issues, fun plotlines, entertaining characters - this was a massive fail. With all that was technically going on in the drama, the fact that “which male character should the female lead end up with” was the hottest topic among the viewers shows how unengaging everything was.

Here’s the thing, I actually enjoyed it at first. Do Hae Yi was refreshingly bubbly and shameless about her love for money. Her enthusiasm and energy seemed realistic and fun. Loved her interactions with all the characters and was curious about a potential character development and possible change of priorities in her life (or at least some adjustments). For the most part her character was painfully stagnant, just to start hiding things and being less straightforward in the later episodes. They tried to fix that in last few episodes, but it was too little too late.

Characters wise, it felt like a huge waste of initial set up. More or less none of the characters got any development. They started and finished on the same note. We got some small changes of personalities in some side characters, but the mains were completely forgotten. The writers suddenly remembered they should do something about the main cast in the last two episodes, so everything felt rushed.

I knew we would get a typical love triangle, but with the addition of the mystery, I thought this would actually be an interesting watch. How wrong I was. The love triangle was painful to watch, since none of the male leads was that good or interesting. One, while interesting as a character and having quite a well built story around him, had an unhealthy obsession over Hae Yi. The other had the personality of a white wall and no depth, which made him simply uninteresting. Can believe we all had arguments about these basic boys in the comment section. It did have a great set of supporting characters though.

I honestly don’t want to even talk about the mystery aspect. It went from tense unknown, to barely existing, to murder thriller levels of ridiculousness. The culprit was a clown and their reveal made most of the audience question the writers’ choices. I never felt less interested in the “bad guy” reveal and the fact we had to wait so long to get any answers about the motive added to the issue.

An aspect I actually truly loved about the show were female friendships and support. There were no unnecessary catfights, no random jealousy - far more support, understanding and encouraging each other. Especially from Hae Yi and Sun Ja, and Choon Yang and Jin Hee. Honestly, I would not mind if they put more focus and gave more screen time for the mothers.

On a completely subjective note, one of my side ships failed and it made me sad. The potential behind that couple was amazing, and it was dropped for the more obvious and less complex one.

I did enjoy Han Ji Hyun’s performance. She was the only memorable part of the show. Making such an exciting, hype and enthusiastic character still feel realistic and not cartoonish couldn’t be an easy job, but she was able to achieve a believable result. Yes, the character was annoying in the second half, but that’s on the writing not the acting.

Another performance that caught my attention was Baek Ji Won as Hwang Jin Hee - Sun Ho’s mom. Her comedic addition had an underlying sadness and desperation to it, and I loved that this complexity was shown even in the limited screen time.

As for Bae In Hyuk - oh boy. I feel bad for him. He is not a bad actor, but anyone who watched Cheer Up would probably assume he is. I honestly believe the issue was the writing of Jungwoo and not the acting itself. Portraying a character that is so poorly written is just extremely hard.

Production value was high, but what’s the point when the story was not?

Overall, the show did not really deliver the cheers, nor the romance, nor the mystery. The friendship between Do Hae Yi and Joo Sun Ja was amazing and one of the limited saving graces of the show.

The show just left me frustrated. It had great potential to be a fun, light teen drama about coming of age, building friendship, learning how to give and receive help. How to believe in yourself, but also believe in people around you. And yet they wasted a good 80% of the time on useless, boring love triangles and mess of a bullshit mystery.

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How do I put this?

You know the feeling when you buy a new toothbrush?

It's the perfect color, has the right amount of bristle strength, fits comfortably in your hand.

You use this tooth brush all week with the small joy that it brings and makes you chuckle over being happy with such a small thing.

And then, your roommate asks if you've been using that perfect toothbrush.

Because another person has been using it all week too.

That's the feeling.

Don't be seduced by the first episodes. Don't fall for it's charm. Don't do it.

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BUT SERIOUSLY, WHAT IS WITH THAT ENDING???

Dont get me wrong. I loved the whole series. I even understand why they chose that path. It was titled Twenty Five Twenty One so naturally i expected the story to peak when they were at that age.

