2Which is why it's almost criminal how they reduced her kickass self to little more than the Male Lead's side kick in the latter half. So much so, that in some scenes the legendary Demoness is nothing more than a glorified damsel in distress whose sole purpose is to stand by the ML's side.
Speaking of the male lead, even with his cute face and pure love he was still pretty much boring, bland and quite one-dimensional. No match for the somewhat antagonist/second Male lead: Jiang Wu. Who was one of the most interesting characters in the show. Being a nasty sonovabitch demon with hilarious moments, he was easier to root for than the ML himself.
My biggest complaint is that the show gave so much screen-time to completely irrelevant characters. Screentime that should have been used to further develop the main leads and their journey. I could count about 4 to 5 story-lines which I didn't give a shit about and that were constantly forced on me.
So over-all, yes there are some pretty adrenaline rushing moments here and there and yes, there is good acting by all those involved but it is nearly not enough to counter the drag.
If you are planning to binge watch this, like I did. My advice is: Make the Fast Forward button your best friend.
Enjoy!
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Some cute moments but annoying teenager, superficial and inconsistent characters and a plain story.
Had this show started when FL was already in university it would have a bit of a higher rating on my part, I found from that point onwards it was more entertaining, not great by any means, but better. From the beginning up to that point I almost quit several times solely on the fact that the FL was EXTREMELY annoying.I'm not familiar with the actors in this show nor I generally care who is in what. There are actors I like, but I won't watch something only based on that. I say this because I don't know if the acting of Zhao Lu Si is her or it's the director and direction that pushed her to do that (and in that case not sure why they would be happy with that result). It was extremely annoying how she was acting as a 17 year old like she was 7. She was shown as more mature at age 14 in her way of speaking and mannerisms (although physically that actress was clearly younger so it was also very jarring).
I think at this point after two cdramas watched being set in high school I should avoid cdramas set in high school. It feels at times like I'm watching a video on morality and good manners directed at high schoolers, like the civil education videos I had to watch when I was around 12-14 years old. It's also so forced how they try at some point or another say some grandiose moral quote like they're talking to me directly instead of the character.
Also, for the love of all things dear, how was she so dumb and childish when technically she had good grades in school? It makes no sense at all.
They want to show later in university that she's more of a grown up but there are so many things in her way of doing and especially her voice that she still seems so childish. On the other hand ML changes completely of character once he's starting to be interested in her, he's all of a sudden super cocky and flirty, it was very out of character. From that point onwards it's like they're trying to keep reminding me that she's a girly girl and he's a boyish boy.... MEH.
I still don't understand fully how or when Jiaxu started having feelings for her, it's kind of sudden.
I didn't care they didn't show much of the drama involving his father because I had zero interest really, it seemed kind of typical and like it was not going to add much to the story other than some cliché trauma, but I didn't understand either why introducing that daughter of the family affected, she was very annoying and contributed nothing to the story either. I'm guessing she was only there so FL could show her more "mature" side but it's very weak.
There are some cute moments, but overall I was not so sure of why they liked each other, I'm not even sure why she liked him in the beginning to be honest, just because he was handsome and nice to her? not sure, I'm not shown at any point in the first or second half that they share anything when it comes to personality or likes or hobbies, they barely share even that many special moments. It's also very weird because he goes from calling her "sister" to 5 minutes later being interested in her, I couldn't shake that feeling of uneasiness, and it brings me to the fact that the sister thing was way overdone. It would have been so much better had he just been the brother's friend and kept that relationship of friend than making it so far as to his feeling of her as a sister, I felt that put a big barrier on there that I couldn't see a way of it being broken and so I was not surprised when it was just done suddenly and didn't work for me at all. It's also quite annoying when she's already in uni and she keeps saying he's old and they keep mentioning the 5 year gap, what is not a big one by any means.
As it happens in the other cdrama I watched recently (When I Fly Towards You), everything is shown in perfect stages, high school is the time for little crushes but ultimately focusing solely in studies, university ok for relationships, and as soon as you finish uni then get a great job straight away and save to quickly buy a house and start a family. It's very unrealistic, and after this being the second one with the same idea I'm starting to think that they're trying to precisely sell me an idea here more than a story. It was equally unrealistic his career, how he's able to achieve all that at his age, no problems in anything, same with her really, nothing of much importance. It's also the fact they feel the need to include in the story the whole process instead of only one part of it, it gives it even more that feeling of someone showing "how it's done" to me so I take it as an example.
Characters are also generally always kept superficially and secondary ones are pretty non existant.
