This review may contain spoilers
Watch go ahead instead.
Our secret had so much potential to become a touching and emotional story that would have always remained in my heart (something like 'go ahead') but it really MAJORLY lacks in almost all aspects.The first few episodes had me addicted! It was so beautiful and ugh the charecters were adorable.
But um i have alot of problems in the fundamental thoughts they tried to convey in this show:
- the portrayal of the arts stream is SO BAD. They treat it as though arts is something that people who want it easy take, conforming to the social norms. They state multiple times that "only few students take arts" " girls should only take arts" "science is too difficult for woman". This is in 2021, not 1800s.
- the female leads reason for choosing her stream is her ego. She wants to prove to everyone that she can do science. Even though it sounds so inspiring,it really isn't because shes literally not passionate about any science, nor does she have dreams to do science, she's not even good at science. She's literally an artist !!! Her other reason is all her friends took science.
- Male lead does everything in his power to "protect" the female lead even though she can literally do things herself. He puts his career at risk to do this too. The norms of men proposing, men buying the ring, men always paying, men not feeling cold at alllll is further amplified not in a subtle way.
- the female lead does CRAZY things for love. She literally does not care about her career for around 15 episodes and tries to do everything the male lead does(as he's the genius) by taking a break year to study in the same University and even join his research team???? When she finally realises her importance suddenly she's getting all these arts offers after doing a degree in computing. SO UNREALISTIC. Yll really think getting a job in an area that's not your major is easy? No matter how talented nobody hands out contracts to a fresh graduate from ANOTHER major. This is setting such crazy expectations that happens irl only in RARE cases.
- many scenes make no logical sense. He's poor but lives in such a huge apartment in the middle of the city? All three leads be crashing random meetings? A Start up working in so many industries? I could name so many things!
-the mom's charecter has SO MUCH EGO. Even though she's the adult, the female lead is expected to "not get mad at her" or be respectful because she "doesn't mean it". That's such a sick mindset because adults are the ones that need to be mature and not treat thier children like shit.
The leads were cute in the first few episodes but their chemistry gradually deteriorated. The show dragged the high school part quite alot. I skipped way too much even in the end of the show.
Another thing I thought could have been done better is at how they started the show with the fact that "shit happened", that made me wait for shit to happen because i knew it would and made me enjoy the show less.
The acting is pretty good, i don't have any complains in any other aspect except for the writing and the ideas presented in the drama which would leave the watchers with unrealistic expectations about life and career. Even thier relationship is low-key super unrealistic. I finished this show learning absolute nothing and gaining no insights on anything in life.
Highly not recommended.
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What century are we in? This series, while modern in overall appearance and environment, is like something out of the 1800s before the women’s movement. I think women are fairly progressed in Korea, but this series leads you to believe otherwise. As a woman watching this series, I grew weary of the male leads putting down and disrespecting the female leads.
What's even more offensive to me is the characterization of the female characters in this drama. The lead female is weak and whiney. She argues momentarily, but crumbles rather quickly and is back to saying "yes chef" to everything that is barked at her. The only strong woman in this series is of course characterized as the "evil b*tch," and is also constantly disrespected and treated like crap by all the male leads.
Lastly, there are a gagle of typical gossipy, meddling women who really serve no purpose at all. Women overall are portrayed really poorly in this series.
To say something positive, if nothing else, the chefs on the Italian team serve as wonderful eye candy.
While this drama is not the worst out there, all the sexism, ignorance and stereotyping wore on me to the point where I wasn't sure what the message of this drama was. I suppose it's purpose is to be a "romantic comedy," but I don't find bigotry romantic or funny.
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more melodramatic series that didn't stick the landing
Overall: this first episode really hooked me, but similar to most of GMMTV's series, the existing plot would have paced better at fewer episodes and I was especially disappointed at the last 2 episodes. 12 episodes about 45 minutes each. Aired on GMMTV's YouTube channel.Content Warnings: violence/beaten up, see my spoiler comment for another one, fights/punches
What I Liked
- how the intro notice was blurry to make the viewers feel how Day felt
- the premise was explained/shown well
- sweet moments
- laughed a few times
- enjoyed several of the supportive side characters
Room For Improvement
- pacing was too slow for me, I watched most at 2x speed
- I couldn't get into some of the conflicts because I saw easy(ish) work arounds for most of them
- ep 11 curse/cliche plot point, time jump and a rushed ending
- it felt like Mhok was doing more of the heavy lifting in their relationship and Day's fast change of mind felt unrealistic
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Could It be Any Worst
I found it to be not worth it. I wanted the story to be good but the first thing that bother me was the lead female character. Like always they make this girls stupid, weak with no ideology or logic yet she had all this power. They also give her a naïve, stupid maid. Everyone can push the lead character around even other maids. She so kind that she does not hurt anyone even those who are trying to kill her. She so loyal to her sister and father even when they are mean to her. It just disgusted me. All thru the drama until the 20th episode it was the same, it did not change. The romance to me was not there. I could not see any real chemistry. The male lead is a strong brother to the royal prince but has so many secrets that he shares only with a few. The rest of the characters just turn me off. Many of the scenes was so predictable and some of the characters had terrible acting skills. The ending made it even worst. Very disappointing.Was this review helpful to you?
Does ‘Police Academy’ Need To Be Interrogated In Room 101?…
‘ Police Academy’ is a fairly lighthearted approach to the “detective and crime” genre- sweet and surprisingly heartfelt in parts, comical in other scenes and undeniably with more irritating flaws also . So this leaves the ultimate question; is ‘ Police Academy’ worth watching?
