Reviews

Loved it~

I was looking for a quick-watch drama when I stumbled across this title. It didn't take much convincing since I love Luo Zheng and I remembered the female lead from another drama. The show is definitely trope-filled, but I knew what I was getting into (plus I secretly love cliches). The main cp had beautiful chemistry and the second leads started out annoying but I loved them by the end. Though some parts were predictable, there were a few surprises in there that I wasn't expecting. I laughed a lot and cried more than I thought I would. It was short and sweet and gave me all the feels I was looking for. Also, Luo Zheng's face is just....I mean....need I say more?

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This drama was so cute! I really recommend this drama to someone who is looking for a light hearted c drama with not much melodrama (or any at all).

This c drama has themes of youth, popular guy and not so popular girl, high school, college, friendship, fashion, architecture, and the cutest little jealousy scenes ever!

Out of the probably 80 c dramas I’ve watched (and counted), this drama goes into my top 5 for c drama youth. This type of drama is exactly what I’m looking for when I think of a youth drama. And yes, there IS a happy ending!

Just keep in mind that the cast is 18 years or younger, so there isn’t much to the drama than your middle school romance lololol. Still recommend!

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The story plot is in general good and had the potential of becoming a great drama, but somehow doesn’t really reach the target, although watchable (first 13-23 episodes rather “slow” also).
The story about Chang Ge and Ashile Sun lack “edge”, maybe because Dilraba isn’t a really good fit as a main lead. The male main lead doesn’t quite fit his role either.
The story about Leyan and Hao Du is less predictable and more interesting, although it’s not feasible that someone who is supposed to be good at embroidery would mess up weaving yarn the way Leyan does in the story.

Chinese historical dramas have a lot of “shang tian” and “lao tian” which westernized translators misleadingly translates as “g#d”. It doesn’t correspond the associated biblical “g#d”.

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A Poetically Crafted Story That Deeply Captured The Essence Of An Unconditional Love

"The First Frost" is a modern romance drama adaptation of the novel titled "Nan Hong" which means "Hard To Coax", written by a well-known author, Zhu Yi. It focuses on the romantic tale between Sang Yan and his high school deskmate, Wen Yi Fan. The drama immerses into the nostalgic youthful idea of first love and intertwines it together with the melancholic pining of second chances. While its cinematography visually creates a gloomy and dreamy-like vibe, the OSTs adds a sentimental touch that completely draws you into its romantic tale. However...

The First Frost is no ordinary modern romance drama, it is a poetically crafted story that deeply captured the essence of an unconditional love and engraved it as a lasting imprint. An unconditional love that embodies unwavering commitment and fosters a heartfelt emotional journey which leads to personal growth and self-discovery. It is where love isn't a mere consolation or healer of wounds and scars, instead it is where love is a guiding light that illuminates through the darkness bringing peace and safety. It is also where love is depicted to be more than just an emotion and feeling, but a constant deliberate choice that comes from ones willingness to choose to love every single day without any exceptions — no matter the uncertainty or the storms ahead. This drama meaningfully entails an invaluable love while also beholding an important message about self-love.

STORYLINE₊ ⊹❅
The storytelling follows a nonlinear timeline that instills flashbacks of the main protagonists' high school life into their present adult life exuding a reminiscent nostalgic feel. It generally revolves around the female lead, Wen Yi Fan's point of view but it also glimpses through the point of view of the male lead, Sang Yan by the end of each episode which further adds enrichment to the story. The drama begins with a heartbreaking memory that occurred on one rainy night where Wen Yi Fan and Sang Yan separated in tears, then courses straight into more heavier scenes that can be triggering as it tackles a sensitive topic which women in real life faces, these scenes highlighted the life struggles of Wen Yi Fan and serves as a necessary element that allowed viewers to have a clearer grasp of her character. The defining line is drawn here as the drama's trajectory focuses not solely into romance, but also into trauma; its effect on life and love itself.

The first half of the drama creates a somber atmosphere that eventually balances out with warmer tones and a mixture of lighthearted moments as Wen Yi Fan and Sang Yan crosses paths once again — they become two strangers living together under one roof with a shared painful past. This showed the contrasting differences in their lives and opened the door to their feelings. What I love during this part of the story is how both yearning and loneliness is set-up so gut-wrenchingly yet soothes it with understated affections through the conscious acts of Sang Yan and the unconscious acts of Wen Yi Fan. I found the sleepwalking scenes of Wen Yi Fan to be made not only as a mere catalyst that shortens the distance between her and Sang Yan, but a significant metaphor that reflects Wen Yi Fan's deep-seated feelings which even her conscious self isn't aware about. How she walked amidst the darkness towards the sun to embrace its warmth speaks about her pains, fears and her desperate call to be found — without knowing the sun she had reached out to was Sang Yan, the only person that ever brought warmth and light to her world — this scene was meaningfully executed and deeply tugged on the heartstrings.