I found the brother quite annoying at times as well, why was he ten times more patriarchal than the father? I know maybe he just has the older brother complex but seems so weird when it doesn't seem they have that dynamic in the family. Her parents were all right but I didn't really understand why they let the son be that way with her or take more charge of her than them, it was weird some times.
The ending is... well... the cherry on top I suppose. It was quite shocking she would be proposed on the same day of her graduation, like chill man!! Another cdrama that pushes the marry young idea, but I mean, considering they got everything else at unrealistic young ages no wonder by 22-23 they're bored of their lives and they need to marry or something 😂 (I know he's older but still applies, it's not like he had to do it like he has an expiration date and as far as we know he was not being pushed to do it by anyone either).
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a fashion show, a screaming wife and unnecessary sex scenes
I can't even describe how trashy this drama is, I was left disappointed and in shock over the whole thing. Honestly, I'm shocked at myself for having finished this discombobulated mess. It almost felt as if this "comeback" drama is a punishment that Seo Ye Ji had to endure before she would be given a more decent script to work on.Where should I begin? The synopsis, maybe? This is how the synopsis goes: "Lee Ra El idolised her parents, a highly intelligent father and a strikingly beautiful mother." I was actually waiting for more snippets of her happy family life to be revealed, but none of that was given until late, where a meagre birthday celebration of 3 seconds was shown. How smart was his father? He was just described as "the Bill Gates of Korea." This was mentioned in passing in Ep 6 or so. How beautiful was her mother? Was she a walking fashion house, an elegant homemaker? The makeup and image artists for this drama did a disastrous job at dressing up her mother in the flashbacks. The mother was a typically ordinary housewife who apparently loved to dress like a countryside grandmother. They gave her granny floral blouses with straight cuttings, while Ra El gets to wear a different outfit in every scene! Ra El the fashion bombshell was the main focus. The synopsis goes on to say Ra El's goal is to bring down the fam using a USD1.6 billion divorce lawsuit. And yet halfway into the drama, we were told through another character's mouth (Moon Hee) that the original goal was to have the villains arrested using proper evidence and by way of the law. .....What divorce lawsuit? LMAO.
Nevermind that, who cares about what the synopsis says? The drama is nothing like what was advertised. Ra El should have been the glue that holds the story together. The plot centers around her revenge. But she too, changed her mind about only punishing the main culprit who killed her father midway into the drama. Her behaviour became more and more psychologically disturbed, as if she's trying to remind the audience of her past performance in It's Okay to Not Be Okay. Like, why? Wanting to exact vengeance on the person who ruined your life is one thing, but it's unnecessary to be psycho about it. You can still be human about it. There is hardly any need to portray every revenge-seeker as psychotic. Now Ra El, after finding out that Han So Ra murdered her mother, decided that she not only wanted to destroy the patriarch, but also everything in that family now. The targets of her vengeance have increased.
Alas. Despite learning who her mother's killer was, the writers of this drama still insisted on placing the man Ra El seduced, Yoon Geum, at the center of the story. They spent hours upon hours of episode time showing me the dynamics of the seduction. They kept bringing up Yoon Geum's feelings for Ra El, which started with nothing but pure lust. And suddenly, I found myself being shown Yoon Geum's miserable childhood. Do I care? What has his childhood got to do with Ra El's revenge? I know the scriptwriters were trying to say that So Ra losing Yoon Geum is an apt punishment for murdering Ra El's mother, and I'm feeling that the scriptwriters were trying to convince me that Yoon Geum is somehow a guy deserving of some level of sympathy. LOL. He was already steaming with lust the first time he laid his eyes on her. Why would I sympathise with a guy like this? LOL. Ra El uses sex as her weapon, and there's something grossly wrong about this in the year of 2022. Let us all throw a pity party for Yoon Geum, his tortured childhood, his deranged, spoilt wife, and his daughter who wasn't potty trained.
Frankly, I don't give a donkey's ass about this male lead.
The most infuriating thing that I soon realised is, when a man comes back for revenge, he gets to do things like deep researching, device-tracking, surveilling, espionage or military-style anti-reconnaisance without having to sacrifice his body or mental acuity. But when a woman comes back for revenge, she uses her body and sex to get what she wants. She goes through trauma and scarring, out-of-control situations where her mental judgement is impaired and subsequently, criticised, questioned, ridiculed. It always cheapens the female character, and this is unacceptable for me. The year is 2022, not 1972. This drama had set up the situation in such a way that the target is a bunch of fools whose intellectual processes occur in the lower half of their bodies.