The acting front is solid enough here. There are a few slip-ups when long dialogue pauses or line deliverances felt a little mismatched against foregrounded scenes, but Jung Jin Young certainly exceeded expectations as main lead Sun Ho. The idol actor added a level of angsty-sweetness to his onscreen persona .
Sun Ho was a subverted example of the “ main lead with a tragic past”. He didn’t follow the stereotypical routes taken in fiction of being jaded, arrogant or the “ apathetic prodigy” but a fairly normal and confused teen. There were some surprisingly touching scenes ( never to be explored or seen again ) with surrogate father figure Yoon Taek II ( Oh Man Seok) as well as his fraternal-style relationship with best friend Yoon Seung Bum( Choi Woo Sung) helped to foreground some functionality within Sun Ho’s everyday life. However for our main character to befriend fairly positive influences such as Seung Beum and deal with a pretty austere paternal figure such as Yoon Taek this ultimately begs the question; “Why and how did Sun Ho learn to hack and get involved with the authorities ? “ There’s the argument by some viewers that " it is a take your brain out comedy" and “ Sun Ho did so because he was bored”", however, the show never really tied this major point concisely. Perhaps it wouldn’t be too bad if the drama hadn’t carried this over more as an important role in later episodes with sporadic and partially-inaccurate terminology and tech setups , only adding to the confusion as to Sun Ho’s involvement in this world .
This then leads us to talking about his “reasons” for training to become a police officer . A character doesn’t always necessarily have to go down the “ vengeance backstory” route, but it was an odd move that the drama didn’t interlink or at least explore more about Sun Ho’s backstory, his parents as well as some sense of relief and poetic justice for Sun Ho’s goal to become an officer . Aside from the prosaic reasoning in the show that “ the girl I like is pretty and can fight , I want to have a goal and follow her too.”
On this subject there’s evidently also the problem revolving around Kang Hee. Idol actress Krystal isn’t too bad here. This is admittedly not one of her most captivating performances, but not unwatchable either. Our female lead Kang Hee is a bit of a mixed-bag. Despite being Sun Ho’s "dream girl", Kang Hee does have a more evident character drive than Sun Ho in parts. Her mother is far from being a good citizen and Kang Hee has often put academic pressure on herself to succeed in order stray away from being labelled as her “mother’s daughter”. ( A relationship which was given a patchwork happy redemption arc later on without a lot of explanation)However here’s where we hit a major rut with Kang Hee; she isn’t a likeable character.
Of course we are supposed to like her in theory . She’s intelligent, a talented fighter and witty. However the problem with the female lead is that whilst she does have a ‘’complicated ‘’ past which helps to explain some of her motives, she never seems to learn to grow, accept or develop. Perhaps it wouldn’t be too bad if the show pointed this out or made Kang Hee mature by accepting her own mistakes or begrudgingly understanding the errors of her ways, but sadly Kang Hee rarely escaped her one-dimensional character depth throughout the drama.
Then there’s the potential ‘’ onscreen relationship’’ between Kang Hee and Sun Ho. The setup itself is simple enough; Kang Hee is Sun Ho’s crush and his raison d’être. The female lead has rarely noticed Sun Ho up until the storyline of the series, but this soon changes when events begin to unfold. It’s a straightforward enough concept and whilst Krystal and Jin Young’s onscreen chemistry was decent enough, the relationship often hit a rut due to a lack of definitive development as well as hitting an anticlimactic conclusion.
Meanwhile away from the problematic romance factor of the drama there’s then the topic to discuss about Yoo Dong Man ( Cha Tae Hyun) also. Aside from serious questions being raised about how Dong Man wasn’t picked up by any of his colleagues for his initial attitude to Sun Ho, Dong Man is your typical seemingly “ gruff and arrogant cop with a heart of gold”. It was evident that the drama would go down the route of exploring Dong Man’s gradual buddy friendship with the male lead and it was undeniably sweet. On the other hand there was lot left in the air about exploring more complicated depth with Dong Man’s character; his past, rivalry, rookie days and his own complicated feelings when the antagonist is revealed in their midst was often left as unexplored territory.
The antagonist(s) and “climatic tension” of the drama were fairly predictable- not bad per say, but simply existing for the sake of “ plot drive” rather than being given depth or more prominence. As a consequence the ending was quite anticlimactic. Sweet and on a happier note than possibly viewers were anticipating but nonetheless cliche and slightly disappointing.
Whilst ‘ Police Academy’ did offer some enjoyment through its impressive cast lineup and style, the drama’s ability to tackle character writing, depth and plot tension and climatic build seemed sporadically thrown together and lacklustre often resulting in anti climatic solutions or endings . Overall ‘ Police Academy’ was mediocrity at its best- okay if you’re watching just out of boredom and not bothered about writing during a binge-watching session but those looking for a drama with an enjoyable police buddy element and depth may want to look elsewhere.
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How did this happen?
How have I watched 12 episodes and almost nothing with the main couple has happened? This series isn't winning me over and I feel stuck now that I'm 12 episodes in. I watched 11 & 12 on 2X just trying to see it through until the end but nope there are 16 episodes. Not to mention I'm not really sure why this is a NC rating because there nothing NC about it. No violence, no bad language, no drugs not even a heavy petting scenes. Any of those things would at least make this series a little more interesting. I'm also way more invested in ALL the side couples then I am in the main couple. I'm basically watching to see if chain and pun end up together and the simple fact that Tan & Fang are freaking adorable, seriously they are carrying this show.Was this review helpful to you?
