Reviews

Hit the Spot as a Heartwarming and Emotional Drama

Not many times after watching a drama, especially recent Korean dramas, do I end up with this sense of happiness and fulfillment that I usually feel after being exposed to something nice.

The plot itself is attractive, since it exposes the challenge of ultraconservatism against something that is full of taboos but widely discussed among people, such as sex toys, and the task of running a real business.

I liked that the story felt real, without needing to portray exaggerated villains who exist only to destroy the main leads' lives and keep them apart, or, on the other side, good people close to stupidity who serve the main leads.
The plot didn't exaggerate the main leads' traumas or rely on extreme situations to drive the eventual breakup as emotional blackmail; instead, it developed a credible adult evolution toward moving past them.
The way the FL evolved from extreme conservatism, even for Western eyes not used to that kind of custom, in how she finished her relationship and how she faced her emotions for the first time in intimacy, felt real and well-acted.
On the other hand, the ML faced his fear of relationships, and the evolution of his relationship with his father also felt real and well-acted.

Both leads conveyed the feelings and evolution well through their acting.
About the supporting roles, the ML's partner was good enough; the way they managed the discussion about the FL was credible, and his acting with the ML at the beginning, driving the FL's confusion about their sexuality, was a little bit exaggerated, but well explained by him. The confusion episode certainly led to hilarious situations, and it marked the beginning of the main lead's relationship.

The relationship between the FL's boss and the ML's company worker didn't improve the drama, but it seemed incorporated into the plot, since this kind of relationship is very popular in Easter dramas.

The FL's brother's relationship with his girlfriend didn't add much to the plot; it was too complicated, didn't convey an interesting message, and wasn't clear, and the drama wouldn't lose anything if they cut all their scenes.
However, the mature woman in the ML's company brought interesting situations to the plot, such as her behavior when she discovered her daughter having intimacy with her boyfriend, and the important message of protection; then, when she discovered her husband's situation, reflecting on the taboos of the business, and how she hid her job from everyone.

As in Korean dramas, production was clean, with no mistakes, great direction, lighting, and music. The pacing was good, and the episodes didn't feel long.

This drama, humbly and without trying to be the year's biggest success, was one of the best Heartwarming and Emotional Dramas of the year for me.

Read More

The Fine Line between ...Not Telling vs Lying,...Afraid to Lose vs Not Trusting Enough

I was in a review slump but I really wanted to write something about “When the T-Shirt Dries”. It’s hard to write this review without spoilers.

I didn't really have any expectations when I started this drama and only heard some good reviews on the Feeds. At first, I thought this was yet another Japanese drama about infidelity. You know, Japan is quite famous for this genre.

As the details of the accident and the secret rendezvous of Azusa and Mitsuru slowly revealed, I am almost ready to chalk it off as another one of those emotional cheating. But then, isn’t that too obvious to reveal so early in the drama? And then Mitsuru's sudden disappearance added another layer of mystery. I was so ready to judge Azusa and Mitsuru. When I see Mitusuru’s nonchalant face and explanation of his ‘platonic’ relationship with Azusa, I want to punch him and strangle him so much. You cannot disappear for a year, show up suddenly and pretend nothing happened. Comparing his relationship with Azusa and his wife’s relationship with Ayumu is totally incorrect. They got close due to trauma-bonding. Yes, I still think it’s emotional cheating when you intentionally try to hide this from your spouse and not trusting them enough. It’s especially true when they both know how others might perceive their so-called ‘platonic’ relationship yet they disregard their spouses feelings if they find out. Mitsuru can share all his reasons for his actions. But that doesn’t mean Azusa needs to agree, accept and stay put and wait for him to return.

Poor Sakiko and Itsuki are both left behind. Their trauma-bonding friendship is mature, fun and complicated. They really do have good chemistry together and I guess in the end, they see how their spouses got together at the laundromat. But their meetups are not secretive. They really built a friendship first, openly, before starting thinking of moving on and the possibility of something more (and a year later). They didn’t get together right away. But despite wanting to move on, it’s clear that they both love their spouses still and that’s the painful truth of life. Feelings don’t get cut off just like that. I really enjoy how the drama explores Sakiko and Itsuki’s friendship and relationship, and the complicated feelings of still loving their spouses very much despite being in the dark.