The writers gave no information about Yoon Geum's father-in-law, Han Pan Ro, the main villain who gave orders to ruin Ra El's family until the end. Not much was also said about the crimes of his father-in-law's right-hand man either, Joon Cheol, who was directly responsible for Ra El's father's death. I want to know how these main two old crocs are going to get their comeuppance, chop chop. I want to know what Ra El was going to do to them and how she's going to set a trap them. But no. This drama insisted that the focus was placed on Ra El's load of chameleonish outfits, the seduction process, and the boring, lusty object of her seduction. Everything is all over the place. It's garbage.
I mean, don't we need to know, how Ra El gathered the specific evidence to nail the bad guys? Shouldn't I be learning about the villain's specific crimes? Shouldn't I be learning about why Moon Hee, the older woman she's collaborating with in her revenge scheme, and why does she also want Han Pan Ro's head? What's Moon Hee's backstory? But I got nothing. All I got up until Episode 9, was wasting 9 hours of my life watching useless catfights between Han So Ra (the guy's wife, also daughter of Han Pan Ro) and other wives of the upper class, Ra El waltzing and sashaying in different outfits to seduce the guy and finally had sex with him. I also had to watch Han So Ra have sex with a manservant. For what purpose was I shown this? What has So Ra's sex life got to do with Ra El's revenge plot? And I have to put up with scenes of failed attempts to gain entry into Yoon Geum's safe, in order for Ra El to obtain the ledger of her father's company 13 years ago, which is remarkably stupid.
No one keeps a 13-year old ledger of a company they usurped illegally from a man they killed. No one does this. They would sooner burn the ledger to get rid of the evidence. I'll quote a real life scenario: Weeks before Enron Corp officially went down, Arthur Andersen started shredding its audit documents related to Enron. So to think that Ra El and Moon Hee's aim was to retrieve a decade-old ledger (13 years lmao) with the assumption that it still exists, is all the more ridiculous. Additionally, what kind of huge company would contain its accounting info in just one thin ledger? Is this junior high accounting class? In the real world, companies in operation are allowed to destroy their documents after a minimum of 7 accounting periods have passed (7 years) by IFRS Standards, which the Korean Accounting Standards Board (KASB) adopts. It doesn't make an ounce of sense then, for the villains to have illegally acquired Ra El's semiconductor company and then still retains the documents detailing their crimes after 13 years. It's common sense that criminals would destroy evidence as soon as possible.
Again, this whole drama really doesn't bother to tell you the specifics of what really happened to Ra El's father or his company. It really only vaguely tells you that the father was accused of being an industrial spy, was forced to sign a confession which he refused, and had his life snuffed out of him and his shares of his company robbed. Which is again, dumb. There are laws which protect a director and his company shares. The script just wanted to use that cheap backstory to give Ra El a motive, and show the audience some fashion houses' outfits worn by Seo Ye Ji, show the audience some skin and sexy times. Oh, and scriptwriters had to make the seduced man's wife, Han So Ra, into a screaming, crazy mess, because it helps with raking up more sympathy points for Ra El. Imagine if So Ra was actually a good person!!! That is a no go for the scriptwriters. It would make Ra El invalid. So of course the wife had to be evil. And she had to be someone who also had a hand in Ra El's mother's death. This was only revealed in Ep 7, by the way, I guess it's the scriptwriters' way of saying, yeah, we know we're focusing way too much on the wife, but there's a reason!!! And still, that reason went to nought. Too many retroactive continuity in this trash.
The side character, Seo Eun Pyeong, the "clean" assemblyman who scorned the rich, who would never agree to meeting any of them for whatever reason, neither accepting a lunch invite nor a gift -- he was a convenient tool for Ra El in this drama. Eun Pyeong was usually so morally upright, that he was incorruptible. But of course, he easily agreed to rubbing his shoulders with Han Pan Ro for the sake of helping Ra El in her quest for revenge. What made this ridiculous was, Ra El was a mere 15-year old child he had helped some 13 years ago. She was a child he had sent to the USA to live a new life after her father's death. This dude was essentially sacrificing his entire career for her now. And the reason? Love! He decided that he loved her, and declared his love out of nowhere. This was after meeting the kid 13 years later and not even spending an inch of time to find out what her character is really like for him to fall in love with her. Nevermind, he fell in love after watching her erotic dance that one time in her studio, I guess that counts. Very logical! I swear this is one of the worst dramas I've ever seen this year.
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Only if you're a Liu Yu Ning fan
After watching The Prisoner of Beauty I really wanted to love this but it wasn't meant to be. Don't get me wrong Liu Yu Ning was terrific as the male lead Nan Heng / Li Shi Liu unfortunately he couldn't save this drama.I have never been so angry watching a drama before. But this one managed to piss me off to no end. How could one character (the male lead at that) be so hated. Everyone (aside from his people) were mean, downright cruel to him. And then along comes the female lead and dang if she isn't the worse of the lot (and that includes the emperor and that's saying something)
His own father hated him for something he didn't do. Honestly how could a child be responsible for a grown up's death? And it just went downhill from there.