This review may contain spoilers
First half was all kind of awesome but it faltered a bit in the second half imo. As much as I love Danoh in the beginning, she started to grate on my nerves with her overly aegyo (it was cute at first but you get tired of it very quickly). Her world literally revolves around Haru and only Haru (that I almost felt sorry for her other loved ones) I loved her spunk and sass in the beginning but this girl totally disappeared in the second half to my dismay. I really liked Haru but I can't help but think that his characterization fell a little flat in the end. Did he have another meaning in life other than being Danoh's love interest? No. What a shame. Don't get me started with Baek Kyung...his only role was to be a cockblock to our lovebirds...he didn't stand a chance but was too stubborn to admit it *sigh* (they better thank Lee Jae Wook, his flawless portrayal made me care more than I should for an otherwise obnoxious character. Even though, his redemption arc came far too late, he still managed to move me and it brought me to tears when Dan Oh forgave him)Do Hwa was another character I was really fond of but once again they didn't explore him much and has been relegated as a comic relief.
Self-aware Juda was badass but her decision was quite questionable. While I felt sorry for Nam Joo (and that's probably why she chose him in the end), Do Hwa was a better fit. But we have to remind ourselves that Nam Joo never gained his awareness and that's a bit unfair to solely judge him based on how he's written. Tbh, I wasn't even annoyed by his character, his characterization was so one dimensional that it made me laugh in the end (he was such a riot)
Sae Mi never gained hers or did she? She did bully Juda in the shadows or was it a mistake of the production? She was a lovely friend to Dan Oh but a bitch to Juda (pardon my french). I'm probably the only one that agreed with Baek Kyung's comment on her being a villain (I know that's the pot calling the kettle black but still it was so satisfying). She had to hear the truth somehow even if she forget it in the next scene.
They focused too much on the pointless love triangle that they lost sight of the main themes (and the most interesting ones imo): free will, changing your fate thus stopping the neverending cycle (I would have love for everyone to work together against the writer)
Resulting in underdeveloped characters, plot holes, no explanations whatsoever of crucial points and rushed ending. Still, I enjoyed that drama for the most part and will miss it nevertheless.
Acting-wise, everyone was brilliant.
Kim Hye Yoon was great and though her character lost its momentum in the second half, she managed to give Danoh enough gravitas to keep me invested in her character.
Rowoon/Kim Seok Woo surprised me the most, he nailed the emotional parts and held his own quite well. Kudos to him! Haru is not an easy character to play since his blandness and lack of development could bore the hell out of anyone but he shines and makes you care and root for his happiness (shame they didn't explore more his bad boy side, prefer his look when he returned and lost his memories *shallow me*) . As an idol turned actor, he has the potential to be in the top-tier imo (with Im Siwan, Lee Junho, Do Kyungsoo or even Park Hyung Sik).
Lee Jae Wook ah Lee Jae Wook, my main reason on why I watched this drama and stayed...he was just perfect as usual (give that guy the awards he deserves, he's the rookie of the year, hands down) despite a terrible and disadvantageous characterization. He managed to elevate the character and made it his own. You hate his character (or rather you want) but you can't ignore him and in the end you even pity him. Baek Kyung could have easily become one-dimensional character with no redeemable features but Lee Jae Wook's amazing acting saved his character's poor characterization (conveying loneliness, vulnerability, anger and plenty other emotions as if it was a piece of cake...I swear it seems effortless to him. To think he had to juggle between two complete opposite characters (BK and Seol Ji Hwan) during 1 month makes me respect him so much more. He's a keeper.
OST was beautiful, catchy and fitting.
Does it deserve a rewatch? I'm not one to rewatch series even my most favorite ones so no I won't rewatch it...some scenes, yes (mostly Baek Kyung?! Because...Lee Jae Wook<3)
Final rating: 7.5/10.
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‘Tomorrow’; Death Meets Satire In Rowoon’s Latest Fantasy Series…
Mortality is never an easy subject to tackle in dramas. Based upon the eponymous webcomic (‘ 내일’) by Llama, fantasy series ‘Tomorrow’ decided to bring forth the topic of death in a powerful smorgasbord of social issues and topics. Instead of reimbursing the old cliché of grim reapers being harbingers of doom and death, ‘Tomorrow’ rebrands its morbid psychopomps as fashionably suave members of the Crisis Management Team, attempting to save certain unfortunate souls from suicide.
The series focuses upon an alumnus from a prestigious university, Choi Jun-Woong (SF9’s Rowoon-‘Extraordinary You’, ‘She Would Never Know’ and ‘ The King’s Affection’). Struggling to land himself on the job market, Jun-Woong’s life is changed forever when he ends up encountering angels of death Goo-Ryeon (Kim Hee-sun-‘My Fair Lady’, ‘Angry Mom’ and ‘ Alice’) and Lim Rung-Gu (Yoon Ji-on-‘Dear My Room’, ‘Be Melodramatic’ and ‘Jirisan’ ).
Waking up outside of his corporal body after an accident, Jun-Woong discovers that he has been physically rendered in a comatose state. He is given the choice by Director, Jade Hwang (Kim Hae-sook- ‘Precious Family’, ‘My Father Is Strange’ and ‘Inspector Koo’): he can choose to be trapped in his unresponsive body for three years, or he can work with them in a ‘’half- dead’’ state, reducing his comatose state to six months and then landing any job he wants after he wakes up.