The acting is great all around. These are experienced veterans who can express all these emotions beautifully. The supporting cast is minimal but interesting. They all play a very different role, and apparently see a very different side of each of the 4 main characters. It was interesting to see how the supporting cast of Naoto, Miki and Koji bring a little different to the table and help us all see a more complete view of the four main characters.

As for the ending…. It’s a realistic one. Despite still loving each other, when there’s a crack to a relationship, it’s really hard to mend and pretend nothing happens. Saikiko and Mitsuru tried. But once that seed of doubt and distrust is planted, it will forever change the relationship. Is it better if they both share their secrets early on in the marriage or relationship? Would Saikiko be more prepared for Mitsuru’s sudden disappearance? Would Sakiko be more of herself and let Mitsuru see who she really is? Would they both understand each other’s history better and the reason for their actions? Or would they just break up even sooner? We would never know. In the end, I feel so sad for Itsuki. He’s the one who’s truly left behind. Itsuki has the most rational and human reaction to all that happened. He understands his wife’s ‘friendship’ with Mitsuru but still feels jealous that he’s not the one she can open up to. A part of me wishes Itsuki and Sakiko would get together, even before Mitsuru’s return, because they are just so fun and comfortable with each other. A part of me really likes the ending.


If you enjoy a mature drama about marital relationship, I strongly recommend “Until the T-Shirt Dries”. It has great acting, great chemistry amongst all four leads and it’s complicated and messy in a good way. I thought this would be slow-moving in the typical Japanese slice-of-life way. But it’s not. I was surprised I watched 5 episodes in a binge, even though nothing dramatic happened. It sucks you in because you care about Sakiko and Itsuki and want to find out what really happened to their spouses, so that they don’t suffer anymore.



Drama Completed: 11/3/2026 Review #730

Read More

Strange and Beautiful!

I loved this drama. It’s one of those supernatural fantasies that’s riveting from the very first minute and stays that way throughout its shifts and turns, and manages (thankfully) to stay unpretentious and doesn’t drag.

It’s beautiful, dark, fun, moving, epic and emotional. It’s all here - life, death, rebirth, vengeance, wonder, penance, regret, forgiveness, bliss, tragedy and time-spanning love. Higher beings, grim reaper(s), a cursed goblin, ghosts, good people, bad people, time skips…it’s rich with story, but not confusing.

I completely freaked out from the 1st episode, watching everything like a human version of the heart eyes emoji. It has touches of German filmmaker Wim Wenders’ masterwork Wings of Desire (remake was: City of Angels) in early eps.

Great cantankerous chemistry between the goblin and reaper.

The age difference between the ML and FL was a little uncomfortable, not literally (actress was 25, actor was 37), but the characters - she was playing an 18/19 year old initially, high school senior full of bouncy, happy puppy energy vs rich uncle in a cardigan driving a Maserati. Much easier to take when she aged. They keep it pretty platonic in her teen years, and appropriately acted more adult-like with romance when she was older.

Lots of gorgeous cinematography and music is excellent - I never skipped the intro.

Read More

Hoped for better

This is a thriller with very few reinforcements available, very little ammunition, tracking down a monster of nameless lethality.
The tension is constant; the characters are stressing out and swearing up and down in striking realism. As soon as the monster is discovered by the main character, the roles are reversed.

Up to that moment, the film fully deserves a 10/10, but unfortunately, it very quickly becomes disappointing.

Im Seong-ae comes off like a parody of Rambo: skid, then gun in hand with several long takes and slow-motion shots. Then she gets back behind the wheel while spouting cliché lines every five seconds. Her arrival clashes with the entire mood of the movie.

The poop joke, although funny because of how much they push it, drives another nail into the coffin of immersion. Aside from the hunt in the forest and the autopsy in the city, the film completely loses its pacing and what it did best.

It turns into a succession of shootouts and car chases, redundant to the point of making these scenes visually slower than the rest. There are more car chases in this movie than car scenes in a Fast & Furious.

We also need to talk about the inconsistency of the creatures. Some seem to fear bullets enough to cover themselves or lose limbs to explosives, while others take several head-on hits and keep running. The quality of the CGI is also inconsistent.

We end up taking their perspective, which, to me, felt like yet another betrayal. Their distress is explained to us through this dialogue, yet all the clues were already there and had even been deduced by the cop earlier.

Ironically, the movie concludes with the characters still running, again. It’s a shame, the film could have been wrapped up in one go if it didn’t beat around the bush so much.