Every episode seemed to get worse starting from the very first episode. In just a couple of episodes I was actually rooting for Nan Heng to ride off into the sunset and leave the rest to their own fate.
Then around episode 30 the writer decides to change it up and have the emperor realize he'd wronged Nan Heng. And of course the female lead finally comes in with the "White head, same heart" but personally, I felt it was too little too late.
Great happy ending.
Would I recommend it? No. But if you are a Liu Yu Ning fan and you've seen everything else of his then give it a shot, he's the only reason to watch it. However, I'd recommend a rewatch of The Prisoner of Beauty instead.
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The worst regression of a plot and its characters I've ever seen
This entire drama is a fraud. It pulls you in from the beautiful pilot episode filled with symbolism, breathtaking cinematography, and the heartbreaking backstory of who you THINK is the main lead, Han Jipyeong. And then it pulls the rug from under you.Nam Dosan is the main lead, though he had a 10 second clip only in episode 1. Regardless, he was great in the beginning. Relatable, cute, dorky, and very lovable. Until he's not. I really can't pinpoint where this happened, but Dosan quickly became the most toxic, manipulative, serial liar with anger issues and violent tendencies, male lead who never gets called out for his actions. In fact, he is rewarded for everything he does, good and bad. Why? Because he's the main lead, of course! Duh.
On the other hand, we have Jipyeong, our second main lead who feels like the main lead but is treated like a punching bag and a waste disposal. Everything revolves around him: the plot, the letters, the character development, and the relationships with all the other characters. He is the heart and soul of the story, no matter what the writers were trying to convince us otherwise. This was in part Kim Seon Ho's doing, as he breathed life into his character. What I firmly believe happened was that Han Jipyeong was not MEANT to be as loved as he is. Rich, quick-witted with a sharp tongue and a self-made man, he could've easily become the antagonist of the story, but Seon Ho achieves in making him out to be a beautifully flawed human, a man who grew up with nothing and has had to fend for himself all his life. Props to Kim Seon Ho, who was a hidden gem that was discovered through this mess of a drama, and for that reason only I don't regret watching it with my entire self. As much as the viewers learned to love Jipyeong, the more the writers began to hate him, and his entire character arc ended with a whimper, leaving us unfulfilled and demanding justice for him.
As for Seo Dalmi, our female lead, the writers were amazingly horrible in developing her. She went from being independent, hard-working, dream-filled to a pathetic and helpless nobody who couldn't do anything without the help of a man. We never really learn what she's thinking, or why she's doing anything, or the reasoning behind any of her thoughts or actions. Honestly, I don't even know who she is. The show failed in fleshing her out and showing any sort of character growth and development on her end. She's a mystery box. You can't predict anything she'll do or say because nothing about her is consistent. Very disappointing.
Overall the show advertises itself as a business youth drama, but it really isn't. It pretends to be one until the plot falls apart and character development is thrown out the window. Plot holes everywhere, dead storylines, and "main" characters are more like cameo appearances- AKA Kang Hanna. The writers forgot the overall arc of the story and instead focused on a love triangle that went nowhere for 10 episodes. In all honesty, the plot could've been concluded in about 6 episodes. It dragged on for so long and so painfully, with virtually nothing happening in the second half. Without Seon Ho's portrayal of Jipyeong, I really doubt that this show would've caught the hearts of the viewers, and as amazing as he is I would still never recommend anyone to watch this show. You're better off watching clips of him on youtube.
Lessons and morals of the story? Cheat, lie, play dirty, fight your mentor and those who help you, blame others for your failures, never be grateful to your friends and family, use "fate" to explain your mistakes, and win the girl. Wonderful, very heart-warming.
I don't think I'll be watching another Bae Suzy or Nam Joo Hyuk work for a while to cleanse my palate from their portrayal of the worst characters in kdrama history, which is ironic given that I started this for them in the first place.
1/10.
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After watching episode 12, I had to change the review about this drama.
This drama is very promising at the beginning because the theme, storyline and actors are very good. But only for the first 8 episodes.
From episodes 9 to 12, in my opinion, the quality has decreased dramatically in terms of the storyline.
The only thing that kept me watching was because of the character Han Ji Pyeong, who in my opinion he was a very extraordinary scene stealer.
As the second main character, he can attract the attention of many audiences to beat the main character.
There are still 4 more episodes left, but I didn't expect much.
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This drama went from 만점 (100) to 빵점 (0) real quick ?