Woong is assigned to the Crisis Management Team alongside Goo-Ryeon and(, by default of being her protégé,) Rung-Gu. As the unlikely trio attempt to work together as a team, Jun-woong soon discovers that his new position is far from being a walk in the park.
Adapted to the small screen by novice screenwriters Park Ran, Park Ja Kyung and Kim Yu Jin, ‘Tomorrow’ places heavy emphasis upon prominent social messages and themes.( Including sensitive issues such as suicide, the trauma of war, inequality, bullying, the generational trauma of South-Korean comfort women, depression, peer pressure and eating disorders.)
Without a doubt, ‘Tomorrow’ is a varied accumulation of satire, provocative angst and mirthful wit. Although the series was often tactful within its approach to various subject areas and themes (in particular helping to offer light-hearted respite in-between heavy-hearted points of the narrative), the screenplay could admittedly feel somewhat out of place at times with its attempts to balance between hard-hitting messages and comic relief.
Of course this is not necessarily to say that the comedy shouldn’t have existed at times. Certain issues tackled in ‘Tomorrow’ were certainly supposed to be heavy-hitting and the requirement for an interim of slapstick comedy or comical exchanges was certainly necessary. (In particular, this was shown at times by Park Ran, Park Ja-Kyung and Kim Yu Jin being able to strike a surprisingly harmonious balance for most of the series through the kaleidoscopic array of themes and contrasting tones for their audience.)
However despite certain commendation certainly having to be given to the trio of screenwriters for their consistently provocative themes and tones, ‘Tomorrow’ could sometimes feel as though it disengaged between its plot and themes. To explain this further it is important to reiterate that comic relief was often quintessential within the screenplay in order to offer respite from darker themes and subject areas.
On the other hand, it did become noticeable at times that the series would often fall victim to divulging deeply into comic exchanges. This would often divert attention away from building-up the narrative events and characters, or alternatively struggling with the opposite problem by failing to allow a necessary brake or moment of light-hearted respite for audiences to grapple with events or characters. ( This seemed to flare at times later in the show in episodes such as ‘’Someday, Because Of You’’. Although the episode tackled a heartfelt subject area and was surprisingly bittersweet , it often felt as though the prominent meanings behind the messages in the episodes weren’t as reinforced as they could’ve been.)
Of course, this is not to make out that the entirety of the writing for ‘Tomorrow’ was inadequate or unwatchable in any way. Although perhaps certain issues ( in particular mental health and eating disorders) were perhaps
not fully explored by the screenplay or given speedy outcomes , ‘ Tomorrow’ often placed a certain level of open finesse with addressing issues and helping the audience and the characters coming to terms with them.( In one of the later episodes of the series entitled ‘’Spring’’, the audience were supposed to be particularly hit home with an onslaught of emotions with the controversial and historical subject area of Comfort Women, focusing on a dark chapter in South-Korean history.)
Naturally this brings up the discussion surrounding character-writing within the adapted screenplay for ‘Tomorrow’, as well as the performances by the main cast. Perhaps one of the most notable roles in the drama is given to main male lead Choi Jun-Woong, played by idol-actor Rowoon.
Rowoon has often been the subject of intrigue and debate with his previous career trajectory as the ‘’ leading man’’. Nevertheless, Rowoon offered a fairly consistent onscreen performance as the main male lead and it is fair to say that for many viewers, this could easily be seen as one of Rowoon’s best performances yet. As the main character of the narrative and storyline, Jun-Woong embodies what many would probably classify as the ‘’everyman’’ trope.Of course, this wasn’t a bad approach per say. It is sometimes common in fiction to see a main character become a medium for the audience, especially with a character being uprooted from their mundane, everyday life and being placed in an unfamiliar world or setup.
For main lead Jun-Woong, this was evident through being caught between two worlds: the afterlife and then the everyday mortal world. ( This was also shown arguably through Woong being conflicted in initial problems with common problems of interview and job struggles and then again with attempting to navigate his new role as a member of the Crisis Management Team .)
However, this also brings up an intriguing debate with regards to Jun-Woong’s character-arc. It shouldn’t come as a surprise that Jun-Woong is purposefully supposed to be flawed at times. Naturally this did not always enforce Woong to be placed as ’ heroic’’ figure at all times within the series.
He had his evident flaws and ‘ Tomorrow’ placed heavy emphasis upon some of Woong’s values feeding into an evident critique of social conformity by South-Korean society vs developing subjective morality and beliefs. ( In particular the screenplay would sometimes bring this idea up in early episodes with Woong’s shared social views on issues such as bullying, before contrasting this in later episodes with the main lead developing his own values and standpoints.)
Although it certainly allowed Woong to act as an embodiment of social views, it is noticeable that this often forced Woong into playing “ certain roles” in order to propel the storyline. Again, this isn’t always a bad writing decision but it did often feel as though there were some poorly tied loose ends such as Woong’s own personal struggles with his situation, his backstory and personal goals were often disregarded until the ending of the series.
In addition to the casting choice of Rowoon, it is hard to ignore Kim Hee Sun’s performance as grim reaper Goo-Ryeon. Hee Sun’s acting career has been eclectic and while respectfully her acting performances have varied, the actress’ pink dye job certainly helped Kim Hee Sun to embrace her suavely mysterious onscreen persona as the female lead. Alongside fellow costar Yoon Ji-On who played her laidback mentee Rung-Gu, audiences will likely find themselves tearing up and laughing at the antics of the two characters’ interactions and appearances onscreen.