What ultimately shapes the story more coherently lies in the second half as it dives deeper into the main protagonists innermost feelings and their past. This is where an evident romantic progress between Wen Yi Fan and Sang Yan is seen, but it is also where the shadow that has long been haunting Wen Yi Fan comes into the picture. I appreciated their sweet and intimate moments which led into a much livelier atmosphere, although it soon transitioned into the angsty and heavy arcs, such transition helped heightened the emotions evoked during these arcs. The separation in Hong Kong wasn't added simply as a mere trope, it showed the comprehensive depth of the story and stayed consistent to Wen Yi Fan's trauma. As much as it is emotionally gripping, it brought out more layers of Sang Yan and Wen Yi Fan's characters. This aspect is one of the dramas advantageous feat because of how it had interwoven trauma into the story with an insightful knowledge and at the same time dealt with it respectfully. It did justice in showing how trauma greatly impacts one's life, how coping mechanisms varies greatly for different individuals, and how healing is not linear nor does it heal easily. It gave a realistic portrayal of trauma and wrapped it with a positive message.

As for the romance between Wen Yi Fan and Sang Yan, it leans more to slow-burn where their relationship developed intricately, hence, I thought it felt more organic as the characters were made to gradually intensify their feelings. The way their love story was written never felt cringe or cliche, it was mature and brilliantly stood out for how utterly beautiful and unparalleled it was depicted. The drama painted Wen Yi Fan and Sang Yan's love story in translucid colors that vividly showed the pure unconditional love they have for each other, to the extent that even the words "I love you" pales away in comparison for how wholeheartedly they conveyed love in more than just three words. The second leads romance wasn't able to fully pique my interest at first as their story felt lackluster however, the latter half of the drama showcased a much more interesting plot for them which eventually made me invested in them as well.

The drama ended on a very satisfying note as all loose ends were neatly tied leaving no room for unresolved matters. The antagonists in the story each faced the consequences of their actions, there was no unnecessary redemption arc as every toxic connection was cut off. Wen Yi Fan and Sang Yan's high school memories were remarkably concluded by how they seamlessly weaved all the details together and the addition of Sang Yan's unseen point of view gave light for viewers to see how absolutely profound their relationship actually truly is. As if it couldn't be more perfect, they executed the proposal scene in a way that magnificently captured the raw authentic emotions expressed by Wen Yi Fan and Sang Yan during that moment, making it feel so realistic — the evident nervousness, trembling hands and lips, the tears, and heartfelt words. It is the best proposal scene to have ever been created. The ending they had given is beyond just a happy ending, it is an unforgettable and deeply-moving moment that certainly left a lasting impression.

The cinematography artistically enhanced the overall emotional tone of each scene with the constant use of lights, mirrors and reflections that gives off visuals that are a blend of dreamy, melancholic and nostalgic vibes. It was breathtakingly cinematic and definitely elevated the watching experience.

CHARACTERS & ACTING₊ ⊹❅
Bai Jing Ting as Sang Yan
Sang Yan is a character written with so many good qualities in him that it overshadows his flaws and makes him come off as someone too perfect, but actually he is far from perfect. He just happens to have a lot of love in him as he was born surrounded with love which is his greatest privilege. He grew up in a loving home where he is constantly showered with affection and care from his family. He used to be someone spoiled and self-centered as he had never suffered any setbacks in his life, everything had always went well for him and this is what made him flawed. It was through his separation with Wen Yi Fan where he realized that the world doesn't revolve around him. The pain he felt in this heartbreaking experience is one of the important things that helped shaped him into becoming the present Sang Yan. Sang Yan is a character who is the complete embodiment of persistence, regardless of being afraid or the outcome, he just tries and never gives up.

Sang Yan's love for Wen Yi Fan isn't an ever-burning passionate love instead it is a quietly-fierce and unconditional love that is strong and unwavering. Despite how his love is fierce, he had never forced his feelings on Wen Yi Fan. He expresses his love for her through subtle acts of affection, where he notices and cares for even the smallest things about her. What struck me the most about him is how he is able to let down his pride and acknowledge its insignificance compared to the pain and suffering Wen Yi Fan has been through. Sang Yan letting down his pride doesn't necessarily mean he lacks self-respect rather it spoke of his inner strength that emanated from his deep sense of self-worth. Instead of becoming another storm in Wen Yi Fan's life, he became her home, he truly understood and sees through her; not just her heart but her very soul. He is an emotionally intelligent man who loves not because he wants something in return, but because he willingly wants to give love to the person he values — and this speaks about his self-love, he loved himself that loving Wen Yi Fan comes naturally for him.

Bai Jing Ting's acting performance and portrayal of Sang Yan is phenomenal. Every emotion he expressed across the screen was strongly felt. His facial expressions and eye-acting, particularly his micro expressions were so apparent it helped connect with his character in an emotional level easily. His eyes always held so many emotions that his crying scenes are carried out realistically. He is one of the very few actors I know who can really act a crying scene without making it fake. He really gave life to his character.

Zhang Ruo Nan as Wen Yi Fan | Wen Shuangjiang
Wen Yi Fan is a character who suffers from trauma and abandonment issues. She is someone who had lived life wearing a facade to mask away all her pain, but before all the suffering she has been through, she used to be someone bright and filled with love. The biggest turning point in her life was when she lost her father, she didn't only lose the person who cherished and cared for her most, she also lost her home and a part of herself. She is someone who had long stopped believing in love and believing in what she deserves. She had built a wall around herself that even her closest friends aren't able to see through her. She is a damaged person who is afraid to reach out for help because she still carried the betrayal of her mother who left her to suffer alone. Running away has always been her coping mechanism and way of survival. The separation and reconciliation arc in Hong Kong is a major event that helped her character to outgrow her traumas, realize her strength and opened her heart to self-love. Wen Yi Fan is actually a character who is courageous and resilient. Her ability to move forward with life despite everything she has been through and her constant determination to continue to live speaks so much of it.