Read More

Feel What the Characters Feel: A Beautiful Story Beyond Judgement

It's actually a really beautiful story if you look at it from this perspective. There are two people in a relationship, and whether they're good or bad, if neither of them has a problem with the other, I don't think a third person has any right to interfere or judge their relationship.

Similarly, if a character doesn't feel traumatised or wounded by something, the audience should perceive it in the same way. Because, at the end of the day, the most important thing is how the audience connects with the characters and the story. We should be experiencing the emotions that the characters themselves convey to us.

In my opinion, violence, toxicity, and intimacy has present in this only to the extent that the story requires them. Neither more nor less.

I also really liked the storytelling and narration. The flashbacks were used exactly where and to the extent they were needed. Instead of dragging the story with long flashback sequences, the makers presented them in small fragments, which made the storytelling even more beautiful and engaging.

I loved all the characters and all the couples. They were sweet, teasing, dominating, loving, and protective towards their partners. Honestly, that was the cherry on top!

I especially loved the main couple. I absolutely adored Itt's initially childish and stubborn behaviour. Many people might call it toxic, but I don't see it that way. You know, when we love someone, we naturally want their undivided attention. We want them to do things for us, even when we're perfectly capable of doing those things ourselves. We simply want to depend on them, and I don't think there's anything inherently wrong with that. Of course, being childish all the time isn't always wise, and sometimes it can lead to unfortunate consequences, just like Day's accident.

After Day lost his memory, I initially expected the roles to reverse. Earlier, Day used to pamper Itt, so I thought that now Itt would be the one pampering Day. But that wasn't exactly what happened.

Even after losing his memory, Day's instincts remained intact. His behaviour changed; he became harsher instead of being soft and affectionate, but his instincts towards Itt never disappeared. The way he used to pamper him, protect him, feel possessive about him, and love him all of that seemed to remain somewhere deep within him, despite his memory loss.

I also absolutely loved how everyone scolded Day for not taking care of Itt and for not treating him properly. And the most interesting part was that they continued doing so even though Day himself was sick and suffering from memory loss. That's such a unique and heartwarming aspect of the story!

I loved all the characters, whether they were friends, parents, or even enemies. Together, they created this beautiful, happy family.

I loved all the fun, teasing, hatred, obsession and every other little moment. I enjoyed every single second of it!

If you allow yourself to feel what the characters are feeling instead of imposing your own expectations and judgments on them, you'll realise that this drama isn't bad at all. In fact, it's a beautiful story about love, attachment, relationships, and the people who make a family.

Read More

Cannot describe the level of disappointment

This was one of my most anticipated shows of that year's lineup. The first episode did a great job of setting up the premise and I recall feeling giddy at how everything would play out. WHAT ON EARTH HAPPENED after that? How did this end up being so bad? I'm genuinely baffled. They had all the right elements to make this a banger and they fumbled every single one. The story was non-existent, the pacing was a mess, the characterisation was shallow and non-sensical. William and Est and their iconic chemistry did their best with what they had but even the of best actors could not have saved this tragedy of a show.

To name some of the very few positives, the colour grading was gorgeous, and the aesthetics in general were extremely pleasing to the eye. Also the second couple's storyline had at least some semblance of structure (which was completely mia for the lead couple), they also had great chemistry and they single-handedly kept me from completely dropping this from episode 3. Aaand that's all.

Please, don't waste the actor's talent and efforts on lazy projects with non-existent plots. It's disrespectful to them and it's disrespectful to the audience.

Read More

This One Was Definitely Worth the Watch

This is actually the first Luo Yun Xi historical drama that I've managed to finish and genuinely enjoyed! I've tried watching some of his previous historical dramas, but somehow, they just weren't quite to my liking. Yet here I am, completely hooked and thoroughly enjoying the story, the characters and everything in between!

At the centre of it all was Li Si (Li Qing Yang), who was easily one of my biggest highlights! What an interesting character! He's intelligent, cunning, skilled in martial arts and has such a playful personality, but there's also so much hidden beneath that cheerful exterior. I loved how his confidence and cleverness came through in his interactions with others, and how he always seemed to have something up his sleeve. His hidden identity, complicated past and illness also added so much more depth to his character.

Luo Yun Xi deserves just as much credit for making Li Si such a memorable character. He did an amazing job, particularly with how naturally he switched between Li Si's playful, carefree side and his more serious and vulnerable moments. His expressions and eyes were especially captivating whenever the character went through something emotional. Honestly, he was such a joy to watch!