As an onscreen character, Goo-Ryeon is arguably one of the most enigmatic and intriguing characters in the series. She is often fairly detached from overtly emotional displays like Woong but she is impassioned by her cause to help others. Initially viewers are supposed to remain uncertain of Ryeon’s onscreen presence. In particular, her unconventional acts of tough love towards the main lead and those she is seemingly supposed to save will bring about topics of intriguing debate for viewers.
However as the series soon reveals, Ryeon’s root cause for her actions are sourced from genuine sincerity for her position as a member of the Crisis Management Team, especially as a result of her complicated backstory. Naturally as a consequence of this writing point, ‘ Tomorrow’ placed heavy emphasis upon her mysterious backstory in the latter half of the series, similarly echoed to a lesser extent with side character Rung-Gu also.
Despite both characters having their fair share of traumatic and difficult backstories, it often felt as though Ryeon’s character arc felt a little rushed in particular. . Of course while audiences certainly did see a few hints of foreshadowing at times earlier on in the series ( in particular with Ji-On’s trauma), it certainly felt as though some of these backstory revelations and plot twists could’ve been developed or built up. There was a lot for viewers to digest with regards to Ryeon’s past and her important connections to other characters but due to an anticlimactic buildup, the momentum of these events rarely felt as though that they had reached their entirety even by the finale.
Aside from the main characters, it is also important to mention about some of the reoccurring characters of ‘Tomorrow’ also. Model-actor Lee Soo-hyuk ( ‘ Vampire Idol’, ‘The Scholar Who Walks The Night’ and ‘ Doom At Your Service’) starred as Park Joong-Gil, the straight-laced head of the Humanitarian Management Team who shares a complicated past with Ji-On, as well as Kim Hae-Sook playing the role of the Jade Hwang, the head director of the afterlife and the bureau of grim reapers. The supporting characters certainly had their necessary roles to play in the events of the narrative. In particular during the later events of the series, viewers are given several surprising backstory revelations but admittedly these side characters felt as though they deserved more screen time or interactions with the main cast in order to build up their character arcs slightly more.
Then of course there is the discussion surrounding the execution of the series. Perhaps it is important that ‘Tomorrow’ decided to offer viewers with a fairly systematic approach; introducing viewers to main lead Woong’s predicament and his unlikely alliance with the main leads, the new dilemma or issued faced in the episode, the reactions and causes of debate for the characters and viewers, the dilemma reaching its climax and then helping to resolve or bring a conclusion to the events of the episode.
This approach by the trio of screenwriters certainly allowed the screenplay to tackle a wide array of issues and problems. However, it certainly did not come without its problems either. A lot of the storyline’s early plot objectives were rarely sketched out aside from the “ mission of the team”, leading seemingly important events or obstacles for the main leads being disregarded at times and then being given half-baked conclusions by the ending of the series. As a consequence, the ending of ‘ Tomorrow’ will likely leave viewers with mixed-feelings; bittersweet and certainly offering a denouement to the events of the storyline but rarely tying off all loose ends or bringing a complete feeling of satisfaction for viewers also.
Stylistically under the leadership of directors Kim Tae Yoon (‘Another Family’, ‘New Trial’) and Sung Chi Wook ( ‘Special Labor Inspector Jo’,‘ Kairos’), ‘Tomorrow’ was often caught up in an impressive onslaught of aesthetic shots and glossy gradients, with mood lighting and tones helping to add emotional turbulence and significance for characters and viewers in certain scenes. Perhaps one slight nag with the cinematography came through a lack of consistency. Rather than attempting to stick to a particular consistent form of filming or shots and tying these scenes and moments with the worldbuilding and lore of ‘Tomorrow’, the extravaganza of surrealist scenes and panned shots heavily influenced by big-budget movies felt somewhat disengaging from the screenwriting and world building at times. Nevertheless it is fair to say that ‘ Tomorrow’ did boast an impressively stunning array of imagery and scenes.
The OST for ‘Tomorrow’ was comprised mainly of a collection of modern pop tracks, varying somewhat dependent on personal tastes. Perhaps there may be certain songs such as the surprisingly upbeat rap song ‘’Red Light’’ by J.don and the morosely lovelorn ballad ‘’My Loneliness Calls You’’ (‘’나의 외로움이 널 부를 때’’) by Suran which will appeal across the board for viewers.
The sixteen-episode webcomic adaptation will offer viewers with a surprisingly heart-wrenching mixture of social commentaries, traumatic character backstories and comic relief. At times, ‘Tomorrow’ often struggled slightly with maintaining a harmonious balance between its writing and messaging. ( This often lead to parts of the storyline feeling rushed or lacking a sense of completion such as the ending or certain character arcs.) However for those looking to indulge in a fantasy series beyond the surface level with some prominently current social and critical commentaries with a touch of traditional Korean folklore and mythological beliefs in the modern world , then ‘Tomorrow’ will certainly offer viewers with a good watch.
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A GOOD 1000 YEARS LOVE STORY
I have to admit I initially got discouraged from watching this drama just because of the low rating, but once i started it, i just binged all episodes non-stop in one night. IT IS THAT ENJOYABLE! If you liked "I will Knock You", chances are you will like this too. Pun may be the greenest flag character in almost all of BL.BL genre has fast evolved in the last few years - and so are the viewers. Nowadays, a lot of series without real substance gets good and high ratings even when the show isnt really deserving of it just by putting cutie cutie famous couples/stars in it or by putting a lot of shocking NSFW scenes . I will not put this one as one of the the best BL ever, but it certainly doesnt deserve to be in the low 6.