Wen Yi Fan's love for Sang Yan is absolutely selfless and unconditional. Her way of loving Sang Yan does not come in the form of wanting to own him, instead it is in the form of wanting the best for him. Wen Yi Fan had always believed that Sang Yan is a person who deserves all the good things in the world, she sees him as someone so precious that she wants to preserve his brightness. Although, her decision to runaway without reaching out to him wasn't a completely right choice, it was still an understandable act as she did it to protect him from the shadow that has constantly been haunting her, because the last thing she would want to happen is for Sang Yan to lose his life. Her love for Sang Yan helped her break through the shackles that had long chained her, she healed not for herself alone but so that she could be the best for him. She values Sang Yan a lot that she willingly meets him where he is at just as much as he willingly does for her too. In the past, she might have broken his heart but she was one of the reason that helped shaped him to become stronger.

Zhang Ruo Nan's portrayal of Wen Yi Fan is worthy of recognition and praise. She really understood and connected with her character that she conveyed every emotional scene brilliantly. Most especially her crying scenes, they were so heartfelt. She wasn't only good at emotional scenes but her drunk scene is deserving of appreciation too for how natural she portrayed it. Her acting performance is outstanding.

OSTs₊ ⊹❅
The OSTs helped set the vibe of each specific scene which allowed every emotion depicted in the drama to come across the screen more impactfully. They weren't only captivating to listen to, each of the songs were meaningfully written and gives highlight to Sang Yan and Wen Yi Fan's love. It is definitely one of the key elements of the drama that enriches the watching experience. I love all the songs and my most favorite of them all is 'I'm So Into You' by Xiao Bing Chih.

OVERALL IMPRESSION₊ ⊹❅
The First Frost is a masterpiece that rekindled the feeling of what it is like to have a first love, it is a drama that deeply portrayed yearning and reunion through its rich plot. It is also a drama that takes you to experience an unforgettable and meaningful story that will not only move you, but make you feel seen as well.

The First Frost is a beautiful reminder for when we forget to be kinder to ourselves, for when we forget to remember love..."Treat yourself well, and the world will hold more love for you".

Bai Jing Ting and Zhang Ruo Nan's chemistry is impeccable. I will never forget their portrayal of Sang Yan and Wen Yi Fan, they did justice to their characters and truly brought the love between these fictional characters so powerfully on screen. All the other actors and crew of The First Frost did an amazing job as well in creating this drama, their efforts and hardwork wasn't in vain. The First Frost is now officially my top favorite modern romance drama.

FAVE SCENES₊ ⊹❅
- Wen Yi Fan's sleepwalking scene
- Sang Yan and Wen Yi Fan's confession scene in Beiyu noodle shop
- Sang Yan formally introducing Wen Yi Fan as his girlfriend on Qian Fei's Wedding
- Sang Yan taking care of his drunk girlfriend Wen Yi Fan
- Sang Yan's fight scenes
- Wen Yi Fan and Sang Yan's hospital talk scene
- Wen Yi Fan and Sang Yan's entire high school memory
- Wen Yi Fan finding out about Sang Yan's momento or keepsake box
- Sang Yan's "I volunteered"
- Wen Yi Fan's talk with her younger self
- All their intimate scenes
- Proposal scene

p.s all of Sang Yan and Wen Yi Fan's scenes together are my favorite.

˖ . ݁❅𝜗𝜚❅. ݁₊

"When you're old, gray, and sleepy,
you snuggle wearily by the fireside,
and take a random book for company,
you savor the look in your eyes,
when you were chasing your dreams.
You used to have that look,
and be full of affection.
I loved your great and elegant past,
your mistakes, and your true beauty.
There is only one man who has ever gazed,
into your pious and holy heart,
and fallen inlove,
with your sad and aging face.
In the moonlight,
you bowed your head,
stooped, and murmured dejectedly,
in an attempt to escape from love.
Then you sneaked over the hill,
and hid your face.
Someone who is fierce,
who will love me among the stars, until death,
and know that love is as strong as death,
and be on my side,
forever and ever.
I want someone who is fierce,
and will love me until death,
it's you."
— Sang Yan & Wen Yi Fan (Oranges Are Not The Only Fruit by Jeanette Winterson)

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The definition of mediocre

This drama is so mediocre it is impressive!

The dialog- mediocre
The chemistry- mediocre
The kisses- mediocre
The acting- mediocre
The scenery- mediocre...

EVERY SINGLE DETAIL SCREAMS MEDIOCRE

With one exception Song Han Hee who played Yoo Sin Bi / Mikael was actually pretty good and impressed me in her role, she reminded me a bit of IU....

But I guess that is the exception that reinforces the rule... But there really is nothing bad about this drama but nothing good either.... it just is...

So all on all... Mediocre... did I mention it is mediocre?

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I don't know. It's cute yes but hmmn, the feeling was just not there. Not a movie to remember. The first part was fun but it just flowed forward into boring scenes.