But come on!!! Why end it like that? For the better part of the whole series we are being teased to guess who will end up together in a mystery-solving setup - a la the Reply series. And then when it ended it wasnt even hinted who the father or the husband is. The kid is Kim Min Chae, after all so i kinda accepted early on that the father wasnt YiJin but to not answer it rendered the whole present timeline useless. They could have removed the present Hee Do and her daughter and it wont change a thing, because they literally said its not important.

The good:
1. I loved the fencing (sports) main theme.
2. Nam Joo Hyuk. Boy has improved so much, i may be inclined to think his handlers are doing everything to make him a multi awarded drama actor. It almost worked in Start Up, hopefully this is it.
3. Choi Hyun Wook. What a breath of fresh air. I loved him in RB, but he just shined here.
4. Kim Tae Ri and Bo Na as Hee Do and Yu Rim, respectively . Beautiful and capable. Let me get back to this later.
5. The coach, and the mother. I am inloved with Kim Hye Eun, makes me wanna see her past dramas.
6. I liked the fact that it wasnt a fairy tale ending.

The so-so.
1. Kim Tae Ri. She is amazing in this role, but I get it, readers will hate me for saying this. There were some flak for the portrayal of a college student to a high school student love affair, it wasnt May December, but it was enough to make people think that high school HeeDo is way too young for an adult Yi Jin and at moments the idea is kinda cringy. I guess the producers thought, well Tae Ri is older than Joo Hyuk in real life so it shouldnt be an issue. My question however is, will the producers think differently if an early 20-year old actress was playing HeeDo? Also, like i said she did great here, but is there no actress who is younger than Nam Joo Hyuk who can portray Hee Do's emotions?

2. The pacing and length of episodes. 16 episodes of almost 90 minutes each. Sometimes i feel like episodes are a little too long and the last 2 episodes in particular crammed too many issues a little too late. I guess thats how the format is for most asian drama - make the leads break up in the penultimate episode and then cram and jampack the finale to solve all the issues. But goodness i counted a few scenes that were a little too long that could have been used for some other things like how many times HeeDo and YiJin broke up and madeup. I guess they thought extending the drama and the crying scenes will make people cry. My short attention span went a little haywire.


The bad
1. The older Hee Do. The actress portraying the older Hee Do is beautiful and i love the subtle acting that connects both the past and present HeeDo. BUT, is she really needed. Did the story changed by adding her character? Again, the non-reveal of the husband made her character useless, and i felt like that was done to trick the viewers into keep guessing who the husband is going to be. Another thing, Hee Do's mother acted the older character. Why cant Tae Ri do the same?
2. Hee Do's daughter Kim Min Chae. By the name alone, we know she is not Back Yi Jin's daughter. But still, her presence teased us with the possibility of Hee Do and Yi Jin endgame. But alas they thought it wasnt important enough to be discussed. So why do we need the whiny kid.
3. Now back to the ending. The whole series was great overall, but my heart needs closure.

Would i reccommend? Definitely, just prepare to spend some time with it. Am i going to rewatch? Sorry, its just too long, and theres just too many drama nowadays i dont think i can.

Kudos to Netflix for giving Asian dramas chance to shine in a much bigger stage, makes my subscription very worthwhile.

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A Bumpy and Underwhelming Fantasy Ride

K (Seo Hyun) escapes into her favorite fictional world as Cha Seon Chaek, a supporting character who crafts modern cocktails, lives her dream life, and even shares a one-night stand with Prince Gyeong Seong (Ok Taec Yeon). The premise is fun, whimsical, and full of charm—at first.

But very soon, things start to unravel. Gyeong Seong's constant proposals and overplayed rivalries get repetitive, and the story takes a hard left into heavy political intrigue, abandoning the playful tone that made the beginning enjoyable. The sudden tonal shift, combined with increasingly frustrating character decisions, makes some later episodes feel like a slog. Let’s be real—fast-forwarding feels tempting.