The issue isn’t the fan ship war that has erupted lately.
It’s that This has become the most important question for viewers to judge whether they come out of the drama slightly satisfied or not: “who the female lead is going to choose as her beau?”
•The second female lead has been reduced to a poor cameo role; who despite being sister, daughter & granddaughter doesn’t even get told in 3 whole years that her Grandma is losing eyesight.
•The female lead turns from an independent, almost self-raised woman with a bold personality to a damsel in distress who cannot function without help from the men in her life.
•The Start Up title is a bait. We start off with a group of inexperienced + Zero business knowhow but passionate people who hope to become the next Steve Jobs or Google. Whilst the first half of the drama gives you hope that this team will slowly learn how to become entrepreneurs and encounter common start-up problems.... We end up with a bunch of (very) immature people who rely heavily on plain luck to secure investments, recognition & success and then proceed to Sell off their company in ONE day without any forethought about their goals. The drama then proceeds with a misplaced time skip to gift this team success & wealth from jobs at other companies.
•One of the worst time skips ever. Not just because the actual scene transition was terrible. First due to when it takes place, it robs the characters of the opportunity to reflect and learn from their mistakes. Second, zero character development in 3 years skip. Everyone seems to have frozen in time. (stagnation) Third, all the previously struggling characters have found (lucky) career success & wealth and we miss their journey through it.
•The show seems to Romanticise/gloss over undue violence and immaturity Especially in a workplace/professional area. (Guys if you punch your mentor At work or school because he made your girlfriend cry after your Own friend told Him to tell Her the “harsh truth, no feelings involved”..... You will be kicked off campus/site and not allowed back in. There may also be lawsuits on assault.) The main characters consistently & unrepentantly make business decisions based on personal emotions- love life, jealousy, euphoria, entitlement. I cannot stress enough the lack of maturity a bunch of 25+ somethings show in their Place of Work- that even teenagers in contrast can seem more wise.
•The male lead has been reduced to a whining entitled toddler who, like a broken radio in order to gain sympathy points from everyone around him, keeps crying & repeating he “has nothing” just because his love life isn’t sailing smooth. THIS, despite the fact that he has 2 very loyal friends, supportive parents (regardless of their expectations of him they still invested into his loss-making, no-real-plan, debt-run business for 3 whole years prior to the show start), a close cousin who’s more like a brother that does marketing for him for basically free, genius coding talent, handsome & tall looks, a warm family house (not an apartment!) to return to.... and after a time skip, even becomes successful & wicked rich..... Like dude, what the hell more do you want ?!? And what’s more ridiculous is that he’s the most well-off character in the show. One of his own friends has lost a brother to suicide. The girls have a dead parent + blind grandma + enemy like stepfamily. The other guy is a literal friendless orphan whose success is all self-made......
It’s a wonder we’re still watching this drama. The effort of the actors, the pretty cinematography, the enticing OST. There’s not much else bringing us back except needing to know the conclusion of a drama we already invested our time & energy in.
*credit to someone*
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When you try to be too many things and end up being nothing.
Queen of Tears is a show that is trying to do it all. It wants to be a complex story about a dying marriage. It wants to investigate the fragility of mortality. it wants to look into twisted messy familial relationships. It wants to explore the tragedy of losing your children. It wants to be a thrilling chabeol game of thrones. It wants to be documentary about toxic unrequited love from an obsessive villainous male lead. The end product is a sopping misshapen mess that manages to be none of the above .It claims to be a journey of a married couple at odds finding their way back to each other (but the male lead spent half the show trying to divorce the female lead or hoping she dies) it attempts to be a meaningful essay on death and sickness (but haein's illness seems to be an afterthought half the time, merely a plot device to remind the people around her that she exists and that shes human and that she deserves to be loved) it takes multiple sloppy shots at trying to play the inheritance games (but the chabeols you're supposed to root for are so stupid and pathetic you feel no sympathy for them when they get taken for all they're worth) The messy familial dynamics fall flat as we watch a mom very unreasonably neglect and villainize her 10-year-old kid over the apparent murder of her other child. It tries to skim over the terrible topic of miscarrying your child into a mere oddly placed 10 minutes.
The show is its own worst enemy. it stages an effective angsty scene between the leads about the difficult choices u need to make when ur ill and then undercuts it in the editing room by immediately following it up with an oddly placed flirtatious and humorous scene. It tries to impress upon us the terror of yoon eunsong's controlling, manipulative ways and immediately follows it up with Haein freely stalking her apparently abusive lying cheating ex-husband with a smile on her face. some shows are capable of maintaining a light tone while speaking about heavy topics and still pay them the respect and significance they are owed [refer: oh no here comes trouble] but queen of tears is not one of them. Rather than a show that uses comedy cleverly as a way of bringing to light its complex subject matter, it comes across as a jarring whiplash of moments thrown together by two different editing teams who were given two very different instructions.