I'm totally not convinced by the main roles Yamashita Tomohisa and Komatsu Nana in this movie. The acting was just soso. It could have had lot's of more feeling. If you're watching this movie for Yamashita Tomohisa's appearance then you should watch this, handsome in every scene. Yamamoto Mizuki did a great job as a supporting character! I want to see more of her.

Also a very very cliché story..Don't expect something unique. A typical manga love story.

I liked the music!

Watch this if you're bored and don't expect much, then maybe it's good for you!

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Missunderstood and underrated Masterpiece

I normaly do not bother to write reviews after watching beautifull but "brain dead" dramas. But now after finding a hidden gem with a very deep meaning and message beeing utterly missunderstoood and underrated, I had to write one.

First off, watch the drama and continue to read this review after watching it! You will not be dissapointed. Even without understanding it completely, it is a fun and crazy ride with good acting and a good cast. But only by understanding the story and message it will be really good.

If you have thought this drama is all about aliens, friendship and cults you are wrong and most likely one of those persons depicted in the drama itself as, blindly trusting belivers and following their leaders "cult leaders/papas" all the way to the end, untill you are told into dying for your believes.
Are you a leader? Are you a believer?
Or are you one of those beautifull but unique " Bo Ra" beings that knew there was something hidden and at least searched for the real meaning by thinking against the "norm". Or maybe are you the one who was shure to know the story untill waking up at some point by understanding the real meaning, like the FL did wake up from her "boring" predestined life?

"It is not about aliens, friendship or cults but about what people believe and how societies work. By whom and how the meaning of craziness or norm is defined and what characters people choose to be. A believer, a leader, a beautifull and unique person, or the messiah."

I choose to be crazy...

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A Quirky, Fun Rom-Com

So I was hyped for this one K-drama ever since I watched the trailer. It didn't disappoint me at all. The story was a breath of fresh; it was fun, easygoing and had just the right amout of quirks to keep you watching. The cast was fun to watch. I really loved the office scenes. I persomally loved the rivalry between Mirae and Kyeongnam. It was really funny and cute. That being said, I do wish there were more scenes between the two because they were so cute together. Now with that being said, this brings us to a few issues that could have handled better.

The pacing threw me off guard sometimes. The first few episodes focused on the VR boyfriends and it was fun to see all these different cameos. But it sort of dragged on for longer than it should have when all this time could have been used to develop the relationship with the leads. The Seo Eun Ho storyline should have ended in college as soon as she accepted the breakup for what it was. But I did like the way Mirae got the ick from Eunho. It could have ended earlier to explore more of the actual relationship instead. The reality aspect was far more charming than the fantasy one although I loved the dating manager. But since it's a rom-com fantasy drama, I should not complain much about how they focused more on the fantasy aspect when the reality aspect was their strength.

Boyfriend on Demand is a fun drama to binge watch but it was let down by the pacing and not untapping the full potential of the leads.

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Most important this was not extended, we bow to the overlords for not killing us. The drama overlords got wind OR just not enough snack or juice companies to advertise.
Story: what was the story? What were we to gather from all these stories moving parts. Too many moving parts, no value characters, and stuff that still has me perplexed. Key point: No character development at all for 90% of characters!
Acting: not infuriate reviewers. FL has minor acting improvement from previous roles however she was perfect for this airhead role - no acting stretch required or needed. ML has a swagger, smexiness, and carried the FL. Admittedly, the combo was sizzling chemistry. The rest of cast were flat and uninteresting.
Music: ML song was decent
RW: please don’t ask me to do this!
Beware don’t get sucked in by the leads chemistry, it sizzles! It keeps you coming back. This could have been a 18eps of sizzling chemistry and solid story rather than 45eps of musical chairs and delving into the rabbit hole only to find slime.

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This series is bonkers on so many levels, and I love it so damn much for it.

I don't write reviews but I wanted to at least for my favorite drama and Vincenzo has a special place in my heart <3
FYI: LONG ONE (like really long)! Just dumping my love letter for the show here because amidst all the negative reviews & misjudgement, I wanna voice my appreciation since rarely do I love a show so much I wish for amnesia to experience it all over again.

Vincenzo is an eventful, fast-paced dark comedy and a rollercoaster ride of a drama that had me at the edge of my seat anticipating or dreading what's next to come, crying of either laughter or sadness, or simply wanting to applaud at the sheer audacity of its plot (happened a lot). While there's an abundance of corruption, broken bones and back and forth between protagonists and antagonists, there's also a large chunk of comedy and lightheartedness. Add in some romance & just the right amount of emotional depth and you have a perfect mix. I myself didn't find the start slow at all. It's true that in episode 4, things truly pick up - with one of the best twists I've ever seen in a show - but the beginning is just as fun and crucial in setting up the story, as Hong Yu-chan is a central character in laying the foundation for Vincenzo's and Cha-young's motivation to take on the fight against Babel. Afterwards, it's pure entertainment. Overall, the story constantly keeps you busy and there's barely a dull moment as lots of twists & turns keep it interesting. The ending is nothing short of the definition of cathartic and shows once again that this drama, no matter its funny exterior, isn't afraid to go unflinchingly dark with its approach on retribution and justice.