And then there’s the subplot of the real Cha Seon Chaek swapping lives with K. It’s barely touched on, leaving us wondering why it’s even there. If you’re not going to explain how she survives in the modern world, why include it at all?

Seo Hyun and Ok Taec Yeon have solid chemistry and bring life to their roles, though Seo Hyun’s character sometimes leans too much into “cute” territory, which can feel out of place compared to the more grounded supporting cast. That said, the series shines brightest when Cha Seon Chaek interacts with her fictional family, delivering humor and heart that balance out the heavier plotlines.

Overall, the show starts strong but struggles to keep the magic alive. Fans of time travel and romantic fantasy might still enjoy it, but don’t expect a perfectly smooth ride..

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You Are My Spring ; The Attempted Reimagining Of Love

Fusion genre dramas aren’t unheard of in K-dramas, but ‘ You Are My Spring’ certainly pulls out a new record with the amount of genres in tried to cram into the show. Does it work? On certain grounds ‘ You Are My Spring’ is partially poetic and partially natural speech at times . The dialogue infused by screenwriter Lee Min Na is a rare example in a K-drama for each individual character -feeling natural because it flows out of the mouths of these characters coherently .

Of course this drama wouldn’t be complete without its star-studded cast. Whilst admittedly there were few eyebrow raising moments of acting in parts of the show, our main cast did add their own dynamic charm to their onscreen personas. Actress Seo Hye Jin plays bubbly hotel manager Da Jung. A talented businesswoman and a person with a heart of gold, Da Jung had a rough upbringing and believes her love life has forever been tarnished by her mother. Da Jung immediately has a likeable charm for viewers even from her initial introduction -she isn’t the cliched “ ditsy and innocent ” female lead archetype, but still often finds herself at the crossroads during problematic moments in the drama. Similarly she’s career-orientated and a hard worker but is often fairly relaxed and kind-natured. However whilst it is understandable that whilst we do see her struggles flare up during “ necessary” moments for the storyline, this was often used as a carte blanche by the screenwriter to “ intensify drama” in order to keep the plot moving, or kindle “ potential chemistry” between the main characters rather than explore Da Jung’s sentience in more depth . There was so much potential to understand more about how Da Jung tried to cope with years of trauma in daily situations, her relationship (in more depth) with her mother, her past relationships as well as how this impacted Da Jung’s social experiences during childhood and growing up also.

On a more praiseworthy note and before commenting on the rest of the main cast, it is important to commend the cinematography and symbolism in this drama . Director Jung Ji Hyun tangoed a lot with screenwriter Min Na’s storyline points through subtle motifs and shifted lighting in order to explore the drama’s heavy-hitting moments in more detail. Da Jung’s morbid obsession since childhood with Edgar Allen Poe’s “ The Black Cat”acts as a perfect analogy for the mystery of the drama.

Yet back to our main cast it is impossible to forget Hye Jin’s fellow costar Kim Dong Wook who played main lead Yeong-Do. Kim Dong Wook added a refreshingly calm presence to our main lead. As his onscreen persona Yeong Do is very much written in the role as the “ nice guy” trope- he’s flawed and has his own emotional scars, but is amiable and possesses a good heart. A psychiatrist who significantly cares for all of his patients, it is fair to say that it was surprisingly heartwarming to see Yeong Do confront his patients or people who come to his clinic in different ways and through small, yet meaningful words and interactions. On a more nuanced note Yeong Do was very much in the same boat as Da Jung.A likeable and sweet character, but a lot of unexplored territory with his development beneath the service . Without giving any major spoilers, it’s fair to say that there was a lot of potential to explore regarding Yeong Do’s childhood. His complicated with his father was often dismissed or skipped over rarely giving opportunities to understand more about his childhood, the impact of his childhood on truly shaping the person he was during the events of the series and of course his exact reasons for becoming a psychiatrist in the first place. Whilst it is arguable a lot of his motives for becoming a psychiatrist were arguably sparked as a consequence of the dramatic events of his past , there was surprisingly little mention or reasoning even during heartfelt talks with Da Jung to back this up.