Just a quick recap. Yo is a university student who is fascinated by the extraordinary - thats why he became part of a gang of friends who are devoted UFO seekers, but deep inside his heart he knows something un-normal is happening in the world and he will discover that its not extraterrestrial in nature but something mystical. He was instantly drawn to Pun when he met him at a local eatery - was it love at first sight? Was it his mysterious demeanor? Then he adorably stalked him until Pun revealed to him what he is - a vampire! And you guessed it- this is how their love story began, and together with their friends and family they will prove that their love will conquer all odds. This just sounds about right, the end.
Eventhough the title of the series is '1000 Years Old' which pretty obviously tells us that one of the chracters is indeed an almost immortal, still the series managed to keep us guessing for the first half of the show if Pun is really what he says he is or just a weirdo who thinks he is something that he's not - after all he is not the familiar vampire we see from the lores - First, he is a poor vampire who lives in an old building. Second, he keeps saying he is burned by sunlight (SPOILER ALERT HE DOESNT) and always covers himself up fully and uses an umbrella . He is also not afraid of crucifixes, and he doesnt get burned by Holy Water. He aslo sleeps at night( not before the sun rises and in a coffin-like bed in a messy living room because the bedroom is his cat's room) Lastly and most importantly, he is not afraid of garlic and he also doesnt eat anything besides cooked Pork Blood Soup. He is weird but you just cant hate this guy!
One of the funny highlights for me was when he was trying to prove to Yo that he is a vampire and jumped off the building's rooftop!
Also, even if early in the series they showed a few flashback scenes from Pun's past, and even with the presence of another mysterious and scary character SoomChai - just like Yo, we as viewers still end up questioning whether he is really a true blooded bloodsucking immortal or was he just delusional?
While trying to hide the reality of Pun's true identity, the first half of the show felt like we were watching a Thai version of the Korean series "Start-up" when Pun and Yo and their newly formed gang were so focused on trying to make their food business succeed. The antics are so corny but you also cant help root for them!
It was around the later episodes when the truth was confirmed - that Pun is an alien.
Ok, he isnt an alien, but a real Vampire. The limited screentime of SoomChai is both annoying and effective - I would have loved to be bitten by that actor just like Shin. And as much as i hate it and just like a lot of other BL shows that create an annoying female character to be a villain, Janja's (she does look like a vampire seductress even without the fangs) presence is important in establishing the connection between Pun and Yo and the truth about their long history and past lives to make their love story seem more epic in scale and not just spur of the moment.
Let me also say that despite the many things that I enjoyed about the series it is not without shortcomings. First, for almost the entirety of the series nothing physical happens between the Pun and Yo (only a mild hint of a kiss) which is almost unbelievable. Second, I hate that the YOU.F.O and the gang were sidelined as if they never existed entirely when they were the group that opened the show. Third, the cluelessness of Pun's character to the current technologies is just unbearable and incredibly stupid (even if it was intentional to misdirect us about his true identity) like walking to mall, no idea how to get to point 1 to point 2, really? Fourth, Yo's contninuous denial about his feelings and Pun's intention to him is eyerolling.
Id like to end by saying that the final scene of Pun and Yo is genius but also both tragic and conflicting. While it was implied that they had a happy ending and they get to at least spend a really long time together in this lifetime, Yo's passing under the sunset is just so heartbreaking and it made me cry.
Overall its a 8.5 for me. Great leads and support with good direction , very rewatchable too.
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A must watch brilliant piece.
OMG what a brilliant actress is kim go eun, no wonder all the directors wants to work with her. In one drama she played a bubbly girl with sweet nature and here a physcopath with bang on reaction. Her eyes speaks when she act, all the projects she choose till now is a masterpiece drama. The price of confession is same as the title suggest, story revolves around two people who make a deal for their own desire. But the plot and twist is so good, till the end I was hooked. How a simple person turns into a psychopath for her revenge and guilt towards her family and in the other hand how a person nature opposing all the bad thing and try to find out what actually happened. It's also suggest don't make assumptions on people without any proof. I also thought she killed her husband because the way she is behaving at the police station. We people really fast to judge other without knowing anything and everything. I am suggesting you to watch it to enjoy the thriller trip. A must watch drama people who likes combination of thriller and suspense.Was this review helpful to you?
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Overrated
While the story itself was strong, the execution left much to be desired.First, the editing felt quite messy,scenes often cut off at odd points, and some episodes felt more like random segments pieced together rather than full, coherent episodes. Episode 27, for example, gave most of the screen time to side characters, which disrupted the pacing of the main storyline.
Another issue for me was He Yan’s disguise. I honestly don’t understand how she managed to fool everyone, her mannerisms, compared to the other Yezhou garrison soldiers, were distinctly feminine and almost childish, making her cover less believable.
I was also disappointed with Yan He’s death. It seemed included only for shock value, but it didn’t really land emotionally or add much to the storyit felt unnecessary.
That being said, I’ll give credit where it’s due: the fighting scenes were very well executed and definitely a highlight of the series.
Overall, this drama had potential and an interesting story, but the poor editing, questionable writing choices, and overhype online made it fall short for me.
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Lost the potential of adapting a classic original romance story.