You just can't wait to find out what shenanigans the characters will be up to next, and when you do find out, it's a joy to watch. Many of the schemes that Vincenzo, Cha-young and the tenants pull against Babel range from absolute tomfoolery to well-thought-out, meticulous plans. The scenarios are yes, over the top, but at the same time ironically believable and more importantly, fun! You can tell how much fun the writer, actors and production team had with this project; tons of creative choices feel like they were handled with some sense of wild abandon, which might as well be the secret as to why it's such an entertaining show. Considering all the improv, this rings quite true. Many of the characters' mannerisms, quirks and some entire scenes were completely adlibbed (and after consuming copious amounts of BTS content, I can genuinely confirm this). It's something I really loved about the show, and which tells you just how well the cast and director collaborated. It also results in a series forming its own unique character, which I think worked really well with Vincenzo.

I feel like many people don't understand it for what it essentially is and thus kind of miss the whole point of it. They claim it's bad for example due to its absurdist comedy which, of course, isn't everyone's cup of tea but that doesn't make it a bad drama, but a matter of preference. Without the jarring contrast of silliness and seriousness, Vincenzo wouldn't be what it's supposed to be. It's about relishing in the ridiculousness of it all and you have to be willing to do that in order for you to really enjoy it. So yes, this show is very contradictive and lots of people did not like or even hated that, but I loved it all the more. It's both parody and homage in the way it reminds of K-Drama, gangster movies and action comedies alike. It can be funny and satirical but also knows when to be badass or tense. And while it's true that the genre mix is blatant, it proves through an engaging script and characters that it's not really a parody after all.
In the end, it does have its own style and you do need to vibe with the writer's humor and/or his intentions, so it's natural that it might be too much for those with more traditional tastes or who don't see eye to eye with his execution and so on. But this show is unrealistic on purpose! The protagonist comes out on top all the time on purpose! I've read some say they liked the show but drew the line at a certain scene in episode 15 for being too unrealistic, which is funny considering it's a drama about a mafia lawyer who accidentally fights for justice while trying to get some gold bars out of a basement. It's bizarre, ridiculous and in-your-face on purpose! It is The Whole Point Of It All. When we get tired of the whole corrupt, capitalist hellhole that we live in, this show wants to offer some escapism and makes it fun while it's at it.

Vincenzo's character himself practically represents what the writer wanted to convey to the audience. Quite specific to South Korea but still widely applicable, it's an answer to the kind of feeling when watching the news and being angry at yet another corruption scandal, nasty politician or powerful figure/group that still reigns at the top and goes on about their unscrupulous business, and you sit there, not being able to do anything about it. In such moments we just want to see the worst of society be uncompromisingly punished for their actions, "whether it is legal or not", as Hong Yu-chan said.
An activist through and through, his character is proof that even the most righteous people can't do much more than just try their best, yet they too may harbor a desire to go beyond their own means to win. In a perfect world, it would have been him to fight tirelessly and successfully against the antagonists, achieving justice by the book. But that sadly isn't the world we, or the charactes, live in. Sometimes just "fighting the good fight" isn't enough, the efforts of the virtuous and pure are trampled on without remorse, and the corrupt system resembles an indestructible wall. And so we wish to see it collapse fully and we want to feel good about seeing that, want to feel vindicated in our desire to rid the world of The Powers That Be. Vincenzo wants to scratch exactly that itch, through an anti-hero without qualms or strict moral compass that hold him back in anything. He's the personification of what none of us can ever allow ourselves to be because in reality we've got laws and morals and couldn't ever justify what he does to be of actual reasoning. Thankfully this isn't reality! He allows us to live vicariously through his persona, who stops at nothing to deliver retribution – whether or not it's a viable solution to corruption & crime – and maybe leaves us a bit of romantic hope for a better future, albeit in his own darkly twisted way.
An interesting point that Song Joong-ki once made is how he found the audience's unwavering support of Vincenzo to be quite sad. So while this show isn't supposed to offer any solution, I think it offers an interesting observation; how easily, and maybe even desperately, we want to cling to outlandish and fictional escapism like this. How bad is our own reality, that we're able to cheer on even a character like Vincenzo with all his brazen, reckless vigilantism, and not even bat an eye - what does that say about us? The show makes us root for him all the way up til the end, then turns the mirror at us and literally and figuratively looks us in the eye. Yes, evil in its many forms is prevalent and vehement in our world and will always be, but what we choose to do with it is ultimately our choice. You might somewhat agree with the show's ideology – that when all else is lost, the only way to fight a monster is another monster – or strongly oppose it. Either way, by the end, you’ve likely understood the societal lamentations echoing through the narrative, and maybe even have felt a tiny bit of satisfaction and relief in watching Vincenzo be unapologetically himself. I know I did.