This naturally moves us onto the potential romantic relationship between Da Jung and Yeong Do . Whilst there are some undeniable qualms with the written relationship between their characters, it is undeniably that respected actors Hye Jin and Dong Wook really worked well together with their onscreen chemistry. They undeniably added vital life to their onscreen personas’ feelings for one another and watching this growth from blossoming acceptance to something more was quite heartwarming. However it is important to be forthright by explaining that this relationship was also the drama’s hamartia.

Refreshingly , it wasn’t necessarily a problem that this potential paring was “ toxic” or “ unhealthy” by either characters’ implicated actions. Both characters made flawed mistakes and misunderstandings within this relationship, yes. However both character were also able to accept and move on from their mistakes or fallbacks- Da Jung could learn to lean on Yeong Do rather than bottle up her emotions, whilst both Da Jung and Yeong Do learnt to give one another distance and time to heal after a particularly severe incident without relentlessly hounding the other. It was honestly a fairly overt relationship. On the other hand it is quickly apparent to see where viewers can grow lost within its labyrinthine plot- a romance story which suddenly turns to a murder mystery, and then back to a slow-burn love story with dominating screen time after the halfway is undeniably off putting for viewers expecting thrill and hype . Adding to this issue was of course the myriads of cliches and tropes which began popping up in the romantic side of the drama- so lacklustre and predictable from other aspects of the uncertainty of the thriller and mystery elements of drama, that sometimes the skip button could never look so appealing.

Of course it is important not to forget the talents of “ second main lead” Yoon Park who added a layer of depth and brilliance to his dual performance as Ian Chase/ Chul. The storyline surrounding the mysterious Ian Chase ( Yoon Park) and his uncanny resemblance to Chul ( also played by Park) was a major source of intrigue throughout the drama, and whilst this storyline certainly didn’t disappoint as later revelations came to light , there were moments which often fell flatline at times because the show was often being pulled apart in so many different directions. Nevertheless did this become more apparent just after the halfway point. Juggling between murder mystery and romance soon saw a higher dedication to the lacklustre slow-burn romance between the main leads- sweet and gradual, but so disconnected and predictable ( including tropes)from the other aspects of the drama that sometimes the skip button could never look so appealing.

Then there’s Ahn Ga Young( Nam Guy Ri). Admittedly there’s a lot more than meets the eye here with Ga Young and rather than sending her down the superficial route as the “ second female lead”, it was intriguing to see this character ‘s growth by her backstory and gradual wholesome friendship with Da Jung. However whilst Gyu Ri is a good actress , the tropes defining other aspects of her character resorted to her being reduced at times as nothing more than a quick plot device to heighten the stakes or comical foil. This was also case and point with our side couples-so cute and bubbly that they often won over the viewers’ attention from a dragging scene between Da Jung and Young Do, but lacking screen time did little to give these couples more limelight in the
second-half also. The ending was as expected-bittersweet in parts, sugary sweet in others but failing to wrap up some more nuanced storyline moments also.

The verdict for ‘ You Are My Spring’ is undeniably that it is dependent on what you want from this drama. At its forefront ‘ You Are My Spring’ delivers good performances by the cast, surprisingly well-written dialogues ,aesthetic cinematography in parts and tries hard to deliver a fusion genre production. Whilst the different genres do help to “ spice up” certain elements of the storyline early on, this idea soon falls flatline when other genres ( particularly the romance) begin to dominate major screen time for evidently more quintessential storyline moments. As a consequence the characters’ development and slow pacing in the storyline soon begins to struggle beneath the surface. The drama often becomes lost in its own labyrinthine complexity-trying its hardest to be an avant garde masterpiece , but often failing to reach the mark in the second-half. Enjoyable but admittedly flawed.

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Beauty, Brains, and a Third Act That Blinked

I can’t believe I’m writing this review again after accidentally deleting the first one, but maybe that’s fitting— this is the kind of drama that makes you want to revisit your thoughts anyway.