The dynamic between Li Si and the Divine Constables was another aspect I thoroughly enjoyed. Their little team had such an interesting dynamic, especially when it came to their interactions with Li Si. I liked watching how they gradually grew closer despite their differences. Tbh, I was quite frustrated with how they treated him in the beginning. 😂 I understand why they were suspicious of him, considering how secretive and cunning he was, but come on, the man had helped them so many times! Thankfully, things gradually changed, especially after he saved Bai Zhen Zhu's father and Meng Rui. It was satisfying to see them slowly put their doubts aside and finally accept him as one of their own.

Of all his interactions with the Divine Constables, his dynamic with Meng Rui was particularly entertaining. I enjoyed their initial wariness and occasional clashes. Although they didn't always see eye to eye, their investigations and the situations they faced together gradually helped them develop a better understanding of each other. What I particularly liked was how Li Si seemed to understand Meng Rui's straightforward nature despite all the suspicion between them, while Meng Rui gradually came to realise there was more to Li Si than his secretive and unpredictable behaviour.

There were also some genuinely heartbreaking moments between them, especially when Meng Rui found himself regretting something that had happened between the two. The guilt and remorse he carried afterwards were quite painful to watch. Their relationship became even more bittersweet as more of their past came to light, particularly with Shen Lan's story and the guilt Li Si continued to carry. It was touching to see how they eventually came to understand and reassure each other. Their reunion with the rest of the Divine Constables was such a heartwarming moment, too. After everything they had been through, it was lovely seeing them come together again. And now I can finally see why everyone loves their bromance so much! ❤️

Away from all the bickering and tension with Meng Rui, Li Si's interactions with Jiu Ying were equally endearing! There's something so lovely about the two of them. They give me such brother-and-sister vibes, almost like an older brother looking after his younger sister. At times, they even have a little master-and-disciple feel to them. I loved how comfortable they seemed around each other, and their scenes together were always a delight to watch!

His relationship with his father, however, was a much more heartbreaking aspect of the story. Part of me really wished things could have turned out differently for the two of them. After everything, it would have been lovely to see them put their differences aside and finally have the chance to enjoy the father-and-son relationship they had both missed out on for so long.

Unfortunately, the rest of the royal family's storyline left me rather frustrated. The Crown Prince and First Prince were both deeply caught up in jealousy, resentment and their own ambitions, with little regard for their family or the consequences of their actions. While the First Prince's background offered some insight into his bitterness, it certainly didn't excuse his behaviour. As for the Emperor, I found him rather disappointing, especially as a father. His indecisiveness, favouritism and tendency to prioritise the throne over his family only made matters worse. It was frustrating seeing how much pain and unnecessary conflict could have been avoided if he had handled things differently. Most of all, I felt sorry for Li Si, who deserved so much better from his own family.

Thankfully, not every member of the royal family disappointed me. Zhou Zhu, the Third Prince, was a refreshing exception. It was lovely to see that Li Si still had a sibling who remembered him and never truly forgot about the younger brother he had lost. Even after all those years, Zhou Zhu continued to remember Zhou Yan in his own way, which made their eventual reunion all the more touching. I really appreciated how their relationship offered a contrast to the jealousy, resentment and power struggles involving the other princes. Honestly, it was heartwarming to see Li Si have a sibling who genuinely cared about him.

One relationship I certainly didn't expect to become so emotional was the one between Li Si and his master. Their playful bickering and little moments together were so funny and endearing. Learning the truth about their shared past made everything so much more painful. Despite how everything started, it was clear that genuine affection had developed between them over the years.

What I particularly appreciated was how the drama managed to keep things interesting without relying on romance. There was plenty to enjoy through its mysteries, investigations and character relationships. It explored friendship, family, loyalty and sacrifice while still making room for the lighter moments that brought so much charm to the story. Some scenes had me laughing, while others genuinely hurt. I really liked that balance between the lighter interactions and the more emotional parts of the story.

I also have to mention the music because I really loved it! Liu Yuning's theme song, 《有魅》 (You Mei), was such a beautiful fit for this drama, and I really liked how well it captured the overall feel of the story. The background music complemented the scenes wonderfully, especially the more emotional ones. It made certain moments even more touching and memorable.