Besides him, there's lots to be said about Hong Cha-young because people just don't seem to get her. It was intent for her to be "annoying" at the start & Jeon Yeo-been knew she'd get judged for that, yet she took on the role and made it her own. She nailed all her traits, from her weirdness, ambition and anger up to her loneliness and kind heart. Cha-young, like Vincenzo himself, hides her utmost vulnerabilities behind a razor-sharp gaze and only opens up to those she's truly comfortable with. Yet her soft side isn't a contradiction to her loud one at all; both are two sides of the same coin. She too doesn't compromise and is always the most unapologetic version of herself – a rarity in a world that deems types like her "too out there" or "too much", and she looks past such criticisms with but a glance and blows you a kiss while donning expensive sunglasses. If you paid attention, you'd know her character isn't one-dimensional. She's an amazing female lead and one of the most unique out there, fight me at 3 AM in a parking lot about this. Actually, you'll have to fight Vincenzo first.
Both are morally complex protagonists that don't fall into clichés and instead boast a healthy, respectful relationship. It's riveting to watch them go from strangers to partners in crime to genuine friends and self-proclaimed soulmates by the end. The moment they meet they complement each other, in their joint revenge (it helps they're both relentless opportunists) as in all other things. Their connection ran so deep, excessive skinship or dramatic confessions weren't needed. I'm biased, but they're the best example of "soulmates" I know. Despite what some dramas tell you, soulmates are born of choice, not fate and they made that choice for themselves. And above all, they're just fun to watch! They have some of the best chemistry between two leads I've ever seen and I've yet to find a pair I love just as much as them.

Them and the rest of the cast know how to act believably in even the most preposterous situations, another reason why I love this show so much: While it's very farcical, it stays grounded in the way characters react emotionally and accordingly to their goals or motivations. And so you can't help other than just cheer along with – or against them as they go through all of these ridiculous, unbelievable things. By the end, I got so attached that I just sat in disbelief as the end-credits ran and didn't want to believe it was really over. With any good story ending, you don't want to let go, want to spend more time in its world, but are instead left with a giant, bloody hole in your heart. Then again that should be par for the course.
Everyone has a drama that left a big impression on them and for me it was this crime-comedy about a Korean-Italian Mafia lawyer who has arson and murder on his daily schedule, yet is at his wit's end because of a pigeon on his windowsill. I sure didn't expect that, when watching episode 1 with the hope of trying to stay awake during nightshift (needless to say it woke me the fuck up), but the best shows come to you when you least expect it.

TLDR; Vincenzo has much to offer for those who want to be fully engrossed by a show, without sacrificing one genre for the other. But in no way does it play it safe, it 100% goes all in. And if you like to have fun with TV, then it's definitely something you shouldn't miss!

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Tiring and Frustating

I watched Happiness coz I believe both main characters, Park Hyun Shik and Han Hyo Joo..., I was wrong.

The drama premise is about a zombie-like virus, firstly spread by pills then infected people distributed by bite and scratch, but it has its own uniqueness. People who got infected are still able to get back to their human form, as long as they don't smell blood. Kinda like Sweet Home, but the virus is curable in the end. Apocalypse's setting is not my favorite but I still can watch it.

What frustrated me the most is the characters. In Sweet Home, all residents work together to face the situation. The older brother and his ballerina sister,  the priest, the firefighter, the gangster, etc... all characters are strong and have special contributions to the drama.  Antagonist residents exist but it still makes sense. And they're still willing to join other residents when cooperation is needed.
While this one has nothing but a compilation of useless evil and trashy characters. The one that useful are only both main characters whom the other characters trying to get rid of throughout the drama...., as if all of those characters have no common sense to UNDERSTAND, how much they need these cops in this critical situation

To make it clear, these disturbing behaviors happen throughout the drama, literally from the start till the end. The word "useless" I use refers to their contribution to the story. And these weird characters keep doing their disturbing behaviors, as is they forget that they are in a very critical situation.
Start from a very trashy useless YouTuber wannabe boy who is very rebellious and disregards his mother. He has no job but to play games and live streaming. He humiliates his mother, even mean enough to steal all of their food stock and leave their parents after his mother got infected.
The apartment-representative wanna-be woman, who wanted to get rid of the main characters for no clear reason and I can't even mention which one of her acts is the most disturbing.
A doctor who killed his wife, for the whole drama trying so hard to kill Hyunsik, .... the reason is by killing him, none will come to catch him....??? As if Hyunshik is the only cop who will chase him for his crime. I can't find the logic in which killing the police in charge is the best way to get away with your crime.
The doctor's mistress who only cares to chase for the doctor's money.
The cleaner couple who is very money-oriented.
The cleaner employee, Andrew, who mysteriously wears goggles and masks but then happens to be a serial killer.
A money-oriented lawyer with his useless protagonist wife.
A writer, the other useless protagonist with her useless brother who keeps pestering his sister to give away her apartment because he lost him and he needs a place for him and his family to stay.
Hyunsik's partner who can easily betray him for no reason, and gets easily forgiven.
A girl who has to stay at home coz of her sickness... but never shows her symptoms. She has no contribution but stays at home and be Han Hyo Joo's playing mate.
Seriously, if you delete one of those characters, it will have no impact at all.

To make it, even more, weirder, for the whole drama all characters keep believing and follow the doctor and the representative's words, even though the cop couple has already proven that they are not only can handle the situation, they also can communicate with authorities outside, which make them know what they should do. Such as how long the quarantine will last, how the food will be delivered, etc...
But, these residents, instead of believing the cops, they sided with the antagonist duo and conspired to kill the cops, even using Andrew's service to get rid of all the cops... as if living with Andrew, a murderer is way better than the cops. I can't accept the logic.
This antagonist duo is even able to convince the whole residents to kill resident 1501 for his food stock...  People can turn their survival animalistic if they are in extreme condition, but they're not even that starved yet!!