I have watched every Boy over flower adaptation: Meteor garden(2001/2018), Hana Yori Dango(2005), Boys over flower(2009) and have re-read the manga too many times to count. I'm trash for this franchise, so when I heard a Thai version was announced, I was super excited to see how it would go! I loved the first half of the drama, but unfortunately, after finishing the second half, it lost a lot of potential by having an unsatisfying execution of the boys over flower storyline. If you are a fan of the boys over flower franchise or want to know what the fuss is about, I'd still recommend this drama; just don't expect a lot of screentime for the main couple's romance in this drama remake. It's not the best Boys over flower adaptation for everyone, but it's entertaining most of the time.SPOILERS
Story:
Rating for first 8-9 episodes: 9/10-9.5/10
I absolutely fell in love with this adaptation for the first half of the story; as a college student too stressed to take a break, the only highlight of my weekend was catching a new episode of F4 Thailand! It started with a bang! The Japanese version(Hana yori dango) is my absolute favorite franchise adaptation. I was so thrilled to see that the Thai adaptation followed a similar storyline in the drama's first half. It did a great job to set up how Gorya started to fall for Thyme; I hated the whole Betrayal scene at the beach with a burning passion in the manga/meteor garden/BOF. I'm glad the Thai version also omitted that scene, similar to how HYD did. So things I liked OVERALL in the series
F4 friendship- it was a good amount of screentime to show how close and strong their friendship is and they had their bromance moments. Kavin and MJ were a funny pair! You can see how close the F4 are super close to each other.
Ren was the best version of Rui. I was never a huge fan of Ren's characters and never got second lead syndrome from him or the drama other version. I would either think he was pretty bland or feel bad for him since he always remained alone at the end of the story. The Thai version is the only one where I looked forward to seeing Ren! Ren falls in the list of characters in the story who didn't get the screen time they deserved! Still, given that only 16 episodes, I liked Ren! He supported Gorya whenever he could. There isn't a lot of screentime for Ren after episode 7, so maybe the writers just didn't have time to add Ren pursuing Gorya more, which I honestly didn't mind since I'm not a huge fan of the love triangle in the story anyway, lol.
Amnesia arc- It definitely should NOT have been that fast pace BUT since it was super short, the writers didn't have to add the bitch character who tries to steal the Thyme from the Gorya due to memory lose( I strongly dislike that whole arc in every adaptation/manga haha)
The chemistry between the leads - I like it! Despite the lack of many potential romance scenes, the casting choice was well done.I don't know why many people have a problem with Bright's acting; he was able to portray Domyouji(Thyme)'s character pretty well by pulling of a variety of wild emotions from acting angry, sad, confused dork, and love he gives Gorya takes a lot of energy to pull of this character. Thyme is not my best version of Domyouji for me cause Matsumoto Jun will always be my all-time favorite to pull the lovable dork off; however, I really liked Thyme and was always rooting for him whenever shit was getting bad; so well done, Bright! Even though I'm not a huge fan of Gorya's character development, but Tu completely nailed her acting for whatever the script told her to do. She's definitely a monster rookie actress; I still can't believe we're the same age! She's got a great acting career ahead of her! Bright and Tu have great chemistry, and it's a shame they weren't promoted as much as a pair due to their company; I'm hoping they can be a couple again in another drama someday!
Cinematography- I don't think it's the most important thing in a drama since the story is most important. However, it does add a nice extra layer, such as the directing shots/ locations chosen and camera angles that made the drama look pretty to watch.
Rating last half for episodes 10-16: 6/10-7/10
Pretty much the downfall of the series. Too many story arcs were being squeezed into one episode, resulting in Thyme and Gorya's love story being poorly executed since it was so rushed. There was soo much lack of romance between Thyme and Gorya; it was completely frustrating. Hana yori dango is a ROMANCE story between a rich guy and poor girl being the main center of the plot, but F4 Thailand made me question if I'm watching a coming of age/drama/comedy instead and having the romance be a filler. Based on the original Hana Yori dango series, the main leads have a very strong, passionate, and emotional love toward each other because they spent so much time in a relationship. But Thyme and Gorya's love was more like puppy love; it was not strongly developed as it should be since there was already a lack of romance in the second part of the story. Gorya and Thyme BARELY spent time as a couple. So when they had their rain breakup, it was so underwhelming, I didn't feel emotionally super sad about it cause they didn't spend so much time developing a deep, strong love relationship. Suddenly there was a 1-year time skip yet, after which felt strange. And I always felt like Thyme loved Gorya WAY more than Gorya loving Thyme equally back. They should equally love each other; if only they had more time to be a couple at least it would have shown. The drama tried to make up more of Goya's affections for Thyme in the last episode, but it wasn't enough to convince me they both strongly equaling loved each other.
Here are the many issues I had in the story:
Lack of screen time for some supporting characters that I grew to appreciate and enjoy in the original storyline and relationships built, which could have been improved if they had done 20 episodes rather than 16 potentially.
Thyme's sister
Gorya's funny dynamic family
Thyme's maid- The original story she was such a huge support to get the main leads getting together in the maid arc!! Where the hell did she go? She even had her own bittersweet backstory with helping Thyme in the original plot.
Thyme and Gorya's brother: I thought the writers would bring them even closer like how the Japanese version did. That would have been nice to see.
Kaning and Gorya's friendship- I absolutely loved Makino and Yuki's friendship in the manga! Yuki(Kaning)was such a good best friend; she was very important in the story for Makino(Gorya) to bounce her feelings to whenever she was confused about what to do with her relationship with Tsukusa(Thyme). Yuki's character was well done in all the other drama adaptations. However, I'm very disappointed with how the Thai version did to Kaning. I think she had the potential to be better from episodes 1-4, but afterward, I barely felt her existence in her characters.