All in all, Shadow Punisher turned out to be such a pleasant surprise. I went from struggling to get into Luo Yun Xi's previous historical dramas to finally finding one that completely won me over! Honestly, I would have given this drama a 10/10 because I genuinely enjoyed the story, characters and relationships throughout. However, the bittersweet ending made me hold back just a little, as part of me still wished things could have turned out differently, especially for Li Si. Nevertheless, it was a thoroughly enjoyable watch, and Li Si was undoubtedly the highlight. The supporting characters and the relationships he formed with them made the journey all the more worthwhile.

Read More

Promising Start but Lost Me in the Second Half

Rating: 7/10

Review

I started out really liking this one! It had all the makings of a romance I would enjoy, and the first half was genuinely promising. Unfortunately, somewhere along the way, it started feeling like a different series. The character dynamics became frustrating, the romance lost some of its initial appeal, and the story seemed to go backward rather than build on what had already been established.

I don't mind relationship angst, but I need it to make sense and contribute to the characters' development. Here, I eventually found myself more annoyed than invested.

I did enjoy the second couple quite a bit, and they actually became one of my favorite parts of the drama.

I'm not unhappy I watched it, but I wouldn't rewatch it or strongly recommend it. If you've watched hundreds of dramas like I have, it's worth a try. But if you still have plenty of good romances on your watchlist, I'd save this one for later.

Spoilers

My biggest frustration was Cha Ji-yoon (Park Ji-hyun). I was completely on her side when she finally stood up to Cho Ga-eul (Choi Kyung-hoon) after he disappeared for eight months. Good for her! But I thought she took things too far afterward and became unnecessarily mean to someone who had been an important part of her life.

I also found her reactions to Kang Si-woo's (Seo In-guk) previous marriage unreasonable. She initially seemed fine with him being divorced, but then became upset about pictures of him and his ex-wife, Choi Soo-jin (Park Ye-young). His past was his past. He couldn't erase it, and he shouldn't have to.

The situation with his ex-wife's mother, who had Alzheimer's, particularly annoyed me. Si-woo was simply being kind to an elderly woman who didn't understand that his marriage had ended. It wasn't about rekindling anything with his ex. Meanwhile, Ji-yoon had just spent time with her own ex and hidden it from him. I found the double standard frustrating.

By the last few episodes, I was no longer rooting for Ji-yoon. Si-woo was already someone who had experienced loneliness and a failed marriage. He deserved someone who could accept his past rather than make him feel guilty for having one.

On a happier note, I absolutely loved the second couple! I honestly started enjoying them more than the main couple. He was just so cute with her. The scene where he put his hat on her head while she was crying on the beach was adorable. Meanwhile, watching her kneel and beg her ex to take her back gave me almost unbearable secondhand embarrassment! I loved watching the second male lead gradually get her to take him seriously and show her that his feelings were genuine.

Overall, 7/10. A promising beginning, some genuinely sweet moments, and an adorable second couple, but the main romance lost me along the way. Worth watching if you've exhausted your options, but not one I'd revisit.

Read More

Whoever wrote this story needs counseling

I started this drama twice. The second time I made it to about episode 10, and I can't keep watching it anymore.

The dynamic between the characters makes no sense. The "male lead" Wei Zhou is a bitter psychopath with murderous tendencies. He tries to kill Ci multiple times. He tortures her in every episode. He has zero redeeming qualities.
Allen Ren did such a masterful job of playing him that I hate his guts (Wei Zhao's, not Allen Ren's 😄).
The second male lead is an intelligent and caring man, placed in a precarious position. He tries to make the best of the cards he's been dealt. He's carefully balancing his position and the emperor's favour in order to stay alive. Jeremy Xu also did an excellent job with this character.
Jiang Ci is an innocent caught up in the court intrigues she doesn't understand. She keeps making dumb decisions, but that's understandable given her lack of experience with a wider world - she practically spend her whole life alone or just with her Master, running around the mountain collecting plants and keeping cats for company.

So after ten episodes of Wei Zhou's truly despicable behaviour, I have no idea why he's supposed to be the "good guy", or why Jiang Ci suddenly starts developing feelings for him. There's no reason except "the writers want it so the plot happens".
It's stupid and unbelievable. No woman in her right mind would fall for a man that violent. Nothing in this world excuses the level of violence he's shown in the fist ten episodes, I don't care how tragic his childhood was.

Anyway, I gave up after 10 episodes, this show not being good for my health as every time I saw Wei Zhou my blood began to boil. I skipped to the end to see him die, but that's was a pathetic ending - he deserved worse.