This is a show that tries to tell more than show. They want to tell you that these people love each other but when you think upon it for more than two seconds you start wondering why they fell in love, why they fell out of it, why the miscarriage that got 8 minutes of screentime tore them apart so viciously that the husband began to wish his wife would die and her terminal illness would make her more likely to leave him with some soft cash to fall back on. On the surface level, it's all there, Hyun Woo's self-centeredness, and Haein's inability to communicate her emotions but it's too little too late for the depth of the melodrama they plunge us into.
Despite Kim Jiwon's and Kim Soohyun's stellar performances, you exit the couple's showdowns thinking "damn is it really that deep?" and that's where a romance drama fails for me, it fails if I think the romance is too soppy coz that means that the foundation or crust of the writing is too weak to hold the decadence and the intensity of the acting job.
Queen of Tears ends it's run tonight as a show that tried to do too many things and ended up doing none of it satisfactorily. Rather than introduce terminal illness, scheming villains trying to usurp wealth, and obsessive friends from college they should have delivered on the one thing they promised, a married couple at odds finding their way back to each other. If only they had stripped down the additional dressing and focused on the messy terrible marriage of Hyun Woo and Haein and their respective and combined issues and how they overcame it without the unnecessary roadblocks like amnesia and evil second male leads, maybe it could have been worthy of the acting performances of the leads.
if you want to watch a messy married couple falling back in love its better to watch hits like flower of evil or go back couple coz this one was just disappointing.
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What´s life if our heart threatens to tear? Emotionally intense KDrama. About crime&politics, too
“Wonderful World” is painting a wonderful psychological picture of people desperately trying to come to terms with their inner suffering. The focus is on feelings that we would rather not experience. Accordingly, the KDrama is anything but funny. This is once again a KDrama that isn't afraid of drama.What is life like when our heart threatens to tear? If someone is losing their child, for example... There is no stent nor bypass for that. Guilt and loss of control, the desolation of existence and sheer agony are shaping the terrain through which one has to survive every day. At best there is grieving. But to get there even, that is a long way... “Wonderful World” takes on these emotional dimensions – carefully, sensitively, seriously and urgently.
At the same time, this KDrama vividly documents how the selfish decision of individuals, who see themselves as elite or want to be seen as such, unscrupulously, ruthlessly and brutally throw the lives of 'insignificantly normal' people completely out of balance. It is thus a political drama about a world that is not as 'wonderful' as it claims to be, too.
“Wonderful World” is also a crime thriller because there is a murder to be solved. This brings tension and additional dynamism to the story. “Wonderful World” could also be understood as a story about one or two revenge missions. In my opinion, however, these are more stencils in the background. In the foreground unfolds the emotional world of those who feel left alone in their pain and their helpless anger - but still, they carry on, somehow. Two humans see and understand each other in their suffering and are/feel/come close to each other because of this ...and ultimately try to regain a sense of control over their lives. Therein lies the power and beauty of “Wonderful World” (I think anyways).
As I said, this KDrama is not afraid of drama. It's right in the middle of it and even better. The increase in entanglements, and the music, too, remind me in places of the early KDramas - and gladly so. A great script. Yes, bitter life experiences, admittedly. Nevertheless. Intense acting. Serious. Authentic.
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Not worth the wait
3 long years after the insanely good and very high rated first season, I have to say I’m very disappointed with season 2. It fell way below what I was expecting, and honestly felt like a completely different show to me.First off, I was very sad that the original cast made it so far for half of them to be killed off by the second episode. They introduced way too many new and not important characters with no character arch or background on any of them. The cast from season 1 is what gave the show such great charm, and these new characters had nothing to them at all. Not to mention, none of the good characters from season 1 remained except for obviously Hyunsu and Eunyu. Everyone else that was there I could care less about. Give me back Jisu!!!
Next, the storyline was just so all over the place?? There were 5 different storylines going on, all of which added barely any substance to the plot. We definitely could have done without Yikyung and her weird monster baby, that pretty much added no value other than, that monsters are evolving, which we knew would happen at some point. Didn’t need to be some weird sub storyline. Keeping with this thought, I could give a shit less about the people at that damn stadium. It became pointless to me after Eunyu left it to find Eunhyuk, but instead we spend most of our time here instead of the more important plot points. Who was Chief Ji? Why was she so suspicious? Was she harboring a monster? Was she a monster? Guess we’ll never know that because they didn’t explain anything. What was with the old man and Hanni?? What was their added value?? Why did they want us to care about these soldiers so damn much? They were a tad bit more important to the story though as they did come across more neo-humans, but why do I have to care about them? We were gonna end up at the research facility at some point with or without them.