Until the last episode, those whole antagonists really did not pay enough for torturing me for 12 eps. The trashy YouTuber can come back to his parents with no consequences; the doctor and the representative are jailed, but unclear for how many years; the brother becomes a test subject for the vaccine; the cleaner, the lawyer, the mistress etc status also unclear

I kinda regret investing my time to watch this drama. All characters, besides the main character, are very frustrating and just contribute to my stress and anger level.

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I feel like I have been BL cdrama punched. A franchise who were carried by fans for years . Known as the ONLY asian safe haven for lgbt and their supporters has gone off the rails. The ultimate bait and switch. In no way did the lgbt community need a tragic life lesson. They have real history and real life plenty for that. I feel this production was sold out and forced to do this ending. It’s the end of a franchise. In a year where lgbt marriage is legal there they could have celebrated young love. Instead we get this. No. I’ll give my time to another writer, another show.

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Conflicted Literature

Prologue

My mind never fails to go completely blank right before writing these.It feels somewhat like a line of astounding talents gone ahead before me, and my absent minded ass is up next. No idea what to write, how to portray these thoughts that future me can look back on and feel every word of it as if I’m in front of the television again pressing play for the first time. What do they want to see from this review? How do they feel of this drama? Man, wouldn’t it be so much easier to just be like the rest? Well my dear silent minority, we aren’t like the rest. Our thoughts differ, lights dim out, voices hollow, presence uncertain.

But, every now and then some of us gather the strength to shout our unpopular opinions loud enough for everyone willing to hear. Lights begin to flicker back on as we approach our biggest momentary fear, the stage is ours. Make no mistake, no matter how nor if the audience responds back to you, you’ve done something for us that will always inspire those after. There’s no telling when you’ll feel like this again, nor get the chance to express it.

You then realize those lights that were so intimidating before were never dimmed. At last , a star is born.


Man vs Everything

I’ll get my biggest frustration with this drama out of the way first to make up for the rambling. Jeongnyeon is not a complete drama. In fact, you’ll feel there’s something missing at the very beginning, but it only becomes apparent towards the end. There’s several components to a story, and that one thing you’re having that gut feeling is missing in this one, is conflict.

How so? We’ve seen many antagonists introduced, as well as internal and external struggles made out as obstacles in our leads’ way. Poor upbringings, jealousy, underdogs, loss, scandals, defamation, the list goes on. Well, could you really make these things out to be conflicts when even the characters absolutely refuse to?

First we have our favorite little star Yun Jeong. Dimwitted, until she’s not. Inexperienced, until she’s not. Star of the show, until she’s not. Daring, until she’s not. Determined, until she’s not. Damn near mute with multiple medical professionals’ ruling it as so… until, well.

My surprising favorite that deserved closure and proper writing all around, Yeong Seo. I haven’t seen a single thing from the actress until now with this drama, and i can still tell this is easily the best performance she’s put on without needing to see any other. In fact, i won’t even butcher her character here any more than the writing already had. Just know, she deserved much, MUCH better..

Speaking of deserving better, let’s reel in the last few who deserved worse. Despite my unpopular perspective with the Prince of the stage herself, I’ll admit, Moon Ok Gyeong is hands down the most fascinating character that’s completely open to interpretation. She’s a fan favorite to many, both in and outside the drama. To me? She’s the epitome of toxicity and the most subtle portrayal of an antagonist I’ve seen this year. I know that opens alot of doors for discussion, and to be fair, they’re probably not even opened at all had the webtoon been adapted faithfully enough. But we’re going from the abomination they chose to throw out for us to mindlessly consume, and that being my conclusion.

Now here’s someone i feel for certain couldn’t have been redeemed well enough in the original work to make sense of, Ju Ran. Another popular favorite, but i see no logical reason why outside of some piss poor GL teasing. Her storyline was the sole confirmation that cuts that shouldn’t have even been considered , were made. The heavy censorship behind her relations with everyone was adding gasoline to a forest fire. I see no potential redemption of this character in even the webtoon whenever i decide to pick it up. But hopefully I’m wrong.


To make something clear, this drama is by far Kim Tae Ri’s most innovative and expressive role yet. And it’s clear to me now what she’s been going for all along aren’t good scripts, but challenging roles to take her own acting range another step further. Even her weakest work steps all over 95% of the industry, and that’s no exaggeration. She has been my favorite actress in this drama land since I’ve first came across her, and she’s only reaffirmed my obsession with her work and talented eye for scripts here. If you feel even remotely similar about her, you will enjoy every last bit of this drama as i have, minus the rant after, likely.



Jeongnyeon is a successful, aspiring drama that failed as an adaption. Have i read the original webtoon yet? Not a single word. But i know a cut and rushed mess when i see it, as I’ve seen too many at this point. Want to know what else I’m aware of ? My opinion being the minority , as well as my genuine enjoyment throughout watching this series. I can go longer than this run on sentence about this embarrassment of an adaption as much as i can rave about how even Kim’s worst work is better than your fave’s best and you’d be doing yourself the disservice by not trying this title out as any fan of Kim Tae Ri or even Shin Ye Eun.


I applaud the effort of the impressive cast and remarkable production. Our star has yet to dim, it’s just another was born.

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An objectively bad guilty pleasure drama that’s perfect for a cosy weekend watch

I'm perfectly well aware of the fact that I've given this show a much higher rating than it deserves. However, as it happens sometimes, this is one of those reviews that are based solely on personal enjoyment rather than merit.