Let’s start with what ''Glory'' does exceptionally well.
- Visually, this drama is an absolute feast. The tone, the narrative style, the color palette, the costumes—every frame feels deliberate. The attention to detail pulls you straight into its world, and the OST doesn’t just accompany the story, it elevates it. This is one of those shows where aesthetics aren’t decoration; they’re part of the storytelling.

- The cast deserves genuine applause. Supporting characters aren’t just fillers here—they all have agendas, motives, and secrets. At various points, I found myself rooting for them, distrusting them, or doing both simultaneously. No one feels entirely safe, not even the characters who initially present as innocent. My naturally suspicious heart was on high alert from early on. Bonus joy: spotting so many familiar faces from short dramas felt like a delightful little Easter egg hunt.

- Plot-wise, the first two-thirds are rich, layered, and genuinely gripping. Tea cultivation heritage, a powerful family monopolizing an industry, murder mysteries, abductions, reverse harem undertones, and multiple no-nonsense female characters—it’s a dense mix, but one that mostly works. The Rong family arc in Linji, in particular, is where the drama truly shines. That stretch is confident, immersive, and sharply written.

- And then there’s the female lead. A queen, frankly. Cool-headed, scheming, razor-smart, and always ten steps ahead while chaos unfolds around her. She had me fully sold at the very first slap. What I admired most is her consistency—she never bends her core personality to appease the plot. I know the comment sections were in full meltdown mode over her “overly cool” demeanor, especially in romance, but you don’t get to ask for a strong, calculating woman and then complain when she’s emotionally composed. The traits that make her formidable are the same ones that make her restrained in matters of the heart. Personally, I loved her throughout and found myself applauding like a proud stage mom every time she outplayed everyone.

Now, where did I struggle?

- The male lead. HMH is endlessly charming on screen, and his portrayal of LJL—scheming, mischievous, shameless and morally grounded when it truly matters—was a joy, especially early on. He’s justice-driven, devoted, and willing to burn the world down for the woman he loves. That’s the good stuff. I genuinely enjoyed the leads’ dynamic up until around episode 20ish.
But in the final third, his character veers into insecurity and emotional neediness that didn’t quite work for me. This is entirely personal taste, but I tend to adore strong female leads paired with unwavering male leads. Watching him oscillate between fierce devotion and emotional instability left me conflicted—swooning one moment, mildly annoyed the next. HMH handled the role amazingly and made the character’s emotional arc believable, even when the writing choices didn’t fully work for me, and full transparency: I probably wouldn’t have picked up this drama if not for him. Still, I wish the writers had taken his character in a steadier direction.

- The final third of the drama also suffers in comparison to what came before. After spending around 30 episodes deeply invested in the Rong family arc, the Capital storyline—compressed into roughly six episodes—feels rushed. The pacing wobbles, the editing becomes uneven, and the overall narrative polish drops. You can feel the story sprinting toward the finish line instead of arriving with confidence.

That said, I still consider this a good drama, especially when viewed through a female-centric lens. From that perspective, it succeeds more often than it falters.
The romance is… fine. Enjoyable, but restrained. The chemistry is there, the kisses (though few) are undeniably fire, yet there’s a lingering sense that something is missing—more spark, more heat, more emotional payoff. Again, very much a personal take.

So, would I recommend ''Glory''? Yes, absolutely—especially if you go in knowing what kind of story it wants to tell.
Will I be rewatching it? Probably not. But am I glad I watched it? Definitely. It’s flawed, stylish, ambitious, and anchored by a female lead who refuses to dim her brilliance—and that alone makes it worth the journey.

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My experience in watching this drama was rather disappointing. I am a very big fan of Lee Seon Gyun, and while his performance in this drama was strong, it wasn't enough to carry the entire drama. Especially since I found him and essentially every other man in this series to be sexist and chauvinist.