Kaning and Kavin's relationship was not very development and underwhelming: second lead's relationship in this adaptation feels like a complete joke! It's so sad cause I liked the relationship built in the manga and other drama versions, but here, the Thai version doesn't care about them and gives a poor wrap of their relationship in one episode. Sometimes I forget they were even dating until the last episode.
Talay's (kidnapper) story was too long and unnecessary, I honestly couldn't care less about how close and special his backstory was with his friend which Thyme beated up. Instead, the drama should have focused and included more screentime to see how Thyme is not fighting back and getting beat up for Gorya since she could get hurt by the kidnappers. This was supposed to be a sad romantic scene between the leads, but oh well….
Thyme should have given Gorya the necklace AFTER ending with relationship with Lita, it was felt odd and concerning for him to completely forget that he is still in a relationship wit Lita when he did that.
Gorya's downfall: I like Gorya but sometimes I didn't because she was violent with Thyme. It was okay, I guess, back when she didn't like him and still felt Thyme was a bully; however, even after she came to love Thyme, she was still abusive by punching him on the balls, like wtf. How is this comedy? I might have let this pass if I was still in middle school; however, I'm in my early 20's now, and this is just wrong to see. It makes Gorya unlikable and hard to root for her to be in a relationship with Thyme:( Also, not trusting Thyme by blindly believing the Talay about the red card completely messed up all the buildup she had with her relationship with Thyme after episode 7. I know Makino(Gorya) is way too ridiculously naive in the manga at times and believes and forgives a lot of characters that she should not have done; however, I don't think Gorya should have been portrayed this extremely naive. Also, what are Gorya's goals in life?! We don't even know what she wants to do? At least in Hana Yori dango ,meteor garden and boys over flower, we know that Makino wants to be a lawyer, Shancai wants to be a chef and Jandi became a doctor. But Gorya doesn't even have any ambitions besides yelling all the time lol. Another reason why 16 episodes is not enough.
Thyme's mom redemption- so rushed at the last episode by squeezing it with the amnesia arc drama in just 20-25 minutes lol. The Thai version made the mom probably the cruelest and most evil out of all the adaptations, including the manga! The mom lied about having an illness to Gorya and not giving Thyme his medication to regain his memories until the very last 20 MINUTES of the drama. Last-minute, she finally lets Thyme and Gorya be together after all that so fast?! it just feels too rushed for her redemption. It could have been done in 2 episodes and slowly have her change and think things differently about Thyme and Gorya's relationship instead since she was so cruel from the beginning anyway. Suppose the drama was going to do their way. In that case, they should have cut the whole amnesia arc drama and just focused on ONLY the mom's redemption arc in the final episode, similar to how t Meteor garden 2001 handled it.
It's like the series lost its sense of direction of what made it so good in the first half of the series; maybe the writers were rushed when they had to make it 16 episodes cause the drama had so much potential to be better than what it became, it could have been 20 episodes max to improve on a lot of issues like deepening Thyme and Gorya's relationship, but unfortunately, a lot of things felt flat, rushed and underwhelming when the characters overcame to their challenges :( Maybe I would have enjoyed the drama more if I binged it like I was normally planning to, but waiting every week for a new episode made me very critical and reflected on each episode during that time.
I did like the final 10 minutes of the drama; glad they included the odd memorable F4 dance that happens in almost every drama adaptation! I was just bummed out Thyme and Gorya didn't get engaged; I was anticipating so much for a proposal, similar to how Hana Yori Dango did lol.
Anyway, I'm glad the drama is finally over with Thyme and Gorya having their happy ending.
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OFFGUN IN THE KITCHEN HITS SWEETLY DIFFERENT
I must say that people are being just too paranoid about this. After Not Me, Senior Secret Love Puppy Honey, Theory of Love. Everything about Offgun makes these guys undoubtedly one of the best and most successful onscreen couples in Thai BL. While of course each of these shows portrays them as relatively mature characters, I guess Cooking crush has given me something different.We've seen these guys act cute before, I mean there was I'M TEE ME TO but that was literally like a pure bromance, Cooking Crush on the other hand has given me a chance to appreciate these guys as a pair of naive Campus kids and the Comedy in this story feels right.
First and foremost, I feel it's worth noting that for me, seeing these two in a rom-com kind of plot after a full year is quite good, I have seen funny shows like VENUS IN THE SKY but on Screen I have never seen a couple that makes it seem that they are so meant to be like Offgun.
The Offgun Chemistry never dies out as I feel each of the actors are comfortable in their roles. Besides, I feel that they have got a more sincere progression in their onscreen Cooking Crush relationship than in pretty much any of those other shows that make the actors look like hungry sex addicts that I do not want to mention.
On top of that, a rom-com like trope is one you'll hardly expect to see Off and Gun executing very well but Cooking Crush will surpass your expectations. Trust me, the storyline feels simple, and we have seen how very many so called "simple and complicated storylines" have ended up this year, but Cooking Crush is nothing like that.
Is the show worth it? Yes. Cooking Crush will most likely drop in my top 10 BLS of 2024 because it has a catchy opening theme, it is a well paced narrative and shows you that even something simple doesn't need a lot of effort to become beautiful as long as it is sincere. Besides for Offgun fans, I dunno about most of ue but for me, this show hits just right.
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