You see, K2 is like this beautiful vase; it has intricately exotic designs on the outside but its inside is completely hollow and littered with cobwebs. Now, it's up to you whether you want to put it on a shelf and admire its surface beauty or you want to break it into a billion pieces and consequently end up being utterly disappointed by its stark reality. If you're a person who can momentarily cast aside rationale in the face of glitz and glamour, K2 and you would get along just fine but the moment you stop, tilt your head to the side and think; "wait a minute" all possibilities of friendship are out the door.

K2 is almost reckless in its execution, as if it reached a point where logic just didn't matter anymore. It took blatantly unrealistic happenings, a gigantic cluster of plotholes and downright ridiculous notions and attempted to create a story out of them. It's almost like the creators are poking fun at the audience as if they were idiots blanketed in foolish naivete. Events transpire without any build up, there is little to no attention to detail and honestly, it's a huge fast-paced mess.

This drama is like an arrogant brat who does whatever the fuck it wants, confident that it would be successful, still.
A woman in Iraq who's completely covered in a gown and headscarf at all times, without any second thought decides to cast aside her veil and liplock with her hero just because he suggested they should marry. The same woman is somehow extremely fluent in Korean language (even though she has lived all her life in Iraq) and Korean pop culture (even though she's in the middle of nowhere) and conveniently is killed to produce a motive for our male lead to enter the action.
A girl who's had extreme Sociophobia all her life, is suddenly very confidently striking poses with groups of people in the next second. A man who essentially hates power hungry murderers is shown to sympathize with a woman who is exactly that, if not more. There are so many handy plot devices just waiting to pop out from all sides at the very last moment in order to somehow save and prolong the show and it's all quite satirical.

But ofcourse, the smartarse that K2 is; it's completely in the know of all of its flaws and has the audacity to give justifications. The woman could speak Korean so well because she had been taught to be a translator. The girl never had Sociophobia, she just pretended because she didn't want to interact with people. The man didn't feel anything for the murderer, nope, that was just means to an end. And so, K2 commits many crimes and yet, makes sure to cover all the evidence.

The flow of the story, with all of its nonsensical and out of the blue events, is stroppy at best. Many things are left unanswered and this is the kind of production that will have you shake your head with amused exasperation at every second of its antics.
However, despite all this, for me this was a classic case of "it's so bad that it's good" and I somehow ended up thoroughly enjoying myself.

Jee Chang Wook has proved his excellent acting skills numerous of times and here too, he delivered impeccably. Unfortunately for him, he wasn't given much substance to deliver in the first place. His character is unbelievably overpowered, able to survive situations where even a super human ninja would've been obliterated. He has a butter heart, a hero complex and is very motivated to save the world one distressed damsel at a time. Combine that with JCW's natural mixture of masculinity and boyish arrogance and you get a specimen that is too good to be true. And when things are too good to be true, they mostly take a turn for the worse.
It's painfully obvious that the show is highly monetizing on his looks and name; for most of the show is him being either shirtless, flaunting his abs or doing something similarly badass to establish his "coolness". So if you're here to judge JCW's acting this is the last drama you should go to.

As far as I am concerned though, I really didn't care either way. For me, simply watching him is a pleasure, he's my ultimate bias killer and hey, if the producers want to shove mindless fanservice (involving him) down my throat, I ain't complaining.

Yoona turned out to be a pleasant surprise. She's built to play the helpless heroine who always needs saving, who trusts way too easily, cries even easier and basically creates hindrances for everyone around her. The show really tried to suppress her in every possibly way, they didn't give her character a single moment to shine and did everything they could to make her appear helpless and pathetic. However, somehow Yoona managed to turn the tables. Instead of pity, Anna garners sympathy and I would be lying if I said I wasn't rooting for her. There's an intelligence in her eyes that no matter how much of a putz she was portrayed to be, she still succeeded in speaking with the viewers and maintaining a likable character throughout.

And now comes Song Yoon ah- the heart and soul of the show. What an absolutely brilliant actress. She's one of the best k-drama antagonists; utterly ruthless and cruel and yet harboring deep vulnerabilities. She's a viciously dangerous woman and yet, pitiful at times. She's the most layered character of the show and even though she insists upon it, it's almost impossible to truly hate her.

As far as the romance is concerned, even though it's rushed and underdeveloped, there's no denying that Ji- Chang Wook can create chemistry with a garbage bag, if you let him. And if I'm being completely honest, I enjoyed the lovey dovey bits to the fullest. (Aww-ing and Ooh-ing was involved.)

So finally the question arises: If K2 on the whole, has so many shortcomings, why give it an 8.5 rating? Well, in answer to that I'll say, that I just had too much fun watching it. Plain and simple. For me, it was unadulterated amusement- sometimes at its ridiculousness and sometimes at its unabashed negligence. I anticipated every episode and was fully immersed from start to finish.

The K2 is like greasy junk food, you know it can't possibly amount to anything good but you still can't help devouring. With brilliant action scenes, beautiful visuals, entrancing music and a gorgeous cast that actually knows how to act, it is the perfect cheat meal.

Hate it or love it, you'd still end up watching it to the last episode and as far as the drama is concerned- that's a mission well accomplished.

A delectable guilty pleasure, so why not indulge?

Enjoy!

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