I'm going to have to remember the writers so I never have to watch anything similar ever again.

Read More

Its okay but it could be more

In the beginning I thought that I would not finish this show, but I think it grows a little bit. Still, there are some flows. Sadly, I think the story is here and there kind of weird and doesn't make sense. But I think there are some really good scenes that helped you to get into the story. In the beginning I hated Kant. I was like, "He is the worst," but step by step I got more used to him, and it went better and better.

I watched almost all JoongDunk shows, and sadly, the acting of Dunk didn‘t develop how it should be. Because it's like his 4th show, and it's still kind of weak. especially if you compare it to the other three. I think the role of style was a mistake for him. Because the funny, relaxed role didn‘t fit him at all, and sometimes it was cringe and nothing else. Still, I want to be fair there where some scenes in witch his acting was good.

The ending was kind of strange, but whatever, right?

I love firstkhaotung, but for me SandRay still fits them better.

All in all it was okay but not more.

Read More

come for the attitude, stay for the kisses

Okay—I was ready to watch this because I love both Kim Jae Yeong (so ridiculously charming) and Nam Ji Hyun (she might be my favorite actress of all time—best vibes and such a strong female lead). But then I found myself completely blown away by the clever plot, the appeal of the ensemble cast, and finally the amazing chemistry of every couple on the show. I appreciated how this script really shows so many perspectives in the best possible light—as logical ways to understand the world—and then allows them to evolve and mature. That’s what happens in real life—show up as well as you can and then learn with the help of our family and friends. If are lucky we find our way to people who help us grow as we ground in our own strength and power. Plus good kisses—what an excellent vision for a great life.

Read More

A Saint, a Superwoman, Every Man's Dream... What Else Could I Describe Her? lol

This drama gave me plenty of emotional moments, a heroine worth rooting for, and quite a few reasons to scratch my head. LOL!

Wei Ruo's journey from a girl who experienced poverty, abuse, and unimaginable hardships to a woman admired by ordinary people is certainly compelling. Seeing her use her experiences to help those who are struggling is one of the most satisfying parts of the story. She understands the suffering of common people because she has lived through it herself. No wonder they adore her almost like a saint!

But here's where things get a little unbelievable: Wei Ruo seems capable of doing practically everything. She can outsmart powerful and corrupt officials, devise clever strategies, handle political complications, organize a community, protect refugees, develop livelihoods, and even deal with matters that would normally require an entire team of experienced people. Sometimes, I wondered if she was a heroine or a one-woman imperial department.

Her intelligence and resourcefulness are admirable, but I wish the writers had shown more of how she acquired those skills. Being clever and resilient is one thing; being exceptionally good at almost everything is another.

And speaking of missed opportunities, Zhuyu Estate deserved so much more attention! It had the foundations of a self-sufficient community, with agriculture, livelihood projects, military training, education, and shelter for refugees. Yet we barely get to see how these initiatives developed into sustainable results. I also found it strange that the Emperor seemed so disconnected from everything happening there. When ordinary people recognize and adore someone for changing their lives, wouldn't that reputation eventually reach the imperial court? An imperial visit and some recognition of her achievements would have made a wonderful addition.

The political storyline also had its share of questionable moments. Wei Ruo repeatedly managed to bring down influential people with surprisingly straightforward plans, while the people around her sometimes seemed to exist mainly to make her shine.

Lu Zhuo, in particular, deserved more character development. His loyalty, patience, and devotion to Wei Ruo were evident, but I wanted to see more of his independent growth and, most importantly, more teamwork between the two. Their relationship could have been even more satisfying if they had faced challenges as equal partners rather than having Wei Ruo carry so much of the story.

There were also several plot points that stretched my suspension of disbelief, with some developments feeling rushed or simply lacking proper explanations.

Still, I can't deny that this drama made me emotional. There were scenes that genuinely touched me, and Wei Ruo's determination to give others the kind of life she never had is something I appreciated.

MY FINAL THOUGHTS:
A memorable heroine, plenty of emotional moments, and an interesting premise, but too many conveniences, unrealistic situations, and underdeveloped storylines kept this from becoming an outstanding drama.

I enjoyed watching it, but I also spent a good amount of time questioning the writers. LOL!

If you've got the patience to overlook the plot inconsistencies, you might just survive this drama all the way to the final episode. Hahaha!

Read More