What century are we in? This series, while modern in overall appearance and environment, is like something out of the 1800s before the women’s movement. I think women are fairly progressed in Korea, but this series leads you to believe otherwise. As a woman watching this series, I grew weary of the male leads putting down and disrespecting the female leads.

What's even more offensive to me is the characterization of the female characters in this drama. The lead female is weak and whiney. She argues momentarily, but crumbles rather quickly and is back to saying "yes chef" to everything that is barked at her. The only strong woman in this series is of course characterized as the "evil b*tch," and is also constantly disrespected and treated like crap by all the male leads.

Lastly, there are a gagle of typical gossipy, meddling women who really serve no purpose at all. Women overall are portrayed really poorly in this series.

To say something positive, if nothing else, the chefs on the Italian team serve as wonderful eye candy.

While this drama is not the worst out there, all the sexism, ignorance and stereotyping wore on me to the point where I wasn't sure what the message of this drama was. I suppose it's purpose is to be a "romantic comedy," but I don't find bigotry romantic or funny.

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Dramaworld is totally meta and makes fun of a lot of tropes. Tropes that you find in KDramas that is, ie, piggyback riding, karaoke scenes, getting drunk on soju, chaebol family, scheming female second lead - however the ending gave a twist, that you don't find typically in KDramas. If you've watched Dream High, you know what I mean^^

The acting in this was atrocious at parts. Wooden. But it gave me a meta feel still, because there are wooden characters galore typically in KDramas, and I thought it was a faithful representation, lol. The story is ambitious and follows Claire as she enters "Dramaworld" and tries to fix it before it ceases to exist forever. She meets another facilitator, Seth, who seems like a good guy, and he appears to be helping her on the surface. But is he really? *At the risk of putting spoilers, I'm not saying anything more*

Towards the ending, the story broke the fourth wall, which requires a lot of explanation and set-up, but there was no time here. By fourth wall, I mean the characters in the drama (well Joon Park) became aware he was a character in a drama. Although good ending, one has to wonder - is Claire's life now a drama? The ending is so ambiguous and not explained properly, I don't even consider it a spoiler talking about it, because it's open to interpretation.

Also, I was cringing towards the end. SERIOUSLY cringing.
However for a web-series and a collaboration between America and Korea - I see this as a stepping stone onto something more awesome. Watch this if you love meta references and you will be swept up in nostalgia :D The reason why my re-watch score is so high (practically unheard of), is because it's short, sweet and I can see myself revisiting the bits I liked, or just watch the Seth bits^^ (Justin Chon and Liv Hewson did a good job)

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style, elegance, tension, passion, love...

First, I have to say, I can't imagine how much training the actors had to do to get to this level of dancing. Watching them dance is mesmerizing. Two humans meet through passion. Two humans contrary to each other share a bond which grows over time.

"Dance is neither about technique nor stamina. Love is what makes it whole" - "So close and yet so far" are the two sentences describing the story in a heartbeat.

This being a Netflix production, I don't have to tell you that the cinematography, lighting, music, atmosphere are top notch. Both MLs are just incredible. Even in the slow scenes there is not a moment I was bored... The story has a rhythm just as dancing does. And for most things you see, I can't express how it moved me. Suffice to say, it's something different, something not seen yet, something incredible and something we should be happy to experience. This movie is a "must watch" in my book!

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more melodramatic series that didn't stick the landing

Overall: this first episode really hooked me, but similar to most of GMMTV's series, the existing plot would have paced better at fewer episodes and I was especially disappointed at the last 2 episodes. 12 episodes about 45 minutes each. Aired on GMMTV's YouTube channel.