And lastly, my BIGGEST issue with the show: where the hell was Hyunsu for half the show?? Main character but they gave him no main character energy. He was sidelined to make way for these less important characters. Last we saw him, he was petrified/turned to stone by Uimyeong at the research facility as it was crumbling, then what happened?? How did he get out? How did he become unfrozen? How did he find Yikyung and her weird monster baby?? And then he’s just gone? for three episodes? and magically shows back up for the last 2?? For a story about Cha Hyunsu and him being the only one that can stop monsterization (maybe) he sure was given dust. What happened to Uimyeong after he petrified Hyunsu? He was j chillin until Dr. Lim showed back up? I mean none of this story made any sense and lacked what made season 1 so popular.
All I can say is, I was very disappointed with the long and highly anticipated wait for season 2. With the return of Eunhyuk at the end, I have slightly higher hopes for season 3. I hope season 3 can redeem any lost hype that season 2 didn’t have and bring back the feeling of what made Sweet Home so incredible.
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1The ship didn't just sink, it imploded under the weight of its own melodrama and bad writing!
The central plot of the drama revolves around trauma and its handling, set against the backdrop of a war zone in Eastern countries. However, it failed to evoke any emotions in me and just felt bland and boring.The only saving grace, which is why it even gets a 6, is thanks to Benjamin and Saxin, who helped me sail through all 38 episodes of this aesthetically pleasing mess!
For a drama where trauma is the main plot, there was no real sense of warmth, depth or emotional resonance.
At first, it gave off the impression of aiming for something deep and thoughtful, but it quickly lost its way. The plot meandered aimlessly, leaving what should have been powerful moments feeling strangely flat and forgettable.
FL Song Ran was supposed to be a reporter, but she spent more time doing everything except her actual job. It was hard to believe how she was just wandering around and taking pictures in a war zone army base, it just felt completely out of place. Most of the time, all I saw was her trailing behind the male lead.
ML Li Zan's character left me with mixed feelings. I appreciated how the show portrayed his trauma and the denial he was stuck in, it felt raw, real and authentic. However, as time went on, it seemed like his reluctance to open up was more about convenience than anything else. The constant addition of trauma without any real growth or resolution made it feel like there was no light at the end of his tunnel.
I am a fan of both the actors, but I just couldn’t feel any chemistry between them. Maybe it was because their romance developed in so many illogical situations like having a heart to heart conversations on the bomb site before even getting medical aid , that it felt hard to buy into.
Most of the drama was set in a war zone, but the seriousness , urgency and consequences of it were largely missing throughout especially in the first half. The logic was often flawed and there were many instances that could have been fixed if they paid a little attention to detail. For example, why were people moving so freely in the war zone? Why were people just lying down and hugging when there had been a bomb blast only minutes before and why couldn't they do that in hospital to make more sense ?
When it comes to handling PTSD, don’t get me wrong - they did attempt to show the real vulnerabilities, denial and the struggles people face after being in such a traumatic environment. However, the portrayal became a repetitive cycle, with no significant character growth. It doesn’t make sense to me that after 8 episodes of dealing with the issue, there was still no real development.
You would expect them to be open and communicate with each other, especially after everything they’ve been through together. But no, we are still stuck in that non-communicative phase, where life-threatening and life-changing decisions are made without even informing the other person.
In real life, while PTSD can have long-lasting effects, people do tend to make progress over time, whether in small steps or through moments of realization. The drama's absolute refusal to allow characters to experience this type of growth feels unrealistic, as it disregards the possibility of healing and moving forward.
At one point, the hero complex from both of them actually diminished the impact of those serious scenes!
Acting wise both the leads did a good job with what was given to them. Chen Zhe Yuan can act and time and again, he shows that! Liang Jie did a great job too but CZY stole the stage when vulnerable scenes were on the screen!
The emotional scenes were executed well ( the man cries so pretty) but the problem wasn't the acting but the writing!
Now coming to the good part, Benjamin and Saxin ! This was a perfect enemies to lovers trope! The constant bickering , the eye contacts , the jealousy, the unwavering trust and support for each other was just the chef's kiss.If the drama had focused more on them or given them even half the screen time, I would have rated it much higher.
Censorship wants you to think it is brotherhood, but they ain't fooling us. Initially I thought it was me who was on team delusion, but they kept hinting us that we weren't wrong. They know what they are doing ! They know we know what they are doing ! Everything is out there yet still between the lines. We need a masterclass so that we can have those shelved dramas out !