Content Warnings: violence/beaten up, see my spoiler comment for another one, fights/punches

What I Liked
- how the intro notice was blurry to make the viewers feel how Day felt
- the premise was explained/shown well
- sweet moments
- laughed a few times
- enjoyed several of the supportive side characters

Room For Improvement
- pacing was too slow for me, I watched most at 2x speed
- I couldn't get into some of the conflicts because I saw easy(ish) work arounds for most of them
- ep 11 curse/cliche plot point, time jump and a rushed ending
- it felt like Mhok was doing more of the heavy lifting in their relationship and Day's fast change of mind felt unrealistic

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I don't care, even though lots of people say that this series isn't good because of the story plot, the characteristic/action of the character or anything else that is a negative opinion about the series because this series is actually the series that I'm the most falling in love to. Yeah I know, this series isn't the best series with the story plot but I was just fallen in love with the cast. Especially Dunk playing as Daoneua, he was the cutest person I've ever seen. Even though the story plot might not be that good, I know that it's quite boring and annoying because many people like Daoneau and sure Daoneau wouldn't like any of them other than Kluen, but the effort behind the scene that they have put to make this series are a lot, so I never would give any series a bad rating just because many people did so. And if you watch like any of the casts really much, that will make you overcome the boredness and continue watching till the end.
If you haven't watch this series, I would recommend you to, don't just read negative comments and just decided not to watch. Try it first, if you don't really like it then just don't continue, but you might be one of the thousand people that really fall in love with the cuteness of P'Dunk and the handsomeness of P'Joong.

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Quantity doesn't = Quality

Positives:
1. A "Watchable" Frozen Face Hu Yi Tian drama. (yes I'll probably get a lot of hate comments, but I've watched and given up enough of his dramas to conclude his frozen face syndrome)
2. Decent storyline with strong lead characters. Although not unique but it's enjoyable. The pacing of the love developing is very good.
3. Enough good supporting characters (but you'll need to weed them out) One's I actually enjoyed:
ML's sister Shao Yao & Shen Huan
ML's 2 sidekicks (could've used more screen time)
Hua's cook
Prince Xian - a worthy bad guy

Skippable
1. Quantity < Quality. Overloading on non-necessary characters (to fill in 40 episodes) is a HUGE waste of time. Lack of character development for these side characters makes the drama feel draggy.
2. Due to the characters dump, there's a lot of annoying scenes. Plenty Aunts, cousins, maids' repetitive lines make it unbearable at times. Even with the pairing on these excess characters you'll feel nothing because essentially there's no build up.

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Chinese Writers need to create better material and stronger female leads.

Back when I started watching dramas in 2018 I preferred Chinese Dramas over Korean Dramas. Now here I am in 2024 and it's hard to find good-quality Chinese Dramas. This Drama was the worst for many reasons. I absolutely HATE how mild-mannered they make FL in these dramas. The first half of the show was just the FL with no backbone being bossed around by the ML who slowly started to develop feelings for her. Even the build-up to their dating was so anti-climatic and immature. The female lead acted like an abused victim who mumbled when she spoke and never spoke up for herself. I guess she was good at her job but not really she was just passive and gave good customer service. The case from episode 15 I think it was really irritated me. It was messed up for them to interfere with the mistress, wife, and daughter. It was clear the mistress wasn't a good person and that doing the DNA test would only hurt the daughter who was the most genuine out of the situation. That situation bothered me and the fact they never corrected the error and just let the story die out like that was ugh! I also think the revenge on the sister's ex-husband was so anti-climatic it was like girl this was your big payback... I feel like if this were a Kdrama revenge would've been sweeter.

I started to fast forward after a certain point and here is why It took the FL half the show to figure out the lead liked her (episode 21) and then we get to episode 26 where the ML's admirer comes back and is about to play mind games with her. The second female lead was only there for a day and threw some compliments at the FL and defended the FL in a situation she started to gain the FL's trust and with that the 2nd FL was able to convince the FL to join her team. Of course, when she switched teams the 2nd FL was able to make her feel so insecure she ended up leaving the company altogether. I just wish they would write better, stronger, and smarter female leads in Chinese dramas. The 2nd FL is always more competent than the weak mild-mannered FL. It's crazy to me that the FL was so awestruck by the 2nd FL all it took was some kind words for her to switch teams. so annoying. This drama has no re-watch value and I'd only recommend it if you like the cliche dumb FL smart ML asian drama.

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