I want to keep this review spoiler free but let's just say the ending was just bizzare and lazy writing. It was as if they ran out of ideas to how to make this mess right which they made, grabbed the nearest piece of paper, scribbled something random, and called it a day.
Overall, this drama was incredibly disappointing and fell flat despite its ambitious premise. It seemed to aim for something grand, but ultimately, it failed to deliver. The plot lacked depth and the pacing dragged, making it hard to stay engaged. It was a slow burn with little payoff, leaving much to be desired and leaving me feeling bored.
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Never believe in the dramas / movies set in the 80s and 90s
The plot is somewhat typical, a story about first love and friendships in adolescence, at first I felt that it was a bit slow but then it improved, really what is most striking is that you do not expect the ending and the fact that the love story from Bora and WooHon it ends before it started it hurts, at least they would have had another kiss---
The performances were good, Kim Yoo jung and Byun Woo suk in the train scene where they say goodbye will always be a memorable scene, it was impossible not to cry and Han Hyo Joo in the last scene where she sees the tape... Damn she didn't even have to speak so that I would be destroyed
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The best movie of 2022 and here the phrase that destroyed us all "I want to see you, Bora of the 21st century"
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An energetic idol drama with soothing love and dreams
This drama is so great. All aspects are so amazing. The acting of all the cast is pretty good especially for our main cp Wei Zhi and San Chong. Yu Shuxin is always clever at captivating the hearts of audiens not only men but also women like me. Sooo cute my baby zhizi. Lin Yi's acting is also quite good in portraying the character of San Chong. The performances of the cast are also great. The scenery shown in every frame in the drama makes me unable to stop smiling. The storyline is light and flows naturally. I was impressed because this drama not only presents visuals but also full teaching about mature ski teaching. The transition of each scene also really good. I Love this drama so much. I hope the flow will remain good until the end and I always look forward to the episodes every day. ❤️❤️Was this review helpful to you?
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I expected a better ending
This drama is good, but the beginning set up high expectations. I love the fact that they gave us an evil female lead since that is quite rare to see. However, I expected a better ending. Since I was spoiled by the webtoon version, I expected them to follow it and give us a better story.SPOILER! Jae Oh’s death was unnecessary. He was my favorite character, and I sort of expected him to protect Ah Jin and save her in another way instead of sacrificing himself. They made his death meaningless because, after all, it didn’t help her at all.
Jae Oh would literally burn the world for her, and he put his life at risk with the thought that it would save her. I thought he would come up with a smarter plan to save her career.
But at least I discovered what my ideal type is. (Sorry, I just had to add that!) Jae Oh was so damn fine, and I loved the way he treated Ah Jin. I wanted him to stay with her and take care of her after she was exposed, just like in the webtoon.
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A Classic treat for xianxia Fans
A classic typical xianxia with a Youthful taste to it. the last Immortal had pretty much done a good job in character execution. Turning a simple xianxia plot into something to cherish.With a unique Youthful feel to it. We get characters whom might come off as Annoying In the beginning ( Because of course they're immature youths lol) and then grow into the mature versions of themselves. One you would journey with and root for along the way. Therefore the characterization of this drama was well done and executed. I personally Enjoyed them.
Plot wise, The last Immortal is nothing new to xianxia. It falls under the basic recycling of Cliché xianxia plots. And it didn't fall short in it's worse way, So to say it really execute the classic Cliché Nicely. So typical lovers of the genre can easily find this enjoyable.
A professional intake into the writing Could note that this isn't the best Xianxia script written. but hey, it's not the worse either. and Considering how Outdated the novel it was adapted from is, I think this really did pretty well. Giving the xianxia feel for it's lovers to enjoy. And it's also easy enough for new xianxia watchers to dive in and enjoy.
I think CIG is a idea that varies in taste. Some have their definition of good CGI and some bad. So to say ,I pleasantly Enjoyed the CGI given here. It wasn't the best and most expensive set (Considering how fast and rushed it was shot and released ) but it wasn't bad. I enjoyed most Scenery and the colour contrast was beautiful.
The OST is something I love! It was heartfelt and beautiful and matching to the theme and situation. So I personally enjoyed the Ost a lot! Obviously going to my playlist hehehe.
Overall the last Immortal is a Drama I found myself engrossed into and loved. And a beautiful story with perfect ending that I cherished ( Omg the fact of the last scene of the ending really moved me) So I would certainly recommend this to all interested to check it out. Don't be Fooled by negative remarks, all drama has that. So Check it out for yourself
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